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All Physical Products Collection June
All physical products collection - June 17 2021.
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{"id":6813801447483,"title":"The Whirlpool","handle":"the-whirlpool","description":"\u003cp\u003e\u003cstrong\u003eFrom Boston Globe–Horn Book Award winner Laurel Croza comes a mesmerizing collection of short stories about the whirlpool of adolescence.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCharity takes small steps to escape her controlling father. Jasmine endures the rumors about her at school, even though no one really knows what happened last summer. The Oh! So Perfect Hair Dolly wishes for just the right child to take her home from the store. Nicola has a run-in with a classmate on her first day at a new school in the big city — or is the classmate a wolf in disguise? A squirrel ruminates on the nature of life and death. Dani fights for her dream, in spite of her father’s insistence that her older brother should be the one to play hockey. Mike finds the kind of family he has longed for in his coworkers at the restaurant where he works. \u003c\/p\u003e\u003cp\u003eIn these seven stories by Laurel Croza (author of the award-winning picture books \u003ci\u003eI Know Here\u003c\/i\u003e and \u003ci\u003eFrom There to Here\u003c\/i\u003e), five teenagers, a doll and a squirrel break out of the expectations placed upon them. Featuring beautiful black-and-white illustrations by Kelsey Garrity-Riley.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003eExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","published_at":"2022-03-23T13:02:43-04:00","created_at":"2022-03-23T09:23:23-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 10 - 14","By (author) Croza Laurel","CC Literature - Grade 6","CCSS.ELA-LITERACY.RL.6.6","Childrens Accessible ebooks","Fountas \u0026 Pinnell Text Level Gradient Z+","Groundwood Books","Guided Reading Level Z+","Illustrated by Garrity-Riley Kelsey","Lexile measure 620L","pub date: 2018-05-01"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205718028347,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773060323","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Whirlpool - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1695,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773060323","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205893369915,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781773060330","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Whirlpool - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773060330","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205894058043,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781773060347","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Whirlpool - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773060347","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_af0ca001-96c0-42a6-a563-53f73bfb34e6.jpg?v=1731051425"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_af0ca001-96c0-42a6-a563-53f73bfb34e6.jpg?v=1731051425","options":["Title"],"media":[{"alt":null,"id":24903236419643,"position":1,"preview_image":{"aspect_ratio":0.677,"height":2325,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_af0ca001-96c0-42a6-a563-53f73bfb34e6.jpg?v=1731051425"},"aspect_ratio":0.677,"height":2325,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_af0ca001-96c0-42a6-a563-53f73bfb34e6.jpg?v=1731051425","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom Boston Globe–Horn Book Award winner Laurel Croza comes a mesmerizing collection of short stories about the whirlpool of adolescence.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCharity takes small steps to escape her controlling father. Jasmine endures the rumors about her at school, even though no one really knows what happened last summer. The Oh! So Perfect Hair Dolly wishes for just the right child to take her home from the store. Nicola has a run-in with a classmate on her first day at a new school in the big city — or is the classmate a wolf in disguise? A squirrel ruminates on the nature of life and death. Dani fights for her dream, in spite of her father’s insistence that her older brother should be the one to play hockey. Mike finds the kind of family he has longed for in his coworkers at the restaurant where he works. \u003c\/p\u003e\u003cp\u003eIn these seven stories by Laurel Croza (author of the award-winning picture books \u003ci\u003eI Know Here\u003c\/i\u003e and \u003ci\u003eFrom There to Here\u003c\/i\u003e), five teenagers, a doll and a squirrel break out of the expectations placed upon them. Featuring beautiful black-and-white illustrations by Kelsey Garrity-Riley.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003eExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773060477","AlsoRecommendedISBN_1":"9781554989720","AlsoRecommendedISBN_2":"9781554983605","AlsoRecommendedISBN_4":"9781773060477","AudienceRangePrecision_1_0":"04","AudienceRangePrecision_1_1":"04","AudienceRangePrecision_1_2":"04","AudienceRangePrecision_2_0":"03","AudienceRangePrecision_2_1":"03","AudienceRangePrecision_2_2":"03","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"14","AudienceRangeValue_1_1":"9","AudienceRangeValue_1_2":"9","AudienceRangeValue_2_0":"10","AudienceRangeValue_2_1":"5","AudienceRangeValue_2_2":"5","BASICMainSubject":"JUV039140","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/Self-Esteem \u0026 Self-Reliance","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAUREL CROZA\u003c\/strong\u003e is the author of the picture book \u003cem\u003eI Know Here\u003c\/em\u003e, illustrated by Matt James. It won the Boston Globe–Horn Book Award, the Ezra Jack Keats New Writer Award and the Marilyn Baillie Picture Book Award, among many other accolades. She also wrote the sequel, \u003cem\u003eFrom There to Here\u003c\/em\u003e. \u003cem\u003eThe Whirlpool\u003c\/em\u003e is Laurel’s first short-story collection. She lives with her husband in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Short Stories","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Self-Esteem \u0026amp; Self-Reliance","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubject_0":"JUV038000","BISACSubject_1":"JUV039140","BISACSubject_2":"JUV039050","CommonCore":"CCSS.ELA-LITERACY.RL.6.6","ComplexityCode_0":"Z+","ComplexityCode_1":"620L","ComplexityCode_2":"620L","ComplexitySchemeIdentifier_0":"05","ComplexitySchemeIdentifier_1":"06","ComplexitySchemeIdentifier_2":"09","ComplexitySchemeIdName_0":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_1":"Lexile measure","ComplexitySchemeIdName_2":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAUREL CROZA\u003c\/strong\u003e is the author of the picture book \u003cem\u003eI Know Here\u003c\/em\u003e, illustrated by Matt James. It won the Boston Globe–Horn Book Award, the Ezra Jack Keats New Writer Award and the Marilyn Baillie Picture Book Award, among many other accolades. She also wrote the sequel, \u003cem\u003eFrom There to Here\u003c\/em\u003e. \u003cem\u003eThe Whirlpool\u003c\/em\u003e is Laurel’s first short-story collection. She lives with her husband in Toronto.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eKELSEY GARRITY-RILEY\u003c\/strong\u003e grew up in Germany and Belgium before moving to the US to pursue her love of art. She graduated from the Savannah College of Art and Design in 2010. She has also illustrated \u003cem\u003eOther-Wordly\u003c\/em\u003e by Yee-Lum Mak. Kelsey lives and works in Brooklyn, New York.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Croza, Laurel (CA)","Contributor_1":"Garrity-Riley, Kelsey","Description":"\u003cp\u003e\u003cstrong\u003eFrom Boston Globe–Horn Book Award winner Laurel Croza comes a mesmerizing collection of short stories about the whirlpool of adolescence.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCharity takes small steps to escape her controlling father. Jasmine endures the rumors about her at school, even though no one really knows what happened last summer. The Oh! So Perfect Hair Dolly wishes for just the right child to take her home from the store. Nicola has a run-in with a classmate on her first day at a new school in the big city — or is the classmate a wolf in disguise? A squirrel ruminates on the nature of life and death. Dani fights for her dream, in spite of her father’s insistence that her older brother should be the one to play hockey. Mike finds the kind of family he has longed for in his coworkers at the restaurant where he works. \u003c\/p\u003e\u003cp\u003eIn these seven stories by Laurel Croza (author of the award-winning picture books \u003ci\u003eI Know Here\u003c\/i\u003e and \u003ci\u003eFrom There to Here\u003c\/i\u003e), five teenagers, a doll and a squirrel break out of the expectations placed upon them. Featuring beautiful black-and-white illustrations by Kelsey Garrity-Riley.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr \/\u003eExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","EAN":"9781773060347","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773060347\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7.5","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"challenges of adolescence; short stories; coming of age; bullying; violence; abuse; peer pressure; defying expectations; finding your place; belonging; fitting in; rumors; school; courage; empathy; respect for self; perseverance; acceptance; narration from different points of view; child as narrator; symbolism; metaphors; figurative language; simile; imagery; personification; connecting; inferring; Common Core aligned; CC Literature Craft and Structure; grade 6; middle grade fiction","NumberOfPages":"96","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePERFECT MIDDLE-READER\u003c\\\/strong\u003e:\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eLaurel Croza compellingly depicts teenagers navigating peer pressure, adult expectations and their own wishes. This collection is perfect for middle-grade readers looking ahead to adolescence. In a show of the author’s range, one story features a doll and another a squirrel. These stories are idiosyncratic and poignant.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR\u003c\\\/strong\u003e:\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eLaurel Croza is a renowned picture book author; \u003cem\u003eI Know Here\u003c\\\/em\u003e (illustrated by Matt James) won the Boston Globe–Horn Book Award, the Ezra Jack Keats Award and the Marilyn Baillie Picture Book Award, among many other accolades. This is Laurel’s first middle-reader.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS\u003c\\\/strong\u003e:\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eCurriculum connections include social studies (peer pressure \\\/ friends \\\/ adolescence).\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eThere’s no need for Snapchat or text messages in a high school cafeteria at lunchtime. All you have to do is sit at one of the tables. Guaranteed, after a minute or two, you’ll know everything there is to know. It’s all here. Carried just above our heads. Words surging and swelling and rolling across the cafeteria like bodysurfers at a concert. Talk washing over us, flooding us with the ohmygods, the names, the details. Everyone, even the quiet ones, caught up in the rumors. The gossip. The whirlpool.\u003c\/p\u003e\u003cp\u003eSometimes the whirlpool slows. A sudden waiting, watching, listening silence. A signal that fresh drama is about to unfold. Not on the stage at the back of the room, the curtain drawn shut. This theater plays out right in front of us, down on the floor, in the depths of the cafeteria.\u003c\/p\u003e\u003cp\u003eI’m not surprised when the current pauses in front of me. It’s the end of September but it’s still my name that swirls around and around and around. My name trapped in the whirlpool since school started, the day after Labor Day.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003ePERFECT MIDDLE-READER\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eLaurel Croza compellingly depicts teenagers navigating peer pressure, adult expectations and their own wishes. This collection is perfect for middle-grade readers looking ahead to adolescence. In a show of the author’s range, one story features a doll and another a squirrel. These stories are idiosyncratic and poignant.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eLaurel Croza is a renowned picture book author; \u003cem\u003eI Know Here\u003c\/em\u003e (illustrated by Matt James) won the Boston Globe–Horn Book Award, the Ezra Jack Keats Award and the Marilyn Baillie Picture Book Award, among many other accolades. This is Laurel’s first middle-reader.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum connections include social studies (peer pressure \/ friends \/ adolescence).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“There's a persistent yet subtle sense in every story of the strive to rise above the ordinary and gain a higher view. . . . A thoughtful read for a contemplative teen . . .” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“. . . the stories are beautifully written and described. This short story collection would be a great tool within the classroom . . .” — \u003cstrong\u003e\u003cem\u003eCM Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"CM Magazine","OtherText_Review_2":"\u003cp\u003e“[A] highly recommended collection of seven short stories about a series of fascinating and unique characters.” — \u003cstrong\u003e\u003cem\u003eResource Links\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Resource Links","OtherText_Review_3":"\u003cp\u003e“[P]acked with emotional growth ... With \u003cem\u003eThe Whirlpool\u003c\/em\u003e, Laurel Croza has provided a worthwhile addition to the young CanLit collection of short story anthologies as it enlightens, reassures and inspires.” — \u003cstrong\u003e\u003cem\u003eCanLit for Little Canadians Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"CanLit for Little Canadians Blog","OtherText_ShortDescription_0":"From Boston Globe–Horn Book Award winner Laurel Croza comes a mesmerizing collection of short stories about the whirlpool of adolescence.","ProductFormDescription":"mobi","PublicationDate":"2018-05-01","Publisher":"Groundwood Books Ltd","ShortDescription":"From Boston Globe–Horn Book Award winner Laurel Croza comes a mesmerizing collection of short stories about the whirlpool of adolescence.","Subtitle":"Stories","Width":"5","WidthCode":"in"}
ages 14
to 10
/ grades 9
to 5
The Whirlpool
From Boston Globe–Horn Book Award winner Laurel Croza comes a mesmerizing collection of short stories about the whirlpool of adolescence.
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{"id":6813800235067,"title":"The Outlaw","handle":"the-outlaw","description":"\u003cp\u003e\u003cstrong\u003eA small town lives in terror of the Outlaw, but one day, he disappears—and a mysterious stranger rides into town …\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn this spare and powerful story set in the Old West, people in a small town live in constant worry of another visit from the Outlaw. Then the Outlaw suddenly and mysteriously disappears. Time passes, and one day a stranger rides into town. He takes it upon himself to fix everything that is in disrepair — the clapboard schoolhouse, the train station platform. He even builds a horse trough. But when someone recognizes him as the Outlaw, the crowd turns on the stranger. It takes the courage of a small boy to change the course of events …\u003c\/p\u003e\u003cp\u003eThe subtle, beautiful mixed-media art with its nineteenth-century textural references perfectly complements this original story from debut author and illustrator Nancy Vo.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.6\u003cbr\u003eDistinguish their own point of view from that of the narrator or those of the characters.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr\u003eExplain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e","published_at":"2022-03-23T13:02:42-04:00","created_at":"2022-03-23T09:22:52-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 0","By (author) Vo Nancy","CCSS.ELA-LITERACY.RL.1.2","CCSS.ELA-LITERACY.RL.1.3","CCSS.ELA-LITERACY.RL.3.6","CCSS.ELA-LITERACY.RL.3.7","Fountas \u0026 Pinnell Text Level Gradient O","Groundwood Books","Guided Reading Level O","Illustrated by Vo Nancy","Lexile measure 430L","Picture Books","pub date: 2018-05-01","The Crow Stories trilogy"],"price":1495,"price_min":1495,"price_max":1795,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205716422715,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773060163","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Outlaw - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1795,"weight":380,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773060163","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205871579195,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773061900","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Outlaw - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773061900","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205872496699,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773061917","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Outlaw - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773061917","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0c694c15-f3fd-4381-9c73-c32dd0cbe6c6.jpg?v=1731058578","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2b9d2327-a48a-493e-bf8d-446cd48117c6.jpg?v=1648049221","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4c8c2631-9f38-4ad6-9ecd-fc7c6733a056.jpg?v=1648049233","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0cadbd14-5b21-4838-8828-db1dd58c7d97.jpg?v=1648049244"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0c694c15-f3fd-4381-9c73-c32dd0cbe6c6.jpg?v=1731058578","options":["Title"],"media":[{"alt":null,"id":24903378403387,"position":1,"preview_image":{"aspect_ratio":0.973,"height":1644,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0c694c15-f3fd-4381-9c73-c32dd0cbe6c6.jpg?v=1731058578"},"aspect_ratio":0.973,"height":1644,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0c694c15-f3fd-4381-9c73-c32dd0cbe6c6.jpg?v=1731058578","width":1600},{"alt":"A river runs in-between two sections of land. On one side are houses scattered apart from each other. A crow flies toward a tall, bare tree with only two branches. Text: Once there was an outlaw.","id":21801508864059,"position":2,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2b9d2327-a48a-493e-bf8d-446cd48117c6.jpg?v=1648049221"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2b9d2327-a48a-493e-bf8d-446cd48117c6.jpg?v=1648049221","width":500},{"alt":"A road has shops on either side. One shop is named “Haberdashery.” Two men stand in the doorway and another man stands by the shop beside it. A horse and carriage are stopped in front of it. A woman and a child walk down the street. Text: Then, one day, the Outlaw stopped coming into town entirely. Everyone was relieved. Everyone believed that he was as good as gone.","id":21801510142011,"position":3,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4c8c2631-9f38-4ad6-9ecd-fc7c6733a056.jpg?v=1648049233"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4c8c2631-9f38-4ad6-9ecd-fc7c6733a056.jpg?v=1648049233","width":500},{"alt":"A group of people stand together facing a man and a boy. The boy has his arms out covering the man. Text: The boy stepped in front of the Outlaw. “Leave him alone! He’s trying.”","id":21801511551035,"position":4,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0cadbd14-5b21-4838-8828-db1dd58c7d97.jpg?v=1648049244"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0cadbd14-5b21-4838-8828-db1dd58c7d97.jpg?v=1648049244","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA small town lives in terror of the Outlaw, but one day, he disappears—and a mysterious stranger rides into town …\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn this spare and powerful story set in the Old West, people in a small town live in constant worry of another visit from the Outlaw. Then the Outlaw suddenly and mysteriously disappears. Time passes, and one day a stranger rides into town. He takes it upon himself to fix everything that is in disrepair — the clapboard schoolhouse, the train station platform. He even builds a horse trough. But when someone recognizes him as the Outlaw, the crowd turns on the stranger. It takes the courage of a small boy to change the course of events …\u003c\/p\u003e\u003cp\u003eThe subtle, beautiful mixed-media art with its nineteenth-century textural references perfectly complements this original story from debut author and illustrator Nancy Vo.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.6\u003cbr\u003eDistinguish their own point of view from that of the narrator or those of the characters.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr\u003eExplain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e"}
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She lives in Vancouver, British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Westerns","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Strangers","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Values \u0026amp; Virtues","BISACSubject_0":"JUV042000","BISACSubject_1":"JUV039270","BISACSubject_2":"JUV039220","CommonCore":"CCSS.ELA-LITERACY.RL.1.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.2","CommonCore_2":"CCSS.ELA-LITERACY.RL.3.7","CommonCore_3":"CCSS.ELA-LITERACY.RL.3.6","ComplexityCode_0":"O","ComplexityCode_1":"O","ComplexityCode_2":"430L","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdentifier_2":"06","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_2":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eNANCY VO\u003c\/strong\u003e was raised where the sun rose in the prairies and set behind the Rockies. By night she makes picture books. She is the author\/illustrator of the first two books in the Crow Stories trilogy: \u003cem\u003eThe Outlaw\u003c\/em\u003e, described by the New York Times as “bewitching,” and \u003cem\u003eThe Ranger\u003c\/em\u003e, praised in a \u003cem\u003eKirkus\u003c\/em\u003e starred review as “visually arresting and enigmatic.” Nancy is also the author\/illustrator of \u003cem\u003eBoobies\u003c\/em\u003e and the illustrator of \u003cem\u003eAs Glenn as Can Be\u003c\/em\u003e by Sarah Ellis. She lives in Vancouver, British Columbia.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eNANCY VO\u003c\/strong\u003e was raised where the sun rose in the prairies and set behind the Rockies. By night she makes picture books. She is the author\/illustrator of the first two books in the Crow Stories trilogy: \u003cem\u003eThe Outlaw\u003c\/em\u003e, described by the New York Times as “bewitching,” and \u003cem\u003eThe Ranger\u003c\/em\u003e, praised in a \u003cem\u003eKirkus\u003c\/em\u003e starred review as “visually arresting and enigmatic.” Nancy is also the author\/illustrator of \u003cem\u003eBoobies\u003c\/em\u003e and the illustrator of \u003cem\u003eAs Glenn as Can Be\u003c\/em\u003e by Sarah Ellis. 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What happens when your notoriety precedes you? How do you find redemption? This is a story about second chances, which many (young and old) will be able to relate to.\u003c\/li\u003e\n\u003cli\u003eStaying true to a certain time period, Nancy Vo used a limited palette in the illustrations — indigo, burnt umber and raw sienna. She also used period newspaper clippings and fabric patterns from the 1850s to 1870s in her art. The main text typeface is Clarendon, commonly found on “wanted” posters. The title was produced with wood type on letterpress.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Outlaw\u003c\/em\u003e is the first book in a trilogy, which will be followed by \u003cem\u003eThe Ranger\u003c\/em\u003e and \u003cem\u003eThe Priest\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eAfter creating an initial illustration, Nancy Vo began to write this story, drawing inspiration from the character of Eli in Patrick DeWitt’s \u003cem\u003eThe Sisters Brothers\u003c\/em\u003e for her own main character — someone who leaves behind his life of crime to start anew.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include social studies (communities \/ acceptance and forgiveness).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis story has themes of community and acceptance. What happens when your notoriety precedes you? How do you find redemption? This is a story about second chances, which many (young and old) will be able to relate to.\u003c\/li\u003e\n\u003cli\u003eStaying true to a certain time period, Nancy Vo used a limited palette in the illustrations — indigo, burnt umber and raw sienna. She also used period newspaper clippings and fabric patterns from the 1850s to 1870s in her art. The main text typeface is Clarendon, commonly found on “wanted” posters. The title was produced with wood type on letterpress.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Outlaw\u003c\/em\u003e is the first book in a trilogy, which will be followed by \u003cem\u003eThe Ranger\u003c\/em\u003e and \u003cem\u003eThe Priest\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eAfter creating an initial illustration, Nancy Vo began to write this story, drawing inspiration from the character of Eli in Patrick DeWitt’s \u003cem\u003eThe Sisters Brothers\u003c\/em\u003e for her own main character — someone who leaves behind his life of crime to start anew.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include social studies (communities \/ acceptance and forgiveness).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“The story is striking too, the lonely, mysterious stranger motif reminiscent of Shaun Tan's The Arrival. Vo's ending puts faith in a child's sense of justice and redemption.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“Vo provides readers with a picture-book Western that upends many of the genre's gunslinging shootout- and revenge-narrative tropes. … The ink and largely grayscale watercolor illustrations, along with an intriguing newspaper transfer technique, pair well with the spare, contemplative text.” — \u003cstrong\u003e\u003cem\u003eHorn Book\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Horn Book","OtherText_Review_2":"\u003cp\u003e“The most magical part of the book, illustrating Vo’s innate sense of story, is the separate tale of a child’s naughty behavior that is followed by connection and kindness. This narrative unfolds exclusively in the illustrations, going unmentioned by the text, revealing how the most wondrous acts can go unnoticed, unless you look closer.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"New York Times","OtherText_Review_3":"\u003cp\u003e“Scraps of mid-19th-century newsprint are incorporated into Nancy Vo’s artwork for “The Outlaw”, subtly adding elegance and atmosphere to a picture-book story of wickedness and redemption. … “So the Outlaw continued to make amends,” concludes this satisfying fable for 6- to 9-year-olds.” — \u003cstrong\u003e\u003cem\u003eWall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Wall Street Journal","OtherText_Review_4":"\u003cp\u003e“Author–illustrator Nancy Vo uses text sparingly but effectively, employing illustrations to fill the blanks in this powerful story set in the Old West.” — \u003cstrong\u003e\u003cem\u003eInternational Literacy Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"International Literacy Association","OtherText_Review_5":"\u003cp\u003e“It haunts one’s imagination long after reading. … The dramatic illustrations are a perfect complement to the minimalist text.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"CM: Canadian Review of Materials","OtherText_ShortDescription_0":"A small town lives in terror of the Outlaw, but one day, he disappears – and a mysterious stranger rides into town …","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2018-05-01","Publisher":"Groundwood Books Ltd","Series":"The Crow Stories trilogy","ShortDescription":"A small town lives in terror of the Outlaw, but one day, he disappears – and a mysterious stranger rides into town …","Width":"8.25","WidthCode":"in"}
ages 4
to 3
/ grades K
to 3
The Outlaw
A small town lives in terror of the Outlaw, but one day, he disappears – and a mysterious stranger rides into town …
Quick View
{"id":6813813538875,"title":"The Breadwinner: A Graphic Novel","handle":"the-breadwinner-a-graphic-novel","description":"\u003cp\u003e\u003cstrong\u003eDeborah Ellis’s bestselling novel \u003cem\u003eThe Breadwinner\u003c\/em\u003e, now available as a stunningly illustrated graphic novel. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis beautiful graphic-novel adaptation of \u003cem\u003eThe Breadwinner \u003c\/em\u003eanimated film tells the story of eleven-year-old Parvana, who must disguise herself as a boy to support her family during the Taliban’s rule in Afghanistan in the late 1990s.\u003c\/p\u003e\n\u003cp\u003eParvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan’s capital city. Parvana’s father — a history teacher until his school was bombed and his health destroyed — works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. 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Extensive educational resources will be available for download.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Breadwinner\u003c\/em\u003e’s track record speaks for itself — we’ve printed more than 700,000 copies for North America since publication in 2000; more than two million copies of the series have sold worldwide.\u003c\/li\u003e\n\u003cli\u003eThe graphic novel uses stills from the 2017 Oscar-nominated animated film, from studio Cartoon Saloon, directed by Nora Twomey, and executive produced by Angelina Jolie.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include language arts (independent reading \/ media literacy) and social studies (global issues \/ Afghanistan). Extensive educational resources will be available for download.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003cli\u003eHorn Book\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“All girls [should read] \u003cem\u003eThe Breadwinner\u003c\/em\u003e by Deborah Ellis.” — \u003cstrong\u003e\u003cem\u003eMalala Yousafzai, New York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Malala Yousafzai, New York Times","OtherText_Review_1":"\u003cp\u003e“A great kids’ book … a graphic geopolitical brief that’s also a girl-power parable.” — \u003cstrong\u003e\u003cem\u003eNewsweek\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Newsweek","OtherText_Review_2":"\u003cp\u003e“… an exceptional story that enlightens the reader about circumstances beyond comprehension and helps students understand that all of us in this global community share the same hopes, dreams, and fears.” — \u003cstrong\u003e\u003cem\u003eResource Links\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Resource Links","OtherText_Review_3":"\u003cp\u003e“[The books in the Breadwinner series] are terrifying indictments of what war can bring to children and a powerful testament to the ingenuity and strength of young people in times of terror.” — \u003cstrong\u003e\u003cem\u003eBook Links\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Book Links","OtherText_Review_4":"\u003cp\u003e“… a book … about the hard times — and the courage — of Afghan children.” — \u003cstrong\u003e\u003cem\u003eWashington Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Washington Post","OtherText_ShortDescription_0":"Deborah Ellis's bestselling novel The Breadwinner, now available as a stunningly illustrated graphic novel.","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2018-01-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Deborah Ellis's bestselling novel The Breadwinner, now available as a stunningly illustrated graphic novel.","Width":"6.875","WidthCode":"in"}
ages 10
to 14
/ grades 5
to 9
The Breadwinner: A Graphic Novel
Deborah Ellis's bestselling novel The Breadwinner, now available as a stunningly illustrated graphic novel.
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Why does halibut cost what it does? Were those wild spot prawns responsibly sourced? How do you clean a squid? And what’s the best way to prepare those live cherrystone clams when you get them home? \u003c\/p\u003e\u003cp\u003e\u003ci\u003eShip to Shore: Straight Talk from the Seafood Counter\u003c\/i\u003e features over fifty delicious recipes accompanied by elegant, full-colour photography that will have you lining up at your local fish counter.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000356","AlsoRecommendedISBN_2":"9781487005122","AlsoRecommendedISBN_3":"9781487000356","AlsoRecommendedISBN_4":"9781770894655","BASICMainSubject":"CKB076000","BASICMainSubjectLiteral":"COOKING\/Specific Ingredients\/Fish \u0026 Seafood","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJOHN BIL\u003c\/strong\u003e (1968-2018) worked with fish — on the water, behind the counter, and in the kitchen — for over twenty-five years. Bil began his career shucking oysters at the Toronto dining institution Rodney’s Oyster House, before venturing east to the Maritimes, where he spent over a decade working in the shellfish and fish farming industry, and later opened his first restaurant, Ship to Shore, in Darnley, Prince Edward Island. A respected and in-demand seafood expert, Bil assisted with the openings of several other high-profile restaurants, including M. Wells Steakhouse (New York), Claddagh Oyster House (Charlottetown, PEI), Restaurant Joe Beef (Montreal), and most recently, his own Honest Weight (Toronto).\u003c\/p\u003e","BISACSubjectLiteral_0":"COOKING \/ Specific Ingredients \/ Seafood","BISACSubjectLiteral_1":"COOKING \/ Individual Chefs \u0026amp; Restaurants","BISACSubject_0":"CKB076000","BISACSubject_1":"CKB115000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJOHN BIL\u003c\/strong\u003e (1968-2018) worked with fish — on the water, behind the counter, and in the kitchen — for over twenty-five years. Bil began his career shucking oysters at the Toronto dining institution Rodney’s Oyster House, before venturing east to the Maritimes, where he spent over a decade working in the shellfish and fish farming industry, and later opened his first restaurant, Ship to Shore, in Darnley, Prince Edward Island. A respected and in-demand seafood expert, Bil assisted with the openings of several other high-profile restaurants, including M. Wells Steakhouse (New York), Claddagh Oyster House (Charlottetown, PEI), Restaurant Joe Beef (Montreal), and most recently, his own Honest Weight (Toronto).\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Foreword by","Contributor_0":"Bil, John","Contributor_1":"Morin, Frédéric (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2019 Taste Canada Award — Single-Subject Cookbooks, Silver\u003cbr \/\u003eAn \u003ci\u003eEat North\u003c\/i\u003ei Best Cookbook of the Year\u003cbr \/\u003eA \u003ci\u003eNow Magazine\u003c\/i\u003e Best Cookbook of the Year\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEverything you’ve ever wanted to know about seafood — what to look for at the fish counter, how to ensure what you’re buying has been responsibly farmed, and what to do with it when you get it home — by one of the food industry’s most-beloved and respected authorities on all things fish.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eJohn Bil, one of the food industry’s most beloved and respected authorities on all things fish, gives seafood lovers the knowledge and confidence they need to make smart decisions about the fish they consume. Why does halibut cost what it does? Were those wild spot prawns responsibly sourced? How do you clean a squid? And what’s the best way to prepare those live cherrystone clams when you get them home? \u003c\/p\u003e\u003cp\u003e\u003ci\u003eShip to Shore: Straight Talk from the Seafood Counter\u003c\/i\u003e features over fifty delicious recipes accompanied by elegant, full-colour photography that will have you lining up at your local fish counter.\u003c\/p\u003e","EAN":"9781487004156","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004156\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"10","HeightCode":"in","Imprint":"Ambrosia","MetaKeywords":"restaurants; food industry; shucking; oysters","NumberOfPages":"304","OtherText_Accolades_0":"\u003cp\u003e“If you care about seafood, Canada, or just being a good person, you should read this book. If you’re an asshole, move along.” — \u003cstrong\u003eMatty Matheson, chef, TV personality, and author of Matty Matheson: A Cookbook\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Matty Matheson, chef, TV personality, and author of Matty Matheson: A Cookbook","OtherText_Accolades_1":"\u003cp\u003e“John unlocked stories of the water and always surprised us with his constant delicious treasures. Spending a night with his wild workmanship made you feel as if you’d found yourself inside the belly of a whale. With this book, we are incredibly lucky to be given the gift of his in-depth knowledge of the industry, along with his super power of making the most simple thing taste perfect. No tricks, all heart — like the way the sea penetrates your skin just by walking beside it — he had a way of salting the atmosphere. Let’s dive in. Thank you, John.” — \u003cstrong\u003eAmy Millan, musician (Broken Social Scene, Stars)\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Amy Millan, musician (Broken Social Scene, Stars)","OtherText_Accolades_2":"\u003cp\u003e“I’ve been waiting for a book like this for years and can’t think of a better, more trustworthy author to write it. John Bil’s knowledge about all things seafood was matched only by his love for the subject. This book is a fitting testament to him and an important addition to every food lover’s collection.” — \u003cstrong\u003eChris Johns, food writer and co-author of True North: Canadian Cooking from Coast to Coast\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Chris Johns, food writer and co-author of True North: Canadian Cooking from Coast to Coast","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eTHE “SHELLFISH SHAMAN”:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCalled a “shellfish shaman” by the \u003cem\u003eNew York Times\u003c\/em\u003e, John is a three-time Canadian oyster shucking champion (1997, 2001, 2005). He began his career shucking oysters at Toronto dining institution Rodney’s Oyster House, before moving to Prince Edward Island to learn about shellfish straight from the source. From 1995 to 2005, he worked in the shellfish and fish farming industry in PEI and New Brunswick, handling oysters, mussels, clams, lobster, and salmon.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCONNECTIONS IN THE FOOD INDUSTRY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eIn addition to his own Ship to Shore and Honest Weight, John has assisted with the opening of several high-profile restaurants in both Canada and the U.S., including M. Wells Steakhouse (New York), Catch (Toronto), Claddagh Oyster House (Charlottetown), Flex Mussels (New York), and Restaurant Joe Beef (Montreal).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNATIONALLY RECOGNIZED SEAFOOD AFICIONADO:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eJohn has been featured widely in magazines (\u003cem\u003eenRoute\u003c\/em\u003e, \u003cem\u003eNew Yorker\u003c\/em\u003e, \u003cem\u003eTime Out NY\u003c\/em\u003e, \u003cem\u003eVanity Fair\u003c\/em\u003e, \u003cem\u003eGourmet\u003c\/em\u003e, \u003cem\u003eRicardo\u003c\/em\u003e, \u003cem\u003eCottage Life\u003c\/em\u003e, \u003cem\u003eCanadian House \u0026 Home\u003c\/em\u003e), documentary films (“Keep on Shucking,” “Shuckers!”), TV shows (\u003cem\u003eChuck’s Day Off\u003c\/em\u003e, \u003cem\u003eLive! With Regis \u0026 Kelly\u003c\/em\u003e, \u003cem\u003eThe Today Show\u003c\/em\u003e, \u003cem\u003eThe Rick Mercer Report\u003c\/em\u003e, \u003cem\u003eCanada AM\u003c\/em\u003e, \u003cem\u003eBreakfast Television\u003c\/em\u003e), newspapers (\u003cem\u003eNew York Times\u003c\/em\u003e, \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eToronto Star\u003c\/em\u003e), books (\u003cem\u003eAu Pied de Cochon, The Art of Living According to Joe Beef, True North, Anita Stewart's Canada, Apples to Oysters, The Flavours of Canada) \u003c\/em\u003eand more.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“The information and recipes you need to make good choices at the seafood counter.” — \u003cstrong\u003e\u003cem\u003eCanadian House and Home\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Canadian House and Home","OtherText_Review_1":"\u003cp\u003e“A comprehensive guide, written with heart, that any seafood lover will treasure.” — \u003cstrong\u003e\u003cem\u003eNow Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Now Magazine","OtherText_Review_2":"\u003cp\u003e“[A] thorough account of what you might find at your favourite restaurant or the seafood counter at the local supermarket . . . infused throughout with John’s philosophy of fish.” — \u003cstrong\u003e\u003cem\u003eSalty\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Salty","OtherText_Review_3":"\u003cp\u003e“It’s safe to say that this book will and should be a staple across kitchens in Canada and abroad.” — \u003cstrong\u003e\u003cem\u003eAcquired Taste\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Acquired Taste","OtherText_Review_4":"\u003cp\u003e“A comprehensive guide, written with heart, that any seafood lover will treasure.” — \u003cstrong\u003e\u003cem\u003eNow Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Now Magazine","OtherText_Review_5":"\u003cp\u003e“If you’re a seafood lover, these insights will make you the smartest person around the dinner table!” — \u003cstrong\u003e\u003cem\u003eCanadian Cookbooks\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"Everything you’ve ever wanted to know about seafood — from what to look for at the fish counter to what to do with it when you get it home.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Commended","PrizeCode_0":"01","PrizeCode_1":"03","PrizeCode_2":"03","PrizeName_0":"Taste Canada Award — Single-Subject Cookbooks, Silver","PrizeName_1":"An Eat North Best Cookbook of the Year","PrizeName_2":"A Now Magazine Best Cookbook of the Year","PrizeYear_0":"2018","PrizeYear_1":"2018","PrizeYear_2":"2018","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2018-10-13","Publisher":"House of Anansi Press Inc","ShortDescription":"Everything you’ve ever wanted to know about seafood — from what to look for at the fish counter to what to do with it when you get it home.","Subtitle":"Straight Talk from the Seafood Counter","Width":"8","WidthCode":"in"}
Ship to Shore
Everything you’ve ever wanted to know about seafood — from what to look for at the fish counter to what to do with it when you get it home.
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{"id":6813811245115,"title":"Liminal","handle":"liminal","description":"\u003cp\u003e\u003cstrong\u003eFrom award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s \u003ci\u003eLeaving the Atocha Station \u003c\/i\u003eand Sheila Heti’s \u003ci\u003eHow Should a Person Be\u003c\/i\u003e.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAt 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.\u003c\/p\u003e\u003cp\u003eFrom androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. 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As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.\u003c\/p\u003e\u003cp\u003eFrom androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, \u003ci\u003eLiminal\u003c\/i\u003e is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002862","AlsoRecommendedISBN_3":"9781487003920","AlsoRecommendedISBN_6":"9781770898233","BASICMainSubject":"FIC041000","BASICMainSubjectLiteral":"FICTION\/Biographical \u0026 Autofiction","BiographicalNote":"\u003cp\u003eJORDAN TANNAHILL is an award-winning author, playwright, filmmaker, and theatre director. He is the winner of the Governor General’s Award for Drama for \u003cem\u003eAge of Minority: Three Solo Plays\u003c\/em\u003e and was shortlisted for the prize again for \u003cem\u003eConcord Floral\u003c\/em\u003e. He has twice received Dora Awards for Outstanding New Play. His play \u003cem\u003eBotticelli in the Fire\u003c\/em\u003e won the 2017 Toronto Theatre Critics Award for Best New Play and is currently being adapted into a feature by filmmaker Stephen Dunn. From 2012 to 2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag, which became an influential hub for queer and avant-garde work in Canada. He is the author of \u003cem\u003eTheatre of the Unimpressed: In Search of Vital Drama\u003c\/em\u003e and T\u003cem\u003ehe Videofag Book\u003c\/em\u003e; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e, will be published to coincide with its premiere at Canadian Stage in January 2018. Tannahill’s films and multimedia performances have been presented at festivals and galleries such as the Toronto International Film Festival, the Art Gallery of Ontario, and the Tribeca Film Festival. Most recently, his virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, premiered in May 2017 at the Tribeca Film Festival. His play \u003cem\u003eLate Company\u003c\/em\u003e will be transferring to the West End (London, U.K.) August–September 2017. \u003cem\u003eLiminal\u003c\/em\u003e is his first novel and is being made into a feature length art film by the NFB and the National Theatre in the UK. Born in 1988 in Ottawa, Ontario, he now makes his home in London, U.K.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Biographical","BISACSubjectLiteral_1":"FICTION \/ LGBT \/ Gay","BISACSubjectLiteral_2":"FICTION \/ Literary","BISACSubject_0":"FIC041000","BISACSubject_1":"FIC011000","BISACSubject_2":"FIC019000","ContributorBio_0":"\u003cp\u003eJORDAN TANNAHILL is an award-winning author, playwright, filmmaker, and theatre director. He is the winner of the Governor General’s Award for Drama for \u003cem\u003eAge of Minority: Three Solo Plays\u003c\/em\u003e and was shortlisted for the prize again for \u003cem\u003eConcord Floral\u003c\/em\u003e. He has twice received Dora Awards for Outstanding New Play. His play \u003cem\u003eBotticelli in the Fire\u003c\/em\u003e won the 2017 Toronto Theatre Critics Award for Best New Play and is currently being adapted into a feature by filmmaker Stephen Dunn. From 2012 to 2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag, which became an influential hub for queer and avant-garde work in Canada. He is the author of \u003cem\u003eTheatre of the Unimpressed: In Search of Vital Drama\u003c\/em\u003e and T\u003cem\u003ehe Videofag Book\u003c\/em\u003e; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e, will be published to coincide with its premiere at Canadian Stage in January 2018. Tannahill’s films and multimedia performances have been presented at festivals and galleries such as the Toronto International Film Festival, the Art Gallery of Ontario, and the Tribeca Film Festival. Most recently, his virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, premiered in May 2017 at the Tribeca Film Festival. His play \u003cem\u003eLate Company\u003c\/em\u003e will be transferring to the West End (London, U.K.) August–September 2017. \u003cem\u003eLiminal\u003c\/em\u003e is his first novel and is being made into a feature length art film by the NFB and the National Theatre in the UK. Born in 1988 in Ottawa, Ontario, he now makes his home in London, U.K.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Tannahill, Jordan (CA)","Contributor_1":"Vanderham, Jacob","Description":"\u003cp\u003e\u003cstrong\u003eFrom award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s \u003ci\u003eLeaving the Atocha Station \u003c\/i\u003eand Sheila Heti’s \u003ci\u003eHow Should a Person Be\u003c\/i\u003e.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAt 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.\u003c\/p\u003e\u003cp\u003eFrom androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, \u003ci\u003eLiminal\u003c\/i\u003e is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.\u003c\/p\u003e","EAN":"9781487005467","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005467\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"lgbtq+; lgbtq+ characters; stage play; memoir; coming of age; experimental; how should a person be; sheila heti; declarations; canstage; videofag; kensington market; toronto; artificial intelligence; robots; memories; canadian; philosophical; canlit; creative writing; philosophy; leaving the atocha station ben lerner; hot milk deborah levy; dept. of speculation; 10;04; book club","NumberOfPages":"304","OtherText_Accolades_0":"\u003cp\u003e“Liminal is generous, bold, unabashedly emotional, and really smart — an ultra-engaging portrait of the artist, and portal to the art.” — \u003cstrong\u003eAnn-Marie Macdonald, author of The Way the Crow Flies, November 16, 2017\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Src":"Ann-Marie Macdonald, author of The Way the Crow Flies","OtherText_Accolades_1":"\u003cp\u003e“A raw love letter to a mother, and a blazing meditation on love, death, and dying, Jordan Tannahill’s Liminal is a full-fledged unleashing from a major literary talent.” — \u003cstrong\u003eAnosh Irani, author of The Parcel, November 14, 2017\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Src":"Anosh Irani, author of The Parcel","OtherText_Accolades_2":"\u003cp\u003e“This book has everything: a road trip, coming of age, philosophy, mythology, meditation on the nature of self, and the tender love of a son for his mother — all infused with uncommon emotional intelligence.” — \u003cstrong\u003eTeva Harrison, author of In-Between Days, November 14, 2017\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Src":"Teva Harrison, author of In-Between Days","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAWARD-WINNING PLAYWRIGHT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eJordan Tannahill is one of Canada’s biggest and most celebrated artists in the theatre world. He is the youngest-ever winner of the Governor General’s Literary Award for Drama. He’s been called a “zeitgeist savant” by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, “the future of Canadian theatre” by \u003cem\u003eNow Magazine\u003c\/em\u003e, and “the hottest name in Canadian theatre” by the \u003cem\u003eMontreal Gazette\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNATIONAL AUDIENCES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eHis virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, was a collaboration with acclaimed author Teva Harrison and premiered in May 2017 at the Tribeca Film Festival. Tannahill’s production of Sheila Heti's \u003cem\u003eAll Our Happy Days Are Stupid\u003c\/em\u003e, directed with collaborator Erin Brubacher, premiered at Videofag in 2013 and went on to sold-out productions at Toronto’s Harbourfront Centre and New York City’s The Kitchen in 2015. Liminal is being made into a feature length art film by the NFB and the National Theatre in the UK.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGROUNDBREAKING LGBTQ ARTIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eFrom 2012-2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag out of their home in Toronto’s Kensington Market neighbourhood. Over the four years of its operation, Videofag became an influential hub for queer and avant-garde work in Canada.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePUBLICATION TIE-IN WITH HIS NEW PLAY, \u003cem\u003eDECLARATIONS\u003c\/em\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eLiminal, which is an expansion of his play Declarations, published to coincide with the play’s premiere at CanStage in January 2018. Tannahill published two other works in Fall 2017: \u003cem\u003eThe Videofag Book\u003c\/em\u003e (BookThug), an anthology of essays, photographs, play-texts, and ruminations about the space; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e (Coach House Books).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003e\u003cstrong\u003eI\u003c\/strong\u003e\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/p\u003e\u003cp\u003eI am wary of revelations. I find anyone claiming to have them dubious. They’re usually charlatans, the ultra-religious, or insane (not that these three types are mutually exclusive; in fact they rarely are). And I find any description of these revelations some combination of sinister and comical, like John Smith receiving golden plates from the angel Moroni in a secret language only he can translate. Even the words “revelation” and “epiphany” are mired in Christian connotations. The first conjures images of John on the island of Patmos having visions of the Whore of Babylon and the Beast, while the second is the realization by the wise men that Christ is the Son of God, rendered throughout art history as the Adoration of the Magi.\u003c\/p\u003e\u003cp\u003eI suppose the synonym that feels the least corrupted by spiritual chicanery is “eureka,” and yet this word feels burdened by the mythos of masculine scientific discovery, from Archimedes fateful bath to Newton’s gravity-weighted apple (why do I always imagine it hitting his head?) Darwin said he could remember the exact moment during a carriage ride in which he was struck by his “hunch” about natural selection. Nikola Tesla, while recuperating from a recent breakdown brought on by his obsession to solve the mystery of alternating current, was on a walk with a friend in Budapest’s Varosliget Park when he was pierced by his moment of insight. Tesla was looking into the setting sun whilst reciting a passage from Goethe’s Faust (naturally) when a vision of a functioning alternating current electric induction motor appeared to him with such clarity that he grabbed a stick and drew a diagram of it then and there in the dirt. One can almost hear the angelic choral accompaniment. Perhaps because of these bearded white men and their long lineage of eurekas the word has acquired a certain sense of finitude: they each had a question and in an instant it was answered. As if, through years of research and inquiry, their minds were already filled with the necessary information and all that was required was that final synaptic connection to illuminate the network of association.\u003c\/p\u003e\u003cp\u003eA word that seems part of this revelatory cohort is “vision,” which again has religious undertones, but also the unfortunate limitations of its sensory association. A vision suggests something that is seen, either literally with one’s eyes in a new way, or seen within the mind’s eye. As the ever-favoured child of the senses, we seem inclined to give seeing undo credit as the conduit of discovery. Though as Proust might agree, throughout my life I’ve probably had more ‘visions’ induced by smell than any other sense. For me, a new awareness is rarely an apparition to be seen or viewed; it does not appear to me like Tesla’s motor. It is something that is felt. An awareness that dawns and slowly spreads its light through my body.\u003c\/p\u003e\u003cp\u003eWhat I seek is a word that does not suggest a long-sought for answer but rather a deluge of questions. A word for kind of illumination that recalls a caver holding a torch up in an underground chamber and apprehending a few dashes of rock wall at a time, uncertain of how far the cavern extends into darkness.\u003c\/p\u003e\u003cp\u003eCounter-intuitively, I found something approaching this word in the Bible. The first word in the Book of Revelations — and from which it derives its name — is apokalypsis, which in its original Korine Greek means \"unveiling\" or “revelation.” I find the notion of ‘unveiling’ — of an encounter, smell, sight, sensation that unveils an infinite system of questions and discoveries (which in turn spur more questions) — to be the most vivid evocation of this I can find. I might be even inclined to use the original Greek apokalypsis, as it seems to contain the possibility of discovery in the moment of destruction. Much like the theatre; an art revealed in the moment of its disappearance. And like life itself, theatre can not be rewound or reread; it exists in the temporal present between being and un-being, in what Plato calls the “something inserted between motion and rest (. . .) in no time at all.” An art conjured in the instant of its erasure. And I like the almost preposterous gravity of the world apokalypsis; how it’s cataclysmic and eschatological associations seem to mimic the way in which one world seems to end and another begins in a moment of newfound awareness.\u003c\/p\u003e\u003cp\u003eBut in this instance, for what I’m about to articulate, “unveiling” is the apt word. It conjures for me the image of a man in white gloves pulling a cloth of a painting; the removal of a covering that concealed that which was there all along — something which has been rendered ever more extraordinary by the very fact of its concealment. Rather than by divine conjuring, “unveiling” suggests a moment of discovery arising from matter-of-fact and mortal circumstances. A new way of experiencing something already in the world.\u003c\/p\u003e\u003cp\u003eIn this way, the world is constantly unveiling itself; a stand of trees seen from a fresh angle, the laugher of a dog, a nameless colour, new patterns of movement, of light, of behaviour, patterns in fabric, in birds, in traffic, in music . . . In this way “revelation” is not something a bearded white man once an epoch apprehends but rather a state of becoming that imbues all things at all times. Of course to be in a state of perpetual unveiling is exhausting and disorienting; it’s essentially the way we moved through the world as babies, when everything was revealed and nothing was legible. Gradually, to make sense of the chaos, we fixed things in place, we fixed meaning, we fixed potential, we fixed objects and people and places as knowable and predictable entities and attempted to reduce the instances of unveiling because those upset the order by introducing new variables into the mix. Unveiling, by nature, un-fixes.\u003c\/p\u003e\u003cp\u003eThis is what happened at 11:04 a.m. on Saturday, January 21, 2017 when I walked into your bedroom and saw your body in bed. In a moment something — perhaps everything — became unveiled. And I became unfixed. It was a moment that lasted less than a second. The interval between a hand feeling water and the pain of it’s scalding heat; between sense and sensation.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eAWARD-WINNING PLAYWRIGHT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eJordan Tannahill is one of Canada’s biggest and most celebrated artists in the theatre world. He is the youngest-ever winner of the Governor General’s Literary Award for Drama. He’s been called a “zeitgeist savant” by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, “the future of Canadian theatre” by \u003cem\u003eNow Magazine\u003c\/em\u003e, and “the hottest name in Canadian theatre” by the \u003cem\u003eMontreal Gazette\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNATIONAL AUDIENCES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eHis virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, was a collaboration with acclaimed author Teva Harrison and premiered in May 2017 at the Tribeca Film Festival. Tannahill’s production of Sheila Heti's \u003cem\u003eAll Our Happy Days Are Stupid\u003c\/em\u003e, directed with collaborator Erin Brubacher, premiered at Videofag in 2013 and went on to sold-out productions at Toronto’s Harbourfront Centre and New York City’s The Kitchen in 2015. Liminal is being made into a feature length art film by the NFB and the National Theatre in the UK.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGROUNDBREAKING LGBTQ ARTIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eFrom 2012-2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag out of their home in Toronto’s Kensington Market neighbourhood. Over the four years of its operation, Videofag became an influential hub for queer and avant-garde work in Canada.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePUBLICATION TIE-IN WITH HIS NEW PLAY, \u003cem\u003eDECLARATIONS\u003c\/em\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eLiminal, which is an expansion of his play Declarations, published to coincide with the play’s premiere at CanStage in January 2018. Tannahill published two other works in Fall 2017: \u003cem\u003eThe Videofag Book\u003c\/em\u003e (BookThug), an anthology of essays, photographs, play-texts, and ruminations about the space; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e (Coach House Books).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Tannahill is a good writer, a natural storyteller with a strong sense of narrative rhythm as well as the ability to launch into almost mystical flights of poetic vision.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"\u003cp\u003e“Authors such as Ben Lerner, Rachel Cusk, and Karl Ove Knausgaard, among others, are showing their exhaustion with plot, opting to be candid, probing, philosophical, and discursive at a micro-level on the page. Toronto playwright Jordan Tannahill’s lushly intelligent debut novel, Liminal, is an exciting addition to this school . . . Liminal captures something illuminating and undefinable about the present moment . . . A real jaw-dropping intellectual feat . . . A rich and unusual story.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Globe and Mail","OtherText_ShortDescription_0":"From award-winning playwright and filmmaker Jordan Tannahill comes a masterful novel in the tradition of Sheila Heti’s How Should a Person Be.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"A 49th Shelf Book of the Year","PrizeYear_0":"2018","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2018-01-23","Publisher":"House of Anansi Press Inc","ShortDescription":"From award-winning playwright and filmmaker Jordan Tannahill comes a masterful novel in the tradition of Sheila Heti’s How Should a Person Be.","Width":"5.25","WidthCode":"in"}
Liminal
From award-winning playwright and filmmaker Jordan Tannahill comes a masterful novel in the tradition of Sheila Heti’s How Should a Person Be.
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{"id":6813790502971,"title":"Grandmother’s Visit","handle":"grandmothers-visit","description":"\u003cp\u003e\u003cstrong\u003eGrace says goodbye to Grandmother in this touching book about love and loss.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGrandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.\u003c\/p\u003e\u003cp\u003eSuddenly, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And soon after, she is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.\u003c\/p\u003e\u003cp\u003eCarmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. Betty Quan’s picture-book debut is haunting yet hopeful. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.1\u003cbr\u003eAsk and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.7\u003cbr\u003eUse information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr\u003e\u0026gt;Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003cbr\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e","published_at":"2022-03-23T13:10:53-04:00","created_at":"2022-03-23T09:18:55-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 0","By (author) Quan Betty","CCSS.ELA-LITERACY.RL.1.6","CCSS.ELA-LITERACY.RL.2.1","CCSS.ELA-LITERACY.RL.2.3","CCSS.ELA-LITERACY.RL.2.7","CCSS.ELA-LITERACY.RL.3.7","CCSS.ELA-LITERACY.RL.5.2","Dealing with Loss","Fountas \u0026 Pinnell Text Level Gradient N","Groundwood Books","Guided Reading Level N","Illustrated by Mok Carmen","Lexile measure AD570L","Picture Books","pub date: 2018-09-01"],"price":1495,"price_min":1495,"price_max":1795,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205704036411,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781554989546","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Grandmother’s Visit - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1795,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554989546","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205706068027,"title":"Web PDF","option1":"Web PDF","option2":null,"option3":null,"sku":"9781554989553","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Grandmother’s Visit - Web PDF","public_title":"Web PDF","options":["Web PDF"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554989553","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55301f98-e13a-4625-abbf-377e4ad05218.jpg?v=1731045598","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8713efdf-d499-44d6-915f-8ac0d43b8f32.jpg?v=1648044295","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ffe6811d-1bb9-481b-a77c-36ec3b3b57cf.jpg?v=1648044306","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cca39fcb-ecf9-44ee-ada1-15b3085a11ea.jpg?v=1648044318"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55301f98-e13a-4625-abbf-377e4ad05218.jpg?v=1731045598","options":["Title"],"media":[{"alt":null,"id":24903072448571,"position":1,"preview_image":{"aspect_ratio":0.908,"height":1763,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55301f98-e13a-4625-abbf-377e4ad05218.jpg?v=1731045598"},"aspect_ratio":0.908,"height":1763,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_55301f98-e13a-4625-abbf-377e4ad05218.jpg?v=1731045598","width":1600},{"alt":"There is a garden with a stone path. The garden is surrounded by bushes, hedges, and flowers. A bench is beside the stone path. On the bench is an older woman and a girl with medium light skin tone. They both hold a small piece of brown plum in one hand. The woman has her other hand in her coat pocket. Text: Grandmother is always savoring the flavors of her childhood. I like her stories. They taste salty and sweet, like the pickled plums Grandmother hides in her pockets.","id":21800961769531,"position":2,"preview_image":{"aspect_ratio":1.818,"height":275,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8713efdf-d499-44d6-915f-8ac0d43b8f32.jpg?v=1648044295"},"aspect_ratio":1.818,"height":275,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8713efdf-d499-44d6-915f-8ac0d43b8f32.jpg?v=1648044295","width":500},{"alt":"This image is a double page spread. To the left is a girl with medium skin tone and a cat at a table with a pot of water. The text says she helps her grandmother by washing the rice for dinner. To the right, a hand with medium skin tone has a black and white photo of a girl with medium skin tone with two braids and bangs. The text says her grandmother remembers when she was a little girl. Her fingers were too small to measure the water, so she would dip her braid in until the water reached her ribbon.","id":21800962588731,"position":3,"preview_image":{"aspect_ratio":1.818,"height":275,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ffe6811d-1bb9-481b-a77c-36ec3b3b57cf.jpg?v=1648044306"},"aspect_ratio":1.818,"height":275,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ffe6811d-1bb9-481b-a77c-36ec3b3b57cf.jpg?v=1648044306","width":500},{"alt":"It is dark in a bedroom. A girl with medium light skin tone and black hair lies in bed with her eyes open. On a nightstand beside her a small lamp is on. Text: The world outside is still and quiet. So is the room across the hall from mine. Grandmother’s room. my ears strain to remember the sound of her voice. To hear her stories. To hear her laughter. Instead, I hear something else. The jangle of a key against a jade key ring.","id":21800963473467,"position":4,"preview_image":{"aspect_ratio":1.818,"height":275,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cca39fcb-ecf9-44ee-ada1-15b3085a11ea.jpg?v=1648044318"},"aspect_ratio":1.818,"height":275,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cca39fcb-ecf9-44ee-ada1-15b3085a11ea.jpg?v=1648044318","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eGrace says goodbye to Grandmother in this touching book about love and loss.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGrandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.\u003c\/p\u003e\u003cp\u003eSuddenly, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And soon after, she is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.\u003c\/p\u003e\u003cp\u003eCarmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. Betty Quan’s picture-book debut is haunting yet hopeful. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.1\u003cbr\u003eAsk and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.7\u003cbr\u003eUse information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr\u003e\u0026gt;Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003cbr\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773060385","AlsoRecommendedISBN_1":"9781554981120","AlsoRecommendedISBN_2":"9781773060385","AlsoRecommendedISBN_3":"9781554988693","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"11","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"4","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"7","BASICMainSubject":"JUV039030","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/Death, Grief, Bereavement","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBETTY QUAN\u003c\/strong\u003e is the author of \u003cem\u003eGrandmother’s Visit\u003c\/em\u003e, illustrated by Carmen Mok, which won the Asian\/Pacific American Award for Literature Picture Book Honor and received a starred review from \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e. 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Betty has also written for children’s television programs, including the Discovery Kids production \u003cem\u003eDoki\u003c\/em\u003e. Her play \u003cem\u003eMother Tongue\u003c\/em\u003e was nominated for the Governor General’s Literary Award for Drama. She also adapted Paul Yee’s book \u003cem\u003eGhost Train\u003c\/em\u003e for the stage. She lives in Toronto, Ontario.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCARMEN MOK\u003c\/strong\u003e is a studio-art graduate of the University of Waterloo and a craft and design graduate of Sheridan College. She has illustrated \u003cem\u003ePercy's Museum\u003c\/em\u003e by Sara O'Leary, \u003cem\u003eViolet Shrink\u003c\/em\u003e by Christine Baldacchino and \u003cem\u003eGrandmother’s Visit\u003c\/em\u003e by Betty Quan, an Asian\/Pacific American Award for Literature Picture Book Honor title. Carmen’s other noteworthy books include \u003cem\u003eA Stopwatch from Grampa\u003c\/em\u003e by Loretta Garbutt, \u003cem\u003eCone Cat\u003c\/em\u003e by Sarah Howden and \u003cem\u003eTough Like Mum\u003c\/em\u003e by Lana Button. She lives in St. Catharines, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Quan, Betty (CA)","Contributor_1":"Mok, Carmen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eGrace says goodbye to Grandmother in this touching book about love and loss.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGrandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.\u003c\/p\u003e\u003cp\u003eSuddenly, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And soon after, she is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.\u003c\/p\u003e\u003cp\u003eCarmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. Betty Quan’s picture-book debut is haunting yet hopeful. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr \/\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.1\u003cbr \/\u003eAsk and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr \/\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.7\u003cbr \/\u003eUse information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr \/\u003e\u003eExplain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003cbr \/\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e","EAN":"9781554989553","Height":"9.5","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Asian\/Pacific American Awards for Literature; picture book","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eDEBUT AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBetty Quan is a notable name in Canadian children’s television and theatre. This is her first picture book.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDEFTLY HANDLES THEMES OF LIFE AND DEATH:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe book deals with subject matter that is universal though seldom treated in a children’s book in such a direct and honest way, and without heavy overtones, providing teachers, librarians and parents with a useful launching pad for discussion. Carmen Mok’s sweet illustrations add levity to a somber story and help make what could be a challenging subject natural.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eCurriculum ties include social studies (heritage \/ identity \/ family) and health (life \u0026 death \/ human development).\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eDEBUT AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBetty Quan is a notable name in Canadian children’s television and theatre. This is her first picture book.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEFTLY HANDLES THEMES OF LIFE AND DEATH:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe book deals with subject matter that is universal though seldom treated in a children’s book in such a direct and honest way, and without heavy overtones, providing teachers, librarians and parents with a useful launching pad for discussion. Carmen Mok’s sweet illustrations add levity to a somber story and help make what could be a challenging subject natural.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum ties include social studies (heritage \/ identity \/ family) and health (life \u0026 death \/ human development).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Quan helps readers face losing a loved one and embrace previous memories forever.” — \u003cstrong\u003e\u003cem\u003eDragon Lode\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Dragon Lode","OtherText_ShortDescription_0":"Grace says goodbye to Grandmother in this touching book about love and loss.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"Asian\/Pacific American Awards for Literature Picture Book","PrizeYear_0":"2019","ProductFormDescription":"Web PDF","PublicationDate":"2018-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Grace says goodbye to Grandmother in this touching book about love and loss.","Width":"8.625","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
Grandmother’s Visit
Grace says goodbye to Grandmother in this touching book about love and loss.
Quick View
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Gargantua (Jr!) would like to help out, but Mom says, “You’re too little.” So Junior sets out to prove that she’s wrong … \u003c\/p\u003e\u003cp\u003eMaking amends for past mistakes, giving back to the community, learning one’s limits and teamwork all come into play in this story about a mom and her baby monster, vibrantly written and illustrated by Kevin Sylvester.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003espeech bubbles\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.4.6\u003cbr\u003eCompare and contrast the point of view from which different stories are narrated, including the difference between first- and third-person narrations.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.7\u003cbr\u003eAnalyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554989683","AlsoRecommendedISBN_1":"9781554989683","AlsoRecommendedISBN_2":"9781773062372","AlsoRecommendedISBN_3":"9781773062372","AlsoRecommendedISBN_4":"9781554987085","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"4","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"7","AudienceRangeValue_2_2":"2","BASICMainSubject":"JUV019000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Humorous Stories","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKEVIN SYLVESTER\u003c\/strong\u003e is an award-winning illustrator, writer and broadcaster whose work ranges from murder mysteries and science fiction to books on sports and financial literacy. His picture books include \u003cem\u003eSplinters\u003c\/em\u003e (a Blue Spruce Honour Book) and \u003cem\u003eSuper-Duper Monster Viewer\u003c\/em\u003e. Kevin’s \u003cem\u003eNeil Flambé Capers\u003c\/em\u003e series and MINRs series have both been bestsellers. His latest novel is Mucus Mayhem. His non-fiction titles include \u003cem\u003eFollow Your Money\u003c\/em\u003e, \u003cem\u003eFollow Your Stuff\u003c\/em\u003e, \u003cem\u003eBaseballogy and Basketballogy\u003c\/em\u003e. Kevin lives with his family in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Humorous Stories","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Family \/ Parents","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Monsters","BISACSubject_0":"JUV019000","BISACSubject_1":"JUV013060","BISACSubject_2":"JUV052000","CommonCore":"CCSS.ELA-LITERACY.RL.4.6","CommonCore_1":"CCSS.ELA-LITERACY.RL.5.7","ComplexityCode_0":"L","ComplexityCode_1":"AD480L","ComplexityCode_2":"L","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"06","ComplexitySchemeIdentifier_2":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Lexile measure","ComplexitySchemeIdName_2":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKEVIN SYLVESTER\u003c\/strong\u003e is an award-winning illustrator, writer and broadcaster whose work ranges from murder mysteries and science fiction to books on sports and financial literacy. His picture books include \u003cem\u003eSplinters\u003c\/em\u003e (a Blue Spruce Honour Book) and \u003cem\u003eSuper-Duper Monster Viewer\u003c\/em\u003e. Kevin’s \u003cem\u003eNeil Flambé Capers\u003c\/em\u003e series and MINRs series have both been bestsellers. His latest novel is Mucus Mayhem. His non-fiction titles include \u003cem\u003eFollow Your Money\u003c\/em\u003e, \u003cem\u003eFollow Your Stuff\u003c\/em\u003e, \u003cem\u003eBaseballogy and Basketballogy\u003c\/em\u003e. Kevin lives with his family in Toronto.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eKEVIN SYLVESTER\u003c\/strong\u003e is an award-winning illustrator, writer and broadcaster whose work ranges from murder mysteries and science fiction to books on sports and financial literacy. His picture books include \u003cem\u003eSplinters\u003c\/em\u003e (a Blue Spruce Honour Book) and \u003cem\u003eSuper-Duper Monster Viewer\u003c\/em\u003e. Kevin’s \u003cem\u003eNeil Flambé Capers\u003c\/em\u003e series and MINRs series have both been bestsellers. His latest novel is Mucus Mayhem. His non-fiction titles include \u003cem\u003eFollow Your Money\u003c\/em\u003e, \u003cem\u003eFollow Your Stuff\u003c\/em\u003e, \u003cem\u003eBaseballogy and Basketballogy\u003c\/em\u003e. Kevin lives with his family in Toronto.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Sylvester, Kevin (CA)","Contributor_1":"Sylvester, Kevin (CA)","Description":"\u003cp\u003e\u003cstrong\u003eBefore Gargantua Junior was born, Mom had a reputation for being a little wild. Now she prefers to repair damage and protect the Earth from invaders — and Gargantua Junior wants to help!\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGargantua (Jr!) wants to grow up to be just like Mom. Before Junior came along, Mom had a reputation for being a little wild, but now she only knocks over buildings that are supposed to come down. She also protects Earth from dangerous space robots and giant asteroids. Gargantua (Jr!) would like to help out, but Mom says, “You’re too little.” So Junior sets out to prove that she’s wrong … \u003c\/p\u003e\u003cp\u003eMaking amends for past mistakes, giving back to the community, learning one’s limits and teamwork all come into play in this story about a mom and her baby monster, vibrantly written and illustrated by Kevin Sylvester.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr \/\u003espeech bubbles\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.4.6\u003cbr \/\u003eCompare and contrast the point of view from which different stories are narrated, including the difference between first- and third-person narrations.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.7\u003cbr \/\u003eAnalyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).\u003c\/p\u003e","EAN":"9781773063195","Height":"9.25","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"speech bubbles","MetaKeywords":"growing up; independent; role model; humorous stories; family and family issues; parents and children; parenting; godzilla; science fiction and fantasy; humor; humour; cooperation; helpfulness; responsibility; first person narration; determining importance; Common Core aligned; CC Literature Craft and Structure; CC Literature Integration of Knowledge and Ideas; grade 4; grade 5; Kirkus starred review; Quill \u0026amp; Quire starred review; picture book; speech bubbles","NumberOfPages":"40","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eKevin Sylvester’s imagination and quirky sense of humor are on full display in this new picture book featuring the relationship between a mother and her child, who just happen to be monsters with superpowers.\u003c\/li\u003e\n\u003cli\u003eThis is a fun, accessible story. Many children and parents will relate to Gargantua Jr.’s growing desire for independence and his mom’s need to rein him in.\u003c\/li\u003e\n\u003cli\u003eThe subject matter, lively art and minimal text, including speech balloons, will make this an appealing book for kids who are reluctant readers.\u003c\/li\u003e\n\u003cli\u003eThe book would make a great selection for Mother’s Day promotions.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include Language arts \/ reading; Social Studies \/ community; Health \/ personal safety and injury prevention.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eKevin Sylvester’s imagination and quirky sense of humor are on full display in this new picture book featuring the relationship between a mother and her child, who just happen to be monsters with superpowers.\u003c\/li\u003e\n\u003cli\u003eThis is a fun, accessible story. Many children and parents will relate to Gargantua Jr.’s growing desire for independence and his mom’s need to rein him in.\u003c\/li\u003e\n\u003cli\u003eThe subject matter, lively art and minimal text, including speech balloons, will make this an appealing book for kids who are reluctant readers.\u003c\/li\u003e\n\u003cli\u003eThe book would make a great selection for Mother’s Day promotions.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include Language arts \/ reading; Social Studies \/ community; Health \/ personal safety and injury prevention.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eHorn Book\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“[T]errific fun. Parenting skills come in handy even for immense, green, fire-breathing monsters.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003e“Sylvester’s story is simple and sweet . . . . Matching Sylvester’s note-perfect storytelling are his bold and fun illustrations. These are the kind of drawings of creatures and chaos that will appeal to future comic-book lovers, while also providing the kind of personality, warmth, and humour that resonates with readers of all ages and ilk.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"Before Gargantua Junior was born, Mom had a reputation for being a little wild. Now Junior wants to help her repair damage and protect the Earth!","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2019-04-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Before Gargantua Junior was born, Mom had a reputation for being a little wild. Now Junior wants to help her repair damage and protect the Earth!","Subtitle":"Defender of Earth","Width":"9.875","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
Gargantua (Jr!)
Before Gargantua Junior was born, Mom had a reputation for being a little wild. Now Junior wants to help her repair damage and protect the Earth!
Quick View
{"id":6812122054715,"title":"Climbing Shadows","handle":"climbing-shadows","description":"\u003cp\u003e\u003cstrong\u003eA splendidly illustrated collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe poems in \u003cem\u003eClimbing Shadows\u003c\/em\u003e were inspired by a class of kindergarten children whom poet and playwright Shannon Bramer came to know over the course of a school year. She set out to write a poem for each child, sharing her love of poetry with them, and made an anthology of the poems for Valentine’s Day.\u003c\/p\u003e\u003cp\u003eThis original collection reflects the children’s joys and sorrows, worries and fears, moods and sense of humor. 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The text is a poem called “Polka-dot Song.”","id":21767408582715,"position":3,"preview_image":{"aspect_ratio":1.667,"height":300,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5310e167-5414-4dab-8940-e6a738bec329.jpg?v=1647970217"},"aspect_ratio":1.667,"height":300,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5310e167-5414-4dab-8940-e6a738bec329.jpg?v=1647970217","width":500},{"alt":"Snow covers the ground. Four bats, one brown, one red, one blue, and one yellow, hang from a line. The text is a poem called “Dreaming Upside Down.”","id":21767414186043,"position":4,"preview_image":{"aspect_ratio":1.667,"height":300,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b09d9d20-32ec-4432-9292-8efb89b01a86.jpg?v=1647970226"},"aspect_ratio":1.667,"height":300,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b09d9d20-32ec-4432-9292-8efb89b01a86.jpg?v=1647970226","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA splendidly illustrated collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe poems in \u003cem\u003eClimbing Shadows\u003c\/em\u003e were inspired by a class of kindergarten children whom poet and playwright Shannon Bramer came to know over the course of a school year. She set out to write a poem for each child, sharing her love of poetry with them, and made an anthology of the poems for Valentine’s Day.\u003c\/p\u003e\u003cp\u003eThis original collection reflects the children’s joys and sorrows, worries and fears, moods and sense of humor. Some poems address common themes such as having a hard day at school, feeling shy or being a newcomer, while others explore subjects of fascination — bats, spiders, skeletons, octopuses, polka dots, racing cars and birthday parties. Evident throughout the book is a love of words and language and the idea that there are all kinds of poems and that they are for everyone — to read or write.\u003c\/p\u003e\u003cp\u003eCindy Derby’s dreamy watercolor illustrations gently complement each poem. Beautiful, thoughtful, sensitive and funny, this is an exceptional collection.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003eillustrations\u003cbr\u003etable of contents\u003cbr\u003eauthor’s note\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.1\u003cbr\u003eWith prompting and support, ask and answer questions about key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003eAsk and answer questions about unknown words in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003eDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554989751","AlsoRecommendedISBN_1":"9781773061115","AlsoRecommendedISBN_2":"9781773061115","AlsoRecommendedISBN_3":"9781773061115","AlsoRecommendedISBN_4":"9781554984930","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"6","BASICMainSubject":"JUV070000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Poetry","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSHANNON BRAMER\u003c\/strong\u003e is an author of poems, plays and short fiction. She has published \u003cem\u003eClimbing Shadows: Poems for Children\u003c\/em\u003e, illustrated by Cindy Derby; \u003cem\u003eRobot, Unicorn, Queen: poems for you and me\u003c\/em\u003e, illustrated by Irene Luxbacher (David Booth Children’s and Youth Poetry Award); and several poetry collections for adults, including \u003cem\u003ePrecious Energy\u003c\/em\u003e and \u003cem\u003esuitcases and other poems\u003c\/em\u003e (Hamilton and Region Arts Council Book Award). She lives with her family in Toronto, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Poetry","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Imagination \u0026amp; Play","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubject_0":"JUV070000","BISACSubject_1":"JUV051000","BISACSubject_2":"JUV039050","CommonCore":"CCSS.ELA-LITERACY.RL.K.4","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.4","CommonCore_2":"CCSS.ELA-LITERACY.RL.K.1","CommonCore_3":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_4":"CCSS.ELA-LITERACY.RL.2.4","ComplexityCode_0":"NP","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSHANNON BRAMER\u003c\/strong\u003e is an author of poems, plays and short fiction. She has published \u003cem\u003eClimbing Shadows: Poems for Children\u003c\/em\u003e, illustrated by Cindy Derby; \u003cem\u003eRobot, Unicorn, Queen: poems for you and me\u003c\/em\u003e, illustrated by Irene Luxbacher (David Booth Children’s and Youth Poetry Award); and several poetry collections for adults, including \u003cem\u003ePrecious Energy\u003c\/em\u003e and \u003cem\u003esuitcases and other poems\u003c\/em\u003e (Hamilton and Region Arts Council Book Award). She lives with her family in Toronto, Ontario.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eCINDY DERBY\u003c\/strong\u003e is an author, illustrator and puppeteer. Her illustrations for \u003cem\u003eOutside In\u003c\/em\u003e by Deborah Underwood received a Caldecott Honor and a Golden Kite Honor. She has written and illustrated the highly acclaimed picture books \u003cem\u003eBlurp’s Book of Manners\u003c\/em\u003e, \u003cem\u003eTwo Many Birds\u003c\/em\u003e (Bank Street College of Education Best Children’s Books of the Year) and \u003cem\u003eHow to Walk an Ant\u003c\/em\u003e. Her work has received international recognition from France, Brazil and Japan. Cindy lives with her family in San Francisco.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Bramer, Shannon (CA)","Contributor_1":"Derby, Cindy","Description":"\u003cp\u003e\u003cstrong\u003eA splendidly illustrated collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe poems in \u003cem\u003eClimbing Shadows\u003c\/em\u003e were inspired by a class of kindergarten children whom poet and playwright Shannon Bramer came to know over the course of a school year. She set out to write a poem for each child, sharing her love of poetry with them, and made an anthology of the poems for Valentine’s Day.\u003c\/p\u003e\u003cp\u003eThis original collection reflects the children’s joys and sorrows, worries and fears, moods and sense of humor. Some poems address common themes such as having a hard day at school, feeling shy or being a newcomer, while others explore subjects of fascination — bats, spiders, skeletons, octopuses, polka dots, racing cars and birthday parties. Evident throughout the book is a love of words and language and the idea that there are all kinds of poems and that they are for everyone — to read or write.\u003c\/p\u003e\u003cp\u003eCindy Derby’s dreamy watercolor illustrations gently complement each poem. Beautiful, thoughtful, sensitive and funny, this is an exceptional collection.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr \/\u003eillustrations\u003cbr \/\u003etable of contents\u003cbr \/\u003eauthor’s note\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.1\u003cbr \/\u003eWith prompting and support, ask and answer questions about key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr \/\u003eAsk and answer questions about unknown words in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr \/\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr \/\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr \/\u003eDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","EAN":"9781773063133","Height":"9.75","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"illustrations;table of contents;author's note","MetaKeywords":"NCTE Notable Poetry Book and Verse Novel; picture book; illustrations; table of contents; author's note","NumberOfPages":"44","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eShannon Bramer is a published poet and playwright. Her poems for children are fresh, original and beautifully written.\u003c\/li\u003e\n\u003cli\u003eCindy Derby is a rising star in the world of children’s book illustration. Her debut picture book, \u003cem\u003eHow to Walk an Ant\u003c\/em\u003e, will be published in April 2019 by Roaring Brook Press.\u003c\/li\u003e\n\u003cli\u003eWe are publishing \u003cem\u003eClimbing Shadows\u003c\/em\u003e in March 2019, so that it will be available well in advance of National Poetry Month in April.\u003c\/li\u003e\n\u003cli\u003eThis is a wonderful introduction to poetry for young children. Shannon is keen to write a teacher’s guide for the book, providing educators with ideas for ways to engage children with poetry.\u003c\/li\u003e\n\u003cli\u003eThere is strong interest among educators in encouraging children to read poetry. The National Book Foundation recently announced that the winner of the 2018 Innovations in Reading Prize is the Academy of American Poets “Teach This Poem” program.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include language arts \/ poetry, reading, creative writing.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eShannon Bramer is a published poet and playwright. Her poems for children are fresh, original and beautifully written.\u003c\/li\u003e\n\u003cli\u003eCindy Derby is a rising star in the world of children’s book illustration. Her debut picture book, \u003cem\u003eHow to Walk an Ant\u003c\/em\u003e, will be published in April 2019 by Roaring Brook Press.\u003c\/li\u003e\n\u003cli\u003eWe are publishing \u003cem\u003eClimbing Shadows\u003c\/em\u003e in March 2019, so that it will be available well in advance of National Poetry Month in April.\u003c\/li\u003e\n\u003cli\u003eThis is a wonderful introduction to poetry for young children. Shannon is keen to write a teacher’s guide for the book, providing educators with ideas for ways to engage children with poetry.\u003c\/li\u003e\n\u003cli\u003eThere is strong interest among educators in encouraging children to read poetry. The National Book Foundation recently announced that the winner of the 2018 Innovations in Reading Prize is the Academy of American Poets “Teach This Poem” program.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include language arts \/ poetry, reading, creative writing.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eHorn Book\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Smart. Honestly heartfelt. Utterly beautiful to look at. See the bar? Yeah. It just got raised.” — \u003cstrong\u003e\u003cem\u003eA Fuse #8 Production Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"A Fuse #8 Production Blog","OtherText_Review_1":"\u003cp\u003e“Bramer’s poems . . . explore an evocative range of emotional states, metaphors, and ideas. Understated, dreamlike paintings with offsetting white space accompany the poems. . . . The works carry notes of wistfulness and wonder, astute observations, and poignant reflections on one’s place in the world.” — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Publisher's Weekly","OtherText_Review_2":"\u003cp\u003e“[A] marvelous introduction to poetry for young children.” — \u003cstrong\u003e\u003cem\u003eCM Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"CM Reviews","OtherText_ShortDescription_0":"A collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Commended","PrizeCode_0":"04","PrizeCode_1":"03","PrizeName_0":"Rocky Mountain Book Award","PrizeName_1":"NCTE Notable Poetry Book and Verse Novel","PrizeYear_0":"2021","PrizeYear_1":"2020","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2019-03-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer.","Subtitle":"Poems for Children","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773063133\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"8.125","WidthCode":"in"}
ages 6
and up
/ grades K
and up
Climbing Shadows
A collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer.
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Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.\u003c\/p\u003e\u003cp\u003eDetermined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9\/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBreaking the Ocean\u003c\/i\u003e introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.\u003c\/p\u003e","published_at":"2022-12-15T08:49:53-05:00","created_at":"2022-03-22T11:06:55-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult BIPOC Voices","Adult Nonfiction","Adult Starred Reviews","Anansi Audio","By (author) Dashtgard Annahid","pub date: 2019-08-20","Read by Dashtgard Annahid"],"price":1895,"price_min":1895,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195534258235,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006471","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":360,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006471","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195537469499,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006488","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006488","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195538255931,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006495","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006495","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195539435579,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008765","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008765","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195541270587,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008772","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008772","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069","options":["Title"],"media":[{"alt":"Small glittering, gold shapes are against a light blue background. The shapes appear to drop from the top of the cover, where they fall into place to form mandala-like patterns at the bottom of the cover. Text: Breaking the Ocean. A Memoir of Race, Rebellion, and Reconciliation. Annahid Dashtgard. “A profound and candid reflection on the realities of race today.” – Waubgeshig Rice, author of Moon of the Crusted Snow.","id":22170973863995,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn \u003ci\u003eBreaking the Ocean\u003c\/i\u003e, diversity and inclusion specialist Annahid Dashtgard addresses the long-term impacts of exile, immigration, and racism by offering a vulnerable, deeply personal account of her life and work.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAnnahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized both by her peers at school and adults in the community. Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.\u003c\/p\u003e\u003cp\u003eDetermined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9\/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBreaking the Ocean\u003c\/i\u003e introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887848179","AlsoRecommendedISBN_1":"9781487003043","AlsoRecommendedISBN_2":"9781487006440","BASICMainSubject":"BIO032000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY\/Social Activists","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eANNAHID DASHTGARD\u003c\/strong\u003e (M.Ed.) is the co-founder of Anima Leadership, a highly respected international consulting company specializing in issues of diversity and inclusion. Previously she was a leader in the anti-corporate globalization movement, responsible for several national political campaigns and frequently referred to as one of the top activists to watch in the 1990s. She is the host of the podcast series \u003cem\u003eBreaking the Ocean: Soundwaves of Belonging\u003c\/em\u003e and the director of two award-winning documentaries, \u003cem\u003eBuy-Bye World: The Battle of Seattle\u003c\/em\u003e and \u003cem\u003eBread\u003c\/em\u003e. Her writing has appeared in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and \u003cem\u003eBriarpatch\u003c\/em\u003e magazine. Dashtgard lives in Toronto with her husband and children. \u003cem\u003eBreaking the Ocean\u003c\/em\u003e is her first book. \u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Social Activists","BISACSubjectLiteral_1":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Political","BISACSubject_0":"BIO032000","BISACSubject_1":"BIO026000","BISACSubject_2":"BIO010000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eANNAHID DASHTGARD\u003c\/strong\u003e (M.Ed.) is the co-founder of Anima Leadership, a highly respected international consulting company specializing in issues of diversity and inclusion. Previously she was a leader in the anti-corporate globalization movement, responsible for several national political campaigns and frequently referred to as one of the top activists to watch in the 1990s. She is the host of the podcast series \u003cem\u003eBreaking the Ocean: Soundwaves of Belonging\u003c\/em\u003e and the director of two award-winning documentaries, \u003cem\u003eBuy-Bye World: The Battle of Seattle\u003c\/em\u003e and \u003cem\u003eBread\u003c\/em\u003e. Her writing has appeared in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and \u003cem\u003eBriarpatch\u003c\/em\u003e magazine. Dashtgard lives in Toronto with her husband and children. \u003cem\u003eBreaking the Ocean\u003c\/em\u003e is her first book. \u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eANNAHID DASHTGARD\u003c\/strong\u003e (M.Ed.) is the co-founder of Anima Leadership, a highly respected international consulting company specializing in issues of diversity and inclusion. Previously she was a leader in the anti-corporate globalization movement, responsible for several national political campaigns and frequently referred to as one of the top activists to watch in the 1990s. She is the host of the podcast series \u003cem\u003eBreaking the Ocean: Soundwaves of Belonging\u003c\/em\u003e and the director of two award-winning documentaries, \u003cem\u003eBuy-Bye World: The Battle of Seattle\u003c\/em\u003e and \u003cem\u003eBread\u003c\/em\u003e. Her writing has appeared in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and \u003cem\u003eBriarpatch\u003c\/em\u003e magazine. Dashtgard lives in Toronto with her husband and children. \u003cem\u003eBreaking the Ocean\u003c\/em\u003e is her first book. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Dashtgard, Annahid","Contributor_1":"Dashtgard, Annahid","Description":"\u003cp\u003e\u003cstrong\u003eIn \u003ci\u003eBreaking the Ocean\u003c\/i\u003e, diversity and inclusion specialist Annahid Dashtgard addresses the long-term impacts of exile, immigration, and racism by offering a vulnerable, deeply personal account of her life and work.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAnnahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized both by her peers at school and adults in the community. Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.\u003c\/p\u003e\u003cp\u003eDetermined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9\/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBreaking the Ocean\u003c\/i\u003e introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.\u003c\/p\u003e","EAN":"9781487008772","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006471\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi Audio","NumberOfPages":"280","OtherText_Accolades_0":"\u003cp\u003e“A profound and candid reflection on the realities of race today, Breaking the Ocean pulls no punches in calling out the power structures upholding racism. By sharing her life’s story, Annahid Dashtgard effectively examines the complex intersection of culture, class, and colour. As a mixed-race person, I found her story deeply resonant, and felt an immediate kinship with her and her loved ones.” — \u003cstrong\u003eWaubgeshig Rice\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Waubgeshig Rice","OtherText_Accolades_1":"\u003cp\u003e“\u003cem\u003eBreaking the Ocean\u003c\/em\u003e is a deeply intimate and provocative memoir about the explorations of a young immigrant mixed-race woman trying to find her way to belonging through social change. A profound and important read at this time of the intersections of our struggles. We need more voices like hers.” — \u003cstrong\u003eJudy Rebick\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Judy Rebick","OtherText_Accolades_2":"\u003cp\u003e“A bold and intimate memoir about growing up mixed-race, overcoming adversities, and fighting for social change, Breaking the Ocean deftly illuminates the pain and loss of immigration and what it means to feel like you don’t belong. At its core, this is a book about trauma and resilience and the power of storytelling to heal and connect us all.” — \u003cstrong\u003eAyelet Tsabari\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Ayelet Tsabari","OtherText_Accolades_3":"\u003cp\u003e“A powerful memoir about the making of a leader and the rise of her passion for justice and equity. This is a stunning personal reflection on one woman’s growth to claim her own power and the dedication she makes to social change.” — \u003cstrong\u003eCarrianne Leung\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Carrianne Leung","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eDEMAND FOR IMMIGRANT STORIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eNever before has there been such interest in immigrant and refugee stories, as demonstrated by the success of novels and story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eDEBUT FROM CO-FOUNDER OF ANIMA LEADERSHIP:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eDashtgard is the co-founder of Amima Leadership, an award-winning organization devoted to diversity and inclusion in the workforce. The company is committed to creating spaces where everyone matters and belongs.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eIt is the beginning of September, the first day of school, and the sun is flirting with making an appearance. Butterflies fill my stomach, but in a good way. Today marks my four-year-old daughter’s first day of attending the “big school” at the end of our street. She’s wearing the robin’s-egg-blue dress I bought for her birthday earlier this year with the silver filigree design down the front — an echo of her Middle Eastern roots. My husband Shakil and I leave the house to drop her off together. With her marching gait, laser-beam gaze, and set mouth, she seems fine. Better off than her mama.\u003c\/p\u003e\u003cp\u003eI feel alone. The paralyzing isolation I felt during the early years of motherhood has given way to tenuous new connections with many other parents — through daycare, local Facebook groups, and community gatherings — but I’m still off balance. Despite reaching middle age, despite having achieved professional success, despite all the wonderful things and people in my life, this moment undoes me.\u003c\/p\u003e\u003cp\u003eThe sight of monkey bars and green playing field makes me feel tight and floaty at the same time. I know it’s because a part of me was left behind in a place just like this, where I learned that in order to survive I had to make myself disappear. I can’t catch my breath. I feel dislocated.\u003c\/p\u003e\u003cp\u003eMy daughter runs into the play area without a backward glance, and I call her back to give her one last hug. “Enjoy your first day at your new school, Baba. I love you so much,” I whisper. I can’t tell if it’s her or some earlier version of myself that I watch twist and spin away, the past collapsing into the present. All I know is that my daughter’s story begins with my story. And my story begins with my people.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eDEMAND FOR IMMIGRANT STORIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eNever before has there been such interest in immigrant and refugee stories, as demonstrated by the success of novels and story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEBUT FROM CO-FOUNDER OF ANIMA LEADERSHIP:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eDashtgard is the co-founder of Amima Leadership, an award-winning organization devoted to diversity and inclusion in the workforce. The company is committed to creating spaces where everyone matters and belongs.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“\u003cem\u003eBreaking the Ocean\u003c\/em\u003e is unique in its generosity, looking to the past with a wholehearted anticipation for what can be retrieved in the present. It is deeply felt and striking in its clarity and relevance.” — \u003cstrong\u003e\u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Quill and Quire","OtherText_Review_1":"\u003cp\u003e“An incredibly rich personal reflection … [Breaking the Ocean] speaks boldly about identity, reinvention, trauma, burnout, and a continuous journey towards healing.” — \u003cstrong\u003e\u003cem\u003eHamilton Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Hamilton Review of Books","OtherText_Review_2":"\u003cp\u003e“This is a beautifully written, sensitive memoir fraught with painful memories but also touched by hope, an illuminating meditation on finding your own voice and identity in a new land.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Booklist","OtherText_ShortDescription_0":"Diversity and inclusion specialist Dashtgard addresses the impacts of exile, immigration, and racism through an account of her life and work.","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2019-08-20","Publisher":"House of Anansi Press Inc","ShortDescription":"Diversity and inclusion specialist Dashtgard addresses the impacts of exile, immigration, and racism through an account of her life and work.","Subtitle":"A Memoir of Race, Rebellion, and Reconciliation","Width":"5.5","WidthCode":"in"}
Breaking the Ocean
Diversity and inclusion specialist Dashtgard addresses the impacts of exile, immigration, and racism through an account of her life and work.
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{"id":6811320844347,"title":"The Diamond Queen of Singapore","handle":"the-diamond-queen-of-singapore","description":"\u003cp\u003e\u003cstrong\u003eIn the latest thrilling novel in the Ava Lee series, Ava launches an investigation into a fraudulent investment scheme that sends her around the globe on the trail of illegal diamonds, drug smuggling, and offshore banking.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAva and Pang Fai are in Toronto to attend a party at the home of Ava’s mother, Jennie Lee. When Ava’s best friend, Mimi, fails to appear, Ava goes looking for her. She finds Mimi at home, distraught over the death of her father, who has taken his own life after losing the family’s savings in a fraudulent investment scheme. Moved to avenge this tragedy and recover the stolen money, Ava launches an investigation that takes her to cities on three continents.\u003c\/p\u003e\u003cp\u003eAs she tracks the money, Ava is thrust into the underworld of illegal diamond trading, international drug smuggling, and the world’s most secretive offshore banking haven. Along the way, a number of Ava’s old friends offer their assistance—from her business partner, May Ling Wong, to her \u003ci\u003ege ge\u003c\/i\u003e, the Mountain Master of Shanghai, Xu. Most poignant of all, Ava is visited in her dreams by Uncle, who offers her much-needed guidance as she confronts a new face of power and corruption.\u003c\/p\u003e","published_at":"2022-03-21T17:17:00-04:00","created_at":"2022-03-21T12:51:02-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult LGBTQ+","An Ava Lee Novel","Book Club Pick","By (author) Hamilton Ian","pub date: 2020-05-26","Spiderline"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191044091963,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487002060","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Diamond Queen of Singapore - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":481,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487002060","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191134728251,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487002077","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Diamond Queen of Singapore - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487002077","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191134761019,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487002084","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Diamond Queen of Singapore - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487002084","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4973ecde-8182-47b8-ae25-3f5eadb88e6f.jpg?v=1679028204"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4973ecde-8182-47b8-ae25-3f5eadb88e6f.jpg?v=1679028204","options":["Title"],"media":[{"alt":"This image is in shades of black and white. 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Arthur Ellis Award Winner.","id":23338828464187,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2475,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4973ecde-8182-47b8-ae25-3f5eadb88e6f.jpg?v=1679028204"},"aspect_ratio":0.667,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4973ecde-8182-47b8-ae25-3f5eadb88e6f.jpg?v=1679028204","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn the latest thrilling novel in the Ava Lee series, Ava launches an investigation into a fraudulent investment scheme that sends her around the globe on the trail of illegal diamonds, drug smuggling, and offshore banking.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAva and Pang Fai are in Toronto to attend a party at the home of Ava’s mother, Jennie Lee. When Ava’s best friend, Mimi, fails to appear, Ava goes looking for her. She finds Mimi at home, distraught over the death of her father, who has taken his own life after losing the family’s savings in a fraudulent investment scheme. Moved to avenge this tragedy and recover the stolen money, Ava launches an investigation that takes her to cities on three continents.\u003c\/p\u003e\u003cp\u003eAs she tracks the money, Ava is thrust into the underworld of illegal diamond trading, international drug smuggling, and the world’s most secretive offshore banking haven. Along the way, a number of Ava’s old friends offer their assistance—from her business partner, May Ling Wong, to her \u003ci\u003ege ge\u003c\/i\u003e, the Mountain Master of Shanghai, Xu. Most poignant of all, Ava is visited in her dreams by Uncle, who offers her much-needed guidance as she confronts a new face of power and corruption.\u003c\/p\u003e"}
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The Ava Lee series is being adapted for television. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Hamilton, Ian (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn the latest thrilling novel in the Ava Lee series, Ava launches an investigation into a fraudulent investment scheme that sends her around the globe on the trail of illegal diamonds, drug smuggling, and offshore banking.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAva and Pang Fai are in Toronto to attend a party at the home of Ava’s mother, Jennie Lee. When Ava’s best friend, Mimi, fails to appear, Ava goes looking for her. She finds Mimi at home, distraught over the death of her father, who has taken his own life after losing the family’s savings in a fraudulent investment scheme. 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The trilogy will culminate with Fortune in January 2021.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eIAN’S U.S. PRESENCE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eIan Hamilton continues to spread his presence in the U.S. He attended ThrillerFest in NYC and Bouchercon in 2017 and was a writer in residence at The Poisoned Pen in February 2018.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eFORTHCOMING TV SERIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eTV rights to the popular series have been optioned and are in development.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eINTERNATIONAL SALES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eIan Hamilton has been published in eight territories worldwide.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eU.S. DIGITAL GALLEYS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Diamond Queen of Singapore\u003c\/em\u003e will be available on Edelweiss.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eGREAT REVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe Ava Lee series has received starred reviews in \u003cem\u003ePublishers Weekly\u003c\/em\u003e and has been endorsed by Linwood Barclay, Taylor Stevens, Barbara Peters, and Richard Katz.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eU.S. BRAND BUILDING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eWe will continue to build the Ava Lee brand in the U.S., touring Ian Hamilton at crime and trade conferences and pitching the series to national media.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNEW SPIN OFF SERIES LAUNCHED WINTER 2019:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eA spin-off trilogy focusing on the much beloved Uncle character launched in January 2019 with \u003cem\u003eFate\u003c\/em\u003e, and the second in the series, \u003cem\u003eForesight\u003c\/em\u003e, will be published in January 2020. The trilogy will culminate with Fortune in January 2021.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIAN’S U.S. PRESENCE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eIan Hamilton continues to spread his presence in the U.S. He attended ThrillerFest in NYC and Bouchercon in 2017 and was a writer in residence at The Poisoned Pen in February 2018.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFORTHCOMING TV SERIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eTV rights to the popular series have been optioned and are in development.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNATIONAL SALES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eIan Hamilton has been published in eight territories worldwide.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eU.S. DIGITAL GALLEYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Diamond Queen of Singapore\u003c\/em\u003e will be available on Edelweiss.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"Ava Lee investigates a fraudulent investment scheme that sends her on the trail of illegal diamonds, drugs, and offshore banking.","ProductFormDescription":"mobi","PublicationDate":"2020-05-26","Publisher":"House of Anansi Press Inc","Series":"An Ava Lee Novel","ShortDescription":"Ava Lee investigates a fraudulent investment scheme that sends her on the trail of illegal diamonds, drugs, and offshore banking.","Subtitle":"An Ava Lee Novel: Book 13","Width":"5.25","WidthCode":"in"}
The Diamond Queen of Singapore
Ava Lee investigates a fraudulent investment scheme that sends her on the trail of illegal diamonds, drugs, and offshore banking.
Quick View
{"id":6811309244475,"title":"The Age of Creativity","handle":"the-age-of-creativity","description":"\u003cp\u003e\u003cstrong\u003eA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of \u003ci\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/i\u003e. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? 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We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Age of Creativity \u003c\/i\u003eis a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002190","AlsoRecommendedISBN_1":"9781487004071","AlsoRecommendedISBN_4":"9781487008024","BASICMainSubject":"BIO026000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Personal Memoirs","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eEMILY URQUHART\u003c\/strong\u003e is a National Magazine Award–winning writer and has a doctorate in folklore from Memorial University of Newfoundland. Her first book, \u003cem\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/em\u003e, was a \u003cem\u003eMaclean’s\u003c\/em\u003e bestseller, a finalist for the BC National Award for Canadian Non-Fiction, and a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015. 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She lives in Kitchener, Ontario, with her husband and their two children.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_1":"FAMILY \u0026amp; RELATIONSHIPS \/ Life Stages \/ Later Years","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Artists, Architects, Photographers","BISACSubject_0":"BIO026000","BISACSubject_1":"FAM005000","BISACSubject_2":"BIO001000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eEMILY URQUHART\u003c\/strong\u003e is a National Magazine Award–winning writer and has a doctorate in folklore from Memorial University of Newfoundland. Her first book, \u003cem\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/em\u003e, was a \u003cem\u003eMaclean’s\u003c\/em\u003e bestseller, a finalist for the BC National Award for Canadian Non-Fiction, and a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015. Her freelance writing has appeared in the \u003cem\u003eToronto Star\u003c\/em\u003e, \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, \u003cem\u003eLongreads\u003c\/em\u003e, the \u003cem\u003eRumpus\u003c\/em\u003e, and \u003cem\u003eEighteen Bridges\u003c\/em\u003e, among other publications. She is a nonfiction editor for the \u003cem\u003eNew Quarterly\u003c\/em\u003e and teaches creative nonfiction at Wilfrid Laurier University. She lives in Kitchener, Ontario, with her husband and their two children.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Urquhart, Emily (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of \u003ci\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/i\u003e. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Age of Creativity \u003c\/i\u003eis a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.\u003c\/p\u003e","EAN":"9781487005313","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005313\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"grief works; jackson pollock; bruce mccall; martha henry; mary pratt; albright knox buffalo; lynda barry; making comics; fathers day; mothers day","NumberOfPages":"232","OtherText_Accolades_0":"This is a gift of a book, an ode to late style, a daughter’s devotional, a fascinating dive into art history, but above all a radical detonation of accepted notions of ageing and art. Emily Urquhart is a curious and frank guide, who captures her subject with clear and perfect brushstrokes.","OtherText_Accolades_0_Auth":"Kyo Maclear, award-winning and bestselling author of Birds Art Life","OtherText_Accolades_1":"Wise and thoughtful, Emily Urquhart’s The Age of Creativity leads us through the landscape of imagination. The bonds of familial love, the workings of memory, the drive to create, and the process of aging are all explored with Urquhart’s trademark blending of intelligence and warmth. This important work delves into the life of an artist who surveys the transformation of his work over decades and the parallel trajectory of his life. Urquhart’s beautifully crafted memoir celebrates the longevity and the universality of the creative spirit alive in us all.","OtherText_Accolades_1_Auth":"Joanna Pocock, author of Surrender: The Call of the American West","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAWARD-WINNING AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eEmily Urquhart is a beautiful and highly skilled writer. Her long-form nonfiction has won several awards. Her previous book, the bestselling 2015 memoir \u003cem\u003eBeyond the Pale\u003c\/em\u003e, was a finalist for the BC National Award for Canadian Non-Fiction and named a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eINTIMATE ACCESS TO THE LIFE OF PAINTER TONY URQUHART:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThis memoir about the author’s relationship with her father gives readers insight into leading abstract expressionist painter and sculpture artist Anthony Morse (“Tony”) Urquhart, making it appealing to readers of fine art books and biography. Fans of literature will also love the view into the marriage between him and pioneering novelist, Emily’s mother, Jane Urquhart.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBOOMER BOOK-BUYING MARKET:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe book will be of particular interest to the baby boomer population as well as to the people who care about them, and, in some cases, care for them. In addition to the interviews with Tony Urquhart, the book features stories of creative seniors from a variety of backgrounds, including actor Martha Henry (b. 1938), artist and humour writer Bruce McCall (b. 1935), physicist John Moffat (b. 1932), TV host Dini Petty (b. 1945), and painter Mary Pratt (1935–2018). Ultimately, the topic will appeal to a universal audience because one day, barring injury or illness, we will all grow old.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEWEST BOOK IN THE PRESTIGIOUS THE WALRUS BOOKS IMPRINT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Walrus Books\u003c\/em\u003e imprint publishes strong, rigorous works of narrative nonfiction that reflect the excellence of both \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e and Anansi brands. \u003cem\u003eBig Lonely Doug\u003c\/em\u003e (2018) by Harley Rustad sold well and earned wide media coverage and prize attention. Lauren McKeon’s \u003cem\u003eNo More Nice Girls\u003c\/em\u003e (March 2020) is already garnering high praise from readers. \u003cem\u003eThe Age of Creativity\u003c\/em\u003e follows in their footsteps and will uphold the high standards set by \u003cem\u003eThe Walrus Books\u003c\/em\u003e, the strong partnership between \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, the Chawkers Foundation, and House of Anansi Press.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Heartfelt and thoughtful … [The Age of Creativity] deal[s] with dementia and old age with sensitivity and respect, and may soothe readers and caregivers coping with the same.","OtherText_Review_0_Src":"Quill \u0026amp; Quire","OtherText_Review_1":"Meticulously researched and including interviews with aging creators, Urquhart’s book is both a deeply personal account and an important critique of ageism.","OtherText_Review_1_Src":"Now Magazine","OtherText_ShortDescription_0":"A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.","ProductFormDescription":"trade paperback","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.","Subtitle":"Art, Memory, My Father, and Me","Width":"5.5","WidthCode":"in"}
The Age of Creativity
A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.
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The text says fate allowed them to win many pots and they owned south China’s seas and its sailors.","id":21749018460219,"position":3,"preview_image":{"aspect_ratio":1.466,"height":341,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_42ca83b1-c1f9-4ed1-af1e-add4ee6eff95.jpg?v=1647888707"},"aspect_ratio":1.466,"height":341,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_42ca83b1-c1f9-4ed1-af1e-add4ee6eff95.jpg?v=1647888707","width":500},{"alt":"On the sea, a red ship is between two brown ships. A brown ship has holes in its sails. People in blue swordfight people in grey. Smoke rises. A person in blue falls off the boat. People from the red ship jump onto both brown ships. On the red ship are people in grey and a woman in pink. They raise their swords. The second brown ship has a fire on its deck. People in blue raise their shields. Text: My red Flag Fleet took sixty-three of the emperor’s best ships. His admiral, in shame, took his own life.","id":21749018853435,"position":4,"preview_image":{"aspect_ratio":1.466,"height":341,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_605fe11b-d8ba-4076-b33c-4e8601d20488.jpg?v=1647888722"},"aspect_ratio":1.466,"height":341,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_605fe11b-d8ba-4076-b33c-4e8601d20488.jpg?v=1647888722","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eAn inspiring story of Zheng Yi Sao, the real-life pirate queen who took control of her life — and the South China seas — in the early 19th century.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most powerful pirate in history was a woman who was born into poverty in Guangzhou, China, in the late 1700s. When pirates attacked her town and the captain took a liking to her, she saw a way out. Zheng Yi Sao agreed to marry him only if she got an equal share of his business. When her husband died six years later, she took command of the fleet.\u003c\/p\u003e\n\u003cp\u003eOver the next decade, the pirate queen built a fleet of over 1,800 ships and 70,000 men. On land and sea, Zheng Yi Sao’s power rivaled the emperor himself. Time and again, her ships triumphed over the emperor’s ships.\u003c\/p\u003e\n\u003cp\u003eWhen she was ready to retire, Zheng Yi Sao surrendered — on her own terms, of course. Even though there was a price on her head, she was able to negotiate her freedom, living in peace and prosperity for the rest of her days.\u003c\/p\u003e\n\u003cp\u003eZheng Yi Sao’s powerful story is told in lyrical prose by award-winning author Helaine Becker. Liz Wong’s colorful, engaging illustrations illuminate this inspiring woman in history.\u003c\/p\u003e\n\u003cp\u003eAn author’s note provides historical context and outlines the challenges of researching a figure about whom little is known.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nauthor’s note\u003cbr\u003e\nhistorical context\u003cbr\u003e\nsources\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr\u003e\nDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554981083","AlsoRecommendedISBN_1":"9781554988983","AlsoRecommendedISBN_2":"9781554988983","AlsoRecommendedISBN_4":"9781554984800","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"1","AudienceRangeValue_1_1":"6","AudienceRangeValue_1_2":"1","AudienceRangeValue_2_0":"4","AudienceRangeValue_2_1":"9","AudienceRangeValue_2_2":"4","BASICMainSubject":"JUV001020","BASICMainSubjectLiteral":"JUVENILE FICTION\/Action \u0026 Adventure\/Pirates","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHELAINE BECKER\u003c\/strong\u003e is an award-winning author who has written over eighty books for children. Her picture books include \u003cem\u003eYou Can Read\u003c\/em\u003e, illustrated by Mark Hoffmann; \u003cem\u003eSloth at the Zoom\u003c\/em\u003e, illustrated by Orbie; and \u003cem\u003eCounting on Katherine: How Katherine Johnson Saved Apollo 13\u003c\/em\u003e, illustrated by Dow Phumiruk. She has also written non-fiction, chapter books and poetry. She is a two-time recipient of the Lane Anderson Award and a winner of the Silver Birch Award and the Bank Street College of Education Cook Prize. Helaine lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Action \u0026amp; Adventure \/ Pirates","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Girls \u0026amp; Women","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Historical \/ Asia","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Biographical \/ Asia","BISACSubject_0":"JUV001020","BISACSubject_1":"JUV014000","BISACSubject_2":"JUV016030","BISACSubject_3":"JUV004060","CommonCore":"CCSS.ELA-LITERACY.RL.4.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.2.3","ComplexityCode_0":"U","ComplexityCode_1":"U","ComplexitySchemeIdentifier_0":"05","ComplexitySchemeIdentifier_1":"09","ComplexitySchemeIdName_0":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_1":"Guided Reading Level","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHELAINE BECKER\u003c\/strong\u003e is an award-winning author who has written over eighty books for children. Her picture books include \u003cem\u003eYou Can Read\u003c\/em\u003e, illustrated by Mark Hoffmann; \u003cem\u003eSloth at the Zoom\u003c\/em\u003e, illustrated by Orbie; and \u003cem\u003eCounting on Katherine: How Katherine Johnson Saved Apollo 13\u003c\/em\u003e, illustrated by Dow Phumiruk. She has also written non-fiction, chapter books and poetry. She is a two-time recipient of the Lane Anderson Award and a winner of the Silver Birch Award and the Bank Street College of Education Cook Prize. Helaine lives in Toronto.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eLIZ WONG\u003c\/strong\u003e was born in Honolulu, Hawaii, where she spent her early childhood painting and clambering about in mango trees. Winning the first-place trophy in her elementary school poster contest encouraged her to pursue art instead of a sensible career in finance like the rest of her family. Liz holds a BFA in art and a BA in anthropology from the University of Washington and currently resides in Edmonds, Washington, with her husband and son.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Becker, Helaine (CA)","Contributor_1":"Wong, Liz","Description":"\u003cp\u003e\u003cstrong\u003eAn inspiring story of Zheng Yi Sao, the real-life pirate queen who took control of her life — and the South China seas — in the early 19th century.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most powerful pirate in history was a woman who was born into poverty in Guangzhou, China, in the late 1700s. When pirates attacked her town and the captain took a liking to her, she saw a way out. Zheng Yi Sao agreed to marry him only if she got an equal share of his business. When her husband died six years later, she took command of the fleet.\u003c\/p\u003e\n\u003cp\u003eOver the next decade, the pirate queen built a fleet of over 1,800 ships and 70,000 men. On land and sea, Zheng Yi Sao’s power rivaled the emperor himself. Time and again, her ships triumphed over the emperor’s ships.\u003c\/p\u003e\n\u003cp\u003eWhen she was ready to retire, Zheng Yi Sao surrendered — on her own terms, of course. Even though there was a price on her head, she was able to negotiate her freedom, living in peace and prosperity for the rest of her days.\u003c\/p\u003e\n\u003cp\u003eZheng Yi Sao’s powerful story is told in lyrical prose by award-winning author Helaine Becker. Liz Wong’s colorful, engaging illustrations illuminate this inspiring woman in history.\u003c\/p\u003e\n\u003cp\u003eAn author’s note provides historical context and outlines the challenges of researching a figure about whom little is known.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nauthor’s note\u003cbr\u003e\nhistorical context\u003cbr\u003e\nsources\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr\u003e\nDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e","EAN":"9781773063560","Height":"8.875","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"author's note;historical context;sources","MetaKeywords":"women's history; girl power; feminist; feminism; biography; 19th century Chinese history; strong female characters; true story; Asian protagonist; respect for self; work ethic; pride; first person narration; figurative language; simile; metaphors; imagery; summarizing; determining importance; Common Core Aligned; CC Literature Key Ideas and Details; grade 1; grade 2; grade 3; grade 4; picture book; historical fiction; author's note; historical context; sources; red flag fleet; Ching Shih","NumberOfPages":"36","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis book is an exemplary addition to the trend of feminist biographies of women in history. It’s also a unique offering as, with the exception of a few mentions in collected feminist biographies, there is very little written about Zheng Yi Sao for young readers.\u003c\/li\u003e\r\n\u003cli\u003eThe author’s note will be a valuable classroom resource — it provides rich historical context as well as a starting point to talk about the subjectivity of history. The author also provides a further reading list.\u003c\/li\u003e\r\n\u003cli\u003eThe text and illustrations were reviewed by Dian Murray, PhD, Notre Dame professor emeritus. Dr. Murray has published extensively on Zheng Yi Sao in particular and Chinese history in general.\u003c\/li\u003e\r\n\u003cli\u003eThis book marks a new more lyrical writing style for hugely popular and prolific author Helaine Becker.\u003c\/li\u003e\r\n\u003cli\u003eLiz Wong is an artist to watch, as her emotional, appealing illustrations in this book prove.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum connections: language arts \/ biography; history \/ women in history, 19th century, China, pirates; social studies \/ feminism\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis book is an exemplary addition to the trend of feminist biographies of women in history. It’s also a unique offering as, with the exception of a few mentions in collected feminist biographies, there is very little written about Zheng Yi Sao for young readers.\u003c\/li\u003e\n\u003cli\u003eThe author’s note will be a valuable classroom resource — it provides rich historical context as well as a starting point to talk about the subjectivity of history. The author also provides a further reading list.\u003c\/li\u003e\n\u003cli\u003eThe text and illustrations were reviewed by Dian Murray, PhD, Notre Dame professor emeritus. Dr. Murray has published extensively on Zheng Yi Sao in particular and Chinese history in general.\u003c\/li\u003e\n\u003cli\u003eThis book marks a new more lyrical writing style for hugely popular and prolific author Helaine Becker.\u003c\/li\u003e\n\u003cli\u003eLiz Wong is an artist to watch, as her emotional, appealing illustrations in this book prove.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections: language arts \/ biography; history \/ women in history, 19th century, China, pirates; social studies \/ feminism\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“[A] wonderful book … fascinating!” — \u003cstrong\u003e\u003cem\u003eBook Riot\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Book Riot","OtherText_Review_1":"\u003cp\u003e“[A] fascinating read about a strong woman.” — \u003cstrong\u003e\u003cem\u003eThe International Educator Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"The International Educator Blog","OtherText_ShortDescription_0":"An inspiring story of Zheng Yi Sao, the real-life pirate queen who took control of her life — and the South China seas — in the early 19th century.","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2020-03-01","Publisher":"Groundwood Books Ltd","ShortDescription":"An inspiring story of Zheng Yi Sao, the real-life pirate queen who took control of her life — and the South China seas — in the early 19th century.","Subtitle":"A Story of Zheng Yi Sao","Width":"6.5","WidthCode":"in"}
ages 6
to 9
/ grades 1
to 4
Pirate Queen
An inspiring story of Zheng Yi Sao, the real-life pirate queen who took control of her life — and the South China seas — in the early 19th century.
