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{"id":7349209169979,"title":"Wellwater","handle":"wellwater","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","published_at":"2025-02-21T10:57:34-05:00","created_at":"2025-02-21T10:54:35-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult New Releases","Adult Poetry","By (author) Solie Karen","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025534554171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013400","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":190,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013400","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42025534652475,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013417","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013417","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909","options":["Title"],"media":[{"alt":null,"id":26139679326267,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887846885","AlsoRecommendedISBN_1":"9781487000967","AlsoRecommendedISBN_2":"9781487008376","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Solie, Karen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","EAN":"9781487013417","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013417\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Caiplie Caves;Griffin Poetry Prize;T.S. Elliot Prize for Poetry;Pat Lowther Memorial Award;Trillium Award;Dorothy Livesay Prize;Lyric Poetry;Career Poets;Lifetime Poets;Poetry;Capitalism;Economy;Environment;Climate Anxiety;Corporate Greed;The University of St Andrews;Guggenheim Fellowship;Women Auhtors;Women Poets;Critical Poetry;Iris Trio;Project Earth;Ben Lerner;Lights;Lisa Robertson;Boat;Michael Ondaatje;A Year of Last Things;Rural Poetry;Late Stage Capitalism;Nature Poetry","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is Solie’s sixth standalone collection and the first since \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e, was shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eCaiplie\u003c\/em\u003e was a book-length, concept-oriented title, Wellwater returns to a more familiar, varied collection. \u003c\/li\u003e\n\u003cli\u003eWidely considered the best lyric poet of her generation, Solie has won virtually every Canadian award and is one of the very few Canadian poets with a substantial readership in Canada, the U.S. and the U.K. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWellwater\u003c\/em\u003e includes poems commissioned by Iris Trio for its forthcoming album \u003cem\u003eProject Earth: The Green Chapter\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Blazingly honest.” \u003cstrong\u003e\u003cem\u003e— The Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“[Karen Solie has] a consistent knack for surprise, for finding ways to develop a style that, one book back, felt fully realized.” \u003cstrong\u003e\u003cem\u003e— Literary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“Solie’s poems offer both deep wisdom and a lightness across the line … Her poems craft deep wells of meditative thinking, lines that turn a leaf over in one’s hand, to study every side.” \u003cstrong\u003e\u003cem\u003e— rob mclennan’s blog \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11":"\u003cp\u003e\"[Karen Solie] has never faltered.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12":"\u003cp\u003e“Thoughtful.” —\u003cstrong\u003e\u003cem\u003e Quebec Library Association \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e “\u003cem\u003eWellwater\u003c\/em\u003e is full of small revelations. At this point, Solie has little left to achieve, but if her poems keep letting their mask slip, they might genuinely surprise us. She has been a thrillingly unpredictable poet for twenty-five years.” — \u003cstrong\u003e\u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an unerring recalibration. To counter an age of abstraction and illusion, Solie zeroes in on the overlooked … Masterful compositions.” \u003cstrong\u003e\u003cem\u003e— The Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Authoritative and unforgettable … How Solie binds bleakness, distance, confidence and vulnerability into such a distinctive poetic presence is a compelling puzzle.” —\u003cstrong\u003e\u003cem\u003e The Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003eis full of complex ideas that speak to resilience of both people and our environment, and look to ways we can move forward at peace with our world.” — \u003cstrong\u003e\u003cem\u003eCanadian Living \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“Sardonic, perceptive, and unrelenting.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003e[has] a characteristically fierce intellectual and poetic rigour.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“If there is any obvious hope to be found in the sombre and desolate poems on offer in this collection, it is in the perseverance of nature in the face of violence and peril … These things, independent of human faith and competitive capitalism, endure. And they are the things, these poems argue, we might most profitably focus on.” \u003cstrong\u003e\u003cem\u003e— That Shakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an extraordinary collection.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Joint winner","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCode_0":"01","PrizeCode_1":"06","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Forward Prize for Best Collection of Poetry","PrizeName_2":"T.S. Eliot Prize for Poetry","PrizeName_3":"The Observer best book of 2025","PrizeName_4":"The Financial Times best book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2025","PrizeYear_4":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}