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All physical products collection - June 17 2021.
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{"id":6899075121211,"title":"Celestial Bodies","handle":"celestial-bodies","description":"\u003cp\u003e\u003cstrong\u003eThe first Arabic-language winner of the Man Booker International Prize, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is a vivid and elegant tale of a family and a nation across decades. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the village of al-Awafi, in Oman, two families are joined by marriage: Mayya, the eldest of three sisters, marries Abdallah, son of a wealthy merchant, after suffering her first heartbreak. Abdallah’s passionate love for his wife goes unrequited; she regards him with a mixture of tolerance and mild amusement. Yet he cannot contend solely with the cares and concerns of a husband and father, haunted as he is by the mysterious death of his mother and vivid recollections of his megalomaniacal father.\u003c\/p\u003e\u003cp\u003eThe couple is orbited by an intricate constellation of individuals, connected by blood, by proximity, by deeply rooted social edifices. Those in their immediate families include Mayya’s sisters — Asma, who aspires to a different kind of life and marriage, and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. The three women, their families, their loves, and their losses unspool delicately against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present.\u003c\/p\u003e\u003cp\u003eThe first ever novel originally written in Arabic to win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is an exquisite literary creation that marks the arrival of a major international talent.\u003c\/p\u003e","published_at":"2022-06-27T18:07:55-04:00","created_at":"2022-06-27T17:25:25-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Starred Reviews","Anansi International","By (author) Alharthi Jokha","Feminist Reads","Literary Fiction","pub date: 2019-10-15","Translated by Booth Marilyn"],"price":1895,"price_min":1895,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40499143082043,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007904","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celestial Bodies - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":280,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007904","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40499144851515,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007911","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Celestial Bodies - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007911","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40499145048123,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007928","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Celestial Bodies - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007928","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159","options":["Title"],"media":[{"alt":"This image is abstract. Pink, red, blue, and green shapes form peaks and valleys. In each shape are markings that resemble flower petals in varies colours. Text: Celestial Bodies. Jokha Alharthi. The Man Booker International Prize 2019.","id":24644293427259,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe first Arabic-language winner of the Man Booker International Prize, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is a vivid and elegant tale of a family and a nation across decades. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the village of al-Awafi, in Oman, two families are joined by marriage: Mayya, the eldest of three sisters, marries Abdallah, son of a wealthy merchant, after suffering her first heartbreak. Abdallah’s passionate love for his wife goes unrequited; she regards him with a mixture of tolerance and mild amusement. Yet he cannot contend solely with the cares and concerns of a husband and father, haunted as he is by the mysterious death of his mother and vivid recollections of his megalomaniacal father.\u003c\/p\u003e\u003cp\u003eThe couple is orbited by an intricate constellation of individuals, connected by blood, by proximity, by deeply rooted social edifices. Those in their immediate families include Mayya’s sisters — Asma, who aspires to a different kind of life and marriage, and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. The three women, their families, their loves, and their losses unspool delicately against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present.\u003c\/p\u003e\u003cp\u003eThe first ever novel originally written in Arabic to win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is an exquisite literary creation that marks the arrival of a major international talent.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001803","AlsoRecommendedISBN_1":"9781487006792","AlsoRecommendedISBN_2":"9781487006990","BASICMainSubject":"FIC044000","BASICMainSubjectLiteral":"FICTION\/Women","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJOKHA ALHARTHI\u003c\/strong\u003e is the first Omani woman to have a novel translated into English. Her previous novel, \u003cem\u003eCelestial Bodies\u003c\/em\u003e, was the first book translated from the Arabic to win the International Booker Prize (formerly known as the Man Booker International Prize). Alharthi is the author of three previous collections of short fiction, three children’s books, and three novels in Arabic. \u003cem\u003eNarinjah (The Bitter Orange Tree)\u003c\/em\u003e received the Sultan Qaboos Award for Culture, Art, and Literature. She completed a Ph.D. in Classical Arabic poetry in Edinburgh and teaches at Sultan Qaboos University in Muscat.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Women","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubject_0":"FIC044000","BISACSubject_1":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJOKHA ALHARTHI\u003c\/strong\u003e is the first Omani woman to have a novel translated into English. Her previous novel, \u003cem\u003eCelestial Bodies\u003c\/em\u003e, was the first book translated from the Arabic to win the International Booker Prize (formerly known as the Man Booker International Prize). Alharthi is the author of three previous collections of short fiction, three children’s books, and three novels in Arabic. \u003cem\u003eNarinjah (The Bitter Orange Tree)\u003c\/em\u003e received the Sultan Qaboos Award for Culture, Art, and Literature. She completed a Ph.D. in Classical Arabic poetry in Edinburgh and teaches at Sultan Qaboos University in Muscat.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARILYN BOOTH\u003c\/strong\u003e is Emerita Khalid bin Abdullah Al Saud Chair for the Study of the Contemporary Arab World at Oxford University. In addition to her academic publications, she has translated many works of fiction from the Arabic. Recent titles include \u003cem\u003eNo Road to Paradise\u003c\/em\u003e by Hassan Daoud, \u003cem\u003eBitter Orange Tree\u003c\/em\u003e by Jokha Alharthi, \u003cem\u003eVoices of the Lost\u003c\/em\u003e by Hoda Barakat, and one of the first Arabic novels to be penned by a female author, Alice Butrus al-Bustani’s \u003cem\u003eSa’iba\u003c\/em\u003e, forthcoming in Oxford World’s Classics. Her translation of Alharthi’s \u003cem\u003eCelestial Bodies\u003c\/em\u003e won the 2019 International Booker Prize\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Alharthi, Jokha","Contributor_1":"Booth, Marilyn","Description":"\u003cp\u003e\u003cstrong\u003eThe first Arabic-language winner of the Man Booker International Prize, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is a vivid and elegant tale of a family and a nation across decades. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the village of al-Awafi, in Oman, two families are joined by marriage: Mayya, the eldest of three sisters, marries Abdallah, son of a wealthy merchant, after suffering her first heartbreak. Abdallah’s passionate love for his wife goes unrequited; she regards him with a mixture of tolerance and mild amusement. Yet he cannot contend solely with the cares and concerns of a husband and father, haunted as he is by the mysterious death of his mother and vivid recollections of his megalomaniacal father.\u003c\/p\u003e\u003cp\u003eThe couple is orbited by an intricate constellation of individuals, connected by blood, by proximity, by deeply rooted social edifices. Those in their immediate families include Mayya’s sisters — Asma, who aspires to a different kind of life and marriage, and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. The three women, their families, their loves, and their losses unspool delicately against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present.\u003c\/p\u003e\u003cp\u003eThe first ever novel originally written in Arabic to win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is an exquisite literary creation that marks the arrival of a major international talent.\u003c\/p\u003e","EAN":"9781487007928","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007928\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"proverb; multi-generational; Oman; modernisation; slavery; female protagonist; immigration; belonging; identity; masculinity; twentieth century; 20th century; polyphonic narrative; adultery; women writers; women's literature; works in translation; International Man Booker Prize; award-winning author; Chimamanda Ngozi Adichie; Djamila Ibrahim; Irina Kovalyova; Jhumpa Lahiri; Mohsin Hamid; Muriel Spark; The Prime of Miss Jean Brodie; saga","NumberOfPages":"256","OtherText_Description_for_R_0":"\u003cp\u003eMayya, forever immersed in her Singer sewing machine, seemed lost to the outside world. Then Mayya lost herself to love: a silent passion, but it sent tremors surging through her slight form, night after night, cresting in waves of tears and sighs. These were moments when she truly believed she would not survive the awful force of her longing to see him.\u003c\/p\u003e\u003cp\u003eHer body prostrate, ready for the dawn prayers, she made a whispered oath. By the greatness of God — I want nothing, O Lord, just to see him. I solemnly promise you, Lord, I don’t even want him to look my way … I just want to see him. That’s all I want.\u003c\/p\u003e\u003cp\u003eHer mother hadn’t given the matter of love any particular thought, since it never would have occurred to her that pale Mayya, so silent and still, would think about anything in this mundane world beyond her threads and the selvages of her fabrics, or that she would hear anything other than the clatter of her sewing machine. Mayya seemed to hardly shift position throughout the day, or even halfway into the night, her form perched quietly on the narrow, straight-backed wood chair in front of the black sewing machine with the image of a butterfly on its side. She barely even lifted her head, unless she needed to look as she groped for her scissors or fished another spool of thread out of the plastic sewing basket which always sat in her small wood utility chest. But Mayya heard everything in the world there was to hear. She noticed the brilliant hues life could have, however motionless her body might be. Her mother was grateful that Mayya’s appetite was so meagre (even if, now and then, she felt vestiges of guilt). She hoped fervently, though she would never have put her hope into words, that one of these days someone would come along who respected Mayya’s talents as a seamstress as much as he might appreciate her abstemious ways. The someone she envisioned would give Mayya a fine wedding procession after which he would take her home with all due ceremony and regard.\u003c\/p\u003e\u003cp\u003eThat someone arrived.\u003c\/p\u003e\u003cp\u003eAs usual Mayya was seated on that narrow chair, bent over the sewing machine at the far end of the long sitting room that opened onto the compound’s private courtyard. Her mother walked over to her, beaming. She pressed her hand gently into her daughter’s shoulder.\u003c\/p\u003e\u003cp\u003eMayya, my dear! The son of Merchant Sulayman has asked for your hand.\u003c\/p\u003e\u003cp\u003eSpasms shot through Mayya’s body. Her mother’s hand suddenly felt unbearably heavy on her shoulder and her throat went dry. She couldn’t stop imagining her sewing thread winding itself around her neck like a hangman’s noose.\u003c\/p\u003e\u003cp\u003eHer mother smiled. I thought you were too old by now to put on such a girlish show! You needn’t act so bashful, Mayya.\u003c\/p\u003e\u003cp\u003eAnd that was that. The subject was closed and no one raised it again. Mayya’s mother busied herself assembling the wedding clothes, concocting just the right blends of incense, having all the large seat-cushions reupholstered, and getting word out to the entire family. Mayya’s sisters kept their views to themselves and her father left the matter in her mother’s hands. After all, these were her girls and marriage was women’s business.\u003c\/p\u003e","OtherText_Review_0":"\u003cp\u003e“An innovative reimagining of the family saga . . . Booth’s translation honours the elliptical rhythms of Arabic and the language’s rich literary heritage . . . Yet there is no doubt that this is a contemporary novel, insistent and alive . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"\u003cp\u003e“The great pleasure of reading Celestial Bodies is witnessing a novel argue, through the achieved perfection of its form, for a kind of inquiry that only the novel can really conduct. The ability to move freely through time, the privileged access to the wounded privacies of many characters, the striking diversity of human beings across a relatively narrow canvas, the shock waves as one generation heaves, like tectonic plates, against another, the secrets and lapses and repressions, at once intimate and historical, the power, indeed, of an investigation that is always political and always intimate — here is the novel being supremely itself, proving itself up to the job by changing not its terms of employment but the shape of the task.” — \u003cstrong\u003e\u003cem\u003eNew Yorker\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"New Yorker","OtherText_Review_2":"\u003cp\u003e“A rich, dense web of a novel . . . The chorus of voices that arises from these pages, at once harmonious and dissonant, constitutes nothing less than the assertion of the right to exist and to be recognized.” — \u003cstrong\u003e\u003cem\u003eNew York Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"New York Review of Books","OtherText_Review_3":"\u003cp\u003e“The glimpses into a culture relatively little known in the West are fascinating.” — \u003cstrong\u003e\u003cem\u003eGuardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Guardian","OtherText_Review_4":"\u003cp\u003e“Ambitious, intense . . . With exhilarating results, Alharthi throws the reader into the midst of a tangled family drama in which unrequited love, murder, suicide, and adultery seem the rule rather than the exception . . . [Celestial Bodies] is all the more satisfying for the complexity of its tale.” — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Publisher's Weekly","OtherText_Review_5":"\u003cp\u003e“A richly layered, ambitious work that teems with human struggles and contradictions, providing fascinating insight into Omani history and society.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Kirkus Reviews","OtherText_Review_6":"\u003cp\u003e“A book to win over the head and the heart in equal measure, worth lingering over. Interweaving voices and timelines are beautifully served by the pacing of the novel. Its delicate artistry draws us into a richly imagined community — opening out to tackle profound questions of time and mortality and disturbing aspects of our shared history. The style is a metaphor for the subject, subtly resisting clichés of race, slavery, and gender. The translation is precise and lyrical, weaving in the cadences of both poetry and everyday speech. Celestial Bodies evokes the forces that constrain us and those that set us free.” — \u003cstrong\u003eBettany Hughes, \u003cem\u003eMan Booker International Prize\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"Bettany Hughes","OtherText_Review_6_Src":"Man Booker International Prize","OtherText_Review_7":"\u003cp\u003e“The novel is a beautifully achieved account of lives pulling at the edges of change. The writing is teasingly elliptical throughout and there is a kind of poetic understatement that draws the reader into the domestic settings and public tribulations of the three sisters . . . Celestial Bodies deftly undermines recurrent stereotypes about Arab language and cultures, but most importantly brings a distinctive and important new voice to world literature.” — \u003cstrong\u003e\u003cem\u003eIrish Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Irish Times","OtherText_ShortDescription_0":"The first Arabic-language winner of the Man Booker International Prize and a vivid and elegant tale of a family and a nation across decades.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Commended","PrizeCode_0":"01","PrizeCode_1":"03","PrizeName_0":"Man Booker International Prize","PrizeName_1":"A Kirkus Reviews Best Book","PrizeYear_0":"2019","PrizeYear_1":"2019","ProductFormDescription":"mobi","PublicationDate":"2019-10-15","Publisher":"House of Anansi Press Inc","ShortDescription":"The first Arabic-language winner of the Man Booker International Prize and a vivid and elegant tale of a family and a nation across decades.","Width":"5.25","WidthCode":"in"}
Celestial Bodies
The first Arabic-language winner of the Man Booker International Prize and a vivid and elegant tale of a family and a nation across decades.
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{"id":6814267080763,"title":"The Alphabet Thief","handle":"the-alphabet-thief","description":"\u003cp\u003e\u003cstrong\u003eWhen night falls, along comes a peculiar thief who steals each letter of the alphabet, creating a topsy-turvy world as she goes.\u003c\/strong\u003e\u003c\/p\u003e\u003cblockquote\u003e\u003cp\u003eThe alphabet thief stole all of the B’s, and all of the bowls became owls…\u003c\/p\u003e\u003c\/blockquote\u003e\u003cp\u003eIt seems that no one can stop her, until the Z’s finally send her to sleep so that all the other letters can scamper back to where they belong. \u003c\/p\u003e\u003cp\u003eBill Richardson’s zany rhymes and Roxanna Bikadoroff’s hilarious illustrations will delight young readers with the silly fun they can have with language — and may even inspire budding young writers and artists to create their own word games.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003eAsk and answer questions about unknown words in a text.\u003c\/p\u003e","published_at":"2022-03-24T09:40:43-04:00","created_at":"2022-03-23T13:29:12-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 5 - 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Bill lives in Vancouver, British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Concepts \/ Alphabet","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Concepts \/ Words","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Poetry","BISACSubject_0":"JUV009010","BISACSubject_1":"JUV009080","BISACSubject_2":"JUV070000","CommonCore":"CCSS.ELA-LITERACY.RL.K.4","CommonCore_1":"CCSS.ELA-LITERACY.RL.K.4","ComplexityCode_0":"650L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBILL RICHARDSON\u003c\/strong\u003e, winner of Canada’s Stephen Leacock Memorial Medal for Humour, and former radio host, has written several highly acclaimed books for children. They include \u003cem\u003eThe Aunts Come Marching\u003c\/em\u003e, illustrated by Cynthia Nugent, winner of the Time to Read Award; \u003cem\u003eAfter Hamelin\u003c\/em\u003e, winner of the Ontario Library Association’s Silver Birch Award; and \u003cem\u003eThe Alphabet Thief\u003c\/em\u003e, illustrated by Roxanna Bikadoroff, named among New York Library's Best Books for Kids. Bill lives in Vancouver, British Columbia.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eROXANNA BIKADOROFF\u003c\/strong\u003e’s illustrations have been published internationally for more than twenty-five years. She has won numerous awards, many of them National Magazine Awards, including Best Illustration (Gold). She recently collaborated with Bill Richardson on a collection of poems for adults as well as on her first children’s book, \u003cem\u003eThe Alphabet Thief\u003c\/em\u003e. Roxanna lives in Vancouver.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Richardson, Bill (CA)","Contributor_1":"Bikadoroff, Roxanna (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWhen night falls, along comes a peculiar thief who steals each letter of the alphabet, creating a topsy-turvy world as she goes.\u003c\/strong\u003e\u003c\/p\u003e\u003cblockquote\u003e\u003cp\u003eThe alphabet thief stole all of the B’s, and all of the bowls became owls…\u003c\/p\u003e\u003c\/blockquote\u003e\u003cp\u003eIt seems that no one can stop her, until the Z’s finally send her to sleep so that all the other letters can scamper back to where they belong. \u003c\/p\u003e\u003cp\u003eBill Richardson’s zany rhymes and Roxanna Bikadoroff’s hilarious illustrations will delight young readers with the silly fun they can have with language — and may even inspire budding young writers and artists to create their own word games.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr \/\u003eAsk and answer questions about unknown words in a text.\u003c\/p\u003e","EAN":"9781773066479","Height":"7.375","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"fun with rhymes; wordplay; read aloud; spelling; poetry; verse; rhymes and wordplay; letters and words; early reader; rhymes; rhythm; humorous stories; justice; read aloud; child as narrator; figurative language; alliteration; onomatopoeia; visualizing; imagining; Common Core aligned; grade 2; CC Literature Craft and Structure; Quill \u0026amp; Quire starred review; New York Public Library Best Books for Kids; picture book; poetry","NumberOfPages":"40","OtherText_Review_0":"\u003cp\u003e“A smart pick for language lovers of any age.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Publishers Weekly, STARRED REVIEW","OtherText_Review_1":"\u003cp\u003e“A fun romp that lends itself to both quiety amused solo reading and boisterous read-aloud sessions.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill \u0026amp; Quire, STARRED REVIEW","OtherText_Review_2":"\u003cp\u003e“This sneaky romp will do well one-on-one.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Kirkus Reviews","OtherText_Review_3":"\u003cp\u003e“Sure to delight wordsmiths of all ages. A fun read-aloud that lends itself to curricular application.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"School Library Journal","OtherText_Review_4":"\u003cp\u003e“The text will inspire a passion for humorous wordplay.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Booklist","OtherText_Review_5":"\u003cp\u003e“A small and hilarious picture book … Pictures and verses seem to tumble over one another …” — \u003cstrong\u003e\u003cem\u003eThe Wall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"The Wall Street Journal","OtherText_Review_6":"\u003cp\u003e“The wordplay is fun … Roxanna Bikadoroff's lively spot illustrations deftly keep pace as the altered words pile up.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"New York Times","OtherText_Review_7":"\u003cp\u003e“The clever story in rhyme and playful ink-and-watercolor illustrations depicting word transformations make this small book one to add to my collection of alphabet books.” — \u003cstrong\u003e\u003cem\u003eLiteracy Daily\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Literacy Daily","OtherText_ShortDescription_0":"The alphabet thief stole all of the B's, and all of the bowls became owls. The thief returns each night, creating a topsy-turvy world as she goes.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeName_0":"New York Public Library Best Books for Kids","PrizeName_1":"NCTE Notable Children's Books in the Language Arts","PrizeYear_0":"2017","PrizeYear_1":"2018","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2017-03-01","Publisher":"Groundwood Books Ltd","ShortDescription":"The alphabet thief stole all of the B's, and all of the bowls became owls. The thief returns each night, creating a topsy-turvy world as she goes.","Width":"5.5","WidthCode":"in"}
ages 5
to 9
/ grades K
to 4
The Alphabet Thief
The alphabet thief stole all of the B's, and all of the bowls became owls. The thief returns each night, creating a topsy-turvy world as she goes.
Quick View
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The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.","id":22808187240507,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. 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{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487001278","AlsoRecommendedISBN_2":"9781487002268","AlsoRecommendedISBN_4":"9781487001278","BASICMainSubject":"POE015000","BASICMainSubjectLiteral":"POETRY\/Native American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. 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It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. 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In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","EAN":"9781487007164","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007164\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"ethnopoetics; not dead native; visceral; campy; ferocious; LGBTQ+; accessible poetry; sucker punch; decolonial; grief and desire; genre-bending; poetics; prose; uncompromising; Tina Fontaine; experimental verse; canlit; indigenous literature; critical theory; Finalist; Lambda Literary Award for Gay Poetry; Longlist; CBC Canada Reads; Library Journal Best Book; CBC Book of the Year; Library Journal; starred review; Griffin Poetry Prize","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“This brilliant book is endlessly giving, lingering in tight spaces within the forms of loneliness, showing us their contours. These poems do the necessary work of negotiating with the heart-killing present from which we imagine and make Indigenous futures. Every line feels like a possible way out of despair.” — \u003cstrong\u003eElissa Washuta, author of My Body Is a Book of Rules\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Elissa Washuta, author of My Body Is a Book of Rules","OtherText_Accolades_1":"\u003cp\u003e“I believe I exist. \/ To live, one can be neither \/ more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.” — \u003cstrong\u003eTC Tolbert, author of Gephyromania\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"TC Tolbert, author of Gephyromania","OtherText_Accolades_2":"\u003cp\u003e“NDN Coping Mechanisms is a haunting book that dreams a new world — a ‘holy place filled with NDN girls, hair wet with utopia’ — as it simultaneously excoriates the world that ‘is a wound’ and the historic and present modalities of violence against Indigenous peoples under Canadian settler colonialism. Belcourt considers the genocidal nation-state, queerness, and the limits and potential of representation, often through a poetic\/scholarly lineage that includes Leanne Betasamosake Simpson, Saidiya Hartman, Anne Boyer, José Esteban Muñoz, Christina Sharpe, and Gwen Benaway, among others. This is the beautiful achievement of NDN Coping Mechanisms: Belcourt conjures a sovereign literary space that refuses white sovereignty and is always already in relation to the ideas of the foremost decolonial poets and thinkers of Turtle Island.” — \u003cstrong\u003eMercedes Eng, author of Prison Industrial Complex Explodes\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Mercedes Eng, author of Prison Industrial Complex Explodes","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eWINNER OF THE GRIFFIN POETRY PRIZE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBilly-Ray Belcourt made history as the youngest-ever winner of the Griffin Poetry Prize for his previous collection, \u003cem\u003eThis Wound is a World.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAWARD WINNING DEBUT COLLECTION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt’s debut collection \u003cem\u003eThis Wound is a World\u003c\/em\u003e was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It also won the Robert Kroetsch City of Edmonton Book Prize, and was a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLGBTQ POETRY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eAs with his first book, \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e will appeal not only to fans of raw, emotionally direct lyric and confessional poetry, but also to readers of contemporary ethnopoetics and queer literary theory.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE NEW WAVE OF INDIGENOUS POETS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt is among the leaders of a new wave of young and extremely talented and provocative group of Indigenous writers, a list that includes Leanne Betasamosake Simpson, Katherena Vermette, Jason Stefanik, and Jordan Abel in Canada and Layli Long Soldier, Natalie Diaz, and Craig Santos Perez in the U.S.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eWINNER OF THE GRIFFIN POETRY PRIZE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBilly-Ray Belcourt made history as the youngest-ever winner of the Griffin Poetry Prize for his previous collection, \u003cem\u003eThis Wound is a World.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAWARD WINNING DEBUT COLLECTION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt’s debut collection \u003cem\u003eThis Wound is a World\u003c\/em\u003e was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It also won the Robert Kroetsch City of Edmonton Book Prize, and was a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLGBTQ POETRY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eAs with his first book, \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e will appeal not only to fans of raw, emotionally direct lyric and confessional poetry, but also to readers of contemporary ethnopoetics and queer literary theory.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE NEW WAVE OF INDIGENOUS POETS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt is among the leaders of a new wave of young and extremely talented and provocative group of Indigenous writers, a list that includes Leanne Betasamosake Simpson, Katherena Vermette, Jason Stefanik, and Jordan Abel in Canada and Layli Long Soldier, Natalie Diaz, and Craig Santos Perez in the U.S.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“For all the ferocious energy and one-two punch of language here, this is also a concentrated, beautifully managed work.” — \u003cstrong\u003e\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Library Journal","OtherText_Review_1":"\u003cp\u003e“Both intellectual and visceral, these poems dazzle with metaphoric richness and striking lyricism.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Toronto Star","OtherText_Review_2":"\u003cp\u003e“A masterful blend of the personal and the political, the ephemeral and the corporeal, the theoretical and the emotional.” — \u003cstrong\u003e\u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Quill and Quire","OtherText_Review_3":"\u003cp\u003e“An impressive follow-up to his first book.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e“Playful, candid, and campy.” — \u003cstrong\u003e\u003cem\u003ePrairie Books NOW\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Prairie Books NOW","OtherText_ShortDescription_0":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"03","PrizeName_0":"Stephan G. Stephansson Award for Poetry","PrizeName_1":"Robert Kroetsch City of Edmonton Book Prize","PrizeName_2":"Lambda Literary Award for Gay Poetry","PrizeName_3":"Raymond Souster Award","PrizeName_4":"A Library Journal Best Book","PrizeName_5":"A CBC Book of the Year","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","PrizeYear_3":"2019","PrizeYear_4":"2019","PrizeYear_5":"2019","ProductFormDescription":"mobi","PublicationDate":"2019-09-03","Publisher":"House of Anansi Press Inc","ShortDescription":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","Subtitle":"Notes from the Field","Width":"6","WidthCode":"in"}
NDN Coping Mechanisms
The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.
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{"id":7095986716731,"title":"The All + Flesh","handle":"the-all-flesh","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e","published_at":"2023-02-23T16:49:40-05:00","created_at":"2023-02-23T15:53:49-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Bird Brandi","House of Anansi Press","pub date: 2023-08-08"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41136186622011,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011826","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011826","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41136228007995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011833","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744","options":["Title"],"media":[{"alt":"Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.","id":25297522819131,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487011154","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ Indigenous","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubject_0":"POE011000","BISACSubject_1":"POE011010","BISACSubject_2":"POE023050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Bird, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026 carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e","EAN":"9781487011833","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011833\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"brandi morin;our voice of fire;west coast","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003e\"\u003cem\u003eThe All + Flesh\u003c\/em\u003e marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life.\" — \u003cstrong\u003eBilly-Ray Belcourt, author of \u003cem\u003eA MINOR CHORUS\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Billy-Ray Belcourt, author of A MINOR CHORUS","OtherText_Accolades_1":"\u003cp\u003e\"These poems are tender and surprising; they are holes travelling through time and space. They are able to shapeshift God into pills, prayers, seeds, and stars. \u003cem\u003eThe All + Flesh \u003c\/em\u003ehas taken root in my mind and I'm happy to let it grow there.\" — \u003cstrong\u003eJessica Johns, author of \u003cem\u003eBad Cree\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Liz Howard, author of Letters in a Bruised Cosmos","OtherText_Accolades_2":"\u003cp\u003e\"In \u003cem\u003eThe All + Flesh\u003c\/em\u003e, Brandi Bird maps the psychic space between ‘NDN compartmentalization’ and split prairies, from bus depots to ‘endocrine storms,’ from LiveJournal to a living history of relocation under land theft. ‘My body is not an empire but first contact happened at \/ birth’ and ‘I eat \/ until my mouth needles \/ the dark.’ With exacting lucidity, Bird’s lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut.\" — \u003cstrong\u003eLiz Howard, author of \u003cem\u003eLetters in a Bruised Cosmos\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Jessica Johns, author of Bad Cree","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Drawing on their experience as a queer and Indigenous author, [Brandi Bird reveals], sharply and beautifully, the whiplash of coming of age in a time of contradiction—when reparations and profound systematic failures arrive on the same day.\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"British Columbia Review","OtherText_Review_1":"\u003cp\u003e\"Honest and transformative, these poems portray and reach beyond Prairie landscapes and wounded lives.\" — \u003cstrong\u003e\u003cem\u003ePrairie Books NOW\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"Bird’s clear, forceful voice stacks imagistic snippets in formally inventive poems and leaves the reader to intuit and feel through how they all fit together in an act of engaged, attentive witnessing.\" — \u003cstrong\u003e\u003cem\u003eThe Tyee\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e\"This is Bird’s gospel … They transform prayer into poetry.\" — \u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e\u003cem\u003e\"The All + Flesh\u003c\/em\u003e is a sophisticated debut work … Over and over again, time is suspended in the poems, and in this state of timelessness, we are able to transcend the limitations of western linearity and thought and to reconnect with relationships that have been stunted or lost. This is an invigorating, liberating read.\" — \u003cstrong\u003e\u003cem\u003eMiramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Brandi Bird’s first full collection must be read with imagination and heart … With each re-read of this powerful and innovative work, we see more.” \u003cstrong\u003e\u003cem\u003e— ARC Poetry\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Long-listed","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"05","PrizeCode_5":"03","PrizeName_0":"Indigenous Voices Award for Poetry in English","PrizeName_1":"Governor General's Literary Award for Poetry","PrizeName_2":"League of Canadian Poets' Raymond Souster Award","PrizeName_3":"League of Canadian Poets' Gerald Lampert Memorial Award","PrizeName_4":"League of Canadian Poets' Pat Lowther Memorial Award","PrizeName_5":"CBC Best Poetry of 2024","PrizeYear_0":"2024","PrizeYear_1":"2024","PrizeYear_2":"2024","PrizeYear_3":"2024","PrizeYear_4":"2024","PrizeYear_5":"2024","ProductFormDescription":"epub","PublicationDate":"2023-08-08","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
The All + Flesh
Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.
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{"id":7315893846075,"title":"What I Mean to Say","handle":"what-i-mean-to-say","description":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners? \u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.\u003c\/p\u003e","published_at":"2024-11-08T09:55:14-05:00","created_at":"2024-11-08T09:41:31-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Nonfiction","By (author) Williams Ian","House of Anansi Press","pub date: 2024-10-08","Technology \u0026 Politics","The CBC Massey Lectures"],"price":1999,"price_min":1999,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41888108806203,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013424","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"What I Mean to Say - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2499,"weight":310,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013424","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41888108838971,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781487013820","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"What I Mean to Say - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013820","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41888108871739,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781487013837","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"What I Mean to Say - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013837","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335","options":["Title"],"media":[{"alt":"Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.","id":25013096972347,"position":1,"preview_image":{"aspect_ratio":0.697,"height":2475,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335"},"aspect_ratio":0.697,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners? \u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008512","AlsoRecommendedISBN_1":"9781487012847","AlsoRecommendedISBN_2":"9781487012847","AlsoRecommendedISBN_3":"9781487010362","AlsoRecommendedISBN_5":"9781487008512","BASICMainSubject":"SOC041000","BASICMainSubjectLiteral":"SOCIAL SCIENCE\/Essays","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eIAN WILLIAMS\u003c\/strong\u003e is the author of seven books of fiction, nonfiction, and poetry. 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This book is an attempt to encourage a conversation about conversation.\u003c\/li\u003e\n\u003cli\u003eCONVERSATIONS AND THE 2024 U.S. ELECTION: The next U.S. election is on November 5, 2024. As American (and global) politics become more and more polarized, it feels harder than ever to have important conversations. \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e delves into why tough topics are often the most important, and how reactivity has caused people to back away from engaging in thoughtful discourse. The book publishes just before the 2024 U.S. election, on October 8 in the U.S. and Canada.\u003c\/li\u003e\n\u003cli\u003eBESTSELLING AUTHOR AND EXPERIENCED ACADEMIC: Ian Williams is the bestselling author of \u003cem\u003eReproduction\u003c\/em\u003e for which he also won the Scotiabank Giller Prize. He is also the author of \u003cem\u003eDisorientation: Being Black in the World\u003c\/em\u003e which was shortlisted for the Hilary Weston Writers’ Prize for Nonfiction. He is a tenured English professor at the University of Toronto.\u003c\/li\u003e\n\u003cli\u003eCROSS COUNTRY TOUR AND RADIO BROADCAST: The five lectures will be delivered live and in person in Sidney NS, Iqaluit NV, Saskatoon SK, Victoria BC, and Toronto ON over several weeks in fall 2024 and then will be broadcast on CBC Radio’s \u003cem\u003eIdeas\u003c\/em\u003e series in November 2024.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"An excellent book.\" \u003cstrong\u003e— \u003cem\u003eThe Globe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Williams … employs a playfully digressive narrative approach, which mirrors the dynamism and occasional messiness of authentic speech.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"A true conversation.\" —\u003cstrong\u003e\u003cem\u003eGuelph Today\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“In an age marked by the proliferation of social media platforms, political polarization, and censorship campaigns that ban books and silence opposing viewpoints, \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e is a call to reevaluate how we converse.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2024-10-08","Publisher":"House of Anansi Press Inc","Series":"The CBC Massey Lectures","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Remaking Conversation in Our Time","Width":"5.75","WidthCode":"in"}
What I Mean to Say
The 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.
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{"id":7306998480955,"title":"Soft as Bones","handle":"soft-as-bones","description":"\u003cp\u003e\u003cstrong\u003eINSTANT NATIONAL BESTSELLER\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, Foreword INDIES 2025 Book of the Year \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eIn candid, incisive, and delicate prose, Chyana Marie Sage shares the pain of growing up with her father, a crack dealer who went to prison for molesting her older sister. In revisiting her family’s history, Chyana examines the legacy of generational abuse, which began with her father’s father, who was forcibly removed from his family by the residential schools and Sixties Scoop programs. Yet hers is also a story of hope, as it was the traditions of her people that saved her life, healing one small piece in the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island.\u003c\/p\u003e","published_at":"2024-10-01T12:22:02-04:00","created_at":"2024-10-01T12:14:57-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Nonfiction","Adult Starred Reviews","By (author) Sage Chyana Marie","Feminist Reads","House of Anansi Press","pub date: 2025-05-27"],"price":1999,"price_min":1999,"price_max":2699,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41851403042875,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013028","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Soft as Bones - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2699,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013028","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41851403141179,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013035","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Soft as Bones - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013035","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55af89c9-56c7-4492-a084-c03e5b9c138a.jpg?v=1737218229"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55af89c9-56c7-4492-a084-c03e5b9c138a.jpg?v=1737218229","options":["Title"],"media":[{"alt":"Cover: Soft as Bones, A Memoir by Chyana Marie Sage. A stark black-and-white image of a deer's skull on a grey background.","id":25013095432251,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55af89c9-56c7-4492-a084-c03e5b9c138a.jpg?v=1737218229"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55af89c9-56c7-4492-a084-c03e5b9c138a.jpg?v=1737218229","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eINSTANT NATIONAL BESTSELLER\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, Foreword INDIES 2025 Book of the Year \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eIn candid, incisive, and delicate prose, Chyana Marie Sage shares the pain of growing up with her father, a crack dealer who went to prison for molesting her older sister. In revisiting her family’s history, Chyana examines the legacy of generational abuse, which began with her father’s father, who was forcibly removed from his family by the residential schools and Sixties Scoop programs. Yet hers is also a story of hope, as it was the traditions of her people that saved her life, healing one small piece in the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002268","AlsoRecommendedISBN_1":"9781487010577","AlsoRecommendedISBN_2":"9781487011888","AlsoRecommendedISBN_3":"9781487002268","BASICMainSubject":"BIO028000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY\/Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHYANA MARIE SAGE\u003c\/strong\u003e is an award-winning Cree, Métis, and Salish writer from Edmonton, Alberta. She has an MFA in creative nonfiction from Columbia University, where she was the first Indigenous graduate. She lives in Toronto working as the Storyteller and Content Writer for Indspire. Her debut memoir, \u003cem\u003eSoft As Bones\u003c\/em\u003e, became an instant national bestseller. Sage's writing weaves together Cree histories, myths, and teachings as modes of healing throughout her work.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Indigenous","BISACSubjectLiteral_1":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Memoirs","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Women","BISACSubject_0":"BIO028000","BISACSubject_1":"BIO026000","BISACSubject_2":"BIO022000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHYANA MARIE SAGE\u003c\/strong\u003e is an award-winning Cree, Métis, and Salish writer from Edmonton, Alberta. She has an MFA in creative nonfiction from Columbia University, where she was the first Indigenous graduate. She lives in Toronto working as the Storyteller and Content Writer for Indspire. Her debut memoir, \u003cem\u003eSoft As Bones\u003c\/em\u003e, became an instant national bestseller. Sage's writing weaves together Cree histories, myths, and teachings as modes of healing throughout her work.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Sage, Chyana Marie (CA)","Description":"\u003cp\u003e\u003cstrong\u003eINSTANT NATIONAL BESTSELLER\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, Foreword INDIES 2025 Book of the Year \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eIn candid, incisive, and delicate prose, Chyana Marie Sage shares the pain of growing up with her father, a crack dealer who went to prison for molesting her older sister. In revisiting her family’s history, Chyana examines the legacy of generational abuse, which began with her father’s father, who was forcibly removed from his family by the residential schools and Sixties Scoop programs. Yet hers is also a story of hope, as it was the traditions of her people that saved her life, healing one small piece in the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island.\u003c\/p\u003e","EAN":"9781487013035","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013035\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Canadian National Magazine Awards;Edna Staebler Essay Contest;Tanya Tagaq;Split Tooth;Seven Fallen Feathers;Billy Ray Belcourt;Addiction;Recovery;BIPOC;First Nations;And Then She Fell;Indspire;NDN Girls Book Club;Kinsale Drake;Genocide;Serviceberry;Braiding Sweetgrass;Books for Women;CanLit;CanCon;Truth and Reconcilliation;Native Canadian Biographies;Indian Act;Tanya Talaga;Cultural Heritage;Indigenous Authors;Mental Health;Native American;An Ordinary Violence;POC;Poetry;Indigenous Peoples Day","NumberOfPages":"296","OtherText_Accolades_0":"\u003cp\u003e“Chyana Marie Sage’s writing is a gift that gleams with all of its teeth and skin and soft parts of the earth … A stunning new voice that pushes the boundaries of form, whose stories swirl across time like sweetgrass braids, like tendrils of smoke.” — \u003cstrong\u003eKinsale Drake, author of \u003cem\u003eThe Sky Was Once a Dark Blanket\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“A searing, poetic memoir filled with resilience and strength … for anyone on a journey of reconciling the pain of the past with the hopes for the next generations.” — \u003cstrong\u003eDallas Goldtooth, writer, actor, and community organizer\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“Chyana Marie Sage writes with an unflinching emotional clarity, lyrical prose, and a wisdom well beyond her years.” — \u003cstrong\u003eTanya Talaga, author of \u003cem\u003eThe Knowing\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“\u003cem\u003eSoft as Bones\u003c\/em\u003e moves like a river across vast territories of recovery and reckoning: it moves powerfully and runs deep, with prose that carries many worlds on its shoulders … Chyana Marie Sage is a truth-teller, and she has given us an incredible gift.” — \u003cstrong\u003eLeslie Jamison, author of \u003cem\u003eSplinters \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eChyana’s essay “Soar” won first place in the Edna Staebler Essay Contest and the Silver Medal in the Canadian National Magazine Awards.\u003c\/li\u003e\n\u003cli\u003eA probing, moving, beautiful memoir from debut author Chyana Marie Sage that explores many universal themes: pride in one’s cultural legacy and heritage, the pain of generational trauma, complex family dynamics, and self-healing.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSoft as Bones\u003c\/em\u003e is intended for both Indigenous and non-Indigenous peoples. There are many Cree-specific cultural artifacts and stories woven throughout each section, which fellow Indigenous people will find familiar. However, it is also very much intended for people wanting to learn and understand Canada’s history of colonialism and genocide against Indigenous peoples. Author Chyana Marie Sage is Cree, Métis, and Salsih. \u003c\/li\u003e\n\u003cli\u003eHealing and overcoming intergenerational trauma are the motifs of Chyana’s work and life. Her writing is also a celebration of culture and legacy. This book will speak to readers who enjoy reading about overcoming adversity, hardship, and rising above addiction, abuse, and childhood trauma.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Gritty yet lyrical … \u003cem\u003eSoft as Bones\u003c\/em\u003e is a startling, powerful memoir about surviving family trauma and First Nations perseverance.” \u003cstrong\u003e\u003cem\u003e— Foreword\u003c\/em\u003e, STARRED review\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“[Sage] toggles effortlessly between the roles of diarist, poet, and journalist, linking her personal history to a pattern of intergenerational violence, all without snuffing out hope for healing. Readers will be as inspired as they are horrified.” \u003cstrong\u003e\u003cem\u003e— Publishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Tenderly and candidly explores the legacies of Native boarding schools, colonialism, and violence to disrupt intergenerational trauma in search of hope and healing.” \u003cstrong\u003e\u003cem\u003e— Ms. Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e\"Maps the pain of generational trauma — and the journey to healing.\" —\u003cstrong\u003e\u003cem\u003eHuffPost\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e\"A deliberate act of admirable imagination and creativity … A life worth living. And reading about. And rereading.” —\u003cstrong\u003e\u003cem\u003eLos Angeles Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Wisely, Sage takes us with her on a path of understanding the legacy she has inherited—before making space for her own future.” — \u003cstrong\u003e\u003cem\u003eLiterary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“With purpose, [Chyana Marie Sage] guides herself and her readers out of a labyrinth of confusion, manipulation, and darkness and into ‘this story for all of us.’”– \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“Essential reading.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Winner","PrizeCode_0":"03","PrizeCode_1":"01","PrizeName_0":"CBC Best Book of 2025","PrizeName_1":"Foreword INDIES Book of the Year in Autobiography and Memoir","PrizeYear_0":"2025","PrizeYear_1":"2025","ProductFormDescription":"epub","PublicationDate":"2025-05-27","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Memoir","Width":"5.5","WidthCode":"in"}
Soft as Bones
A poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing
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{"id":6983307657275,"title":"My Grief, the Sun","handle":"my-grief-the-sun","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","published_at":"2022-09-13T17:34:15-04:00","created_at":"2022-09-13T17:04:07-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Wani Sanna","House of Anansi Press","pub date: 2022-04-05"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780552732731,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010843","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":214,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010843","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40780553420859,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010850","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010850","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","options":["Title"],"media":[{"alt":null,"id":24712606679099,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005771","AlsoRecommendedISBN_1":"9781487008710","AlsoRecommendedISBN_2":"9781487009465","BASICMainSubject":"POE023000","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e is a Kashmiri writer, editor, and translator based in Toronto. Her debut collection, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, won the 2023 Trillium Award for Poetry. Her writing has been widely published, including in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eHazlitt\u003c\/em\u003e, and \u003cem\u003ePoem-A-Day\u003c\/em\u003e. She is the creator and host of the podcast, \u003cem\u003ePoet Talk\u003c\/em\u003e; Poetry Editor at \u003cem\u003eThe Ex-Puritan\u003c\/em\u003e; and Publicity Manager at Between the Lines. Learn more at sannawani.com.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE023000","BISACSubject_1":"POE011000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e is a Kashmiri writer, editor, and translator based in Toronto. Her debut collection, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, won the 2023 Trillium Award for Poetry. Her writing has been widely published, including in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eHazlitt\u003c\/em\u003e, and \u003cem\u003ePoem-A-Day\u003c\/em\u003e. She is the creator and host of the podcast, \u003cem\u003ePoet Talk\u003c\/em\u003e; Poetry Editor at \u003cem\u003eThe Ex-Puritan\u003c\/em\u003e; and Publicity Manager at Between the Lines. Learn more at sannawani.com.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Wani, Sanna (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","EAN":"9781487010850","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010850\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"billy ray belcourt;intruder bardia sinaee;imagery;poets to watch;billy ray belcourt;india;pakistan;inspirational quotes;healing;canadian poetry","NumberOfPages":"112","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Wani has put her entire self—all her grief, all her unexpressed love, and poured it into this white and yellow bound gift for those of us who need it the most—the grief-stricken, filled to the brim with endless love.” — \u003cstrong\u003e\u003cem\u003ePorter House Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Porter House Review","OtherText_Review_1":"\u003cp\u003e“Beautiful and fresh ... this is a collection that finds delight in life, and its delight is contagious in the best way.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"The Miramichi Reader","OtherText_Review_2":"\u003cp\u003e“Sanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e makes such a convincing case for astonishment as a way of life. Each poem enveloped me with so much tenderness it was as if \u003cem\u003eI \u003c\/em\u003ewere the sun! The theological music that courses throughout the book was not a narrowing toward some esoteric knowledge but rather an opening toward a collective sense of enmeshment with the inscrutable world. This book is a necessary reminder that ‘there is something inside \/ [us] that says live.’ \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e is a wonder and a delight.” — \u003cstrong\u003eBilly-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Billy-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms","OtherText_Review_3":"\u003cp\u003e“Mapping us through time, space, and geography, Sanna Wani’s debut collection \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e spins a web of various griefs and loves. As visual as it is lyrical, Wani announces herself as a poet who pushes the experimentation of form forward, taking bold risks and literally reinventing the way that we see language. ‘A mosque is always directed toward Mecca. A dome does not have orientation unless it is toward the sky,’ Wani writes, and pointing her eyes to the sky, and with incredible vision, makes even the tiniest detail visible.” — \u003cstrong\u003eFatimah Asghar, author of If They Come for Us, \u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Fatimah Asghar, author of If They Come for Us","OtherText_Review_4":"\u003cp\u003e“I read Sanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e with a highlighter in my hand, and by the time I was done, it was nearly out of ink. I could not stop loving lines, wanting to be sure I remembered them always. They progress with such sureness into marvelous and unexpected directions: ‘God climbs so many trees. Religion is a ladder. We are meant to help Him down.’ Over and over, Wani practices the act of artful surrender to each poem’s strange, budding logic. That she can do so with such apparent ease is astonishing. That we get to witness the places her gorgeous poems take her is a profound gift. I’m wonderstruck.” — \u003cstrong\u003eHeather Christle, author of Heliopause and The Trees The Trees, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Heather Christle, author of Heliopause and The Trees The Trees","OtherText_Review_5":"\u003cp\u003e“Slipping gracefully between subjects as disparate as pop culture and theology, while maintaining her recognizably disarming mix of poignancy and sweetness, Wani’s formal approaches in \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e are … hard to look away from, with surprise after surprise appearing on each successive page.” — \u003cstrong\u003e\u003cem\u003eCAROUSEL\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"CAROUSEL","OtherText_Review_6":"\u003cp\u003e“In \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, Sanna Wani unlocks a door for her readers, invites them to be open-hearted—to be vulnerable and curious—meditating on the ways in which love, longing, grief, distance, and faith can live together inside a person’s body and soul.” — \u003cstrong\u003e\u003cem\u003eHerizons\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Herizons","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"01","PrizeName_0":"LCP Gerald Lampert Memorial Award","PrizeName_1":"LCP Pat Lowther Memorial Award","PrizeName_2":"Ontario Trillium Award for Poetry","PrizeYear_0":"2023","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"epub","PublicationDate":"2022-04-05","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","Width":"6","WidthCode":"in"}
My Grief, the Sun
The highly anticipated debut collection from acclaimed poet Sanna Wani.
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{"id":6818230403131,"title":"The Sisters Brothers","handle":"the-sisters-brothers","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Governor General's Award for Fiction, the Rogers Writers' Trust Fiction Prize, the Prix des libraires du Quebec and the Stephen Leacock Medal. Shortlisted for the Man Booker Prize, the Scotiabank Giller Prize, and the Walter Scott Prize.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermann Kermit Warm is going to die: Eli and Charlie Sisters can be counted on for that. Though Eli has never shared his brother’s penchant for whiskey and killing, he’s never known anything else. On the road to Warm’s gold-mining claim outside San Francisco — and from the back of his long-suffering one-eyed horse — Eli struggles to make sense of his life without abandoning the job he's sworn to do.\u003c\/p\u003e\n\u003cp\u003ePatrick deWitt, acclaimed author of \u003cem\u003eAblutions\u003c\/em\u003e, doffs his hat to the classic Western, and then transforms it into a comic tour-de-force with an unforgettable narrative voice that captures all the absurdity, melancholy, and grit of the West — and of these two brothers, bound to each other by blood and scars and love.\u003c\/p\u003e","published_at":"2022-03-29T12:26:58-04:00","created_at":"2022-03-29T10:52:25-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Bestseller","Adult Humor","Book Club Pick","By (author) deWitt Patrick","House of Anansi Press","pub date: 2011-05-14"],"price":1895,"price_min":1895,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40228927504443,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770890329","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Sisters Brothers - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2499,"weight":522,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770890329","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40228931534907,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770890275","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Sisters Brothers - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770890275","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40228933009467,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770897601","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Sisters Brothers - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770897601","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411","options":["Title"],"media":[{"alt":null,"id":24892586983483,"position":1,"preview_image":{"aspect_ratio":0.664,"height":2693,"width":1789,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411"},"aspect_ratio":0.664,"height":2693,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411","width":1789}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner of the Governor General's Award for Fiction, the Rogers Writers' Trust Fiction Prize, the Prix des libraires du Quebec and the Stephen Leacock Medal. Shortlisted for the Man Booker Prize, the Scotiabank Giller Prize, and the Walter Scott Prize.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermann Kermit Warm is going to die: Eli and Charlie Sisters can be counted on for that. Though Eli has never shared his brother’s penchant for whiskey and killing, he’s never known anything else. On the road to Warm’s gold-mining claim outside San Francisco — and from the back of his long-suffering one-eyed horse — Eli struggles to make sense of his life without abandoning the job he's sworn to do.\u003c\/p\u003e\n\u003cp\u003ePatrick deWitt, acclaimed author of \u003cem\u003eAblutions\u003c\/em\u003e, doffs his hat to the classic Western, and then transforms it into a comic tour-de-force with an unforgettable narrative voice that captures all the absurdity, melancholy, and grit of the West — and of these two brothers, bound to each other by blood and scars and love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001537","AlsoRecommendedISBN_1":"9781487002299","AlsoRecommendedISBN_2":"9781487006563","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003ePATRICK DEWITT \u003c\/strong\u003eis the author of \u003cem\u003eAblutions\u003c\/em\u003e, \u003cem\u003eThe Sisters Brothers\u003c\/em\u003e, \u003cem\u003eUndermajordomo Minor\u003c\/em\u003e, \u003cem\u003eFrench Exit\u003c\/em\u003e, and \u003cem\u003eThe Librarianist\u003c\/em\u003e. His sixth novel, \u003cem\u003eDodge City\u003c\/em\u003e, will be released in late 2026. Born in British Columbia, Canada, he currently lives in Portland, Oregon. \u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003ePATRICK DEWITT \u003c\/strong\u003eis the author of \u003cem\u003eAblutions\u003c\/em\u003e, \u003cem\u003eThe Sisters Brothers\u003c\/em\u003e, \u003cem\u003eUndermajordomo Minor\u003c\/em\u003e, \u003cem\u003eFrench Exit\u003c\/em\u003e, and \u003cem\u003eThe Librarianist\u003c\/em\u003e. His sixth novel, \u003cem\u003eDodge City\u003c\/em\u003e, will be released in late 2026. Born in British Columbia, Canada, he currently lives in Portland, Oregon. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"deWitt, Patrick (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner of the Governor General's Award for Fiction, the Rogers Writers' Trust Fiction Prize, the Prix des libraires du Quebec and the Stephen Leacock Medal. Shortlisted for the Man Booker Prize, the Scotiabank Giller Prize, and the Walter Scott Prize.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermann Kermit Warm is going to die: Eli and Charlie Sisters can be counted on for that. Though Eli has never shared his brother’s penchant for whiskey and killing, he’s never known anything else. On the road to Warm’s gold-mining claim outside San Francisco — and from the back of his long-suffering one-eyed horse — Eli struggles to make sense of his life without abandoning the job he's sworn to do.\u003c\/p\u003e\n\u003cp\u003ePatrick deWitt, acclaimed author of \u003cem\u003eAblutions\u003c\/em\u003e, doffs his hat to the classic Western, and then transforms it into a comic tour-de-force with an unforgettable narrative voice that captures all the absurdity, melancholy, and grit of the West — and of these two brothers, bound to each other by blood and scars and love.\u003c\/p\u003e","EAN":"9781770897601","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770897601\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770890329\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"9.01","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"revenge; chase; adventure; goldrush; san francisco; american west; award winning author; french exit; undermajordomo minor; murder; assasins; buddy comedy; historical fiction; saga; book club pick; canlit; disaster artist; molly's game; gifts for dad; fathers day; book club","NumberOfPages":"336","OtherText_Review_0":"\u003cp\u003e“Weirdly funny, startlingly violent, and steeped in sadness . . . It’s all rendered irresistible by Eli Sisters, who narrates with a mixture of melancholy and thoughtfulness . . . After capturing the fireside camps and saloons in perfectly drawn vignettes, deWitt strips these two lethal brothers of more than they ever thought a man could lose. And then, damned if he doesn’t surprise us again with a twilight scene that’s just miraculously lovely.” — \u003cstrong\u003eRon Charles, \u003cem\u003eWashington Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Ron Charles","OtherText_Review_0_Src":"Washington Post","OtherText_Review_1":"\u003cp\u003e“A powerfully realized work of narrative fiction . . . the dialogue is sharp as a whip . . . the novel works artfully within its formal boundaries to explore the nature of brotherhood, work, love, greed, loneliness, and personal renewal.” — \u003cstrong\u003e\u003cem\u003eTimes Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“. . . imaginative and ebullient . . . revels in the hilarious life and times of two gunslingers, Eli and Charlie Sisters.” — \u003cstrong\u003eCaroline Leavitt, \u003cem\u003eBoston Globe\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Auth":"Caroline Leavitt","OtherText_Review_10_Src":"Boston Globe","OtherText_Review_11":"\u003cp\u003e“The Sisters Brothers is a bloody, nightmarish frontier road trip that seems at times like something out of Cormac McCarthy, yet somehow merges laughter and hope with suffering, death and betrayal. [...] Like an alchemist, deWitt has refined and purified the base metals of black comedy and the western to produce literary gold.” — \u003cstrong\u003eBob Armstrong, \u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Auth":"Bob Armstrong","OtherText_Review_11_Src":"Winnipeg Free Press","OtherText_Review_12":"\u003cp\u003e“. . . gritty . . . deadpan . . . very comedic . . . opens new doors in the imagination.” — \u003cstrong\u003eJohn Vernon, \u003cem\u003eNew York Times Book Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12_Auth":"John Vernon","OtherText_Review_12_Src":"New York Times Book Review","OtherText_Review_1_Src":"Times Literary Supplement","OtherText_Review_2":"\u003cp\u003e“The Sisters Brothers is a bold, original and powerfully compelling work, grounded in well-drawn characters and a firm hold on narrative. When they say “They don’t write em like that anymore,” they’re wrong.” — \u003cstrong\u003eRobert Wiersema, \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Robert Wiersema","OtherText_Review_2_Src":"Globe and Mail","OtherText_Review_3":"\u003cp\u003e“There never was a more engaging pair of psychopaths than Charlie and Eli Sisters . . . So subtle is deWitt’s prose, so slyly note-perfect his rendition of Eli’s voice in all its earnestly charming nineteenth-century syntax, and so compulsively readable his bleakly funny Western noir story, that readers will stick by Eli even as he grinds his heel into the shattered skull of an already dead prospector.” — \u003cstrong\u003eBrian Bethune, \u003cem\u003eMaclean's\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Brian Bethune","OtherText_Review_3_Src":"Maclean's","OtherText_Review_4":"\u003cp\u003e“Fresh, hilariously anti-heroic, often genuinely chilling, and relentlessly compelling. Yes, this is a mighty fine read, and deWitt a mighty fine writer.” — \u003cstrong\u003eMichael Christie, \u003cem\u003eNational Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Michael Christie","OtherText_Review_4_Src":"National Post","OtherText_Review_5":"\u003cp\u003e“The Sisters Brothers confirms Patrick deWitt as one of the most talented young writers around.” — \u003cstrong\u003e\u003cem\u003eSunday Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Sunday Times","OtherText_Review_6":"\u003cp\u003e“Okay, so it does take a Canadian to write a truly great Western novel of daunting, surrealist panache and rooted in unwavering empathy — and that just about sums up the dark, profound achievement which is The Sisters Brothers.” — \u003cstrong\u003e\u003cem\u003eIrish Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Irish Times","OtherText_Review_7":"\u003cp\u003e“[Patrick] DeWitt has produced a genre-bending frontier saga that is exciting, funny, and perhaps unexpectedly, moving.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Publishers Weekly","OtherText_Review_8":"\u003cp\u003e“. . . a lushly voiced picaresque story . . . It's a kind of True Grit told by Tom Waits.” — \u003cstrong\u003eTom Chiarella, \u003cem\u003eEsquire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Auth":"Tom Chiarella","OtherText_Review_8_Src":"Esquire","OtherText_Review_9":"\u003cp\u003e“I doubt very much I'll read a funnier, more original book than this picaresque, Wild West tale . . . a terrifically spun yarn . . . masterfully strange and wonderful . . .” — \u003cstrong\u003eEmily Donaldon, \u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Auth":"Emily Donaldon","OtherText_Review_9_Src":"Toronto Star","OtherText_ShortDescription_0":"In this #1 national bestseller, Patrick deWitt spins a violent, lustful, hung-over and humorous odyssey through the underworld of the 1850s frontier.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_10":"Commended","PrizeCodeText_11":"Winner","PrizeCodeText_12":"Short-listed","PrizeCodeText_13":"Winner","PrizeCodeText_14":"Short-listed","PrizeCodeText_15":"Winner","PrizeCodeText_16":"Winner","PrizeCodeText_17":"Short-listed","PrizeCodeText_18":"Long-listed","PrizeCodeText_19":"Short-listed","PrizeCodeText_2":"Winner","PrizeCodeText_20":"Winner","PrizeCodeText_21":"Winner","PrizeCodeText_22":"Commended","PrizeCodeText_23":"Commended","PrizeCodeText_24":"Commended","PrizeCodeText_25":"Commended","PrizeCodeText_3":"Winner","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Commended","PrizeCodeText_7":"Commended","PrizeCodeText_8":"Commended","PrizeCodeText_9":"Commended","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_10":"03","PrizeCode_11":"01","PrizeCode_12":"04","PrizeCode_13":"01","PrizeCode_14":"04","PrizeCode_15":"01","PrizeCode_16":"01","PrizeCode_17":"04","PrizeCode_18":"05","PrizeCode_19":"04","PrizeCode_2":"01","PrizeCode_20":"01","PrizeCode_21":"01","PrizeCode_22":"03","PrizeCode_23":"03","PrizeCode_24":"03","PrizeCode_25":"03","PrizeCode_3":"01","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"03","PrizeCode_7":"03","PrizeCode_8":"03","PrizeCode_9":"03","PrizeName_0":"Man Booker Prize for Fiction","PrizeName_1":"Scotiabank Giller Prize","PrizeName_10":"Maclean's Magazine Best Books","PrizeName_11":"Pacific Northwest Booksellers Association Book Award","PrizeName_12":"CBC Bookie Awards: Literary Fiction","PrizeName_13":"Stephen Leacock Memorial Medal","PrizeName_14":"Walter Scott Prize","PrizeName_15":"Oregon Book Awards: Ken Kesey Award for Fiction","PrizeName_16":"CBA Libris Award: Fiction Book of the Year","PrizeName_17":"CBA Libris Award: Author of the Year","PrizeName_18":"IMPAC Dublin Literary Award","PrizeName_19":"Google Play International Author of the Year","PrizeName_2":"Rogers Writers' Trust Fiction Prize","PrizeName_20":"Prix des libraires du Quebec","PrizeName_21":"Canadian Booksellers Association Libris Award: Fiction Book of the Year","PrizeName_22":"An Indigo Best Book of the Decade","PrizeName_23":"An Amazon.ca Best Books Editors’ Pick","PrizeName_24":"An Amazon.ca Best Books: Canadian Fiction","PrizeName_25":"A LitHub Best Book of the Decade Runner-Up","PrizeName_3":"Governor General's Literary Award: Fiction","PrizeName_4":"Amazon.ca Best Books: Editors' Pick","PrizeName_5":"Amazon.ca Best Books: Canadian Fiction","PrizeName_6":"Publishers Weekly Best Book","PrizeName_7":"Globe and Mail Top 100 Book","PrizeName_8":"Quill and Quire Book of the Year","PrizeName_9":"Toronto Star Reviewers' Top 100 Books","PrizeYear_0":"2011","PrizeYear_1":"2011","PrizeYear_10":"2011","PrizeYear_11":"2012","PrizeYear_12":"2012","PrizeYear_13":"2012","PrizeYear_14":"2012","PrizeYear_15":"2012","PrizeYear_16":"2012","PrizeYear_17":"2012","PrizeYear_18":"2013","PrizeYear_19":"2012","PrizeYear_2":"2011","PrizeYear_20":"2013","PrizeYear_3":"2011","PrizeYear_4":"2011","PrizeYear_5":"2011","PrizeYear_6":"2011","PrizeYear_7":"2011","PrizeYear_8":"2011","PrizeYear_9":"2011","ProductFormDescription":"mobi","PublicationDate":"2011-05-14","Publisher":"House of Anansi Press Inc","Series":"Anansi Book Club Editions","ShortDescription":"In this #1 national bestseller, Patrick deWitt spins a violent, lustful, hung-over and humorous odyssey through the underworld of the 1850s frontier.","Width":"6.02","WidthCode":"in"}
The Sisters Brothers
In this #1 national bestseller, Patrick deWitt spins a violent, lustful, hung-over and humorous odyssey through the underworld of the 1850s frontier.
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{"id":6812121694267,"title":"Autopsy of a Boring Wife","handle":"autopsy-of-a-boring-wife","description":"\u003cp\u003e\u003cstrong\u003eLike a Québécois \u003ci\u003eBridget Jones’s Diary\u003c\/i\u003e, \u003ci\u003e Autopsy of a Boring Wife\u003c\/i\u003e tells the hysterically funny and ultimately touching tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDiane takes the change to heart and undertakes an often ribald, highly entertaining journey to restore trust in herself--and others--that offers an astute commentary on women and girls, gender differences, and the curious institution of twenty-first century marriage. All the details are up for scrutiny in this brisk, yet tender story of a path to recovery. \u003ci\u003eAutopsy of a Boring Wife \u003c\/i\u003eis a wonderfully fresh novel of the pitfalls of an apparently “boring” life that could be any of ours.\u003c\/p\u003e","published_at":"2022-03-22T15:47:17-04:00","created_at":"2022-03-22T11:26:12-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Humor","Arachnide Editions","Book Club Pick","By (author) Lavoie Marie-Renée","Feminist Reads","pub date: 2019-03-12","Translated by Aaronson Arielle"],"price":1895,"price_min":1895,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195645603899,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487004613","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Autopsy of a Boring Wife - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":300,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487004613","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40196136468539,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487004620","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Autopsy of a Boring Wife - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487004620","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40196137549883,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487004637","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Autopsy of a Boring Wife - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487004637","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ab4396a4-0010-4372-856d-ddf5e45d8621.jpg?v=1654444595"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ab4396a4-0010-4372-856d-ddf5e45d8621.jpg?v=1654444595","options":["Title"],"media":[{"alt":"A photograph shows a close-up of a woman’s face. 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Autopsy of a Boring Wife. “True to life and wildly entertaining.” – Huffington Post.","id":22170962133051,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ab4396a4-0010-4372-856d-ddf5e45d8621.jpg?v=1654444595"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ab4396a4-0010-4372-856d-ddf5e45d8621.jpg?v=1654444595","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eLike a Québécois \u003ci\u003eBridget Jones’s Diary\u003c\/i\u003e, \u003ci\u003e Autopsy of a Boring Wife\u003c\/i\u003e tells the hysterically funny and ultimately touching tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDiane takes the change to heart and undertakes an often ribald, highly entertaining journey to restore trust in herself--and others--that offers an astute commentary on women and girls, gender differences, and the curious institution of twenty-first century marriage. All the details are up for scrutiny in this brisk, yet tender story of a path to recovery. \u003ci\u003eAutopsy of a Boring Wife \u003c\/i\u003eis a wonderfully fresh novel of the pitfalls of an apparently “boring” life that could be any of ours.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002381","AlsoRecommendedISBN_3":"9781770893139","AlsoRecommendedISBN_4":"9781770899421","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARIE-RENÉE LAVOIE\u003c\/strong\u003e was born in 1974 in Limoilou, near Quebec City. She is the author of four novels, including \u003cem\u003eMister Roger and Me\u003c\/em\u003e, which won ICI Radio-Canada’s “Battle of the Books” — the Quebec equivalent of “Canada Reads” — and the Archambault Prize; \u003cem\u003eAutopsy of a Boring Wife\u003c\/em\u003e, which was a finalist for the Forest of Reading Evergreen Award, a Hoopla Book Club selection, and a CBC Best Books of the Year, and is currently being developed for television; and\u003cem\u003e A Boring Wife Settles the Score\u003c\/em\u003e. She lives in Limoilou.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Humorous \/ General","BISACSubjectLiteral_2":"FICTION \/ Family Life \/ General","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC016000","BISACSubject_2":"FIC045000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARIE-RENÉE LAVOIE\u003c\/strong\u003e was born in 1974 in Limoilou, near Quebec City. She is the author of four novels, including \u003cem\u003eMister Roger and Me\u003c\/em\u003e, which won ICI Radio-Canada’s “Battle of the Books” — the Quebec equivalent of “Canada Reads” — and the Archambault Prize; \u003cem\u003eAutopsy of a Boring Wife\u003c\/em\u003e, which was a finalist for the Forest of Reading Evergreen Award, a Hoopla Book Club selection, and a CBC Best Books of the Year, and is currently being developed for television; and\u003cem\u003e A Boring Wife Settles the Score\u003c\/em\u003e. She lives in Limoilou.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eARIELLE AARONSON\u003c\/strong\u003e left her native New Jersey in 2007 to pursue a diploma in Translation Studies at Concordia University in Montreal. She holds an M.A. in Second Language Education from McGill University and has spent the past few years teaching English in the Montreal public school system and creating educational material for second language learners. She previously translated Marie-Renée Lavoie’s \u003cem\u003eAutopsy of a Boring Wife\u003c\/em\u003e and \u003cem\u003eA Boring Wife Settles the Score\u003c\/em\u003e for Arachnide.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Lavoie, Marie-Renée (CA)","Contributor_1":"Aaronson, Arielle (CA)","Description":"\u003cp\u003e\u003cstrong\u003eLike a Québécois \u003ci\u003eBridget Jones’s Diary\u003c\/i\u003e, \u003ci\u003e Autopsy of a Boring Wife\u003c\/i\u003e tells the hysterically funny and ultimately touching tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDiane takes the change to heart and undertakes an often ribald, highly entertaining journey to restore trust in herself--and others--that offers an astute commentary on women and girls, gender differences, and the curious institution of twenty-first century marriage. All the details are up for scrutiny in this brisk, yet tender story of a path to recovery. \u003ci\u003eAutopsy of a Boring Wife \u003c\/i\u003eis a wonderfully fresh novel of the pitfalls of an apparently “boring” life that could be any of ours.\u003c\/p\u003e","EAN":"9781487004637","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004637\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004613\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Arachnide Editions","MetaKeywords":"divorce; family; best book covers; humour; hilarious; rich people problems kevin kwan; best friends; affair; mid life crisis; wine mom; middle age; a boring wife settles the score; diane demande un recomptage; breakups; revenge; women writers; women's literature; works in translation; canlit; fates and furies lauren groff; hunting houses; hausfrau jill alexander essbaum; swimming lessons claire fuller; gifts for mom; mothers day; book club","NumberOfPages":"280","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eEXCITING NEW ADDITION TO THE MARRIAGE NOVEL GENRE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eNovels that examine the complexities of marriage have been booming in recent years, with hits like \u003cem\u003eFire Sermon\u003c\/em\u003e, and \u003cem\u003eHunting Houses\u003c\/em\u003e. Like a marrying of Lauren Groff’s \u003cem\u003eFates and Furies\u003c\/em\u003e and Helen Fielding’s \u003cem\u003eBridget Jones’s Diary\u003c\/em\u003e, \u003cem\u003eAutopsy of a Boring Wife\u003c\/em\u003e shoots the genre through with sharp comedy for a hilarious take on domestic life and gender roles.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eIMPORTANT QUEBEC WRITER IN FRENCH AND ENGLISH:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eMarie-Renée Lavoie’s previous work won the most prestigious provincial prizes in Quebec. In English, her novel \u003cem\u003eMister Roger and Me\u003c\/em\u003e was widely acclaimed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eEMERGING TRANSLATOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eArielle Aaronson is a vital member of a new generation of translations, having released two well-received French translations in 2017, \u003cem\u003eListening for Jupiter\u003c\/em\u003e and \u003cem\u003eBehind the Eyes We Meet\u003c\/em\u003e. Her translation of 21 Days in October was praised by the \u003cem\u003eMontreal Review of Books\u003c\/em\u003e.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eEXCITING NEW ADDITION TO THE MARRIAGE NOVEL GENRE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eNovels that examine the complexities of marriage have been booming in recent years, with hits like \u003cem\u003eFire Sermon\u003c\/em\u003e, and \u003cem\u003eHunting Houses\u003c\/em\u003e. Like a marrying of Lauren Groff’s \u003cem\u003eFates and Furies\u003c\/em\u003e and Helen Fielding’s \u003cem\u003eBridget Jones’s Diary\u003c\/em\u003e, \u003cem\u003eAutopsy of a Boring Wife\u003c\/em\u003e shoots the genre through with sharp comedy for a hilarious take on domestic life and gender roles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIMPORTANT QUEBEC WRITER IN FRENCH AND ENGLISH:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMarie-Renée Lavoie’s previous work won the most prestigious provincial prizes in Quebec. In English, her novel \u003cem\u003eMister Roger and Me\u003c\/em\u003e was widely acclaimed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEMERGING TRANSLATOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eArielle Aaronson is a vital member of a new generation of translations, having released two well-received French translations in 2017, \u003cem\u003eListening for Jupiter\u003c\/em\u003e and \u003cem\u003eBehind the Eyes We Meet\u003c\/em\u003e. Her translation of 21 Days in October was praised by the \u003cem\u003eMontreal Review of Books\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Lavoie’s fiercely hilarious take on the pains and triumphs of marital abandonment feels perfectly right.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"\u003cp\u003e“Lavoie keeps her novel short, offering chaotic humour and snappy observation to balance the pain and loss . . . A readable, recognizable, tragicomic account of coping with domestic disaster.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003e“With great humour and tenderness, Marie-Renée Lavoie recounts Diane’s journey to regain trust in both herself and the people around her . . . A piercing commentary on gender, marriage, and the nuances of self-love.” — \u003cstrong\u003e\u003cem\u003eToronto Life\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Toronto Life","OtherText_Review_3":"\u003cp\u003e“A provocative, funny, and candid story.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e“The characters are vivid and entertaining . . . The scenes and dialogue can be laugh-out-loud funny, and the narrative hums along smoothly, facilitated by the fine translation from French by Arielle Aaronson.” — \u003cstrong\u003e\u003cem\u003eMontreal Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Montreal Review of Books","OtherText_ShortDescription_0":"The hysterically funny tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him.","PrizeCodeText_0":"Runner-up","PrizeCodeText_1":"Commended","PrizeCode_0":"02","PrizeCode_1":"03","PrizeName_0":"Forest of Reading Evergreen Award","PrizeName_1":"A CBC Book of the Year","PrizeYear_0":"2019","PrizeYear_1":"2019","ProductFormDescription":"mobi","PublicationDate":"2019-03-12","Publisher":"House of Anansi Press Inc","ShortDescription":"The hysterically funny tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him.","Width":"5.25","WidthCode":"in"}
Autopsy of a Boring Wife
The hysterically funny tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him.
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{"id":7168137920571,"title":"Midway","handle":"midway","description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","published_at":"2023-07-27T14:27:46-04:00","created_at":"2023-07-27T14:22:33-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult LGBTQ+","Adult Poetry","By (author) Czaga Kayla","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382985695291,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012601","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midway - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012601","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41382986416187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012618","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Midway - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012618","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","options":["Title"],"media":[{"alt":"Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.","id":24263874871355,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008680","AlsoRecommendedISBN_1":"9781487008949","AlsoRecommendedISBN_2":"9781487005962","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Death, Grief, Loss","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubject_0":"POE024000","BISACSubject_1":"POE023010","BISACSubject_2":"POE023050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Czaga, Kayla (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","EAN":"9781487012618","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012618\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"88","OtherText_Accolades_0":"\u003cp\u003e\"A lyric force, taking on grief in molecular detail. I love these poems.\" — \u003cstrong\u003eSouvankham Thammavongsa, author of \u003cem\u003eHow to Pronounce Knife\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Souvankham Thammavongsa, author of How to Pronounce Knife","OtherText_Accolades_1":"\u003cp\u003e“Then I got into the poem– \/ it doesn’t matter which poem– \/ and let it take me \/ wherever it was going,” Kayla Czaga concludes in her powerful elegy, “Dad Poem,” and I found myself making this allowance as well throughout the brilliant lyric poems of \u003cem\u003eMidway ... \u003c\/em\u003eCzaga’s \u003cem\u003eMidway\u003c\/em\u003e offers a glimpse at how, through the paired problems of the presence of parents and their absences, one's imagination and self might still grow.\"\u003cem\u003e — \u003c\/em\u003e\u003cstrong\u003eEd Skoog, author of \u003cem\u003eTravelers Leaving for the City\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\n\u003c\/em\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Ed Skoog, author of Travelers Leaving for the City","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\u003cem\u003e\"Midway\u003c\/em\u003e is funny, genuine, and well written. Czaga offers a fitting and vulnerable elegy for her parents and a harrowing meditation on her life in the aftermath.\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_Review_1":"\u003cp\u003e“A book to expand your mind.” — \u003cstrong\u003e\u003cem\u003eLiterary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"Czaga blends grief’s range of emotions masterfully in \u003cem\u003eMidway.\" — \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e “Powerful and controlled and revelatory … [\u003cem\u003eMidway\u003c\/em\u003e] is brilliant, and inspiring, and should be read by everyone who cares deeply, and passionately, not just about poetry, but the important things poetry tries to make us see: like grief, and our inability to contain it.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“[\u003cem\u003eMidway\u003c\/em\u003e] solidifies Czaga’s reputation as one of Canada’s most promising young poets.” — \u003cstrong\u003e\u003cem\u003ePortal Magazine \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“The poems [in \u003cem\u003eMidway\u003c\/em\u003e] are evocative in their clarity and their truthfulness: rueful, reflective, funny, angry, despairing, accepting.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Runner-up","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"01","PrizeCode_3":"02","PrizeName_0":"BC and Yukon Book Prizes Dorothy Livesay Poetry Prize","PrizeName_1":"Victoria Book Prized DC Reid Poetry Prize","PrizeName_2":"SCWES Poetry Book Award for BC Authors","PrizeName_3":"Fred Cogswell Award For Excellence In Poetry","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2024","PrizeYear_3":"2025","ProductFormDescription":"epub","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Midway
Honest, elegiac, characteristically strange, and frequently funny, Midway is an exploration of grief in all its manifestations.
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{"id":6815263981627,"title":"The Break","handle":"the-break","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Amazon.ca First Novel Award and a finalist for the Rogers Writers’ Trust Fiction Prize and the Governor General’s Literary Award, \u003cem\u003eThe Break\u003c\/em\u003e is a stunning and heartbreaking debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime.\u003c\/p\u003e\n\u003cp\u003eIn a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed.\u003c\/p\u003e\n\u003cp\u003eA powerful intergenerational family saga, \u003cem\u003eThe Break\u003c\/em\u003e showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.\u003c\/p\u003e","published_at":"2022-03-24T12:06:43-04:00","created_at":"2022-03-24T09:45:54-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult Award Winning","Adult Bestseller","Adult BIPOC Voices","Adult Course Adoption","Anansi Audio","Book Club Pick","By (author) vermette katherena","Feminist Reads","Literary Fiction","pub date:","Read by Washburn Michaela","Thrillers \u0026 Mystery"],"price":1895,"price_min":1895,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40209189634107,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487001117","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Break - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2399,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487001117","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209191764027,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487001124","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Break - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487001124","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209194123323,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487001131","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Break - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487001131","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209195106363,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487004361","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Break - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487004361","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e3fe83a-3cc3-4fd0-952f-7ca7c0ddb18b.jpg?v=1717905780"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e3fe83a-3cc3-4fd0-952f-7ca7c0ddb18b.jpg?v=1717905780","options":["Title"],"media":[{"alt":null,"id":24629821112379,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e3fe83a-3cc3-4fd0-952f-7ca7c0ddb18b.jpg?v=1717905780"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e3fe83a-3cc3-4fd0-952f-7ca7c0ddb18b.jpg?v=1717905780","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner of the Amazon.ca First Novel Award and a finalist for the Rogers Writers’ Trust Fiction Prize and the Governor General’s Literary Award, \u003cem\u003eThe Break\u003c\/em\u003e is a stunning and heartbreaking debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime.\u003c\/p\u003e\n\u003cp\u003eIn a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed.\u003c\/p\u003e\n\u003cp\u003eA powerful intergenerational family saga, \u003cem\u003eThe Break\u003c\/em\u003e showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781487001278","AlsoRecommendedISBN_3":"9781487001278","AlsoRecommendedISBN_4":"9781487001711","AlsoRecommendedISBN_5":"9781770899377","AlsoRecommendedISBN_6":"9781770899377","BASICMainSubject":"FIC059000","BASICMainSubjectLiteral":"FICTION\/Indigenous\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE \u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada. \u003c\/p\u003e\n\u003cp\u003eIn 2013, her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection, \u003cem\u003eprocession\u003c\/em\u003e (House of Anansi). \u003c\/p\u003e\n\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Native American \u0026amp; Aboriginal","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubject_0":"FIC059000","BISACSubject_1":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE \u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada. \u003c\/p\u003e\n\u003cp\u003eIn 2013, her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection, \u003cem\u003eprocession\u003c\/em\u003e (House of Anansi). \u003c\/p\u003e\n\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"vermette, katherena (CA)","Contributor_1":"Washburn, Michaela (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner of the Amazon.ca First Novel Award and a finalist for the Rogers Writers’ Trust Fiction Prize and the Governor General’s Literary Award, \u003cem\u003eThe Break\u003c\/em\u003e is a stunning and heartbreaking debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime.\u003c\/p\u003e\n\u003cp\u003eIn a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed.\u003c\/p\u003e\n\u003cp\u003eA powerful intergenerational family saga, \u003cem\u003eThe Break\u003c\/em\u003e showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.\u003c\/p\u003e","EAN":"9781487004361","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004361\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487001117\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"richard wagamese;billy ray belcourt;larose louise erdich;moon of the crusted snow;tanya tagaq;literary thriller;gifts for mom;book club;indie;canadian classic;cancon;canadian icon;real ones;procession;river woman;governor general's literary award for literature;Canada Reads;Burt Award;Amazon.ca first novel award;Heather's Pick;braiding sweetgrass;","NumberOfPages":"360","OtherText_Review_0":"\u003cp\u003e“A debut novel brimming with grace and wisdom, that puts the spotlight on the systemic violence being committed in our country, [The Break] is both a wake-up call and a call-to-arms. Vital.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Eden Robinson, author of Monkey Beach","OtherText_Review_1":"\u003cp\u003e“In Vermette’s poetic prose, The Break offers a stark portrayal of the adversity that plagues First Nations women in this country — and the strength that helps them survive.” — \u003cstrong\u003e\u003cem\u003eThe Toronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“The Break manages to be political even when it isn’t. It’s a book that explores social issues without ever preaching, or even seeming to be about them at all. It examines the only element of those issues that matter: their human impact. It’s astonishing in its empathy... She doesn’t pull her punches or dress up her truths. The Break leaves it all bare, and it demands to be read.” — \u003cstrong\u003e\u003cem\u003eThe Uniter\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Src":"CBC Books","OtherText_Review_11":"\u003cp\u003e“Vermette is skilled at writing with a language that is conversational and comfortable and with a poetic ease that makes the hard things easier to swallow. The result is a book that is at times emotionally demanding, funny, suspenseful, and always engaging.” — \u003cstrong\u003e\u003cem\u003eThe Winnipeg Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Src":"Literary Review of Canada","OtherText_Review_12":"\u003cp\u003e“Stunning . . . [Vermette] chooses her words with a poet’s precision.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12_Src":"First Nations Voice","OtherText_Review_13":"\u003cp\u003e“One of the great Indigenous novels.” — \u003cstrong\u003e\u003cem\u003eFirst Nations Voice\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_13_Src":"Margaret Atwood","OtherText_Review_14":"\u003cp\u003e“It’s a timely novel that will keep you turning the pages and make you think well after you’ve turned the final one.” — \u003cstrong\u003e\u003cem\u003eNiagara This Week\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_14_Src":"Globe and Mail","OtherText_Review_15":"\u003cp\u003e“It’s a timely novel that will keep you turning the pages and make you think well after you’ve turned the final one.” — \u003cstrong\u003e\u003cem\u003eNiagara This Week\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_15_Src":"Niagara This Week","OtherText_Review_1_Src":"Lee Maracle, author of Celia’s Song","OtherText_Review_2":"\u003cp\u003e“A visionary debut novel.” — \u003cstrong\u003e\u003cem\u003eCBC Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Madeleine Thien, author of Do Not Say We Have Nothing","OtherText_Review_3":"\u003cp\u003e“Katherena Vermette’s debut novel, \u003cem\u003eThe Break\u003c\/em\u003e, takes a tough, close-up look at an extended family in Winnipeg, tackling along the way a side of female life that’s often hard to acknowledge: the violence of girls and women sometimes display towards other girls and women, and the power struggles among them. In \u003cem\u003eThe Break\u003c\/em\u003e, the characters may be Métis, but the motivations and emotions are surely universal. This is an accomplished writer who will go far.” —\u003cstrong\u003e\u003cem\u003eMargaret Atwood\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Candace Fertile","OtherText_Review_3_Src":"Quill and Quire","OtherText_Review_4":"\u003cp\u003e“Vermette is a staggering talent. Reading \u003cem\u003eThe Break\u003c\/em\u003e is like a revelation; stunning, heartbreaking and glorious. From her exquisitely rendered characters to her fully realized world and the ratcheting tension, I couldn’t put it down. Absolutely riveting.” — \u003cstrong\u003e\u003cem\u003eEden Robinson, author of Monkey Beach\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"2016 Rogers Writers’ Trust Fiction Prize Jury Lauren B. Davis, Trevor Ferguson, and Pasha Malla","OtherText_Review_5":"\u003cp\u003e“With adeptness and sensitivity, Vermette puts a human face to issues that are too-often misunderstood, and in so doing, she has written a book that is both one of the most important of the year and one of the best. Though Katherena Vermette is not an emerging writer – she has written seven children’s books and won a Governor General’s award for her poetry collection \u003cem\u003eNorth End Love Songs\u003c\/em\u003e – for many, this novel will be their first encounter. And it will be a revelation. Vermette is a fully matured literary talent confronting some of our society’s fundamental problems through understated prose that exudes wisdom and emotion. Every page hides beauty amid suffering; love winning out over violence and hate. Stella, at one point in the novel, thinks about “[a] story that didn’t happen to her but that she keeps and remembers.” \u003cem\u003eThe Break \u003c\/em\u003eis like that; it is a story that will stick with you a long time.” — \u003cstrong\u003e\u003cem\u003eThe National Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"The Uniter","OtherText_Review_6":"\u003cp\u003e“The narrator of this story is dead. He misses feeling the skin of others, but he likes being about memory. It’s who we are siem. Katherena Vermette rendered the women of the North End gorgeous in her poetry: \u003cem\u003eNorth End Love Songs\u003c\/em\u003e. In \u003cem\u003eThe Break\u003c\/em\u003e, she renders them sweet, beautiful battlers who love under the most horrific of circumstances. She points no fingers, just plots the story, person by person, memory by memory, until it is clear that we must give up the feeling of hopelessness that haunts the lives of these women. \u003cem\u003eThe Break \u003c\/em\u003eis itself a beautiful love song of desire to live a full and rich life as cherished women — even when we cannot have that. We can hope. Resilient as the star world from which they arise these women reconcile with their lives without giving in to the horrors they have faced. Vermette captures the reader from beginning to end. She creates unforgettable characters with honor, respect and a deft hand. In so doing she holds the reader’s tender love in her capable hands and weaves us right into the story. \u003cem\u003eThe Break\u003c\/em\u003e is unforgettable.” — \u003cstrong\u003e\u003cem\u003eLee Maracle, author of Celia’s Song\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"The Winnipeg Review","OtherText_Review_7":"\u003cp\u003e“The lives of the girls and women in The Break are not easy, but their voices — complex, urgent, and unsparing — lay bare what it means to survive, not only once, but multiple times, against the forces of private and national histories. Katherena Vermette is a tremendously gifted writer, a dazzling talent.” — \u003cstrong\u003e\u003cem\u003eMadeleine Thien, author of Do Not Say We Have Nothing\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"The Globe and Mail","OtherText_Review_8":"\u003cp\u003e“Fiction is capable of helping us to comprehend difference and otherness, and The Break offers clear insight ino people struggling to secure a place in the world.” — \u003cstrong\u003eCandace Fertile, \u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Src":"The National Post","OtherText_Review_9":"\u003cp\u003e“Katherena Vermette’s poignant novel, set in Winnipeg’s North End, opens with a violent crime that becomes the backdrop for a story of great depth and compassion. This masterfully written narrative shifts among the intergenerational voices of the women of one extended Indigenous family. The Break is a powerful, persuasive novel about the strength and love that bind these women to each other and to the men in their lives. The traditions and wisdom of a community are honoured, as is the exquisite individual humanity of each character. Although this is a novel of social importance, it transcends politics, taking the reader on a journey to the heart of what it means for one person to care about another, survive trauma, and endure.” — \u003cstrong\u003e\u003cem\u003e2016 Rogers Writers’ Trust Fiction Prize Jury Lauren B. Davis, Trevor Ferguson, and Pasha Malla\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Src":"The Toronto Star","OtherText_ShortDescription_0":"A stunning debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Winner","PrizeCodeText_5":"Winner","PrizeCodeText_6":"Winner","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"01","PrizeCode_3":"04","PrizeCode_4":"01","PrizeCode_5":"01","PrizeCode_6":"01","PrizeName_0":"Governor General's Literary Award","PrizeName_1":"Rogers Writers' Trust Fiction Prize","PrizeName_2":"Carol Shields Winnipeg Book Award","PrizeName_3":"Burt Award for First Nations, Inuit, and Métis Literature","PrizeName_4":"McNally Robinson Book of the Year","PrizeName_5":"Margaret Laurence Award for Fiction","PrizeName_6":"Amazon.ca First Novel Award","PrizeYear_0":"2016","PrizeYear_1":"2016","PrizeYear_2":"2017","PrizeYear_3":"2017","PrizeYear_4":"2017","PrizeYear_5":"2017","PrizeYear_6":"2017","ProductFormDescription":"Digital Audio, MP3","PublicationDate":"2016-09-17","Publisher":"House of Anansi Press Inc","ShortDescription":"A stunning debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004361\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"5.25","WidthCode":"in"}
The Break
A stunning debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End.
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{"id":7232490176571,"title":"Dogs and Us","handle":"dogs-and-us","description":"\u003cp\u003e\u003cstrong\u003eA celebration of one of the most enduring love stories throughout the ages: the one between dogs and humans!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDogs and humans go back a long way – thousands of years, to be precise! As humans evolved, dogs did too, and we got to know, trust and understand each other instinctively. Whether they helped to protect us from danger, or sniffed out new routes to faraway places, dogs have been by our side throughout history.\u003c\/p\u003e\n\u003cp\u003eIn the modern world there are all kinds of dogs: some dogs are working dogs, and help us with herding, hunting or rescuing. And some dogs share our houses and our lives! Together forever, dogs and us!\u003c\/p\u003e\n\u003cp\u003eThis narrative nonfiction picture book traces the special relationship between humans and our furry companions — a perfect introduction to the wonderful world of dogs! Includes backmatter with further information on common dog breeds featured in the book.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003efacts\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RI.K.6\u003c\/p\u003e\n\u003cp\u003eName the author and illustrator of a text and define the role of each in presenting the ideas or information in a text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RI.1.2\u003c\/p\u003e\n\u003cp\u003eIdentify the main topic and retell key details of a text.\u003c\/p\u003e","published_at":"2024-01-31T11:05:28-05:00","created_at":"2024-01-30T16:20:13-05:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 6","By (author) Pantaleo Marta","CCSS.ELA-LITERACY.RI.1.2","CCSS.ELA-LITERACY.RI.K.6","Groundwood Books","Illustrated by Pantaleo Marta","Lexile measure AD600L","Picture Books","pub date: 2024-10-01","Translated by Bibo Debbie","Translated by Ghione Yvette"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41614498267195,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781773067711","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dogs and Us - hardcover","public_title":"hardcover","options":["hardcover"],"price":2199,"weight":408,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773067711","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41614498496571,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773067728","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Dogs and Us - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773067728","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41614498594875,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773067735","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Dogs and Us - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773067735","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_f14827e2-665d-404c-be0e-6f29bcdbd1a6.jpg?v=1712423588","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ce41ec9d-acb1-4127-9af9-c680975234b9.jpg?v=1706650689","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_1887acff-5eb0-4323-add7-4d8c93c74c43.jpg?v=1706650691","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2d97e7a5-d354-4ec5-92b6-1c1cc2116bc8.jpg?v=1706650693"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_f14827e2-665d-404c-be0e-6f29bcdbd1a6.jpg?v=1712423588","options":["Title"],"media":[{"alt":"Cover: Dogs and Us: A Fifteen-Thousand-Year Friendship. By Marta Pantaleo. Translated by Debbie Bibo and Yvette Ghione. Across a blue cover, people with varying skin tones and hair walk alongside different breeds of dogs in clothes suggesting they come from different eras in history.","id":24396258082875,"position":1,"preview_image":{"aspect_ratio":1.256,"height":1600,"width":2010,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_f14827e2-665d-404c-be0e-6f29bcdbd1a6.jpg?v=1712423588"},"aspect_ratio":1.256,"height":1600,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_f14827e2-665d-404c-be0e-6f29bcdbd1a6.jpg?v=1712423588","width":2010},{"alt":"A baby in a red onesie with short orange hair crawls on the floor. There is an adult shown from the knees down, in slippers, socks and red striped pants. The bottom half of a fridge is covered in children’s drawings. A small white dog with bat-like ears, and black spots, called a French bulldog, does a play bow toward the baby. A pacifier and a ball lie on the floor. Behind, is a green vase and a shoe cupboard. Text: humans and dogs understand each other today, but that we were different when we first met.","id":24147983368251,"position":2,"preview_image":{"aspect_ratio":2.508,"height":319,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ce41ec9d-acb1-4127-9af9-c680975234b9.jpg?v=1706650689"},"aspect_ratio":2.508,"height":319,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ce41ec9d-acb1-4127-9af9-c680975234b9.jpg?v=1706650689","width":800},{"alt":"Early humans hunt a wooly mammoth. The humans have light and medium skin tones and shoulder-length dark hair with beards. They wear clothing made of furs, and carry torches, bows and spears. It is snowing, and we see snow-capped mountains in the background. A pack of wolves hunt the wooly mammoth from the other side. Text: All of us wanted to eat. Sometimes we found ourselves side by side, going after the same prey.","id":24147983466555,"position":3,"preview_image":{"aspect_ratio":2.508,"height":319,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_1887acff-5eb0-4323-add7-4d8c93c74c43.jpg?v=1706650691"},"aspect_ratio":2.508,"height":319,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_1887acff-5eb0-4323-add7-4d8c93c74c43.jpg?v=1706650691","width":800},{"alt":"On the left page, a mother in a red dress and head circlet nurses a baby on a sandy shore. Two children sit beside her in white skirts with braided ponytails. Three Pharaoh Hounds, black dogs with pointed ears, watch on. On the right page, a man in a blue shirt, and pink striped skirt and cap holds the leash of a Mastiff, a large beige dog. A lion grips its ears while it stands on its hind legs with jaw open. Behind them, a lion faces three armed men. Text states dogs sensed dangers and frightened beasts.","id":24147983564859,"position":4,"preview_image":{"aspect_ratio":2.508,"height":319,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2d97e7a5-d354-4ec5-92b6-1c1cc2116bc8.jpg?v=1706650693"},"aspect_ratio":2.508,"height":319,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2d97e7a5-d354-4ec5-92b6-1c1cc2116bc8.jpg?v=1706650693","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA celebration of one of the most enduring love stories throughout the ages: the one between dogs and humans!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDogs and humans go back a long way – thousands of years, to be precise! As humans evolved, dogs did too, and we got to know, trust and understand each other instinctively. Whether they helped to protect us from danger, or sniffed out new routes to faraway places, dogs have been by our side throughout history.\u003c\/p\u003e\n\u003cp\u003eIn the modern world there are all kinds of dogs: some dogs are working dogs, and help us with herding, hunting or rescuing. And some dogs share our houses and our lives! Together forever, dogs and us!\u003c\/p\u003e\n\u003cp\u003eThis narrative nonfiction picture book traces the special relationship between humans and our furry companions — a perfect introduction to the wonderful world of dogs! Includes backmatter with further information on common dog breeds featured in the book.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003efacts\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RI.K.6\u003c\/p\u003e\n\u003cp\u003eName the author and illustrator of a text and define the role of each in presenting the ideas or information in a text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RI.1.2\u003c\/p\u003e\n\u003cp\u003eIdentify the main topic and retell key details of a text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554983223","AlsoRecommendedISBN_1":"9781773062563","AlsoRecommendedISBN_2":"9781773064598","AlsoRecommendedISBN_3":"9781773062563","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"3","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"1","AudienceRangeValue_2_2":"6","BASICMainSubject":"JNF003060","BASICMainSubjectLiteral":"JUVENILE NONFICTION\/Animals\/Dogs","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARTA PANTALEO\u003c\/strong\u003e is a picture book creator who studied graphic design and photography at the Academy of Fine Arts in Rome and illustration at MiMaster in Milan. 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She lives in Rome, Italy.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE NONFICTION \/ Animals \/ Dogs","BISACSubjectLiteral_1":"JUVENILE NONFICTION \/ Social Topics \/ Friendship","BISACSubjectLiteral_2":"JUVENILE NONFICTION \/ History \/ General","BISACSubject_0":"JNF003060","BISACSubject_1":"JNF053060","BISACSubject_2":"JNF025000","CommonCore":"CCSS.ELA-LITERACY.RI.K.6","CommonCore_1":"CCSS.ELA-LITERACY.RI.1.2","ComplexityCode_0":"AD600L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARTA PANTALEO\u003c\/strong\u003e is a picture book creator who studied graphic design and photography at the Academy of Fine Arts in Rome and illustration at MiMaster in Milan. She has created illustrations for children’s books, magazines and international publications that include the \u003cem\u003eNew York Times\u003c\/em\u003e. Her work has been selected and exhibited at the Society of Illustrators of New York, the Shanghai International Children’s Book Fair and the Bologna Children’s Book Fair exhibition. She lives in Rome, Italy.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARTA PANTALEO\u003c\/strong\u003e is a picture book creator who studied graphic design and photography at the Academy of Fine Arts in Rome and illustration at MiMaster in Milan. She has created illustrations for children’s books, magazines and international publications that include the \u003cem\u003eNew York Times\u003c\/em\u003e. Her work has been selected and exhibited at the Society of Illustrators of New York, the Shanghai International Children’s Book Fair and the Bologna Children’s Book Fair exhibition. She lives in Rome, Italy.\u003c\/p\u003e\n","ContributorBio_2":"\u003cp\u003e\u003cstrong\u003eDEBBIE BIBO\u003c\/strong\u003e is a literary agent, translator and founder of the Debbie Bibo Agency. Her translations include \u003cem\u003eDogs and Us\u003c\/em\u003e by Marta Pantaleo, \u003cem\u003ePetra\u003c\/em\u003e and \u003cem\u003eFish and Crab\u003c\/em\u003e, both by Marianna Coppo, \u003cem\u003eThe Forest\u003c\/em\u003e by Riccardo Bozzi and illustrated by Violeta Lópiz and Valerio Vidali, \u003cem\u003eDetective Mole\u003c\/em\u003e and \u003cem\u003eThe Biggest Mistake\u003c\/em\u003e, both by Camilla Pintonato. She lives in Milan, Italy.\u003c\/p\u003e\n","ContributorBio_3":"\u003cp\u003e\u003cstrong\u003eYVETTE GHIONE\u003c\/strong\u003e is an editor and translator. Her translations include \u003cem\u003eWho Owns the Clouds?\u003c\/em\u003e by Mario Brassard and illustrated by Gérard DuBois; \u003cem\u003eChildren Around the World\u003c\/em\u003e by Donata Montanari; and many of Marianne Dubuc’s books, including \u003cem\u003eMr. Postmouse’s Rounds\u003c\/em\u003e and \u003cem\u003eAnd Then the Seed Grew\u003c\/em\u003e and \u003cem\u003eYour House, My House\u003c\/em\u003e. She lives in Toronto, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","ContributorRole_2":"Translated by","ContributorRole_3":"Translated by","Contributor_0":"Pantaleo, Marta","Contributor_1":"Pantaleo, Marta","Contributor_2":"Bibo, Debbie","Contributor_3":"Ghione, Yvette","Description":"\u003cp\u003e\u003cstrong\u003eA celebration of one of the most enduring love stories throughout the ages: the one between dogs and humans!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDogs and humans go back a long way – thousands of years, to be precise! As humans evolved, dogs did too, and we got to know, trust and understand each other instinctively. Whether they helped to protect us from danger, or sniffed out new routes to faraway places, dogs have been by our side throughout history.\u003c\/p\u003e\n\u003cp\u003eIn the modern world there are all kinds of dogs: some dogs are working dogs, and help us with herding, hunting or rescuing. And some dogs share our houses and our lives! Together forever, dogs and us!\u003c\/p\u003e\n\u003cp\u003eThis narrative nonfiction picture book traces the special relationship between humans and our furry companions — a perfect introduction to the wonderful world of dogs! Includes backmatter with further information on common dog breeds featured in the book.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003efacts\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RI.K.6\u003c\/p\u003e\n\u003cp\u003eName the author and illustrator of a text and define the role of each in presenting the ideas or information in a text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RI.1.2\u003c\/p\u003e\n\u003cp\u003eIdentify the main topic and retell key details of a text.\u003c\/p\u003e","EAN":"9781773067735","Height":"8.375","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eillustrations;facts\u003c\/p\u003e","MetaKeywords":"found family;kids and animals;mental health;what makes you happy;pets and pet care;pet rescue and adoption;symbiotic relationships;four-legged friends;human history;stories from around the world;companionship;teamwork;nonverbal communication;evolution;adaptation; husky;mastiff;shepherd;corgi;dalmatian;beagle;spaniel;bulldog;pug","NumberOfPages":"48","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe book is filled with vivid and brightly colored illustrations.\u003c\/li\u003e\n\u003cli\u003eThe book showcases a broad diversity of both dog breeds and human cultures, based on extensive research.\u003c\/li\u003e\n\u003cli\u003ePerfect for an any kid who loves dogs and animals in general. \u003c\/li\u003e\n\u003cli\u003eOriginally written in Italian.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eIt doesn’t take much for us to understand each other, but it hasn’t always been this way. When we first crossed paths, we were both very different from how we are today.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe book is filled with vivid and brightly colored illustrations.\u003c\/li\u003e\n\u003cli\u003eThe book showcases a broad diversity of both dog breeds and human cultures, based on extensive research.\u003c\/li\u003e\n\u003cli\u003ePerfect for an any kid who loves dogs and animals in general. \u003c\/li\u003e\n\u003cli\u003eOriginally written in Italian.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“This splendid picture book is perfect for anyone teaching young children to love and respect dogs and is an endearing tribute to the loyal companions with whom we share our lives.” — \u003cstrong\u003e\u003cem\u003eShelf Awareness\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“A fetching tribute ... sure to enrich the natural bonds between dogs and dog lovers.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“An interesting ... introduction to the history of humans and dogs with enough detail to capture the variety of ways that the relationship has been of benefit.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“An attractive book ... A good choice for dog lovers.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“The digitally created illustrations ... contain plenty of details for children to discover and opportunities to learn a little about history.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA celebration of one of the most enduring love stories throughout the ages: the one between dogs and humans!\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2024-10-01","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA celebration of one of the most enduring love stories throughout the ages: the one between dogs and humans!\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Fifteen-Thousand-Year Friendship","Width":"10.5","WidthCode":"in"}
ages 3
to 6
/ grades P
to 1
Dogs and Us
A celebration of one of the most enduring love stories throughout the ages: the one between dogs and humans!
