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{"id":6982985973819,"title":"Death Interrupted","handle":"death-interrupted","description":"\u003cp\u003e\u003cstrong\u003eNATIONAL BESTSELLER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eDeath Interrupted\u003c\/em\u003e, ICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDoctors today can call on previously unimaginable technologies to help keep our bodies alive almost indefinitely. But this unprecedented shift in intensive care has created a major crisis. In the widening grey zone between life and death, doctors fight with doctors, families feel pressured to make tough decisions about their loved ones, and lawyers are left to argue life-and-death cases in the courts. Meanwhile, intensive care patients are caught in purgatory, attached to machines and unable to speak for themselves.\u003c\/p\u003e\n\u003cp\u003eThrough conversations with critical care and end-of-life professionals—including ethicists, social workers, nurses, and doctors—and observations from his own time working in ambulances, emergency rooms, and the icu, Dr. Blair Bigham exposes the tensions inherent in this new era of dying by addressing the tough questions facing us all.\u003c\/p\u003e","published_at":"2022-09-13T09:49:40-04:00","created_at":"2022-09-13T09:40:29-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Bestseller","Adult Nonfiction","By (author) Bigham Blair","pub date: 2022-09-20","Technology \u0026 Politics","The Walrus Books"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40779518836795,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008543","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Death Interrupted - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":368,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008543","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40779520049211,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008550","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Death Interrupted - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008550","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_60024c58-fe37-4af0-bbc3-18bb52a4d082.jpg?v=1702185849"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_60024c58-fe37-4af0-bbc3-18bb52a4d082.jpg?v=1702185849","options":["Title"],"media":[{"alt":null,"id":24027419050043,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_60024c58-fe37-4af0-bbc3-18bb52a4d082.jpg?v=1702185849"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_60024c58-fe37-4af0-bbc3-18bb52a4d082.jpg?v=1702185849","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eNATIONAL BESTSELLER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eDeath Interrupted\u003c\/em\u003e, ICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDoctors today can call on previously unimaginable technologies to help keep our bodies alive almost indefinitely. But this unprecedented shift in intensive care has created a major crisis. In the widening grey zone between life and death, doctors fight with doctors, families feel pressured to make tough decisions about their loved ones, and lawyers are left to argue life-and-death cases in the courts. Meanwhile, intensive care patients are caught in purgatory, attached to machines and unable to speak for themselves.\u003c\/p\u003e\n\u003cp\u003eThrough conversations with critical care and end-of-life professionals—including ethicists, social workers, nurses, and doctors—and observations from his own time working in ambulances, emergency rooms, and the icu, Dr. Blair Bigham exposes the tensions inherent in this new era of dying by addressing the tough questions facing us all.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003111","AlsoRecommendedISBN_1":"9781487005313","AlsoRecommendedISBN_2":"9781487006440","BASICMainSubject":"MED042000","BASICMainSubjectLiteral":"MEDICAL \/ Terminal Care","BiographicalNote":"\u003cp\u003e\u003cstrong \u003eBLAIR BIGHAM, MD\u003c\/strong\u003e is a journalist, scientist, and attending emergency and ICU physician who trained at McMaster and Stanford Universities. He was a Global Journalism Fellow at the Munk School of Global Affairs and Public Policy and an associate scientist at St. Michael’s Hospital. His work has appeared in the \u003cem \u003eToronto Star\u003c\/em\u003e, the \u003cem \u003eGlobe and Mail\u003c\/em\u003e, the \u003cem \u003eNew England Journal of Medicine\u003c\/em\u003e, and the \u003cem \u003eCanadian Medical Association Journal\u003c\/em\u003e, among others.\u003c\/p\u003e","BISACSubjectLiteral_0":"MEDICAL \/ Terminal Care","BISACSubjectLiteral_1":"FAMILY \u0026amp; RELATIONSHIPS \/ Death, Grief, Bereavement","BISACSubjectLiteral_2":"SOCIAL SCIENCE \/ Death \u0026amp; Dying","BISACSubject_0":"MED042000","BISACSubject_1":"FAM014000","BISACSubject_2":"SOC036000","ContributorBio_0":"\u003cp\u003e\u003cstrong \u003eBLAIR BIGHAM, MD\u003c\/strong\u003e is a journalist, scientist, and attending emergency and ICU physician who trained at McMaster and Stanford Universities. He was a Global Journalism Fellow at the Munk School of Global Affairs and Public Policy and an associate scientist at St. Michael’s Hospital. His work has appeared in the \u003cem \u003eToronto Star\u003c\/em\u003e, the \u003cem \u003eGlobe and Mail\u003c\/em\u003e, the \u003cem \u003eNew England Journal of Medicine\u003c\/em\u003e, and the \u003cem \u003eCanadian Medical Association Journal\u003c\/em\u003e, among others.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Bigham, Blair (CA)","Description":"\u003cp\u003e\u003cstrong\u003eNATIONAL BESTSELLER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eDeath Interrupted\u003c\/em\u003e, ICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDoctors today can call on previously unimaginable technologies to help keep our bodies alive almost indefinitely. But this unprecedented shift in intensive care has created a major crisis. In the widening grey zone between life and death, doctors fight with doctors, families feel pressured to make tough decisions about their loved ones, and lawyers are left to argue life-and-death cases in the courts. Meanwhile, intensive care patients are caught in purgatory, attached to machines and unable to speak for themselves.\u003c\/p\u003e\n\u003cp\u003eThrough conversations with critical care and end-of-life professionals—including ethicists, social workers, nurses, and doctors—and observations from his own time working in ambulances, emergency rooms, and the icu, Dr. Blair Bigham exposes the tensions inherent in this new era of dying by addressing the tough questions facing us all.\u003c\/p\u003e","EAN":"9781487008543","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"paul kalanithi; when breath becomes air; being mortal; atul gawande; hospice;care workers;medically assisted suicide;last week bill richardson;nursing;dying with dignity;grieving;hospitalizations;gerontology;death doula;medical writing;social sciences","NumberOfPages":"304","OtherText_Accolades_0":"\u003cp\u003eWill make you re-think what it means to die and how you want to live out your final days.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"André Picard, author of Neglected No More and health columnist for the Globe and Mail","OtherText_Accolades_1":"\u003cp\u003eDr. Blair Bigham takes on the angst that doctors and families face when confronted with the miracles of modern medicine and the reality that eventual death is unavoidable. He employs the most charming personal stories and just enough science to clarify the facts. The result is an honest and fascinating exploration of the death dilemma. When you are ready to know more about death, this is the book to read.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Jane Philpott, Dean, Faculty of Health Sciences, Queen’s University","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eIn June 2016, the Parliament of Canada passed federal legislation that allows eligible Canadian adults to request medical assistance in dying.\u003c\/li\u003e\n\u003cli\u003eDr. Bigham is an authority on MAID and this is one of the only contemporary, Canadian-specifc books to explore the subject matter.\u003c\/li\u003e\n\u003cli\u003eIn 2020, there were 7,595 cases of MAID reported, accounting for 2.5% of all deaths in Canada.\u003c\/li\u003e\n\u003cli\u003eThis is such new territory in our traditional life cycle that there are individuals now called death doulas that help with end of life decision-making, among other professionals who help patients and their families plan for medically assisted deaths.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eBigham consults a number of experts in the field as well as combing his own experiences. … [\u003cem\u003eDeath Interrupted\u003c\/em\u003e] explores a relatively new issue for which there are no easy answers.\u003c\/p\u003e","OtherText_Review_0_Src":"Winnipeg Free Press","OtherText_Review_1":"\u003cp\u003eSkillfully written and well-researched, \u003cem \u003eDeath Interrupted\u003c\/em\u003e offers a thought-provoking read.\u003c\/p\u003e","OtherText_Review_1_Src":"Miramichi Reader","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2022-09-20","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"How Modern Medicine Is Complicating the Way We Die","Width":"5.5","WidthCode":"in"}
Death Interrupted
ICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era.
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{"id":6811309244475,"title":"The Age of Creativity","handle":"the-age-of-creativity","description":"\u003cp\u003e\u003cstrong\u003eA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of \u003ci\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/i\u003e. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Age of Creativity \u003c\/i\u003eis a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.\u003c\/p\u003e","published_at":"2022-03-21T17:16:44-04:00","created_at":"2022-03-21T12:35:48-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Nonfiction","By (author) Urquhart Emily","pub date: 2020-09-01","The Walrus Books"],"price":1895,"price_min":1895,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191012700219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487005313","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Age of Creativity - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":299,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487005313","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191013191739,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487005320","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Age of Creativity - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005320","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191013388347,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487005337","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Age of Creativity - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005337","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_22ad7d48-293e-4eff-a92b-36cafc075351.jpg?v=1654446390"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_22ad7d48-293e-4eff-a92b-36cafc075351.jpg?v=1654446390","options":["Title"],"media":[{"alt":null,"id":22171036549179,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_22ad7d48-293e-4eff-a92b-36cafc075351.jpg?v=1654446390"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_22ad7d48-293e-4eff-a92b-36cafc075351.jpg?v=1654446390","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of \u003ci\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/i\u003e. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Age of Creativity \u003c\/i\u003eis a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002190","AlsoRecommendedISBN_1":"9781487004071","AlsoRecommendedISBN_4":"9781487008024","BASICMainSubject":"BIO026000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Personal Memoirs","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eEMILY URQUHART\u003c\/strong\u003e is a National Magazine Award–winning writer and has a doctorate in folklore from Memorial University of Newfoundland. Her first book, \u003cem\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/em\u003e, was a \u003cem\u003eMaclean’s\u003c\/em\u003e bestseller, a finalist for the BC National Award for Canadian Non-Fiction, and a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015. Her freelance writing has appeared in the \u003cem\u003eToronto Star\u003c\/em\u003e, \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, \u003cem\u003eLongreads\u003c\/em\u003e, the \u003cem\u003eRumpus\u003c\/em\u003e, and \u003cem\u003eEighteen Bridges\u003c\/em\u003e, among other publications. She is a nonfiction editor for the \u003cem\u003eNew Quarterly\u003c\/em\u003e and teaches creative nonfiction at Wilfrid Laurier University. She lives in Kitchener, Ontario, with her husband and their two children.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_1":"FAMILY \u0026amp; RELATIONSHIPS \/ Life Stages \/ Later Years","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Artists, Architects, Photographers","BISACSubject_0":"BIO026000","BISACSubject_1":"FAM005000","BISACSubject_2":"BIO001000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eEMILY URQUHART\u003c\/strong\u003e is a National Magazine Award–winning writer and has a doctorate in folklore from Memorial University of Newfoundland. Her first book, \u003cem\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/em\u003e, was a \u003cem\u003eMaclean’s\u003c\/em\u003e bestseller, a finalist for the BC National Award for Canadian Non-Fiction, and a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015. Her freelance writing has appeared in the \u003cem\u003eToronto Star\u003c\/em\u003e, \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, \u003cem\u003eLongreads\u003c\/em\u003e, the \u003cem\u003eRumpus\u003c\/em\u003e, and \u003cem\u003eEighteen Bridges\u003c\/em\u003e, among other publications. She is a nonfiction editor for the \u003cem\u003eNew Quarterly\u003c\/em\u003e and teaches creative nonfiction at Wilfrid Laurier University. She lives in Kitchener, Ontario, with her husband and their two children.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Urquhart, Emily (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of \u003ci\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/i\u003e. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Age of Creativity \u003c\/i\u003eis a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.\u003c\/p\u003e","EAN":"9781487005313","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005313\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"grief works; jackson pollock; bruce mccall; martha henry; mary pratt; albright knox buffalo; lynda barry; making comics; fathers day; mothers day","NumberOfPages":"232","OtherText_Accolades_0":"This is a gift of a book, an ode to late style, a daughter’s devotional, a fascinating dive into art history, but above all a radical detonation of accepted notions of ageing and art. Emily Urquhart is a curious and frank guide, who captures her subject with clear and perfect brushstrokes.","OtherText_Accolades_0_Auth":"Kyo Maclear, award-winning and bestselling author of Birds Art Life","OtherText_Accolades_1":"Wise and thoughtful, Emily Urquhart’s The Age of Creativity leads us through the landscape of imagination. The bonds of familial love, the workings of memory, the drive to create, and the process of aging are all explored with Urquhart’s trademark blending of intelligence and warmth. This important work delves into the life of an artist who surveys the transformation of his work over decades and the parallel trajectory of his life. Urquhart’s beautifully crafted memoir celebrates the longevity and the universality of the creative spirit alive in us all.","OtherText_Accolades_1_Auth":"Joanna Pocock, author of Surrender: The Call of the American West","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAWARD-WINNING AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eEmily Urquhart is a beautiful and highly skilled writer. Her long-form nonfiction has won several awards. Her previous book, the bestselling 2015 memoir \u003cem\u003eBeyond the Pale\u003c\/em\u003e, was a finalist for the BC National Award for Canadian Non-Fiction and named a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eINTIMATE ACCESS TO THE LIFE OF PAINTER TONY URQUHART:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThis memoir about the author’s relationship with her father gives readers insight into leading abstract expressionist painter and sculpture artist Anthony Morse (“Tony”) Urquhart, making it appealing to readers of fine art books and biography. Fans of literature will also love the view into the marriage between him and pioneering novelist, Emily’s mother, Jane Urquhart.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBOOMER BOOK-BUYING MARKET:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe book will be of particular interest to the baby boomer population as well as to the people who care about them, and, in some cases, care for them. In addition to the interviews with Tony Urquhart, the book features stories of creative seniors from a variety of backgrounds, including actor Martha Henry (b. 1938), artist and humour writer Bruce McCall (b. 1935), physicist John Moffat (b. 1932), TV host Dini Petty (b. 1945), and painter Mary Pratt (1935–2018). Ultimately, the topic will appeal to a universal audience because one day, barring injury or illness, we will all grow old.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEWEST BOOK IN THE PRESTIGIOUS THE WALRUS BOOKS IMPRINT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Walrus Books\u003c\/em\u003e imprint publishes strong, rigorous works of narrative nonfiction that reflect the excellence of both \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e and Anansi brands. \u003cem\u003eBig Lonely Doug\u003c\/em\u003e (2018) by Harley Rustad sold well and earned wide media coverage and prize attention. Lauren McKeon’s \u003cem\u003eNo More Nice Girls\u003c\/em\u003e (March 2020) is already garnering high praise from readers. \u003cem\u003eThe Age of Creativity\u003c\/em\u003e follows in their footsteps and will uphold the high standards set by \u003cem\u003eThe Walrus Books\u003c\/em\u003e, the strong partnership between \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, the Chawkers Foundation, and House of Anansi Press.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Heartfelt and thoughtful … [The Age of Creativity] deal[s] with dementia and old age with sensitivity and respect, and may soothe readers and caregivers coping with the same.","OtherText_Review_0_Src":"Quill \u0026amp; Quire","OtherText_Review_1":"Meticulously researched and including interviews with aging creators, Urquhart’s book is both a deeply personal account and an important critique of ageism.","OtherText_Review_1_Src":"Now Magazine","OtherText_ShortDescription_0":"A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.","ProductFormDescription":"trade paperback","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.","Subtitle":"Art, Memory, My Father, and Me","Width":"5.5","WidthCode":"in"}
The Age of Creativity
A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.
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{"id":6813789257787,"title":"Big Lonely Doug","handle":"big-lonely-doug","description":"\u003cp\u003e\u003cstrong\u003eIn the tradition of John Vaillant’s modern classic \u003ci\u003eThe Golden Spruce \u003c\/i\u003ecomes a story of the unlikely survival of one of the largest and oldest trees in Canada.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOn a cool morning in the winter of 2011, a logger named Dennis Cronin was walking through a stand of old-growth forest near Port Renfrew on Vancouver Island. He came across a massive Douglas fir the height of a twenty-storey building. Instead of allowing the tree to be felled, he tied a ribbon around the trunk, bearing the words “Leave Tree.” The forest was cut but the tree was saved. The solitary Douglas fir, soon known as Big Lonely Doug, controversially became the symbol of environmental activists and their fight to protect the region’s dwindling old-growth forests.\u003c\/p\u003e\u003cp\u003eOriginally featured as a long-form article in \u003ci\u003eThe Walrus\u003c\/i\u003e that garnered a National Magazine Award (Silver), \u003ci\u003eBig Lonely Doug \u003c\/i\u003eweaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.\u003c\/p\u003e","published_at":"2022-03-23T13:10:51-04:00","created_at":"2022-03-23T09:18:20-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","Adult Environmentalism","Adult Nonfiction","By (author) Rustad Harley","pub date: 2018-09-04","The Walrus Books"],"price":1895,"price_min":1895,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205702529083,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003111","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Big Lonely Doug - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003111","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205704265787,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003128","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Big Lonely Doug - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003128","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205704659003,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487003135","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Big Lonely Doug - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003135","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356","options":["Title"],"media":[{"alt":null,"id":23246346551355,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2553,"width":1651,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356"},"aspect_ratio":0.647,"height":2553,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356","width":1651}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn the tradition of John Vaillant’s modern classic \u003ci\u003eThe Golden Spruce \u003c\/i\u003ecomes a story of the unlikely survival of one of the largest and oldest trees in Canada.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOn a cool morning in the winter of 2011, a logger named Dennis Cronin was walking through a stand of old-growth forest near Port Renfrew on Vancouver Island. He came across a massive Douglas fir the height of a twenty-storey building. Instead of allowing the tree to be felled, he tied a ribbon around the trunk, bearing the words “Leave Tree.” The forest was cut but the tree was saved. The solitary Douglas fir, soon known as Big Lonely Doug, controversially became the symbol of environmental activists and their fight to protect the region’s dwindling old-growth forests.\u003c\/p\u003e\u003cp\u003eOriginally featured as a long-form article in \u003ci\u003eThe Walrus\u003c\/i\u003e that garnered a National Magazine Award (Silver), \u003ci\u003eBig Lonely Doug \u003c\/i\u003eweaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781487007799","AlsoRecommendedISBN_3":"9781770893894","AlsoRecommendedISBN_4":"9781770899919","BASICMainSubject":"NAT034000","BASICMainSubjectLiteral":"NATURE \/ Plants \/ Trees","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHARLEY RUSTAD\u003c\/strong\u003e is an editor at \u003cem\u003eThe Walrus\u003c\/em\u003e magazine. His articles and photography have been published in magazines, newspapers, and online outlets including \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eOutside\u003c\/em\u003e, the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eGeographical\u003c\/em\u003e, \u003cem\u003eReader's Digest\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, and CNN. He has reported from India, Nepal, Cuba, and across Canada. Born on Salt Spring Island, BC, he now lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"NATURE \/ Plants \/ Trees","BISACSubjectLiteral_1":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubjectLiteral_2":"NATURE \/ Ecosystems \u0026amp; Habitats \/ Forests \u0026amp; Rainforests","BISACSubject_0":"NAT034000","BISACSubject_1":"NAT011000","BISACSubject_2":"NAT014000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHARLEY RUSTAD\u003c\/strong\u003e is an editor at \u003cem\u003eThe Walrus\u003c\/em\u003e magazine. His articles and photography have been published in magazines, newspapers, and online outlets including \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eOutside\u003c\/em\u003e, the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eGeographical\u003c\/em\u003e, \u003cem\u003eReader's Digest\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, and CNN. He has reported from India, Nepal, Cuba, and across Canada. Born on Salt Spring Island, BC, he now lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Rustad, Harley","Description":"\u003cp\u003e\u003cstrong\u003eIn the tradition of John Vaillant’s modern classic \u003ci\u003eThe Golden Spruce \u003c\/i\u003ecomes a story of the unlikely survival of one of the largest and oldest trees in Canada.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOn a cool morning in the winter of 2011, a logger named Dennis Cronin was walking through a stand of old-growth forest near Port Renfrew on Vancouver Island. He came across a massive Douglas fir the height of a twenty-storey building. Instead of allowing the tree to be felled, he tied a ribbon around the trunk, bearing the words “Leave Tree.” The forest was cut but the tree was saved. The solitary Douglas fir, soon known as Big Lonely Doug, controversially became the symbol of environmental activists and their fight to protect the region’s dwindling old-growth forests.\u003c\/p\u003e\u003cp\u003eOriginally featured as a long-form article in \u003ci\u003eThe Walrus\u003c\/i\u003e that garnered a National Magazine Award (Silver), \u003ci\u003eBig Lonely Doug \u003c\/i\u003eweaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.\u003c\/p\u003e","EAN":"9781487003111","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487003111\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"conservation; environmental sustainability; british columbia; hidden life of trees; colonialism; capitalism; climate change; earth day; logging; forestry; haida gwaii; environmentally friendly gifts; wildlife; nature; deforestation; canlit; canadian history; ecology; color photographs; national magazine award; bee time mark winston; the invention of nature; planet earth; blue planet; john vaillant; books for dad; fathers day","NumberOfPages":"328","OtherText_Accolades_0":"Among the joys of good writing and deep research are the ways in which it can reinvigorate a place you thought you knew, inviting you to see it, and feel it, afresh. This is just one of the gifts of Big Lonely Doug, an avatar of the west coast rainforest that, through Harley Rustad’s insightful and nuanced telling, embodies this vital ecosystem in all its beauty and complexity. Reading this book made me want to drop everything and meet Doug in person.","OtherText_Accolades_0_Auth":"John Vaillant, author of The Golden Spruce","OtherText_Accolades_1":"Blending thoughtful historical research with vivid reportage, Harley Rustad begins with the story of a single tree but masterfully widens his scope to encompass so much more: all the other grand old trees that have been felled on Vancouver Island, all those that have been saved, and most importantly, why it all matters. A complex and at times alarming tale, but also, in the end, a deeply hopeful one.","OtherText_Accolades_1_Auth":"Robert Moor, author of On Trails","OtherText_Accolades_2":"Having spent time, personally, with Big Lonely Doug, and wandering through the last of our ancient forests in British Columbia, it's never been more clear to me how imperative it is for us as humans to recognize the magnificence of these ancient trees and forests and do everything that we can to preserve them. With less than 1 percent of the original old-growth Douglas-fir stands left on B.C.’s coast, it’s time for Canadians to embrace Big Lonely Doug and his fellow survivors, and keep them standing tall. Harley Rustad’s story brings both the majesty and adversity of Big Lonely Doug a little closer to home.","OtherText_Accolades_2_Auth":"Edward Burtynsky","OtherText_Accolades_3":"You can see the forest for the trees, at least when the trees in question are singular giants like Big Lonely Doug, and the writer deftly directing your gaze is Harley Rustad. This sweeping yet meticulous narrative reveals the complex human longings tangled up in B.C.’s vanishing old-growth forests — cathedrals or commodities, depending on who you ask, and the future hinges on our answer.","OtherText_Accolades_3_Auth":"Kate Harris, author of Lands of Lost Borders","OtherText_Accolades_4":"An affecting story of one magnificent survivor tree set against a much larger narrative — the old conflict between logging and the environmental movement, global economics, and the fight to preserve the planet’s most endangered ecosystems. If you love trees and forests, this book is for you.","OtherText_Accolades_4_Auth":"Charlotte Gill, author of Eating Dirt","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eHarley Rustad is an editor at \u003cem\u003eThe Walrus\u003c\/em\u003e, a major Canadian magazine, who has contributed to numerous long-form articles, including “Big Lonely Doug,” which won a National Magazine Award. He has also received an Honourable Mention from the National Magazine Awards for a feature on digital mapping in Belcher Islands, Nunavut, as well as a Collective Nomination for an investigation into a failed immigration program in Prince Edward County. He is poised to be a breakout debut author.\u003c\/li\u003e\r\n\u003cli\u003eThere is a perennial interest in books on the natural world and in particular on trees, such as the surprise international bestseller \u003cem\u003eThe Hidden Life of Trees\u003c\/em\u003e by Peter Wohleben and the award-winning, bestselling, \u003cem\u003eThe Golden Spruce\u003c\/em\u003e by John Vaillant.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eThe morning of that day in the winter of 2011 began like any other. Known as cutblock number 7190 by his employer, Teal Jones, the twelve hectares fringing the east bank of the Gordon River a half-hour’s drive north of Port Renfrew was a prime example of kind of old-growth forest that once spanned Vancouver Island from tip to tip and coast to coast. This small patch of trees held black bears and Roosevelt elk, with the possibility of wolves and cougars passing through. It held red-capped woodpeckers knocking on standing deadwood, squirrels and chipmunks nibbling on cones to extract the seeds, and fungi the size of a dinner plate protruding from the trunks of some of the largest trees in the world. New green seedlings sprouted from old fallen stumps. Cronin brushed through the undergrowth, his jeans damp with persistent dew. Mounds of lime-green moss covering a thick bed of decaying tree needles were moist and soft underfoot—absorbing sound like a sponge. For now, the forest was still.\u003c\/p\u003e\u003cp\u003eCutblock 7190 also held great value for his timber company. At roughly twice the size of twelve soccer fields, the flat plateau near the base of Edinburg Mountain in the scope of the valley was a tiny sliver of forest. But it held some towering and valuable trees. The price of timber fluctuates every year, depending on species and market, but that year old growth was fetching between $80 and $100 per cubic metre of wood. (One cubic metre is roughly the size of a telephone pole.) West Coast old-growth forests produce between 800 to 1,200 cubic metres of wood per hectare, roughly twice as much timber as second growth. The gross value of the cut wood in this one cutblock in the Gordon River Valley could yield approximately a million dollars.\u003c\/p\u003e\u003cp\u003eWorking in tandem with Walter Van Hell, Cronin began the survey at the low side of cutblock 7190, where he could hear the Gordon River thundering on the other side of a steep gorge. Come spring, salmon fry would be wriggling free of the pebbled river bottom and make their first swim downstream to open water; come fall, grown fish would hurl themselves upstream to spawn in the clear waters. He walked the contour of the cutblock. At regular intervals of a couple dozen metres or so, he reached into his vest pocket for a roll of neon-orange plastic ribbon and tore off a strip. The colour had to be bright to catch the eye of the fallers who would follow in the months to come. He tied the inch-wide sashes around small trees or low-hanging branches to mark the edges of the cutblock. “Falling Boundary” was repeated in block letters along each ribbon. The forest practice code stipulated that the company had to leave a buffer of intact forest 50 metres up from a river, especially one that was known to be a spawning ground for salmon. Some engineers keep tight to those regulations to try to extract as much timber as possible from a given area. They fall under the category of what’s known as a “timber pig,” someone who cuts and hauls trees by a singular mantra: log it, burn it, pave it. The sentiment is two-fold: ecology comes secondary to economics and these forests exist to be harvested. But Cronin was often generous with these buffer zones, leaving 60 or 75 metres up from a river—as much as he could without drawing the ire of coworkers or bosses.\u003c\/p\u003e\u003cp\u003eOnce the twelve hectares was enclosed in orange ribbon, Cronin crisscrossed through the cutblock surveying the pitches and gradients of the land. It was a slow task, clambering over fallen nurse logs and through thickets of bush. His goal was to determine where a road could be ploughed through the forest. It takes a specific skill to see through dense trees and haphazard undergrowth and plot a sure course that could allow for the safest and easiest extraction of logs. Maneuvering over undulating land layered with deadfall and vegetation, he marked a direct line through the forest with strips off another roll of ribbon, this one hot pink and marked with the words “Road Location.” He traversed any creek he came across and flagged it in red ribbon. When he was done, the green-and-brown grove was lit up with flashes of colour.\u003c\/p\u003e\u003cp\u003eWhile working, Cronin was followed by a Steller’s jay—the provincial bird of British Columbia—which took particular interest in his work. “He would follow me around like a dog,” Cronin said. “I would be traversing creeks, taking my measurements and bearings, and he’s hopping behind me picking up the bugs as I stirred them up.” But once Cronin traversed a creek that separated cutblock 7190 with another patch of old growth slated for clearcut to the southeast, the jay stopped. “He would never cross that creek. We would pick him up again when we crossed back,” he says.\u003c\/p\u003e\u003cp\u003eThe sun broke through the canopy in long beams that spot-lit sword ferns and huckleberry bushes growing from the forest floor. But as Cronin waded through the thigh-high undergrowth, something caught his eye: a Douglas fir, larger than the rest, with a trunk so wide that it could have hidden his truck behind. He scrambled up the mound of sloughed bark and dead needles that had accumulated over centuries around the base of the giant tree.\u003c\/p\u003e\u003cp\u003eDennis Cronin looked up.\u003c\/p\u003e\u003cp\u003eThe tree dominated the forest; a monarch of its species. A crown of dark-green, glossy needles flitted in the breeze well above the canopy of the rest of the forest, made up of a handful of exceptionally large cedars and firs but mostly younger and thinner hemlock. The tree’s trunk was limbless until a great height, like many of the oldest Douglas firs he had come across in his career. The species often loses its lower branches that grow in the shadow of the forest’s canopy, directing its attention to those that enjoy the maximum of the sun’s energy. Many of these large and old Douglas firs have trunks that grow twisted and gnarled, with clear marks of disease. This tree’s trunk sported few knots and a grain that appeared straight: it was a wonderful specimen of timber, Cronin thought.\u003c\/p\u003e\u003cp\u003e He had spent the majority of his life walking through old-growth forests, under the canopies of some of the largest trees in the country. He had seen hundreds of giants, but this one tree stood above the rest. Douglas firs and Western red cedar are the two species in this area that are the most wind resistant, so are often stable enough to outlast storms and continue to grow through several iterations of a forest over a millennium. Still, many of the larger, centuries-old examples of these two species break off at their more fragile tops and their centres, over time, fill with water and rot. They become unstable and prone to blowdown. The timber inside begins to lose its value. The majority of the trees Cronin had flagged over his career, marking them for protection, were ones that he considered to be non-merchantable wood: the trunks were too twisted or too flawed. He could tell by looking at knots along a trunk if there was rot inside. For these trees, Cronin thought, why cut them down? Instead of a timber company deriving little value from these diseased or hollow trees, they can be left standing to serve the remainder of their lives as wildlife habitats.\u003c\/p\u003e\u003cp\u003eBut when Dennis Cronin laid eyes on the large Douglas fir in cutblock 7190, he could see immense timber value. “I’m a logger and I’ve taken out millions of trees,” Cronin said. “But I was impressed.” The limbless trunk held only a minor twist, and the bark looked healthy. He couldn’t know with one hundred percent certainty, however. “You don’t know until you put a saw into it and by that point it’s too late,” Cronin said. But the tree exhibited few of the exterior telltale signs of rot or disease.\u003c\/p\u003e \u003cp\u003eAs well as an encyclopedic knowledge of these forests, Cronin could also see through the bark of a tree to its very core and see dollars. “I can look at a tree and tell if it’s got value or not. If it’s not twisted, if the bark is healthy, if the limbs are healthy,” Cronin said. “That one had value.” Encased within the deeply crevassed and corky bark of this single tree lay enough wood to fill four logging trucks to capacity with some to spare. If milled into dimensional lumber—two-by-fours, two-by-sixes, and the like—it could be used to frame five 2,000-square-foot houses. At first glance, he assessed the single tree in unprocessed log value as around twenty thousand dollars. But since it was a Douglas fir, with its coveted warm colour and pronounced grain, the tree could be turned into higher-priced beams and posts for houses in Victoria and Vancouver, or shipped across the Pacific Ocean to Japan. The single tree that the logger stood under could fetch more than fifty thousand dollars.\u003c\/p\u003e\u003cp\u003eUsing his hand-held hypsometre, a device to measure a standing tree’s height using triangulation of measurements, Cronin took readings from the base and the top of the tree and estimated its height at approximately seventy metres—one of the largest he had ever come across in his career—around the height of a twenty-story apartment building. Using a tape, he measured the tree’s breast height girth. It appeared just shy of the Red Creek Fir, the largest Douglas fir in the world, located a couple valleys away. Cronin didn’t know it then, but he had found one of the largest trees in the country. “When I walked up to it, I passed some big firs and some really big cedars—twelve footers, maybe,” Cronin said, referring to the diameter of the trees. But this one fir dominated the rest. “He towered above the forest. He stuck out like a sore thumb.”\u003c\/p\u003e\r\n \u003cp\u003eCronin could have moved on, continuing through the undergrowth to finish the job of mapping and flagging the cutblock for the fallers. The tree, with the rest of the forest around it, would have stood patiently awaiting its inevitable fate. The fallers would have arrived months later and the tree would have been brought down in a thunderclap heard kilometres away, hauled from the valley, loaded onto logging trucks, and taken to a mill to be broken into its most useful and most valuable parts.\u003c\/p\u003e\r\n \u003cp\u003eBut Dennis Cronin lingered under the big tree. He walked around a circumference so great it would take more than six people holding hands in a circle to wrap around its base. Cronin had spent four decades working on logging crews and as a forest engineer, countless days working in the forests of Vancouver Island, and had encountered thousands of enormous trees over his career.\u003c\/p\u003e\r\n \u003cp\u003eInstead of moving on, Cronin reached into his vest pocket for a ribbon he rarely used, tore off a strip, and wrapped it around the broad base of the great Douglas fir’s trunk. The tape wasn’t pink or orange or red but green, and along its length were the words “Leave Tree.”\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"[Rustad’s] microscale descriptions of the landscape and how commercial forestry has changed it bring you into the depths of Vancouver Island.","OtherText_Review_0_Src":"Outside Magazine","OtherText_Review_1":"Rustad, a Salt Spring Island native, digs into the B.C. psyche with his discussions of old growth forests, big trees, the logging industry, ecotourism, and First Nations rights and issues.","OtherText_Review_1_Src":"Vancouver Sun","OtherText_Review_2":"[Harley Rustad] is a gifted researcher and writer and a valuable enabler whose book is a must-read for anyone interested in ecology.","OtherText_Review_2_Src":"Winnipeg Free Press","OtherText_Review_3":"[A] very timely narrative.","OtherText_Review_3_Src":"Toronto Star","OtherText_Review_4":"\u003cp\u003eThe story of \u003cem\u003eBig Lonely Doug\u003c\/em\u003e unfolds in marvellous detail, with liberal doses of humour, pathos, and conflict.\u003c\/p\u003e","OtherText_Review_4_Src":"Foreword Reviews","OtherText_Review_5":"[Harley Rustad] weaves the ecology of the rainforests of Vancouver Island, the legends around them, the business of logging pitted against the environmentalist movements, the contentious issue of ecotourism, and the rights of First Nations into a compelling, fascinating read.","OtherText_Review_5_Src":"Desi News","OtherText_ShortDescription_0":"The story one of the largest trees in Canada whose unlikely survival and discovery sheds light on environmentalism, climate change and ecotourism.","ProductFormDescription":"trade paperback","PublicationDate":"2018-09-04","Publisher":"House of Anansi Press Inc","ShortDescription":"The story one of the largest trees in Canada whose unlikely survival and discovery sheds light on environmentalism, climate change and ecotourism.","Subtitle":"The Story of One of Canada’s Last Great Trees","Width":"5.5","WidthCode":"in"}
Big Lonely Doug
The story one of the largest trees in Canada whose unlikely survival and discovery sheds light on environmentalism, climate change and ecotourism.
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{"id":6811315732539,"title":"No More Nice Girls","handle":"no-more-nice-girls","description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e","published_at":"2022-03-21T17:16:09-04:00","created_at":"2022-03-21T12:42:27-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Nonfiction","By (author) McKeon Lauren","Feminist Reads","pub date: 2020-03-03","The Walrus Books"],"price":1895,"price_min":1895,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191030558779,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006440","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":500,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006440","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191116902459,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006457","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006457","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191116935227,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006464","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006464","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440","options":["Title"],"media":[{"alt":"A painted portrait shows a girl with light skin tone and brown hair rolling her eyes toward the ceiling. She wears a century period style dress. The title is made to look stenciled with paint. Text: No More Nice Girls. Gender, Power, and Why it’s Time to Stop Playing by the Rules. Lauren McKeon.","id":23033317228603,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003043","AlsoRecommendedISBN_1":"9781487004552","AlsoRecommendedISBN_4":"9781487006471","BASICMainSubject":"SOC028000","BASICMainSubjectLiteral":"SOCIAL SCIENCE \/ Women's Studies","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAUREN MCKEON’S\u003c\/strong\u003e critically acclaimed first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e, was a finalist for the Kobo Emerging Writer Prize and was selected by the \u003cem\u003eHill Times\u003c\/em\u003e as a book of the year and by the Feminist Book Club as one of their top five feminist books ever. McKeon is the winner of several National Magazine Awards, including a Gold in the Personal Journalism category. Her writing has appeared in \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and \u003cem\u003eBest Canadian Essays\u003c\/em\u003e, on TVO.org, and in the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life After Sexual Assault\u003c\/em\u003e. McKeon has taught long-form writing at Humber College and holds an M.F.A. in Creative Nonfiction from the University of King’s College. She was the editor of \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016 and the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e from 2017 to 2020, and she is currently a contributing editor at \u003cem\u003eToronto Life\u003c\/em\u003e and the deputy editor of \u003cem\u003eReader’s Digest\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Women's Studies","BISACSubjectLiteral_1":"SOCIAL SCIENCE \/ Feminism \u0026amp; Feminist Theory","BISACSubjectLiteral_2":"POLITICAL SCIENCE \/ History \u0026amp; Theory","BISACSubject_0":"SOC028000","BISACSubject_1":"SOC010000","BISACSubject_2":"POL010000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAUREN MCKEON’S\u003c\/strong\u003e critically acclaimed first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e, was a finalist for the Kobo Emerging Writer Prize and was selected by the \u003cem\u003eHill Times\u003c\/em\u003e as a book of the year and by the Feminist Book Club as one of their top five feminist books ever. McKeon is the winner of several National Magazine Awards, including a Gold in the Personal Journalism category. Her writing has appeared in \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and \u003cem\u003eBest Canadian Essays\u003c\/em\u003e, on TVO.org, and in the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life After Sexual Assault\u003c\/em\u003e. McKeon has taught long-form writing at Humber College and holds an M.F.A. in Creative Nonfiction from the University of King’s College. She was the editor of \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016 and the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e from 2017 to 2020, and she is currently a contributing editor at \u003cem\u003eToronto Life\u003c\/em\u003e and the deputy editor of \u003cem\u003eReader’s Digest\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"McKeon, Lauren","Description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e","EAN":"9781487006440","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006440\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"MeToo; Intersectionality; Misogyny; female empowerment; girl boss; rape culture; gender and equality; fourth-wave feminism; patriarchy; sexual abuse and harassment; times up; Canadian history; women's studies; sociology; cultural studies; civics; Footnotes; index; Jodi Kantor; Megan Twohey; Robyn Doolittle; Handmaid's Tale; Gloria Steinem; Lindy West; Mary Beard; Long-form journalism","NumberOfPages":"352","OtherText_Accolades_0":"Lauren McKeon has written a bold, searching, and ultimately hopeful book about what it would mean for women to be truly powerful in the world. Not the kind of power that requires a token change at the top, but a radical overhauling of social structures to create a more progressive and inclusive society. There is much power to be found in her wise, eye-opening book.","OtherText_Accolades_0_Auth":"Elizabeth Renzetti","OtherText_Accolades_1":"Lauren McKeon has long cemented herself as a writer whose insights are biting, effective, and necessary. And unsurprisingly, No More Nice Girls is no different. In this book, her work is meticulously researched and brilliantly argued, and she’s not afraid to confront us with information and perspectives that are as uncomfortable as they are true (see: very). That said, McKeon’s ability to engage with instead of dictating to is powerful and unifying, specifically as she provides the type of ammunition needed for readers to abandon existing comfort zones or truths fabricated for self-preservation. She urges us to learn and listen (but actually listen). She’s patient but forceful in offering her many (many) facts. I’ve never liked the word nice, and liked the idea of aspiring to be nice even less. Thankfully, McKeon makes nice a non-word — a notion or descriptor that means nothing and does nothing. She sets us free of the rhetoric associated with niceness and exchanges the burden of playing by the rules for the data, statistics, and emphasis on intersectionality that will help us, collectively, to obliterate them.","OtherText_Accolades_1_Auth":"Anne","OtherText_Accolades_2":"Lauren McKeon is one of the most important journalists writing about feminist issues in this country today. This impeccably researched and reported book is a revelation, an inspiration, a punch in the gut, and a fierce rallying cry. It’s a definite must read for anyone who cares about women’s current reality, and women’s future in this country and beyond.","OtherText_Accolades_2_Auth":"Stacey May Fowles","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eTIMELY SUBJECT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThere’s a huge market for books on feminist literature and ongoing attention to women’s issues in popular media. \u003cem\u003eNo More Nice Girls\u003c\/em\u003e picks up where her 2017 book,\u003cem\u003e F-Bomb\u003c\/em\u003e, left off.\u003cem\u003e F-Bomb\u003c\/em\u003e looked at the supposed demise of the feminist movement, while this book reimagines the very concept of power itself. Perfect for fans of feminist nonfiction by Gemma Hartley, Soraya Chemaly, Robyn Doolittle.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAUTHOR’S INTERSECTIONAL APPROACH AND STYLE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eMcKeon’s intersectional approach led her to many interviews with people whose experiences with power is more layered than her own, including people of all genders, Native American women, women of colour, women with disabilities, and those who are LGBTQ+. She practices what she preaches: all interview subjects are referred to by their chosen pronouns and none are described by their physical appearances unless that is relevant to the discussion of power or a man would be physically described in the same situation. Her nuanced and intentional writing is also fun to read. Having developed her writing for online audiences as well as for readers of long-form print journalism, McKeon’s prose style — sharp, honest, and entertaining — is persuasive, and will appeal especially to readers in their twenties, thirties, and forties.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTIMED TO COINCIDE WITH TWO SIGNIFICANT DATES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eWe will publish the book on March 3, 2020, to coincide with International Women’s Day on March 8. Also worth noting is that in 2020, it will be twenty-five years since the Beijing Platform for Action, a visionary agenda for the empowerment of women and girls which came out of the UN’s Fourth World Conference on Women in 1995 in Beijing. The anniversary of the Beijing Platform, and how much progress has or has not been made over the last twenty-five years, will be much discussed in the media. McKeon is very well connected in the media, and we will work with her to effectively market and promote the book to women’s long-lead magazines and national literary media (magazines, newspapers, radio, TV, podcasts, blogs) in addition to her spotlight in \u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAWARD-WINNING AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eLauren McKeon’s long-form writing has won her several Canadian National Magazine Awards. Her first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e (Goose Lane, 2017), was nominated for Rakuten Kobo’s Emerging Writer Prize. She contributed a chapter to the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life after Sexual Assault\u003c\/em\u003e. She holds an M.F.A. in Creative Nonfiction from the University of King’s College and has taught long-form writing at Humber College. She was the editor of Canada’s progressive, independent \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016, where she helmed one of the bestselling issues in recent years, “Why Canada Needs More Feminism.” She writes for \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eReader’s Digest\u003c\/em\u003e, and the \u003cem\u003eKit\u003c\/em\u003e. She is the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTHE PRESTIGE AND SUCCESS OF THE WALRUS BOOKS IMPRINT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe inaugural publication of Walrus Books, \u003cem\u003eBig Lonely Doug\u003c\/em\u003e, sold well and earned wide media coverage and prize attention. Lauren McKeon’s book follows Harley Rustad’s as a fine product of the same strong partnership between \u003cem\u003eThe Walrus\u003c\/em\u003e magazine, the Chawkers Foundation, and House of Anansi Press. The Walrus Books imprint publishes strong, rigorous works of narrative nonfiction that reflect the excellence of both \u003cem\u003eThe Walrus\u003c\/em\u003e and Anansi brands.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eOn November 8, 2016, I tried to pretend the TVs at my gym did not exist. I’d shown up that night to my weekly class expecting to walk out sweaty and exalted. If America elected a woman as its leader (as all the pundits and polls suggested the country would) then, surely, Canada would follow. Anything felt possible. I imagined a cascade of broken status quos — belligerent white men in crisp suits falling like dominos. But over the next hour disbelief replaced excitement. At one point, our class melted away from our workout stations to pool, lost, around the TV. Women muttered shit, what, no, over and over again. That night, I couldn’t sleep. I stayed seated on my bed, cross-legged, stunned. It didn’t matter that I wasn’t American, or that one of the wokest men on Earth supposedly ran my own country. Electing a blatant misogynist to one of the world’s most powerful positions symbolized something: we were fucked.\u003cbr \/\u003e\u003cbr \/\u003eSince then, the question of women and power has undergone something of a renaissance — largely because we’ve been forced to confront, once again, how much of it women still don’t have. Quite literally overnight, many of us went from believing, with good reason, that we’d never been closer to equality — and power — to reckoning with just how far away from both women truly were. In response, women woke up, gathered, and demanded change. All around the world, they protested. The momentum from the Women’s March on Washington built into #MeToo and a very public reckoning with the everyday ways in which women’s power and autonomy are constantly undermined.\u003cbr \/\u003e\u003cbr \/\u003eWatching it all, I was galvanized. But I also felt as though I was stuck in a not-so-fun house of magic mirrors. Come one, come all! Watch as the road to equality shrinks, stretches, distorts! Sometimes it seemed as if our fury, powerful in its own right, could propel us anywhere we wanted to go: into public office, into the C-suite, into a world in which we had bodily autonomy. Other times, as the anti-feminist backlash grew louder, bolder, and more expansive, it seemed as though women were in our most precarious spot yet. I began to think of feminist power as a paradox: from some vantages, we seemed closer than ever to achieving it; from others, we’d never been farther away.\u003cbr \/\u003e\u003cbr \/\u003eI have spent the bulk of my journalism career investigating the ways in which women navigate, and in many cases push back against, the expectations of the world around them. In doing this, I now realize, what I’ve really been asking, consciously or not, is how women disrupt and reimagine power structures, how they gain power both in and over their lives. Many of the women I’ve interviewed are pioneers in their fields, often ones dominated by men, and you could say they are subverting from within. Others are pushing at established power structures from the outside, rallying from the grassroots. They are all inspiring and amazing. But is what they’re doing working? These past few years have illuminated some stark, and seemingly contradictory, truths. Despite immense progress, no amount of success can immunize women against the toxic, sexist environments around them, and it is not uncommon for women to be utterly alone: one of few in their field, the only woman in management at their company, or the only one breaking a certain convention.\u003cbr \/\u003e\u003cbr \/\u003eThe more I heard their stories, the more I wondered: Even if a woman won the next American or Canadian federal election, what would that victory gain us? Or, put another way: Do we have the very concept of women and power all wrong? I’m not saying I want all the feminists to give up the fight, retreat to their kitchens, and let one pucker-mouthed man and his acolytes burn the planet. I want women to attain the same powerful positions afforded to men, in equal numbers. But it’s also dangerous to see that status, in and of itself, as a panacea to centuries of Western civilization, all built on foundational histories of sexism, misogyny, and violence against women. A woman prime minister certainly wouldn’t “cancel out” this seemingly new brand of misogyny, dredged up for all the world to see. In fact, the past few years have revealed that any woman, or member of another equity-seeking group, who stands where white, straight, cisgender men usually do is certain to face violent backlash. Or, as University of Cambridge classics professor Mary Beard argues in her short manifesto Women and Power, throughout time women have been placed in, or near to, positions of power simply to fail. To illustrate her point, Beard borrows from Greek mythology, referring to Clytemnestra, who rules over her city while her husband fights in the Trojan War, only to be murdered by her own children after she refuses to cede her new leadership upon his return (well, okay, she also killed her husband rather than go back down the patriarchal chain). Or more recently, Beard suggests, consider Theresa May or Hillary Clinton. For women, power is messy from every angle.\u003cbr \/\u003e\u003cbr \/\u003ePerhaps, then, it’s finally time to start rethinking feminism’s one-time end goals, to ditch our old checklists for equality. Yes, let’s not abandon our strategizing toward getting more women to the top, but let’s also examine a deeper, less considered problem: that is, what the view from “the top” looks like for women once they’re there. What if we could redefine not just women’s path to power but the very concept of power itself? Or more radical yet: What if we stopped focusing on playing the game better, ditched the rulebook, and refused to play their game at all? What would power even look like to us if we weren’t always visualizing it within the context of men?\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"[Lauren McKeon’s] vital, keenly insightful work is a must-read.","OtherText_Review_0_Src":"Booklist","OtherText_Review_1":"McKeon uses plain language and an army of external sources to illuminate the puppet strings of power . . . No More Nice Girls avoids despairing, instead positing a hopeful roadmap toward a future wherein women will not just attain power, but will topple and rebuild it in their own image.","OtherText_Review_1_Src":"Foreword Reviews","OtherText_Review_2":"Through a wealth of examples of women and communities working to topple power structures in a variety of sectors, No More Nice Girls is a thoughtful, bold read that envisions a future in which women create new styles of leadership.","OtherText_Review_2_Src":"Rabble.ca","OtherText_Review_3":"\u003cp\u003eTimely … [\u003cem\u003eNo More Nice Girls\u003c\/em\u003e] will open your eyes to a better way of doing things.\u003c\/p\u003e","OtherText_Review_3_Src":"I’ve Read This","OtherText_Review_4":"\u003cp\u003e\u003cem\u003eNo More Nice Girls \u003c\/em\u003eprovides a rallying cry for feminists of any age to once again challenge the current paradigm and institutions that continue to disempower women. McKeon’s book contains a healthy amount of outrage and antidote that will leave the reader with tools to do more than just get angry — it will also create for themselves and for future generations recipes for working toward systemic change … \u003cem\u003eNo More Nice Girls\u003c\/em\u003e belongs on the bookshelf alongside Susan Faludi’s Backlash, Susan Douglas’s Enlightened Sexism, Sylvia Bashevkin’s Women, Power, Politics, and Linda Trimble’s Ms. Prime Minister — all important contemporary books that lay out feminist issues. It adds to the conversation and stands upon the shoulders of these giants in terms of moving feminist thought ahead.\u003c\/p\u003e","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.","ProductFormDescription":"trade paperback","PublicationDate":"2020-03-03","Publisher":"House of Anansi Press Inc","ShortDescription":"An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.","Subtitle":"Gender, Power, and Why It’s Time to Stop Playing by the Rules","Width":"5.5","WidthCode":"in"}
No More Nice Girls
An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.
