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All physical products collection - June 17 2021.
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{"id":6813806657595,"title":"Power Politics","handle":"power-politics","description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of \u003ci\u003eThe Handmaid’s Tale\u003c\/i\u003e, Margaret Atwood.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWhen it first appeared in 1971, Margaret Atwood’s \u003ci\u003ePower Politics\u003c\/i\u003e startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.\u003c\/p\u003e","published_at":"2022-03-23T13:02:49-04:00","created_at":"2022-03-23T09:25:42-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","Adult Poetry","By (author) Atwood Margaret","Feminist Reads","Introduction by Zwicky Jan","pub date: 2018-03-06"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205725990971,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487004552","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Power Politics - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1495,"weight":100,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487004552","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205976469563,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9780887849121","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Power Politics - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9780887849121","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205977157691,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770897366","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Power Politics - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770897366","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de5d8510-3276-48d9-a696-e547dc2abcbf.jpg?v=1678600256"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de5d8510-3276-48d9-a696-e547dc2abcbf.jpg?v=1678600256","options":["Title"],"media":[{"alt":null,"id":23324551970875,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de5d8510-3276-48d9-a696-e547dc2abcbf.jpg?v=1678600256"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de5d8510-3276-48d9-a696-e547dc2abcbf.jpg?v=1678600256","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of \u003ci\u003eThe Handmaid’s Tale\u003c\/i\u003e, Margaret Atwood.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWhen it first appeared in 1971, Margaret Atwood’s \u003ci\u003ePower Politics\u003c\/i\u003e startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781487004286","AlsoRecommendedISBN_3":"9781487006662","AlsoRecommendedISBN_4":"9781770892606","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Atwood, Margaret (CA)","Contributor_1":"Zwicky, Jan","Description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of \u003ci\u003eThe Handmaid’s Tale\u003c\/i\u003e, Margaret Atwood.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWhen it first appeared in 1971, Margaret Atwood’s \u003ci\u003ePower Politics\u003c\/i\u003e startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.\u003c\/p\u003e","EAN":"9781487004552","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004552\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","MetaKeywords":"impactful; poetry; canadian; feminism; canlit; female writers; romance; sexual relationships; power; society; bad relationships","NumberOfPages":"72","OtherText_Accolades_0":"In a century shaken by gender politics, these seminal poems remind us of the deepest kind of change. Love is the real power, demanding — and offering — no less than the transformation of self. Atwood dares to imagine realpolitik at the heart of love’s mystery. It is a measure of her achievement that, over decades, these masterful poems continue to speak with undiminished accuracy.","OtherText_Accolades_0_Auth":"Anne Michaels","OtherText_Accolades_1":"Twenty-five years after its initial publication, Power Politics remains a path-breaking lyric utterance on sexual politics and human survival, unflinching in its emotional honesty. Beyond truth, Atwood writes, tenacity . . . and no poet has proven more prescient or more courageous in this pursuit. The reappearance of this work is an occasion to be celebrated.","OtherText_Accolades_1_Src":"Carolyn Forché","OtherText_Accolades_2":"The pleasure of reading these poems today is not only in realizing the longevity of their power — the sting is still there — but in experiencing them anew in the light of the poetry and fiction written in the twenty-five years since.","OtherText_Accolades_2_Auth":"Linda Hutcheon","OtherText_Accolades_3":"Astonishing, notorious, a classic — Power Politics, twenty-five years after its first publication, still negotiates with awesome presence of mind the definitions of heterosexual eros: hook and eye; fact and weapon; truth and brutality. Atwood’s terse, unsparing, and often comically incisive lines are a guided tour of the knotted Laingian underworld of a love affair. The poems are inspired and fluent. Read them and shiver.","OtherText_Accolades_3_Auth":"Sharon Thesen","OtherText_Accolades_4":"Brilliant precisionist and angry lover, Margaret Atwood performs an autopsy on a love affair that’s dead but won’t lie down. I feel again the thrill and shock I experienced on first reading these ruthless and moving poems. Power Politics changed the definition of the love poem, the long poem, and, I believe, the course of Canadian poetry. It cuts like a laser beam. It goes beyond sexual politics into the dark heart of a tottering global village.","OtherText_Accolades_4_Auth":"Phyllis Webb","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eATWOOD IS HOTTER THAN EVER:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe hugely acclaimed Handmaid’s Tale television series swept the 2017 Emmy Awards, advancing a discourse on women’s rights and body politics that is becoming rather disturbingly timely given the current political climate in the U.S., and indeed, North America. Sarah Polley’s adaptation of Alias Grace, a six-part mini-series, will be launching in late September on CBC, and there is sure to be continued buzz surrounding Atwood well into the new year.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eA GROUNDBREAKING AND SEMINAL WORK FROM ONE OF THE WORLD’S MOST ACCLAIMED WRITERS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePower Politics opens with one of Atwood’s most famous lines – some of the most well-known in contemporary English literature: “you fit into me \/ like a hook into an eye \/ a fish hook \/ an open eye” (featured in Episode 5 of the Handmaid’s Tale series!).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eKEY TO UNDERSTANDING ATWOOD’S OEUVRE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe collection is a key testament to Atwood’s early virtuosity and is as startling now as it was at its original publication over forty-five years ago. Though she shies away from being regarded solely as a feminist writer, this work is key to recognizing her pioneering and tenacious work at the height of the women’s movement.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eHANDSOME A LIST REISSUE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePower Politics will receive the full A List treatment, including an original cover illustration.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Margaret Atwood’s Power Politics is a true sequence, a death-struggle between man and woman . . . This book, to those who take it straight, moves almost unwillingly, but relentlessly, through a brilliant schema of unflagging suspense and pitches of drama . . . Atwood’s poems are short, glistening with terse bright images, un-tentative, closing like a vise. These are all formed perfections.","OtherText_Review_0_Src":"New York Times","OtherText_ShortDescription_0":"A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing, Margaret Atwood.","ProductFormDescription":"trade paperback","PublicationDate":"2018-03-06","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing, Margaret Atwood.","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Power Politics
A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing, Margaret Atwood.
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{"id":6813795614779,"title":"Mustafa","handle":"mustafa","description":"\u003cp\u003e\u003cstrong\u003eBoston Globe, Best 2018 Books for Children\u003cbr\u003eTD Canadian Children's Literature Award Finalist\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMustafa and his family traveled a long way to reach their new home. Some nights Mustafa dreams about the country he used to live in, and he wakes up not knowing where he is. Then his mother takes him out to the balcony to see the moon — the same moon as in their old country. In the park, Mustafa sees ants and caterpillars and bees — they are the same, too. He encounters a “girl-with-a-cat,” who says something in a language that he can’t understand. He watches an old lady feeding birds and other children playing, but he is always looking in from the outside and he feels that he is invisible. But one day, the girl-with-the-cat beckons to him, and Mustafa begins to become part of his new world.\u003c\/p\u003e\u003cp\u003eMarie-Louise Gay’s remarkable ability to write and illustrate from the perspective of a young child is movingly exhibited in this gentle, thoughtful story about coming to feel at home in a new country.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.5\u003cbr\u003eDescribe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.\u003c\/p\u003e","published_at":"2022-03-23T13:02:39-04:00","created_at":"2022-03-23T09:21:08-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 8","By (author) Gay Marie-Louise","CC Literature - Grade 2","CCSS.ELA-LITERACY.RL.1.2","CCSS.ELA-LITERACY.RL.1.4","CCSS.ELA-LITERACY.RL.2.5","Childrens Starred Reviews","Fountas \u0026 Pinnell Text Level Gradient M","Free Study Guides","Groundwood Books","Guided Reading Level M","Illustrated by Gay Marie-Louise","Lexile measure AD470L","Picture Books","pub date: 2018-08-01"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205711147067,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773061382","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mustafa - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1995,"weight":440,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773061382","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205836288059,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773064321","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Mustafa - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773064321","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205836484667,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773064338","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Mustafa - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773064338","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_e5de8c60-46c8-4b4c-8f04-ec98b3758204.jpg?v=1664713549","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_314f9f12-484b-493c-b407-c5dbc1fc1862.jpg?v=1648048868","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a9feb429-90d2-4c6e-ba7d-3729570b6d35.jpg?v=1648048881","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_976681c2-b996-4769-a010-b2c8089edaae.jpg?v=1648048894"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_e5de8c60-46c8-4b4c-8f04-ec98b3758204.jpg?v=1664713549","options":["Title"],"media":[{"alt":null,"id":22747725496379,"position":1,"preview_image":{"aspect_ratio":0.777,"height":494,"width":384,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_e5de8c60-46c8-4b4c-8f04-ec98b3758204.jpg?v=1664713549"},"aspect_ratio":0.777,"height":494,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_e5de8c60-46c8-4b4c-8f04-ec98b3758204.jpg?v=1664713549","width":384},{"alt":"It is night. An apartment looks out onto trees and city buildings. On one balcony are a woman and a child. Text: Some nights, Mustafa dreams about the country he used to live in. Dreams full of smoke and fire and loud noises. He wakes up. “Where am I?” he asks. “You are here,” says his mama. She hugs him tightly. They go out to look at the moon and the stars. “Is that the same moon as in our old country?” asks Mustafa. “Yes,” answers his mama, “the very same moon.” Only then can Mustafa go back to bed.","id":21801472524347,"position":2,"preview_image":{"aspect_ratio":1.524,"height":328,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_314f9f12-484b-493c-b407-c5dbc1fc1862.jpg?v=1648048868"},"aspect_ratio":1.524,"height":328,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_314f9f12-484b-493c-b407-c5dbc1fc1862.jpg?v=1648048868","width":500},{"alt":"A trail of leaves leads to a woman and a boy with medium light skin tone. They are hugging. They are wearing winter coats and the woman wears a headscarf. A baby holds on to the hem of her coat. Text: “Mama,” asks Mustafa, “am I invisible?” “If you were invisible, I couldn’t hug you, could I!” answers his mama.","id":21801473966139,"position":3,"preview_image":{"aspect_ratio":1.524,"height":328,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a9feb429-90d2-4c6e-ba7d-3729570b6d35.jpg?v=1648048881"},"aspect_ratio":1.524,"height":328,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a9feb429-90d2-4c6e-ba7d-3729570b6d35.jpg?v=1648048881","width":500},{"alt":"A boy with medium light skin tone and a girl with light skin tone swing side-by-side on a swing set. They are wearing coats, and red and yellow leaves swirl in the air around them. A white cat on a pink leash sits beside them. Text: The girl leads Mustafa to another part of the park where there are swings. She ties her cat to a tree. She sits on a swing. The girl swings back and forth. Higher and higher. She looks down at Mustafa. He sits on a swing. He swings slowly back and forth. Then, high and higher.","id":21801475211323,"position":4,"preview_image":{"aspect_ratio":1.524,"height":328,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_976681c2-b996-4769-a010-b2c8089edaae.jpg?v=1648048894"},"aspect_ratio":1.524,"height":328,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_976681c2-b996-4769-a010-b2c8089edaae.jpg?v=1648048894","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eBoston Globe, Best 2018 Books for Children\u003cbr\u003eTD Canadian Children's Literature Award Finalist\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMustafa and his family traveled a long way to reach their new home. Some nights Mustafa dreams about the country he used to live in, and he wakes up not knowing where he is. Then his mother takes him out to the balcony to see the moon — the same moon as in their old country. In the park, Mustafa sees ants and caterpillars and bees — they are the same, too. He encounters a “girl-with-a-cat,” who says something in a language that he can’t understand. He watches an old lady feeding birds and other children playing, but he is always looking in from the outside and he feels that he is invisible. But one day, the girl-with-the-cat beckons to him, and Mustafa begins to become part of his new world.\u003c\/p\u003e\u003cp\u003eMarie-Louise Gay’s remarkable ability to write and illustrate from the perspective of a young child is movingly exhibited in this gentle, thoughtful story about coming to feel at home in a new country.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.5\u003cbr\u003eDescribe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888999757","AlsoRecommendedISBN_1":"9781554987412","AlsoRecommendedISBN_2":"9781773063843","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"4","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"3","AudienceRangeValue_2_1":"8","AudienceRangeValue_2_2":"3","BASICMainSubject":"JUV039250","BASICMainSubjectLiteral":"JUVENILE FICTION \/ Social Themes \/ Emigration \u0026 Immigration","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARIE-LOUISE GAY\u003c\/strong\u003e is an internationally acclaimed children's book creator. She has won two Governor General’s Literary Awards, the Vicky Metcalf Award for Children’s Literature and the Marilyn Baillie Picture Book Award. She has also been nominated for the prestigious Astrid Lindgren Memorial Award and the Hans Christian Andersen Award. Her popular Stella and Sam series has been translated into more than fifteen languages and is loved by children all over the world. She lives in Montreal, Quebec.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Emigration \u0026 Immigration","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026 Feelings","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Friendship","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Social Themes \/ New Experience","BISACSubject_0":"JUV039250","BISACSubject_1":"JUV039050","BISACSubject_2":"JUV039060","BISACSubject_3":"JUV039090","CommonCore":"CCSS.ELA-LITERACY.RL.1.2","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.4","CommonCore_2":"CCSS.ELA-LITERACY.RL.2.5","ComplexityCode_0":"M","ComplexityCode_1":"AD470L","ComplexityCode_2":"M","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"06","ComplexitySchemeIdentifier_2":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Lexile measure","ComplexitySchemeIdName_2":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARIE-LOUISE GAY\u003c\/strong\u003e is an internationally acclaimed children's book creator. She has won two Governor General’s Literary Awards, the Vicky Metcalf Award for Children’s Literature and the Marilyn Baillie Picture Book Award. She has also been nominated for the prestigious Astrid Lindgren Memorial Award and the Hans Christian Andersen Award. Her popular Stella and Sam series has been translated into more than fifteen languages and is loved by children all over the world. She lives in Montreal, Quebec.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARIE-LOUISE GAY\u003c\/strong\u003e is an internationally acclaimed children's book creator. She has won two Governor General’s Literary Awards, the Vicky Metcalf Award for Children’s Literature and the Marilyn Baillie Picture Book Award. She has also been nominated for the prestigious Astrid Lindgren Memorial Award and the Hans Christian Andersen Award. Her popular Stella and Sam series has been translated into more than fifteen languages and is loved by children all over the world. She lives in Montreal, Quebec.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Gay, Marie-Louise (CA)","Contributor_1":"Gay, Marie-Louise (CA)","Description":"\u003cp\u003e\u003cstrong\u003eBoston Globe, Best 2018 Books for Children\u003cbr \/\u003eTD Canadian Children's Literature Award Finalist\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMustafa and his family traveled a long way to reach their new home. Some nights Mustafa dreams about the country he used to live in, and he wakes up not knowing where he is. Then his mother takes him out to the balcony to see the moon — the same moon as in their old country. In the park, Mustafa sees ants and caterpillars and bees — they are the same, too. He encounters a “girl-with-a-cat,” who says something in a language that he can’t understand. He watches an old lady feeding birds and other children playing, but he is always looking in from the outside and he feels that he is invisible. But one day, the girl-with-the-cat beckons to him, and Mustafa begins to become part of his new world.\u003c\/p\u003e\u003cp\u003eMarie-Louise Gay’s remarkable ability to write and illustrate from the perspective of a young child is movingly exhibited in this gentle, thoughtful story about coming to feel at home in a new country.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr \/\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr \/\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.5\u003cbr \/\u003eDescribe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.\u003c\/p\u003e","EAN":"9781773061382","Height":"10.5","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"adjusting; new country; new home; migration and refugees; exploration and adventure; making friends; linguistic barriers; feeling ignored; emigration and immigration; Muslim characters; empathy; inclusive; acceptance; compassion; figurative language; imagery; simile; inferring; questioning; determining importance; Common Core aligned; CC Literature Key Ideas and Details; CC Literature Craft and Structure; grade 1; grade 2; TD Canadian Children's Literature Award","NumberOfPages":"40","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eMarie-Louise Gay’s story is beautifully written from the perspective of a young child, and her illustrations are exquisite, as always.\u003c\/li\u003e\r\n\u003cli\u003eWhile there is a growing body of children’s literature about the journey and hardships of the refugee experience, in this book for young children Marie-Louise Gay wanted to create a story that focused on the experience of arrival and coming to feel at home in a new place.\u003c\/li\u003e\r\n\u003cli\u003eMustafa’s feeling of being on the outside is one that many children will be able to relate to, whether they are facing a new home or school, or trying to fit in with their peers.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum connections include Social Studies \/ heritage and identity, people and environments; and Health \/ interpersonal skills.\u003c\/li\u003e\r\n\u003cli\u003eMarie-Louise Gay’s most recently published book, \u003cem\u003eShort Stories for Little Monsters\u003c\/em\u003e, was shortlisted for the Governor General’s Literary Award.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"A touching story about adjustment, recovery, love, and friendship, told of a boy whose family moves to a new country due to war. . . . An invaluable resource for those working with children from resettled refugee families as well as host communities.","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"The story of a young boy moving to an unfamiliar place and finding his way, even when another language is spoken, is one that all children should hear . . . One for the must-be-purchased list.","OtherText_Review_1_Src":"School Library Journal","OtherText_Review_2":"Perfectly pitched to help young children explore empathy in a thoughtful, nonthreatening manner.","OtherText_Review_2_Src":"Booklist","OtherText_Review_3":"[T]ouching . . . This nuanced book shows the necessity of friendship for those who carry unseen emotional scars from war.","OtherText_Review_3_Src":"Horn Book","OtherText_Review_4":"This gentle, heartwarming story features Marie-Louise Gay’s distinct and delightful watercolour illustrations. … A timely tale that is told in prose that is gentle and spare and lovely.","OtherText_Review_4_Src":"Canadian Children’s Book Centre","OtherText_ShortDescription_0":"Young Mustafa feels invisible in his adopted home until a girl extends a welcoming hand. From world-renowned author-illustrator Marie-Louise Gay.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Commended","PrizeCodeText_3":"Short-listed","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"03","PrizeCode_3":"04","PrizeName_0":"Elizabeth Mrazik-Cleaver Canadian Picture Book Award","PrizeName_1":"TD Canadian Children's Literature Award","PrizeName_2":"Boston Globe Best Books for Children","PrizeName_3":"Blue Spruce Award","PrizeYear_0":"2018","PrizeYear_1":"2019","PrizeYear_2":"2018","PrizeYear_3":"2020","ProductFormDescription":"hardcover jacket","PublicationDate":"2018-08-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Young Mustafa feels invisible in his adopted home until a girl extends a welcoming hand. From world-renowned author-illustrator Marie-Louise Gay.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773061382\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","teachersguide_1":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773061382\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=1","Width":"8","WidthCode":"in"}
ages 4
to 8
/ grades K
to 3
Mustafa
Young Mustafa feels invisible in his adopted home until a girl extends a welcoming hand. From world-renowned author-illustrator Marie-Louise Gay.
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{"id":6813811769403,"title":"Fire Sermon","handle":"fire-sermon","description":"\u003cp\u003e\u003cstrong\u003eFrom the critically acclaimed author of \u003ci\u003eI Want to Show You More \u003c\/i\u003ecomes an unflinching and profound portrait of Maggie and Thomas, and their disintegrating marriage.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMarried twenty years to Thomas and living in Nashville with their two children, Maggie is drawn ineluctably into a passionate affair while still fiercely committed to her husband and family. What begins as a platonic intellectual and spiritual exchange between writer Maggie and poet James gradually transforms into an emotional and erotically-charged bond that challenges Maggie’s sense of loyalty and morality, drawing her deeper into the darkness of desire.\u003c\/p\u003e\u003cp\u003eUsing an array of narrative techniques and written in spare, elegant prose, Jamie Quatro gives us a compelling account of one woman’s emotional, psychological, physical, and spiritual yearnings — unveiling the impulses and contradictions that reside in us all. \u003ci\u003eFire Sermon \u003c\/i\u003eis an unflinchingly honest and formally daring debut novel from a writer of enormous talent.\u003c\/p\u003e","published_at":"2022-03-23T13:11:05-04:00","created_at":"2022-03-23T09:27:41-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Starred Reviews","Anansi International","Book Club Pick","By (author) Quatro Jamie","Feminist Reads","pub date: 2018-01-16"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205732544571,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487002992","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fire Sermon - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":240,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487002992","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40206083063867,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003005","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Fire Sermon - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003005","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40206084702267,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487003012","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Fire Sermon - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003012","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2a8da783-a0b3-4cf1-91c1-57a88ea90714.jpg?v=1655624919"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2a8da783-a0b3-4cf1-91c1-57a88ea90714.jpg?v=1655624919","options":["Title"],"media":[{"alt":null,"id":22243422470203,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2a8da783-a0b3-4cf1-91c1-57a88ea90714.jpg?v=1655624919"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2a8da783-a0b3-4cf1-91c1-57a88ea90714.jpg?v=1655624919","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom the critically acclaimed author of \u003ci\u003eI Want to Show You More \u003c\/i\u003ecomes an unflinching and profound portrait of Maggie and Thomas, and their disintegrating marriage.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMarried twenty years to Thomas and living in Nashville with their two children, Maggie is drawn ineluctably into a passionate affair while still fiercely committed to her husband and family. What begins as a platonic intellectual and spiritual exchange between writer Maggie and poet James gradually transforms into an emotional and erotically-charged bond that challenges Maggie’s sense of loyalty and morality, drawing her deeper into the darkness of desire.\u003c\/p\u003e\u003cp\u003eUsing an array of narrative techniques and written in spare, elegant prose, Jamie Quatro gives us a compelling account of one woman’s emotional, psychological, physical, and spiritual yearnings — unveiling the impulses and contradictions that reside in us all. \u003ci\u003eFire Sermon \u003c\/i\u003eis an unflinchingly honest and formally daring debut novel from a writer of enormous talent.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002381","AlsoRecommendedISBN_3":"9781487006075","AlsoRecommendedISBN_4":"9781770899841","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJAMIE QUATRO’S\u003c\/strong\u003e debut collection, \u003cem\u003eI Want To Show You More\u003c\/em\u003e, was a \u003cem\u003eNew York Times\u003c\/em\u003e Notable Book, NPR Best Book of 2013, Indie Next pick, O, \u003cem\u003eThe Oprah Magazine\u003c\/em\u003e summer reading pick, and \u003cem\u003eNew York Times\u003c\/em\u003e Editors’ Choice. The collection was named a Top Ten Book of 2013 by Dwight Garner in the \u003cem\u003eNew York Times\u003c\/em\u003e, a Favorite Book of 2013 by James Wood in \u003cem\u003eThe New Yorker\u003c\/em\u003e, and was a finalist for the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Art Seidenbaum Award for First Fiction, the Georgia Townsend Fiction Prize, and the National Book Critics Circle John Leonard Prize. Quatro’s fiction, poetry, and essays have appeared in \u003cem\u003eTin House\u003c\/em\u003e, \u003cem\u003eBomb\u003c\/em\u003e, \u003cem\u003ePloughshares\u003c\/em\u003e, \u003cem\u003eMcSweeney’s\u003c\/em\u003e, \u003cem\u003eEcotone\u003c\/em\u003e, \u003cem\u003eThe New York Times Book Review\u003c\/em\u003e, \u003cem\u003eThe Kenyon Review\u003c\/em\u003e, and elsewhere. Her stories are anthologized in the \u003cem\u003eO. Henry Prize Stories 2013\u003c\/em\u003e and in Ann Charters’s \u003cem\u003eThe Story And Its Writer\u003c\/em\u003e. Quatro lives with her husband and four children in Lookout Mountain, Georgia.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Women","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC044000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJAMIE QUATRO’S\u003c\/strong\u003e debut collection, \u003cem\u003eI Want To Show You More\u003c\/em\u003e, was a \u003cem\u003eNew York Times\u003c\/em\u003e Notable Book, NPR Best Book of 2013, Indie Next pick, O, \u003cem\u003eThe Oprah Magazine\u003c\/em\u003e summer reading pick, and \u003cem\u003eNew York Times\u003c\/em\u003e Editors’ Choice. The collection was named a Top Ten Book of 2013 by Dwight Garner in the \u003cem\u003eNew York Times\u003c\/em\u003e, a Favorite Book of 2013 by James Wood in \u003cem\u003eThe New Yorker\u003c\/em\u003e, and was a finalist for the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Art Seidenbaum Award for First Fiction, the Georgia Townsend Fiction Prize, and the National Book Critics Circle John Leonard Prize. Quatro’s fiction, poetry, and essays have appeared in \u003cem\u003eTin House\u003c\/em\u003e, \u003cem\u003eBomb\u003c\/em\u003e, \u003cem\u003ePloughshares\u003c\/em\u003e, \u003cem\u003eMcSweeney’s\u003c\/em\u003e, \u003cem\u003eEcotone\u003c\/em\u003e, \u003cem\u003eThe New York Times Book Review\u003c\/em\u003e, \u003cem\u003eThe Kenyon Review\u003c\/em\u003e, and elsewhere. Her stories are anthologized in the \u003cem\u003eO. Henry Prize Stories 2013\u003c\/em\u003e and in Ann Charters’s \u003cem\u003eThe Story And Its Writer\u003c\/em\u003e. Quatro lives with her husband and four children in Lookout Mountain, Georgia.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Quatro, Jamie","Description":"\u003cp\u003e\u003cstrong\u003eFrom the critically acclaimed author of \u003ci\u003eI Want to Show You More \u003c\/i\u003ecomes an unflinching and profound portrait of Maggie and Thomas, and their disintegrating marriage.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMarried twenty years to Thomas and living in Nashville with their two children, Maggie is drawn ineluctably into a passionate affair while still fiercely committed to her husband and family. What begins as a platonic intellectual and spiritual exchange between writer Maggie and poet James gradually transforms into an emotional and erotically-charged bond that challenges Maggie’s sense of loyalty and morality, drawing her deeper into the darkness of desire.\u003c\/p\u003e\u003cp\u003eUsing an array of narrative techniques and written in spare, elegant prose, Jamie Quatro gives us a compelling account of one woman’s emotional, psychological, physical, and spiritual yearnings — unveiling the impulses and contradictions that reside in us all. \u003ci\u003eFire Sermon \u003c\/i\u003eis an unflinchingly honest and formally daring debut novel from a writer of enormous talent.\u003c\/p\u003e","EAN":"9781487002992","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002992\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"fates and furies lauren groff; swimming lessons claire fuller; marriage; infidelity; affair; choices; allusion; short books; feminism; faith; passion; sex; christianity; evangelical; religion; adultery; women writers; women's literature; my name is lucy barton elizabeth strout; i want to show you more; hunting houses; book club","NumberOfPages":"256","OtherText_Accolades_0":"It’s rare, to the point of near non-existence, to find a book that has such literary weight and heft, yet reads like a sonnet. I look at it in puzzlement, wondering how Jamie Quatro gives such breadth, depth, and intensity in so few words. And it’s funny, and real, and painful, so painful. Also a shot of light. An education. A mirror. Terrifying.","OtherText_Accolades_0_Src":"Samantha Harvey, author of The Wilderness and Dear Thief","OtherText_Accolades_1":"I devoured this novel! Quatro is a fearless marvel. An exquisite story of female desire, faith, and commitment, and one of the most haunting portraits of a marriage I’ve ever read.","OtherText_Accolades_1_Src":"Lily King, author of the New York Times bestseller Euphoria","OtherText_Accolades_2":"It would be difficult to overstate the wonder I felt while reading this novel. It’s among the most beautiful books I’ve ever read about longing — for beauty, for sex, for God, for a coherent life. Great writers write with their whole lives, with everything they have seen and thought and felt, with their obsessions and their desires; their books have the density and richness of existence. Jamie Quatro is a such a writer, and Fire Sermon is such a book.","OtherText_Accolades_2_Src":"Garth Greenwell, author of What Belongs to You","OtherText_Accolades_3":"This book is bright and dark by turns but always shot through with a vital, unerring grace. Plus it's about love and death, sex and God. What more could a reader want?","OtherText_Accolades_3_Src":"Jenny Offill, author of Dept. of Speculation","OtherText_Description_for_R_0":"\u003cp\u003e\u003cstrong\u003eFrom Chapter 1:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eShall we walk back? James asked outside the theater.\u003c\/p\u003e\u003cp\u003eChicago, April 2017. The air chilly, the sky cleared off after an evening of rain. We’d left the play a half-hour after it began, a poorly-written, poorly-acted farce. Now the sidewalk was empty. Tiny lights strung between gas lamps and storefronts created a glittery canopy beneath which we stood. Charming, he’d said when we arrived earlier, a part of the city neither of us had seen. I was still in my clothes from that morning: white sweater, pencil skirt, suede ankle boots with zippers, high-heeled. \u003c\/p\u003e\u003cp\u003eI’ll call a car, I said. Your hotel’s on the way to mine.\u003c\/p\u003e\u003cp\u003eWe rode in silence, the wet asphalt glowing red and green at stoplights. When we pulled up to his hotel, James turned to face me, adjusting his glasses. Okay, he said. Text me when you’re safely back. He leaned over to brush my cheek with his lips, but when the bellhop opened the rear door he didn’t get out. He sat looking ahead, rubbing a hand up and down, up and down his thigh.\u003c\/p\u003e\u003cp\u003eBoth of us 45, born in the same year, four months apart; both married to our spouses for twenty-three years. Two similarities in what had come to seem, in the time we’d known each other, a cosmically-ordained accumulation: born and raised in the desert southwest, allergic to peanuts, obsessed with the Christian mystics and quantum theory and Moby Dick. Children the same ages and genders—older girl, younger boy—and 96-year-old grandmothers who still lived independently. In the end it was this last fact that undid me, the longevity in our respective genes.\u003c\/p\u003e\u003cp\u003eThe safe way to let yourself fall in love with someone who isn’t your spouse: imagine the life you might have together after both your spouses have passed away.\u003c\/p\u003e\u003cp\u003e(What I mean is, darling: when I made love with you that night, I was making love with the magnificent old man I knew you would become.)\u003c\/p\u003e\u003cp\u003eCan I help with any bags? the bellhop said.\u003c\/p\u003e\u003cp\u003eYou’re at the Hyatt? James said to me.\u003c\/p\u003e\u003cp\u003eYes.\u003c\/p\u003e\u003cp\u003eTake us to the Hyatt, he said to the driver, and pulled the door shut.\u003c\/p\u003e\u003cp\u003e\u003cbr\/\u003e**\u003cbr\/\u003e\u003c\/p\u003e\u003cp\u003eBut this story begins where most end: a boy and a girl in love, a wedding, a happily-ever-after.\u003c\/p\u003e\u003cp\u003eMalibu, June. A bride and four attendants on a grassy bluff above the Pacific. The morning is overcast, typical on the coast, the diffuse light ideal for photographs. The bride’s dress is raw silk in antique ivory and appears backlit against the slate of ocean. Sweetheart neckline, cap sleeves, full skirt with a train that will later gather into a bustle. She cradles her bouquet like an infant, six-dozen roses in various stages of bloom, blush pink. The groomsmen, fraternity brothers, have already been photographed. They wait inside the chapel, where in half an hour the ceremony will begin. They wear gray tuxedos with ascot ties and slick black shoes. Three, including the groom, have the same round tortoise-shell glasses.\u003c\/p\u003e\u003cp\u003eDown the coast, at the country club in Pacific Palisades, the caterers are assembling the cake: five tiers frosted in a basket-weave pattern, with real ivy and roses trailing down one side. The bride has selected a different flavor for each tier: butter cream, chocolate, spice, red velvet. The top layer—which will be placed in the couple’s freezer for their first anniversary, until one night while they’re out, the bride’s younger brother, knowing nothing about such traditions, eats the whole thing—is white-chocolate with raspberry-creme filling. The centerpieces are fishbowls with ivy and roses identical to those on the cake. They sit in a refrigerated van on Pacific Coast Highway, north of Sunset. The driver is stuck in beach traffic.\u003c\/p\u003e\u003cp\u003eBut there is plenty of time.\u003c\/p\u003e","OtherText_Review_0":"There’s real humanity in this novel, and there are insights about love and longing.","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"Rolling, raw, and sensual . . . The sentences burn with desire and disquiet. The novel is generously condensed, ardently focused, and its mechanisms poetic, not expository.","OtherText_Review_1_Src":"New York Times Book Review","OtherText_Review_2":"A lean first novel steeped in theology, suburban domesticity, literary criticism, child-rearing and, most dramatically, infidelity, Fire Sermon sizzles and cools to the rhythm of its narrator Maggie's moods and meanderings.","OtherText_Review_2_Src":"Shelf Awareness","OtherText_Review_3":"The mechanics of Quatro’s novel are an enjoyable puzzle.","OtherText_Review_3_Src":"Toronto Star","OtherText_ShortDescription_0":"An unflinching and profound portrait of Maggie and Thomas, and their disintegrating marriage.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeName_0":"An Economist Book of the Year","PrizeName_1":"Indie Next Pick","PrizeYear_0":"2018","PrizeYear_1":"2018","ProductFormDescription":"trade paperback","PublicationDate":"2018-01-16","Publisher":"House of Anansi Press Inc","ShortDescription":"An unflinching and profound portrait of Maggie and Thomas, and their disintegrating marriage.","Width":"5.25","WidthCode":"in"}
Fire Sermon
An unflinching and profound portrait of Maggie and Thomas, and their disintegrating marriage.
Quick View
{"id":6813794566203,"title":"Deep Underwater","handle":"deep-underwater","description":"\u003cp\u003e\u003cstrong\u003e“Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.” \u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSophia bravely dives down to discover the secrets under the sea. She encounters beautiful fish and floating forests. Farther down, the dark water is full of tentacles and treasures. Deep underwater, she is never alone. Do you dare dive down after her?\u003c\/p\u003e\u003cp\u003eThe ocean is full of endless possibilities in this dreamy, imagistic story from acclaimed author\/illustrator Irene Luxbacher. Her otherworldly paintings show colorful fish, rippling seawater and the secrets to be found at the bottom of the ocean. 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Beside her is a red boat. She is holding a small box and a large bubble is expanding out of it. Inside of the bubble are whales, fish, shells, leaves, and swirls of water. Three other bubbles float through the air, each with a seagull inside. Text: I know all its secrets.","id":21801177350203,"position":2,"preview_image":{"aspect_ratio":2.0,"height":250,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_66f8c2aa-f982-43a7-a457-e0ce004cf481.jpg?v=1648046475"},"aspect_ratio":2.0,"height":250,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_66f8c2aa-f982-43a7-a457-e0ce004cf481.jpg?v=1648046475","width":500},{"alt":"Underwater, a girl with light skin tone swims with fish. The water is dark. Beneath them are colourful plants and coral with small fish swimming around. A few large jellyfish swim in front of them. Text: First, take a deep breath and drift down, down past the day. Stars can only shine when the light fades.","id":21801180135483,"position":3,"preview_image":{"aspect_ratio":2.0,"height":250,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_82bac3a4-9ff6-4211-96f2-10c2a7912236.jpg?v=1648046489"},"aspect_ratio":2.0,"height":250,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_82bac3a4-9ff6-4211-96f2-10c2a7912236.jpg?v=1648046489","width":500},{"alt":"It is dark underwater and everything in the distance is black. A large ship lays crooked in the sand. A girl with light skin tone is on her knees in the sand and is looking into an open chest. The chest is glowing from the inside. Text: …and lost treasures wait silently, patiently hoping to be found.","id":21801181610043,"position":4,"preview_image":{"aspect_ratio":2.0,"height":250,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_7de98c00-66ea-4c3f-b561-917b058f76ae.jpg?v=1648046502"},"aspect_ratio":2.0,"height":250,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_7de98c00-66ea-4c3f-b561-917b058f76ae.jpg?v=1648046502","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e“Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.” \u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSophia bravely dives down to discover the secrets under the sea. She encounters beautiful fish and floating forests. Farther down, the dark water is full of tentacles and treasures. Deep underwater, she is never alone. Do you dare dive down after her?\u003c\/p\u003e\u003cp\u003eThe ocean is full of endless possibilities in this dreamy, imagistic story from acclaimed author\/illustrator Irene Luxbacher. Her otherworldly paintings show colorful fish, rippling seawater and the secrets to be found at the bottom of the ocean. 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{"AlsoRecommendedISBN_0":"9781554989836","AlsoRecommendedISBN_2":"9781773060200","AlsoRecommendedISBN_3":"9781773061023","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"4","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"7","BASICMainSubject":"JUV002170","BASICMainSubjectLiteral":"JUVENILE FICTION \/ Animals \/ Marine Life","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. She has written and illustrated \u003cem\u003eDeep Underwater\u003c\/em\u003e, an Elizabeth Mrazik-Cleaver Award finalist, and \u003cem\u003eMr. Frank\u003c\/em\u003e, which was selected as a USBBY Outstanding International Book. Her illustrations for the Malaika series by Nadia L. Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Animals \/ Marine Life","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Technology \/ General","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Action \u0026amp; Adventure \/ General","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Imagination \u0026amp; Play","BISACSubject_0":"JUV002170","BISACSubject_1":"JUV036000","BISACSubject_2":"JUV001000","BISACSubject_3":"JUV051000","CommonCore":"CCSS.ELA-LITERACY.RL.2.4","CommonCore_1":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_2":"CCSS.ELA-LITERACY.RL.1.6","ComplexityCode_0":"M","ComplexityCode_1":"AD570L","ComplexityCode_2":"M","ComplexitySchemeIdentifier_0":"05","ComplexitySchemeIdentifier_1":"06","ComplexitySchemeIdentifier_2":"09","ComplexitySchemeIdName_0":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_1":"Lexile measure","ComplexitySchemeIdName_2":"Guided Reading Level","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. She has written and illustrated \u003cem\u003eDeep Underwater\u003c\/em\u003e, an Elizabeth Mrazik-Cleaver Award finalist, and \u003cem\u003eMr. Frank\u003c\/em\u003e, which was selected as a USBBY Outstanding International Book. Her illustrations for the Malaika series by Nadia L. Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. She has written and illustrated \u003cem\u003eDeep Underwater\u003c\/em\u003e, an Elizabeth Mrazik-Cleaver Award finalist, and \u003cem\u003eMr. Frank\u003c\/em\u003e, which was selected as a USBBY Outstanding International Book. Her illustrations for the Malaika series by Nadia L. Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Luxbacher, Irene (CA)","Contributor_1":"Luxbacher, Irene (CA)","Description":"\u003cp\u003e\u003cstrong\u003e“Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.” \u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSophia bravely dives down to discover the secrets under the sea. She encounters beautiful fish and floating forests. Farther down, the dark water is full of tentacles and treasures. Deep underwater, she is never alone. Do you dare dive down after her?\u003c\/p\u003e\u003cp\u003eThe ocean is full of endless possibilities in this dreamy, imagistic story from acclaimed author\/illustrator Irene Luxbacher. Her otherworldly paintings show colorful fish, rippling seawater and the secrets to be found at the bottom of the ocean. Sophia’s journey will linger with readers long after the return to shore.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr \/\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr \/\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr \/\u003eDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","EAN":"9781773060149","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"nature; wonder; sealife; animals; exploration and adventure; ocean; imagination and play; under the sea; natural world; respect for environment; respect for self; caring; appreciation; low level wordless text; first person narration; child as narrator; figurative language; simile; metaphor; questioning; Common Core aligned; CC Literature Craft and Structure; CC Literature Integration of Knowledge and Ideas; kindergarten; grade 1; grade 2; grade 3; picture book; collage style artwork","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eIrene Luxbacher is the author and illustrator of \u003cem\u003eMr. Frank\u003c\/em\u003e and the illustrator of \u003cem\u003eMalaika’s Costume\u003c\/em\u003e and \u003cem\u003eMalaika’s Winter Carnival\u003c\/em\u003e, among others. Her illustrations are breathtaking — vivid, dreamy and lush.\u003c\/li\u003e\r\n\u003cli\u003eThis book is about exploring the unknown. Sophia’s underwater journey suggests that the unknown doesn’t always have to be scary.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum connections include science \/ marine life and ecosystems.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Readers ride waves of wonder … Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.","OtherText_Review_0_Src":"Kirkus, STARRED REVIEW","OtherText_Review_1":"… subtle nods to creative inspirations and the enchanting visuals make for an immersive read celebrating the joys of imagination.","OtherText_Review_1_Src":"Booklist","OtherText_Review_2":"… the adventure creates a sense of quiet wonder and contentment.","OtherText_Review_2_Src":"Publishers Weekly","OtherText_Review_3":"[Luxbacher's] narration is both succinct and full of rich language, so listeners will have interesting words to ponder while poring over wondrous images… . Mixed media art and collage, digitally composed, produce intense colors and a riot of textures that depict the teeming underwater flora and fauna.","OtherText_Review_3_Src":"School Library Journal","OtherText_Review_4":"In calm and soothing passages, this water nymph takes readers on an immersive adventure… . There is a lovely tranquility and depth to this ocean story that lies intriguingly below the shimmering surface.","OtherText_Review_4_Src":"Quill \u0026amp; Quire","OtherText_ShortDescription_0":"What secrets will Sophia discover at the bottom of the ocean?","ProductFormDescription":"hardcover jacket","PublicationDate":"2018-08-01","Publisher":"Groundwood Books Ltd","ShortDescription":"What secrets will Sophia discover at the bottom of the ocean?","Width":"10","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
Deep Underwater
What secrets will Sophia discover at the bottom of the ocean?
Quick View
{"id":6813783326779,"title":"Bitter Orange","handle":"bitter-orange","description":"\u003cp\u003e\u003cstrong\u003eFrom the bestselling author of \u003ci\u003eSwimming Lessons\u003c\/i\u003e comes a suspenseful new novel set in 1969 England about one woman’s obsession with a glamorous, hedonistic couple living downstairs who aren’t what they seem.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFrom the attic of a dilapidated English country house, she sees them — Cara first: dark and beautiful, clinging to a marble fountain of Cupid, and Peter, an Apollo. It is 1969 and they are spending the summer in the rooms below hers, while Frances writes a report on the follies in the garden. But she is distracted. Beneath a floorboard in her bathroom, she discovers a peephole which gives her access to her neighbours’ private lives.\u003c\/p\u003e\u003cp\u003eTo Frances’ surprise, Cara and Peter are keen to spend time with her. 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It is 1969 and they are spending the summer in the rooms below hers, while Frances writes a report on the follies in the garden. But she is distracted. Beneath a floorboard in her bathroom, she discovers a peephole which gives her access to her neighbours’ private lives.\u003c\/p\u003e\u003cp\u003eTo Frances’ surprise, Cara and Peter are keen to spend time with her. It is the first occasion that she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes till the ash piles up on the crumbling furniture. Frances is dazzled.\u003c\/p\u003e\u003cp\u003eBut as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up — and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence of that summer, a small crime brings on a bigger one: a crime so terrible that it will brand all their lives forever.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001742","AlsoRecommendedISBN_3":"9781487006501","AlsoRecommendedISBN_4":"9781770894341","BASICMainSubject":"FIC031080","BASICMainSubjectLiteral":"FICTION \/ Thrillers \/ Psychological","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCLAIRE FULLER\u003c\/strong\u003e is the bestselling and award-winning author of three previous novels: \u003cem\u003eOur Endless Numbered Days\u003c\/em\u003e, which won the Desmond Elliot Prize and was a finalist for the ABA Adult Debut Book of the Year Award and the Edinburgh International Book Festival First Book Award; \u003cem\u003eSwimming Lessons\u003c\/em\u003e, which was a national bestseller; and \u003cem\u003eBitter Orange\u003c\/em\u003e, which was longlisted for the Dublin International Literary Award\u003cem\u003e.\u003c\/em\u003e She has an M.A. in Creative and Critical Writing from the University of Winchester and lives in Hampshire with her husband and two children.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Thrillers \/ Psychological","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubject_0":"FIC031080","BISACSubject_1":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCLAIRE FULLER\u003c\/strong\u003e is the bestselling and award-winning author of three previous novels: \u003cem\u003eOur Endless Numbered Days\u003c\/em\u003e, which won the Desmond Elliot Prize and was a finalist for the ABA Adult Debut Book of the Year Award and the Edinburgh International Book Festival First Book Award; \u003cem\u003eSwimming Lessons\u003c\/em\u003e, which was a national bestseller; and \u003cem\u003eBitter Orange\u003c\/em\u003e, which was longlisted for the Dublin International Literary Award\u003cem\u003e.\u003c\/em\u003e She has an M.A. in Creative and Critical Writing from the University of Winchester and lives in Hampshire with her husband and two children.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Fuller, Claire","Description":"\u003cp\u003e\u003cstrong\u003eFrom the bestselling author of \u003ci\u003eSwimming Lessons\u003c\/i\u003e comes a suspenseful new novel set in 1969 England about one woman’s obsession with a glamorous, hedonistic couple living downstairs who aren’t what they seem.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFrom the attic of a dilapidated English country house, she sees them — Cara first: dark and beautiful, clinging to a marble fountain of Cupid, and Peter, an Apollo. It is 1969 and they are spending the summer in the rooms below hers, while Frances writes a report on the follies in the garden. But she is distracted. Beneath a floorboard in her bathroom, she discovers a peephole which gives her access to her neighbours’ private lives.\u003c\/p\u003e\u003cp\u003eTo Frances’ surprise, Cara and Peter are keen to spend time with her. It is the first occasion that she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes till the ash piles up on the crumbling furniture. Frances is dazzled.\u003c\/p\u003e\u003cp\u003eBut as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up — and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence of that summer, a small crime brings on a bigger one: a crime so terrible that it will brand all their lives forever.\u003c\/p\u003e","EAN":"9781487004675","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004675\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi International","NumberOfPages":"320","OtherText_Accolades_0":"A rich, dark pressure cooker of a novel that simmers with slow heat and suppressed tension.","OtherText_Accolades_0_Auth":"Ruth Ware, author of In a Dark, Dark Wood and The Lying Game","OtherText_Accolades_1":"Bitter Orange reminds me of so many novels I love, especially J. L. Carr’s A Month in the Country, Daphne du Maurier’s Jamaica Inn, and Shirley Jackson’s We Have Always Lived in the Castle. Claire Fuller is such an elegant writer and this book is incredibly atmospheric, vivid, and intriguing. I had to keep reminding myself that I wasn't reading a forgotten classic.","OtherText_Accolades_1_Auth":"Emma Healey, author of Elizabeth Is Missing","OtherText_Accolades_2":"\u003cp\u003e\u003cem\u003eBitter Orange\u003c\/em\u003e is a twisty, thorny, darkly atmospheric page turner about loneliness and belonging, a book that delves into its protagonist’s mind and heart even as she explores the secret-filled mansion at the novel’s centre.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Gabriel Tallent, author of My Absolute Darling","OtherText_Description_for_R_0":"\u003cp\u003e“Twenty years,” I whisper.\u003c\/p\u003e \u003cp\u003eThe memory of my first sight of Cara stirs me too: a pale long-legged sprite. I hear her shouting outside on Lynton’s carriage turn. I stopped pulling up my bathroom carpet and crossed the narrow corridor to the window in one of the empty rooms opposite mine. Below the attic windows, a lead-lined gutter edged by a stone parapet was packed with decaying leaves, and the sticks and feathers of ancient pigeon nests. Far below, Cara was standing on the fountain in front of the house. The mass of her hair was the first thing I noticed — almost solid with its dark, tight curls and centre parting, hiding all but a strip of her milk-white face. She was shouting in Italian. I didn’t know the words; the closest I have come to understanding Italian is the Latin names of plants, and even these have faded now. A test: Cedrus … Cedrus … Cedrus Libani, Cedar of Lebanon.\u003c\/p\u003e \u003cp\u003eThree storeys below, Cara stood on the fountain, her bare feet balancing on the plump thighs of a putto. One hand gripped the robes of a stone woman as though she were trying to wrest them from her and the other held a pair of flat ballet pumps. I winced at the damage she might be doing to the already chipped and broken marble. I half-hoped that the fountain might be a Canova or one of his pupils. Cara was wearing a long crocheted dress, and I was certain even from my distance, no brassiere. The sun had nearly set on the other side of the house and her body was in shadow, but her head, where she tilted it back to look up, was vivid. I knew her already: hot-blooded and prickly, bewitching; a flowering cactus.\u003c\/p\u003e \u003cp\u003eI thought she was shouting at me, up in my attic. I have never liked loud sounds, harsh words; I’ve always preferred the quiet of a library, and back then I couldn’t remember anyone raising their voice to me, not even my mother, although of course, things are different now. But before I could reply, although goodness knows what I would have said, the sash was raised in one of the stately rooms below mine, and a man — funny that my first sight of Peter was his hair — stuck out his head and shoulders.\u003c\/p\u003e\u003cp\u003e“Cara,” he called to the girl on the fountain, giving me her name. “Don’t be ridiculous. Wait.” He sounded exhausted.\u003c\/p\u003e \u003cp\u003eShe shouted again, arms waving, mouth working, fingers pinching at the air, pushing her hair over her shoulder where it didn’t stay, and then jumping off the fountain into the long grass. She was always nimble, Cara. She came towards the house and went out of sight. Peter’s head vanished back inside, and I heard him running through Lynton’s empty and echoing rooms, imagined the dust rising and settling in the corners as he passed. From my window I saw him burst out of the front door onto the carriage turn just as Cara was pushing a bicycle at a trot through what was left of the gravel and simultaneously putting on her shoes. When she reached the avenue, she pulled up her and jumped on the bicycle like a circus acrobat jumping onto a moving horse, something I could never have managed then and certainly not now.\u003c\/p\u003e \u003cp\u003e“Cara!” Peter called. “Please don’t go.”\u003c\/p\u003e \u003cp\u003eWe watched her, Peter and I, swerve around the potholes along the avenue of limes. Peddling away from us, she let go of the bicycle with one hand and stuck up two fingers in reply. It is difficult to recall the exact emotions for those early memories of Cara after everything that happened, I was probably shocked by the gesture, but I like to think that I must have also been excited by an anticipation of reinvention, of possibility, of summer.\u003c\/p\u003e\u003cp\u003e Peter walked to the gates, eight feet tall and rusted open, and struck his palms against Lyntons 1806 coiled in the ironwork. I was puzzled by his frustration, had I witnessed the end of their relationship or a lovers’ tiff?\u003c\/p\u003e\u003cp\u003e I guessed that Peter was about my age, ten years or so older than Cara, blondish hair flopping over his forehead, and a way of holding himself as though gravity, or the world, had got the better of him. Attractive, I thought, in a worn down way. Mother would have described him as the tiger’s eye. He shoved his hands into his jeans’ pockets and as he turned towards the house he looked straight up to my window. Without knowing why, since I had every reason to be there, I slid back into the room and ducked below the sill. \u003c\/p\u003e","OtherText_Review_0":"The atmosphere [Fuller] conjures creates its own choking sense of dread.","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"Claire Fuller’s Bitter Orange, a carefully contained mystery, thriller, and horror novel, is a haunting contemporary echo of Shirley Jackson and Patricia Highsmith.","OtherText_Review_1_Src":"Shelf Awareness","OtherText_Review_2":"The story builds to a shocking finale, resulting in a thoroughly enjoyable book with a well-paced plot and plenty of twists and turns.","OtherText_Review_2_Src":"Elle Canada","OtherText_Review_3":"Page by page, Fuller enchants us with prose as thick as clotted cream, only for us to realize too late that she’s been ensnaring us at every turn.","OtherText_Review_3_Src":"Paris Review","OtherText_Review_4":"A novel you don’t want to end.","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"A suspenseful novel set in 1969 England about one woman’s obsession with a glamorous, hedonistic couple living downstairs who aren’t what they seem.","PrizeCodeText_0":"Long-listed","PrizeCode_0":"05","PrizeName_0":"International Dublin Literary Award","PrizeYear_0":"2018","ProductFormDescription":"trade paperback","PublicationDate":"2018-10-09","Publisher":"House of Anansi Press Inc","ShortDescription":"A suspenseful novel set in 1969 England about one woman’s obsession with a glamorous, hedonistic couple living downstairs who aren’t what they seem.","Width":"5.5","WidthCode":"in"}
Bitter Orange
A suspenseful novel set in 1969 England about one woman’s obsession with a glamorous, hedonistic couple living downstairs who aren’t what they seem.
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{"id":6813789257787,"title":"Big Lonely Doug","handle":"big-lonely-doug","description":"\u003cp\u003e\u003cstrong\u003eIn the tradition of John Vaillant’s modern classic \u003ci\u003eThe Golden Spruce \u003c\/i\u003ecomes a story of the unlikely survival of one of the largest and oldest trees in Canada.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOn a cool morning in the winter of 2011, a logger named Dennis Cronin was walking through a stand of old-growth forest near Port Renfrew on Vancouver Island. He came across a massive Douglas fir the height of a twenty-storey building. Instead of allowing the tree to be felled, he tied a ribbon around the trunk, bearing the words “Leave Tree.” The forest was cut but the tree was saved. The solitary Douglas fir, soon known as Big Lonely Doug, controversially became the symbol of environmental activists and their fight to protect the region’s dwindling old-growth forests.\u003c\/p\u003e\u003cp\u003eOriginally featured as a long-form article in \u003ci\u003eThe Walrus\u003c\/i\u003e that garnered a National Magazine Award (Silver), \u003ci\u003eBig Lonely Doug \u003c\/i\u003eweaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.\u003c\/p\u003e","published_at":"2022-03-23T13:10:51-04:00","created_at":"2022-03-23T09:18:20-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","Adult Environmentalism","Adult Nonfiction","By (author) Rustad Harley","pub date: 2018-09-04","The Walrus Books"],"price":1895,"price_min":1895,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205702529083,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003111","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Big Lonely Doug - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003111","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205704265787,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003128","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Big Lonely Doug - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003128","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205704659003,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487003135","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Big Lonely Doug - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003135","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356","options":["Title"],"media":[{"alt":null,"id":23246346551355,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2553,"width":1651,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356"},"aspect_ratio":0.647,"height":2553,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d75de532-0be6-42ed-88ec-69aa614c24bc.jpg?v=1676185356","width":1651}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn the tradition of John Vaillant’s modern classic \u003ci\u003eThe Golden Spruce \u003c\/i\u003ecomes a story of the unlikely survival of one of the largest and oldest trees in Canada.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOn a cool morning in the winter of 2011, a logger named Dennis Cronin was walking through a stand of old-growth forest near Port Renfrew on Vancouver Island. He came across a massive Douglas fir the height of a twenty-storey building. Instead of allowing the tree to be felled, he tied a ribbon around the trunk, bearing the words “Leave Tree.” The forest was cut but the tree was saved. The solitary Douglas fir, soon known as Big Lonely Doug, controversially became the symbol of environmental activists and their fight to protect the region’s dwindling old-growth forests.\u003c\/p\u003e\u003cp\u003eOriginally featured as a long-form article in \u003ci\u003eThe Walrus\u003c\/i\u003e that garnered a National Magazine Award (Silver), \u003ci\u003eBig Lonely Doug \u003c\/i\u003eweaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781487007799","AlsoRecommendedISBN_3":"9781770893894","AlsoRecommendedISBN_4":"9781770899919","BASICMainSubject":"NAT034000","BASICMainSubjectLiteral":"NATURE \/ Plants \/ Trees","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHARLEY RUSTAD\u003c\/strong\u003e is an editor at \u003cem\u003eThe Walrus\u003c\/em\u003e magazine. His articles and photography have been published in magazines, newspapers, and online outlets including \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eOutside\u003c\/em\u003e, the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eGeographical\u003c\/em\u003e, \u003cem\u003eReader's Digest\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, and CNN. He has reported from India, Nepal, Cuba, and across Canada. Born on Salt Spring Island, BC, he now lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"NATURE \/ Plants \/ Trees","BISACSubjectLiteral_1":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubjectLiteral_2":"NATURE \/ Ecosystems \u0026amp; Habitats \/ Forests \u0026amp; Rainforests","BISACSubject_0":"NAT034000","BISACSubject_1":"NAT011000","BISACSubject_2":"NAT014000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHARLEY RUSTAD\u003c\/strong\u003e is an editor at \u003cem\u003eThe Walrus\u003c\/em\u003e magazine. His articles and photography have been published in magazines, newspapers, and online outlets including \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eOutside\u003c\/em\u003e, the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eGeographical\u003c\/em\u003e, \u003cem\u003eReader's Digest\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, and CNN. He has reported from India, Nepal, Cuba, and across Canada. Born on Salt Spring Island, BC, he now lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Rustad, Harley","Description":"\u003cp\u003e\u003cstrong\u003eIn the tradition of John Vaillant’s modern classic \u003ci\u003eThe Golden Spruce \u003c\/i\u003ecomes a story of the unlikely survival of one of the largest and oldest trees in Canada.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOn a cool morning in the winter of 2011, a logger named Dennis Cronin was walking through a stand of old-growth forest near Port Renfrew on Vancouver Island. He came across a massive Douglas fir the height of a twenty-storey building. Instead of allowing the tree to be felled, he tied a ribbon around the trunk, bearing the words “Leave Tree.” The forest was cut but the tree was saved. The solitary Douglas fir, soon known as Big Lonely Doug, controversially became the symbol of environmental activists and their fight to protect the region’s dwindling old-growth forests.\u003c\/p\u003e\u003cp\u003eOriginally featured as a long-form article in \u003ci\u003eThe Walrus\u003c\/i\u003e that garnered a National Magazine Award (Silver), \u003ci\u003eBig Lonely Doug \u003c\/i\u003eweaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.\u003c\/p\u003e","EAN":"9781487003111","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487003111\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"conservation; environmental sustainability; british columbia; hidden life of trees; colonialism; capitalism; climate change; earth day; logging; forestry; haida gwaii; environmentally friendly gifts; wildlife; nature; deforestation; canlit; canadian history; ecology; color photographs; national magazine award; bee time mark winston; the invention of nature; planet earth; blue planet; john vaillant; books for dad; fathers day","NumberOfPages":"328","OtherText_Accolades_0":"Among the joys of good writing and deep research are the ways in which it can reinvigorate a place you thought you knew, inviting you to see it, and feel it, afresh. This is just one of the gifts of Big Lonely Doug, an avatar of the west coast rainforest that, through Harley Rustad’s insightful and nuanced telling, embodies this vital ecosystem in all its beauty and complexity. Reading this book made me want to drop everything and meet Doug in person.","OtherText_Accolades_0_Auth":"John Vaillant, author of The Golden Spruce","OtherText_Accolades_1":"Blending thoughtful historical research with vivid reportage, Harley Rustad begins with the story of a single tree but masterfully widens his scope to encompass so much more: all the other grand old trees that have been felled on Vancouver Island, all those that have been saved, and most importantly, why it all matters. A complex and at times alarming tale, but also, in the end, a deeply hopeful one.","OtherText_Accolades_1_Auth":"Robert Moor, author of On Trails","OtherText_Accolades_2":"Having spent time, personally, with Big Lonely Doug, and wandering through the last of our ancient forests in British Columbia, it's never been more clear to me how imperative it is for us as humans to recognize the magnificence of these ancient trees and forests and do everything that we can to preserve them. With less than 1 percent of the original old-growth Douglas-fir stands left on B.C.’s coast, it’s time for Canadians to embrace Big Lonely Doug and his fellow survivors, and keep them standing tall. Harley Rustad’s story brings both the majesty and adversity of Big Lonely Doug a little closer to home.","OtherText_Accolades_2_Auth":"Edward Burtynsky","OtherText_Accolades_3":"You can see the forest for the trees, at least when the trees in question are singular giants like Big Lonely Doug, and the writer deftly directing your gaze is Harley Rustad. This sweeping yet meticulous narrative reveals the complex human longings tangled up in B.C.’s vanishing old-growth forests — cathedrals or commodities, depending on who you ask, and the future hinges on our answer.","OtherText_Accolades_3_Auth":"Kate Harris, author of Lands of Lost Borders","OtherText_Accolades_4":"An affecting story of one magnificent survivor tree set against a much larger narrative — the old conflict between logging and the environmental movement, global economics, and the fight to preserve the planet’s most endangered ecosystems. If you love trees and forests, this book is for you.","OtherText_Accolades_4_Auth":"Charlotte Gill, author of Eating Dirt","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eHarley Rustad is an editor at \u003cem\u003eThe Walrus\u003c\/em\u003e, a major Canadian magazine, who has contributed to numerous long-form articles, including “Big Lonely Doug,” which won a National Magazine Award. He has also received an Honourable Mention from the National Magazine Awards for a feature on digital mapping in Belcher Islands, Nunavut, as well as a Collective Nomination for an investigation into a failed immigration program in Prince Edward County. He is poised to be a breakout debut author.\u003c\/li\u003e\r\n\u003cli\u003eThere is a perennial interest in books on the natural world and in particular on trees, such as the surprise international bestseller \u003cem\u003eThe Hidden Life of Trees\u003c\/em\u003e by Peter Wohleben and the award-winning, bestselling, \u003cem\u003eThe Golden Spruce\u003c\/em\u003e by John Vaillant.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eThe morning of that day in the winter of 2011 began like any other. Known as cutblock number 7190 by his employer, Teal Jones, the twelve hectares fringing the east bank of the Gordon River a half-hour’s drive north of Port Renfrew was a prime example of kind of old-growth forest that once spanned Vancouver Island from tip to tip and coast to coast. This small patch of trees held black bears and Roosevelt elk, with the possibility of wolves and cougars passing through. It held red-capped woodpeckers knocking on standing deadwood, squirrels and chipmunks nibbling on cones to extract the seeds, and fungi the size of a dinner plate protruding from the trunks of some of the largest trees in the world. New green seedlings sprouted from old fallen stumps. Cronin brushed through the undergrowth, his jeans damp with persistent dew. Mounds of lime-green moss covering a thick bed of decaying tree needles were moist and soft underfoot—absorbing sound like a sponge. For now, the forest was still.\u003c\/p\u003e\u003cp\u003eCutblock 7190 also held great value for his timber company. At roughly twice the size of twelve soccer fields, the flat plateau near the base of Edinburg Mountain in the scope of the valley was a tiny sliver of forest. But it held some towering and valuable trees. The price of timber fluctuates every year, depending on species and market, but that year old growth was fetching between $80 and $100 per cubic metre of wood. (One cubic metre is roughly the size of a telephone pole.) West Coast old-growth forests produce between 800 to 1,200 cubic metres of wood per hectare, roughly twice as much timber as second growth. The gross value of the cut wood in this one cutblock in the Gordon River Valley could yield approximately a million dollars.\u003c\/p\u003e\u003cp\u003eWorking in tandem with Walter Van Hell, Cronin began the survey at the low side of cutblock 7190, where he could hear the Gordon River thundering on the other side of a steep gorge. Come spring, salmon fry would be wriggling free of the pebbled river bottom and make their first swim downstream to open water; come fall, grown fish would hurl themselves upstream to spawn in the clear waters. He walked the contour of the cutblock. At regular intervals of a couple dozen metres or so, he reached into his vest pocket for a roll of neon-orange plastic ribbon and tore off a strip. The colour had to be bright to catch the eye of the fallers who would follow in the months to come. He tied the inch-wide sashes around small trees or low-hanging branches to mark the edges of the cutblock. “Falling Boundary” was repeated in block letters along each ribbon. The forest practice code stipulated that the company had to leave a buffer of intact forest 50 metres up from a river, especially one that was known to be a spawning ground for salmon. Some engineers keep tight to those regulations to try to extract as much timber as possible from a given area. They fall under the category of what’s known as a “timber pig,” someone who cuts and hauls trees by a singular mantra: log it, burn it, pave it. The sentiment is two-fold: ecology comes secondary to economics and these forests exist to be harvested. But Cronin was often generous with these buffer zones, leaving 60 or 75 metres up from a river—as much as he could without drawing the ire of coworkers or bosses.\u003c\/p\u003e\u003cp\u003eOnce the twelve hectares was enclosed in orange ribbon, Cronin crisscrossed through the cutblock surveying the pitches and gradients of the land. It was a slow task, clambering over fallen nurse logs and through thickets of bush. His goal was to determine where a road could be ploughed through the forest. It takes a specific skill to see through dense trees and haphazard undergrowth and plot a sure course that could allow for the safest and easiest extraction of logs. Maneuvering over undulating land layered with deadfall and vegetation, he marked a direct line through the forest with strips off another roll of ribbon, this one hot pink and marked with the words “Road Location.” He traversed any creek he came across and flagged it in red ribbon. When he was done, the green-and-brown grove was lit up with flashes of colour.\u003c\/p\u003e\u003cp\u003eWhile working, Cronin was followed by a Steller’s jay—the provincial bird of British Columbia—which took particular interest in his work. “He would follow me around like a dog,” Cronin said. “I would be traversing creeks, taking my measurements and bearings, and he’s hopping behind me picking up the bugs as I stirred them up.” But once Cronin traversed a creek that separated cutblock 7190 with another patch of old growth slated for clearcut to the southeast, the jay stopped. “He would never cross that creek. We would pick him up again when we crossed back,” he says.\u003c\/p\u003e\u003cp\u003eThe sun broke through the canopy in long beams that spot-lit sword ferns and huckleberry bushes growing from the forest floor. But as Cronin waded through the thigh-high undergrowth, something caught his eye: a Douglas fir, larger than the rest, with a trunk so wide that it could have hidden his truck behind. He scrambled up the mound of sloughed bark and dead needles that had accumulated over centuries around the base of the giant tree.\u003c\/p\u003e\u003cp\u003eDennis Cronin looked up.\u003c\/p\u003e\u003cp\u003eThe tree dominated the forest; a monarch of its species. A crown of dark-green, glossy needles flitted in the breeze well above the canopy of the rest of the forest, made up of a handful of exceptionally large cedars and firs but mostly younger and thinner hemlock. The tree’s trunk was limbless until a great height, like many of the oldest Douglas firs he had come across in his career. The species often loses its lower branches that grow in the shadow of the forest’s canopy, directing its attention to those that enjoy the maximum of the sun’s energy. Many of these large and old Douglas firs have trunks that grow twisted and gnarled, with clear marks of disease. This tree’s trunk sported few knots and a grain that appeared straight: it was a wonderful specimen of timber, Cronin thought.\u003c\/p\u003e\u003cp\u003e He had spent the majority of his life walking through old-growth forests, under the canopies of some of the largest trees in the country. He had seen hundreds of giants, but this one tree stood above the rest. Douglas firs and Western red cedar are the two species in this area that are the most wind resistant, so are often stable enough to outlast storms and continue to grow through several iterations of a forest over a millennium. Still, many of the larger, centuries-old examples of these two species break off at their more fragile tops and their centres, over time, fill with water and rot. They become unstable and prone to blowdown. The timber inside begins to lose its value. The majority of the trees Cronin had flagged over his career, marking them for protection, were ones that he considered to be non-merchantable wood: the trunks were too twisted or too flawed. He could tell by looking at knots along a trunk if there was rot inside. For these trees, Cronin thought, why cut them down? Instead of a timber company deriving little value from these diseased or hollow trees, they can be left standing to serve the remainder of their lives as wildlife habitats.\u003c\/p\u003e\u003cp\u003eBut when Dennis Cronin laid eyes on the large Douglas fir in cutblock 7190, he could see immense timber value. “I’m a logger and I’ve taken out millions of trees,” Cronin said. “But I was impressed.” The limbless trunk held only a minor twist, and the bark looked healthy. He couldn’t know with one hundred percent certainty, however. “You don’t know until you put a saw into it and by that point it’s too late,” Cronin said. But the tree exhibited few of the exterior telltale signs of rot or disease.\u003c\/p\u003e \u003cp\u003eAs well as an encyclopedic knowledge of these forests, Cronin could also see through the bark of a tree to its very core and see dollars. “I can look at a tree and tell if it’s got value or not. If it’s not twisted, if the bark is healthy, if the limbs are healthy,” Cronin said. “That one had value.” Encased within the deeply crevassed and corky bark of this single tree lay enough wood to fill four logging trucks to capacity with some to spare. If milled into dimensional lumber—two-by-fours, two-by-sixes, and the like—it could be used to frame five 2,000-square-foot houses. At first glance, he assessed the single tree in unprocessed log value as around twenty thousand dollars. But since it was a Douglas fir, with its coveted warm colour and pronounced grain, the tree could be turned into higher-priced beams and posts for houses in Victoria and Vancouver, or shipped across the Pacific Ocean to Japan. The single tree that the logger stood under could fetch more than fifty thousand dollars.\u003c\/p\u003e\u003cp\u003eUsing his hand-held hypsometre, a device to measure a standing tree’s height using triangulation of measurements, Cronin took readings from the base and the top of the tree and estimated its height at approximately seventy metres—one of the largest he had ever come across in his career—around the height of a twenty-story apartment building. Using a tape, he measured the tree’s breast height girth. It appeared just shy of the Red Creek Fir, the largest Douglas fir in the world, located a couple valleys away. Cronin didn’t know it then, but he had found one of the largest trees in the country. “When I walked up to it, I passed some big firs and some really big cedars—twelve footers, maybe,” Cronin said, referring to the diameter of the trees. But this one fir dominated the rest. “He towered above the forest. He stuck out like a sore thumb.”\u003c\/p\u003e\r\n \u003cp\u003eCronin could have moved on, continuing through the undergrowth to finish the job of mapping and flagging the cutblock for the fallers. The tree, with the rest of the forest around it, would have stood patiently awaiting its inevitable fate. The fallers would have arrived months later and the tree would have been brought down in a thunderclap heard kilometres away, hauled from the valley, loaded onto logging trucks, and taken to a mill to be broken into its most useful and most valuable parts.\u003c\/p\u003e\r\n \u003cp\u003eBut Dennis Cronin lingered under the big tree. He walked around a circumference so great it would take more than six people holding hands in a circle to wrap around its base. Cronin had spent four decades working on logging crews and as a forest engineer, countless days working in the forests of Vancouver Island, and had encountered thousands of enormous trees over his career.\u003c\/p\u003e\r\n \u003cp\u003eInstead of moving on, Cronin reached into his vest pocket for a ribbon he rarely used, tore off a strip, and wrapped it around the broad base of the great Douglas fir’s trunk. The tape wasn’t pink or orange or red but green, and along its length were the words “Leave Tree.”\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"[Rustad’s] microscale descriptions of the landscape and how commercial forestry has changed it bring you into the depths of Vancouver Island.","OtherText_Review_0_Src":"Outside Magazine","OtherText_Review_1":"Rustad, a Salt Spring Island native, digs into the B.C. psyche with his discussions of old growth forests, big trees, the logging industry, ecotourism, and First Nations rights and issues.","OtherText_Review_1_Src":"Vancouver Sun","OtherText_Review_2":"[Harley Rustad] is a gifted researcher and writer and a valuable enabler whose book is a must-read for anyone interested in ecology.","OtherText_Review_2_Src":"Winnipeg Free Press","OtherText_Review_3":"[A] very timely narrative.","OtherText_Review_3_Src":"Toronto Star","OtherText_Review_4":"\u003cp\u003eThe story of \u003cem\u003eBig Lonely Doug\u003c\/em\u003e unfolds in marvellous detail, with liberal doses of humour, pathos, and conflict.\u003c\/p\u003e","OtherText_Review_4_Src":"Foreword Reviews","OtherText_Review_5":"[Harley Rustad] weaves the ecology of the rainforests of Vancouver Island, the legends around them, the business of logging pitted against the environmentalist movements, the contentious issue of ecotourism, and the rights of First Nations into a compelling, fascinating read.","OtherText_Review_5_Src":"Desi News","OtherText_ShortDescription_0":"The story one of the largest trees in Canada whose unlikely survival and discovery sheds light on environmentalism, climate change and ecotourism.","ProductFormDescription":"trade paperback","PublicationDate":"2018-09-04","Publisher":"House of Anansi Press Inc","ShortDescription":"The story one of the largest trees in Canada whose unlikely survival and discovery sheds light on environmentalism, climate change and ecotourism.","Subtitle":"The Story of One of Canada’s Last Great Trees","Width":"5.5","WidthCode":"in"}
Big Lonely Doug
The story one of the largest trees in Canada whose unlikely survival and discovery sheds light on environmentalism, climate change and ecotourism.
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{"id":6813785817147,"title":"Auntie Luce’s Talking Paintings","handle":"auntie-luces-talking-paintings","description":"\u003cp\u003e\u003cstrong\u003eA Haitian American girl finds connection to generations of family lore in this story of identity, heart and home.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eEvery winter, a young girl flies to Haiti to visit her Auntie Luce, a painter.\u003c\/p\u003e\u003cp\u003eThe moment she steps off the plane, she feels a wall of heat, and familiar sights soon follow — the boys selling water ice by the pink cathedral, the tap tap buses in the busy streets, the fog and steep winding road to her aunt’s home in the mountains.\u003c\/p\u003e\u003cp\u003eThe girl has always loved Auntie Luce’s paintings — the houses tucked into the hillside, colorful fishing boats by the water, heroes who fought for and won the country’s independence. Through Haiti’s colors, the girl comes to understand this place her family calls home. And when the moment finally comes to have her own portrait painted for the first time, she begins to see herself in a new way, tracing her own history and identity through her aunt’s brush.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003eauthor’s note\u003cbr\u003eglossary\u003cbr\u003etranslations\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\u0026gt;Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.5\u003cbr\u003eDescribe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action. \u003c\/p\u003e","published_at":"2022-03-23T13:10:49-04:00","created_at":"2022-03-23T09:16:57-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 5 - 8","Black Voices","By (author) Latour Francie","CC Literature - Grade 2","CCSS.ELA-LITERACY.RL.1.2","CCSS.ELA-LITERACY.RL.1.3","CCSS.ELA-LITERACY.RL.1.4","CCSS.ELA-LITERACY.RL.1.7","CCSS.ELA-LITERACY.RL.2.5","Childrens Starred Reviews","Groundwood Books","Illustrated by Daley Ken","Lexile measure AD730L","Picture Books","pub date: 2018-10-01","Stories from Around the World","Stories of Resilience"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205698072635,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773060415","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Auntie Luce’s Talking Paintings - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":2199,"weight":440,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773060415","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205699547195,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773063737","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Auntie Luce’s Talking Paintings - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773063737","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205700137019,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773063744","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Auntie Luce’s Talking Paintings - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773063744","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dc917ec5-b3e2-41eb-84f7-1406fee96d99.jpg?v=1731056873","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_74eb9e3d-478e-40cd-b6b4-667ff3bad6d5.jpg?v=1648045182","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1b16fb33-5549-49b1-b0ea-dc92128b51fa.jpg?v=1648045195","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_36908129-f206-4e09-92fe-a43adfe1adfa.jpg?v=1648045208"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dc917ec5-b3e2-41eb-84f7-1406fee96d99.jpg?v=1731056873","options":["Title"],"media":[{"alt":null,"id":24903316078651,"position":1,"preview_image":{"aspect_ratio":0.869,"height":1841,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dc917ec5-b3e2-41eb-84f7-1406fee96d99.jpg?v=1731056873"},"aspect_ratio":0.869,"height":1841,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_dc917ec5-b3e2-41eb-84f7-1406fee96d99.jpg?v=1731056873","width":1600},{"alt":"A girl has dark skin tone and braids. A large flower is above her ear. Text: in two days of sitting, Auntie Luce paints me from many different angles. On one easel, I can see myself turned completely to the side. In my face, I see colours I’ve never seen in a mirror — the caramel in my great-grandmother’s skin and the deep berry in my grandfather’s. I see the colors of metal roofs over houses with no upstairs or downstairs. I see the ash of earthquake dust, from that time the ground shook and opened up.","id":21801048703035,"position":2,"preview_image":{"aspect_ratio":1.701,"height":294,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_74eb9e3d-478e-40cd-b6b4-667ff3bad6d5.jpg?v=1648045182"},"aspect_ratio":1.701,"height":294,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_74eb9e3d-478e-40cd-b6b4-667ff3bad6d5.jpg?v=1648045182","width":500},{"alt":"A woman with dark skin tone is on a stool by a canvas on an easel. Behind her are buckets with paints and brushes. She paints a girl with dark skin tone. The girl sits on a stool. The text says the woman asks her to sit for the painting. The girl realizes sitting still for a painting is difficult. The aunt asks if the girl knows why she paints. The girl wonders if it’s because she’s good at it or if it’s because Haiti is so beautiful. The aunt says not always- that sometimes it is too hard to look at.","id":21801049227323,"position":3,"preview_image":{"aspect_ratio":1.701,"height":294,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1b16fb33-5549-49b1-b0ea-dc92128b51fa.jpg?v=1648045195"},"aspect_ratio":1.701,"height":294,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1b16fb33-5549-49b1-b0ea-dc92128b51fa.jpg?v=1648045195","width":500},{"alt":"A man and woman with dark skin tone are on a bridge in tribal clothing. Behind, people with dark skin tone have chains on them by two men in uniform. Beside the bridge are huts by a mask statue. Across water is a field. People with dark skin tone harvest goods. Soldiers with dark skin tone have weapons. The text says the Aunt says their faces are like maps she can trace from the kingdoms of Bernin to the sugarcane fields that turned into battle fields, where they fought for freedom, to the room they’re in.","id":21801050308667,"position":4,"preview_image":{"aspect_ratio":1.706,"height":293,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_36908129-f206-4e09-92fe-a43adfe1adfa.jpg?v=1648045208"},"aspect_ratio":1.706,"height":293,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_36908129-f206-4e09-92fe-a43adfe1adfa.jpg?v=1648045208","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA Haitian American girl finds connection to generations of family lore in this story of identity, heart and home.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eEvery winter, a young girl flies to Haiti to visit her Auntie Luce, a painter.\u003c\/p\u003e\u003cp\u003eThe moment she steps off the plane, she feels a wall of heat, and familiar sights soon follow — the boys selling water ice by the pink cathedral, the tap tap buses in the busy streets, the fog and steep winding road to her aunt’s home in the mountains.\u003c\/p\u003e\u003cp\u003eThe girl has always loved Auntie Luce’s paintings — the houses tucked into the hillside, colorful fishing boats by the water, heroes who fought for and won the country’s independence. Through Haiti’s colors, the girl comes to understand this place her family calls home. And when the moment finally comes to have her own portrait painted for the first time, she begins to see herself in a new way, tracing her own history and identity through her aunt’s brush.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003eauthor’s note\u003cbr\u003eglossary\u003cbr\u003etranslations\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\u0026gt;Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.5\u003cbr\u003eDescribe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554987542","AlsoRecommendedISBN_1":"9781773060187","AlsoRecommendedISBN_2":"9781773060439","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"11","AudienceRangeValue_1_0":"5","AudienceRangeValue_1_1":"K","AudienceRangeValue_2_0":"8","AudienceRangeValue_2_1":"3","BASICMainSubject":"JUV030040","BASICMainSubjectLiteral":"JUVENILE FICTION \/ Places \/ Caribbean \u0026 Latin America","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eFRANCIE LATOUR\u003c\/strong\u003e is a prize-winning writer whose work explores issues of race, culture and identity. Her work has been featured on National Public Radio and the \u003cem\u003eToday\u003c\/em\u003e show, as well as in \u003cem\u003eThe Root\u003c\/em\u003e, \u003cem\u003eEssence\u003c\/em\u003e and the \u003cem\u003eBoston Globe\u003c\/em\u003e. Her writing was also anthologized in \u003cem\u003eThe Butterfly’s Way\u003c\/em\u003e, edited by Edwidge Danticat. Francie is co-founder of Wee The People, a social justice project for kids. This is her first picture book.\u003c\/p\u003e\n\u003cp\u003eA mother of three, Francie was born to Haitian parents. She was inspired to write \u003cem\u003eAuntie Luce\u003c\/em\u003e by a chance encounter in 1992 with the late artist Luce Turnier — one of Haiti’s most celebrated female artists — who painted Francie’s portrait. Francie and her family live in Boston.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ People \u0026amp; Places \/ Caribbean \u0026amp; Latin America","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Emigration \u0026amp; Immigration","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Family \/ Multigenerational","BISACSubject_0":"JUV030040","BISACSubject_1":"JUV039050","BISACSubject_2":"JUV039250","BISACSubject_3":"JUV013030","CommonCore":"CCSS.ELA-LITERACY.RL.1.4","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.2","CommonCore_2":"CCSS.ELA-LITERACY.RL.1.7","CommonCore_3":"CCSS.ELA-LITERACY.RL.2.5","CommonCore_4":"CCSS.ELA-LITERACY.RL.1.3","ComplexityCode_0":"AD730L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eFRANCIE LATOUR\u003c\/strong\u003e is a prize-winning writer whose work explores issues of race, culture and identity. Her work has been featured on National Public Radio and the \u003cem\u003eToday\u003c\/em\u003e show, as well as in \u003cem\u003eThe Root\u003c\/em\u003e, \u003cem\u003eEssence\u003c\/em\u003e and the \u003cem\u003eBoston Globe\u003c\/em\u003e. Her writing was also anthologized in \u003cem\u003eThe Butterfly’s Way\u003c\/em\u003e, edited by Edwidge Danticat. Francie is co-founder of Wee The People, a social justice project for kids. This is her first picture book.\u003c\/p\u003e\n\u003cp\u003eA mother of three, Francie was born to Haitian parents. She was inspired to write \u003cem\u003eAuntie Luce\u003c\/em\u003e by a chance encounter in 1992 with the late artist Luce Turnier — one of Haiti’s most celebrated female artists — who painted Francie’s portrait. Francie and her family live in Boston.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eKEN DALEY\u003c\/strong\u003e is an award-winning illustrator who draws inspiration from his African Caribbean roots. He has illustrated over thirteen books, including \u003cem\u003eJoseph's Big Ride\u003c\/em\u003e by Terry Farish, which received a Skipping Stones Honor Award for International Multicultural Books, \u003cem\u003eA Feast for Joseph\u003c\/em\u003e by Terry Farish and OD Bonny, and \u003cem\u003eAuntie Luce's Talking Paintings\u003c\/em\u003e by Francie Latour, an Américas Award Honor Book and a Kirkus Best Picture Book about History and Tradition. Ken lives in Kitchener, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Latour, Francie","Contributor_1":"Daley, Ken (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA Haitian American girl finds connection to generations of family lore in this story of identity, heart and home.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eEvery winter, a young girl flies to Haiti to visit her Auntie Luce, a painter.\u003c\/p\u003e\u003cp\u003eThe moment she steps off the plane, she feels a wall of heat, and familiar sights soon follow — the boys selling water ice by the pink cathedral, the tap tap buses in the busy streets, the fog and steep winding road to her aunt’s home in the mountains.\u003c\/p\u003e\u003cp\u003eThe girl has always loved Auntie Luce’s paintings — the houses tucked into the hillside, colorful fishing boats by the water, heroes who fought for and won the country’s independence. Through Haiti’s colors, the girl comes to understand this place her family calls home. And when the moment finally comes to have her own portrait painted for the first time, she begins to see herself in a new way, tracing her own history and identity through her aunt’s brush.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr \/\u003eauthor’s note\u003cbr \/\u003eglossary\u003cbr \/\u003etranslations\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr \/\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr \/\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr \/\u003e\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr \/\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.5\u003cbr \/\u003eDescribe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action. \u003c\/p\u003e","EAN":"9781773060415","Height":"8.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"author's note;glossary;translations","NumberOfPages":"36","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eA NEW AUTHOR AND ILLUSTRATOR DUO:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThis is a beautifully written story about a child searching for a sense of identity and belonging, by debut picture-book author Francie Latour. Illustrator Ken Daley has drawn on his knowledge of the Caribbean to create vibrant paintings that convey the flavor of life in Haiti.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHISTORICAL CONTEXT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe book provides a brief introduction to the history of Haiti, including a few of its heroes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eA DIFFERENT IMMIGRATION STORY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMany stories on emigration and immigration focus on arrival in a new place, while this story shows what it’s like for the next generation to return to their parents’ homeland.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eA GIRL AND HER AUNT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe story features a close relationship between a young girl and the aunt she seldom sees.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum connections include Social studies \/ heritage and identity \/ family; Language arts \/ reading; Visual arts \/ painting.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eA NEW AUTHOR AND ILLUSTRATOR DUO:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThis is a beautifully written story about a child searching for a sense of identity and belonging, by debut picture-book author Francie Latour. Illustrator Ken Daley has drawn on his knowledge of the Caribbean to create vibrant paintings that convey the flavor of life in Haiti.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHISTORICAL CONTEXT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe book provides a brief introduction to the history of Haiti, including a few of its heroes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eA DIFFERENT IMMIGRATION STORY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMany stories on emigration and immigration focus on arrival in a new place, while this story shows what it’s like for the next generation to return to their parents’ homeland.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eA GIRL AND HER AUNT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe story features a close relationship between a young girl and the aunt she seldom sees.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum connections include Social studies \/ heritage and identity \/ family; Language arts \/ reading; Visual arts \/ painting.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003cli\u003eHorn Book\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"Daley’s . . . paintings convey some of the complexities of time and place through the images themselves. … Young readers will enjoy how Latour and Daley celebrate Haitian history and culture through this lovely, artistic story.","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"[N]atural metaphors and poetic ideas will make this a good choice for sharing aloud in the classroom and creating emotional connection to a subject of study. Furthermore, the illustrator’s Afro-Caribbean roots amplify the love song the Haitian American author has composed to Haiti. . . . An excellent selection for exploring deep connections to Haiti through love, family, history, and art.","OtherText_Review_1_Src":"School Library Journal","OtherText_Review_2":"The narrative is lush and lyrical, capturing the romance of nostalgia as well as the concrete thoughts of the child. Daley’s acrylic illustrations burst off the page in deeply saturated, vibrant colors that echo but do not imitate Luce Turnier’s own art.","OtherText_Review_2_Src":"Booklist","OtherText_Review_3":"Daley brings intimacy to the spreads, filling them with splashy tones and arresting framed portraits. An illuminating author’s note speaks about the Haitian revolution and the importance of remembering forgotten figures.","OtherText_Review_3_Src":"Publisher's Weekly","OtherText_Review_4":"This vividly illustrated picture book is a feast for the eyes.","OtherText_Review_4_Src":"Resource Links","OtherText_Review_5":"A quiet celebration of bicultural, bi-geographic identity . . .","OtherText_Review_5_Src":"Toronto Star","OtherText_ShortDescription_0":"A Haitian American girl finds connection to generations of family lore in this story of identity, heart and home.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeName_0":"Américas Award","PrizeName_1":"Kirkus Best Picture Books","PrizeYear_0":"2019","PrizeYear_1":"2018","ProductFormDescription":"hardcover jacket","PublicationDate":"2018-10-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A Haitian American girl finds connection to generations of family lore in this story of identity, heart and home.","Width":"10","WidthCode":"in"}
ages 5
to 8
/ grades K
to 3
Auntie Luce’s Talking Paintings
A Haitian American girl finds connection to generations of family lore in this story of identity, heart and home.
Quick View
{"id":6813789945915,"title":"Africville","handle":"africville","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Marilyn Baillie Picture Book Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWinner of the Lillian Shepherd Memorial Award for Excellence in Illustration\u003cbr\u003e\nFinalist for a Governor General’s Literary Award, Young People’s Literature – Illustrated Books\u003cbr\u003e\nFinalist for a Ruth and Sylvia Schwartz Children’s Books Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen a young girl visits the site of Africville, in Halifax, Nova Scotia, the stories she’s heard from her family come to mind. She imagines what the community was once like —the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion\/Festival.\u003c\/p\u003e\n\u003cp\u003eAfricville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing.\u003c\/p\u003e\n\u003cp\u003eToday, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nhistorical context\u003cbr\u003e\nreferences\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003cbr\u003e\nWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003e\nDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","published_at":"2022-03-23T13:10:52-04:00","created_at":"2022-03-23T09:18:38-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 7","Black Voices","By (author) Grant Shauntay","CC Literature - Kindergarten","CCSS.ELA-LITERACY.RL.1.3","CCSS.ELA-LITERACY.RL.1.4","CCSS.ELA-LITERACY.RL.1.7","CCSS.ELA-LITERACY.RL.K.6","Childrens Award-Winning","Childrens Bestsellers","Childrens Starred Reviews","Fountas \u0026 Pinnell Text Level Gradient L","Free Study Guides","Groundwood Books","Guided Reading Level L","Illustrated by Campbell Eva","Lexile measure AD480L","Picture Books","pub date: 2018-09-01","Stories from Canada"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205703381051,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773060439","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Africville - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1999,"weight":420,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773060439","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205705019451,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773062716","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Africville - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773062716","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205705478203,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773062846","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Africville - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773062846","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_db2efd0d-6864-4075-b789-d22100e02ede.jpg?v=1731054564","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_9d18ec3b-78ff-4664-8287-315e8acfddc9.jpg?v=1648047262","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b314e2b8-b254-4d25-bb1a-c26a32b47c5a.jpg?v=1648047276","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d179a79b-f059-4eee-afd5-9bcdf2a7ef5d.jpg?v=1648047288"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_db2efd0d-6864-4075-b789-d22100e02ede.jpg?v=1731054564","options":["Title"],"media":[{"alt":null,"id":24903285702715,"position":1,"preview_image":{"aspect_ratio":0.808,"height":475,"width":384,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_db2efd0d-6864-4075-b789-d22100e02ede.jpg?v=1731054564"},"aspect_ratio":0.808,"height":475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_db2efd0d-6864-4075-b789-d22100e02ede.jpg?v=1731054564","width":384},{"alt":"A town of small colourful houses is beside railroad tracks. A girl with dark skin tone walks beside the tracks. Beyond the town is water and green hills. Text: Take me to the end of the ocean.","id":21801272442939,"position":2,"preview_image":{"aspect_ratio":1.613,"height":310,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_9d18ec3b-78ff-4664-8287-315e8acfddc9.jpg?v=1648047262"},"aspect_ratio":1.613,"height":310,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_9d18ec3b-78ff-4664-8287-315e8acfddc9.jpg?v=1648047262","width":500},{"alt":"There is a dining room with pink floral wallpaper. In front of a window is the head of a dining table. A boy and a girl with dark skin tone stand at the head of the table. Food is set out on the table including a pie, bread, a stew, and seafood. The children are both wearing formal clothes and smiling. 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She imagines what the community was once like —the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion\/Festival.\u003c\/p\u003e\n\u003cp\u003eAfricville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing.\u003c\/p\u003e\n\u003cp\u003eToday, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nhistorical context\u003cbr\u003e\nreferences\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003cbr\u003e\nWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003e\nDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e"}
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She lives in Halifax.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Prejudice \u0026amp; Racism","BISACSubjectLiteral_1":"JUVENILE FICTION \/ People \u0026amp; Places \/ Canada \/ General","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Poetry","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Historical \/ Canada \/ General","BISACSubject_0":"JUV039120","BISACSubject_1":"JUV030030","BISACSubject_2":"JUV070000","BISACSubject_3":"JUV016160","CommonCore":"CCSS.ELA-LITERACY.RL.1.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.K.6","CommonCore_2":"CCSS.ELA-LITERACY.RL.1.4","CommonCore_3":"CCSS.ELA-LITERACY.RL.1.7","ComplexityCode_0":"AD480L","ComplexityCode_1":"L","ComplexityCode_2":"L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdentifier_2":"09","ComplexitySchemeIdName_0":"Lexile measure","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_2":"Guided Reading Level","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSHAUNTAY GRANT\u003c\/strong\u003e is a descendant of Black Loyalists, Jamaican Maroons and Black Refugees who migrated to Canada some two hundred years ago. A writer and performance artist, she has won the Joseph S. Stauffer Prize, and she has published several picture books. Shauntay also lectures in the Creative Writing Program at Dalhousie University. Her professional degrees and training include the Master of Fine Arts program at the University of British Columbia, and the Bachelor of Journalism program at the University of King’s College. She lives in Halifax.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eEVA CAMPBELL\u003c\/strong\u003e is an artist and illustrator who teaches visual art. She has exhibited her work in Canada, the US, the UK, Barbados and Ghana. Eva won the Children’s Africana Book Award for her illustrations in \u003cem\u003eThe Matatu\u003c\/em\u003e by Eric Walters. She also illustrated \u003cem\u003eAfricville\u003c\/em\u003e by Shauntay Grant, winner of the Marilyn Baillie Picture Book Award and the Lillian Shepherd Memorial Award for Excellence in Illustration, and a Governor General’s Literary Award finalist. Eva lives in Victoria.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Grant, Shauntay (CA)","Contributor_1":"Campbell, Eva (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner of the Marilyn Baillie Picture Book Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWinner of the Lillian Shepherd Memorial Award for Excellence in Illustration\u003cbr\u003e\nFinalist for a Governor General’s Literary Award, Young People’s Literature – Illustrated Books\u003cbr\u003e\nFinalist for a Ruth and Sylvia Schwartz Children’s Books Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen a young girl visits the site of Africville, in Halifax, Nova Scotia, the stories she’s heard from her family come to mind. She imagines what the community was once like —the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion\/Festival.\u003c\/p\u003e\n\u003cp\u003eAfricville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing.\u003c\/p\u003e\n\u003cp\u003eToday, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nhistorical context\u003cbr\u003e\nreferences\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003cbr\u003e\nWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003e\nDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","EAN":"9781773060439","Height":"10.25","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"historical context;references","MetaKeywords":"black history; community; family and family issues; belonging; 20th century history; prejudice; racial issues; respect for community; pride; child as narrator; poetic language; figurative language; imagery; simile; visualizing; imagining; Common Core aligned; CC Literature Key Ideas and Details; CC Literature Craft and Structure; CC Literature Integration of Knowledge and Ideas; kindergarten; grade 1; Governor General's Literary Award; picture book; poetry; historical context; references","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis is a fictional retelling of the history of racism and prejudice in Canada. Africville presents a piece of this history through the eyes of a child who has grown up hearing stories about the community. The poetic text and beautiful art show what a child would have loved about living there.\u003c\/li\u003e\n\u003cli\u003eAn author’s note provides further information about the community and how it was demolished — a tragic episode of injustice and racial discrimination. To learn more now, here is an excellent National Film Board of Canada documentary on Africville: https:\/\/www.nfb.ca\/film\/remember_africville\/.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include social studies \/ Canadian history, heritage and identity, community, prejudice.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"This story celebrates the beauty and joy of the community seen through a child’s eyes. . . . There is both pride and longing expressed in the lyrical text, and the vibrant colors and friendly compositions of the oil and pastel illustrations immerse readers in this community.","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"Shauntay Grant’s writing is graceful ... She reaches out to young readers and invites them in ... Visually, Africville is gorgeous. Eva Campbell’s illustrations are arresting; the colours are warm and inviting, and her painterly style enhances the dreamlike quality of the story.","OtherText_Review_1_Src":"Quill \u0026 Quire","OtherText_Review_2":"Through the poem, readers visit this sparkling seaside community . . .. Grant's evocative descriptions are perfectly matched in tone and timbre with Campbell's vibrant oil-and-pastel renderings of the town and its residents.","OtherText_Review_2_Src":"Booklist","OtherText_Review_3":"The writing is spare but emotional, and the art brings the community to life. A loving tribute to a history that should not be forgotten.","OtherText_Review_3_Src":"Kirkus Reviews","OtherText_Review_4":"[Shauntay] Grant’s perfectly paced free verse poetry has a gentle, hypnotic quality that flows through the narrative and invites the reader to savour each word and the myriad images the words evoke. Eva Campbell’s illustrations are bold, bright and filled with energy and motion. . . . [A] vivid portrait of what Africville once was.","OtherText_Review_4_Src":"Atlantic Books Today","OtherText_Review_5":"The simplicity of [Shauntay Grant’s] story engages readers of all ages and backgrounds, and it brings to light a dark period in history in a completely accessible and very beautiful way. There is a melody to Grant’s poetry that entrances, and, when paired with Eva Campbell’s vivid illustrations, the former thriving community comes to life. . . . Africville is destined to become a picture book classic . . .","OtherText_Review_5_Src":"CM: Canadian Review of Materials","OtherText_Review_6":"The reader travels on a special journey in both text and visual memories in Africville. . . . Africville is a delightful book for classrooms and public libraries looking for a gentle storybook as well a tribute to the history of a place that should not be forgotten.","OtherText_Review_6_Src":"Resource Links","OtherText_Review_7":"\u003cp\u003e[A] gorgeous and radiant ode.\u003c\/p\u003e","OtherText_Review_7_Src":"Vancouver Writers Fest","OtherText_ShortDescription_0":"A powerful reimagination of what it was like to live in Africville in the 1960s through the eyes of a young girl.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Short-listed","PrizeCodeText_5":"Short-listed","PrizeCodeText_6":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"04","PrizeCode_5":"04","PrizeCode_6":"03","PrizeName_0":"Marilyn Baillie Picture Book Award","PrizeName_1":"Lillian Shepherd Memorial Award for Excellence in Illustration","PrizeName_2":"Governor General's Literary Award, Young People's Literature - Illustrated Books","PrizeName_3":"Elizabeth-Mrazik Cleaver Award","PrizeName_4":"Ruth and Sylvia Schwartz Children's Book Award","PrizeName_5":"Lieutenant Governor of Nova Scotia Masterworks Arts Award","PrizeName_6":"CBC Books Best Canadian YA and Children's Literature","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","PrizeYear_3":"2018","PrizeYear_4":"2019","PrizeYear_5":"2019","PrizeYear_6":"2018","ProductFormDescription":"hardcover jacket","PublicationDate":"2018-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A powerful reimagination of what it was like to live in Africville in the 1960s through the eyes of a young girl.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773060439\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","teachersguide_1":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773060439\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=1","Width":"8.25","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
Africville
A powerful reimagination of what it was like to live in Africville in the 1960s through the eyes of a young girl.
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{"id":6812116156475,"title":"Watermark","handle":"watermark","description":"\u003cp\u003e\u003cstrong\u003eFrom Christy Ann Conlin, the critically acclaimed and award winning author of \u003ci\u003eHeave,\u003c\/i\u003e comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn these evocative and startling stories, we meet people navigating the elemental forces of love, life, and death. An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore. \u003c\/p\u003e\u003cp\u003eA master of North Atlantic Gothic, Christy Ann Conlin expertly navigates our conflicting self-perceptions, especially in moments of crisis. She illuminates the personality of land and ocean, charts the pull of the past on the present, and reveals the wildness inside each of us. These stories offer a gallery of both gritty and lyrical portraits, each unmasking the myth and mystery of the everyday.\u003c\/p\u003e","published_at":"2022-03-22T16:49:49-04:00","created_at":"2022-03-22T11:19:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Short Stories","Astoria","Book Club Pick","By (author) Conlin Christy Ann","Feminist Reads","pub date: 2019-08-13"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195600154683,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003432","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Watermark - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":320,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003432","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195602972731,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003449","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Watermark - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003449","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195604152379,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487003456","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Watermark - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003456","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285","options":["Title"],"media":[{"alt":"Scales follow a colour gradient from teal at the top to gold at the bottom. Both colours have an iridescent and metallic sheen. Text: Watermark. Christy Ann Conlin. “This is the best short story collection I’ve read in years.” – Annabel Lyon, author of The Golden Mean.","id":22170976616507,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom Christy Ann Conlin, the critically acclaimed and award winning author of \u003ci\u003eHeave,\u003c\/i\u003e comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn these evocative and startling stories, we meet people navigating the elemental forces of love, life, and death. An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore. \u003c\/p\u003e\u003cp\u003eA master of North Atlantic Gothic, Christy Ann Conlin expertly navigates our conflicting self-perceptions, especially in moments of crisis. She illuminates the personality of land and ocean, charts the pull of the past on the present, and reveals the wildness inside each of us. These stories offer a gallery of both gritty and lyrical portraits, each unmasking the myth and mystery of the everyday.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781770893085","AlsoRecommendedISBN_3":"9781770893719","AlsoRecommendedISBN_4":"9781770898332","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHRISTY ANN CONLIN\u003c\/strong\u003e is the author of two acclaimed novels, \u003cem\u003eHeave\u003c\/em\u003e and \u003cem\u003eThe Memento\u003c\/em\u003e. She is also the author of the short-fiction collection \u003cem\u003eWatermark\u003c\/em\u003e, which was a finalist for the Danuta Gleed Literary Award and the Forest of Reading Evergreen Award. \u003cem\u003eHeave\u003c\/em\u003e was a national bestseller, a \u003cem\u003eGlobe and Mail \u003c\/em\u003eTop 100 Book, and a finalist for the Amazon.ca First Novel Award, the Thomas H. Raddall Atlantic Fiction Award, and the Dartmouth Book Award. Her work has appeared in numerous literary journals including \u003cem\u003eBest Canadian Stories\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eGeist\u003c\/em\u003e, \u003cem\u003eRoom\u003c\/em\u003e, and \u003cem\u003eNuméro Cinq\u003c\/em\u003e. Her short fiction has also been longlisted for the Commonwealth Short Story Prize and the American Short Fiction Prize. Her radio broadcast work includes co-creating and hosting CBC \u003cem\u003eFear Itself\u003c\/em\u003e, a national summer radio series. Christy Ann studied theatre at the University of Ottawa and screenplay writing at the University of British Columbia. She was born and raised in seaside Nova Scotia, where she still resides.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Short Stories (single author)","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC029000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHRISTY ANN CONLIN\u003c\/strong\u003e is the author of two acclaimed novels, \u003cem\u003eHeave\u003c\/em\u003e and \u003cem\u003eThe Memento\u003c\/em\u003e. She is also the author of the short-fiction collection \u003cem\u003eWatermark\u003c\/em\u003e, which was a finalist for the Danuta Gleed Literary Award and the Forest of Reading Evergreen Award. \u003cem\u003eHeave\u003c\/em\u003e was a national bestseller, a \u003cem\u003eGlobe and Mail \u003c\/em\u003eTop 100 Book, and a finalist for the Amazon.ca First Novel Award, the Thomas H. Raddall Atlantic Fiction Award, and the Dartmouth Book Award. Her work has appeared in numerous literary journals including \u003cem\u003eBest Canadian Stories\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eGeist\u003c\/em\u003e, \u003cem\u003eRoom\u003c\/em\u003e, and \u003cem\u003eNuméro Cinq\u003c\/em\u003e. Her short fiction has also been longlisted for the Commonwealth Short Story Prize and the American Short Fiction Prize. Her radio broadcast work includes co-creating and hosting CBC \u003cem\u003eFear Itself\u003c\/em\u003e, a national summer radio series. Christy Ann studied theatre at the University of Ottawa and screenplay writing at the University of British Columbia. She was born and raised in seaside Nova Scotia, where she still resides.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Conlin, Christy Ann (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFrom Christy Ann Conlin, the critically acclaimed and award winning author of \u003ci\u003eHeave,\u003c\/i\u003e comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn these evocative and startling stories, we meet people navigating the elemental forces of love, life, and death. An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore. \u003c\/p\u003e\u003cp\u003eA master of North Atlantic Gothic, Christy Ann Conlin expertly navigates our conflicting self-perceptions, especially in moments of crisis. She illuminates the personality of land and ocean, charts the pull of the past on the present, and reveals the wildness inside each of us. These stories offer a gallery of both gritty and lyrical portraits, each unmasking the myth and mystery of the everyday.\u003c\/p\u003e","EAN":"9781487003432","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487003432\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"Book clubs","NumberOfPages":"232","OtherText_Accolades_0":"Christy Ann Conlin’s stories achieve a dizzying balance of light and dark — the magical with the murderous. Over and over again, Conlin masterfully depicts the lush, somehow uncanny splendour of high summer only to chill us with a counterbalancing night world of hidden creatures and terrible human secrets. The results make for mesmerizing reading.","OtherText_Accolades_0_Auth":"Lynn Coady, author of The Antagonist and Hellgoing","OtherText_Accolades_1":"Watermark is propulsive. These linked stories are gothic dark and sparking with brilliant twists. Characters so vivid you can hear their voices, feel their pulse. Here are deep psychological fractures and betrayals, loss and longing. Adventure and abandon. Conlin’s characters are a splendidly complex; they are sometimes prisoners, and sometimes breaking free. This book is a dangerous joyride.","OtherText_Accolades_1_Auth":"Lisa Moore, author of Caught and Something for Everyone","OtherText_Accolades_2":"Watermark takes us beyond mere appearances, offering intimate portraits of characters you quickly realize you only think you know. These are powerful stories that tell secrets — that are interested in, and unafraid of, all the messy details that make up a person, a life.","OtherText_Accolades_2_Auth":"Johanna Skibsrud, author of Quartet for the End of Time and The Sentimentalists","OtherText_Accolades_3":"Conlin’s characters are fierce, lonely, dangerous, and wild. This is the best short story collection I've read in years.","OtherText_Accolades_3_Auth":"Annabel Lyon, author of Oxygen and The Golden Mean","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThis is the first collection of stories by this highly acclaimed writer of literary fiction. Her debut novel, \u003cem\u003eHeave\u003c\/em\u003e, was shortlisted for the Amazon.ca First Novel Award and also received two very prestigious Canadian fiction awards: the Thomas H. Raddall Atlantic Fiction Award and the Dartmouth Book Award. It was also named a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Top 100 Book, one of the most widely distributed Canadian newspaper.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eWELCOMING A TALENTED MID-CAREER AUTHOR TO THE ANANSI LIST:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eChristy Ann left her previous publisher, Doubleday Canada, to come to Anansi in a two book deal — this collection plus a novel. She is a huge talent, and we believe we can best serve her as a publisher.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSTRONG SUPPORT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eChristy Ann teaches writing and is well connected in the literary scene, so we expect blurbs from some big names.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eWe moved to the North Mountain the summer I was four and my mother was pregnant with my little sister, Morgaine. My father made the house himself and we lived in a tent pitched in a meadow surrounded by forest while he built it. My mother told me this. I remember the tent was green and there was a path through the meadow to the house. I loved this path, which cut through the tall grasses. In the meadow, purple vetch threaded up through the grass stems and touched my mother’s round belly. The grasses grew so high they were taller than me, but I could look up and see how they touched my mother’s breasts. I drew pictures on her stomach with icing coloured with beet and carrot juice. Then she’d let me lick it off. The acreage was mostly forest, except for the clearing around a large, rickety barn. They put a sandbox in the clearing where I played with my pail and shovel.\u003c\/p\u003e\u003cp\u003eThere was also a path through the woods. It was a twisting path my father had cut through the pines to the clifftop jutting out from the trees over the Bay of Fundy. He called the path “the labyrinth of life.” It snaked through the forest to the perilous brink of the cliff. The path was difficult and winding, with sharp turns where you had to slow down. My father said this was the main purpose of his pathway: everyone was forced to stop hurrying and consider their journey as it unfolded. People needed to be open to sudden turns and trust the way ahead. Being in the moment would take over and time would lose meaning. Before you knew it, you would arrive at your destination, and le voilà, enlightenment, or éclaircissement, as the French Acadians say, when you reached the bench of wisdom! Every age had an awakening, her father said, with those like him, who were called to be its prophets, ushering in the awakening. On a clear day you could stand at the edge of the cliff and see all the way down the bay toward Maine, which was four exhilarating hours away by boat as the crow flies or a long, boring two-day drive by car, as my father explained.\u003c\/p\u003e\u003cp\u003eThe bench at the edge of the crumbling cliff my father had made from driftwood, which the elements had cast to a silvery white. He encouraged us to sit on the bench and look for water nymphs. He insisted people had been spotting them in the bay for generations. They swam in with the tide, he proclaimed, as though he were a marine biologist with a peculiar specialization.\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"A sometimes-mystical Gothic in which the horror arises from those closest to us . . . Watermark is taut, sharp writing.","OtherText_Review_0_Src":"Globe and Mail","OtherText_Review_1":"Eerie and haunting stories.","OtherText_Review_1_Src":"Toronto Star","OtherText_Review_2":"Rich with humanity and atmosphere.","OtherText_Review_2_Src":"Booklist","OtherText_Review_3":"These stories are deliciously discomfiting … Suspenseful excavations of family secrets, as smart as they are creepy.","OtherText_Review_3_Src":"Kirkus Reviews","OtherText_Review_4":"Riveting, disturbing tales … Watermark has enough to fascinate and scare throughout.","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"From Christy Ann Conlin comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeName_0":"Gold Medal, The Miramichi Reader’s “The Very Best!” Book Awards: Best Short Fiction","PrizeName_1":"Danuta Gleed Literary Award","PrizeName_2":"Forest of Reading Evergreen Award","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","ProductFormDescription":"trade paperback","PublicationDate":"2019-08-13","Publisher":"House of Anansi Press Inc","ShortDescription":"From Christy Ann Conlin comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.","Width":"5.25","WidthCode":"in"}
Watermark
From Christy Ann Conlin comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.
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{"id":6812117106747,"title":"The Ranger","handle":"the-ranger","description":"\u003cp\u003e\u003cstrong\u003eIn this second book in Nancy Vo’s Crow Stories trilogy, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this memorable and beautifully illustrated story, a ranger comes across a fox caught in a trap. The ranger frees the fox and promises only to tend to its wounds. The fox recovers and remains curiously close to the ranger, and when unexpected twists occur, the fox ends up being the helper. The ranger asks the fox, “Does this make us even?” and almost immediately feels regret—keeping score has no place in friendship. And so the two continue their journey together.\u003c\/p\u003e\n\u003cp\u003eIn this second book in the Crow Stories trilogy, Nancy Vo explores themes of friendship and how meaningful bonds form when we can openly give and receive. 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A girl with light skin tone stands alone. She is wearing a wide brimmed hat, a neckerchief, a jacket, and she carries a backpack. She has black hair that is in two braids. Her eyes look off to the side and her mouth is straight. One hand holds on to a strap of her backpack. Text: Her name was Annie.","id":21765897519163,"position":2,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_753b389b-458a-4ce8-82c1-e108dcde5552.jpg?v=1647967242"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_753b389b-458a-4ce8-82c1-e108dcde5552.jpg?v=1647967242","width":500},{"alt":"A fox stands crouched low. It has red fur with black paws and white on the tips of its tail, mouth, and ears. The fox has wide yellow eyes that are staring straight ahead. One of its front paws is caught in a black metal animal trap. Text: Annie came upon a fox in a bad way.","id":21765904793659,"position":3,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8d1a2164-c0ba-487e-b3c7-65a582913c2c.jpg?v=1647967256"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8d1a2164-c0ba-487e-b3c7-65a582913c2c.jpg?v=1647967256","width":500},{"alt":"It is dark outside. Patches of grass dot a small hill. The silhouette of a person holding a walking stick and wearing a hat is walking across the hill. The silhouette of a fox walks in front of them. There are clouds in the sky. Text: “Thank you,” said Annie. “Does this make us even?”","id":21765910167611,"position":4,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c9b3fdf-eaaf-44b2-881a-eb4ca71e31f0.jpg?v=1647967267"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c9b3fdf-eaaf-44b2-881a-eb4ca71e31f0.jpg?v=1647967267","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn this second book in Nancy Vo’s Crow Stories trilogy, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this memorable and beautifully illustrated story, a ranger comes across a fox caught in a trap. The ranger frees the fox and promises only to tend to its wounds. The fox recovers and remains curiously close to the ranger, and when unexpected twists occur, the fox ends up being the helper. The ranger asks the fox, “Does this make us even?” and almost immediately feels regret—keeping score has no place in friendship. And so the two continue their journey together.\u003c\/p\u003e\n\u003cp\u003eIn this second book in the Crow Stories trilogy, Nancy Vo explores themes of friendship and how meaningful bonds form when we can openly give and receive. Vo’s stunning, spare illustrations are a delight, and complement the journey of these two nuanced characters toward understanding and companionship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554983605","AlsoRecommendedISBN_1":"9781554988471","AlsoRecommendedISBN_2":"9781773060149","AlsoRecommendedISBN_3":"9781773060163","AlsoRecommendedISBN_4":"9781773060361","AlsoRecommendedISBN_6":"9781773062099","AlsoRecommendedISBN_7":"9781773062327","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"4","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"8","AudienceRangeValue_2_1":"3","AudienceRangeValue_2_2":"3","BASICMainSubject":"JUV001010","BASICMainSubjectLiteral":"JUVENILE FICTION \/ Action \u0026 Adventure \/ Survival Stories","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eNANCY VO\u003c\/strong\u003e was raised where the sun rose in the prairies and set behind the Rockies. By night she makes picture books. She is the author\/illustrator of the first two books in the Crow Stories trilogy: \u003cem\u003eThe Outlaw\u003c\/em\u003e, described by the New York Times as “bewitching,” and \u003cem\u003eThe Ranger\u003c\/em\u003e, praised in a \u003cem\u003eKirkus\u003c\/em\u003e starred review as “visually arresting and enigmatic.” Nancy is also the author\/illustrator of \u003cem\u003eBoobies\u003c\/em\u003e and the illustrator of \u003cem\u003eAs Glenn as Can Be\u003c\/em\u003e by Sarah Ellis. She lives in Vancouver, British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Action \u0026amp; Adventure \/ Survival Stories","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Science \u0026amp; Nature \/ General","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Friendship","BISACSubject_0":"JUV001010","BISACSubject_1":"JUV029000","BISACSubject_2":"JUV039060","CommonCore":"CCSS.ELA-LITERACY.RL.1.2","ComplexityCode_0":"490L","ComplexityCode_1":"N","ComplexityCode_2":"N","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdentifier_2":"09","ComplexitySchemeIdName_0":"Lexile measure","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_2":"Guided Reading Level","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eNANCY VO\u003c\/strong\u003e was raised where the sun rose in the prairies and set behind the Rockies. By night she makes picture books. She is the author\/illustrator of the first two books in the Crow Stories trilogy: \u003cem\u003eThe Outlaw\u003c\/em\u003e, described by the New York Times as “bewitching,” and \u003cem\u003eThe Ranger\u003c\/em\u003e, praised in a \u003cem\u003eKirkus\u003c\/em\u003e starred review as “visually arresting and enigmatic.” Nancy is also the author\/illustrator of \u003cem\u003eBoobies\u003c\/em\u003e and the illustrator of \u003cem\u003eAs Glenn as Can Be\u003c\/em\u003e by Sarah Ellis. She lives in Vancouver, British Columbia.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eNANCY VO\u003c\/strong\u003e was raised where the sun rose in the prairies and set behind the Rockies. By night she makes picture books. She is the author\/illustrator of the first two books in the Crow Stories trilogy: \u003cem\u003eThe Outlaw\u003c\/em\u003e, described by the New York Times as “bewitching,” and \u003cem\u003eThe Ranger\u003c\/em\u003e, praised in a \u003cem\u003eKirkus\u003c\/em\u003e starred review as “visually arresting and enigmatic.” Nancy is also the author\/illustrator of \u003cem\u003eBoobies\u003c\/em\u003e and the illustrator of \u003cem\u003eAs Glenn as Can Be\u003c\/em\u003e by Sarah Ellis. She lives in Vancouver, British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Vo, Nancy (CA)","Contributor_1":"Vo, Nancy (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn this second book in Nancy Vo’s Crow Stories trilogy, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this memorable and beautifully illustrated story, a ranger comes across a fox caught in a trap. The ranger frees the fox and promises only to tend to its wounds. The fox recovers and remains curiously close to the ranger, and when unexpected twists occur, the fox ends up being the helper. The ranger asks the fox, “Does this make us even?” and almost immediately feels regret—keeping score has no place in friendship. And so the two continue their journey together.\u003c\/p\u003e\n\u003cp\u003eIn this second book in the Crow Stories trilogy, Nancy Vo explores themes of friendship and how meaningful bonds form when we can openly give and receive. Vo’s stunning, spare illustrations are a delight, and complement the journey of these two nuanced characters toward understanding and companionship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e","EAN":"9781773061283","Height":"8.625","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"friends and friendship issues; nature and the natural world; animals; female protagonist; western; action and adventure stories; survival; independent; inter-dependence; adventurers and outlaws; empathy; nurturing; perseverance; respect for community; caring; inferring; questioning; predicting; Common Core aligned; CC Literature Key Ideas and Details; grade 1; grade 2; Kirkus Best Picture Books; Kirkus starred review; picture book; Crow Stories; mixed-media illustrations","NumberOfPages":"44","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Ranger\u003c\/em\u003e is the second book in a trilogy, which was preceded by \u003cem\u003eThe Outlaw\u003c\/em\u003e and will be followed by \u003cem\u003eThe Priest\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eNancy uses pen and watercolor to create her unique style of illustration. Then she adds subtle details with newspapers and textile materials from the time period researched — the 1860s to 1870s for \u003cem\u003eThe Ranger\u003c\/em\u003e. The body typeface is Caslon, which was also used for the original printings of the United States Declaration of Independence and the Constitution.\u003c\/li\u003e\n\u003cli\u003eNancy’s stories address themes such as friendship (\u003cem\u003eThe Ranger\u003c\/em\u003e) and redemption (\u003cem\u003eThe Outlaw\u003c\/em\u003e) simply, yet with depth and elegance.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include language arts \/ reading; social skills \/ friendship; health \/ human development.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Ranger\u003c\/em\u003e is the second book in a trilogy, which was preceded by \u003cem\u003eThe Outlaw\u003c\/em\u003e and will be followed by \u003cem\u003eThe Priest\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eNancy uses pen and watercolor to create her unique style of illustration. Then she adds subtle details with newspapers and textile materials from the time period researched — the 1860s to 1870s for \u003cem\u003eThe Ranger\u003c\/em\u003e. The body typeface is Caslon, which was also used for the original printings of the United States Declaration of Independence and the Constitution.\u003c\/li\u003e\n\u003cli\u003eNancy’s stories address themes such as friendship (\u003cem\u003eThe Ranger\u003c\/em\u003e) and redemption (\u003cem\u003eThe Outlaw\u003c\/em\u003e) simply, yet with depth and elegance.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include language arts \/ reading; social skills \/ friendship; health \/ human development.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"A restrained text fuses with visually arresting and enigmatic interactions to open a welcoming space for contemplation.","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"The Ranger is a memorable and beautifully illustrated picture book story … an especially and unreservedly recommended addition to family, daycare center, preschool, elementary school, and community library picture book collections …","OtherText_Review_1_Src":"Midwest Book Review","OtherText_ShortDescription_0":"In the sequel to The Outlaw, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness.","PrizeCodeText_0":"Nominated","PrizeCodeText_1":"Commended","PrizeCode_0":"07","PrizeCode_1":"03","PrizeName_0":"Chocolate Lily Book Award — Picture Book","PrizeName_1":"Kirkus Best Picture Books","PrizeYear_0":"2020","PrizeYear_1":"2019","ProductFormDescription":"hardcover jacket","PublicationDate":"2019-08-01","Publisher":"Groundwood Books Ltd","Series":"The Crow Stories trilogy","ShortDescription":"In the sequel to The Outlaw, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness.","Width":"8.25","WidthCode":"in"}
ages 4
to 8
/ grades K
to 3
The Ranger
In the sequel to The Outlaw, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness.
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{"id":6812119990331,"title":"Stilt Jack","handle":"stilt-jack","description":"\u003cp\u003e\u003cstrong\u003eThe much-loved, yet undervalued, final book of poems by British-Canadian poet John Thompson, is reissued in a handsome edition, featuring a new introduction by Rob Winger.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOriginally published in 1978, \u003ci\u003eStilt Jack \u003c\/i\u003eis a series of powerful soliloquies on the complexity of love and the process of living. These are made immediate through Thompson’s command of metaphor, his eye for the New Brunswick landscape, his intense, often elliptical way of transfiguring everyday things into shorthand symbols of reality. This remarkable sequence of poems is based on the \u003ci\u003eghazal\u003c\/i\u003e, an ancient Persian poetic form which is discussed in Thompson’s introduction to the original edition of the book.\u003c\/p\u003e\u003cp\u003eThese poems more than fulfill the promise of Thompson’s first collection, \u003ci\u003eAt the Edge of the Chopping There Are No Secrets\u003c\/i\u003e. \u003ci\u003eStilt Jack \u003c\/i\u003eis the last testament of a major poet at the pinnacle of his craft.\u003c\/p\u003e","published_at":"2022-03-22T16:27:43-04:00","created_at":"2022-03-22T11:24:33-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","Adult Poetry","By (author) Thompson John","Introduction by Winger Rob","pub date: 2019-04-16"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195633905723,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006662","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Stilt Jack - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":100,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006662","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40196002381883,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006716","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Stilt Jack - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006716","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40196004249659,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006723","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Stilt Jack - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006723","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_134e0fa6-aff6-4e6f-aeb7-14e782da05d9.jpg?v=1727574207"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_134e0fa6-aff6-4e6f-aeb7-14e782da05d9.jpg?v=1727574207","options":["Title"],"media":[{"alt":null,"id":24827555741755,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_134e0fa6-aff6-4e6f-aeb7-14e782da05d9.jpg?v=1727574207"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_134e0fa6-aff6-4e6f-aeb7-14e782da05d9.jpg?v=1727574207","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe much-loved, yet undervalued, final book of poems by British-Canadian poet John Thompson, is reissued in a handsome edition, featuring a new introduction by Rob Winger.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOriginally published in 1978, \u003ci\u003eStilt Jack \u003c\/i\u003eis a series of powerful soliloquies on the complexity of love and the process of living. These are made immediate through Thompson’s command of metaphor, his eye for the New Brunswick landscape, his intense, often elliptical way of transfiguring everyday things into shorthand symbols of reality. This remarkable sequence of poems is based on the \u003ci\u003eghazal\u003c\/i\u003e, an ancient Persian poetic form which is discussed in Thompson’s introduction to the original edition of the book.\u003c\/p\u003e\u003cp\u003eThese poems more than fulfill the promise of Thompson’s first collection, \u003ci\u003eAt the Edge of the Chopping There Are No Secrets\u003c\/i\u003e. \u003ci\u003eStilt Jack \u003c\/i\u003eis the last testament of a major poet at the pinnacle of his craft.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005436","AlsoRecommendedISBN_3":"9781770892491","AlsoRecommendedISBN_4":"9781770892781","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJOHN THOMPSON\u003c\/strong\u003e (1938–76) was one of the most acclaimed Canadian poets of the twentieth century. Born and raised in England, he received a Ph.D. in comparative literature at Michigan State University before moving to Canada to teach at Mount Allison University in New Brunswick. His first collection, \u003cem\u003eAt the Edge of the Chopping There Are No Secrets\u003c\/em\u003e, was published in 1973, and his second, \u003cem\u003eStilt Jack\u003c\/em\u003e, appeared posthumously in 1978.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Middle Eastern","BISACSubject_0":"POE011000","BISACSubject_1":"POE013000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJOHN THOMPSON\u003c\/strong\u003e (1938–76) was one of the most acclaimed Canadian poets of the twentieth century. Born and raised in England, he received a Ph.D. in comparative literature at Michigan State University before moving to Canada to teach at Mount Allison University in New Brunswick. His first collection, \u003cem\u003eAt the Edge of the Chopping There Are No Secrets\u003c\/em\u003e, was published in 1973, and his second, \u003cem\u003eStilt Jack\u003c\/em\u003e, appeared posthumously in 1978.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eROB WINGER\u003c\/strong\u003e is the author of three poetry collections: \u003cem\u003eMuybridge’s Horse\u003c\/em\u003e, which was a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book, the winner of the CBC Literary Prize, and a finalist for the Governor General’s Literary Award, the Ottawa Book Award, and the Trillium Book Award for Poetry; \u003cem\u003eThe Chimney Stone\u003c\/em\u003e; and \u003cem\u003eOld Hat\u003c\/em\u003e. Born and raised in Ontario, Rob currently lives in the hills northeast of Toronto, where he teaches at Trent University.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Thompson, John (CA)","Contributor_1":"Winger, Rob","Description":"\u003cp\u003e\u003cstrong\u003eThe much-loved, yet undervalued, final book of poems by British-Canadian poet John Thompson, is reissued in a handsome edition, featuring a new introduction by Rob Winger.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOriginally published in 1978, \u003ci\u003eStilt Jack \u003c\/i\u003eis a series of powerful soliloquies on the complexity of love and the process of living. These are made immediate through Thompson’s command of metaphor, his eye for the New Brunswick landscape, his intense, often elliptical way of transfiguring everyday things into shorthand symbols of reality. This remarkable sequence of poems is based on the \u003ci\u003eghazal\u003c\/i\u003e, an ancient Persian poetic form which is discussed in Thompson’s introduction to the original edition of the book.\u003c\/p\u003e\u003cp\u003eThese poems more than fulfill the promise of Thompson’s first collection, \u003ci\u003eAt the Edge of the Chopping There Are No Secrets\u003c\/i\u003e. \u003ci\u003eStilt Jack \u003c\/i\u003eis the last testament of a major poet at the pinnacle of his craft.\u003c\/p\u003e","EAN":"9781487006662","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006662\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","MetaKeywords":"ghazal; despair; couplets; celebration; death; suicide note; mental illness; alcoholism; Mount Allison University; loneliness; 20th century poet; New Brunswick; primitive; chaotic; poetry; poetic form; CanLit; free verse","NumberOfPages":"80","OtherText_Accolades_0":"In the last years of his life, apparently, John Thompson craved a poetry of extremis, of damnation. That implacable mystique has taken hold of poets from Baudelaire to John Berryman; Thompson’s surrender to it, in Stilt Jack, is an arresting performance of the part. And a deeply troubling one.","OtherText_Accolades_0_Auth":"Dennis Lee","OtherText_Accolades_1":"A world of essence, primitive and chaotic, made of earth, air, fire, and waters . . . spilt blood, split woods; cries, horses, fish; Anabasis half begun, half finished in the New Brunswick woods . . . Poetry so unique as to be beyond ‘originality.","OtherText_Accolades_1_Auth":"A.J.M. Smith","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eREISSUE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eOriginally published in 1978, from one of the most acclaimed poets of the twentieth century, \u003cem\u003eStilt Jack\u003c\/em\u003e explores the complexity of love and living through a series of powerful soliloquies.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTAUGHT IN UNIVERSITY CLASSES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBecause it’s so revered by many poets and professors, \u003cem\u003eStilt Jack\u003c\/em\u003e is often taught in university courses but has been out of print for some time. (It had been reprinted in the 1990s in \u003cem\u003eI dream myself into being\u003c\/em\u003e [Anansi], which also contained Thompson’s first book; and it's included in the Goose Lane publication of Thompson’s \u003cem\u003eCollected\u003c\/em\u003e, edited by Peter Sanger.) But this book truly deserves to be presented in its own volume.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eA TRUE CLASSIC OF CANADIAN POETRY:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThis collection continues to be circulated privately amongst poets and influences new writers, and introduced a free-verse version of an ancient form into the mainstream. It has been praised by Michael Ondaatje for years. \u003cem\u003eStilt Jack\u003c\/em\u003e is deserving of its status as one of Canada’s national poetic treasures.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eREISSUE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eOriginally published in 1978, from one of the most acclaimed poets of the twentieth century, \u003cem\u003eStilt Jack\u003c\/em\u003e explores the complexity of love and living through a series of powerful soliloquies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTAUGHT IN UNIVERSITY CLASSES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBecause it’s so revered by many poets and professors, \u003cem\u003eStilt Jack\u003c\/em\u003e is often taught in university courses but has been out of print for some time. (It had been reprinted in the 1990s in \u003cem\u003eI dream myself into being\u003c\/em\u003e [Anansi], which also contained Thompson’s first book; and it's included in the Goose Lane publication of Thompson’s \u003cem\u003eCollected\u003c\/em\u003e, edited by Peter Sanger.) But this book truly deserves to be presented in its own volume.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eA TRUE CLASSIC OF CANADIAN POETRY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThis collection continues to be circulated privately amongst poets and influences new writers, and introduced a free-verse version of an ancient form into the mainstream. It has been praised by Michael Ondaatje for years. \u003cem\u003eStilt Jack\u003c\/em\u003e is deserving of its status as one of Canada’s national poetic treasures.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"The much-loved and critically undervalued second (and final) book of poems by British-Canadian Maritimes poet John Thompson.","ProductFormDescription":"trade paperback","PublicationDate":"2019-04-16","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"The much-loved and critically undervalued second (and final) book of poems by British-Canadian Maritimes poet John Thompson.","Width":"5.5","WidthCode":"in"}
Stilt Jack
The much-loved and critically undervalued second (and final) book of poems by British-Canadian Maritimes poet John Thompson.
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{"id":6812116385851,"title":"Moving Targets","handle":"moving-targets","description":"\u003cp\u003e\u003cstrong\u003eThe companion volume to the recently reissued \u003ci\u003eSecond Words\u003c\/i\u003e, \u003ci\u003eMoving Targets\u003c\/i\u003e is an essential collection of critical prose by Margaret Atwood, now available in a handsome new A List edition. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe most precious treasure of this collection is that it gives us the rich back-story and diverse range of influences on Margaret Atwood’s work. From the aunts who encouraged her nascent writing career to the influence of George Orwell’s \u003ci\u003eNineteen Eighty-Four\u003c\/i\u003e on \u003ci\u003eThe Handmaid’s Tale\u003c\/i\u003e, we trace the movement of Atwood’s fertile and curious mind in action over the years.\u003c\/p\u003e\u003cp\u003eAtwood’s controversial political pieces, “Napoleon’s Two Biggest Mistakes” and “Letter to America” — both not-so-veiled warnings about the repercussions of the war in Iraq — also appear, alongside pieces that exhibit her active concern for the environment, the North, and the future of the human race. Atwood also writes about her peers: John Updike, Marina Warner, Italo Calvino, Marian Engel, Toni Morrison, Angela Carter, Gabriel Garcia Marquez, Mordecai Richler, Elmore Leonard, and Ursula Le Guin.\u003c\/p\u003e\u003cp\u003eThis is a landmark volume from a major writer whose worldwide readership is in the millions, and whose work has influenced and entertained generations. \u003ci\u003eMoving Targets\u003c\/i\u003e is also the companion volume to the recently reissued \u003ci\u003eSecond Words\u003c\/i\u003e.\u003c\/p\u003e","published_at":"2022-03-22T16:12:28-04:00","created_at":"2022-03-22T11:19:42-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","Adult Nonfiction","By (author) Atwood Margaret","Feminist Reads","pub date: 2019-08-06"],"price":1695,"price_min":1695,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195602382907,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006969","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moving Targets - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1895,"weight":540,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006969","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195605135419,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9780887849114","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Moving Targets - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9780887849114","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195606577211,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770896994","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Moving Targets - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770896994","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_709b118f-174f-4fa3-8ff3-9f8c1242d4b5.jpg?v=1678600110"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_709b118f-174f-4fa3-8ff3-9f8c1242d4b5.jpg?v=1678600110","options":["Title"],"media":[{"alt":"A woman with light skin tone holds a bow and arrow taught and ready for the release of the arrow. She aims the arrow toward a bullseye in the air above her. The background is red. Text: Moving Targets. Writing with Intent 1982-2004. Margaret Atwood. Introduction by Jeet Heer.","id":23324550070331,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_709b118f-174f-4fa3-8ff3-9f8c1242d4b5.jpg?v=1678600110"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_709b118f-174f-4fa3-8ff3-9f8c1242d4b5.jpg?v=1678600110","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe companion volume to the recently reissued \u003ci\u003eSecond Words\u003c\/i\u003e, \u003ci\u003eMoving Targets\u003c\/i\u003e is an essential collection of critical prose by Margaret Atwood, now available in a handsome new A List edition. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe most precious treasure of this collection is that it gives us the rich back-story and diverse range of influences on Margaret Atwood’s work. From the aunts who encouraged her nascent writing career to the influence of George Orwell’s \u003ci\u003eNineteen Eighty-Four\u003c\/i\u003e on \u003ci\u003eThe Handmaid’s Tale\u003c\/i\u003e, we trace the movement of Atwood’s fertile and curious mind in action over the years.\u003c\/p\u003e\u003cp\u003eAtwood’s controversial political pieces, “Napoleon’s Two Biggest Mistakes” and “Letter to America” — both not-so-veiled warnings about the repercussions of the war in Iraq — also appear, alongside pieces that exhibit her active concern for the environment, the North, and the future of the human race. Atwood also writes about her peers: John Updike, Marina Warner, Italo Calvino, Marian Engel, Toni Morrison, Angela Carter, Gabriel Garcia Marquez, Mordecai Richler, Elmore Leonard, and Ursula Le Guin.\u003c\/p\u003e\u003cp\u003eThis is a landmark volume from a major writer whose worldwide readership is in the millions, and whose work has influenced and entertained generations. \u003ci\u003eMoving Targets\u003c\/i\u003e is also the companion volume to the recently reissued \u003ci\u003eSecond Words\u003c\/i\u003e.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781487003043","AlsoRecommendedISBN_3":"9781487006440","AlsoRecommendedISBN_4":"9781487006761","BASICMainSubject":"BIO000000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ General","BISACSubjectLiteral_1":"LITERARY CRITICISM \/ General","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Literary Figures","BISACSubjectLiteral_3":"LITERARY CRITICISM \/ Books \u0026amp; Reading","BISACSubject_0":"BIO000000","BISACSubject_1":"LIT000000","BISACSubject_2":"BIO007000","BISACSubject_3":"LIT007000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Atwood, Margaret (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThe companion volume to the recently reissued \u003ci\u003eSecond Words\u003c\/i\u003e, \u003ci\u003eMoving Targets\u003c\/i\u003e is an essential collection of critical prose by Margaret Atwood, now available in a handsome new A List edition. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe most precious treasure of this collection is that it gives us the rich back-story and diverse range of influences on Margaret Atwood’s work. From the aunts who encouraged her nascent writing career to the influence of George Orwell’s \u003ci\u003eNineteen Eighty-Four\u003c\/i\u003e on \u003ci\u003eThe Handmaid’s Tale\u003c\/i\u003e, we trace the movement of Atwood’s fertile and curious mind in action over the years.\u003c\/p\u003e\u003cp\u003eAtwood’s controversial political pieces, “Napoleon’s Two Biggest Mistakes” and “Letter to America” — both not-so-veiled warnings about the repercussions of the war in Iraq — also appear, alongside pieces that exhibit her active concern for the environment, the North, and the future of the human race. Atwood also writes about her peers: John Updike, Marina Warner, Italo Calvino, Marian Engel, Toni Morrison, Angela Carter, Gabriel Garcia Marquez, Mordecai Richler, Elmore Leonard, and Ursula Le Guin.\u003c\/p\u003e\u003cp\u003eThis is a landmark volume from a major writer whose worldwide readership is in the millions, and whose work has influenced and entertained generations. \u003ci\u003eMoving Targets\u003c\/i\u003e is also the companion volume to the recently reissued \u003ci\u003eSecond Words\u003c\/i\u003e.\u003c\/p\u003e","EAN":"9781487006969","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006969\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","NumberOfPages":"440","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eCOMPANION VOLUME TO SECOND WORDS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThis volume picks up where \u003cem\u003eSecond Words\u003c\/em\u003e, the first volume of Atwood’s fascinating critical prose (and the largest collection to date), leaves off, with writings that span the years 1982–2004. Her critical prose is essential to understanding the formation and duration of Atwood’s craft, politics, and sensibilities.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eHUGELY ANTICIPATED NOVEL PUBLISHING IN 2019:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eAtwood’s sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, \u003cem\u003eThe Testaments\u003c\/em\u003e, is hugely anticipated the world over, and its publication in September of 2019 is sure to be a literary event.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eA LIST SALES HISTORY:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eTwo of Atwood’s other works previously reissued as A List titles (\u003cem\u003eSurvival\u003c\/em\u003e and \u003cem\u003eThe Circle Game\u003c\/em\u003e) are among the imprint’s best sellers.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eHANDSOME A LIST REISSUE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eSecond Words\u003c\/em\u003e will receive the full A List treatment, including an original cover illustration and a thoughtful new introduction.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"In Moving Targets, [Atwood’s] non-fiction is just as moving and elusively in motion as her fictional creations.","OtherText_Review_0_Src":"Globe and Mail","OtherText_Review_1":"A testament to Atwood’s considerable powers.","OtherText_Review_1_Src":"Quill and Quire","OtherText_ShortDescription_0":"Moving Targets is an expansive and essential collection of critical prose by legendary novelist, poet, and essayist Margaret Atwood.","ProductFormDescription":"trade paperback","PublicationDate":"2019-08-06","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"Moving Targets is an expansive and essential collection of critical prose by legendary novelist, poet, and essayist Margaret Atwood.","Subtitle":"Writing with Intent 1982–2004","Width":"5.5","WidthCode":"in"}
Moving Targets
Moving Targets is an expansive and essential collection of critical prose by legendary novelist, poet, and essayist Margaret Atwood.
