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All Physical Products Collection June
All physical products collection - June 17 2021.
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{"id":6815468847163,"title":"Basic Black with Pearls","handle":"basic-black-with-pearls","description":"\u003cp\u003eA lost feminist classic — and winner of the Toronto Book Award — reissued to coincide with the 35th anniversary of publication.\u003c\/p\u003e\u003cp\u003eIn her yearning, elusive search for a lover, Shirley Kaszenbowski sheds her drab “basic black” existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto.\u003c\/p\u003e\u003cp\u003eShirley Kaszenbowski, née Silverberg, is a middle-aged, middle-class woman in a Holt Renfrew tweed coat, a basic black dress, and a strand of real pearls. She may seem ordinary enough, pricing silk scarves at Eaton’s or idling in hotel coffee shops, but in fact she is searching for her lover. He is an elusive figure, a man connected with “The Agency,” a powerful technocrat who may or may not have suggested a rendezvous based on a secret code in the \u003cem\u003eNational Geographic\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eHer search takes her to the world of her past as a Jewish immigrant in the Spadina-Dundas area of Toronto. She finds the bakeries and rooming houses of her youth still haunted by survivors of postwar Europe and by her own memories of guilt and loss, while the consolations of art, opera, and pornography offer only echoes of her own illusions and desires. Her strange, wryly funny odyssey ends in a dramatic confrontation scene with her husband and “the other woman,” as she trades in her basic black for another chance.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eBasic Black with Pearls\u003c\/em\u003e, Weinzweig displays her gift for creating sympathetic characters in a slightly surreal, but always recognizable world.\u003c\/p\u003e","published_at":"2022-03-24T17:43:44-04:00","created_at":"2022-03-24T14:35:58-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","By (author) Weinzweig Helen","Literary Fiction","pub date: 2015-07-24"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40209989763131,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487000479","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Basic Black with Pearls - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":200,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487000479","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209991860283,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487000486","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Basic Black with Pearls - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487000486","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209992155195,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487000493","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Basic Black with Pearls - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487000493","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_418d6e84-a5c1-40d9-a75c-74c8d19f0881.jpg?v=1648388244"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_418d6e84-a5c1-40d9-a75c-74c8d19f0881.jpg?v=1648388244","options":["Title"],"media":[{"alt":null,"id":21823521390651,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_418d6e84-a5c1-40d9-a75c-74c8d19f0881.jpg?v=1648388244"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_418d6e84-a5c1-40d9-a75c-74c8d19f0881.jpg?v=1648388244","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA lost feminist classic — and winner of the Toronto Book Award — reissued to coincide with the 35th anniversary of publication.\u003c\/p\u003e\u003cp\u003eIn her yearning, elusive search for a lover, Shirley Kaszenbowski sheds her drab “basic black” existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto.\u003c\/p\u003e\u003cp\u003eShirley Kaszenbowski, née Silverberg, is a middle-aged, middle-class woman in a Holt Renfrew tweed coat, a basic black dress, and a strand of real pearls. She may seem ordinary enough, pricing silk scarves at Eaton’s or idling in hotel coffee shops, but in fact she is searching for her lover. He is an elusive figure, a man connected with “The Agency,” a powerful technocrat who may or may not have suggested a rendezvous based on a secret code in the \u003cem\u003eNational Geographic\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eHer search takes her to the world of her past as a Jewish immigrant in the Spadina-Dundas area of Toronto. She finds the bakeries and rooming houses of her youth still haunted by survivors of postwar Europe and by her own memories of guilt and loss, while the consolations of art, opera, and pornography offer only echoes of her own illusions and desires. Her strange, wryly funny odyssey ends in a dramatic confrontation scene with her husband and “the other woman,” as she trades in her basic black for another chance.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eBasic Black with Pearls\u003c\/em\u003e, Weinzweig displays her gift for creating sympathetic characters in a slightly surreal, but always recognizable world.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887848384","AlsoRecommendedISBN_2":"9781487002961","AlsoRecommendedISBN_3":"9780887848384","AlsoRecommendedISBN_4":"9781770899766","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHELEN WEINZWEIG\u003c\/strong\u003e is the author of the novels \u003cem\u003ePassing Ceremony\u003c\/em\u003e and \u003cem\u003eBasic Black with Pearls\u003c\/em\u003e, winner of the Toronto Book Award. Her short story collection, \u003cem\u003eA View from the Roof\u003c\/em\u003e, was shortlisted for the Governor General’s Literary Award for Fiction. Helen Weinzweig died in Toronto in 2010.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Jewish","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC046000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHELEN WEINZWEIG\u003c\/strong\u003e is the author of the novels \u003cem\u003ePassing Ceremony\u003c\/em\u003e and \u003cem\u003eBasic Black with Pearls\u003c\/em\u003e, winner of the Toronto Book Award. Her short story collection, \u003cem\u003eA View from the Roof\u003c\/em\u003e, was shortlisted for the Governor General’s Literary Award for Fiction. Helen Weinzweig died in Toronto in 2010.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Weinzweig, Helen","Description":"\u003cp\u003eA lost feminist classic — and winner of the Toronto Book Award — reissued to coincide with the 35th anniversary of publication.\u003c\/p\u003e\u003cp\u003eIn her yearning, elusive search for a lover, Shirley Kaszenbowski sheds her drab “basic black” existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto.\u003c\/p\u003e\u003cp\u003eShirley Kaszenbowski, née Silverberg, is a middle-aged, middle-class woman in a Holt Renfrew tweed coat, a basic black dress, and a strand of real pearls. She may seem ordinary enough, pricing silk scarves at Eaton’s or idling in hotel coffee shops, but in fact she is searching for her lover. He is an elusive figure, a man connected with “The Agency,” a powerful technocrat who may or may not have suggested a rendezvous based on a secret code in the \u003cem\u003eNational Geographic\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eHer search takes her to the world of her past as a Jewish immigrant in the Spadina-Dundas area of Toronto. She finds the bakeries and rooming houses of her youth still haunted by survivors of postwar Europe and by her own memories of guilt and loss, while the consolations of art, opera, and pornography offer only echoes of her own illusions and desires. Her strange, wryly funny odyssey ends in a dramatic confrontation scene with her husband and “the other woman,” as she trades in her basic black for another chance.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eBasic Black with Pearls\u003c\/em\u003e, Weinzweig displays her gift for creating sympathetic characters in a slightly surreal, but always recognizable world.\u003c\/p\u003e","EAN":"9781487000493","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487000493\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","MetaKeywords":"Toronto Book Award; Feminist; Classic; Classic Books; Classic Reads; Jewish; Immigrants; Toronto; Set in Toronto; Book Club; CanLit; Canadian Fiction; 1980s; Feminist Writers; Women's Studies; Lost Classics; Surreal Literature;Surreal Books; Experimental Fiction","NumberOfPages":"144","OtherText_Review_0":"\u003cp\u003e“I must concede that Basic Black with Pearls, at least, is so good as to have been well worth the exhilarating wait” — \u003cstrong\u003eEmily M. Keeler, \u003cem\u003eNational Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Emily M. Keeler","OtherText_Review_0_Src":"National Post","OtherText_Review_1":"\u003cp\u003e“Thirty-five years after its initial publication, and a hundred years since Weinzweig’s birth, Basic Black with Pearls is getting an admirable posthumous reissue via House of Anansi’s A-List series, asserting its relevance decades after it won the 1981 Toronto Book Award.” — \u003cstrong\u003eStacey May Fowles, \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Auth":"Stacey May Fowles","OtherText_Review_1_Src":"Globe and Mail","OtherText_Review_2":"\u003cp\u003e“a funny and smart feminist classic that begs for rediscovery.” — \u003cstrong\u003eKerry Clare, \u003cem\u003e49th Shelf\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Kerry Clare","OtherText_Review_2_Src":"49th Shelf","OtherText_Review_3":"\u003cp\u003e“Basic Black with Pearls packs a punch.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"New York Times","OtherText_ShortDescription_0":"In her search for a lover, Shirley sheds her drab existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto.","ProductFormDescription":"mobi","PublicationDate":"2015-07-24","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"In her search for a lover, Shirley sheds her drab existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto.","Width":"5.5","WidthCode":"in"}
Basic Black with Pearls
In her search for a lover, Shirley sheds her drab existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto.
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{"id":6811321663547,"title":"We Two Alone","handle":"we-two-alone","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e","published_at":"2022-03-21T17:17:03-04:00","created_at":"2022-03-21T12:52:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Short Stories","Anansi Audio","Book Club Pick","By (author) Wang Jack","pub date: 2020-09-01","Read by Quan Samantha"],"price":1695,"price_min":1695,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191046680635,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007461","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":308,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007461","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140397115,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007478","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007478","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140462651,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007485","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007485","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140560955,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008826","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008826","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140790331,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008833","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209","options":["Title"],"media":[{"alt":"A gold birdcage is against an orange background. A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.","id":24959859064891,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001469","AlsoRecommendedISBN_1":"9781487002299","AlsoRecommendedISBN_2":"9781487006563","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION\/Short Stories (single author)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubjectLiteral_2":"FICTION \/ Asian American","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC019000","BISACSubject_2":"FIC054000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSAMANTHA QUAN\u003c\/strong\u003e is a graduate of the Graduate Acting Program at New York University. She has performed on stage in New York and regionally, including at The Ensemble Studio Theater and the Globe Theaters. Samantha presently resides in Los Angeles, where she works in film and television.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Wang, Jack (CA)","Contributor_1":"Quan, Samantha (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong \u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e","EAN":"9781487008833","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007461\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"canadian history; hockey; immigration; refugees; marriage; asia; Madeleine Thien; Pachinko; A Tale for the Time Being; David Chariandy; London; Lunar New Year; WWI; WWII; world war; holocaust; asian literature; post colonial; creative writing; canlit; Holman; Cozy Classics; Star Wars Epic Yarns; Great Job Dad; Frying Plantain; Kim's Convenience; Asian Americans PBS; book club","NumberOfPages":"296","OtherText_Accolades_0":"\u003cp\u003e“These moving stories are both global and intimate as they span the continents where the Chinese diaspora has settled. With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection that zeroes in on the emotional texture of utterly unique lives.” — \u003cstrong\u003eViet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer","OtherText_Accolades_1":"\u003cp\u003e“This impressive and vibrant collection of stories takes the reader by the hand, leading us across the world and back in time. But they’re all unified by the gentle sensitivity of Jack Wang’s prose and his ability to inhabit characters who long for freedom, connection, and fulfillment. Deeply humane and beautifully wrought, these stories stay in the heart and the mind.” — \u003cstrong\u003eAlix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Alix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside","OtherText_Accolades_2":"\u003cp\u003e“One of the best books I’ve read this year and one of my all-time favourite short-story collections.” — \u003cstrong\u003eSharon Bala, bestselling author of The Boat People\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sharon Bala, bestselling author of The Boat People","OtherText_Accolades_3":"\u003cp\u003e“Jack Wang’s \u003cem\u003eWe Two Alone\u003c\/em\u003e is not only a penetrating examination of the Chinese diaspora, it also brilliantly renders its subject in the most deeply resonant universal way, as the yearning for personal identity that drives us all in our shared humanity. This is a remarkable collection of stories, a remarkable work of art.” — \u003cstrong\u003eRobert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain","OtherText_Accolades_4":"\u003cp\u003e“Jack Wang’s dazzling first collection of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, moves through decades and across continents with rare ease, telling not \u003cem\u003ethe\u003c\/em\u003e story but some of the many stories of the Chinese diaspora in the last century. These stories are so elegantly shaped, so satisfying as individual stories, that their collective power sneaks up on you. There is a quiet and building intensity to the storytelling here, a commitment to chronicling — with deep compassion and a refusal of easy answers — the dignity of human experience against the broader indignities of history. I was moved, heartbroken, and thrilled.” — \u003cstrong\u003eEmily Fridlund, author of the Booker Prize finalist History of Wolves\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Emily Fridlund, author of the Booker Prize finalist History of Wolves","OtherText_Description_for_R_0":"\u003cp\u003eFrom “The Night of Broken Glass”\u003cbr \/\u003e A finalist for the 2014 Commonwealth Short Story Prize, whose jury included Booker Prize winner Marlon James\u003cbr \/\u003ePublished in \u003cem\u003eLet’s Tell This Story Properly: An Anthology of the Commonwealth Short Story Prize\u003c\/em\u003e\u003cbr \/\u003eNominated by the \u003cem\u003eNew Quarterly\u003c\/em\u003e for a 2016 National Magazine Award \u003cbr \/\u003e\u003cbr \/\u003e I met my mother for the first time when I was six. I say “mother” because that was what I was expected to call her, and did, though in fact she was my stepmother. My real mother died of tuberculosis when I was five. A year later my father came home with a new wife. He had been studying international law in Chicago despite already having a Ph.D. in political economics from the University of Munich. While he was gone I received a series of brightly coloured linen postcards of the World’s Fair: the Hall of Science, the Avenue of Flags, the iron lattice towers of the Sky Ride. The theme of the fair was A Century of Progress. That’s where my father met Grace.\u003cbr \/\u003e\u003cbr \/\u003eIt was a windless, thick-aired summer day in Changsha when a motorcar saddled with steamer trucks pulled up in front of our house and a woman in a white blouse, wide-legged trousers, and large round sunglasses climbed out. She was beautiful, which made me sad for my mother and scornful of my father, and she looked too fair to be Chinese. As it turned out, she was half Chinese, born of a Chinese father and a German-American mother. That, along with her clothes and her beauty, made her unlike any woman I had ever seen. My father had secured a large two-storey house on the outskirts of town and staffed it with half a dozen servants, all in an effort to make his new wife comfortable, but as soon as they arrived he was stricken by all he had not foreseen. The house had no running water, and despite the need Grace refused to use the privy, which had no seat and emitted at that time of year an audible drone. After pleading with Grace in hushed tones, my father ordered Old Chao into town for a portable commode, a trip of at least three hours. For the rest of the afternoon my new mother paced the courtyard, smoking one Lucky after another, which made her seem feral and caged. \u003cbr \/\u003e\u003cbr \/\u003e[…] \u003cbr \/\u003e\u003cbr \/\u003eNeedless to say, Grace was unhappy in China. Though my father had no particular desire to leave, he began to eye the foreign service. When the Governor for whom he worked recommended the post of First Secretary in the Chinese legation in Austria, my father accepted for Grace’s sake. We arrived in Vienna in June of my tenth year, after a three-week voyage on the \u003cem\u003eConte Verde\u003c\/em\u003e through Saigon, Singapore, Madras, Bombay, Aden, and Port Said, and at first everything did seem better. The city was glorious with summer, and everywhere open air orchestras paid homage to the old masters, which made our lives seem set to music. Many nights my parents put on tails and gown and went to balls and receptions, living at last the life for which they were meant. \u003cbr \/\u003e\u003cbr \/\u003eBut it wasn’t long before Grace again felt stranded. She could no more distinguish der, die, and das than she could first and second tones. Then, in the spring, German troops goose-stepped through the Ringstrasse, just blocks away from our townhouse. The crowds that greeted them were lusty, adoring, as was I, my schoolboy fantasies of soldiers and guns come to life. My father did not raise his arm but he didn’t stop me from raising mine. That night, in a scene that would soon become commonplace, hoodlums took to the streets, smashing the windows of certain homes and shops. Thereafter, walking to and from school, I passed storefronts marked \u003cem\u003eJude\u003c\/em\u003e and \u003cem\u003eNicht arisches Geschaeft\u003c\/em\u003e and blocked by baby-faced men in jackboots and flared helmets. As a visible foreigner and part of the diplomatic corps, my father felt undeterred and often went into these stores despite the piercing glares — and once, an arm held stiffly against his chest. For my mother, annexation was yet another rung of descent in a private tragedy. She chided my father for bringing her to a Nazi-occupied country. His answer: Better the Germans than the Japanese. \u003cbr \/\u003e\u003cbr \/\u003eAt the end of October, thousands of Polish-born Jews were rounded up and sent back to Poland. When a seventeen-year-old boy learned that his family was among those languishing at the border, unwanted by either side, he walked into the German Embassy in Paris and pumped five bullets into the viscera of a minor German diplomat. Two days later, Ernst vom Rath died of his wounds. The seething of the Germans, checked so long as their countryman clung to life, would now be unleashed. This was what my father knew when he came home that afternoon.\u003c\/p\u003e","OtherText_Review_0":"\u003cp\u003e“A collection that announces an important new voice in contemporary fiction … Beyond Vancouver, Shanghai, Vienna, Port Elizabeth, and London, the stories in \u003cem\u003eWe Two Alone\u003c\/em\u003e encompass Tallahassee, Los Angeles, and Boston. Wang is committed to rendering his backdrops accurately; with perfectly presented details, he showcases the disharmony of the Chinese diaspora, as individuals endure salient moments in twentieth-century history and more recent times … \u003cem\u003eWe Two Alone\u003c\/em\u003e shows that Jack Wang is a master of the short story, a writer who has mapped his own space, neither Canadian nor American, nor anywhere else. Each episode in this collection is a moving tribute to its characters as well as an indictment of the ostracism that remains when racist taunts and human failures continue to bedevil the modern world.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_Review_1":"\u003cp\u003e“Rich and poignant … History lovers and literary buffs will sink joyfully into his moving collection … Wang manages to underscore the importance of cultural heritage while stressing humanity’s common ties … His ability to create vivid and believable settings, in beautiful and readable prose, will deeply move readers.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Winnipeg Free Press","OtherText_Review_2":"\u003cp\u003e“Jack Wang is a welcome new voice in Canadian letters … [\u003cem\u003eWe Two Alone\u003c\/em\u003e] is serious, engaging, well crafted, thought-provoking. Wang clearly has something to say, and this accomplished collection not only says it but also promises a great deal more to come.” — \u003cstrong\u003e\u003cem\u003eOrmsby Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Ormsby Review","OtherText_Review_3":"\u003cp\u003e“Jack Wang’s extraordinary debut book of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, weaves a path across the world, following the Chinese diaspora over nearly a hundred years. It’s the kind of collection that comes along only once in a while, to be savoured by readers for its sharp, smart portraits of longing, connection, and identity.” — \u003cstrong\u003e\u003cem\u003eOpen Book\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Open Book","OtherText_Review_4":"\u003cp\u003e“In \u003cem\u003eWe Two Alone\u003c\/em\u003e, Jack Wang has written an instantly engaging and achingly poignant collection of stories about people struggling to preserve their way of life and seeking stability, connection, and meaning. Focusing on Chinese immigrant experiences, Wang’s stories range freely and easily across many decades and a dizzyingly assortment of geographies. All of Wang’s characters are vividly rendered, their struggles and agonies richly conceived and indelibly portrayed. The writing throughout is atmospheric, highly visual, and peppered with startling and persuasive detail. Long after finishing it, \u003cem\u003eWe Two Alone\u003c\/em\u003e lingers in the mind as a compassionate work by a profoundly talented writer who cares deeply about what it means to be human in turbulent times.” — \u003cstrong\u003eDanuta Gleed Literary Award Jury Citation, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Danuta Gleed Literary Award Jury Citation","OtherText_ShortDescription_0":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"05","PrizeName_0":"Danuta Gleed Literary Award","PrizeName_1":"CBC Canada Reads","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","Width":"5.25","WidthCode":"in"}
We Two Alone
A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.
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{"id":6811314061371,"title":"Roguelike","handle":"roguelike","description":"\u003cp\u003e\u003cstrong\u003eMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMathew Henderson’s \u003ci\u003eRoguelike\u003c\/i\u003e, the much-anticipated follow-up to his acclaimed 2012 debut \u003ci\u003eThe Lease\u003c\/i\u003e, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.\u003c\/p\u003e\u003cp\u003eThough the poems are largely narrative, ultimately \u003ci\u003eRoguelike\u003c\/i\u003e is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.\u003c\/p\u003e","published_at":"2022-03-21T17:16:51-04:00","created_at":"2022-03-21T12:40:42-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","Adult Starred Reviews","By (author) Henderson Mathew","House of Anansi Press","pub date: 2020-04-07"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191026495547,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007812","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roguelike - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":176,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007812","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191101272123,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007829","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Roguelike - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007829","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191101403195,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009052","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Roguelike - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009052","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586","options":["Title"],"media":[{"alt":"The cover image resembles the digital space of a retro video game. The background is black with pixilated grey pathways leading to small brown squares. Inside the squares are green dots and small pixelized images. Text: Roguelike. Poems. Mathew Henderson.","id":22170991591483,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMathew Henderson’s \u003ci\u003eRoguelike\u003c\/i\u003e, the much-anticipated follow-up to his acclaimed 2012 debut \u003ci\u003eThe Lease\u003c\/i\u003e, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.\u003c\/p\u003e\u003cp\u003eThough the poems are largely narrative, ultimately \u003ci\u003eRoguelike\u003c\/i\u003e is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003609","AlsoRecommendedISBN_1":"9781487006150","AlsoRecommendedISBN_2":"9781487006150","AlsoRecommendedISBN_3":"9781487003609","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMATHEW HENDERSON\u003c\/strong\u003e grew up in Tracadie, Prince Edward Island. After he graduated high school, Henderson worked summers in the oil fields of Saskatchewan and Alberta. His experiences there provided inspiration for his first book of poetry, \u003cem\u003eThe Lease\u003c\/em\u003e, which was a finalist for both the Trillium Book Award for Poetry and the Gerald Lampert Memorial Award. Henderson earned an M.F.A. from the University of Guelph and has had poems published in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE023050","BISACSubject_1":"POE023000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMATHEW HENDERSON\u003c\/strong\u003e grew up in Tracadie, Prince Edward Island. After he graduated high school, Henderson worked summers in the oil fields of Saskatchewan and Alberta. His experiences there provided inspiration for his first book of poetry, \u003cem\u003eThe Lease\u003c\/em\u003e, which was a finalist for both the Trillium Book Award for Poetry and the Gerald Lampert Memorial Award. Henderson earned an M.F.A. from the University of Guelph and has had poems published in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Henderson, Mathew","Description":"\u003cp\u003e\u003cstrong\u003eMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMathew Henderson’s \u003ci\u003eRoguelike\u003c\/i\u003e, the much-anticipated follow-up to his acclaimed 2012 debut \u003ci\u003eThe Lease\u003c\/i\u003e, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.\u003c\/p\u003e\u003cp\u003eThough the poems are largely narrative, ultimately \u003ci\u003eRoguelike\u003c\/i\u003e is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.\u003c\/p\u003e","EAN":"9781487009052","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009052\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"gaming; drugs; alcohol; Maritimes; eastern canada; Rogue; Atari; Dungeons and Dragons; New York Times Review; sophomore collection; gamers; dungeon crawl; high fantasy; ASCII; terminal emulator; net hack; rpg; contemporary poetry; canlit; Jason Christie; Karen Solie; Doyali Islam; Emma Healey; Franny Choi; Kevin Connolly; crossover","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003e\"Mathew Henderson’s Roguelike builds an intoxicating mystical world from the psychological pressure of trauma and the lingering effects of obsession — with one’s family story, with the human impulse to be subsumed by narrative and meaning. There is a fierce independence to the poems, yet they warp-tunnel towards an achingly beautiful bedrock of existence.\" — \u003cstrong\u003eJeff Latosik, award-winning author of \u003cem\u003eDreampad\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Jeff Latosik, award-winning author of Dreampad","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eACCLAIMED UP-AND-COMING POET:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eMathew Henderson’s 2012 debut collection, The Lease, received strong reviews from both the New York Times and the Millions. It was a finalist for two of the most prestigious Canadian poetry awards — the Gerald Lampert Memorial Award and the Trillium Book Award for Poetry. His follow-up collection is sure to receive even more great attention!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCROSSOVER SUBJECT MATTER:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eRoguelike\u003c\/em\u003e examines video games from all angles: the culture, the mythology, the language. Fans of video games who might not otherwise read poetry can be drawn in by this subject matter.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eACCLAIMED UP-AND-COMING POET:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMathew Henderson’s 2012 debut collection, The Lease, received strong reviews from both the New York Times and the Millions. It was a finalist for two of the most prestigious Canadian poetry awards — the Gerald Lampert Memorial Award and the Trillium Book Award for Poetry. His follow-up collection is sure to receive even more great attention!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCROSSOVER SUBJECT MATTER:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003eRoguelike\u003c\/em\u003e examines video games from all angles: the culture, the mythology, the language. Fans of video games who might not otherwise read poetry can be drawn in by this subject matter.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Striking and evocative … At the heart of this powerful book is a longing to gain perspective and move on from a difficult past.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"\u003cp\u003e\"The best poetry combines robust language use and meaning, not one at the expense of the other. Roguelike, the sophomore collection from Toronto poet Mathew Henderson, delivers both . . . Henderson is a master craftsman who loads his poems with elegant turns of phrase and meaning . . . Impossible to internalize at one sitting, Roguelike is worthy of multiple readings not just for the story, but for the skill with which the author manipulates energy and storytelling. Roguelike is a hand grenade that never stops exploding.\" — \u003cstrong\u003e\u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill and Quire","OtherText_Review_2":"\u003cp\u003e\"Henderson has a talent for the strong image, a sharp setup … Throughout the work, games provide a way to cope, a way to center shifting narratives of shelter and escape … This is a collection about loss and mourning, storytelling and mythmaking; about how we cope and how the externalities we use to do so bleed together to form accepted but ultimately shaky notions of the truth.\" — \u003cstrong\u003e\u003cem\u003eTemz Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Temz Review","OtherText_ShortDescription_0":"Mathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.","PrizeCodeText_0":"Short-listed","PrizeCode_0":"04","PrizeName_0":"ReLit Award for Poetry","ProductFormDescription":"mobi","PublicationDate":"2020-04-07","Publisher":"House of Anansi Press Inc","ShortDescription":"Mathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.","Width":"5.5","WidthCode":"in"}
Roguelike
Mathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.
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{"id":6811314585659,"title":"Our Corner Store","handle":"our-corner-store","description":"\u003cp\u003e\u003cstrong\u003eThis delightful novel in verse follows the adventures of a brother and sister around the neighborhood, and especially at the corner grocery store!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003eRace you to our corner grocery store!\u003c\/blockquote\u003e\u003cp\u003eStanstones’ corner store is the heart of the neighborhood for the brother and sister in this story. They help to close the store every Saturday and save their pennies to buy candy. The store is the source of many adventures, where they spend a memorably spooky Halloween, play tricks on Mr. and Mrs. Stanstones, and form a search party to find Toby the store cat when he goes missing. 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{"AlsoRecommendedISBN_0":"9781554989331","AlsoRecommendedISBN_1":"9781554987962","AlsoRecommendedISBN_4":"9781773065472","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"1","AudienceRangeValue_1_1":"6","AudienceRangeValue_1_2":"1","AudienceRangeValue_2_0":"4","AudienceRangeValue_2_1":"9","AudienceRangeValue_2_2":"4","BASICMainSubject":"JUV070000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Poetry","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eROBERT HEIDBREDER\u003c\/strong\u003e is an award-winning children’s poet and author. 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What will happen to their beloved corner store when a brand-new supermarket opens up in town?\u003c\/p\u003e\n\u003cp\u003eFull of humor and playful language, this novel in verse is a sweetly nostalgic celebration of a time when children had more freedom and a mom-and-pop corner store might be the center of a kid’s world. Based on Robert Heidbreder’s childhood, this follow-up to \u003cem\u003eRooster Summer \u003c\/em\u003ecan be read as a sequel or a stand-alone story. 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It can be read as a sequel or a stand-alone.\u003c\\\/li\u003e\\n\u003cli\u003eUp-and-coming illustrator Chelsea O’Byrne brings a vibrancy and playfulness to the book.\u003c\\\/li\u003e\\n\u003cli\u003eCurriculum connections: Language arts \\\/ poetry; social studies \\\/ community, neighborhoods; Health and daily living \\\/ friendship, empathy\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThese poems are perfect to read aloud together or as a solo read for a newly independent reader.\u003c\/li\u003e\n\u003cli\u003eThe poems provide an introduction to poetic devices like onomatopoeia, occasional rhyme and rhymed phrases.\u003c\/li\u003e\n\u003cli\u003eThis sweet story is a celebration of community and friendship that features the brother-sister pair from \u003cem\u003eRooster Summer\u003c\/em\u003e. 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ages 6
to 9
/ grades 1
to 4
Our Corner Store
This delightful novel in verse follows the adventures of a brother and sister around the neighborhood, and especially at the corner grocery store!
Quick View
{"id":6582719021115,"title":"Ana Historic","handle":"ana-historic","description":"\u003cp\u003eA classic of Canadian literature, here is the A List edition of Daphne Marlatt’s utterly original novel about rescuing a forgotten woman from obscurity. Featuring a new introduced by celebrated author Lynn Crosbie.\u003c\/p\u003e \u003cp\u003e\u003cem\u003eAna Historic\u003c\/em\u003e is the story of Mrs. Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards’s life.\u003c\/p\u003e","published_at":"2021-05-13T13:05:46-04:00","created_at":"2021-05-13T13:05:46-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","By (author) Marlatt Daphne","pub date: 2013-07-22"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403402723387,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770893757","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ana Historic - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770893757","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39412866678843,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770893702","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ana Historic - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1495,"weight":191,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770893702","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39412866744379,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770895584","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ana Historic - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770895584","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d007d43d-24bf-4525-835d-466446ca54b1.jpg?v=1723949502"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d007d43d-24bf-4525-835d-466446ca54b1.jpg?v=1723949502","options":["Title"],"media":[{"alt":null,"id":24743101956155,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d007d43d-24bf-4525-835d-466446ca54b1.jpg?v=1723949502"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d007d43d-24bf-4525-835d-466446ca54b1.jpg?v=1723949502","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA classic of Canadian literature, here is the A List edition of Daphne Marlatt’s utterly original novel about rescuing a forgotten woman from obscurity. Featuring a new introduced by celebrated author Lynn Crosbie.\u003c\/p\u003e \u003cp\u003e\u003cem\u003eAna Historic\u003c\/em\u003e is the story of Mrs. Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards’s life.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003579","AlsoRecommendedISBN_3":"9781770898318","AlsoRecommendedISBN_4":"9781770898554","BASICMainSubject":"FIC018000","BASICMainSubjectLiteral":"FICTION\/LGBTQ+\/Lesbian","BiographicalNote":"Daphne Marlatt is the author of the novels \u003cem\u003eAna Historic\u003c\/em\u003e and \u003cem\u003eTaken\u003c\/em\u003e. She has published numerous collections of poetry, including \u003cem\u003eSteveston\u003c\/em\u003e and \u003cem\u003eThe Given\u003c\/em\u003e, which won the Dorothy Livesay Poetry Prize. In 2006, she was appointed to the Order of Canada. She lives in Vancouver, British Columbia.","BISACSubjectLiteral_0":"FICTION \/ LGBT \/ Lesbian","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubject_0":"FIC018000","BISACSubject_1":"FIC019000","ContributorBio_0":"Daphne Marlatt is the author of the novels \u003cem\u003eAna Historic\u003c\/em\u003e and \u003cem\u003eTaken\u003c\/em\u003e. She has published numerous collections of poetry, including \u003cem\u003eSteveston\u003c\/em\u003e and \u003cem\u003eThe Given\u003c\/em\u003e, which won the Dorothy Livesay Poetry Prize. In 2006, she was appointed to the Order of Canada. She lives in Vancouver, British Columbia.","ContributorBio_1":"Lynn Crosbie is a cultural critic, author, and poet. She teaches at the Ontario College of Art and Design and the University of Toronto.","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Marlatt, Daphne (CA)","Contributor_1":"Crosbie, Lynn (CA)","Description":"\u003cp\u003eA classic of Canadian literature, here is the A List edition of Daphne Marlatt’s utterly original novel about rescuing a forgotten woman from obscurity. Featuring a new introduced by celebrated author Lynn Crosbie.\u003c\/p\u003e \u003cp\u003e\u003cem\u003eAna Historic\u003c\/em\u003e is the story of Mrs. Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards’s life.\u003c\/p\u003e","EAN":"9781770895584","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770895584\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"A List","MetaKeywords":"Lesbian; Literary; women writers","NumberOfPages":"168","OtherText_ShortDescription_0":"A CanLit classic, here is the A List edition of Daphne Marlatt’s utterly original novel about rescuing a forgotten woman from obscurity.","ProductFormDescription":"mobi","PublicationDate":"2013-07-22","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"A CanLit classic, here is the A List edition of Daphne Marlatt’s utterly original novel about rescuing a forgotten woman from obscurity."}
Ana Historic
A CanLit classic, here is the A List edition of Daphne Marlatt’s utterly original novel about rescuing a forgotten woman from obscurity.
Quick View
{"id":6598227722299,"title":"Satched","handle":"satched","description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e","published_at":"2021-06-10T17:26:57-04:00","created_at":"2021-06-09T16:37:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","By (author) Coles Megan Gail","House of Anansi Press","Poetry","pub date: 2021-09-07"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39463662026811,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008956","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Satched - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008956","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39463751221307,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008949","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Satched - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":249,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008949","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","options":["Title"],"media":[{"alt":null,"id":22065791434811,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003814","AlsoRecommendedISBN_1":"9781487008680","AlsoRecommendedISBN_2":"9781487003814","AlsoRecommendedISBN_3":"9781487008680","AlsoRecommendedISBN_4":"9781487003463","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubject_0":"POE024000","BISACSubject_1":"POE011000","BISACSubject_2":"POE023040","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Coles, Megan Gail (CA)","Description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e","EAN":"9781487008949","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487008949\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"canada reads;mental health;feminism;social media;anansi poetry;depression;anxiety;poetics;canadian literature;contemporary literature;canadian poetry","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“Reading \u003cem\u003eSatched\u003c\/em\u003e is like drinking chilled wine with an old friend on a hot night, commiserating with love, gratitude, and mutual affection. It’s opening a second bottle, letting the kids fall asleep watching movies, and getting out the hidden cigarettes to really get into it. It’s a fist in the air before it’s aimed at an appropriate eyeball. It’s an exceptional accomplishment full of lyrical strength and poetic endurance.” — \u003cstrong\u003eKatherena Vermette, author of river woman\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of river woman","OtherText_Accolades_1":"\u003cp\u003e“Are you ready for poems that pierce straight to the bone? Megan Gail Coles’s \u003cem\u003eSatched\u003c\/em\u003e is a razor edge of fierce truth, grim humour, and unalloyed beauty. With sharp-eyed clarity and fearless candour, Coles slices open the veils of capitalism and colonization to reveal a landscape marked by poverty and resilience, violence, and hope. This is Newfoundland and Labrador seen through the eyes of unconditional love and furious rage. The political, the personal, and the poetic interweave seamlessly in this debut collection, adding another genre to Coles’s already impressive repertoire. \u003cem\u003eSatched\u003c\/em\u003e is the kind of book we need right now, the kind that confronts the real world head-on while also teaching us how to live in it.” — \u003cstrong\u003eKai Cheng Thom, author of a place called No Homeland\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Kai Cheng Thom, author of a place called No Homeland","OtherText_Accolades_2":"\u003cp\u003e“\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’” — \u003cstrong\u003eCassidy McFadzean, author of Drolleries\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Cassidy McFadzean, author of Drolleries","OtherText_Accolades_3":"\u003cp\u003e“These poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.” — \u003cstrong\u003eClea Roberts, author of Auguries\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Clea Roberts, author of Auguries","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe first poetry collection from award-winning fiction author Megan Gail Coles.\u003c\/li\u003e\r\n\u003cli\u003eLike Kate Baer’s \u003cem\u003eWhat Kind of Woman \u003c\/em\u003eand Billy-Ray Belcourt’s \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e, Coles’s collection is poised to find an audience beyond regular poetry readers.\u003c\/li\u003e\r\n\u003cli\u003eColes’s poetry confronts powerful yet relatable themes, and audiences will appreciate her conscientious depiction of racism, misogyny, and poverty. \u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe first poetry collection from award-winning fiction author Megan Gail Coles.\u003c\/li\u003e\n\u003cli\u003eLike Kate Baer’s \u003cem\u003eWhat Kind of Woman \u003c\/em\u003eand Billy-Ray Belcourt’s \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e, Coles’s collection is poised to find an audience beyond regular poetry readers.\u003c\/li\u003e\n\u003cli\u003eColes’s poetry confronts powerful yet relatable themes, and audiences will appreciate her conscientious depiction of racism, misogyny, and poverty. \u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Quote_from_review_0":"\u003cp\u003e“This collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.”\u003c\/p\u003e\r\n","OtherText_Quote_from_review_1":"\u003cp\u003e“\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’” — Cassidy McFadzean, author of \u003cem\u003eDrolleries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Quote_from_review_2":"\u003cp\u003e“These poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.” — Clea Roberts, author of \u003cem\u003eAuguries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Review_0":"\u003cp\u003e“This collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2021-09-07","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e","Width":"6","WidthCode":"in"}
Satched
Named after a local word meaning “soaked through” or “weighed down,” Satched is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.
Quick View
{"id":7425234337851,"title":"Pitiful","handle":"pitiful","description":"\u003cp\u003e“This poem begins where Bulimia ends\u003c\/p\u003e\n\u003cp\u003eor maybe, just maybe, when it started. Where\u003c\/p\u003e\n\u003cp\u003ethe differential diagnosis is confused\u003c\/p\u003e\n\u003cp\u003eby decades of self-made violence. Poverty,\u003c\/p\u003e\n\u003cp\u003ecolonialism, god, all prisms that will shatter\u003c\/p\u003e\n\u003cp\u003eone day, if not now…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ePart self-interrogation, part confession, part hospital diary, the intense, heartbreakingly frank poems in Brandi Bird’s second collection detail the author’s ongoing struggles with eating disorders and depression, conditions that disproportionately afflict Indigenous girls, women, and two-spirited persons. These challenging poems investigate the relationship between sexuality and eating disorders as well as how the voyeurism of religion (the idea of being eternally watched) intersects with both of those spheres. They also raise questions about body shaming and body sovereignty—a failed sovereignty in this case, as \"sovereignty\" itself is a communal concept. In the tradition of poets like Amy Berkowitz (\u003cem\u003eTender Points\u003c\/em\u003e) and Hannah Green (\u003cem\u003eXanax Cowboy\u003c\/em\u003e), the poems in \u003cem\u003ePitiful\u003c\/em\u003e also lay bare the way patriarchy, medical sexism, and bigotry have not only sabotaged the treatment of such conditions but often make them worse.\u003c\/p\u003e","published_at":"2025-09-26T12:31:53-04:00","created_at":"2025-07-21T13:31:26-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Bird Brandi","Feminist Reads","House of Anansi Press","pub date: 2026-04-07"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42334341791803,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487014087","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pitiful - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":178,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487014087","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42334341955643,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487014094","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Pitiful - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487014094","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e5e17a6e-1c87-49d8-84d7-9916e0f36b02.jpg?v=1758896868"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e5e17a6e-1c87-49d8-84d7-9916e0f36b02.jpg?v=1758896868","options":["Title"],"media":[{"alt":"Cover: Pitiful by Brandi Bird. The text is white over a back backgound, with \"poems\" appearing in red. In the center, an illustration in red shows a hand reaching up from the ocean, through waves that also look like hands. At the bottom, a blurb reads, \"Far from a whimper, Pitiful is a vital battle cry and a song.\" —Marya Hornbacher","id":25799184252987,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e5e17a6e-1c87-49d8-84d7-9916e0f36b02.jpg?v=1758896868"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e5e17a6e-1c87-49d8-84d7-9916e0f36b02.jpg?v=1758896868","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e“This poem begins where Bulimia ends\u003c\/p\u003e\n\u003cp\u003eor maybe, just maybe, when it started. Where\u003c\/p\u003e\n\u003cp\u003ethe differential diagnosis is confused\u003c\/p\u003e\n\u003cp\u003eby decades of self-made violence. Poverty,\u003c\/p\u003e\n\u003cp\u003ecolonialism, god, all prisms that will shatter\u003c\/p\u003e\n\u003cp\u003eone day, if not now…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ePart self-interrogation, part confession, part hospital diary, the intense, heartbreakingly frank poems in Brandi Bird’s second collection detail the author’s ongoing struggles with eating disorders and depression, conditions that disproportionately afflict Indigenous girls, women, and two-spirited persons. These challenging poems investigate the relationship between sexuality and eating disorders as well as how the voyeurism of religion (the idea of being eternally watched) intersects with both of those spheres. They also raise questions about body shaming and body sovereignty—a failed sovereignty in this case, as \"sovereignty\" itself is a communal concept. In the tradition of poets like Amy Berkowitz (\u003cem\u003eTender Points\u003c\/em\u003e) and Hannah Green (\u003cem\u003eXanax Cowboy\u003c\/em\u003e), the poems in \u003cem\u003ePitiful\u003c\/em\u003e also lay bare the way patriarchy, medical sexism, and bigotry have not only sabotaged the treatment of such conditions but often make them worse.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487011154","AlsoRecommendedISBN_1":"9781487011826","AlsoRecommendedISBN_2":"9781487012250","AlsoRecommendedISBN_3":"9781487011826","BASICMainSubject":"POE021000","BASICMainSubjectLiteral":"POETRY\/LGBTQ+","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ LGBTQ+","BISACSubjectLiteral_1":"POETRY \/ Indigenous","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE021000","BISACSubject_1":"POE030000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Bird, Brandi (CA)","Description":"\u003cp\u003e“This poem begins where Bulimia ends\u003c\/p\u003e\n\u003cp\u003eor maybe, just maybe, when it started. Where\u003c\/p\u003e\n\u003cp\u003ethe differential diagnosis is confused\u003c\/p\u003e\n\u003cp\u003eby decades of self-made violence. Poverty,\u003c\/p\u003e\n\u003cp\u003ecolonialism, god, all prisms that will shatter\u003c\/p\u003e\n\u003cp\u003eone day, if not now…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ePart self-interrogation, part confession, part hospital diary, the intense, heartbreakingly frank poems in Brandi Bird’s second collection detail the author’s ongoing struggles with eating disorders and depression, conditions that disproportionately afflict Indigenous girls, women, and two-spirited persons. These challenging poems investigate the relationship between sexuality and eating disorders as well as how the voyeurism of religion (the idea of being eternally watched) intersects with both of those spheres. They also raise questions about body shaming and body sovereignty—a failed sovereignty in this case, as \"sovereignty\" itself is a communal concept. In the tradition of poets like Amy Berkowitz (\u003cem\u003eTender Points\u003c\/em\u003e) and Hannah Green (\u003cem\u003eXanax Cowboy\u003c\/em\u003e), the poems in \u003cem\u003ePitiful\u003c\/em\u003e also lay bare the way patriarchy, medical sexism, and bigotry have not only sabotaged the treatment of such conditions but often make them worse.\u003c\/p\u003e","EAN":"9781487014094","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487014094\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Poems for Healing;Books for Healing;Canlit;Canadian Author;IndigiQueer;Nonbinary Author;katherena vermette;Billy-Ray Belcourt;procession;river woman;Land Back;Winnipeg Poets;Manitoba;Mental Health;Feminist Poetry;Queer Poetry;Gifts for Gays;Brick;Gay Poetry","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e\"\u003cem\u003ePitiful\u003c\/em\u003e is a vital battle cry and a song.” —\u003cstrong\u003eMarya Hornbacher, \u003cem\u003eNew York Times–\u003c\/em\u003ebestselling author of \u003cem\u003eWasted\u003c\/em\u003e and \u003cem\u003eMadness\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“Pitiful, in strong and beautiful verse, answers back to the biomedical failure to recognize the human inside of the hospital gown.” —\u003cstrong\u003eFawn Parker, author of\u003cem\u003e Hi, It’s Me\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"\u003cem\u003ePitiful \u003c\/em\u003eis a deep dive into the chorus of eating disorders, fatphobia, Indigenous desire, and the white aesthetic. It is an Indigiqueer hymnal for those of us who plead and pledge our hungers holy and otherwise.” —\u003cstrong\u003eJoshua Whitehead, author of \u003cem\u003eJonny Appleseed\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eEXCITING NEW VOICE: Brandi Bird's debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e was nominated for the 2024 Governor General's Award and was awarded the 2024 Indigenous Voice Award for Poetry, with nearly 1,000 copies sold.\u003c\/li\u003e\n\u003cli\u003eINDIGIQUEER POETRY: For fans of Amy Berkowitz and Hannah Green, Brandi's singular voice tackles mental health, wellness culture, and feminism from an Indigiqueer perspective.\u003c\/li\u003e\n\u003cli\u003eDISMANTLING BIGOTRY: The poetry in \u003cem\u003ePitiful\u003c\/em\u003e examines themes of sexism, depression, medical discrimination, and disordered eating.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Bird’s poems are perfect units of attention. Fleshy, charged by hunger and rage.” —\u003cstrong\u003e\u003cem\u003e The Grind\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“A triumph.” — \u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“[\u003cem\u003ePitiful\u003c\/em\u003e is] powerful and vivid, filled with rage and desire.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003ePart self-interrogation, part hospital diary, these heartbreakingly frank poems detail the author’s struggles with eating disorders and depression.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2026-04-07","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003ePart self-interrogation, part hospital diary, these heartbreakingly frank poems detail the author’s struggles with eating disorders and depression.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Pitiful
Part self-interrogation, part hospital diary, these heartbreakingly frank poems detail the author’s struggles with eating disorders and depression.
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{"id":7425232175163,"title":"The Wren","handle":"the-wren","description":"\u003cp\u003eA.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In \u003cem\u003eThe Wren\u003c\/em\u003e, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.\u003c\/p\u003e","published_at":"2025-07-21T13:30:53-04:00","created_at":"2025-07-21T13:26:41-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult New Releases","Adult Poetry","By (author) Moritz A.F.","House of Anansi Press","pub date: 2026-04-07"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42334333698107,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487014049","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Wren - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487014049","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42334333829179,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487014056","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Wren - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487014056","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822","options":["Title"],"media":[{"alt":"Cover: The Wren by A. F. Moritz. An illustration of a wren perches on a branch, leaning forward and looking upward, over a beige background. The text appears in a serif font, with the title in a medium brown and the author's name in black.","id":25594413318203,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In \u003cem\u003eThe Wren\u003c\/em\u003e, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487012588","AlsoRecommendedISBN_1":"9781487012960","AlsoRecommendedISBN_2":"9781487013400","BASICMainSubject":"POE023030","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/Animals \u0026 Nature","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Animals \u0026amp; Nature","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE023030","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Moritz, A.F. (CA)","Description":"\u003cp\u003eA.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In \u003cem\u003eThe Wren\u003c\/em\u003e, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.\u003c\/p\u003e","EAN":"9781487014056","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487014056\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Don Mckay;Al Purdy;Karen Solie;Margaret Atwood;Alden Nowlan;Modern Poetry;Michael Crummey;Male Poet;Anne Carson;George Elliott Clarke;Al Moritz;Great Canadian Poets;Penny's Poetry Page;ARC Poetry;New Quarterly","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“In \u003cem\u003eThe Wren\u003c\/em\u003e we meet essential poetry.” —\u003cstrong\u003eMichael Helm, author of \u003cem\u003eAfter James\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“A book of instances and increments, \u003cem\u003eThe Wren\u003c\/em\u003e is Moritz at his most molecular: the spider web shining against the night sky, holding within its small pattern a truth to the greater harmonies of the stars.” —\u003cstrong\u003eKhashayar Mohammadi, author of \u003cem\u003eBook of Interruptions\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eTHE MASTER OF METAPHOR: A.F. Moritz served as Toronto's Poet Laureate from 2019 to 2023. A three-time Governor General's Award nominee, recipient of the Guggenheim Fellowship, Griffin Poetry Prize Winner (\u003cem\u003eThe Sentinel\u003c\/em\u003e; 2009), among many other honours, Moritz has solidified his place among the best lyric poets of his generation.\u003c\/li\u003e\n\u003cli\u003ePOET AND MENTOR: As a professor at the University of Toronto for over 30 years, A.F. Moritz has mentored dozens of poets, helping to hone their craft and launching their careers. The impact of his generosity and mentorship is immeasurable.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eThe Wren\u003c\/em\u003e, A.F. Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2026-04-07","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eThe Wren\u003c\/em\u003e, A.F. Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts.\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.5","WidthCode":"in"}
The Wren
In The Wren, A.F. Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts.
Quick View
{"id":7390777344059,"title":"Home for Margaret","handle":"home-for-margaret","description":"\u003cp\u003e\u003cstrong\u003eOne day, when Emma and her mom are hiking through Cherry Hill Forest, they spot a blue tent in the snow — and inside lives a woman named Margaret! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEmma wonders why she’s there, until Mom, who is a social worker, explains: “Some people have lost their jobs. Some people have health problems. No one chooses to be homeless.”\u003c\/p\u003e\n\u003cp\u003eEmma picks out a red hat, a scarf and a pair of mittens to keep Margaret warm, and she and her mom visit Margaret throughout the winter. But in the spring, Margaret is gone! Emma is worried, and wonders what has happened to her.\u003c\/p\u003e\n\u003cp\u003eSeasons pass and Emma finally spots a woman downtown wearing red mittens! She is relieved — and she knows that there’s one more thing she and her Mom can do to show Margaret that they care about her.\u003c\/p\u003e\n\u003cp\u003eA sensitive portrayal of a person experiencing homelessness, as seen through the eyes of a child. Includes an author’s note.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003c\/p\u003e\n\u003cp\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","published_at":"2025-05-09T09:53:11-04:00","created_at":"2025-05-09T09:44:45-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 6","By (author) Davy Denise","CCSS.ELA-LITERACY.RL.1.2","CCSS.ELA-LITERACY.RL.1.3","CCSS.ELA-LITERACY.RL.1.7","CCSS.ELA-LITERACY.RL.K.3","CCSS.ELA-LITERACY.RL.K.6","CCSS.ELA-LITERACY.RL.K.7","Childrens New Releases","Groundwood Books","Human Rights and Activism","Illustrated by Delaporte Bérengère","Lexile measure AD550L","Picture Books","pub date: 2025-10-08"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42181802655803,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781773067766","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Home for Margaret - hardcover","public_title":"hardcover","options":["hardcover"],"price":2199,"weight":390,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773067766","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42181803475003,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773067773","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Home for Margaret - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773067773","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cd82af12-d8ee-4ac8-ac31-a138d40b20b7.jpg?v=1746798305","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e7f5e823-875b-4db4-9941-7c1217d7481f.jpg?v=1746798304","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_27a494bb-354f-4876-b8d3-57f7b9d33f95.jpg?v=1746798304","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_83353115-92be-445a-96a5-4192a32e2c5c.jpg?v=1746798305"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cd82af12-d8ee-4ac8-ac31-a138d40b20b7.jpg?v=1746798305","options":["Title"],"media":[{"alt":"Cover: Home For Margaret. Written by Denise Davy. Illustrated by Bérengère Delaporte. A young girl sits with a woman in the snow in front of a blue tent surrounded by bare trees. The girl has medium light skin tone and curly black hair in two buns, and the woman has light skin tone; medium length gray hair and both their cheeks and nose are rosy. The woman’s hands are tucked into her jacket pocket, while the girl raises her arm as she is talking. Beside the young girl in the snow is a white grocery bag.","id":25362321375291,"position":1,"preview_image":{"aspect_ratio":0.794,"height":3409,"width":2708,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cd82af12-d8ee-4ac8-ac31-a138d40b20b7.jpg?v=1746798305"},"aspect_ratio":0.794,"height":3409,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cd82af12-d8ee-4ac8-ac31-a138d40b20b7.jpg?v=1746798305","width":2708},{"alt":"Emma tiptoes through the snow towards the tent. An orange squirrel peeks out from behind a tree. Emma looks surprised. We see the woman from the cover peek out at Emma from the tent, with one hand holding the zippered door open. In the background, bird prints and acorn tops cover the snow. Text states Emma spots a blue tent like the one beside her home and a woman climbs out. Her mom says the people in the tents have nowhere else to go.","id":25362321408059,"position":2,"preview_image":{"aspect_ratio":1.575,"height":508,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e7f5e823-875b-4db4-9941-7c1217d7481f.jpg?v=1746798304"},"aspect_ratio":1.575,"height":508,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e7f5e823-875b-4db4-9941-7c1217d7481f.jpg?v=1746798304","width":800},{"alt":"In the living room, Emma looks out the large window at the snow. She sits backwards on a red cushioned chair. Her mom sits on a gray couch with an orange cat beside her. She talks on her cellphone and holds a large steaming green mug on her lap. Text states Emma asks her mom, who is a social worker, why some people have no home, and she replies because they lost their job or have a health problem. Emma asks if there’s anywhere for Maragret to go so Mom makes calls to shelters but finds none have space.","id":25362321440827,"position":3,"preview_image":{"aspect_ratio":1.575,"height":508,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_27a494bb-354f-4876-b8d3-57f7b9d33f95.jpg?v=1746798304"},"aspect_ratio":1.575,"height":508,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_27a494bb-354f-4876-b8d3-57f7b9d33f95.jpg?v=1746798304","width":800},{"alt":"In the left image, Emma and her mom stand in front of a gray wall that is filled with colorful winter scarves, hats and mittens. Emma’s mom reaches up to grab a red scarf while Emma proudly holds a pair of bright red mittens up for her mom to see. In the right image, Margaret sits on a small dirt patch in front of her snow-covered tent. She has the large bag of items from Emma on her lap. Text states Emma and her mom buy Margaret a hat and mittens and giver them to her with food, water, and blankets.","id":25362321473595,"position":4,"preview_image":{"aspect_ratio":1.575,"height":508,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_83353115-92be-445a-96a5-4192a32e2c5c.jpg?v=1746798305"},"aspect_ratio":1.575,"height":508,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_83353115-92be-445a-96a5-4192a32e2c5c.jpg?v=1746798305","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eOne day, when Emma and her mom are hiking through Cherry Hill Forest, they spot a blue tent in the snow — and inside lives a woman named Margaret! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEmma wonders why she’s there, until Mom, who is a social worker, explains: “Some people have lost their jobs. Some people have health problems. No one chooses to be homeless.”\u003c\/p\u003e\n\u003cp\u003eEmma picks out a red hat, a scarf and a pair of mittens to keep Margaret warm, and she and her mom visit Margaret throughout the winter. But in the spring, Margaret is gone! Emma is worried, and wonders what has happened to her.\u003c\/p\u003e\n\u003cp\u003eSeasons pass and Emma finally spots a woman downtown wearing red mittens! She is relieved — and she knows that there’s one more thing she and her Mom can do to show Margaret that they care about her.\u003c\/p\u003e\n\u003cp\u003eA sensitive portrayal of a person experiencing homelessness, as seen through the eyes of a child. Includes an author’s note.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003c\/p\u003e\n\u003cp\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773067346","AlsoRecommendedISBN_1":"9781773061801","AlsoRecommendedISBN_2":"9781773061801","AlsoRecommendedISBN_3":"9781773061535","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"11","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"3","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"6","AudienceRangeValue_2_1":"1","AudienceRangeValue_2_2":"1","BASICMainSubject":"JUV039290","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/Activism \u0026 Social Justice","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eDENISE DAVY\u003c\/strong\u003e is a nationally recognized award-winning journalist who specializes in writing about mental health, homelessness and gender issues. She is the author of \u003cem\u003eHer Name Was Margaret: Life and Death on the Streets\u003c\/em\u003e and is the founder of Purses for Margaret, which provides toiletries to women experiencing homelessness. \u003cem\u003eHome for Margaret\u003c\/em\u003e is her first picture book. She lives in Burlington, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Activism \u0026amp; Social Justice","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Friendship","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Poverty \u0026amp; Homelessness","BISACSubject_0":"JUV039290","BISACSubject_1":"JUV039060","BISACSubject_2":"JUV039070","CommonCore":"CCSS.ELA-LITERACY.RL.K.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.7","CommonCore_2":"CCSS.ELA-LITERACY.RL.K.6","CommonCore_3":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_4":"CCSS.ELA-LITERACY.RL.1.2","CommonCore_5":"CCSS.ELA-LITERACY.RL.1.3","ComplexityCode_0":"AD550L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eDENISE DAVY\u003c\/strong\u003e is a nationally recognized award-winning journalist who specializes in writing about mental health, homelessness and gender issues. She is the author of \u003cem\u003eHer Name Was Margaret: Life and Death on the Streets\u003c\/em\u003e and is the founder of Purses for Margaret, which provides toiletries to women experiencing homelessness. \u003cem\u003eHome for Margaret\u003c\/em\u003e is her first picture book. She lives in Burlington, Ontario.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eBÉRENGÈRE DELAPORTE\u003c\/strong\u003e worked as an illustrator in a communication agency in Savoy, France, after formally studying art in Strasbourg, and now works in children’s publishing. She is the illustrator of \u003cem\u003eBecause I Already Loved You\u003c\/em\u003e, written by Andrée-Anne Cyr. She also illustrates comics for children and adults. She lives in Besançon, France.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Davy, Denise (CA)","Contributor_1":"Delaporte, Bérengère","Description":"\u003cp\u003e\u003cstrong\u003eOne day, when Emma and her mom are hiking through Cherry Hill Forest, they spot a blue tent in the snow — and inside lives a woman named Margaret! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEmma wonders why she’s there, until Mom, who is a social worker, explains: “Some people have lost their jobs. Some people have health problems. No one chooses to be homeless.”\u003c\/p\u003e\n\u003cp\u003eEmma picks out a red hat, a scarf and a pair of mittens to keep Margaret warm, and she and her mom visit Margaret throughout the winter. But in the spring, Margaret is gone! Emma is worried, and wonders what has happened to her.\u003c\/p\u003e\n\u003cp\u003eSeasons pass and Emma finally spots a woman downtown wearing red mittens! She is relieved — and she knows that there’s one more thing she and her Mom can do to show Margaret that they care about her.\u003c\/p\u003e\n\u003cp\u003eA sensitive portrayal of a person experiencing homelessness, as seen through the eyes of a child. Includes an author’s note.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003c\/p\u003e\n\u003cp\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","EAN":"9781773067773","Height":"11.125","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003ewriting inspiration;author’s note;illustrations\u003c\/p\u003e","MetaKeywords":"intergenerational friendship;mothers and daughters;adoption;mixed-race families;social justice;grassroots activism;local and municipal affairs;urban life;city life;socioeconomic differences;lending a hand;helping others;standing up for others;taking action;fighting for a cause;seasons;winter;cold weather;snow day;red mittens","NumberOfPages":"32","OtherText_Accolades_0":"\u003cp\u003e“Told through the eyes of a child, this touching children’s book shares a heartfelt encounter with a person experiencing homelessness and living in a park. It’s a story of innocence, curiosity, and wonder, offering a lesson to us all on a timely issue.” — \u003cstrong\u003eOlivia Chow, Mayor of Toronto\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eSENSITIVE PORTRAYAL OF BEING UNHOUSED: \u003cem\u003eHome for Margaret\u003c\/em\u003e doesn't shy away from explaining the realistic barriers that someone experiencing homelessness might face, including a lack of shelter space and under-resourced social agencies. Like \u003cem\u003eAunt Pearl\u003c\/em\u003e by Monica Kulling (Groundwood; 2019), this is not a story about a child rescuing someone — it's a story of a child showing empathy to someone overlooked by society.\u003c\/li\u003e\n\u003cli\u003eNATIONALLY RECOGNIZED JOURNALIST: Denise Davy is a journalist most known for her work with the \u003cem\u003eHamilton Spectator\u003c\/em\u003e. She specializes in reporting and writing about mental health, homelessness and gender inequality. This is Denise's first picture book.\u003c\/li\u003e\n\u003cli\u003ePURSES FOR MARGARET: Margaret is based on a real person. Denise met Margaret while working for the \u003cem\u003eHamilton Spectator\u003c\/em\u003e and ultimately wrote an adult book about her life and death, \u003cem\u003eHer Name Was Margaret\u003c\/em\u003e (Wolsak \u0026 Wynn; 2021). This book contains an author's note that explains this real-life connection, and how experiencing homelessness is not the result of doing something wrong.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A frank, age-appropriate introduction to housing insecurity, broaching complex systemic realities with digestible tenderness. ... An effective conversation starter.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003e“\u003cem\u003eHome for Margaret\u003c\/em\u003e ... can help children understand the complex reasons that cause people to experience homelessness.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eWhen Emma and her mom meet a woman who lives in a tent in the woods, Emma wonders if there’s anything she can do to help.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCode_0":"04","PrizeName_0":"IODE Jean Throop Book Award","PrizeYear_0":"2026","ProductFormDescription":"EPUB, fixed","PublicationDate":"2025-10-08","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eWhen Emma and her mom meet a woman who lives in a tent in the woods, Emma wonders if there’s anything she can do to help.\u003c\/strong\u003e\u003c\/p\u003e","Width":"8.75","WidthCode":"in"}
ages 3
to 6
/ grades P
to 1
Home for Margaret
When Emma and her mom meet a woman who lives in a tent in the woods, Emma wonders if there’s anything she can do to help.
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{"id":7350842228795,"title":"First Times: Short Stories about Sex","handle":"first-times-short-stories-about-sex","description":"\u003cp\u003e\u003cstrong\u003eA balm for adolescent anxiety, this inclusive collection offers sometimes imperfect but always frank short stories of first sexual experiences.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough to be honest, there isn’t ever really a first time, is there? Rather there are many: first times with yourself. First times with another person. First times you look forward to. First times you wish you could forget. First times that are sexy as hell. First times that are definitely, definitely not.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFirst Times: Short Stories\u003c\/em\u003e about Sex collects nine stories by nine different authors, writing from a vast range of perspectives, cultural backgrounds and sexual orientations — revealing how unreasonable it is to define ourselves by a single, overhyped moment. (What a relief!)\u003c\/p\u003e\n\u003cp\u003eWith stories by Laurence Beaudoin Masse, Edith Chouinard, Vanessa Duchel, Schelby Jean-Baptiste, Alexandra Larochelle, Jérémie Larouche, Nicolas Michon, Olivier Simard and Pierre-Yves Villeneuve; edited by Karine Glorieux and translated by Shelley Tanaka.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eintroduction;doodles\u003c\/p\u003e","published_at":"2025-02-25T15:28:01-05:00","created_at":"2025-02-25T15:25:45-05:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 14 - 18","Childrens Starred Reviews","Edited by Glorieux Karine","Groundwood Books","pub date: 2025-04-01","Translated by Tanaka Shelley","Young Adult"],"price":1699,"price_min":1699,"price_max":1899,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031735570491,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781779460349","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"First Times: Short Stories about Sex - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1899,"weight":210,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781779460349","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42031735832635,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781779460356","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"First Times: Short Stories about Sex - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781779460356","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dca21528-3131-44ca-baea-43abeda97ce9.jpg?v=1740515164"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dca21528-3131-44ca-baea-43abeda97ce9.jpg?v=1740515164","options":["Title"],"media":[{"alt":"Cover: First Times: Short Stories About Sex. Edited by Karine Glorieux, translated by Shelley Tanaka. There is a line drawing of a mouth against a peach background. The mouth sticks out its tongue. A shooting star falls from it. The lips are lined in red that forms a heart above the mouth. A speech balloon protrudes from it to say \"Short stories about sex.\"","id":25149173563451,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dca21528-3131-44ca-baea-43abeda97ce9.jpg?v=1740515164"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dca21528-3131-44ca-baea-43abeda97ce9.jpg?v=1740515164","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA balm for adolescent anxiety, this inclusive collection offers sometimes imperfect but always frank short stories of first sexual experiences.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough to be honest, there isn’t ever really a first time, is there? Rather there are many: first times with yourself. First times with another person. First times you look forward to. First times you wish you could forget. First times that are sexy as hell. First times that are definitely, definitely not.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFirst Times: Short Stories\u003c\/em\u003e about Sex collects nine stories by nine different authors, writing from a vast range of perspectives, cultural backgrounds and sexual orientations — revealing how unreasonable it is to define ourselves by a single, overhyped moment. (What a relief!)\u003c\/p\u003e\n\u003cp\u003eWith stories by Laurence Beaudoin Masse, Edith Chouinard, Vanessa Duchel, Schelby Jean-Baptiste, Alexandra Larochelle, Jérémie Larouche, Nicolas Michon, Olivier Simard and Pierre-Yves Villeneuve; edited by Karine Glorieux and translated by Shelley Tanaka.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eintroduction;doodles\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773063638","AlsoRecommendedISBN_1":"9781773068091","AlsoRecommendedISBN_2":"9781773068992","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"9","AudienceRangeValue_1_1":"14","AudienceRangeValue_1_2":"9","AudienceRangeValue_2_0":"12","AudienceRangeValue_2_1":"18","AudienceRangeValue_2_2":"12","BASICMainSubject":"YAF058040","BASICMainSubjectLiteral":"YOUNG ADULT FICTION\/Social Themes\/Dating \u0026 Sex","BiographicalNote":"\u003cp\u003eEditor \u003cstrong\u003eKARINE GLORIEUX\u003c\/strong\u003e teaches literature at the Collège de Maisonneuve in Montreal and is the author of several novels for adults and young people. Contributors to \u003cem\u003eFirst Times: Short Stories about Sex\u003c\/em\u003e are Laurence Beaudoin Masse, Edith Chouinard, Vanessa Duchel, Schelby Jean-Baptiste, Alexandra Larochelle, Jérémie Larouche, Nicolas Michon, Olivier Simard and Pierre-Yves Villeneuve.\u003c\/p\u003e","BISACSubjectLiteral_0":"YOUNG ADULT FICTION \/ Social Themes \/ Dating \u0026amp; Sex","BISACSubjectLiteral_1":"YOUNG ADULT FICTION \/ Social Themes \/ New Experience","BISACSubjectLiteral_2":"YOUNG ADULT FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubject_0":"YAF058040","BISACSubject_1":"YAF058150","BISACSubject_2":"YAF058110","ContributorBio_0":"\u003cp\u003eEditor \u003cstrong\u003eKARINE GLORIEUX\u003c\/strong\u003e teaches literature at the Collège de Maisonneuve in Montreal and is the author of several novels for adults and young people. Contributors to \u003cem\u003eFirst Times: Short Stories about Sex\u003c\/em\u003e are Laurence Beaudoin Masse, Edith Chouinard, Vanessa Duchel, Schelby Jean-Baptiste, Alexandra Larochelle, Jérémie Larouche, Nicolas Michon, Olivier Simard and Pierre-Yves Villeneuve.\u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSHELLEY TANAKA\u003c\/strong\u003e is an award-winning author, translator and editor who has written and translated more than forty books for children and young adults. She is faculty emerita at Vermont College of Fine Arts in the MFA Program in Writing for Children and Young Adults. Shelley lives in Kingston, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"Edited by","ContributorRole_1":"Translated by","Contributor_0":"Glorieux, Karine (CA)","Contributor_1":"Tanaka, Shelley (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA balm for adolescent anxiety, this inclusive collection offers sometimes imperfect but always frank short stories of first sexual experiences.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough to be honest, there isn’t ever really a first time, is there? Rather there are many: first times with yourself. First times with another person. First times you look forward to. First times you wish you could forget. First times that are sexy as hell. First times that are definitely, definitely not.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFirst Times: Short Stories\u003c\/em\u003e about Sex collects nine stories by nine different authors, writing from a vast range of perspectives, cultural backgrounds and sexual orientations — revealing how unreasonable it is to define ourselves by a single, overhyped moment. (What a relief!)\u003c\/p\u003e\n\u003cp\u003eWith stories by Laurence Beaudoin Masse, Edith Chouinard, Vanessa Duchel, Schelby Jean-Baptiste, Alexandra Larochelle, Jérémie Larouche, Nicolas Michon, Olivier Simard and Pierre-Yves Villeneuve; edited by Karine Glorieux and translated by Shelley Tanaka.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eintroduction;doodles\u003c\/p\u003e","EAN":"9781779460356","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781779460356\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eintroduction;doodles\u003c\/p\u003e","MetaKeywords":"emotions; moods and feelings;challenges of adolescence;coming of age;discovery and exploration;growth and change;new experiences;confronting societal expectations;celebrating differences;LGBTQ+;diversity;accountability;responsibility;independence;acceptance;honesty;new adult;college and university;bodies;sexuality;pleasure;sexual health;intimacy;personal safety;setting boundaries;consent;teenage relationships;friendship issues;anxiety;uncertainty;fear;awkwardness;disappointment","NumberOfPages":"176","OtherText_Description_for_R_0":"\u003cp\u003eI changed stations, turned off the TV and ran to the safety of my room. After finishing off a box of Kleenex to clean everything up, I took stock of my situation. \u003c\/p\u003e\n\u003cp\u003eWhat had just happened exceeded anything I had experienced in my entire life. It was better than gym class. Better than Goliath, my favorite ride at La Ronde. Better than a Deep’N’Delicious cake or a Crispy Crunch Blizzard. \u003c\/p\u003e\n\u003cp\u003eBetter than a Saturday night playing \u003cem\u003eCall of Duty\u003c\/em\u003e at my cousin Gregory’s house. A thousand times better, even. \u003c\/p\u003e\n\u003cp\u003eThat night, I did it twice more. Sitting in my parents’ purple armchair, on the verge of exhaustion, my pants down by my knees, I had a revelation. \u003c\/p\u003e\n\u003cp\u003eI had discovered my goal in life. From now on, I would try to reproduce this sensation as often as possible.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eOriginally published in French (\u003cem\u003eMa première fois: Recueil de nouvelles sexu\u003c\/em\u003e) in 2022 by Les Éditions de la Bagnole.\u003c\/li\u003e\n\u003cli\u003eCringe, laugh, learn! A collection of intimate stories that are diverse and frank aimed at disrupting the idea that there is only one first time, but many. Many sexual orientations and genders are represented.\u003c\/li\u003e\n\u003cli\u003eThe idea for the book came to Karine Glorieux while she was looking for ways to discuss the topic with her own teenaged children. Partnering with authors who wrote for young adults came naturally, as she was hoping for stories that would feel honest and intimate, not judgmental.\u003c\/li\u003e\n\u003cli\u003eIncludes a short story by Laurence Beaudoin-Masse, author of \u003cem\u003eSuck It In and Smile\u003c\/em\u003e and \u003cem\u003eSay Yes and Keep Smiling\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eComp: Sex Education, the series on Netflix starring Gillian Anderson.\u003c\/li\u003e\n\u003cli\u003eWinner of 2023 Prix des libraires du Quebec, a bookseller-nominated prize organized by the Quebec Booksellers Association that recognizes works that have seized the imagination of booksellers.\u003c\/li\u003e\n\u003cli\u003eThe sequel to this collection will be about first time heartbreaks.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Truly refreshing and worthwhile ... A must-have, a must-read.” — \u003cstrong\u003e\u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus","OtherText_Review_1":"\u003cp\u003e“Marvelous ... An emotionally resonant, uninhibited collection of stories.” — \u003cstrong\u003e\u003cem\u003eShelf Awareness\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Shelf Awareness","OtherText_Review_2":"\u003cp\u003e“\u003cem\u003eFirst Times\u003c\/em\u003e ... provides an excellent starting point for conversations that parents may have difficulty initiating themselves, and offers realistic reassurance for young people that what they are experiencing is completely normal in all of its weird, embarrassing, and confusing glory.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Quill \u0026 Quire","OtherText_Review_3":"\u003cp\u003e“An invaluable resource for educators, counsellors, and anyone working with young people. ... By encouraging openness, fostering understanding, and providing critical perspectives, \u003cem\u003eFirst Times\u003c\/em\u003e serves as a support for young people as they explore their own sexual development. ” — \u003cstrong\u003e\u003cem\u003eMontreal Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Montreal Review of Books","OtherText_Review_4":"\u003cp\u003e“Knowledge (and conversation) is power.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA balm for adolescent anxiety, this inclusive collection offers sometimes imperfect but always honest short stories of first sexual experiences.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA balm for adolescent anxiety, this inclusive collection offers sometimes imperfect but always honest short stories of first sexual experiences.\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.5","WidthCode":"in"}
ages 14
to 18
/ grades 9
to 12
First Times: Short Stories about Sex
A balm for adolescent anxiety, this inclusive collection offers sometimes imperfect but always honest short stories of first sexual experiences.
Quick View
{"id":7349210808379,"title":"Welcome to the Neighbourhood","handle":"welcome-to-the-neighbourhood","description":"\u003cp\u003e\u003cstrong\u003eIn Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDistinctly rooted in the Pacific Northwest, Young’s characters make their marks and take their missteps on the beaches, in the mountains and neighbourhoods in and around Vancouver, BC. A couple spontaneously invite their new neighbours to dinner and the night takes a menacing turn. A widow seeks solace and revenge on the mountain bike trails behind her home. And an overwhelmed single mother moves into a housing cooperative the same summer two teenage boys are on the run, wanted for murder.\u003c\/p\u003e\n\u003cp\u003eThe women in these stories crave connection but often get in their own way of achieving it. They are stubborn, jealous, and stuck. They are misunderstood—and misunderstand—and lonely. They are also perceptive and empathetic. In prose that sparks and spits, by turns poetic and plain, Young writes assuredly of loneliness and connection, love and loss, fear and fortitude, and perhaps most evocatively of the labyrinthine inner lives of women.\u003c\/p\u003e","published_at":"2025-02-21T11:01:38-05:00","created_at":"2025-02-21T10:58:25-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Short Stories","Astoria","By (author) Young Clea","Feminist Reads","pub date: 2025-05-06"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025538912315,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013196","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Welcome to the Neighbourhood - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":256,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013196","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42025539338299,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013202","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Welcome to the Neighbourhood - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013202","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_369ccdd7-19aa-4d9d-9786-096ab55686ca.jpg?v=1740153521"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_369ccdd7-19aa-4d9d-9786-096ab55686ca.jpg?v=1740153521","options":["Title"],"media":[{"alt":"A large red wasp's nest is at the top on a black background. Small pink wasps are scattered around the text: Welcome to the Neighbourhood: Stories by Clea Young, written in beige font against a black background.","id":25137314234427,"position":1,"preview_image":{"aspect_ratio":0.786,"height":2100,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_369ccdd7-19aa-4d9d-9786-096ab55686ca.jpg?v=1740153521"},"aspect_ratio":0.786,"height":2100,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_369ccdd7-19aa-4d9d-9786-096ab55686ca.jpg?v=1740153521","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDistinctly rooted in the Pacific Northwest, Young’s characters make their marks and take their missteps on the beaches, in the mountains and neighbourhoods in and around Vancouver, BC. A couple spontaneously invite their new neighbours to dinner and the night takes a menacing turn. A widow seeks solace and revenge on the mountain bike trails behind her home. And an overwhelmed single mother moves into a housing cooperative the same summer two teenage boys are on the run, wanted for murder.\u003c\/p\u003e\n\u003cp\u003eThe women in these stories crave connection but often get in their own way of achieving it. They are stubborn, jealous, and stuck. They are misunderstood—and misunderstand—and lonely. They are also perceptive and empathetic. In prose that sparks and spits, by turns poetic and plain, Young writes assuredly of loneliness and connection, love and loss, fear and fortitude, and perhaps most evocatively of the labyrinthine inner lives of women.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487006150","AlsoRecommendedISBN_1":"9781487004897","AlsoRecommendedISBN_2":"9781487012335","BASICMainSubject":"FIC044000","BASICMainSubjectLiteral":"FICTION\/Women","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCLEA YOUNG\u003c\/strong\u003e’s stories have been included in numerous literary journals, three volumes of \u003cem\u003eThe Journey Prize Stories\u003c\/em\u003e, and \u003cem\u003eBest Canadian Stories 2025\u003c\/em\u003e. She has twice been longlisted for the CBC Short Story Prize. Her debut story collection, \u003cem\u003eTeardown\u003c\/em\u003e, was published by Freehand Books. Young grew up in up in Victoria, BC, and completed an MFA at the University of British Columbia. She lives in Squamish, BC.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ Small Town \u0026amp; Rural","BISACSubjectLiteral_2":"FICTION \/ Women","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC066000","BISACSubject_2":"FIC044000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCLEA YOUNG\u003c\/strong\u003e’s stories have been included in numerous literary journals, three volumes of \u003cem\u003eThe Journey Prize Stories\u003c\/em\u003e, and \u003cem\u003eBest Canadian Stories 2025\u003c\/em\u003e. She has twice been longlisted for the CBC Short Story Prize. Her debut story collection, \u003cem\u003eTeardown\u003c\/em\u003e, was published by Freehand Books. Young grew up in up in Victoria, BC, and completed an MFA at the University of British Columbia. She lives in Squamish, BC.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Young, Clea (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDistinctly rooted in the Pacific Northwest, Young’s characters make their marks and take their missteps on the beaches, in the mountains and neighbourhoods in and around Vancouver, BC. A couple spontaneously invite their new neighbours to dinner and the night takes a menacing turn. A widow seeks solace and revenge on the mountain bike trails behind her home. And an overwhelmed single mother moves into a housing cooperative the same summer two teenage boys are on the run, wanted for murder.\u003c\/p\u003e\n\u003cp\u003eThe women in these stories crave connection but often get in their own way of achieving it. They are stubborn, jealous, and stuck. They are misunderstood—and misunderstand—and lonely. They are also perceptive and empathetic. In prose that sparks and spits, by turns poetic and plain, Young writes assuredly of loneliness and connection, love and loss, fear and fortitude, and perhaps most evocatively of the labyrinthine inner lives of women.\u003c\/p\u003e","EAN":"9781487013202","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013202\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"Shirley Jackson;Alice Munro;Peacocks of Instagram;Canadian Fiction;Short Stories;Book Club;Novella;Books for Mother's Day;Suburbia;West Coast;Short Books;Elena Ferrante;Spooky Stories;Creepy Stories;Books for Halloween;Suspense;Reading;NoSleep Stories;Contemporary Women;Dystopia;My Year of Rest and Relaxation;Mona Awad;Award Winning;Elif Batuman;Post-Feminist;Dissassociative Feminism;I'm Just a Girl Books;CanCon;Weird Girl Fiction;International Women's Day;Canadian Author;CanLit;Literary Fiction","NumberOfPages":"256","OtherText_Accolades_0":"\u003cp\u003e“These stories are so sly, funny, and perceptive … Clea Young is an astute and compassionate chronicler of contemporary life.” —\u003cstrong\u003eCaroline Adderson, author of \u003cem\u003eA Way to Be Happy\u003c\/em\u003e and \u003cem\u003eA Russian Sister\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“Hilarious, riveting, quietly beautiful. These stories will sneak up to snare you with their power.” —\u003cstrong\u003eShaena Lambert, author of \u003cem\u003ePetra\u003c\/em\u003e and \u003cem\u003eOh, My Darling\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“A powerhouse collection that … brims with insight and thrums with unexpected danger … Clea Young proves again she is a master of the short story.” —\u003cstrong\u003eSaleema Nawaz, author of \u003cem\u003eSongs for the End of the World\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“A pure pleasure to read! These stories are beautifully constructed and intensely intelligent … Short fiction at its best.” —\u003cstrong\u003eDeborah Willis, author of \u003cem\u003eGirlfriend on Mars\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eClea Young’s stories have been included in The Journey Prize Stories three times, longlisted for the CBC Short Story Prize twice, and selected for Best Canadian Stories. \u003c\/li\u003e\n\u003cli\u003eYoung’s debut collection, \u003cem\u003eTeardown\u003c\/em\u003e, was well received, praised in one review for its “sharp and graceful language, empathy for human frailty, and its openness to the unexpected.” \u003c\/li\u003e\n\u003cli\u003eYoung was the artistic associate at the Vancouver Writers Festival for around a decade, so she is well connected, well known, and well respected in the writing and publishing community in BC, Canada, and beyond. \u003c\/li\u003e\n\u003cli\u003eThe speculative story “The Day the Children Left,” an eerie commentary on climate change: while their parents sleep, an entire community’s children gather and leave on foot, hoping to escape the toxic landscape of home in favour of somewhere more hospitable. \u003c\/li\u003e\n\u003cli\u003eThe collection as a whole is acerbic, dry, and poignant.\u003c\/li\u003e\n\u003cli\u003eFor those who are fans of Alix Ohlin, Lynn Coady, or Curtis Sittenfeld.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A refreshing group of stories. With an incisive eye, Young captures both a geography and a generation of reluctant adults.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Throughout [\u003cem\u003eWelcome to the Neighbourhood\u003c\/em\u003e], surveillant and scopophilic glances between Young’s characters create a complex optical ecosystem in which ordinary life becomes spectacular.” — \u003cstrong\u003e\u003cem\u003eEVENT Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“A vivid, often funny, completely engaging collection that captures many facets of contemporary life.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“Young writes with wit and great insight about characters who feel overlooked and out of sorts.” — \u003cstrong\u003e\u003cem\u003eThe British Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Impressive collection of stories … Young highlights, with a disarming thoughtfulness, the inescapable tensions of individuality and, consequently, social groupings in a larger world.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Young consistently demonstrates a special sensitivity towards her youthful characters, and the relationships and tension between them and the adults who also inhabit her stories.” — \u003cstrong\u003e\u003cem\u003eScout Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“A subtle book that needles at the social and societal expectations we find ourselves working within, in white, middle class Canada.” — \u003cstrong\u003e\u003cem\u003eI’ve Read This Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eIn Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-05-06","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eIn Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Stories","Width":"5.5","WidthCode":"in"}
Welcome to the Neighbourhood
In Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business.
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{"id":7318949068859,"title":"Mrs. Nobody","handle":"mrs-nobody","description":"\u003cp\u003e\u003cstrong\u003eAlice and Mrs. Nobody love getting up to no good. While giving each other fashionable haircuts, belting nighttime duets, or scribbling magic-marker wall murals, the two friends are inseparable. Until the day they disagree on what to play next. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMrs. Nobody wants Alice to play Puppy. But when Alice pushes back (she was Puppy last time!), she feels the wrath of Mrs. Nobody, who grows bigger and bigger and louder and louder before disappearing altogether. \u003c\/p\u003e\n\u003cp\u003eAlthough Alice suffers a long, lonely night without the company of Mrs. Nobody, she finds some solace in the sound of her own voice. When Mrs. Nobody reappears the next day, Alice knows what she must say.\u003c\/p\u003e\n\u003cp\u003eThis debut picture-book by award-winning novelist and poet Y. S. Lee puts a surprising spin on the concept of setting boundaries — particularly with those closest to us. 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Written by Y.S. Lee and illustrated by Marie Lafrance. Alice, a girl with light skin tone, black hair and mismatched socks, sits on a large tree branch facing Mrs. Nobody, who has light skin tone and a dress made from vibrant blue, red and yellow leaves. She has an extravagant matching headdress, and a gray-and-white striped tail trails out from underneath her dress.","id":25034171383867,"position":1,"preview_image":{"aspect_ratio":0.87,"height":1839,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_bf6694f1-e9ba-48c2-b743-f76a58ae6770.jpg?v=1737864300"},"aspect_ratio":0.87,"height":1839,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_bf6694f1-e9ba-48c2-b743-f76a58ae6770.jpg?v=1737864300","width":1600},{"alt":"Alice holds the train of Mrs. Nobody’s dress over her shoulder and uses scissors to turn the dress into confetti. A fox lies on the bed. Different animals lie all over the room. Mrs. Nobody, with a princess-style dress covered in red crayon scribbles, draws on the wall with a red crayon. Mrs. Nobody’s hair fades from black roots to pink ends and hovers straight out of the back of her head. Three black tentacles peek out from underneath her dress. Text reads Alice’s friend, Mrs. Nobody has the best ideas.","id":24927040274491,"position":2,"preview_image":{"aspect_ratio":1.802,"height":444,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_66fc208d-4795-4af7-b1d2-8cdcc2a8833b.jpg?v=1732134783"},"aspect_ratio":1.802,"height":444,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_66fc208d-4795-4af7-b1d2-8cdcc2a8833b.jpg?v=1732134783","width":800},{"alt":"There are two illustrations. In the first, Mrs. Nobody wears a blue dress with large white polka dots and sits on a tall chair, holding a long orange leash. Her thin ponytail is twisted into a ball on top of her head. Alice stands in front of her with arms crossed, looking up. Behind Alice, a fox stands on its hind legs with its front paws crossed. In the second, Alice now faces away from Mrs. Nobody looking angry. Mrs. Nobody tugs on the leash tied around Alice’s waist. Text reads they are playing Puppy.","id":24927040536635,"position":3,"preview_image":{"aspect_ratio":1.802,"height":444,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_df352f18-abf5-4ee6-95ae-f82523943e95.jpg?v=1732134792"},"aspect_ratio":1.802,"height":444,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_df352f18-abf5-4ee6-95ae-f82523943e95.jpg?v=1732134792","width":800},{"alt":"There are two illustrations. In the first, Mrs. Nobody stands in the center of the page with her hands on her hips and her hair in a thick tight coil on top of her head. She wears a long-sleeved black dress with skirts that have transformed into gray waves. She is framed by an orange and gray background. In the second, Alice faces a large, closed door. Text reads Mrs. Nobody shriek’s so loud, Alice’s skin crawls. Mrs. Nobody slams the door hard, making the house shiver. Then it is quiet.","id":24927040602171,"position":4,"preview_image":{"aspect_ratio":1.802,"height":444,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6a88cb1c-a0a8-4aa2-95d2-b17b880a7752.jpg?v=1732134804"},"aspect_ratio":1.802,"height":444,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6a88cb1c-a0a8-4aa2-95d2-b17b880a7752.jpg?v=1732134804","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eAlice and Mrs. Nobody love getting up to no good. While giving each other fashionable haircuts, belting nighttime duets, or scribbling magic-marker wall murals, the two friends are inseparable. Until the day they disagree on what to play next. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMrs. Nobody wants Alice to play Puppy. But when Alice pushes back (she was Puppy last time!), she feels the wrath of Mrs. Nobody, who grows bigger and bigger and louder and louder before disappearing altogether. \u003c\/p\u003e\n\u003cp\u003eAlthough Alice suffers a long, lonely night without the company of Mrs. Nobody, she finds some solace in the sound of her own voice. When Mrs. Nobody reappears the next day, Alice knows what she must say.\u003c\/p\u003e\n\u003cp\u003eThis debut picture-book by award-winning novelist and poet Y. S. Lee puts a surprising spin on the concept of setting boundaries — particularly with those closest to us. Readers will find themselves immersed in the fanciful world of Alice and Mrs. Nobody — brilliantly rendered by internationally acclaimed illustrator Marie Lafrance — while delighting in the twists of an imaginary friendship gone awry.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7 With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003c\/p\u003e\n\u003cp\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773061023","AlsoRecommendedISBN_1":"9781773066813","AlsoRecommendedISBN_4":"9781773068435","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"3","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"1","AudienceRangeValue_2_2":"6","BASICMainSubject":"JUV051000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Imagination \u0026 Play","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eY. S. LEE\u003c\/strong\u003e is an award-winning poet and novelist whose first young-adult novel, \u003cem\u003eA Spy in the House\u003c\/em\u003e, was nominated for an Agatha Award and won the inaugural John Spray Mystery Award. Ying won the 2022 Foster Poetry Prize, and she published her first chapbook, \u003cem\u003eExit Permit\u003c\/em\u003e, in 2023. She lives in Kingston, Ontario. \u003cem\u003eMrs. Nobody \u003c\/em\u003eis Ying's debut picture book.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Imagination \u0026amp; Play","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Friendship","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubject_0":"JUV051000","BISACSubject_1":"JUV039060","BISACSubject_2":"JUV039050","CommonCore":"CCSS.ELA-LITERACY.RL.K.6","CommonCore_1":"CCSS.ELA-LITERACYoks","CommonCore_2":"CCSS.ELA-LITERACY.RL.K.7","ComplexityCode_0":"AD500L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eY. S. LEE\u003c\/strong\u003e is an award-winning poet and novelist whose first young-adult novel, \u003cem\u003eA Spy in the House\u003c\/em\u003e, was nominated for an Agatha Award and won the inaugural John Spray Mystery Award. Ying won the 2022 Foster Poetry Prize, and she published her first chapbook, \u003cem\u003eExit Permit\u003c\/em\u003e, in 2023. She lives in Kingston, Ontario. \u003cem\u003eMrs. Nobody \u003c\/em\u003eis Ying's debut picture book.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARIE LAFRANCE\u003c\/strong\u003e has illustrated for magazines, newspapers, billboards and boxes of jelly powder, but now she prefers to use her warm and engaging artwork to bring picture books to life. Her books include \u003cem\u003eThe Lady with the Books\u003c\/em\u003e by Kathy Stinson, \u003cem\u003eGemma and the Giant Girl\u003c\/em\u003e by Sara O’Leary and \u003cem\u003eThe Brass Charm\u003c\/em\u003e by Monique Polak. Her art has been included in the New York Society of Illustrators Original Art Exhibition, and she has won the Ruth and Sylvia Schwartz Award. Marie lives in Montreal, Quebec.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Lee, Y. S. (CA)","Contributor_1":"Lafrance, Marie (CA)","Description":"\u003cp\u003e\u003cstrong\u003eAlice and Mrs. Nobody love getting up to no good. While giving each other fashionable haircuts, belting nighttime duets, or scribbling magic-marker wall murals, the two friends are inseparable. Until the day they disagree on what to play next. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMrs. Nobody wants Alice to play Puppy. But when Alice pushes back (she was Puppy last time!), she feels the wrath of Mrs. Nobody, who grows bigger and bigger and louder and louder before disappearing altogether. \u003c\/p\u003e\n\u003cp\u003eAlthough Alice suffers a long, lonely night without the company of Mrs. Nobody, she finds some solace in the sound of her own voice. When Mrs. Nobody reappears the next day, Alice knows what she must say.\u003c\/p\u003e\n\u003cp\u003eThis debut picture-book by award-winning novelist and poet Y. S. Lee puts a surprising spin on the concept of setting boundaries — particularly with those closest to us. Readers will find themselves immersed in the fanciful world of Alice and Mrs. Nobody — brilliantly rendered by internationally acclaimed illustrator Marie Lafrance — while delighting in the twists of an imaginary friendship gone awry.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7 With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003c\/p\u003e\n\u003cp\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e","EAN":"9781773068381","Height":"10.375","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eIllustrations\u003c\/p\u003e","MetaKeywords":"personal space and boundaries;confidence;determination;empowerment;overcoming anxiety;regulating emotions","NumberOfPages":"32","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eA one-of-a-kind story about an imaginary friendship, setting boundaries and standing up for yourself — particularly with those closest to us. \u003c\/li\u003e\n\u003cli\u003eY. S. Lee's debut novel, \u003cem\u003eThe Agency: A Spy in the House\u003c\/em\u003e, won the CCBC’s inaugural John Spray Mystery Award in 2011. \u003c\/li\u003e\n\u003cli\u003eY. S. Lee is based in Kingston, Ontario, and works part-time with Kingston WritersFest as Education Manager. Marie Lafrance illustrated \u003cem\u003eThe Invitation\u003c\/em\u003e, written by Stacey May Fowles, the artwork of which garnered glowing reviews. \u003cem\u003eMrs. Nobody\u003c\/em\u003e offers Marie Lafrance the same freedom to create another “delicate, startling visual world” (Publishers Weekly).\u003c\/li\u003e\n\u003cli\u003eFor nostalgic fans of\u003cem\u003e Drop Dead Fred \u003c\/em\u003eand the newly released film \u003cem\u003eIF\u003c\/em\u003e starring Ryan Reynolds.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“There are many stories about standing up to an overbearing friend, but the fanciful twist on this one makes it stand apart.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“[An] ethereal picture book. Evocative illustrations ... are a beautiful complement.” — \u003cstrong\u003e\u003cem\u003eForeword\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Foreword","OtherText_Review_2":"\u003cp\u003e“Infused with a fantastical flair, a doorway to helping kids learn to establish boundaries. ” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Kirkus Reviews","OtherText_Review_3":"\u003cp\u003e“Y.S. Lee has crafted a unique tale of budding independence and conflict resolution. ” — \u003cstrong\u003e\u003cem\u003eMontreal Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Montreal Review of Books","OtherText_Review_4":"\u003cp\u003e“A sophisticated look at navigating even the closest relationships.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eAlice and Mrs. Nobody love getting up to no good — until they disagree on what to play next. Can Alice assert herself without losing her best friend?\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"EPUB, fixed","PublicationDate":"2025-04-01","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eAlice and Mrs. Nobody love getting up to no good — until they disagree on what to play next. Can Alice assert herself without losing her best friend?\u003c\/strong\u003e\u003c\/p\u003e","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773068381\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"9","WidthCode":"in"}
ages 3
to 6
/ grades P
to 1
Mrs. Nobody
Alice and Mrs. Nobody love getting up to no good — until they disagree on what to play next. Can Alice assert herself without losing her best friend?
