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{"id":6598227722299,"title":"Satched","handle":"satched","description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e","published_at":"2021-06-10T17:26:57-04:00","created_at":"2021-06-09T16:37:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","By (author) Coles Megan Gail","House of Anansi Press","Poetry","pub date: 2021-09-07"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39463662026811,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008956","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Satched - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008956","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39463751221307,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008949","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Satched - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":249,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008949","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","options":["Title"],"media":[{"alt":null,"id":22065791434811,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487003814","AlsoRecommendedISBN_2":"9781487008680","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY \/ Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubject_0":"POE024000","BISACSubject_1":"POE011000","BISACSubject_2":"POE023040","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Coles, Megan Gail (CA)","Description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e\r\n","EAN":"9781487008956","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487008956\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"House of Anansi Press","MetaKeywords":"canada reads;mental health;feminism;social media;anansi poetry;depression;anxiety;poetics;canadian literature;contemporary literature;canadian poetry","OtherText_Accolades_0":"\u003cp\u003eReading \u003cem\u003eSatched\u003c\/em\u003e is like drinking chilled wine with an old friend on a hot night, commiserating with love, gratitude, and mutual affection. It’s opening a second bottle, letting the kids fall asleep watching movies, and getting out the hidden cigarettes to really get into it. It’s a fist in the air before it’s aimed at an appropriate eyeball. It’s an exceptional accomplishment full of lyrical strength and poetic endurance.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of river woman","OtherText_Accolades_1":"\u003cp\u003eAre you ready for poems that pierce straight to the bone? Megan Gail Coles’s \u003cem \u003eSatched\u003c\/em\u003e is a razor edge of fierce truth, grim humour, and unalloyed beauty. With sharp-eyed clarity and fearless candour, Coles slices open the veils of capitalism and colonization to reveal a landscape marked by poverty and resilience, violence, and hope. This is Newfoundland and Labrador seen through the eyes of unconditional love and furious rage. The political, the personal, and the poetic interweave seamlessly in this debut collection, adding another genre to Coles’s already impressive repertoire. \u003cem \u003eSatched\u003c\/em\u003e is the kind of book we need right now, the kind that confronts the real world head-on while also teaching us how to live in it.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Kai Cheng Thom, author of a place called No Homeland","OtherText_Accolades_2":"\u003cp\u003e\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Cassidy McFadzean, author of Drolleries","OtherText_Accolades_3":"\u003cp\u003eThese poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Clea Roberts, author of Auguries","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe first poetry collection from award-winning fiction author Megan Gail Coles.\u003c\/li\u003e\r\n\u003cli\u003eLike Kate Baer’s \u003cem\u003eWhat Kind of Woman \u003c\/em\u003eand Billy-Ray Belcourt’s \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e, Coles’s collection is poised to find an audience beyond regular poetry readers.\u003c\/li\u003e\r\n\u003cli\u003eColes’s poetry confronts powerful yet relatable themes, and audiences will appreciate her conscientious depiction of racism, misogyny, and poverty. \u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Quote_from_review_0":"\u003cp\u003e“This collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.”\u003c\/p\u003e\r\n","OtherText_Quote_from_review_1":"\u003cp\u003e“\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’” — Cassidy McFadzean, author of \u003cem\u003eDrolleries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Quote_from_review_2":"\u003cp\u003e“These poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.” — Clea Roberts, author of \u003cem\u003eAuguries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Review_0":"\u003cp\u003eThis collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.\u003c\/p\u003e","OtherText_Review_0_Src":"Quill \u0026amp; Quire","OtherText_ShortDescription_0":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e\r\n","ProductFormDescription":"epub","PublicationDate":"2021-09-07","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e\r\n"}
Satched
Named after a local word meaning “soaked through” or “weighed down,” Satched is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.
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{"id":6937619693627,"title":"Burying the Moon","handle":"burying-the-moon","description":"\u003cp\u003e\u003cstrong\u003eA beautifully illustrated novel in verse about a young Indian girl who tackles the taboos around sanitation in her village. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn Latika’s village in rural India, there are no toilets. No toilets mean that the women have to wait until night to do their business in a field. There are scorpions and snakes in the field, and germs that make people sick. For the girls in the village, no toilets mean leaving school when they reach puberty.\u003c\/p\u003e\r\n\u003cp\u003eNo one in the village wants to talk about this shameful problem. But Latika has had enough. 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No toilets mean that the women have to wait until night to do their business in a field. There are scorpions and snakes in the field, and germs that make people sick. For the girls in the village, no toilets mean leaving school when they reach puberty.\u003c\/p\u003e\r\n\u003cp\u003eNo one in the village wants to talk about this shameful problem. But Latika has had enough. When a government representative visits their village, she sees her chance to make one of her dreams come true: the construction of public toilets, which would be safer for everybody in her village. \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eBurying the Moon\u003c\/em\u003e shines a light on how a lack of access to sanitation facilities affects girls and women in many parts of the world.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eauthor's note\u003c\/p\u003e\r\n\u003cp\u003eillustrations\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\r\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\r\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.4\u003cbr\u003e\r\nDetermine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes.\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.5\u003cbr\u003e\r\nExplain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.7\u003cbr\u003e\r\nAnalyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003e\r\nDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.4\u003cbr\u003e\r\nDetermine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\r\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e"}
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When a government representative visits their village, she sees her chance to make one of her dreams come true: the construction of public toilets, which would be safer for everybody in her village. \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eBurying the Moon\u003c\/em\u003e shines a light on how a lack of access to sanitation facilities affects girls and women in many parts of the world.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eauthor's note\u003c\/p\u003e\r\n\u003cp\u003eillustrations\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\r\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\r\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.4\u003cbr\u003e\r\nDetermine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes.\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.5\u003cbr\u003e\r\nExplain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.7\u003cbr\u003e\r\nAnalyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003e\r\nDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.4\u003cbr\u003e\r\nDetermine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone\u003c\/p\u003e\r\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\r\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","EAN":"9781773066042","Height":"8.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"author's note;illustrations","MetaKeywords":"translation","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e\u003cem\u003eBurying the Moon\u003c\/em\u003e is a story that will make young girls stand up and cheer for Latika, its heroine. She is one of the world's 600 million people who do not have access to toilets, and she decides to do something about it. The story is beautifully, poetically told and the book is illustrated with the breathtaking artwork of Sonali Zohra. Readers will come away thinking, \"Here's a problem that can be solved. Let's help solve it.\" Wonderfully done!\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Deborah Ellis, bestselling author of The Breadwinner series","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis is an important taboo topic made accessible.\u003c\/li\u003e\r\n\u003cli\u003eThe book includes an author’s note with key information about the impact of the lack of sanitation facilities for women and children worldwide. \u003c\/li\u003e\r\n\u003cli\u003eAndrée Poulin has travelled and worked in India, and done thorough research to broach this topic respectfully. The text was also reviewed by readers from India.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e[E]nriches broader discussions of world issues. STARRED REVIEW\u003c\/p\u003e","OtherText_Review_0_Src":"Booklist","OtherText_Review_1":"\u003cp\u003eA book that will both captivate and raise consciousness in readers of all ages. \u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003eThis simple story brings to light the plight that more than half of the world’s population faces when there are no toilets. An important book to be read and discussed with older readers.\u003c\/p\u003e","OtherText_Review_10_Src":"Calgary Herald","OtherText_Review_1_Src":"Montreal Review of Books","OtherText_Review_2":"\u003cp\u003e[An] intense and moving novel.\u003c\/p\u003e","OtherText_Review_2_Src":"CM: Canadian Review of Materials","OtherText_Review_3":"\u003cp\u003eAndrée Poulin's verse and Sonali Zohra's colourful illustrations are paired perfectly in this book that brings awareness to a very important issue.\u003c\/p\u003e","OtherText_Review_3_Src":"Canadian Children's Book News","OtherText_Review_4":"\u003cp\u003eAn essential read and a great way to discuss often-ignored questions of sanitation, menstruation, and equity with young readers.\u003c\/p\u003e","OtherText_Review_4_Src":"Open Book","OtherText_Review_5":"\u003cp\u003eInspiring. The text is heavy with meaning and emotion but short on filler.\u003c\/p\u003e","OtherText_Review_5_Src":"CanLit for LittleCanadians Blog","OtherText_Review_6":"\u003cp\u003eA well-balanced mix of poignant, humorous, interesting, and profound.\u003c\/p\u003e","OtherText_Review_6_Src":"Cloud Lake Literary","OtherText_Review_7":"\u003cp\u003eThe illustrations by Indian artist Sonali Zohra fit seamlessly with the text.\u003c\/p\u003e","OtherText_Review_7_Src":"Winnipeg Free Press","OtherText_Review_8":"\u003cp\u003eThis title will inspire matter-of-fact classroom conversations about a basic utility service that is likely taken for granted in most of North America.\u003c\/p\u003e","OtherText_Review_8_Src":"School Library Connection","OtherText_Review_9":"\u003cp\u003ePowerful.\u003c\/p\u003e","OtherText_Review_9_Src":"Horn Book","OtherText_ShortDescription_0":"A beautifully illustrated novel in verse about a young Indian girl who tackles the taboos around sanitation in her village.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Nominated","PrizeCodeText_4":"Commended","PrizeCode_0":"01","PrizeCode_1":"03","PrizeCode_2":"04","PrizeCode_3":"07","PrizeCode_4":"03","PrizeName_0":"South Asia Book Award","PrizeName_1":"Bank Street College of Education Best Children's Books of the Year","PrizeName_2":"Saskatchewan Young Readers’ Choice Awards, Diamond Willow Award","PrizeName_3":"Rocky Mountain Book Award","PrizeName_4":"Canadian Children’s Book Centre, Best Books for Kids and Teens","PrizeYear_0":"2022","PrizeYear_1":"2022","PrizeYear_2":"2022","PrizeYear_3":"2023","PrizeYear_4":"2022","ProductFormDescription":"hardcover jacket","PublicationDate":"2021-10-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A beautifully illustrated novel in verse about a young Indian girl who tackles the taboos around sanitation in her village.","Width":"6","WidthCode":"in"}
ages 9
to 12
/ grades 4
to 7
Burying the Moon
A beautifully illustrated novel in verse about a young Indian girl who tackles the taboos around sanitation in her village.
