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Eighteen Below

Written by Stefan Ahnhem • Translated by Rachel Willson-Broyles

Published January 13, 2018 | ISBN 9781770899193

Cover of Eighteen Below

Regular price $19.95 CAD

544 pages | 8.5 in × 5.5 in
Print Format

Also Available as an Ebook

About this book

Eighteen Below

Fabian Risk: Book 3

Stefan Ahnhem • Rachel Willson-Broyles

Reader's Guide ↓ Reader's Guide ↓

Gritty and chilling, Eighteen Below is the third stand-alone thriller in the internationally bestselling Fabian Risk series.

A high-speed chase ends in tragedy when a car crashes into Helsingborg harbour. In the front seat is one of Sweden’s most affluent IT entrepreneurs. Initially all signs point to an accident, but a closer examination of the body shows that it has been frozen. Stranger yet is the time of death: two months before the crash.

Two years have passed since the events of Victim Without a Face. Fabian Risk has taken advantage of the quiet at work to focus on patching things up with his family, while across the strait Dunja Hougaard has donned the uniform once more, this time as a police officer. When a homeless man is brutally beaten to death, Dunja can’t stop herself from starting an investigation of her own. Before long the clues take her to Sweden and Helsingborg, where Risk is investigating the peculiar case of the frozen millionaire.

Awards and Praise

Praise for Stefan Ahnhem and VICTIM WITHOUT A FACE:

CRIMETIME NOVEL OF THE YEAR
INTERNATIONAL BESTSELLER
RTÉ RADIO 1’S THE RYAN TUBRIDY SHOW LISTENERS’ CHOICE AWARD FINALIST
2016 LUBIMYCZYTAC BOOK OF THE YEAR FINALIST

“A truly auspicious debut.” — Globe and Mail

“Recalls Mankell at his best.” — Sunday Times

“Gripping, surprising, and tense.” — Crime Review

“Epic in scale and ambition, this announces a new arrival in the Swedish crime galaxy.” — Daily Mail

“This Scandinavian page-turner is sure to keep you up late into the night.” — Guelph Mercury

“Finally we have a true heir to Stieg Larsson. Ahnhem knows how to write, has a feeling for pacing and dialogue, and masters everything perfectly.” — NDR Radio

“More gripping than Jo Nesbø, blacker than Stieg Larsson, and more bleakly human than Henning Mankell.” — Tony Parsons, author of The Murder Man

“Full of surprise, suspense, and the shadows of the past.” — Åke Edwardson, author of Room No. 10

“My god this grabs. It has hands. Truly.” — Caroline Kepnes, author of You

“It is not often a crime novel grasps you from the very first page and refuses to let you go.” — Michael Hjorth and Hans Rosenfeldt, authors of the Sebastian Bergman thrillers