A photo taken from above of a stack of copies of Heydays at the June Motel: Beach Town Classics lying on a wooden table. A clear glass of Aperol spritz sits beside the stack. A photograph of seven copies of the Feeling and Healing Catalogue fanned out on a wooden table.

New from Anansi

Cover: Soft as Bones, A Memoir by Chyana Marie Sage. A stark black-and-white image of a deer's skull on a grey background.

Soft as Bones

A poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing

Cover: A Daughter's Place by Martha Bátiz. Artwork of two young women in seventeenth-century clothing. One leans on a window ledge, resting her chin on her hand and smiling, while the other peeks out from behind a curtain, holding a cloth to her face. The title and author’s name appear in large, white brush script.

A Daughter's Place

A sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of Don Quixote

A large red wasp's nest is at the top on a black background. Small pink wasps are scattered around the text: Welcome to the Neighbourhood: Stories by Clea Young, written in beige font against a black background.

Welcome to the Neighbourhood

In Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business.

Cover: Chinatown Vancouver: An Illustrated History by Donna Seto. A colourful book cover that features vibrant, detailed illustrations of various storefronts and buildings in Vancouver's Chinatown, with a blue sky background. The buildings display Chinese signage and distinct architectural elements.

Chinatown Vancouver

An illustrated history of the buildings in Vancouver’s Chinatown, celebrating the vibrancy of the Chinese community.

Cover: Widows and Orphans, A Quill and Packet Mystery by Kate Hilton and Elizabeth Renzetti. Authors of National Bestseller Bury the Lead. The cover image is a drawing of a woman in black and white on a teal background. She is lying down and her hair long black hair is strewn about beside her. She is wearing a red shirt.

Widows and Orphans

In Port Ellis, there's no off-season for murder! No. 2 in the bestselling Quill & Packet Mystery series.

Cover: Everything Is Fine Here by Iryn Tushabe. Two black outlines of papyrus swamp plants appear in front of a green background.

Everything Is Fine Here

A beguiling coming of age novel set in Uganda in which a young woman grapples with the truth about her sister in a country that punishes gay people.

Cover: Abstract painting featuring three indistinct female figures in vibrant colors against a light background. The figures are rendered with broad, expressive brushstrokes, blending hues of orange, red, brown, purple, and yellow. The title The Creation of Half-Broken People is centred on the cover in large letters with the words “a novel” in smaller type below it. The author’s name, Siphiwe Gloria Ndlovu, appears at the bottom of the cover.

The Creation of Half-Broken People

Stupendous African Gothic, by the winner of Yale University’s Windham–Campbell Prize

Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.

Shadow Price

Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. 

Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.

Myth

The much-anticipated debut collection from the multi-talented Terese Mason Pierre.

Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

Wellwater

The poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.