About this book
Charlotte Gingras • Susan Ouriou • Christelle Morelli • Daniel Sylvestre
The kids at school call her rag girl because she hides under layers of oversized clothing, but she calls herself Ophelia. She hardly speaks to anyone — until one day a visiting author comes to give a talk in the school library. The writer speaks about what it means to create art, and at the end of her talk, she thanks Ophelia for asking the first question by giving her a blue notebook with her address on it.
Ophelia starts to write to the author in the notebook — letters that become a kind of lifeline. The idea that someone, somewhere, might care, is enough for her to keep writing, an escape from her real life. By day she goes to school and works at the dollar store before returning home to her mother, a former addict who once had to put her daughter in care. At night she creates graffiti around town, leaving little broken hearts as her tag.
One night she finds an abandoned building that she decides to use as her workshop, where she can make larger-than-life art. When she finds that a classmate, an overweight boy named Ulysses, is also using the space to repair an old van, the two form an uneasy truce, with a chalk line drawn down the middle to mark their separate territories. As time passes, Ophelia and Ulysses forge a fraught but growing friendship, but their cocooned existence cannot last forever. One night, intruders invade their sanctuary, and their shared bond and individual strength are sorely tested.
Actually, there’s something I have to tell you. Last spring, I went with the other grade nine classes to see a Shakespeare play. Even if I didn’t really get the whole story and all its battles, violence, cries and tragic destinies, from the very start I liked the sad prince and his fiancée, driven crazy by love, who drowned herself in the river. Her name was Ophelia, an incredibly gentle name, don’t you think? She looked as though she were asleep on the riverbed, so beautiful in her wet gown clinging to her body and her hair like golden seaweed. Ever since, I’ve taken her name in secret. You’re the first to know.
About the Creators
Charlotte Gingras is a former teacher and visual artist, and she remains one of Quebec’s best-loved authors of works for young readers. Her books have been translated into several languages, and she has twice won the Governor General’s Literary Award, for La liberté? Connais pas… and Un été de Jade, which also won the Mr. Christie’s Award.
SUSAN OURIOU is considered to be one of Québec’s finest translators of literary fiction. With Christine Morelli, she has previously translated Fanny Britt’s acclaimed novel Hunting Houses for Arachnide.
CHRISTELLE MORELLI is a literary translator and French immersion teacher. She has translated several works of fiction for publication, including Jane, the Fox and Me and Stolen Sisters. Having lived in Quebec and France, she now makes her home with her family in Western Canada.
A well-known illustrator, graphic artist and engraver, Daniel Sylvestre has illustrated several albums and novels, and he has been artistic director of the poetry collection at la courte echelle. His illustrations for Rose: derrière le rideau de la folie by Èlise Turcotte won the Governor General’s Award in 2010, and his illustrations for Ma vie de reptile by Sylvie Massicotte were shortlisted for the Governor General’s Award in 2007.