One autumn evening, shortly after ending a ten-year stint as a pop-music columnist for the Montreal Gazette, Eric Siblin attended a concert at Toronto's Royal Conservatory of Music. There, something unlikely happened: he fell in love with a piece of classical music -- Bach's cello suites. Part biography, part music history, and part literary mystery, The Cello Suites weaves together three dramatic stories: The first features Johann Sebastian Bach and the missing manuscript of his suites from the eighteenth century; the second is that of Pablo Casals and his incredible discovery of the manuscript in Spain in the early twentieth century; and the third is Eric Siblin's own infatuation with the suites in the twenty-first century.
This love affair leads Siblin to the back streets of Barcelona, a Belgian mansion, and a bombed out German palace; to interviews with cellists Mischa Maisky, Anner Bylsma, and Pieter Wispelwey; to archives, festivals, conferences, and cemeteries; and even to cello lessons -- all in pursuit of answers to the mysteries that continue to haunt this piece of music more than 250 years after its composer's death.
The Cello Suites is an incomparable, beautifully written, true-life journey of passion, imagination, and discovery, fuelled by the transcendent power of a musical masterpiece.
One autumn evening, shortly after ending a ten-year stint as a pop-music columnist for the Montreal Gazette, Eric Siblin attended a concert at Toronto's Royal Conservatory of Music. There, something unlikely happened: he fell in love with a piece of classical music -- Bach's cello suites. Part biography, part music history, and part literary mystery, The Cello Suites weaves together three dramatic stories: The first features Johann Sebastian Bach and the missing manuscript of his suites from the eighteenth century; the second is that of Pablo Casals and his incredible discovery of the manuscript in Spain in the early twentieth century; and the third is Eric Siblin's own infatuation with the suites in the twenty-first century.
This love affair leads Siblin to the back streets of Barcelona, a Belgian mansion, and a bombed out German palace; to interviews with cellists Mischa Maisky, Anner Bylsma, and Pieter Wispelwey; to archives, festivals, conferences, and cemeteries; and even to cello lessons -- all in pursuit of answers to the mysteries that continue to haunt this piece of music more than 250 years after its composer's death.
The Cello Suites is an incomparable, beautifully written, true-life journey of passion, imagination, and discovery, fuelled by the transcendent power of a musical masterpiece.
| Published By | House of Anansi Press Inc — Mar 22, 2009 |
| Specifications | 320 pages | 5.63 in x 8.38 in 328 pages | 5.25 in x 8 in |
| Keywords | Composers & Musicians; Germany; History & Criticism; award winner; |
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| Written By | Eric Siblin is an award-winning journalist, filmmaker and author. He lives in Montreal, Quebec. Visit Eric Siblin's website: http://ericsiblin.com |
| Written By |
| Eric Siblin is an award-winning journalist, filmmaker and author. He lives in Montreal, Quebec. Visit Eric Siblin's website: http://ericsiblin.com |
Short-listed, Writers' Trust of Canada Non-Fiction Prize, 2009
Winner, QWF McAuslan First Book Prize, 2009
Winner, Mavis Gallant Prize for Non-fiction, 2009
Short-listed, Governor General's Award: Nonfiction, 2009
Short-listed, British Columbia's National Award for Canadian Non-Fiction, 2010
“...a work of ever-percolating interest. Mr. Siblin winds up mixing high and low musical forms, art and political histories, Bach's and Casals's individual stories and matters of arcane musicology into a single inquisitive volume.” —New York Times
“...wade through and you will encounter a Bach who is not just a composing machine but a human being.” —Guardian
“[The Cello Suites is] a delightful whirlwind tour through two different ages of musical history...Siblin's research is remarkably comprehensive...and his prose is amiable, at times charming...As Siblin inevitably concludes, 'Every age reimagines Bach on its own terms.' We're lucky that we have a writer this skilful and creative to do the work.” —Walrus
“Compelling and fascinating. As an historian, Eric Siblin does a good job describing both Bach's life and Pablo Casals' discovery of the Suites; it's spine-tingling stuff. This is quirky nonfiction that the reader really learns something from. You immediately want to go out and learn some more.” —Lynn Tompson, Bookseller
“Eric Siblin's new book is at once a study of music, a work of history, and a passionate tribute...Meticulous in his research, Siblin makes convincing connections and offers possible answers to the questions surrounding the suites...If Siblin is correct that Bach is what you make of him, then The Cello Suites has made him, if possible, yet more legendary.” —Quill & Quire
“In Siblin's world, Bach and Casals have real, beating hearts; these are not the fusty dead practitioners of a desiccated art form. Siblin's enthusiasm for his subject is boundless and, as a newbie in a foreign land, he brings an unstuffy freshness to the often staid world of classical music writing.” —New Statesman
“Mr. Siblin's book is well researched, and filled with enough anecdotes to engage even the classical-music aficionado...the book is best distinguished by its writing ...Read The Cello Suites - preferably with their melodious hum in the background - and you will never look at a cello in quite the same way again.” —Economist
“Siblin maintains interest with writing that is accurate, colourful and personal. Conveying in mere words sounds as rich and multifarious as those that comprise the Cello Suites takes no small literary gift. To say the author has done justice to his subject is the highest praise of all.” —Montreal Gazette