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{"id":6983307657275,"title":"My Grief, the Sun","handle":"my-grief-the-sun","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","published_at":"2022-09-13T17:34:15-04:00","created_at":"2022-09-13T17:04:07-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Wani Sanna","House of Anansi Press","pub date: 2022-04-05"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780552732731,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010843","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":214,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010843","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40780553420859,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010850","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010850","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","options":["Title"],"media":[{"alt":null,"id":24712606679099,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005771","AlsoRecommendedISBN_1":"9781487008710","AlsoRecommendedISBN_2":"9781487009465","BASICMainSubject":"POE023000","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e is a Kashmiri writer, editor, and translator based in Toronto. Her debut collection, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, won the 2023 Trillium Award for Poetry. Her writing has been widely published, including in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eHazlitt\u003c\/em\u003e, and \u003cem\u003ePoem-A-Day\u003c\/em\u003e. She is the creator and host of the podcast, \u003cem\u003ePoet Talk\u003c\/em\u003e; Poetry Editor at \u003cem\u003eThe Ex-Puritan\u003c\/em\u003e; and Publicity Manager at Between the Lines. Learn more at sannawani.com.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE023000","BISACSubject_1":"POE011000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e is a Kashmiri writer, editor, and translator based in Toronto. Her debut collection, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, won the 2023 Trillium Award for Poetry. Her writing has been widely published, including in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eHazlitt\u003c\/em\u003e, and \u003cem\u003ePoem-A-Day\u003c\/em\u003e. She is the creator and host of the podcast, \u003cem\u003ePoet Talk\u003c\/em\u003e; Poetry Editor at \u003cem\u003eThe Ex-Puritan\u003c\/em\u003e; and Publicity Manager at Between the Lines. Learn more at sannawani.com.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Wani, Sanna (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","EAN":"9781487010850","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010850\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"billy ray belcourt;intruder bardia sinaee;imagery;poets to watch;billy ray belcourt;india;pakistan;inspirational quotes;healing;canadian poetry","NumberOfPages":"112","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Wani has put her entire self—all her grief, all her unexpressed love, and poured it into this white and yellow bound gift for those of us who need it the most—the grief-stricken, filled to the brim with endless love.” — \u003cstrong\u003e\u003cem\u003ePorter House Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Porter House Review","OtherText_Review_1":"\u003cp\u003e“Beautiful and fresh ... this is a collection that finds delight in life, and its delight is contagious in the best way.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"The Miramichi Reader","OtherText_Review_2":"\u003cp\u003e“Sanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e makes such a convincing case for astonishment as a way of life. Each poem enveloped me with so much tenderness it was as if \u003cem\u003eI \u003c\/em\u003ewere the sun! The theological music that courses throughout the book was not a narrowing toward some esoteric knowledge but rather an opening toward a collective sense of enmeshment with the inscrutable world. This book is a necessary reminder that ‘there is something inside \/ [us] that says live.’ \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e is a wonder and a delight.” — \u003cstrong\u003eBilly-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Billy-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms","OtherText_Review_3":"\u003cp\u003e“Mapping us through time, space, and geography, Sanna Wani’s debut collection \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e spins a web of various griefs and loves. As visual as it is lyrical, Wani announces herself as a poet who pushes the experimentation of form forward, taking bold risks and literally reinventing the way that we see language. ‘A mosque is always directed toward Mecca. A dome does not have orientation unless it is toward the sky,’ Wani writes, and pointing her eyes to the sky, and with incredible vision, makes even the tiniest detail visible.” — \u003cstrong\u003eFatimah Asghar, author of If They Come for Us, \u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Fatimah Asghar, author of If They Come for Us","OtherText_Review_4":"\u003cp\u003e“I read Sanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e with a highlighter in my hand, and by the time I was done, it was nearly out of ink. I could not stop loving lines, wanting to be sure I remembered them always. They progress with such sureness into marvelous and unexpected directions: ‘God climbs so many trees. Religion is a ladder. We are meant to help Him down.’ Over and over, Wani practices the act of artful surrender to each poem’s strange, budding logic. That she can do so with such apparent ease is astonishing. That we get to witness the places her gorgeous poems take her is a profound gift. I’m wonderstruck.” — \u003cstrong\u003eHeather Christle, author of Heliopause and The Trees The Trees, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Heather Christle, author of Heliopause and The Trees The Trees","OtherText_Review_5":"\u003cp\u003e“Slipping gracefully between subjects as disparate as pop culture and theology, while maintaining her recognizably disarming mix of poignancy and sweetness, Wani’s formal approaches in \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e are … hard to look away from, with surprise after surprise appearing on each successive page.” — \u003cstrong\u003e\u003cem\u003eCAROUSEL\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"CAROUSEL","OtherText_Review_6":"\u003cp\u003e“In \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, Sanna Wani unlocks a door for her readers, invites them to be open-hearted—to be vulnerable and curious—meditating on the ways in which love, longing, grief, distance, and faith can live together inside a person’s body and soul.” — \u003cstrong\u003e\u003cem\u003eHerizons\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Herizons","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"01","PrizeName_0":"LCP Gerald Lampert Memorial Award","PrizeName_1":"LCP Pat Lowther Memorial Award","PrizeName_2":"Ontario Trillium Award for Poetry","PrizeYear_0":"2023","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"epub","PublicationDate":"2022-04-05","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","Width":"6","WidthCode":"in"}
My Grief, the Sun
The highly anticipated debut collection from acclaimed poet Sanna Wani.
Quick View
{"id":6811307900987,"title":"Ideas to Postpone the End of the World","handle":"ideas-to-postpone-the-end-of-the-world","description":"\u003cp\u003e\u003cstrong\u003e“Ailton Krenak’s ideas inspire, washing over you with every truth-telling sentence. Read this book.” — Tanya Talaga, bestselling author of \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndigenous peoples have faced the end of the world before. Now, humankind is on a collective march towards the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene.\u003c\/p\u003e\n\u003cp\u003eFrom Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity” — that human beings are superior to other forms of nature and are justified in exploiting it as we please.\u003c\/p\u003e\n\u003cp\u003eTo stop environmental disaster, Krenak argues that we must reject the homogenizing effect of this perspective and embrace a new form of “dreaming” that allows us to regain our place within nature. In \u003cem\u003eIdeas to Postpone the End of the World\u003c\/em\u003e, he shows us the way. \u003c\/p\u003e","published_at":"2022-03-21T17:15:49-04:00","created_at":"2022-03-21T12:34:31-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Environmentalism","Adult Nonfiction","Anansi International","By (author) Krenak Ailton","pub date: 2020-10-06","Technology \u0026 Politics","Translated by Doyle Anthony"],"price":1799,"price_min":1799,"price_max":1899,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191009226811,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008512","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ideas to Postpone the End of the World - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1799,"weight":82,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008512","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191010078779,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008529","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ideas to Postpone the End of the World - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008529","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191010177083,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487008536","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ideas to Postpone the End of the World - mobi","public_title":"mobi","options":["mobi"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008536","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_138598ab-e154-4f4e-9966-cc80929068f6.jpg?v=1682246049"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_138598ab-e154-4f4e-9966-cc80929068f6.jpg?v=1682246049","options":["Title"],"media":[{"alt":null,"id":23431560101947,"position":1,"preview_image":{"aspect_ratio":0.692,"height":1950,"width":1350,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_138598ab-e154-4f4e-9966-cc80929068f6.jpg?v=1682246049"},"aspect_ratio":0.692,"height":1950,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_138598ab-e154-4f4e-9966-cc80929068f6.jpg?v=1682246049","width":1350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e“Ailton Krenak’s ideas inspire, washing over you with every truth-telling sentence. Read this book.” — Tanya Talaga, bestselling author of \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndigenous peoples have faced the end of the world before. Now, humankind is on a collective march towards the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene.\u003c\/p\u003e\n\u003cp\u003eFrom Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity” — that human beings are superior to other forms of nature and are justified in exploiting it as we please.\u003c\/p\u003e\n\u003cp\u003eTo stop environmental disaster, Krenak argues that we must reject the homogenizing effect of this perspective and embrace a new form of “dreaming” that allows us to regain our place within nature. In \u003cem\u003eIdeas to Postpone the End of the World\u003c\/em\u003e, he shows us the way. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887847066","AlsoRecommendedISBN_1":"9780887848421","AlsoRecommendedISBN_2":"9780887847066","AlsoRecommendedISBN_3":"9781487005733","BASICMainSubject":"NAT011000","BASICMainSubjectLiteral":"NATURE\/Environmental Conservation \u0026 Protection","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eAILTON KRENAK\u003c\/strong\u003e was born in Minas Gerais, Brazil, in the Krenak homelands along the Doce River Valley, a region where mining operations have severely affected the ecology. A socio-environmental activist and campaigner for Indigenous rights, he organized the Alliance of Forest Peoples, which unites riverine and Indigenous communities throughout the Amazon. He has consistently been one of the best-known campaigners in the movement set in motion by the Indigenous Awakening in the 1970s and was a key figure in the formation of the Union of Indigenous Nations (UIN), which brought together 180 different Indigenous groups across the country in a unified front to push for rights. In his capacity as a journalist, producing videos and making television appearances, he has pursued an educational and environmental agenda. His struggles in the 1970s and 1980s were instrumental in the inclusion of Chapter VIII of the Brazilian Constitution (1988), which guaranteed Indigenous rights to their ancestral homelands and traditional cultures — on paper at least. He was co-author of the UNESCO proposal that led to the creation of the Serra do Espinhaço Biosphere Reserve in 2005, and remains a member of its managing committee. He was awarded the Order of Cultural Merit by the President of the Republic in 2016, and holds an honorary doctorate from the Federal University of Juiz de Fora, Minas Gerais. He is the author of two previous books, and was recently featured in the Netflix documentary series \u003cem\u003eGuerras do Brasil.doc\u003c\/em\u003e (\u003cem\u003eWars of Brazil\u003c\/em\u003e).\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Anthropology \/ Cultural \u0026amp; Social","BISACSubjectLiteral_1":"SOCIAL SCIENCE \/ Human Geography","BISACSubjectLiteral_2":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubject_0":"SOC002010","BISACSubject_1":"SOC015000","BISACSubject_2":"NAT011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eAILTON KRENAK\u003c\/strong\u003e was born in Minas Gerais, Brazil, in the Krenak homelands along the Doce River Valley, a region where mining operations have severely affected the ecology. A socio-environmental activist and campaigner for Indigenous rights, he organized the Alliance of Forest Peoples, which unites riverine and Indigenous communities throughout the Amazon. He has consistently been one of the best-known campaigners in the movement set in motion by the Indigenous Awakening in the 1970s and was a key figure in the formation of the Union of Indigenous Nations (UIN), which brought together 180 different Indigenous groups across the country in a unified front to push for rights. In his capacity as a journalist, producing videos and making television appearances, he has pursued an educational and environmental agenda. His struggles in the 1970s and 1980s were instrumental in the inclusion of Chapter VIII of the Brazilian Constitution (1988), which guaranteed Indigenous rights to their ancestral homelands and traditional cultures — on paper at least. He was co-author of the UNESCO proposal that led to the creation of the Serra do Espinhaço Biosphere Reserve in 2005, and remains a member of its managing committee. He was awarded the Order of Cultural Merit by the President of the Republic in 2016, and holds an honorary doctorate from the Federal University of Juiz de Fora, Minas Gerais. He is the author of two previous books, and was recently featured in the Netflix documentary series \u003cem\u003eGuerras do Brasil.doc\u003c\/em\u003e (\u003cem\u003eWars of Brazil\u003c\/em\u003e).\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eANTHONY DOYLE\u003c\/strong\u003e was born in Dublin, Ireland. He holds a degree in English Literature and Philosophy and a master’s degree in Philosophy from University College Dublin. He has been living in Brazil since 2000, where he works as a freelance translator of fiction and non-fiction. He is the author of a children’s book in Portuguese entitled \u003cem\u003eO Lago Secou\u003c\/em\u003e, published by Companhia das Letras.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Krenak, Ailton","Contributor_1":"Doyle, Anthony","Description":"\u003cp\u003e\u003cstrong\u003e“Ailton Krenak’s ideas inspire, washing over you with every truth-telling sentence. Read this book.” — Tanya Talaga, bestselling author of \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndigenous peoples have faced the end of the world before. Now, humankind is on a collective march towards the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene.\u003c\/p\u003e\n\u003cp\u003eFrom Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity” — that human beings are superior to other forms of nature and are justified in exploiting it as we please.\u003c\/p\u003e\n\u003cp\u003eTo stop environmental disaster, Krenak argues that we must reject the homogenizing effect of this perspective and embrace a new form of “dreaming” that allows us to regain our place within nature. In \u003cem\u003eIdeas to Postpone the End of the World\u003c\/em\u003e, he shows us the way. \u003c\/p\u003e","EAN":"9781487008536","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487008536\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"6.5","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"robert macfarlane; underland","NumberOfPages":"88","OtherText_Accolades_0":"\u003cp\u003e“Perhaps you’re thinking we should come out of the COVID crisis in a new way, not just trying to recreate the old normal. If so, Ailton Krenak has some ideas that might send you down a new and useful path — useful to you, useful to the world.” — \u003cstrong\u003eBill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out?\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out?","OtherText_Accolades_1":"\u003cp\u003e“Ailton Krenak’s ideas inspire, washing over you with every truth-telling sentence. Read this book.” — \u003cstrong\u003eTanya Talaga, bestselling author of Seven Fallen Feathers\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Tanya Talaga, bestselling author of Seven Fallen Feathers","OtherText_Accolades_2":"\u003cp\u003e“We need this Right Now! Ideas to Postpone the End of the World.” — \u003cstrong\u003e@MargaretAtwood\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"@MargaretAtwood","OtherText_Accolades_3":"\u003cp\u003e“Perhaps you’re thinking we should come out of the Covid crisis in a new way, not just trying to recreate the old normal. If so, Ailton Krenak has some ideas that might send you down a new and useful path — useful to you, useful to the world.” — \u003cstrong\u003eBill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out?\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out?","OtherText_Accolades_4":"\u003cp\u003e“Ailton Krenak’s words, expressed with the visceral intensity of one of those peoples who ‘still consider the need to stay attached to this land,’ … fill me with hope. Amid the successive catastrophes we experience today, he surprises us once again by teaching that the fight for a better world, a world that can be called home, involves not only explicit activism, but dance, music, the stories we tell at night.” — \u003cstrong\u003eAparecida Vilaça, anthropologist and author of Strange Enemies: Indigenous Agency and Scenes of Encounters in Amazonia and Praying and Preying: Christianity in Indigenous Amazonia\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Aparecida Vilaça, anthropologist and author of Strange Enemies: Indigenous Agency and Scenes of Encounters in Amazonia and Praying and Preying: Christianity in Indigenous Amazonia","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eSince its publication in July 2019, \u003cem\u003eIdeas to Postpone the End of the World\u003c\/em\u003e has sold more than 40,000 copies in Brazil and has more than 270 five-star reviews on Amazon.com.\u003c\/li\u003e\r\n\u003cli\u003eThe author is a renowned Indigenous and socio-environmental activist. His career dates back to the 1980s. After his speech in the 1987 Constituent Assembly, a chapter on the protection of Indigenous rights was included in the Brazilian Constitution of 1988. Since then, he has become one of the most influential Indigenous thinkers and activists in Brazil.\u003c\/li\u003e\r\n\u003cli\u003eThis book speaks to the growing chorus of experts and media, drawing attention to the fact that the COVID-19 global pandemic has a direct link to our encroachment on the natural world.\u003c\/li\u003e\r\n\u003cli\u003eWith the election of right-wing President Jair Bolsonaro in Brazil, there has been increasing attention in world media on his campaign promise to lift restrictions on environmental protections, particularly the Amazon rainforest and Indigenous rights. \u003c\/li\u003e\r\n\u003cli\u003eThe past few years have seen greater interest in understanding the global climate catastrophes through perspectives rooted in Indigenous worldviews and in finding possible solutions in non-settler understandings. Events like the protests against the Dakota Access Pipeline in the U.S. and the Coastal GasLink in Canada brought more attention to Indigenous-led responses to environmental devastation. Ailton Krenak applies this perspective to a range of concerns to bring environmentalism out of a settler-oriented ideology.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eSince its publication in July 2019, \u003cem\u003eIdeas to Postpone the End of the World\u003c\/em\u003e has sold more than 40,000 copies in Brazil and has more than 270 five-star reviews on Amazon.com.\u003c\/li\u003e\n\u003cli\u003eThe author is a renowned Indigenous and socio-environmental activist. His career dates back to the 1980s. After his speech in the 1987 Constituent Assembly, a chapter on the protection of Indigenous rights was included in the Brazilian Constitution of 1988. Since then, he has become one of the most influential Indigenous thinkers and activists in Brazil.\u003c\/li\u003e\n\u003cli\u003eThis book speaks to the growing chorus of experts and media, drawing attention to the fact that the COVID-19 global pandemic has a direct link to our encroachment on the natural world.\u003c\/li\u003e\n\u003cli\u003eWith the election of right-wing President Jair Bolsonaro in Brazil, there has been increasing attention in world media on his campaign promise to lift restrictions on environmental protections, particularly the Amazon rainforest and Indigenous rights. \u003c\/li\u003e\n\u003cli\u003eThe past few years have seen greater interest in understanding the global climate catastrophes through perspectives rooted in Indigenous worldviews and in finding possible solutions in non-settler understandings. Events like the protests against the Dakota Access Pipeline in the U.S. and the Coastal GasLink in Canada brought more attention to Indigenous-led responses to environmental devastation. Ailton Krenak applies this perspective to a range of concerns to bring environmentalism out of a settler-oriented ideology.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"Ailton Krenak, renowned Indigenous activist, demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity”.","ProductFormDescription":"mobi","PublicationDate":"2020-10-06","Publisher":"House of Anansi Press Inc","ShortDescription":"Ailton Krenak, renowned Indigenous activist, demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity”.","Width":"4.5","WidthCode":"in"}
Ideas to Postpone the End of the World
Ailton Krenak, renowned Indigenous activist, demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity”.
Quick View
{"id":7095986716731,"title":"The All + Flesh","handle":"the-all-flesh","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e","published_at":"2023-02-23T16:49:40-05:00","created_at":"2023-02-23T15:53:49-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Bird Brandi","House of Anansi Press","pub date: 2023-08-08"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41136186622011,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011826","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011826","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41136228007995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011833","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744","options":["Title"],"media":[{"alt":"Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.","id":25297522819131,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487011154","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ Indigenous","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubject_0":"POE011000","BISACSubject_1":"POE011010","BISACSubject_2":"POE023050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Bird, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026 carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e","EAN":"9781487011833","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011833\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"brandi morin;our voice of fire;west coast","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003e\"\u003cem\u003eThe All + Flesh\u003c\/em\u003e marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life.\" — \u003cstrong\u003eBilly-Ray Belcourt, author of \u003cem\u003eA MINOR CHORUS\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Billy-Ray Belcourt, author of A MINOR CHORUS","OtherText_Accolades_1":"\u003cp\u003e\"These poems are tender and surprising; they are holes travelling through time and space. They are able to shapeshift God into pills, prayers, seeds, and stars. \u003cem\u003eThe All + Flesh \u003c\/em\u003ehas taken root in my mind and I'm happy to let it grow there.\" — \u003cstrong\u003eJessica Johns, author of \u003cem\u003eBad Cree\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Liz Howard, author of Letters in a Bruised Cosmos","OtherText_Accolades_2":"\u003cp\u003e\"In \u003cem\u003eThe All + Flesh\u003c\/em\u003e, Brandi Bird maps the psychic space between ‘NDN compartmentalization’ and split prairies, from bus depots to ‘endocrine storms,’ from LiveJournal to a living history of relocation under land theft. ‘My body is not an empire but first contact happened at \/ birth’ and ‘I eat \/ until my mouth needles \/ the dark.’ With exacting lucidity, Bird’s lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut.\" — \u003cstrong\u003eLiz Howard, author of \u003cem\u003eLetters in a Bruised Cosmos\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Jessica Johns, author of Bad Cree","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Drawing on their experience as a queer and Indigenous author, [Brandi Bird reveals], sharply and beautifully, the whiplash of coming of age in a time of contradiction—when reparations and profound systematic failures arrive on the same day.\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"British Columbia Review","OtherText_Review_1":"\u003cp\u003e\"Honest and transformative, these poems portray and reach beyond Prairie landscapes and wounded lives.\" — \u003cstrong\u003e\u003cem\u003ePrairie Books NOW\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"Bird’s clear, forceful voice stacks imagistic snippets in formally inventive poems and leaves the reader to intuit and feel through how they all fit together in an act of engaged, attentive witnessing.\" — \u003cstrong\u003e\u003cem\u003eThe Tyee\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e\"This is Bird’s gospel … They transform prayer into poetry.\" — \u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e\u003cem\u003e\"The All + Flesh\u003c\/em\u003e is a sophisticated debut work … Over and over again, time is suspended in the poems, and in this state of timelessness, we are able to transcend the limitations of western linearity and thought and to reconnect with relationships that have been stunted or lost. This is an invigorating, liberating read.\" — \u003cstrong\u003e\u003cem\u003eMiramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Brandi Bird’s first full collection must be read with imagination and heart … With each re-read of this powerful and innovative work, we see more.” \u003cstrong\u003e\u003cem\u003e— ARC Poetry\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Long-listed","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"05","PrizeCode_5":"03","PrizeName_0":"Indigenous Voices Award for Poetry in English","PrizeName_1":"Governor General's Literary Award for Poetry","PrizeName_2":"League of Canadian Poets' Raymond Souster Award","PrizeName_3":"League of Canadian Poets' Gerald Lampert Memorial Award","PrizeName_4":"League of Canadian Poets' Pat Lowther Memorial Award","PrizeName_5":"CBC Best Poetry of 2024","PrizeYear_0":"2024","PrizeYear_1":"2024","PrizeYear_2":"2024","PrizeYear_3":"2024","PrizeYear_4":"2024","PrizeYear_5":"2024","ProductFormDescription":"epub","PublicationDate":"2023-08-08","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
The All + Flesh
Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.
Quick View
{"id":6899075121211,"title":"Celestial Bodies","handle":"celestial-bodies","description":"\u003cp\u003e\u003cstrong\u003eThe first Arabic-language winner of the Man Booker International Prize, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is a vivid and elegant tale of a family and a nation across decades. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the village of al-Awafi, in Oman, two families are joined by marriage: Mayya, the eldest of three sisters, marries Abdallah, son of a wealthy merchant, after suffering her first heartbreak. Abdallah’s passionate love for his wife goes unrequited; she regards him with a mixture of tolerance and mild amusement. Yet he cannot contend solely with the cares and concerns of a husband and father, haunted as he is by the mysterious death of his mother and vivid recollections of his megalomaniacal father.\u003c\/p\u003e\u003cp\u003eThe couple is orbited by an intricate constellation of individuals, connected by blood, by proximity, by deeply rooted social edifices. Those in their immediate families include Mayya’s sisters — Asma, who aspires to a different kind of life and marriage, and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. The three women, their families, their loves, and their losses unspool delicately against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present.\u003c\/p\u003e\u003cp\u003eThe first ever novel originally written in Arabic to win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is an exquisite literary creation that marks the arrival of a major international talent.\u003c\/p\u003e","published_at":"2022-06-27T18:07:55-04:00","created_at":"2022-06-27T17:25:25-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Starred Reviews","Anansi International","By (author) Alharthi Jokha","Feminist Reads","Literary Fiction","pub date: 2019-10-15","Translated by Booth Marilyn"],"price":1895,"price_min":1895,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40499143082043,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007904","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celestial Bodies - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":280,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007904","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40499144851515,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007911","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Celestial Bodies - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007911","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40499145048123,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007928","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Celestial Bodies - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007928","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159","options":["Title"],"media":[{"alt":"This image is abstract. Pink, red, blue, and green shapes form peaks and valleys. In each shape are markings that resemble flower petals in varies colours. Text: Celestial Bodies. Jokha Alharthi. The Man Booker International Prize 2019.","id":24644293427259,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_acf1ab29-ef80-419a-a763-62f3f4985940.jpg?v=1718505159","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe first Arabic-language winner of the Man Booker International Prize, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is a vivid and elegant tale of a family and a nation across decades. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the village of al-Awafi, in Oman, two families are joined by marriage: Mayya, the eldest of three sisters, marries Abdallah, son of a wealthy merchant, after suffering her first heartbreak. Abdallah’s passionate love for his wife goes unrequited; she regards him with a mixture of tolerance and mild amusement. Yet he cannot contend solely with the cares and concerns of a husband and father, haunted as he is by the mysterious death of his mother and vivid recollections of his megalomaniacal father.\u003c\/p\u003e\u003cp\u003eThe couple is orbited by an intricate constellation of individuals, connected by blood, by proximity, by deeply rooted social edifices. Those in their immediate families include Mayya’s sisters — Asma, who aspires to a different kind of life and marriage, and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. The three women, their families, their loves, and their losses unspool delicately against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present.\u003c\/p\u003e\u003cp\u003eThe first ever novel originally written in Arabic to win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is an exquisite literary creation that marks the arrival of a major international talent.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001803","AlsoRecommendedISBN_1":"9781487006792","AlsoRecommendedISBN_2":"9781487006990","BASICMainSubject":"FIC044000","BASICMainSubjectLiteral":"FICTION\/Women","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJOKHA ALHARTHI\u003c\/strong\u003e is the first Omani woman to have a novel translated into English. Her previous novel, \u003cem\u003eCelestial Bodies\u003c\/em\u003e, was the first book translated from the Arabic to win the International Booker Prize (formerly known as the Man Booker International Prize). Alharthi is the author of three previous collections of short fiction, three children’s books, and three novels in Arabic. \u003cem\u003eNarinjah (The Bitter Orange Tree)\u003c\/em\u003e received the Sultan Qaboos Award for Culture, Art, and Literature. She completed a Ph.D. in Classical Arabic poetry in Edinburgh and teaches at Sultan Qaboos University in Muscat.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Women","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubject_0":"FIC044000","BISACSubject_1":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJOKHA ALHARTHI\u003c\/strong\u003e is the first Omani woman to have a novel translated into English. Her previous novel, \u003cem\u003eCelestial Bodies\u003c\/em\u003e, was the first book translated from the Arabic to win the International Booker Prize (formerly known as the Man Booker International Prize). Alharthi is the author of three previous collections of short fiction, three children’s books, and three novels in Arabic. \u003cem\u003eNarinjah (The Bitter Orange Tree)\u003c\/em\u003e received the Sultan Qaboos Award for Culture, Art, and Literature. She completed a Ph.D. in Classical Arabic poetry in Edinburgh and teaches at Sultan Qaboos University in Muscat.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARILYN BOOTH\u003c\/strong\u003e is Emerita Khalid bin Abdullah Al Saud Chair for the Study of the Contemporary Arab World at Oxford University. In addition to her academic publications, she has translated many works of fiction from the Arabic. Recent titles include \u003cem\u003eNo Road to Paradise\u003c\/em\u003e by Hassan Daoud, \u003cem\u003eBitter Orange Tree\u003c\/em\u003e by Jokha Alharthi, \u003cem\u003eVoices of the Lost\u003c\/em\u003e by Hoda Barakat, and one of the first Arabic novels to be penned by a female author, Alice Butrus al-Bustani’s \u003cem\u003eSa’iba\u003c\/em\u003e, forthcoming in Oxford World’s Classics. Her translation of Alharthi’s \u003cem\u003eCelestial Bodies\u003c\/em\u003e won the 2019 International Booker Prize\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Alharthi, Jokha","Contributor_1":"Booth, Marilyn","Description":"\u003cp\u003e\u003cstrong\u003eThe first Arabic-language winner of the Man Booker International Prize, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is a vivid and elegant tale of a family and a nation across decades. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the village of al-Awafi, in Oman, two families are joined by marriage: Mayya, the eldest of three sisters, marries Abdallah, son of a wealthy merchant, after suffering her first heartbreak. Abdallah’s passionate love for his wife goes unrequited; she regards him with a mixture of tolerance and mild amusement. Yet he cannot contend solely with the cares and concerns of a husband and father, haunted as he is by the mysterious death of his mother and vivid recollections of his megalomaniacal father.\u003c\/p\u003e\u003cp\u003eThe couple is orbited by an intricate constellation of individuals, connected by blood, by proximity, by deeply rooted social edifices. Those in their immediate families include Mayya’s sisters — Asma, who aspires to a different kind of life and marriage, and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. The three women, their families, their loves, and their losses unspool delicately against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present.\u003c\/p\u003e\u003cp\u003eThe first ever novel originally written in Arabic to win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, \u003ci\u003eCelestial Bodies\u003c\/i\u003e is an exquisite literary creation that marks the arrival of a major international talent.\u003c\/p\u003e","EAN":"9781487007928","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007928\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"proverb; multi-generational; Oman; modernisation; slavery; female protagonist; immigration; belonging; identity; masculinity; twentieth century; 20th century; polyphonic narrative; adultery; women writers; women's literature; works in translation; International Man Booker Prize; award-winning author; Chimamanda Ngozi Adichie; Djamila Ibrahim; Irina Kovalyova; Jhumpa Lahiri; Mohsin Hamid; Muriel Spark; The Prime of Miss Jean Brodie; saga","NumberOfPages":"256","OtherText_Description_for_R_0":"\u003cp\u003eMayya, forever immersed in her Singer sewing machine, seemed lost to the outside world. Then Mayya lost herself to love: a silent passion, but it sent tremors surging through her slight form, night after night, cresting in waves of tears and sighs. These were moments when she truly believed she would not survive the awful force of her longing to see him.\u003c\/p\u003e\u003cp\u003eHer body prostrate, ready for the dawn prayers, she made a whispered oath. By the greatness of God — I want nothing, O Lord, just to see him. I solemnly promise you, Lord, I don’t even want him to look my way … I just want to see him. That’s all I want.\u003c\/p\u003e\u003cp\u003eHer mother hadn’t given the matter of love any particular thought, since it never would have occurred to her that pale Mayya, so silent and still, would think about anything in this mundane world beyond her threads and the selvages of her fabrics, or that she would hear anything other than the clatter of her sewing machine. Mayya seemed to hardly shift position throughout the day, or even halfway into the night, her form perched quietly on the narrow, straight-backed wood chair in front of the black sewing machine with the image of a butterfly on its side. She barely even lifted her head, unless she needed to look as she groped for her scissors or fished another spool of thread out of the plastic sewing basket which always sat in her small wood utility chest. But Mayya heard everything in the world there was to hear. She noticed the brilliant hues life could have, however motionless her body might be. Her mother was grateful that Mayya’s appetite was so meagre (even if, now and then, she felt vestiges of guilt). She hoped fervently, though she would never have put her hope into words, that one of these days someone would come along who respected Mayya’s talents as a seamstress as much as he might appreciate her abstemious ways. The someone she envisioned would give Mayya a fine wedding procession after which he would take her home with all due ceremony and regard.\u003c\/p\u003e\u003cp\u003eThat someone arrived.\u003c\/p\u003e\u003cp\u003eAs usual Mayya was seated on that narrow chair, bent over the sewing machine at the far end of the long sitting room that opened onto the compound’s private courtyard. Her mother walked over to her, beaming. She pressed her hand gently into her daughter’s shoulder.\u003c\/p\u003e\u003cp\u003eMayya, my dear! The son of Merchant Sulayman has asked for your hand.\u003c\/p\u003e\u003cp\u003eSpasms shot through Mayya’s body. Her mother’s hand suddenly felt unbearably heavy on her shoulder and her throat went dry. She couldn’t stop imagining her sewing thread winding itself around her neck like a hangman’s noose.\u003c\/p\u003e\u003cp\u003eHer mother smiled. I thought you were too old by now to put on such a girlish show! You needn’t act so bashful, Mayya.\u003c\/p\u003e\u003cp\u003eAnd that was that. The subject was closed and no one raised it again. Mayya’s mother busied herself assembling the wedding clothes, concocting just the right blends of incense, having all the large seat-cushions reupholstered, and getting word out to the entire family. Mayya’s sisters kept their views to themselves and her father left the matter in her mother’s hands. After all, these were her girls and marriage was women’s business.\u003c\/p\u003e","OtherText_Review_0":"\u003cp\u003e“An innovative reimagining of the family saga . . . Booth’s translation honours the elliptical rhythms of Arabic and the language’s rich literary heritage . . . Yet there is no doubt that this is a contemporary novel, insistent and alive . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"\u003cp\u003e“The great pleasure of reading Celestial Bodies is witnessing a novel argue, through the achieved perfection of its form, for a kind of inquiry that only the novel can really conduct. The ability to move freely through time, the privileged access to the wounded privacies of many characters, the striking diversity of human beings across a relatively narrow canvas, the shock waves as one generation heaves, like tectonic plates, against another, the secrets and lapses and repressions, at once intimate and historical, the power, indeed, of an investigation that is always political and always intimate — here is the novel being supremely itself, proving itself up to the job by changing not its terms of employment but the shape of the task.” — \u003cstrong\u003e\u003cem\u003eNew Yorker\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"New Yorker","OtherText_Review_2":"\u003cp\u003e“A rich, dense web of a novel . . . The chorus of voices that arises from these pages, at once harmonious and dissonant, constitutes nothing less than the assertion of the right to exist and to be recognized.” — \u003cstrong\u003e\u003cem\u003eNew York Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"New York Review of Books","OtherText_Review_3":"\u003cp\u003e“The glimpses into a culture relatively little known in the West are fascinating.” — \u003cstrong\u003e\u003cem\u003eGuardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Guardian","OtherText_Review_4":"\u003cp\u003e“Ambitious, intense . . . With exhilarating results, Alharthi throws the reader into the midst of a tangled family drama in which unrequited love, murder, suicide, and adultery seem the rule rather than the exception . . . [Celestial Bodies] is all the more satisfying for the complexity of its tale.” — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Publisher's Weekly","OtherText_Review_5":"\u003cp\u003e“A richly layered, ambitious work that teems with human struggles and contradictions, providing fascinating insight into Omani history and society.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Kirkus Reviews","OtherText_Review_6":"\u003cp\u003e“A book to win over the head and the heart in equal measure, worth lingering over. Interweaving voices and timelines are beautifully served by the pacing of the novel. Its delicate artistry draws us into a richly imagined community — opening out to tackle profound questions of time and mortality and disturbing aspects of our shared history. The style is a metaphor for the subject, subtly resisting clichés of race, slavery, and gender. The translation is precise and lyrical, weaving in the cadences of both poetry and everyday speech. Celestial Bodies evokes the forces that constrain us and those that set us free.” — \u003cstrong\u003eBettany Hughes, \u003cem\u003eMan Booker International Prize\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"Bettany Hughes","OtherText_Review_6_Src":"Man Booker International Prize","OtherText_Review_7":"\u003cp\u003e“The novel is a beautifully achieved account of lives pulling at the edges of change. The writing is teasingly elliptical throughout and there is a kind of poetic understatement that draws the reader into the domestic settings and public tribulations of the three sisters . . . Celestial Bodies deftly undermines recurrent stereotypes about Arab language and cultures, but most importantly brings a distinctive and important new voice to world literature.” — \u003cstrong\u003e\u003cem\u003eIrish Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Irish Times","OtherText_ShortDescription_0":"The first Arabic-language winner of the Man Booker International Prize and a vivid and elegant tale of a family and a nation across decades.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Commended","PrizeCode_0":"01","PrizeCode_1":"03","PrizeName_0":"Man Booker International Prize","PrizeName_1":"A Kirkus Reviews Best Book","PrizeYear_0":"2019","PrizeYear_1":"2019","ProductFormDescription":"mobi","PublicationDate":"2019-10-15","Publisher":"House of Anansi Press Inc","ShortDescription":"The first Arabic-language winner of the Man Booker International Prize and a vivid and elegant tale of a family and a nation across decades.","Width":"5.25","WidthCode":"in"}
Celestial Bodies
The first Arabic-language winner of the Man Booker International Prize and a vivid and elegant tale of a family and a nation across decades.
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{"id":7315893846075,"title":"What I Mean to Say","handle":"what-i-mean-to-say","description":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. 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Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.","id":25013096972347,"position":1,"preview_image":{"aspect_ratio":0.697,"height":2475,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335"},"aspect_ratio":0.697,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners? \u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008512","AlsoRecommendedISBN_1":"9781487012847","AlsoRecommendedISBN_2":"9781487012847","AlsoRecommendedISBN_3":"9781487010362","AlsoRecommendedISBN_5":"9781487008512","BASICMainSubject":"SOC041000","BASICMainSubjectLiteral":"SOCIAL SCIENCE\/Essays","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eIAN WILLIAMS\u003c\/strong\u003e is the author of seven books of fiction, nonfiction, and poetry. He is the winner of the Scotiabank Giller Prize, the Danuta Gleed Literary Award, the Raymound Souster Award, and a finalist for the Griffin Poetry Prize. \u003c\/p\u003e\n\u003cp\u003eWilliams is a professor of English at the University of Toronto, where he directs the Creative Writing program.\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Essays","BISACSubjectLiteral_1":"SOCIAL SCIENCE \/ Sociology \/ Social Theory","BISACSubjectLiteral_2":"PSYCHOLOGY \/ Social Psychology","BISACSubject_0":"SOC041000","BISACSubject_1":"SOC026040","BISACSubject_2":"PSY031000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eIAN WILLIAMS\u003c\/strong\u003e is the author of seven books of fiction, nonfiction, and poetry. He is the winner of the Scotiabank Giller Prize, the Danuta Gleed Literary Award, the Raymound Souster Award, and a finalist for the Griffin Poetry Prize. \u003c\/p\u003e\n\u003cp\u003eWilliams is a professor of English at the University of Toronto, where he directs the Creative Writing program.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Williams, Ian","Description":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners? \u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.\u003c\/p\u003e","EAN":"9781487013837","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013837\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.25","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Disorientation;Reproduction;The Age of Insecurity;urgent subject matter;sincere open exchange;Astra Taylor;Supercommunicators;critical;Charles Duhigg;Talking to Strangers;Problems with Words;substantive;self expression;political division;we don't talk anymore;connections;human interactions;meaningful;communication life coach;University of Toronto","NumberOfPages":"248","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eURGENT SUBJECT MATTER: Now more than ever, conversation—the sincere, open exchange of thoughts and feelings—is essential if we are to restore civic and civil discourse. This book is an attempt to encourage a conversation about conversation.\u003c\/li\u003e\n\u003cli\u003eCONVERSATIONS AND THE 2024 U.S. ELECTION: The next U.S. election is on November 5, 2024. As American (and global) politics become more and more polarized, it feels harder than ever to have important conversations. \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e delves into why tough topics are often the most important, and how reactivity has caused people to back away from engaging in thoughtful discourse. The book publishes just before the 2024 U.S. election, on October 8 in the U.S. and Canada.\u003c\/li\u003e\n\u003cli\u003eBESTSELLING AUTHOR AND EXPERIENCED ACADEMIC: Ian Williams is the bestselling author of \u003cem\u003eReproduction\u003c\/em\u003e for which he also won the Scotiabank Giller Prize. He is also the author of \u003cem\u003eDisorientation: Being Black in the World\u003c\/em\u003e which was shortlisted for the Hilary Weston Writers’ Prize for Nonfiction. He is a tenured English professor at the University of Toronto.\u003c\/li\u003e\n\u003cli\u003eCROSS COUNTRY TOUR AND RADIO BROADCAST: The five lectures will be delivered live and in person in Sidney NS, Iqaluit NV, Saskatoon SK, Victoria BC, and Toronto ON over several weeks in fall 2024 and then will be broadcast on CBC Radio’s \u003cem\u003eIdeas\u003c\/em\u003e series in November 2024.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"An excellent book.\" \u003cstrong\u003e— \u003cem\u003eThe Globe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Williams … employs a playfully digressive narrative approach, which mirrors the dynamism and occasional messiness of authentic speech.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"A true conversation.\" —\u003cstrong\u003e\u003cem\u003eGuelph Today\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“In an age marked by the proliferation of social media platforms, political polarization, and censorship campaigns that ban books and silence opposing viewpoints, \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e is a call to reevaluate how we converse.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2024-10-08","Publisher":"House of Anansi Press Inc","Series":"The CBC Massey Lectures","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Remaking Conversation in Our Time","Width":"5.75","WidthCode":"in"}
What I Mean to Say
The 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.
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{"id":6818230403131,"title":"The Sisters Brothers","handle":"the-sisters-brothers","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Governor General's Award for Fiction, the Rogers Writers' Trust Fiction Prize, the Prix des libraires du Quebec and the Stephen Leacock Medal. Shortlisted for the Man Booker Prize, the Scotiabank Giller Prize, and the Walter Scott Prize.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermann Kermit Warm is going to die: Eli and Charlie Sisters can be counted on for that. Though Eli has never shared his brother’s penchant for whiskey and killing, he’s never known anything else. On the road to Warm’s gold-mining claim outside San Francisco — and from the back of his long-suffering one-eyed horse — Eli struggles to make sense of his life without abandoning the job he's sworn to do.\u003c\/p\u003e\n\u003cp\u003ePatrick deWitt, acclaimed author of \u003cem\u003eAblutions\u003c\/em\u003e, doffs his hat to the classic Western, and then transforms it into a comic tour-de-force with an unforgettable narrative voice that captures all the absurdity, melancholy, and grit of the West — and of these two brothers, bound to each other by blood and scars and love.\u003c\/p\u003e","published_at":"2022-03-29T12:26:58-04:00","created_at":"2022-03-29T10:52:25-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Bestseller","Adult Humor","Book Club Pick","By (author) deWitt Patrick","House of Anansi Press","pub date: 2011-05-14"],"price":1895,"price_min":1895,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40228927504443,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770890329","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Sisters Brothers - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2499,"weight":522,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770890329","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40228931534907,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770890275","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Sisters Brothers - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770890275","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40228933009467,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770897601","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Sisters Brothers - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770897601","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411","options":["Title"],"media":[{"alt":null,"id":24892586983483,"position":1,"preview_image":{"aspect_ratio":0.664,"height":2693,"width":1789,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411"},"aspect_ratio":0.664,"height":2693,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_071f3c26-0214-4f9f-af4a-569e6385d953.jpg?v=1730598411","width":1789}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner of the Governor General's Award for Fiction, the Rogers Writers' Trust Fiction Prize, the Prix des libraires du Quebec and the Stephen Leacock Medal. Shortlisted for the Man Booker Prize, the Scotiabank Giller Prize, and the Walter Scott Prize.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermann Kermit Warm is going to die: Eli and Charlie Sisters can be counted on for that. Though Eli has never shared his brother’s penchant for whiskey and killing, he’s never known anything else. On the road to Warm’s gold-mining claim outside San Francisco — and from the back of his long-suffering one-eyed horse — Eli struggles to make sense of his life without abandoning the job he's sworn to do.\u003c\/p\u003e\n\u003cp\u003ePatrick deWitt, acclaimed author of \u003cem\u003eAblutions\u003c\/em\u003e, doffs his hat to the classic Western, and then transforms it into a comic tour-de-force with an unforgettable narrative voice that captures all the absurdity, melancholy, and grit of the West — and of these two brothers, bound to each other by blood and scars and love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001537","AlsoRecommendedISBN_1":"9781487002299","AlsoRecommendedISBN_2":"9781487006563","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003ePATRICK DEWITT \u003c\/strong\u003eis the author of \u003cem\u003eAblutions\u003c\/em\u003e, \u003cem\u003eThe Sisters Brothers\u003c\/em\u003e, \u003cem\u003eUndermajordomo Minor\u003c\/em\u003e, \u003cem\u003eFrench Exit\u003c\/em\u003e, and \u003cem\u003eThe Librarianist\u003c\/em\u003e. His sixth novel, \u003cem\u003eDodge City\u003c\/em\u003e, will be released in late 2026. Born in British Columbia, Canada, he currently lives in Portland, Oregon. \u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003ePATRICK DEWITT \u003c\/strong\u003eis the author of \u003cem\u003eAblutions\u003c\/em\u003e, \u003cem\u003eThe Sisters Brothers\u003c\/em\u003e, \u003cem\u003eUndermajordomo Minor\u003c\/em\u003e, \u003cem\u003eFrench Exit\u003c\/em\u003e, and \u003cem\u003eThe Librarianist\u003c\/em\u003e. His sixth novel, \u003cem\u003eDodge City\u003c\/em\u003e, will be released in late 2026. Born in British Columbia, Canada, he currently lives in Portland, Oregon. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"deWitt, Patrick (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner of the Governor General's Award for Fiction, the Rogers Writers' Trust Fiction Prize, the Prix des libraires du Quebec and the Stephen Leacock Medal. Shortlisted for the Man Booker Prize, the Scotiabank Giller Prize, and the Walter Scott Prize.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHermann Kermit Warm is going to die: Eli and Charlie Sisters can be counted on for that. Though Eli has never shared his brother’s penchant for whiskey and killing, he’s never known anything else. 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It’s all rendered irresistible by Eli Sisters, who narrates with a mixture of melancholy and thoughtfulness . . . After capturing the fireside camps and saloons in perfectly drawn vignettes, deWitt strips these two lethal brothers of more than they ever thought a man could lose. And then, damned if he doesn’t surprise us again with a twilight scene that’s just miraculously lovely.” — \u003cstrong\u003eRon Charles, \u003cem\u003eWashington Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Ron Charles","OtherText_Review_0_Src":"Washington Post","OtherText_Review_1":"\u003cp\u003e“A powerfully realized work of narrative fiction . . . the dialogue is sharp as a whip . . . the novel works artfully within its formal boundaries to explore the nature of brotherhood, work, love, greed, loneliness, and personal renewal.” — \u003cstrong\u003e\u003cem\u003eTimes Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“. . . imaginative and ebullient . . . revels in the hilarious life and times of two gunslingers, Eli and Charlie Sisters.” — \u003cstrong\u003eCaroline Leavitt, \u003cem\u003eBoston Globe\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Auth":"Caroline Leavitt","OtherText_Review_10_Src":"Boston Globe","OtherText_Review_11":"\u003cp\u003e“The Sisters Brothers is a bloody, nightmarish frontier road trip that seems at times like something out of Cormac McCarthy, yet somehow merges laughter and hope with suffering, death and betrayal. [...] Like an alchemist, deWitt has refined and purified the base metals of black comedy and the western to produce literary gold.” — \u003cstrong\u003eBob Armstrong, \u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Auth":"Bob Armstrong","OtherText_Review_11_Src":"Winnipeg Free Press","OtherText_Review_12":"\u003cp\u003e“. . . gritty . . . deadpan . . . very comedic . . . opens new doors in the imagination.” — \u003cstrong\u003eJohn Vernon, \u003cem\u003eNew York Times Book Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12_Auth":"John Vernon","OtherText_Review_12_Src":"New York Times Book Review","OtherText_Review_1_Src":"Times Literary Supplement","OtherText_Review_2":"\u003cp\u003e“The Sisters Brothers is a bold, original and powerfully compelling work, grounded in well-drawn characters and a firm hold on narrative. When they say “They don’t write em like that anymore,” they’re wrong.” — \u003cstrong\u003eRobert Wiersema, \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Robert Wiersema","OtherText_Review_2_Src":"Globe and Mail","OtherText_Review_3":"\u003cp\u003e“There never was a more engaging pair of psychopaths than Charlie and Eli Sisters . . . So subtle is deWitt’s prose, so slyly note-perfect his rendition of Eli’s voice in all its earnestly charming nineteenth-century syntax, and so compulsively readable his bleakly funny Western noir story, that readers will stick by Eli even as he grinds his heel into the shattered skull of an already dead prospector.” — \u003cstrong\u003eBrian Bethune, \u003cem\u003eMaclean's\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Brian Bethune","OtherText_Review_3_Src":"Maclean's","OtherText_Review_4":"\u003cp\u003e“Fresh, hilariously anti-heroic, often genuinely chilling, and relentlessly compelling. Yes, this is a mighty fine read, and deWitt a mighty fine writer.” — \u003cstrong\u003eMichael Christie, \u003cem\u003eNational Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Michael Christie","OtherText_Review_4_Src":"National Post","OtherText_Review_5":"\u003cp\u003e“The Sisters Brothers confirms Patrick deWitt as one of the most talented young writers around.” — \u003cstrong\u003e\u003cem\u003eSunday Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Sunday Times","OtherText_Review_6":"\u003cp\u003e“Okay, so it does take a Canadian to write a truly great Western novel of daunting, surrealist panache and rooted in unwavering empathy — and that just about sums up the dark, profound achievement which is The Sisters Brothers.” — \u003cstrong\u003e\u003cem\u003eIrish Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Irish Times","OtherText_Review_7":"\u003cp\u003e“[Patrick] DeWitt has produced a genre-bending frontier saga that is exciting, funny, and perhaps unexpectedly, moving.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Publishers Weekly","OtherText_Review_8":"\u003cp\u003e“. . . a lushly voiced picaresque story . . . It's a kind of True Grit told by Tom Waits.” — \u003cstrong\u003eTom Chiarella, \u003cem\u003eEsquire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Auth":"Tom Chiarella","OtherText_Review_8_Src":"Esquire","OtherText_Review_9":"\u003cp\u003e“I doubt very much I'll read a funnier, more original book than this picaresque, Wild West tale . . . a terrifically spun yarn . . . masterfully strange and wonderful . . .” — \u003cstrong\u003eEmily Donaldon, \u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Auth":"Emily Donaldon","OtherText_Review_9_Src":"Toronto Star","OtherText_ShortDescription_0":"In this #1 national bestseller, Patrick deWitt spins a violent, lustful, hung-over and humorous odyssey through the underworld of the 1850s frontier.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_10":"Commended","PrizeCodeText_11":"Winner","PrizeCodeText_12":"Short-listed","PrizeCodeText_13":"Winner","PrizeCodeText_14":"Short-listed","PrizeCodeText_15":"Winner","PrizeCodeText_16":"Winner","PrizeCodeText_17":"Short-listed","PrizeCodeText_18":"Long-listed","PrizeCodeText_19":"Short-listed","PrizeCodeText_2":"Winner","PrizeCodeText_20":"Winner","PrizeCodeText_21":"Winner","PrizeCodeText_22":"Commended","PrizeCodeText_23":"Commended","PrizeCodeText_24":"Commended","PrizeCodeText_25":"Commended","PrizeCodeText_3":"Winner","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Commended","PrizeCodeText_7":"Commended","PrizeCodeText_8":"Commended","PrizeCodeText_9":"Commended","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_10":"03","PrizeCode_11":"01","PrizeCode_12":"04","PrizeCode_13":"01","PrizeCode_14":"04","PrizeCode_15":"01","PrizeCode_16":"01","PrizeCode_17":"04","PrizeCode_18":"05","PrizeCode_19":"04","PrizeCode_2":"01","PrizeCode_20":"01","PrizeCode_21":"01","PrizeCode_22":"03","PrizeCode_23":"03","PrizeCode_24":"03","PrizeCode_25":"03","PrizeCode_3":"01","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"03","PrizeCode_7":"03","PrizeCode_8":"03","PrizeCode_9":"03","PrizeName_0":"Man Booker Prize for Fiction","PrizeName_1":"Scotiabank Giller Prize","PrizeName_10":"Maclean's Magazine Best Books","PrizeName_11":"Pacific Northwest Booksellers Association Book Award","PrizeName_12":"CBC Bookie Awards: Literary Fiction","PrizeName_13":"Stephen Leacock Memorial Medal","PrizeName_14":"Walter Scott Prize","PrizeName_15":"Oregon Book Awards: Ken Kesey Award for Fiction","PrizeName_16":"CBA Libris Award: Fiction Book of the Year","PrizeName_17":"CBA Libris Award: Author of the Year","PrizeName_18":"IMPAC Dublin Literary Award","PrizeName_19":"Google Play International Author of the Year","PrizeName_2":"Rogers Writers' Trust Fiction Prize","PrizeName_20":"Prix des libraires du Quebec","PrizeName_21":"Canadian Booksellers Association Libris Award: Fiction Book of the Year","PrizeName_22":"An Indigo Best Book of the Decade","PrizeName_23":"An Amazon.ca Best Books Editors’ Pick","PrizeName_24":"An Amazon.ca Best Books: Canadian Fiction","PrizeName_25":"A LitHub Best Book of the Decade Runner-Up","PrizeName_3":"Governor General's Literary Award: Fiction","PrizeName_4":"Amazon.ca Best Books: Editors' Pick","PrizeName_5":"Amazon.ca Best Books: Canadian Fiction","PrizeName_6":"Publishers Weekly Best Book","PrizeName_7":"Globe and Mail Top 100 Book","PrizeName_8":"Quill and Quire Book of the Year","PrizeName_9":"Toronto Star Reviewers' Top 100 Books","PrizeYear_0":"2011","PrizeYear_1":"2011","PrizeYear_10":"2011","PrizeYear_11":"2012","PrizeYear_12":"2012","PrizeYear_13":"2012","PrizeYear_14":"2012","PrizeYear_15":"2012","PrizeYear_16":"2012","PrizeYear_17":"2012","PrizeYear_18":"2013","PrizeYear_19":"2012","PrizeYear_2":"2011","PrizeYear_20":"2013","PrizeYear_3":"2011","PrizeYear_4":"2011","PrizeYear_5":"2011","PrizeYear_6":"2011","PrizeYear_7":"2011","PrizeYear_8":"2011","PrizeYear_9":"2011","ProductFormDescription":"mobi","PublicationDate":"2011-05-14","Publisher":"House of Anansi Press Inc","Series":"Anansi Book Club Editions","ShortDescription":"In this #1 national bestseller, Patrick deWitt spins a violent, lustful, hung-over and humorous odyssey through the underworld of the 1850s frontier.","Width":"6.02","WidthCode":"in"}
The Sisters Brothers
In this #1 national bestseller, Patrick deWitt spins a violent, lustful, hung-over and humorous odyssey through the underworld of the 1850s frontier.
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{"id":6812121694267,"title":"Autopsy of a Boring Wife","handle":"autopsy-of-a-boring-wife","description":"\u003cp\u003e\u003cstrong\u003eLike a Québécois \u003ci\u003eBridget Jones’s Diary\u003c\/i\u003e, \u003ci\u003e Autopsy of a Boring Wife\u003c\/i\u003e tells the hysterically funny and ultimately touching tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDiane takes the change to heart and undertakes an often ribald, highly entertaining journey to restore trust in herself--and others--that offers an astute commentary on women and girls, gender differences, and the curious institution of twenty-first century marriage. 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All the details are up for scrutiny in this brisk, yet tender story of a path to recovery. \u003ci\u003eAutopsy of a Boring Wife \u003c\/i\u003eis a wonderfully fresh novel of the pitfalls of an apparently “boring” life that could be any of ours.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002381","AlsoRecommendedISBN_3":"9781770893139","AlsoRecommendedISBN_4":"9781770899421","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARIE-RENÉE LAVOIE\u003c\/strong\u003e was born in 1974 in Limoilou, near Quebec City. She is the author of four novels, including \u003cem\u003eMister Roger and Me\u003c\/em\u003e, which won ICI Radio-Canada’s “Battle of the Books” — the Quebec equivalent of “Canada Reads” — and the Archambault Prize; \u003cem\u003eAutopsy of a Boring Wife\u003c\/em\u003e, which was a finalist for the Forest of Reading Evergreen Award, a Hoopla Book Club selection, and a CBC Best Books of the Year, and is currently being developed for television; and\u003cem\u003e A Boring Wife Settles the Score\u003c\/em\u003e. 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Autopsy of a Boring Wife
The hysterically funny tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him.
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{"id":6811221884987,"title":"Cobalt","handle":"cobalt","description":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2023 Trillium Book Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe world is desperate for cobalt. It drives the proliferation of digital and clean technologies. But this “demon metal” has a horrific present and a troubled history.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe modern search for cobalt has brought investors back to a small town in Northern Canada, a place called Cobalt. Like the demon metal, this town has a dark and turbulent history. \u003c\/p\u003e\n\u003cp\u003eThe tale of the early-twentieth-century mining rush at Cobalt has been told as a settler’s adventure, but Indigenous people had already been trading in metals from the region for two thousand years. And the events that happened here — the theft of Indigenous lands, the exploitation of a multicultural workforce, and the destruction of the natural environment — established a template for resource extraction that has been exported around the world. \u003c\/p\u003e\n\u003cp\u003eCharlie Angus reframes the complex and intersectional history of Cobalt within a broader international frame — from the conquistadores to the Western gold rush to the struggles in the Democratic Republic of Congo today. He demonstrates how Cobalt set Canada on its path to become the world’s dominant mining superpower.\u003cbr\u003e\n\u003c\/p\u003e","published_at":"2022-03-21T09:28:05-04:00","created_at":"2022-03-21T09:16:33-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["By (author) Angus Charlie","Environmentalism","House of Anansi Press","Nonfiction","pub date: 2022-02-01"],"price":1999,"price_min":1999,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190645436475,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487009496","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cobalt - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2499,"weight":396,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487009496","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190645567547,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487009502","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Cobalt - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009502","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ccdef39e-58b4-411f-8c20-f167fc509278.jpg?v=1711254488"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ccdef39e-58b4-411f-8c20-f167fc509278.jpg?v=1711254488","options":["Title"],"media":[{"alt":null,"id":24351463768123,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ccdef39e-58b4-411f-8c20-f167fc509278.jpg?v=1711254488"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ccdef39e-58b4-411f-8c20-f167fc509278.jpg?v=1711254488","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2023 Trillium Book Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe world is desperate for cobalt. It drives the proliferation of digital and clean technologies. But this “demon metal” has a horrific present and a troubled history.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe modern search for cobalt has brought investors back to a small town in Northern Canada, a place called Cobalt. Like the demon metal, this town has a dark and turbulent history. \u003c\/p\u003e\n\u003cp\u003eThe tale of the early-twentieth-century mining rush at Cobalt has been told as a settler’s adventure, but Indigenous people had already been trading in metals from the region for two thousand years. And the events that happened here — the theft of Indigenous lands, the exploitation of a multicultural workforce, and the destruction of the natural environment — established a template for resource extraction that has been exported around the world. \u003c\/p\u003e\n\u003cp\u003eCharlie Angus reframes the complex and intersectional history of Cobalt within a broader international frame — from the conquistadores to the Western gold rush to the struggles in the Democratic Republic of Congo today. He demonstrates how Cobalt set Canada on its path to become the world’s dominant mining superpower.\u003cbr\u003e\n\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008055","AlsoRecommendedISBN_1":"9781487008024","AlsoRecommendedISBN_2":"9781487008024","AlsoRecommendedISBN_3":"9781487003111","AlsoRecommendedISBN_4":"9781487003111","BASICMainSubject":"POL044000","BASICMainSubjectLiteral":"POLITICAL SCIENCE\/Public Policy\/Environmental Policy","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHARLIE ANGUS \u003c\/strong\u003eis a nationally recognized politician, author, and musician. He has published nine books and is the recipient of numerous writing awards, including the Trillium Book Award finalist \u003cem\u003eCobalt: Cradle of the Demon Metals, Birth of a Mining Superpower\u003c\/em\u003e. Angus has served in the Canadian Parliament for twenty years. He has earned a national reputation as a fierce fighter for social justice and Indigenous rights. Angus was the founding member of Toronto punk band L’etranger. He is the leader of the roots band Grievous Angels; their ninth album is \u003cem\u003eLast Call for Cinderella\u003c\/em\u003e. Angus lives in Cobalt, Ontario, with his wife, author Brit Griffin. They have three daughters.\u003c\/p\u003e","BISACSubjectLiteral_0":"POLITICAL SCIENCE \/ Public Policy \/ Environmental Policy","BISACSubjectLiteral_1":"NATURE \/ Natural Resources","BISACSubjectLiteral_2":"HISTORY \/ Canada \/ General","BISACSubject_0":"POL044000","BISACSubject_1":"NAT038000","BISACSubject_2":"HIS006000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHARLIE ANGUS \u003c\/strong\u003eis a nationally recognized politician, author, and musician. He has published nine books and is the recipient of numerous writing awards, including the Trillium Book Award finalist \u003cem\u003eCobalt: Cradle of the Demon Metals, Birth of a Mining Superpower\u003c\/em\u003e. Angus has served in the Canadian Parliament for twenty years. He has earned a national reputation as a fierce fighter for social justice and Indigenous rights. Angus was the founding member of Toronto punk band L’etranger. He is the leader of the roots band Grievous Angels; their ninth album is \u003cem\u003eLast Call for Cinderella\u003c\/em\u003e. Angus lives in Cobalt, Ontario, with his wife, author Brit Griffin. They have three daughters.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Angus, Charlie (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2023 Trillium Book Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe world is desperate for cobalt. It drives the proliferation of digital and clean technologies. But this “demon metal” has a horrific present and a troubled history.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe modern search for cobalt has brought investors back to a small town in Northern Canada, a place called Cobalt. Like the demon metal, this town has a dark and turbulent history. \u003c\/p\u003e\n\u003cp\u003eThe tale of the early-twentieth-century mining rush at Cobalt has been told as a settler’s adventure, but Indigenous people had already been trading in metals from the region for two thousand years. And the events that happened here — the theft of Indigenous lands, the exploitation of a multicultural workforce, and the destruction of the natural environment — established a template for resource extraction that has been exported around the world. \u003c\/p\u003e\n\u003cp\u003eCharlie Angus reframes the complex and intersectional history of Cobalt within a broader international frame — from the conquistadores to the Western gold rush to the struggles in the Democratic Republic of Congo today. He demonstrates how Cobalt set Canada on its path to become the world’s dominant mining superpower.\u003cbr\u003e\n\u003c\/p\u003e","EAN":"9781487009502","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009502\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Canadian Shield;bay street toronto;lithium;investors;capitalism;foreign investment;big tech;north of toronto;timmins thunder bay","NumberOfPages":"336","OtherText_Accolades_0":"\u003cp\u003e“\u003cem\u003eCobalt\u003c\/em\u003e is an epic story of a mostly forgotten town. From the silver screen to Silicon Valley, from the Guggenheims to the Montreal Canadiens, from the predatory capitalism of the Gilded Age to the Cold War to the globalized mining industry of the twenty-first century, the power unleashed in Cobalt more than a century ago continues to reverberate in Canada and the world. It is a cautionary tale of a land and economy based on resource extraction, and, as a northerner, I was at once elevated and infuriated by the events recounted so masterfully in this book. With \u003cem\u003eCobalt\u003c\/em\u003e, Charlie Angus has hit paydirt.” — \u003cstrong\u003eJames Daschuk, author of Clearing the Plains: Disease, Politics of Starvation, and the Loss of Aboriginal Life\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"James Daschuk, author of Clearing the Plains: Disease, Politics of Starvation, and the Loss of Aboriginal Life","OtherText_Accolades_1":"\u003cp\u003e“Fantastic! Gripping! A page-turner. In telling the story of Cobalt, Ontario, Charlie Angus has told the story of Canada: the rapacious search for easy wealth, the plunder of nature and Indigenous lands, the abuse of women and ethnic minorities, and the creation of a Canadian mining industry still leaving its terrible footprint in the Global South. But \u003cem\u003eCobalt\u003c\/em\u003e is also the story of resistance and reconciliation; the birth of union power and the rights of working people; the collective fight for health care, education, and social security for all; and the pursuit of justice. The book is filled with great stories, larger-than-life characters, and rich history. I highly recommend it.” — \u003cstrong\u003eMaude Barlow, activist and author\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Maude Barlow, activist and author","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eCharlie Angus is the award-winning, bestselling author of \u003cem\u003eChildren of the Broken Treaty. \u003c\/em\u003eHe is also a beloved musician and a high-profile Member of Parliament. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCobalt\u003c\/em\u003e exposes Canada as the mining capital of the world and responsible for much global misery, especially despised by Indigenous groups for destructive mining practices. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCobalt\u003c\/em\u003e is at the heart of current affairs as the mining of cobalt is gaining wider notoriety. \u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eCharlie Angus is the award-winning, bestselling author of \u003cem\u003eChildren of the Broken Treaty. \u003c\/em\u003eHe is also a beloved musician and a high-profile Member of Parliament. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCobalt\u003c\/em\u003e exposes Canada as the mining capital of the world and responsible for much global misery, especially despised by Indigenous groups for destructive mining practices. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCobalt\u003c\/em\u003e is at the heart of current affairs as the mining of cobalt is gaining wider notoriety. \u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“This immersive history includes a trenchant warning about the unknown costs of the race to a clean energy future.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Publishers Weekly","OtherText_Review_1":"\u003cp\u003e“Charlie Angus passionately and comprehensively pulls apart the existing narrative about Northern Ontario by exploring the extraordinary history of an overlooked town … In deftly handled prose, Angus details the media manipulation, violence, and government collusion (or ineptitude) that would gradually turn mining corporations into superpowers that spin fictional stories of a ‘nicer’ frontier in Ontario’s north. In actuality, Cobalt suffered municipal dysfunction, disease, xenophobia, murder, and catastrophe, and ushered in an era where the land was transformed into a series of company towns in order to bolster economies in the south and grow a nation.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"\u003cp\u003eCharlie Angus uncovers how Canada’s mining dominance feeds the world’s hunger for cobalt, a mineral with a horrific present and troubled history.\u003c\/p\u003e","PrizeCodeText_0":"Nominated","PrizeCodeText_1":"Short-listed","PrizeCode_0":"07","PrizeCode_1":"04","PrizeName_0":"Forest of Reading Evergreen Award","PrizeName_1":"Ontario Trillium Award","PrizeYear_0":"2023","PrizeYear_1":"2023","ProductFormDescription":"epub","PublicationDate":"2022-02-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003eCharlie Angus uncovers how Canada’s mining dominance feeds the world’s hunger for cobalt, a mineral with a horrific present and troubled history.\u003c\/p\u003e","Subtitle":"Cradle of the Demon Metals, Birth of a Mining Superpower","Width":"5.5","WidthCode":"in"}
Cobalt
Charlie Angus uncovers how Canada’s mining dominance feeds the world’s hunger for cobalt, a mineral with a horrific present and troubled history.
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{"id":7349301313595,"title":"Letters to Kafka","handle":"letters-to-kafka","description":"\u003cp\u003e\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna’s post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka’s first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka’s energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská’s wit, rebellious spirit, and intelligence.\u003c\/p\u003e\n\u003cp\u003eJesenská and Kafka meet twice for lovers’ trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual.\u003c\/p\u003e","published_at":"2025-02-21T13:52:44-05:00","created_at":"2025-02-21T13:50:53-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","By (author) Estima Christine","Feminist Reads","House of Anansi Press","Literary Fiction","pub date: 2025-09-09"],"price":1999,"price_min":1999,"price_max":2699,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025772580923,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013318","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Letters to Kafka - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2699,"weight":404,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013318","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42025772711995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013325","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Letters to Kafka - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013325","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013318.jpg?v=1770823779"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013318.jpg?v=1770823779","options":["Title"],"media":[{"alt":"Cover: Letters to Kafka, a novel by Christine Estima. The cover features a black-and-white photograph of a woman with dark hair lying on her side, her face in three-quarter profile and her eyes looking up at the viewer. The bottom left corner of a windowpane is visible behind her.","id":26376000667707,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013318.jpg?v=1770823779"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013318.jpg?v=1770823779","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna’s post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka’s first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka’s energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská’s wit, rebellious spirit, and intelligence.\u003c\/p\u003e\n\u003cp\u003eJesenská and Kafka meet twice for lovers’ trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487007614","AlsoRecommendedISBN_1":"9781487011864","AlsoRecommendedISBN_2":"9781487012335","BASICMainSubject":"FIC041000","BASICMainSubjectLiteral":"FICTION\/Biographical \u0026 Autofiction","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHRISTINE ESTIMA\u003c\/strong\u003e is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection \u003cem\u003eThe Syrian Ladies Benevolent Society\u003c\/em\u003e, which the CBC called one of the Best Fiction Books of 2023. She has written for \u003cem\u003eThe New York Times\u003c\/em\u003e, \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eVICE\u003c\/em\u003e, \u003cem\u003eThe Globe and Mail\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and the CBC. Her story “Your Hands Are Blessed” was included in \u003cem\u003eBest Canadian Stories 2023\u003c\/em\u003e. She was a finalist for the 2023 Lee Smith Novel Prize and was shortlisted for the 2018 Allan Slaight Prize for Journalism. Christine has a master’s degree in interdisciplinary studies from York University and lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Biographical","BISACSubjectLiteral_1":"FICTION \/ Historical \/ 20th Century \/ General","BISACSubjectLiteral_2":"FICTION \/ Women","BISACSubject_0":"FIC041000","BISACSubject_1":"FIC014080","BISACSubject_2":"FIC044000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHRISTINE ESTIMA\u003c\/strong\u003e is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection \u003cem\u003eThe Syrian Ladies Benevolent Society\u003c\/em\u003e, which the CBC called one of the Best Fiction Books of 2023. She has written for \u003cem\u003eThe New York Times\u003c\/em\u003e, \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eVICE\u003c\/em\u003e, \u003cem\u003eThe Globe and Mail\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and the CBC. Her story “Your Hands Are Blessed” was included in \u003cem\u003eBest Canadian Stories 2023\u003c\/em\u003e. She was a finalist for the 2023 Lee Smith Novel Prize and was shortlisted for the 2018 Allan Slaight Prize for Journalism. Christine has a master’s degree in interdisciplinary studies from York University and lives in Toronto.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Estima, Christine (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna’s post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka’s first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka’s energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská’s wit, rebellious spirit, and intelligence.\u003c\/p\u003e\n\u003cp\u003eJesenská and Kafka meet twice for lovers’ trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual.\u003c\/p\u003e","EAN":"9781487013325","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013325\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"The Trial;Jewish;Metamorphosis;The Cockroach;Epistolary Novels;Antisemitism;Historical Fiction;Literary Romance;Historical Romance;Ravensbrück;The Syrian Ladies Benevolent Society;The Paris Wife;Sexy Books;Z; A Novel of Zelda Fitzgerald;Coffee House Books;Jazz Age;Bohemian;Books About Falling in Love;Loving Frank;HIdden History;Books About Lives of the Famous;Women's Fiction;Freud;Hemingway;Award Winning Author;CBC;CBC Next Chapter;CIBA;Arab Women;Pan-Asian Authors","NumberOfPages":"408","OtherText_Accolades_0":"\u003cp\u003e“A\u003cem\u003e \u003c\/em\u003estunning achievement in historical fiction.” —\u003cstrong\u003eSaeed Teebi, author of \u003cem\u003eHer First Palestinian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“Deftly imagined and passionately felt … This is a luminous debut novel by a gifted writer.” —\u003cstrong\u003eCorinna Chong, author of \u003cem\u003eBad Land\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“What an extraordinary world Christine Estima has created for her readers! … I adored every word of this novel and could not put it down.” —\u003cstrong\u003eHeather O’Neill, author of \u003cem\u003eThe Capital of Dreams\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“\u003cem\u003eLetters to Kafka\u003c\/em\u003e is an enthralling debut novel that is both ambitious in scope and rich in character.” —\u003cstrong\u003eWaubgeshig Rice, author of \u003cem\u003eMoon of the Turning Leaves\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eRE-CENTRING WOMEN: \u003cem\u003eLetters to Kafka\u003c\/em\u003e is another brilliant addition to a string of historical fiction that recentres women in the stories of famous men like \u003cem\u003eThe Paris Wife\u003c\/em\u003e (Ballantine Books; 2011), \u003cem\u003eZ: A Novel of Zelda Fitzgerald\u003c\/em\u003e (St. Martin's Press; 2013), and \u003cem\u003eA Daughter's Place\u003c\/em\u003e (House of Anansi; 2025).\u003c\/li\u003e\n\u003cli\u003e20TH CENTURY HISTORICAL ROMANCE: Crafted from years of research and compelling historical details from the real life of Milena Jesenská, who after Kafka's death in 1924, would go on to become a resistance fighter.\u003c\/li\u003e\n\u003cli\u003eLEGACY OF RESISTANCE: Milena Jesenská contributed to banned publications denouncing the Nazi occupiers and hid Jewish people and dissidents in her home. She was imprisoned in 1939 at Ravensbrück concentration camp and died there in 1944.\u003c\/li\u003e\n\u003cli\u003eDEBUT NOVEL: \u003cem\u003eLetters to Kafka\u003c\/em\u003e is Christine Estima's debut novel. Her debut short story collection, \u003cem\u003eThe Syrian Ladies Benevolent Society\u003c\/em\u003e, (House of Anansi; 2023) was named one of the CBC's Best Books of 2023.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"A steamy debut.\" —\u003cstrong\u003e\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Kafka devotees ought to take a look.” — \u003cstrong\u003e\u003cem\u003ePublisher’s Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"An indelible portrait of a no-longer-invisible figure.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“A luminous novel of charged defiance and potent desire … [\u003cem\u003eLetters to Kafka\u003c\/em\u003e’s] success is that it does not characterize [Milena Jesenská’s] life as a tragedy, but as a triumph.“— \u003cstrong\u003e\u003cem\u003eMaisonneuve\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e\"Readers will be moved and warmed by the fire of this wonderfully realized fiction.” — \u003cstrong\u003e\u003cem\u003eSubTerrain Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“A richly imagined work of historical fiction.” — \u003cstrong\u003e\u003cem\u003eThat Shakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"CBC Best Book of 2025","PrizeYear_0":"2025","ProductFormDescription":"epub","PublicationDate":"2025-09-09","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Novel","Width":"5.25","WidthCode":"in"}
Letters to Kafka
A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.
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{"id":7349210906683,"title":"A Daughter's Place","handle":"a-daughters-place","description":"\u003cp\u003e\u003cstrong\u003eFinalist, Foreword INDIES 2025 Book of the Year \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of \u003cem\u003eDon Quixote\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMadrid, 1599. Following her mother’s sudden death, fifteen-year-old Isabel goes to live in the family home of her father, the poet and war hero Miguel de Cervantes, a man she has never met. Forced to pose as a maid to conceal her illegitimate status, Isabel must adapt to a new way of life with her jealous cousin and protective aunts while she waits for her father to return from Seville. Meanwhile, in the nearby town of Esquivias, Miguel’s pious and faithful wife Catalina similarly awaits his return, blissfully unaware of Isabel’s existence.\u003c\/p\u003e\n\u003cp\u003eAs Miguel works on the manuscript that will become his masterpiece, \u003cem\u003eDon Quixote\u003c\/em\u003e, the years pass and Isabel grows into womanhood, falling in and out love, uncovering family secrets, and yearning for the legitimacy denied her by a rigid and callous society. Capturing two tumultuous decades of Golden Age Spain in rich historical detail, Martha Bátiz paints a compassionate portrait of a family on the precipice of great change—and the fiercely independent woman at its centre striving to make a life of her own.\u003c\/p\u003e","published_at":"2025-02-21T11:02:22-05:00","created_at":"2025-02-21T10:58:36-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","By (author) Bátiz Martha","Feminist Reads","House of Anansi Press","Literary Fiction","pub date: 2025-05-20"],"price":1999,"price_min":1999,"price_max":2699,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025539403835,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011864","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A Daughter's Place - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2699,"weight":444,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011864","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42025539600443,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011871","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"A Daughter's Place - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011871","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_716fe017-359b-4552-86bc-129461e100f1.jpg?v=1747845900"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_716fe017-359b-4552-86bc-129461e100f1.jpg?v=1747845900","options":["Title"],"media":[{"alt":"Cover: A Daughter's Place by Martha Bátiz. Artwork of two young women in seventeenth-century clothing. One leans on a window ledge, resting her chin on her hand and smiling, while the other peeks out from behind a curtain, holding a cloth to her face. The title and author’s name appear in large, white brush script.","id":25410621276219,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_716fe017-359b-4552-86bc-129461e100f1.jpg?v=1747845900"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_716fe017-359b-4552-86bc-129461e100f1.jpg?v=1747845900","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist, Foreword INDIES 2025 Book of the Year \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of \u003cem\u003eDon Quixote\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMadrid, 1599. Following her mother’s sudden death, fifteen-year-old Isabel goes to live in the family home of her father, the poet and war hero Miguel de Cervantes, a man she has never met. Forced to pose as a maid to conceal her illegitimate status, Isabel must adapt to a new way of life with her jealous cousin and protective aunts while she waits for her father to return from Seville. Meanwhile, in the nearby town of Esquivias, Miguel’s pious and faithful wife Catalina similarly awaits his return, blissfully unaware of Isabel’s existence.\u003c\/p\u003e\n\u003cp\u003eAs Miguel works on the manuscript that will become his masterpiece, \u003cem\u003eDon Quixote\u003c\/em\u003e, the years pass and Isabel grows into womanhood, falling in and out love, uncovering family secrets, and yearning for the legitimacy denied her by a rigid and callous society. Capturing two tumultuous decades of Golden Age Spain in rich historical detail, Martha Bátiz paints a compassionate portrait of a family on the precipice of great change—and the fiercely independent woman at its centre striving to make a life of her own.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487006211","AlsoRecommendedISBN_1":"9781487007300","AlsoRecommendedISBN_2":"9781770898899","AlsoRecommendedISBN_3":"9781487007300","BASICMainSubject":"FIC044000","BASICMainSubjectLiteral":"FICTION\/Women","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARTHA BÁTIZ\u003c\/strong\u003e is an award-winning writer, translator, and professor of creative writing and Spanish language and literature. She is the author of five books, including the short story collections \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e and \u003cem\u003ePlaza Requiem\u003c\/em\u003e (winner of an International Latino Book Award), as well as the novella \u003cem\u003eBoca de lobo \/ Damiana's Reprieve\u003c\/em\u003e (winner of the Casa de Teatro Prize). Born and raised in Mexico City, she now lives in Toronto. 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A Daughter’s Place is her first novel.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Bátiz, Martha","Description":"\u003cp\u003e\u003cstrong\u003eFinalist, Foreword INDIES 2025 Book of the Year \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of \u003cem\u003eDon Quixote\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMadrid, 1599. Following her mother’s sudden death, fifteen-year-old Isabel goes to live in the family home of her father, the poet and war hero Miguel de Cervantes, a man she has never met. Forced to pose as a maid to conceal her illegitimate status, Isabel must adapt to a new way of life with her jealous cousin and protective aunts while she waits for her father to return from Seville. 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Capturing two tumultuous decades of Golden Age Spain in rich historical detail, Martha Bátiz paints a compassionate portrait of a family on the precipice of great change—and the fiercely independent woman at its centre striving to make a life of her own.\u003c\/p\u003e","EAN":"9781487011871","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011871\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011871\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Girl in the Pearl Earring;The Other Boleyn Girl;The Painted Girls;The Winter Palace;The Ingenious Gentleman;The Impossible Dream;The Paris Wife;Renaissance;Paula McLain;Tracy Chevalier;Most Translated Book;Cathy Marie Buchanan;Dulcinea of El Toboso;Maritornes;100 Years of Solitude Netflix;CanLit;CanCon;Best Historical Fiction;Strong Female Protagonist;The Frozen","NumberOfPages":"408","OtherText_Accolades_0":"\u003cp\u003e“Historical fiction readers: get ready to swoon, not over the famous author of \u003cem\u003eDon Quixote\u003c\/em\u003e, but over the feisty woman who fought for legitimacy and her place in a man's world.” —\u003cstrong\u003eNita Prose, #1 New York Times bestselling author of \u003cem\u003eThe Maid\u003c\/em\u003e and \u003cem\u003eThe Mystery Guest\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e\u003cem\u003e“A Daughter’s Place\u003c\/em\u003e is a pure pleasure to read from beginning to end.” —\u003cstrong\u003eRoberta Rich, #1 bestselling author of \u003cem\u003eThe Midwife of Venice\u003c\/em\u003e and \u003cem\u003eThe Jazz Club Spy\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“\u003cem\u003eA Daughter’s Place\u003c\/em\u003e is a joy to read, immersive, erudite, and compelling … Bátiz reinvents the untold stories of the women around Miguel de Cervantes, and they are as ingenious as the sad knight himself. Read this wonderful book.” —\u003cstrong\u003eKim Echlin, bestselling author of \u003cem\u003eThe Disappeared\u003c\/em\u003e and \u003cem\u003eSpeak, Silence\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“Meticulously researched and imagined to illuminate Cervantes and his world.” — \u003cstrong\u003eMarina Endicott, author of\u003cem\u003e Good to a Fault\u003c\/em\u003e and \u003cem\u003eThe Observer\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4":"\u003cp\u003e“Emotionally arresting, with gorgeous descriptions and powerful feminist observations… this novel is a masterpiece.” — \u003cstrong\u003eDanila Botha, author of \u003cem\u003eThings that Cause Inappropriate Happiness\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe book follows a popular trend in historical fiction that seeks to give a voice to the overlooked women who shared their lives with famous men. Isabel’s father is Miguel de Cervantes, author of \u003cem\u003eDon Quixote\u003c\/em\u003e, the second most translated book in the history of literature (next only to the Bible). Much has been written about Cervantes over the last four centuries, but very little is known about his only daughter or the other women in his life. \u003c\/li\u003e\n\u003cli\u003eIn addition to Isabel, \u003cem\u003eA Daughter’s Place\u003c\/em\u003e features the voices of her cousin Constanza, her aunt Magdalena, and Catalina, her father’s wife. In this way, the book is about more than just one person; it’s about a group of women who lived together through perilous and difficult times, facing obstacles with bravery and solidarity, while staying true to themselves. \u003c\/li\u003e\n\u003cli\u003eThe book has been written in simple, accessible language as a tribute to \u003cem\u003eDon Quixote\u003c\/em\u003e, a novel written in the everyday language of its time. Bátiz wanted to create a universe that was open to everyone, not just readers interested in Spanish history and Golden Age literature.\u003c\/li\u003e\n\u003cli\u003eFor those who loved \u003cem\u003eThe Paris Wife\u003c\/em\u003e by Paula McLain, \u003cem\u003eLoving Frank\u003c\/em\u003e by Nancy Horan, and \u003cem\u003eZ: A Novel of Zelda Fitzgerald\u003c\/em\u003e by Therese Anne Fowler.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“An extraordinary debut novel … Lyrical and evocative.” \u003cstrong\u003e\u003cem\u003e— Ms. Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Impressive and impeccably researched, [\u003cem\u003eA Daughter’s Place\u003c\/em\u003e is] rife with life’s wisdom.” — \u003cstrong\u003e\u003cem\u003eToronto Star \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“A remarkable achievement, \u003cem\u003eA Daughter’s Place\u003c\/em\u003e encourages us to rethink the conditions that allow writerly genius to thrive.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of \u003cem\u003eDon Quixote\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCode_0":"04","PrizeName_0":"Foreword INDIES Award for Historical Fiction","PrizeYear_0":"2025","ProductFormDescription":"epub","PublicationDate":"2025-05-20","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of \u003cem\u003eDon Quixote\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Novel","Width":"5.25","WidthCode":"in"}
A Daughter's Place
A sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of Don Quixote
Quick View
{"id":7299167092795,"title":"Shadow Price","handle":"shadow-price","description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","published_at":"2024-08-29T17:43:54-04:00","created_at":"2024-08-29T17:38:26-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Ghafoor Farah","Feminist Reads","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820378726459,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012922","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":210,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012922","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41820378791995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012939","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012939","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440","options":["Title"],"media":[{"alt":"Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.","id":26831051456571,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487010843","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ghafoor, Farah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","EAN":"9781487012939","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012939\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Poetry;EJ Pratt Award for Poetry;CBC Poetry Prize;University of Toronto;Financial Analyst;Accounting Poems;South Asian;My Grief the Sun;Intruder;Sanna Wani;Wellwater;Room Magazine;Silk Road Literary Festival;League of Canadian Poets;ARC Poetry Magazine;Pakistani-Canadian;Climate Anxiety;Capitalism;Late Stage Capitalism;Chimwemwe Undi;Scientific Marvel;Environmentalism;Economy;Muslim;Islam;Women's Studies;Women's Poetry;Muslim Poetry;Karen Solie","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e“Farah Ghafoor’s highly-anticipated debut is as expansive and epic as it is exacting … \u003cem\u003eShadow Price\u003c\/em\u003e is a stalwart reminder of how much we have already lost to capitalism, how much we still might lose, and how we might come to terms with this disrepair.”– \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“With ardor and a lustrous fury, Farah Ghafoor emboldens with poems that resound of a planet in crisis … This is a book we need now more than ever given the severe and precarious state of our entire existence and all that we touch, eat, breathe, and leave behind.\" —\u003cstrong\u003eMai Der Vang, author of \u003cem\u003ePrimordial\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"If we are the last poets, may this collection inspire us to truly value the pricelessness of our wounded and wondrous planet.\" — \u003cstrong\u003eCraig Santos Perez, author of \u003cem\u003eCal This Mutiny\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“[Ghafoor] deconstructs and reassembles our world into a sincere but uncanny and urgent stream of thoughts and images, often playful, absurd, sarcastic, and funny … A tour de force.” —\u003cstrong\u003eAndri Magnason, author of \u003cem\u003eTime and Water\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is the second year in a row we have featured a poetry debut by someone who is not a graduate of a creative writing or MFA program (Chim Undi, \u003cem\u003eScientific Marvel\u003c\/em\u003e). She has a BBA from U of T.\u003c\/li\u003e\n\u003cli\u003eBecause of its politics and subject matter, the book\/author will potentially draw crossover interest (it already has) in Environmental, Muslim, and Women’s Studies courses.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A groundbreaking take on ecopoetry … [\u003cem\u003eShadow Price\u003c\/em\u003e manages to] show us a world that is beautiful and, above all, inherently valuable.” \u003cstrong\u003e\u003cem\u003e— Room Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Urgent debut.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Ghafoor’s words hold up a mirror to society, asking whether we still have time or if it is already too late … Gut-wrenching. — \u003cstrong\u003e\u003cem\u003eQuebec Library Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“This collection serves as a stark reminder of how much we’ve already lost to capitalism and a warning of how much we still have to lose. Wrapped in lyrics that are lively and irresistible, this is a call to action.” — \u003cstrong\u003e\u003cem\u003eSpring Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Commended","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Toronto Book Award","PrizeName_2":"CBC Best Book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Shadow Price
Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens.
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{"id":7168137920571,"title":"Midway","handle":"midway","description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","published_at":"2023-07-27T14:27:46-04:00","created_at":"2023-07-27T14:22:33-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult LGBTQ+","Adult Poetry","By (author) Czaga Kayla","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382985695291,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012601","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midway - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012601","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41382986416187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012618","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Midway - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012618","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","options":["Title"],"media":[{"alt":"Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.","id":24263874871355,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008680","AlsoRecommendedISBN_1":"9781487008949","AlsoRecommendedISBN_2":"9781487005962","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Death, Grief, Loss","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubject_0":"POE024000","BISACSubject_1":"POE023010","BISACSubject_2":"POE023050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Czaga, Kayla (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","EAN":"9781487012618","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012618\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"88","OtherText_Accolades_0":"\u003cp\u003e\"A lyric force, taking on grief in molecular detail. I love these poems.\" — \u003cstrong\u003eSouvankham Thammavongsa, author of \u003cem\u003eHow to Pronounce Knife\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Souvankham Thammavongsa, author of How to Pronounce Knife","OtherText_Accolades_1":"\u003cp\u003e“Then I got into the poem– \/ it doesn’t matter which poem– \/ and let it take me \/ wherever it was going,” Kayla Czaga concludes in her powerful elegy, “Dad Poem,” and I found myself making this allowance as well throughout the brilliant lyric poems of \u003cem\u003eMidway ... \u003c\/em\u003eCzaga’s \u003cem\u003eMidway\u003c\/em\u003e offers a glimpse at how, through the paired problems of the presence of parents and their absences, one's imagination and self might still grow.\"\u003cem\u003e — \u003c\/em\u003e\u003cstrong\u003eEd Skoog, author of \u003cem\u003eTravelers Leaving for the City\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\n\u003c\/em\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Ed Skoog, author of Travelers Leaving for the City","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\u003cem\u003e\"Midway\u003c\/em\u003e is funny, genuine, and well written. Czaga offers a fitting and vulnerable elegy for her parents and a harrowing meditation on her life in the aftermath.\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_Review_1":"\u003cp\u003e“A book to expand your mind.” — \u003cstrong\u003e\u003cem\u003eLiterary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"Czaga blends grief’s range of emotions masterfully in \u003cem\u003eMidway.\" — \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e “Powerful and controlled and revelatory … [\u003cem\u003eMidway\u003c\/em\u003e] is brilliant, and inspiring, and should be read by everyone who cares deeply, and passionately, not just about poetry, but the important things poetry tries to make us see: like grief, and our inability to contain it.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“[\u003cem\u003eMidway\u003c\/em\u003e] solidifies Czaga’s reputation as one of Canada’s most promising young poets.” — \u003cstrong\u003e\u003cem\u003ePortal Magazine \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“The poems [in \u003cem\u003eMidway\u003c\/em\u003e] are evocative in their clarity and their truthfulness: rueful, reflective, funny, angry, despairing, accepting.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Runner-up","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"01","PrizeCode_3":"02","PrizeName_0":"BC and Yukon Book Prizes Dorothy Livesay Poetry Prize","PrizeName_1":"Victoria Book Prized DC Reid Poetry Prize","PrizeName_2":"SCWES Poetry Book Award for BC Authors","PrizeName_3":"Fred Cogswell Award For Excellence In Poetry","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2024","PrizeYear_3":"2025","ProductFormDescription":"epub","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Midway
Honest, elegiac, characteristically strange, and frequently funny, Midway is an exploration of grief in all its manifestations.
