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{"id":6816227754043,"title":"I Know Here","handle":"i-know-here","description":"\u003cp\u003e\u003cstrong\u003eWinner of the 2011 Marilyn Baillie Picture Book Award, the 2010 Boston Globe-Horn Book Award, the 2011 Ezra Jack Keats and New York Public Library New Writer Award, and a finalist for the Governor General's Award for Children's Illustration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe little girl in this story lives with her family in a trailer in northeastern Saskatchewan, where her father is building a dam. She knows everything about the place she lives -- her road, her school, the forest where she plays hide-and-seek and where the wolf howls at night, the hill where she goes tobogganing in winter . . . \u003c\/p\u003e\n\u003cp\u003eBut the dam is nearly finished and when summer comes the family is moving to Toronto -- a place marked by a big red star on the map at school. Have people in Toronto seen what I've seen? the little girl asks. And with her teacher's help she finds a way to keep everything she loves about home.\u003c\/p\u003e\n\u003cp\u003eThis simple, beautifully written story, complemented by Matt James's vibrant, imaginative illustrations, will resonate deeply with anyone who has had to leave their home for a new place.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","published_at":"2022-03-25T16:27:46-04:00","created_at":"2022-03-25T14:32:48-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 7","By (author) Croza Laurel","CC Literature - Grade 1","CCSS.ELA-LITERACY.RL.1.7","Childrens Accessible ebooks","Childrens Award-Winning","Free Study Guides","Groundwood Books","Illustrated by James Matt","Lexile measure AD570L","Picture Books","pub date: 2013-10-01","Stories from Canada"],"price":1295,"price_min":1295,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40213753331771,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781554983933","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"I Know Here - hardcover","public_title":"hardcover","options":["hardcover"],"price":1695,"weight":281,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554983933","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40213753430075,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781554982301","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"I Know Here - epub","public_title":"epub","options":["epub"],"price":1295,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554982301","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0ddd861b-69d1-4b62-a979-35f662ffe32b.jpg?v=1731824478","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_040ca3b1-f9bb-4193-81f6-350408d1de10.jpg?v=1648235407","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b1f03634-621b-4fdd-88eb-ac6649ab565f.jpg?v=1648235420","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a91cc0bf-0079-4972-945a-c35761bafd86.jpg?v=1648235434"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0ddd861b-69d1-4b62-a979-35f662ffe32b.jpg?v=1731824478","options":["Title"],"media":[{"alt":null,"id":24918764781627,"position":1,"preview_image":{"aspect_ratio":0.758,"height":1848,"width":1400,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0ddd861b-69d1-4b62-a979-35f662ffe32b.jpg?v=1731824478"},"aspect_ratio":0.758,"height":1848,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0ddd861b-69d1-4b62-a979-35f662ffe32b.jpg?v=1731824478","width":1400},{"alt":"This image is a double page spread. To the left, five children with light skin tone are at concrete stairs. A boy jumps in the air on the top step. The text says Doug runs down the trailer steps. “We’re moving to Toronto. When summer comes.” To the right is a concrete dam. Water goes through and down a hill. Beside it is a man with light skin tone with a pole on the grass. The text says the dam their dad is building is almost finished. It will send electricity across the prairies. Soon they will be leaving.","id":21817294684219,"position":2,"preview_image":{"aspect_ratio":1.538,"height":325,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_040ca3b1-f9bb-4193-81f6-350408d1de10.jpg?v=1648235407"},"aspect_ratio":1.538,"height":325,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_040ca3b1-f9bb-4193-81f6-350408d1de10.jpg?v=1648235407","width":500},{"alt":"There is a chasm between two hills. On one hill are trees, reeds, and a child with light skin tone. They are wearing a red winter jacket and rubber boots and standing on a yellow circle. On the other hill are two apartment buildings. On the ground is a red star. Text: This is where I live. I don’t know Toronto. I know here.","id":21817295929403,"position":3,"preview_image":{"aspect_ratio":1.538,"height":325,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b1f03634-621b-4fdd-88eb-ac6649ab565f.jpg?v=1648235420"},"aspect_ratio":1.538,"height":325,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b1f03634-621b-4fdd-88eb-ac6649ab565f.jpg?v=1648235420","width":500},{"alt":"This image is a double page spread. To the left is a road with trailers. Trees are in the foreground. A boy in a red jacket is in the road. The text says he knows the road he walks on. He counts eight trailers. To the right is a forest. Two white wolves sit and howl. Text: I know the forest behind my home where I play hide-and-seek in and out of the pine trees, the needles soft like a quilt under my feet. I know the howling sound a wolf makes when it calls out at night in that very same forest.","id":21817297141819,"position":4,"preview_image":{"aspect_ratio":1.538,"height":325,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a91cc0bf-0079-4972-945a-c35761bafd86.jpg?v=1648235434"},"aspect_ratio":1.538,"height":325,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a91cc0bf-0079-4972-945a-c35761bafd86.jpg?v=1648235434","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner of the 2011 Marilyn Baillie Picture Book Award, the 2010 Boston Globe-Horn Book Award, the 2011 Ezra Jack Keats and New York Public Library New Writer Award, and a finalist for the Governor General's Award for Children's Illustration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe little girl in this story lives with her family in a trailer in northeastern Saskatchewan, where her father is building a dam. She knows everything about the place she lives -- her road, her school, the forest where she plays hide-and-seek and where the wolf howls at night, the hill where she goes tobogganing in winter . . . \u003c\/p\u003e\n\u003cp\u003eBut the dam is nearly finished and when summer comes the family is moving to Toronto -- a place marked by a big red star on the map at school. Have people in Toronto seen what I've seen? the little girl asks. And with her teacher's help she finds a way to keep everything she loves about home.\u003c\/p\u003e\n\u003cp\u003eThis simple, beautifully written story, complemented by Matt James's vibrant, imaginative illustrations, will resonate deeply with anyone who has had to leave their home for a new place.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773064109","AlsoRecommendedISBN_2":"9781773061641","AlsoRecommendedISBN_3":"9780888995858","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"4","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"7","BASICMainSubject":"JUV039090","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/New Experience","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAUREL CROZA\u003c\/strong\u003e is the author of the picture book \u003cem\u003eI Know Here\u003c\/em\u003e, illustrated by Matt James. It won the Boston Globe–Horn Book Award, the Ezra Jack Keats New Writer Award and the Marilyn Baillie Picture Book Award, among many other accolades. She also wrote the sequel, \u003cem\u003eFrom There to Here\u003c\/em\u003e. \u003cem\u003eThe Whirlpool\u003c\/em\u003e is Laurel’s first short-story collection. She lives with her husband in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ New Experience","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Art","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ New Experience","BISACSubject_0":"JUV039090","BISACSubject_1":"JUV003000","BISACSubject_2":"JUV039090","CommonCore":"CCSS.ELA-LITERACY.RL.1.7","ComplexityCode_0":"AD570L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAUREL CROZA\u003c\/strong\u003e is the author of the picture book \u003cem\u003eI Know Here\u003c\/em\u003e, illustrated by Matt James. It won the Boston Globe–Horn Book Award, the Ezra Jack Keats New Writer Award and the Marilyn Baillie Picture Book Award, among many other accolades. She also wrote the sequel, \u003cem\u003eFrom There to Here\u003c\/em\u003e. \u003cem\u003eThe Whirlpool\u003c\/em\u003e is Laurel’s first short-story collection. She lives with her husband in Toronto.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMATT JAMES \u003c\/strong\u003eis a Toronto-based author\/illustrator whose books include \u003cem\u003eYellow Moon, Apple Moon\u003c\/em\u003e by Pamela Porter (New Mexico Book Award),\u003cem\u003e I Know Here\u003c\/em\u003e by Laurel Croza (Boston Globe–Horn Book Award, Marilyn Baillie Picture Book Award) and \u003cem\u003eThe Stone Thrower\u003c\/em\u003e by Jael Ealey Richardson. Matt’s art for Northwest Passage won the Governor General’s Award. He also wrote and illustrated \u003cem\u003eTadpoles\u003c\/em\u003e, \u003cem\u003eNice Try, Charlie!\u003c\/em\u003e and \u003cem\u003eThe Funeral\u003c\/em\u003e, a \u003cem\u003eNew York Times\u003c\/em\u003e\/New York Public Library Best Illustrated Children’s Book.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Croza, Laurel (CA)","Contributor_1":"James, Matt (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner of the 2011 Marilyn Baillie Picture Book Award, the 2010 Boston Globe-Horn Book Award, the 2011 Ezra Jack Keats and New York Public Library New Writer Award, and a finalist for the Governor General's Award for Children's Illustration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe little girl in this story lives with her family in a trailer in northeastern Saskatchewan, where her father is building a dam. She knows everything about the place she lives -- her road, her school, the forest where she plays hide-and-seek and where the wolf howls at night, the hill where she goes tobogganing in winter . . . \u003c\/p\u003e\n\u003cp\u003eBut the dam is nearly finished and when summer comes the family is moving to Toronto -- a place marked by a big red star on the map at school. Have people in Toronto seen what I've seen? the little girl asks. And with her teacher's help she finds a way to keep everything she loves about home.\u003c\/p\u003e\n\u003cp\u003eThis simple, beautifully written story, complemented by Matt James's vibrant, imaginative illustrations, will resonate deeply with anyone who has had to leave their home for a new place.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr \/\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","EAN":"9781554982301","Height":"9.125","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"map","MetaKeywords":"moving; city and town life; rural and farm life; family and home stories; places and peoples; new journey; family and home stories; new experiences; nature and animals; small town; acceptance; adaptability; courage; positive attitude; first person narration; child as narrator; summarizing; connecting; inferring; Common core aligned; CC Literature Key Ideas and Details; CC Literature Integration of Knowledge and Ideas; grade 1; grade 2; picture book; fiction; map; Saskatchewan; Toronto; Canada","NumberOfPages":"40","OtherText_ShortDescription_0":"A simple yet deeply felt and vibrantly illustrated story about a little girl who knows and loves the place she lives but has to move away.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Winner","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"01","PrizeName_0":"Boston Globe-Horn Book Award for Excellence in Children's Literature","PrizeName_1":"Ezra Keats New Writer Award","PrizeName_2":"Marilyn Baillie Picture Book Award","PrizeYear_0":"2010","PrizeYear_1":"2011","PrizeYear_2":"2011","ProductFormDescription":"epub","PublicationDate":"2013-10-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A simple yet deeply felt and vibrantly illustrated story about a little girl who knows and loves the place she lives but has to move away.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781554982301\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"7","WidthCode":"in"}
ages 4
to 7
/ grades P
to 2
I Know Here
A simple yet deeply felt and vibrantly illustrated story about a little girl who knows and loves the place she lives but has to move away.
Quick View
{"id":6816114638907,"title":"The Quiet","handle":"the-quiet-1","description":"\u003cp\u003eAnne-Marie Turza's formidable debut collection presents a landscape where anything might appear, out of myth, history, or science: microscopic creatures, the pitcher Satchel Paige, toothed whales, a man on the back of a snow bear.\u003c\/p\u003e\u003cp\u003eThese poems test the lyric affinity between silence, imagination, and the material world. Put another way, in The Quiet, spatial and temporal distances can be measured in degrees of silence. Turza writes, \"Here one can live at any dark system's edge.\" \u003cem\u003eThe Quiet\u003c\/em\u003e is sinister and aerial.\u003c\/p\u003e","published_at":"2022-03-25T14:25:36-04:00","created_at":"2022-03-25T11:52:14-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Turza Anne-Marie","House of Anansi Press","pub date: 2014-04-19"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40213535359035,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770894433","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Quiet - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":163,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770894433","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_c120e5a2-c9c0-49d7-83dc-63b5016cf3c3.jpg?v=1666590463"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_c120e5a2-c9c0-49d7-83dc-63b5016cf3c3.jpg?v=1666590463","options":["Title"],"media":[{"alt":null,"id":22834359435323,"position":1,"preview_image":{"aspect_ratio":0.647,"height":618,"width":400,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_c120e5a2-c9c0-49d7-83dc-63b5016cf3c3.jpg?v=1666590463"},"aspect_ratio":0.647,"height":618,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_c120e5a2-c9c0-49d7-83dc-63b5016cf3c3.jpg?v=1666590463","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAnne-Marie Turza's formidable debut collection presents a landscape where anything might appear, out of myth, history, or science: microscopic creatures, the pitcher Satchel Paige, toothed whales, a man on the back of a snow bear.\u003c\/p\u003e\u003cp\u003eThese poems test the lyric affinity between silence, imagination, and the material world. Put another way, in The Quiet, spatial and temporal distances can be measured in degrees of silence. Turza writes, \"Here one can live at any dark system's edge.\" \u003cem\u003eThe Quiet\u003c\/em\u003e is sinister and aerial.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781770893672","AlsoRecommendedISBN_1":"9781770894594","AlsoRecommendedISBN_2":"9781770893672","AlsoRecommendedISBN_3":"9781487003814","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eANNE-MARIE TURZA\u003c\/strong\u003e is the author of \u003cem\u003eThe Quiet\u003c\/em\u003e (House of Anansi Press) and the chapbook \u003cem\u003eSlip Minute\u003c\/em\u003e (Baseline Press).\u003c\/p\u003e\n\u003cp\u003eShe lives on Vancouver Island.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eANNE-MARIE TURZA\u003c\/strong\u003e is the author of \u003cem\u003eThe Quiet\u003c\/em\u003e (House of Anansi Press) and the chapbook \u003cem\u003eSlip Minute\u003c\/em\u003e (Baseline Press).\u003c\/p\u003e\n\u003cp\u003eShe lives on Vancouver Island.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Turza, Anne-Marie (CA)","Description":"\u003cp\u003eAnne-Marie Turza's formidable debut collection presents a landscape where anything might appear, out of myth, history, or science: microscopic creatures, the pitcher Satchel Paige, toothed whales, a man on the back of a snow bear.\u003c\/p\u003e\u003cp\u003eThese poems test the lyric affinity between silence, imagination, and the material world. Put another way, in The Quiet, spatial and temporal distances can be measured in degrees of silence. Turza writes, \"Here one can live at any dark system's edge.\" \u003cem\u003eThe Quiet\u003c\/em\u003e is sinister and aerial.\u003c\/p\u003e","EAN":"9781770894433","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770894433\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Canadian; Satchel Paige; Poetry; Silence; Imagination; Myth; History; Nature; women writers","NumberOfPages":"96","OtherText_Review_0":"\u003cp\u003e“...The Quiet is an evocative, beautifully executed collection that abides like a roaming spirit.” — \u003cstrong\u003eLiz Worth, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Liz Worth","OtherText_Review_0_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"Anne-Marie Turza's formidable debut poetry collection presents a landscape where anything might appear, out of myth, history, or science.","ProductFormDescription":"trade paperback","PublicationDate":"2014-04-19","Publisher":"House of Anansi Press Inc","ShortDescription":"Anne-Marie Turza's formidable debut poetry collection presents a landscape where anything might appear, out of myth, history, or science.","Width":"5.5","WidthCode":"in"}
The Quiet
Anne-Marie Turza's formidable debut poetry collection presents a landscape where anything might appear, out of myth, history, or science.
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{"id":6816107626555,"title":"Congotronic","handle":"congotronic","description":"\u003cp\u003eThe second collection from Canadian poet and filmmaker Shane Book.\u003c\/p\u003e\u003cp\u003eAt once original, strange, funny, and unnerving, Shane Book’s \u003cem\u003eCongotronic\u003c\/em\u003e takes the reader into unstable territory, where multiple layers of voice, diction, and music collide. Some of these poems have the sparse directness of a kind of bleak prayer; others mingle the earthbound rhythms of hip-hop with the will-to-transcendence of high Romanticism.\u003c\/p\u003e\u003cp\u003eHarnessing techniques of the cinematic and audio arts, Book’s poems splice, sample, collage, and jump-cut language from an array of sources, including slave narratives, Western philosophy, hip hop lyrics, and the diaries of plantation owners.\u003c\/p\u003e\u003cp\u003eThe book’s anchoring series contains an apocryphal narrative grounded in the journey of the Middle Passage and an older mythic history from the West African epic of Sundiata. Here is a world poet of the Sonic Global South sheathed in a Northern Hemispheric glow suit, high “on Coltrane, on Zeus” but also on the old and new schools of Descartes, M.I.A., Cecil Taylor, Gilbert Ryle, Freud, and Jay-Z, among others — or as one poem puts it, the \"aural truths.\"\u003c\/p\u003e","published_at":"2022-12-15T08:49:49-05:00","created_at":"2022-03-25T11:43:55-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","Anansi International","By (author) Book Shane","pub date: 2014-09-27"],"price":1995,"price_min":1995,"price_max":1995,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40213526446139,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770898745","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Congotronic - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":200,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770898745","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_21b48e85-43ac-4bc4-b293-0788af3a7e22.jpg?v=1678595733"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_21b48e85-43ac-4bc4-b293-0788af3a7e22.jpg?v=1678595733","options":["Title"],"media":[{"alt":null,"id":23324469035067,"position":1,"preview_image":{"aspect_ratio":0.625,"height":600,"width":375,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_21b48e85-43ac-4bc4-b293-0788af3a7e22.jpg?v=1678595733"},"aspect_ratio":0.625,"height":600,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_21b48e85-43ac-4bc4-b293-0788af3a7e22.jpg?v=1678595733","width":375}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe second collection from Canadian poet and filmmaker Shane Book.\u003c\/p\u003e\u003cp\u003eAt once original, strange, funny, and unnerving, Shane Book’s \u003cem\u003eCongotronic\u003c\/em\u003e takes the reader into unstable territory, where multiple layers of voice, diction, and music collide. Some of these poems have the sparse directness of a kind of bleak prayer; others mingle the earthbound rhythms of hip-hop with the will-to-transcendence of high Romanticism.\u003c\/p\u003e\u003cp\u003eHarnessing techniques of the cinematic and audio arts, Book’s poems splice, sample, collage, and jump-cut language from an array of sources, including slave narratives, Western philosophy, hip hop lyrics, and the diaries of plantation owners.\u003c\/p\u003e\u003cp\u003eThe book’s anchoring series contains an apocryphal narrative grounded in the journey of the Middle Passage and an older mythic history from the West African epic of Sundiata. Here is a world poet of the Sonic Global South sheathed in a Northern Hemispheric glow suit, high “on Coltrane, on Zeus” but also on the old and new schools of Descartes, M.I.A., Cecil Taylor, Gilbert Ryle, Freud, and Jay-Z, among others — or as one poem puts it, the \"aural truths.\"\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487001278","AlsoRecommendedISBN_2":"9780887846885","AlsoRecommendedISBN_3":"9781487001278","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"Shane Book, author of \u003cem\u003eCeiling of Sticks\u003c\/em\u003e, is an award-winning poet and filmmaker. He was educated at the University of Victoria; the Iowa Writers’ Workshop; and Stanford University, where he was a Wallace Stegner Fellow. His writing has appeared in more than twenty anthologies, including \u003cem\u003eThe Great Black North: Contemporary African Canadian Poetry\u003c\/em\u003e.","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"Shane Book, author of \u003cem\u003eCeiling of Sticks\u003c\/em\u003e, is an award-winning poet and filmmaker. He was educated at the University of Victoria; the Iowa Writers’ Workshop; and Stanford University, where he was a Wallace Stegner Fellow. His writing has appeared in more than twenty anthologies, including \u003cem\u003eThe Great Black North: Contemporary African Canadian Poetry\u003c\/em\u003e.","ContributorRole_0":"By (author)","Contributor_0":"Book, Shane (CA)","Description":"\u003cp\u003eThe second collection from Canadian poet and filmmaker Shane Book.\u003c\/p\u003e\u003cp\u003eAt once original, strange, funny, and unnerving, Shane Book’s \u003cem\u003eCongotronic\u003c\/em\u003e takes the reader into unstable territory, where multiple layers of voice, diction, and music collide. Some of these poems have the sparse directness of a kind of bleak prayer; others mingle the earthbound rhythms of hip-hop with the will-to-transcendence of high Romanticism.\u003c\/p\u003e\u003cp\u003eHarnessing techniques of the cinematic and audio arts, Book’s poems splice, sample, collage, and jump-cut language from an array of sources, including slave narratives, Western philosophy, hip hop lyrics, and the diaries of plantation owners.\u003c\/p\u003e\u003cp\u003eThe book’s anchoring series contains an apocryphal narrative grounded in the journey of the Middle Passage and an older mythic history from the West African epic of Sundiata. Here is a world poet of the Sonic Global South sheathed in a Northern Hemispheric glow suit, high “on Coltrane, on Zeus” but also on the old and new schools of Descartes, M.I.A., Cecil Taylor, Gilbert Ryle, Freud, and Jay-Z, among others — or as one poem puts it, the \"aural truths.\"\u003c\/p\u003e","EAN":"9781770898745","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770898745\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"Canadian; Poetry; Philosophy; Hip hip","NumberOfPages":"88","OtherText_ShortDescription_0":"The second collection from Canadian poet and filmmaker Shane Book.","PrizeCodeText_0":"Short-listed","PrizeCode_0":"04","PrizeName_0":"Griffin Poetry Prize","PrizeYear_0":"2015","ProductFormDescription":"trade paperback","PublicationDate":"2014-09-27","Publisher":"House of Anansi Press Inc","ShortDescription":"The second collection from Canadian poet and filmmaker Shane Book.","Width":"5","WidthCode":"in"}
Congotronic
The second collection from Canadian poet and filmmaker Shane Book.
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{"id":6815472713787,"title":"Subway Stations of the Cross","handle":"subway-stations-of-the-cross","description":"\u003cp\u003e\u003cstrong\u003eBased on the solo show by critically acclaimed playwright and actor Ins Choi, Subway Stations of the Cross is a journey of an ancient faith in today’s restless world.\u003c\/strong\u003e\u003c\/p\u003e\n \n\u003cp\u003eInspired by a real-life encounter with a homeless man, award-winning playwright Ins Choi (\u003cem\u003eKim’s Convenience\u003c\/em\u003e) has originated an astounding work of artistry and imagination in these fourteen spoken-word poems and songs that make up \u003cem\u003eSubway Stations of the Cross\u003c\/em\u003e. Part public disturbance, part performance artist, and part modern-day prophet, Ins Choi embodies the form of a nameless vagabond who is both beggar and seer. He creates a rich tapestry of the profane and the sacred, the humorous and the banal, the contemptuous and the poignant in both poetry and lyric. It is a holy communion for the urban soul. This relevant and challenging show is captured here in book form with illustrations of subway drawings by Guno Park, whose work has been featured internationally.\u003c\/p\u003e","published_at":"2022-03-24T17:44:05-04:00","created_at":"2022-03-24T14:41:20-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["By (author) Choi Ins","House of Anansi Press","Illustrated by Park Guno","pub date: 2015-03-01"],"price":2500,"price_min":2500,"price_max":2500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40210003099707,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781770899087","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Subway Stations of the Cross - hardcover","public_title":"hardcover","options":["hardcover"],"price":2500,"weight":290,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770899087","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a60e61a5-c72a-4a1a-9d63-d523614bdad8.jpg?v=1655696111"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a60e61a5-c72a-4a1a-9d63-d523614bdad8.jpg?v=1655696111","options":["Title"],"media":[{"alt":null,"id":22245145215035,"position":1,"preview_image":{"aspect_ratio":0.636,"height":624,"width":397,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a60e61a5-c72a-4a1a-9d63-d523614bdad8.jpg?v=1655696111"},"aspect_ratio":0.636,"height":624,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a60e61a5-c72a-4a1a-9d63-d523614bdad8.jpg?v=1655696111","width":397}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eBased on the solo show by critically acclaimed playwright and actor Ins Choi, Subway Stations of the Cross is a journey of an ancient faith in today’s restless world.\u003c\/strong\u003e\u003c\/p\u003e\n \n\u003cp\u003eInspired by a real-life encounter with a homeless man, award-winning playwright Ins Choi (\u003cem\u003eKim’s Convenience\u003c\/em\u003e) has originated an astounding work of artistry and imagination in these fourteen spoken-word poems and songs that make up \u003cem\u003eSubway Stations of the Cross\u003c\/em\u003e. Part public disturbance, part performance artist, and part modern-day prophet, Ins Choi embodies the form of a nameless vagabond who is both beggar and seer. He creates a rich tapestry of the profane and the sacred, the humorous and the banal, the contemptuous and the poignant in both poetry and lyric. It is a holy communion for the urban soul. This relevant and challenging show is captured here in book form with illustrations of subway drawings by Guno Park, whose work has been featured internationally.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781770898349","AlsoRecommendedISBN_1":"9781487006921","AlsoRecommendedISBN_2":"9781487001087","BASICMainSubject":"PER011000","BASICMainSubjectLiteral":"PERFORMING ARTS\/Theater\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eINS CHOI \u003c\/strong\u003eis an actor, poet and playwright. His first play, \u003cem\u003eKim’s Convenience\u003c\/em\u003e, won Best New Play and the Patrons’ Pick Award at the 2011 Toronto Fringe Festival. Since then, it has been produced multiple times in Canada, the UK and the US to sold-out runs and rave reviews. It was adapted into a TV series of the same name on CBC and Netflix for five seasons, where Choi was a writer, executive producer and co-creator. 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His work hangs in many private collections and has been widely published.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Choi, Ins (CA)","Contributor_1":"Park, Guno (CA)","Description":"\u003cp\u003e\u003cstrong\u003eBased on the solo show by critically acclaimed playwright and actor Ins Choi, Subway Stations of the Cross is a journey of an ancient faith in today’s restless world.\u003c\/strong\u003e\u003c\/p\u003e\n \n\u003cp\u003eInspired by a real-life encounter with a homeless man, award-winning playwright Ins Choi (\u003cem\u003eKim’s Convenience\u003c\/em\u003e) has originated an astounding work of artistry and imagination in these fourteen spoken-word poems and songs that make up \u003cem\u003eSubway Stations of the Cross\u003c\/em\u003e. Part public disturbance, part performance artist, and part modern-day prophet, Ins Choi embodies the form of a nameless vagabond who is both beggar and seer. 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Subway Stations of the Cross
A journey of an ancient faith in today’s restless world based on the solo show by critically acclaimed playwright and actor Ins Choi.
Quick View
{"id":6813812588603,"title":"Authenticity","handle":"authenticity","description":"\u003cp\u003e\u003cstrong\u003eFrom Dr. David Posen, the bestselling author of \u003ci\u003eIs Work Killing You? \u003c\/i\u003eand \u003ci\u003eThe Little Book of Stress Relief\u003c\/i\u003e, comes a book about listening to your body, understanding your mind, and making better choices in your life.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFor over thirty years, Dr. David Posen has counselled patients suffering from severe stress, anxiety, and depression. Over that time, he noticed a pattern. As our lives have become faster and increasingly fragmented, many of us have become disconnected from our true selves. Using a holistic approach that combines elements of physiology, psychology, and philosophy, \u003ci\u003eAuthenticity\u003c\/i\u003e teaches readers to acknowledge and accept their true selves in order to make better and more informed life choices. 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{"AlsoRecommendedISBN_2":"9781487004071","AlsoRecommendedISBN_4":"9781487008024","AlsoRecommendedISBN_5":"9781770898684","BASICMainSubject":"SEL020000","BASICMainSubjectLiteral":"SELF-HELP\\\/Mood Disorders\\\/General","BiographicalNote":"David Posen, M.D., is a physician, popular speaker, and the bestselling author of \u003cem\u003eThe Little Book of Stress Relief\u003c\\\/em\u003e, which sold more than 50,000 copies and has been translated into five languages.","BISACSubjectLiteral_0":"SELF-HELP \\\/ Mood Disorders \\\/ General","BISACSubjectLiteral_1":"SELF-HELP \\\/ Personal Growth \\\/ General","BISACSubjectLiteral_2":"SELF-HELP \\\/ Self-Management \\\/ Stress Management","BISACSubject_0":"SEL020000","BISACSubject_1":"SEL031000","BISACSubject_2":"SEL024000","ContributorBio_0":"David Posen, M.D., is a physician, popular speaker, and the bestselling author of \u003cem\u003eThe Little Book of Stress Relief\u003c\/em\u003e, which sold more than 50,000 copies and has been translated into five languages.","ContributorRole_0":"By (author)","Contributor_0":"Posen MD, David (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFrom Dr. David Posen, the bestselling author of \u003ci\u003eIs Work Killing You? \u003c\\\/i\u003eand \u003ci\u003eThe Little Book of Stress Relief\u003c\\\/i\u003e, comes a book about listening to your body, understanding your mind, and making better choices in your life.\u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cp\u003eFor over thirty years, Dr. David Posen has counselled patients suffering from severe stress, anxiety, and depression. Over that time, he noticed a pattern. As our lives have become faster and increasingly fragmented, many of us have become disconnected from our true selves. Using a holistic approach that combines elements of physiology, psychology, and philosophy, \u003ci\u003eAuthenticity\u003c\\\/i\u003e teaches readers to acknowledge and accept their true selves in order to make better and more informed life choices. Drawing on real-life examples from his experience in stress management, Dr. Posen has identified five common sources of conflict: personality traits, time and speed, sleep, values, and passions. For each of these areas, the solution is surprisingly simple. We must learn to live in a way that is authentic and true to our unique selves; we must live in harmony with who we truly are.\u003c\\\/p\u003e","EAN":"9781487004392","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004392\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"self-help","NumberOfPages":"288","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eDavid Posen is an active public speaker with a heavy roster of speaking commitments in 2017 and 2018, so we have an opportunity to get his book into the hands of readers directly.\u003c\/li\u003e\r\n\u003cli\u003ePosen has a strong platform as a leading speaker on stress management and lifestyle counseling. His previous clients include American Express, Warner Bros., Chevron, Pfizer, Research in Motion, Kraft, Microsoft, and Rogers Communications.\u003c\/li\u003e\r\n\u003cli\u003eThis book falls perfectly within new self-help trends of living simpler (The Life-Changing Magic of Tidying Up), happier (The Little Book of Hygge), and truer to yourself (You Are A Badass).\u003c\/li\u003e\r\n\u003cli\u003ePosen uses holistic approach that encompasses physiology, psychology, and philosophy, Authenticity teaches readers to identify, acknowledge, and accept their true selves in order to make better, more informed, and realistic life choices.\u003c\/li\u003e\r\n\u003cli\u003eAuthenticity will be available on NetGalley and Edelweiss.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"From bestselling author Dr. David Posen comes a book about listening to your body, understanding your mind, and making better choices in your life.","ProductFormDescription":"Digital Audio, MP3","PublicationDate":"2018-01-06","Publisher":"House of Anansi Press Inc","ShortDescription":"From bestselling author Dr. David Posen comes a book about listening to your body, understanding your mind, and making better choices in your life.","Subtitle":"A Guide to Living in Harmony with Your True Self","Width":"5.5","WidthCode":"in"}
Authenticity
From bestselling author Dr. David Posen comes a book about listening to your body, understanding your mind, and making better choices in your life.
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{"id":6811315732539,"title":"No More Nice Girls","handle":"no-more-nice-girls","description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e","published_at":"2022-03-21T17:16:09-04:00","created_at":"2022-03-21T12:42:27-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Nonfiction","By (author) McKeon Lauren","Feminist Reads","pub date: 2020-03-03","The Walrus Books"],"price":1895,"price_min":1895,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191030558779,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006440","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":500,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006440","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191116902459,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006457","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006457","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191116935227,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006464","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006464","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440","options":["Title"],"media":[{"alt":"A painted portrait shows a girl with light skin tone and brown hair rolling her eyes toward the ceiling. She wears a century period style dress. The title is made to look stenciled with paint. Text: No More Nice Girls. Gender, Power, and Why it’s Time to Stop Playing by the Rules. Lauren McKeon.","id":23033317228603,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487004552","AlsoRecommendedISBN_1":"9781487006471","AlsoRecommendedISBN_2":"9781487003043","AlsoRecommendedISBN_3":"9781487003043","AlsoRecommendedISBN_4":"9781487006471","BASICMainSubject":"SOC028000","BASICMainSubjectLiteral":"SOCIAL SCIENCE\/Women's Studies","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAUREN MCKEON’S\u003c\/strong\u003e critically acclaimed first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e, was a finalist for the Kobo Emerging Writer Prize and was selected by the \u003cem\u003eHill Times\u003c\/em\u003e as a book of the year and by the Feminist Book Club as one of their top five feminist books ever. McKeon is the winner of several National Magazine Awards, including a Gold in the Personal Journalism category. Her writing has appeared in \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and \u003cem\u003eBest Canadian Essays\u003c\/em\u003e, on TVO.org, and in the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life After Sexual Assault\u003c\/em\u003e. McKeon has taught long-form writing at Humber College and holds an M.F.A. in Creative Nonfiction from the University of King’s College. She was the editor of \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016 and the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e from 2017 to 2020, and she is currently a contributing editor at \u003cem\u003eToronto Life\u003c\/em\u003e and the deputy editor of \u003cem\u003eReader’s Digest\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Women's Studies","BISACSubjectLiteral_1":"POLITICAL SCIENCE \/ History \u0026amp; Theory","BISACSubjectLiteral_2":"SOCIAL SCIENCE \/ Feminism \u0026amp; Feminist Theory","BISACSubject_0":"SOC028000","BISACSubject_1":"POL010000","BISACSubject_2":"SOC010000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAUREN MCKEON’S\u003c\/strong\u003e critically acclaimed first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e, was a finalist for the Kobo Emerging Writer Prize and was selected by the \u003cem\u003eHill Times\u003c\/em\u003e as a book of the year and by the Feminist Book Club as one of their top five feminist books ever. McKeon is the winner of several National Magazine Awards, including a Gold in the Personal Journalism category. Her writing has appeared in \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and \u003cem\u003eBest Canadian Essays\u003c\/em\u003e, on TVO.org, and in the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life After Sexual Assault\u003c\/em\u003e. McKeon has taught long-form writing at Humber College and holds an M.F.A. in Creative Nonfiction from the University of King’s College. She was the editor of \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016 and the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e from 2017 to 2020, and she is currently a contributing editor at \u003cem\u003eToronto Life\u003c\/em\u003e and the deputy editor of \u003cem\u003eReader’s Digest\u003c\/em\u003e.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"McKeon, Lauren","Description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e","EAN":"9781487006464","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006464\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"MeToo; Intersectionality; Misogyny; female empowerment; girl boss; rape culture; gender and equality; fourth-wave feminism; patriarchy; sexual abuse and harassment; times up; Canadian history; women's studies; sociology; cultural studies; civics; Footnotes; index; Jodi Kantor; Megan Twohey; Robyn Doolittle; Handmaid's Tale; Gloria Steinem; Lindy West; Mary Beard; Long-form journalism","NumberOfPages":"352","OtherText_Accolades_0":"\u003cp\u003e“Lauren McKeon has written a bold, searching, and ultimately hopeful book about what it would mean for women to be truly powerful in the world. Not the kind of power that requires a token change at the top, but a radical overhauling of social structures to create a more progressive and inclusive society. There is much power to be found in her wise, eye-opening book.” — \u003cstrong\u003eElizabeth Renzetti\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Elizabeth Renzetti","OtherText_Accolades_1":"\u003cp\u003e“Lauren McKeon has long cemented herself as a writer whose insights are biting, effective, and necessary. And unsurprisingly, No More Nice Girls is no different. In this book, her work is meticulously researched and brilliantly argued, and she’s not afraid to confront us with information and perspectives that are as uncomfortable as they are true (see: very). That said, McKeon’s ability to engage with instead of dictating to is powerful and unifying, specifically as she provides the type of ammunition needed for readers to abandon existing comfort zones or truths fabricated for self-preservation. She urges us to learn and listen (but actually listen). She’s patient but forceful in offering her many (many) facts. I’ve never liked the word nice, and liked the idea of aspiring to be nice even less. Thankfully, McKeon makes nice a non-word — a notion or descriptor that means nothing and does nothing. She sets us free of the rhetoric associated with niceness and exchanges the burden of playing by the rules for the data, statistics, and emphasis on intersectionality that will help us, collectively, to obliterate them.” — \u003cstrong\u003eAnne\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Anne","OtherText_Accolades_2":"\u003cp\u003e“Lauren McKeon is one of the most important journalists writing about feminist issues in this country today. This impeccably researched and reported book is a revelation, an inspiration, a punch in the gut, and a fierce rallying cry. It’s a definite must read for anyone who cares about women’s current reality, and women’s future in this country and beyond.” — \u003cstrong\u003eStacey May Fowles\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Stacey May Fowles","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eTIMELY SUBJECT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThere’s a huge market for books on feminist literature and ongoing attention to women’s issues in popular media. \u003cem\u003eNo More Nice Girls\u003c\/em\u003e picks up where her 2017 book,\u003cem\u003e F-Bomb\u003c\/em\u003e, left off.\u003cem\u003e F-Bomb\u003c\/em\u003e looked at the supposed demise of the feminist movement, while this book reimagines the very concept of power itself. Perfect for fans of feminist nonfiction by Gemma Hartley, Soraya Chemaly, Robyn Doolittle.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAUTHOR’S INTERSECTIONAL APPROACH AND STYLE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eMcKeon’s intersectional approach led her to many interviews with people whose experiences with power is more layered than her own, including people of all genders, Native American women, women of colour, women with disabilities, and those who are LGBTQ+. She practices what she preaches: all interview subjects are referred to by their chosen pronouns and none are described by their physical appearances unless that is relevant to the discussion of power or a man would be physically described in the same situation. Her nuanced and intentional writing is also fun to read. Having developed her writing for online audiences as well as for readers of long-form print journalism, McKeon’s prose style — sharp, honest, and entertaining — is persuasive, and will appeal especially to readers in their twenties, thirties, and forties.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTIMED TO COINCIDE WITH TWO SIGNIFICANT DATES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eWe will publish the book on March 3, 2020, to coincide with International Women’s Day on March 8. Also worth noting is that in 2020, it will be twenty-five years since the Beijing Platform for Action, a visionary agenda for the empowerment of women and girls which came out of the UN’s Fourth World Conference on Women in 1995 in Beijing. The anniversary of the Beijing Platform, and how much progress has or has not been made over the last twenty-five years, will be much discussed in the media. McKeon is very well connected in the media, and we will work with her to effectively market and promote the book to women’s long-lead magazines and national literary media (magazines, newspapers, radio, TV, podcasts, blogs) in addition to her spotlight in \u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAWARD-WINNING AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eLauren McKeon’s long-form writing has won her several Canadian National Magazine Awards. Her first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e (Goose Lane, 2017), was nominated for Rakuten Kobo’s Emerging Writer Prize. She contributed a chapter to the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life after Sexual Assault\u003c\/em\u003e. She holds an M.F.A. in Creative Nonfiction from the University of King’s College and has taught long-form writing at Humber College. She was the editor of Canada’s progressive, independent \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016, where she helmed one of the bestselling issues in recent years, “Why Canada Needs More Feminism.” She writes for \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eReader’s Digest\u003c\/em\u003e, and the \u003cem\u003eKit\u003c\/em\u003e. She is the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTHE PRESTIGE AND SUCCESS OF THE WALRUS BOOKS IMPRINT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe inaugural publication of Walrus Books, \u003cem\u003eBig Lonely Doug\u003c\/em\u003e, sold well and earned wide media coverage and prize attention. Lauren McKeon’s book follows Harley Rustad’s as a fine product of the same strong partnership between \u003cem\u003eThe Walrus\u003c\/em\u003e magazine, the Chawkers Foundation, and House of Anansi Press. The Walrus Books imprint publishes strong, rigorous works of narrative nonfiction that reflect the excellence of both \u003cem\u003eThe Walrus\u003c\/em\u003e and Anansi brands.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eOn November 8, 2016, I tried to pretend the TVs at my gym did not exist. I’d shown up that night to my weekly class expecting to walk out sweaty and exalted. If America elected a woman as its leader (as all the pundits and polls suggested the country would) then, surely, Canada would follow. Anything felt possible. I imagined a cascade of broken status quos — belligerent white men in crisp suits falling like dominos. But over the next hour disbelief replaced excitement. At one point, our class melted away from our workout stations to pool, lost, around the TV. Women muttered shit, what, no, over and over again. That night, I couldn’t sleep. I stayed seated on my bed, cross-legged, stunned. It didn’t matter that I wasn’t American, or that one of the wokest men on Earth supposedly ran my own country. Electing a blatant misogynist to one of the world’s most powerful positions symbolized something: we were fucked.\u003cbr \/\u003e\u003cbr \/\u003eSince then, the question of women and power has undergone something of a renaissance — largely because we’ve been forced to confront, once again, how much of it women still don’t have. Quite literally overnight, many of us went from believing, with good reason, that we’d never been closer to equality — and power — to reckoning with just how far away from both women truly were. In response, women woke up, gathered, and demanded change. All around the world, they protested. The momentum from the Women’s March on Washington built into #MeToo and a very public reckoning with the everyday ways in which women’s power and autonomy are constantly undermined.\u003cbr \/\u003e\u003cbr \/\u003eWatching it all, I was galvanized. But I also felt as though I was stuck in a not-so-fun house of magic mirrors. Come one, come all! Watch as the road to equality shrinks, stretches, distorts! Sometimes it seemed as if our fury, powerful in its own right, could propel us anywhere we wanted to go: into public office, into the C-suite, into a world in which we had bodily autonomy. Other times, as the anti-feminist backlash grew louder, bolder, and more expansive, it seemed as though women were in our most precarious spot yet. I began to think of feminist power as a paradox: from some vantages, we seemed closer than ever to achieving it; from others, we’d never been farther away.\u003cbr \/\u003e\u003cbr \/\u003eI have spent the bulk of my journalism career investigating the ways in which women navigate, and in many cases push back against, the expectations of the world around them. In doing this, I now realize, what I’ve really been asking, consciously or not, is how women disrupt and reimagine power structures, how they gain power both in and over their lives. Many of the women I’ve interviewed are pioneers in their fields, often ones dominated by men, and you could say they are subverting from within. Others are pushing at established power structures from the outside, rallying from the grassroots. They are all inspiring and amazing. But is what they’re doing working? These past few years have illuminated some stark, and seemingly contradictory, truths. Despite immense progress, no amount of success can immunize women against the toxic, sexist environments around them, and it is not uncommon for women to be utterly alone: one of few in their field, the only woman in management at their company, or the only one breaking a certain convention.\u003cbr \/\u003e\u003cbr \/\u003eThe more I heard their stories, the more I wondered: Even if a woman won the next American or Canadian federal election, what would that victory gain us? Or, put another way: Do we have the very concept of women and power all wrong? I’m not saying I want all the feminists to give up the fight, retreat to their kitchens, and let one pucker-mouthed man and his acolytes burn the planet. I want women to attain the same powerful positions afforded to men, in equal numbers. But it’s also dangerous to see that status, in and of itself, as a panacea to centuries of Western civilization, all built on foundational histories of sexism, misogyny, and violence against women. A woman prime minister certainly wouldn’t “cancel out” this seemingly new brand of misogyny, dredged up for all the world to see. In fact, the past few years have revealed that any woman, or member of another equity-seeking group, who stands where white, straight, cisgender men usually do is certain to face violent backlash. Or, as University of Cambridge classics professor Mary Beard argues in her short manifesto Women and Power, throughout time women have been placed in, or near to, positions of power simply to fail. To illustrate her point, Beard borrows from Greek mythology, referring to Clytemnestra, who rules over her city while her husband fights in the Trojan War, only to be murdered by her own children after she refuses to cede her new leadership upon his return (well, okay, she also killed her husband rather than go back down the patriarchal chain). Or more recently, Beard suggests, consider Theresa May or Hillary Clinton. For women, power is messy from every angle.\u003cbr \/\u003e\u003cbr \/\u003ePerhaps, then, it’s finally time to start rethinking feminism’s one-time end goals, to ditch our old checklists for equality. Yes, let’s not abandon our strategizing toward getting more women to the top, but let’s also examine a deeper, less considered problem: that is, what the view from “the top” looks like for women once they’re there. What if we could redefine not just women’s path to power but the very concept of power itself? Or more radical yet: What if we stopped focusing on playing the game better, ditched the rulebook, and refused to play their game at all? What would power even look like to us if we weren’t always visualizing it within the context of men?\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\r\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\r\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“[Lauren McKeon’s] vital, keenly insightful work is a must-read.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Booklist","OtherText_Review_1":"\u003cp\u003e“McKeon uses plain language and an army of external sources to illuminate the puppet strings of power . . . No More Nice Girls avoids despairing, instead positing a hopeful roadmap toward a future wherein women will not just attain power, but will topple and rebuild it in their own image.” — \u003cstrong\u003e\u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Foreword Reviews","OtherText_Review_2":"\u003cp\u003e“Through a wealth of examples of women and communities working to topple power structures in a variety of sectors, No More Nice Girls is a thoughtful, bold read that envisions a future in which women create new styles of leadership.” — \u003cstrong\u003e\u003cem\u003eRabble.ca\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Rabble.ca","OtherText_Review_3":"\u003cp\u003e“Timely … [\u003cem\u003eNo More Nice Girls\u003c\/em\u003e] will open your eyes to a better way of doing things.” — \u003cstrong\u003e\u003cem\u003eI’ve Read This\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"I’ve Read This","OtherText_Review_4":"\u003cp\u003e“\u003cem\u003eNo More Nice Girls \u003c\/em\u003eprovides a rallying cry for feminists of any age to once again challenge the current paradigm and institutions that continue to disempower women. McKeon’s book contains a healthy amount of outrage and antidote that will leave the reader with tools to do more than just get angry — it will also create for themselves and for future generations recipes for working toward systemic change … \u003cem\u003eNo More Nice Girls\u003c\/em\u003e belongs on the bookshelf alongside Susan Faludi’s Backlash, Susan Douglas’s Enlightened Sexism, Sylvia Bashevkin’s Women, Power, Politics, and Linda Trimble’s Ms. Prime Minister — all important contemporary books that lay out feminist issues. It adds to the conversation and stands upon the shoulders of these giants in terms of moving feminist thought ahead.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.","ProductFormDescription":"mobi","PublicationDate":"2020-03-03","Publisher":"House of Anansi Press Inc","ShortDescription":"An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.","Subtitle":"Gender, Power, and Why It’s Time to Stop Playing by the Rules","Width":"5.5","WidthCode":"in"}
No More Nice Girls
An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.
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{"id":6811233058875,"title":"Sunny Days Inside","handle":"sunny-days-inside","description":"\u003cp\u003e\u003cstrong\u003eWhen the “grownup virus” hits, kids who live in the same apartment building must cope with strange new rules and extended time at home with parents and siblings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnd they survive brilliantly, each in their own way. Twin boys throw themselves into an independent research assignment on prehistoric people and embrace their own devolution. A budding track star is encouraged to run laps on his balcony by a neighbor who has a secret crush on him. A classroom troublemaker reaches out to a teacher when his own father begins to exhibit signs of mental illness. A young entrepreneur saves himself and his hairdresser mother from financial collapse by renting out the family dog. And a girl finds a way to communicate with her hearing-impaired neighbor so that they can spy on the rest of the building. \u003c\/p\u003e\n\u003cp\u003eThe stories follow the course of the pandemic, from the early measures through lockdown, as the kids in the building observe the stresses on the adults around them and use their own quirky kid ingenuity to come up with ways to make their lives better. Funny, poignant and wise, this book will long outlive even the pandemic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.6\u003cbr\u003e\nCompare and contrast the point of view from which different stories are narrated, including the difference between first- and third-person narrations.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.5\u003cbr\u003e\nExplain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.6\u003cbr\u003e\nDescribe how a narrator's or speaker's point of view influences how events are described.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003e\nDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.5\u003cbr\u003e\nAnalyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","published_at":"2022-03-21T12:08:21-04:00","created_at":"2022-03-21T09:49:03-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 9 - 12","By (author) Adderson Caroline","CC Literature - Grade 4","CC Literature - Grade 5","CC Literature - Grade 6","CCSS.ELA-LITERACY.RL.4.3","CCSS.ELA-LITERACY.RL.4.6","CCSS.ELA-LITERACY.RL.5.3","CCSS.ELA-LITERACY.RL.5.5","CCSS.ELA-LITERACY.RL.5.6","CCSS.ELA-LITERACY.RL.6.3","CCSS.ELA-LITERACY.RL.6.5","CCSS.ELA-LITERACY.RL.6.6","Childrens Starred Reviews","Diversity","Fountas \u0026 Pinnell Text Level Gradient W","Groundwood Audio","Guided Reading Level W","LGBTQ+ Voices","Middle Grade","Narrator Estrada Cherlandra","pub date: 2021-08-01","Stories of Resilience"],"price":1499,"price_min":1499,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190666899515,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773065724","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sunny Days Inside - 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Caroline Adderson.” The word “Inside” is highlighted in yellow. There is a beige brick wall and on the left is the end of an apartment balcony. A kid with black hair, brown eyes and medium-dark skin tone is wearing a yellow hoodie, black jogging shorts, white sports socks and blue and black running shoes. The kid leans against the balcony railing, arms crossed, looking pensive. To the right and above is a shadow of the bottom of a second balcony one floor up.","id":23324628451387,"position":1,"preview_image":{"aspect_ratio":0.706,"height":2267,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_512941ab-2be8-4d12-b1ce-5ec3a731ba9e.jpg?v=1678611294"},"aspect_ratio":0.706,"height":2267,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_512941ab-2be8-4d12-b1ce-5ec3a731ba9e.jpg?v=1678611294","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWhen the “grownup virus” hits, kids who live in the same apartment building must cope with strange new rules and extended time at home with parents and siblings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnd they survive brilliantly, each in their own way. Twin boys throw themselves into an independent research assignment on prehistoric people and embrace their own devolution. A budding track star is encouraged to run laps on his balcony by a neighbor who has a secret crush on him. A classroom troublemaker reaches out to a teacher when his own father begins to exhibit signs of mental illness. A young entrepreneur saves himself and his hairdresser mother from financial collapse by renting out the family dog. And a girl finds a way to communicate with her hearing-impaired neighbor so that they can spy on the rest of the building. \u003c\/p\u003e\n\u003cp\u003eThe stories follow the course of the pandemic, from the early measures through lockdown, as the kids in the building observe the stresses on the adults around them and use their own quirky kid ingenuity to come up with ways to make their lives better. Funny, poignant and wise, this book will long outlive even the pandemic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.6\u003cbr\u003e\nCompare and contrast the point of view from which different stories are narrated, including the difference between first- and third-person narrations.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.5\u003cbr\u003e\nExplain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.6\u003cbr\u003e\nDescribe how a narrator's or speaker's point of view influences how events are described.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003e\nDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.5\u003cbr\u003e\nAnalyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773060477","AlsoRecommendedISBN_1":"9781554989720","AlsoRecommendedISBN_2":"9781773060323","AlsoRecommendedISBN_3":"9781554989720","AlsoRecommendedISBN_4":"9781773060477","AlsoRecommendedISBN_5":"9781554989720","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"4","AudienceRangeValue_1_1":"9","AudienceRangeValue_1_2":"4","AudienceRangeValue_2_0":"7","AudienceRangeValue_2_1":"12","AudienceRangeValue_2_2":"7","BASICMainSubject":"JUV013030","BASICMainSubjectLiteral":"JUVENILE FICTION\/Family\/Multigenerational","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCAROLINE ADDERSON\u003c\/strong\u003e is an author of books for young readers and adults. Her picture books include \u003cem\u003eNorman, Speak!\u003c\/em\u003e (illustrated by Qin Leng) and the Pierre \u0026 Paul series (illustrated by Alice Carter). Early chapter books include the Jasper John Dooley and Izzy series, as well as \u003cem\u003eBabble! And How Punctuation Saved It\u003c\/em\u003e (illustrated by Roman Muradov). Caroline has won the Sheila Egoff Award, the Chocolate Lily Book Award and the Diamond Willow Award, among many other honors. She lives in Vancouver, B.C.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Lifestyles \/ City \u0026amp; Town Life","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ New Experience","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Short Stories","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Family \/ Multigenerational","BISACSubject_0":"JUV023000","BISACSubject_1":"JUV039090","BISACSubject_2":"JUV038000","BISACSubject_3":"JUV013030","CommonCore":"CCSS.ELA-LITERACY.RL.4.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.5.3","CommonCore_2":"CCSS.ELA-LITERACY.RL.5.6","CommonCore_3":"CCSS.ELA-LITERACY.RL.4.6","CommonCore_4":"CCSS.ELA-LITERACY.RL.6.6","CommonCore_5":"CCSS.ELA-LITERACY.RL.6.5","CommonCore_6":"CCSS.ELA-LITERACY.RL.6.3","CommonCore_7":"CCSS.ELA-LITERACY.RL.5.5","ComplexityCode_0":"W","ComplexityCode_1":"W","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCAROLINE ADDERSON\u003c\/strong\u003e is an author of books for young readers and adults. Her picture books include \u003cem\u003eNorman, Speak!\u003c\/em\u003e (illustrated by Qin Leng) and the Pierre \u0026 Paul series (illustrated by Alice Carter). Early chapter books include the Jasper John Dooley and Izzy series, as well as \u003cem\u003eBabble! And How Punctuation Saved It\u003c\/em\u003e (illustrated by Roman Muradov). Caroline has won the Sheila Egoff Award, the Chocolate Lily Book Award and the Diamond Willow Award, among many other honors. She lives in Vancouver, B.C.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eCHERLANDRA ESTRADA\u003c\/strong\u003e is a professional narrator, voice artist and singer. She started her performing career in the theatre and loves to call on her character acting skills while narrating. With a number of voices at her disposal, Estrada’s credits also include commercial and gaming (MOCAP) voice-over. In addition, she just completed two seasons as a beloved character on a popular children’s animation series which is currently in production (so still top secret) but soon to be released!\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Narrator","Contributor_0":"Adderson, Caroline (CA)","Contributor_1":"Estrada, Cherlandra (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWhen the “grownup virus” hits, kids who live in the same apartment building must cope with strange new rules and extended time at home with parents and siblings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnd they survive brilliantly, each in their own way. Twin boys throw themselves into an independent research assignment on prehistoric people and embrace their own devolution. A budding track star is encouraged to run laps on his balcony by a neighbor who has a secret crush on him. A classroom troublemaker reaches out to a teacher when his own father begins to exhibit signs of mental illness. A young entrepreneur saves himself and his hairdresser mother from financial collapse by renting out the family dog. And a girl finds a way to communicate with her hearing-impaired neighbor so that they can spy on the rest of the building. \u003c\/p\u003e\n\u003cp\u003eThe stories follow the course of the pandemic, from the early measures through lockdown, as the kids in the building observe the stresses on the adults around them and use their own quirky kid ingenuity to come up with ways to make their lives better. Funny, poignant and wise, this book will long outlive even the pandemic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.6\u003cbr\u003e\nCompare and contrast the point of view from which different stories are narrated, including the difference between first- and third-person narrations.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.5\u003cbr\u003e\nExplain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.6\u003cbr\u003e\nDescribe how a narrator's or speaker's point of view influences how events are described.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003e\nDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.5\u003cbr\u003e\nAnalyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","EAN":"9781773068220","Height":"7.5","HeightCode":"in","Imprint":"Groundwood Audio","MetaKeywords":"short stories; covid19; pandemic; isolation; kids as heroes; coronavirus; overcoming adversity; parents and children; homeschool; urban life; adaptability; community; diverse points of view; cooperation; empathy; child as narrator; different points of view; English language arts; narration from different points of view; novel studies; first person narration; third person narration; writing stories; connecting; respect for others; respect for self; Common Core aligned","NumberOfPages":"176","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eCaroline Adderson is an award-winning author well known for her books for both young readers and adults.\u003c\/li\u003e\n\u003cli\u003eThere are many cross-curricular themes (science, health, literature and social studies) carried by a set of characters showcasing socio-economic, generational, ethnic and ability diversity.\u003c\/li\u003e\n\u003cli\u003eThe linked short stories set in an unspecified North American city can be read as stand-alones or studied as a novel. \u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eThe cave twins were not allowed inside the store to help the cave mother gather food. They had to huddle in the corner of the parking lot far away from other kin groups and watch over the cave baby sleeping in the stroller. While they waited — a very long time — they discussed what cave kids must have kicked around instead of a soccer ball.\u003c\/p\u003e\u003cp\u003e“Probably a woolly mammoth skull,” Alek said.\u003c\/p\u003e\u003cp\u003e“That wouldn’t roll very far,” Ivan said.\u003c\/p\u003e\u003cp\u003eBut Alek was on the right track. When they looked up “what are soccer balls made of,” they learned that the inside of a soccer ball was actually called a bladder. \u003c\/p\u003e\u003cp\u003e“We need a bladder,” Ivan said, and they both looked over at the grocery store. \u003c\/p\u003e\u003cp\u003eThey ended up kicking a stone around. \u003c\/p\u003e\u003cp\u003e“This probably \u003cem\u003eis \u003c\/em\u003eStone Age soccer,” Alek said. “Hunter-gatherers only used stone tools, right?” Both boys pictured the tools they’d seen online. Paleolithic spears and axes.\u003c\/p\u003e\u003cp\u003eAll at once they came to the same realization, which often happens with twins.\u003c\/p\u003e\u003cp\u003e“What are we doing kicking this stone around? We should be \u003cem\u003ehunting\u003c\/em\u003e!”\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eCaroline Adderson is an award-winning author well known for her books for both young readers and adults.\u003c\/li\u003e\n\u003cli\u003eThere are many cross-curricular themes (science, health, literature and social studies) carried by a set of characters showcasing socio-economic, generational, ethnic and ability diversity.\u003c\/li\u003e\n\u003cli\u003eThe linked short stories set in an unspecified North American city can be read as stand-alones or studied as a novel. \u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“While each vignette is an entertaining short story, it’s the connections among the kids that make this a brilliant read.” — \u003cstrong\u003e\u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003e“Readers ages 9-12 are likely to find themselves revisiting their own days of lockdown … in this understanding read.” — \u003cstrong\u003e\u003cem\u003eWall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Wall Street Journal","OtherText_Review_2":"\u003cp\u003e“Kids in the building get acquainted from their balconies … Such friendships will see us through this time as well.” — \u003cstrong\u003e\u003cem\u003ePostmedia\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Open Book","OtherText_Review_3":"\u003cp\u003e“This series of eight related stories will not only affect but inspire you.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Postmedia","OtherText_Review_4":"\u003cp\u003e“Beautifully written.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_Review_5":"\u003cp\u003e“[Adderson] has a knack for capturing the voice of each child—the way they think and speak and hope—creating believable characters with whom children can identify.” — \u003cstrong\u003e\u003cem\u003eCanadian Children's Book News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"CM: Canadian Review of Materials","OtherText_Review_6":"\u003cp\u003e“A whip-smart, heartfelt, and humorous middle grade novel.” — \u003cstrong\u003e\u003cem\u003eCloud Lake Literary\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Canadian Children's Book News","OtherText_Review_7":"\u003cp\u003e“Adderson is an artist — her questions are bigger than the moment: how does a child live with adult grief — the loss of livelihood? the loss of dreams? And how do children navigate the loss of their own dreams, dreams so significant and must-have when one is young? … These stories give us models, the knowledge that we have gotten through, and we can get through again, and in the case of \u003cem\u003eSunny Days Inside\u003c\/em\u003e, we can navigate with humour and grace.” — \u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Open Book","OtherText_Review_8":"\u003cp\u003eA whip-smart, heartfelt, and humorous middle grade novel.\u003c\/p\u003e","OtherText_Review_8_Src":"Cloud Lake Literary","OtherText_Review_9":"\u003cp\u003eAdderson is an artist — her questions are bigger than the moment: how does a child live with adult grief — the loss of livelihood? the loss of dreams? And how do children navigate the loss of their own dreams, dreams so significant and must-have when one is young? … These stories give us models, the knowledge that we have gotten through, and we can get through again, and in the case of \u003cem \u003eSunny Days Inside\u003c\/em\u003e, we can navigate with humour and grace.\u003c\/p\u003e","OtherText_Review_9_Src":"British Columbia Review","OtherText_ShortDescription_0":"Linked short stories follow the interconnected lives of children living in one apartment building as they shelter in place during the pandemic.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Nominated","PrizeCodeText_5":"Commended","PrizeCode_0":"03","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"07","PrizeCode_5":"03","PrizeName_0":"Bank Street College of Education Best Children's Books of the Year","PrizeName_1":"Ruth and Sylvia Schwartz Children’s Book Award","PrizeName_2":"Saskatchewan Young Readers’ Choice Awards, Diamond Willow Award","PrizeName_3":"Chocolate Lily Book Awards, Novel Category","PrizeName_4":"Rocky Mountain Book Award","PrizeName_5":"Canadian Children’s Book Centre, Best Books for Kids and Teens","PrizeYear_0":"2022","PrizeYear_1":"2022","PrizeYear_2":"2022","PrizeYear_3":"2022","PrizeYear_4":"2023","PrizeYear_5":"2022","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2021-08-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Linked short stories follow the interconnected lives of children living in one apartment building as they shelter in place during the pandemic.","Subtitle":"and Other Stories","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773068220\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"5","WidthCode":"in"}
ages 9
to 12
/ grades 4
to 7
Sunny Days Inside
Linked short stories follow the interconnected lives of children living in one apartment building as they shelter in place during the pandemic.
Quick View
{"id":6582765912123,"title":"Thirteen Shells","handle":"thirteen-shells","description":"\u003cp\u003eSpanning the late 1970s to the late 1980s, Nadia Bozak’s thirteen stories are narrated from the perspective of Shell, the only child of bohemian artisans determined to live off their handicrafts and uphold a left-wing lifestyle. At the age of five, Shell’s world is transformed when the family moves into a new house, where she grows up. Over time, she gradually trades her unconventional upbringing for junk food, rock music, and boys. All the while, Shell quietly watches her parents’ loveless marriage fall apart and learns to survive divorce, weight gain, heartache, and first love.\u003c\/p\u003e\u003cp\u003eA funny, sensitive portrayal of the innocence and uncertainty of childhood and adolescence, \u003cem\u003eThirteen Shells\u003c\/em\u003e is a true-to-life collection that is as unforgettable as it is poignant.\u003c\/p\u003e","published_at":"2021-05-13T13:16:09-04:00","created_at":"2021-05-13T13:16:09-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Short Stories","Astoria","By (author) Bozak Nadia","pub date: 2016-05-07"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403474878523,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770899889","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Thirteen Shells - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770899889","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39413978857531,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770899872","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Thirteen Shells - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":349,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770899872","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39413979283515,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770899896","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Thirteen Shells - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770899896","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e1ee046-90a4-41c3-93ba-51ad6dea0f74.jpg?v=1723951101"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e1ee046-90a4-41c3-93ba-51ad6dea0f74.jpg?v=1723951101","options":["Title"],"media":[{"alt":null,"id":24743112900667,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e1ee046-90a4-41c3-93ba-51ad6dea0f74.jpg?v=1723951101"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e1ee046-90a4-41c3-93ba-51ad6dea0f74.jpg?v=1723951101","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSpanning the late 1970s to the late 1980s, Nadia Bozak’s thirteen stories are narrated from the perspective of Shell, the only child of bohemian artisans determined to live off their handicrafts and uphold a left-wing lifestyle. At the age of five, Shell’s world is transformed when the family moves into a new house, where she grows up. Over time, she gradually trades her unconventional upbringing for junk food, rock music, and boys. All the while, Shell quietly watches her parents’ loveless marriage fall apart and learns to survive divorce, weight gain, heartache, and first love.\u003c\/p\u003e\u003cp\u003eA funny, sensitive portrayal of the innocence and uncertainty of childhood and adolescence, \u003cem\u003eThirteen Shells\u003c\/em\u003e is a true-to-life collection that is as unforgettable as it is poignant.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781770890022","AlsoRecommendedISBN_1":"9781487005344","AlsoRecommendedISBN_2":"9781770890022","AlsoRecommendedISBN_3":"9781487001438","AlsoRecommendedISBN_4":"9781487001438","BASICMainSubject":"FIC000000","BASICMainSubjectLiteral":"FICTION\/General","BiographicalNote":"Nadia Bozak is the author of \u003cem\u003eOrphan Love\u003c\/em\u003e and \u003cem\u003eEl Niño\u003c\/em\u003e, the first two novels in her Border Trilogy. She is currently working on the third novel in the trilogy, \u003cem\u003eenglish.motion\u003c\/em\u003e, which is a timely retelling of Joseph Conrad’s \u003cem\u003eHeart of Darkness\u003c\/em\u003e. She lives in London, Ontario.","BISACSubjectLiteral_0":"FICTION \/ General","BISACSubjectLiteral_1":"FICTION \/ Short Stories (single author)","BISACSubject_0":"FIC000000","BISACSubject_1":"FIC029000","ContributorBio_0":"Nadia Bozak is the author of \u003cem\u003eOrphan Love\u003c\/em\u003e and \u003cem\u003eEl Niño\u003c\/em\u003e, the first two novels in her Border Trilogy. She is currently working on the third novel in the trilogy, \u003cem\u003eenglish.motion\u003c\/em\u003e, which is a timely retelling of Joseph Conrad’s \u003cem\u003eHeart of Darkness\u003c\/em\u003e. She lives in London, Ontario.","ContributorRole_0":"By (author)","Contributor_0":"Bozak, Nadia (CA)","Description":"\u003cp\u003eSpanning the late 1970s to the late 1980s, Nadia Bozak’s thirteen stories are narrated from the perspective of Shell, the only child of bohemian artisans determined to live off their handicrafts and uphold a left-wing lifestyle. At the age of five, Shell’s world is transformed when the family moves into a new house, where she grows up. Over time, she gradually trades her unconventional upbringing for junk food, rock music, and boys. All the while, Shell quietly watches her parents’ loveless marriage fall apart and learns to survive divorce, weight gain, heartache, and first love.\u003c\/p\u003e\u003cp\u003eA funny, sensitive portrayal of the innocence and uncertainty of childhood and adolescence, \u003cem\u003eThirteen Shells\u003c\/em\u003e is a true-to-life collection that is as unforgettable as it is poignant.\u003c\/p\u003e","EAN":"9781770899896","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770899896\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"Astoria","NumberOfPages":"320","OtherText_Quote_from_review_0":"As a vivid picture of growing up in the ‘80’s, Thirteen Shells is a landmark.","OtherText_Quote_from_review_1":"Like Munro, Bozak is less interested in dramatic incident than in a careful examination of everyday events; like Linklater, she focuses closely on isolated moments in Shell’s life…Bozak has structured her work carefully, providing repeated images and symbols, as with musical themes, that serve as unifying devices across different stories, deepening the reading experience as the volume progresses.","OtherText_Quote_from_review_2":"Finally, there exists a penetrating, nuanced account of Canadian girlhood.","OtherText_Quote_from_review_3":"Thirteen Shells is a true-to-life account of a totally captivating character, another unforgettable work of fiction from [Nadia Bozak]","OtherText_Quote_from_review_4":"The linked-collection form is well-suited to this exploration of identity since the stories can be read in isolation or in any order, but read straight through they function as a coming-of-age novel, a full and satisfying bildungsroman. Like a shell necklace, beauty can be found in both the parts and the whole…Though Thirteen Shells departs from Bozak’s earlier fiction in terms of content, the quality of this new offering is consistent with the first two widely acclaimed novels. Bozak is a talented writer and brings insight and beauty to her account of a southwestern Ontario childhood.","OtherText_Quote_from_review_5":"richly detailed...There's a grittiness and emotional dynamism in these... tales","OtherText_Quote_from_review_6":"Bozak’s newest book, [is] all repressed heartbreak and wry humour…It is difficult not to be entranced by Shell","OtherText_Quote_from_review_7":"Finally, there exists a penetrating, nuanced account of Canadian girlhood.","OtherText_Quote_from_review_8":"Unflinching and forgiving, sentimental and unsparing. Nadia Bozak writes straight to the heart of girlhood, where secrets are both awkward and empowering, as childhood’s magic gives way to the discomfort of adolescence and a young woman comes into her own. Thirteen Shells is a beautifully written book.","OtherText_Quote_from_review_9":"Thirteen Shells is a true-to-life account of a totally captivating character, another unforgettable work of fiction from [Nadia Bozak]","OtherText_Quot_10":"A coming-of-age tale that resists the usual clichés to focus on the telling details that reveal the essence of a life. ","OtherText_Review_0":"\u003cp\u003e“Nadia Bozak’s coming-of-age snapshots are a gentle reminder of all that’s immediate and fleeting. Wistful, distinct, and full of life.” — \u003cstrong\u003e\u003cem\u003eIain Reid, author of I’m Thinking of Ending Things\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Iain Reid, author of I’m Thinking of Ending Things","OtherText_Review_1":"\u003cp\u003e“Unflinching and forgiving, sentimental and unsparing. Nadia Bozak writes straight to the heart of girlhood, where secrets are both awkward and empowering, as childhood’s magic gives way to the discomfort of adolescence and a young woman comes into her own. Thirteen Shells is a beautifully written book.” — \u003cstrong\u003e\u003cem\u003eTeva Harrison, author of In-Between Days\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“Like Munro, Bozak is less interested in dramatic incident than in a careful examination of everyday events; like Linklater, she focuses closely on isolated moments in Shell’s life…Bozak has structured her work carefully, providing repeated images and symbols, as with musical themes, that serve as unifying devices across different stories, deepening the reading experience as the volume progresses.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Src":"Winnipeg Review","OtherText_Review_11":"\u003cp\u003e“The linked-collection form is well-suited to this exploration of identity since the stories can be read in isolation or in any order, but read straight through they function as a coming-of-age novel, a full and satisfying bildungsroman. Like a shell necklace, beauty can be found in both the parts and the whole…Though Thirteen Shells departs from Bozak’s earlier fiction in terms of content, the quality of this new offering is consistent with the first two widely acclaimed novels. Bozak is a talented writer and brings insight and beauty to her account of a southwestern Ontario childhood.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Src":"Globe and Mail","OtherText_Review_12":"\u003cp\u003e“Nadia Bozak gets to the heart - and the heartbreak - of girlhood with Thirteen Shells.” — \u003cstrong\u003e\u003cem\u003eCBC Candy Palmater show\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12_Src":"The London Yodeller","OtherText_Review_13":"\u003cp\u003e“A coming-of-age tale that resists the usual clichés to focus on the telling details that reveal the essence of a life. ” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_13_Src":"Kirkus Reviews","OtherText_Review_14":"\u003cp\u003e“Finally, there exists a penetrating, nuanced account of Canadian girlhood.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_14_Src":"Booklist","OtherText_Review_15":"\u003cp\u003e“This wise, moving ode to an era turns the pain of growing up with divorce into a hopeful journey.” — \u003cstrong\u003e\u003cem\u003eForeword\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_15_Src":"Foreword","OtherText_Review_1_Src":"Teva Harrison, author of In-Between Days","OtherText_Review_2":"\u003cp\u003e“Thirteen Shells is a true-to-life account of a totally captivating character, another unforgettable work of fiction from [Nadia Bozak]” — \u003cstrong\u003e\u003cem\u003eOwen Sound Sun-Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"National Post","OtherText_Review_3":"\u003cp\u003e“Bozak’s newest book, [is] all repressed heartbreak and wry humour…It is difficult not to be entranced by Shell” — \u003cstrong\u003e\u003cem\u003eOttawa Citizen\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Ottawa Review of Books","OtherText_Review_4":"\u003cp\u003e“There is a certain beauty in literature that only can be expressed through the naive, unsure nature of a child growing up amidst the razor edges of dysfunctionality. In Thirteen Shells, Ottawa author Nadia Bozak takes this to a new level by dulling these edges with the unassailable love of a girl for her parents…Shell is no angel. She lies and steals, at least a little. Experiments with drugs. And has her petty jealousies. But by the midpoint in the novel, the readers find themselves rooting for Shell, hoping that her dreams will come true. And that is the novel's brilliance.” — \u003cstrong\u003e\u003cem\u003eOttawa Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Ottawa Citizen","OtherText_Review_5":"\u003cp\u003e“Bozak’s interwoven stories most obviously parallel [Alice Munro’s Lives of Girls and Women]. Both Shell and Munro’s women and girls come of age in extremely realistic fictional Ontario towns. Both can be broken down to stand alone as stories, or read through as a novel. Both focus less on a particular climax, and more on the ongoing understated crises of expectations: the ones we put on ourselves, and the ones other people have of us. Furthermore, both authors are masterful when it comes to language, churning out brilliant turns of phrase worth revisiting….Thirteen Shells quietly captures each painful gasp of growing up: the anxiety and shame, along with the treasures found along the way.” — \u003cstrong\u003e\u003cem\u003eNational Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Owen Sound Sun-Times","OtherText_Review_6":"\u003cp\u003e“...Thirteen Shells is enticing, reminding us of the difficulty and joy of simply growing up and getting on with it.” — \u003cstrong\u003eRory Runnells, \u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"Rory Runnells","OtherText_Review_6_Src":"Winnipeg Free Press","OtherText_Review_7":"\u003cp\u003e“richly detailed...There's a grittiness and emotional dynamism in these... tales” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Open Book","OtherText_Review_8":"\u003cp\u003e“Nadia Bozak's gorgeous collection of linked short stories, Thirteen Shells is drawing tons of praise, including comparisons to Alice Munro, for its deft rendering of a young girl coming of age...Bozak's funny and poignant prose connects us with Shell's deeply relatable longings.” — \u003cstrong\u003e\u003cem\u003eOpen Book\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Src":"Quill \u0026 Quire","OtherText_Review_9":"\u003cp\u003e“As a vivid picture of growing up in the ‘80’s, Thirteen Shells is a landmark.” — \u003cstrong\u003e\u003cem\u003eThe London Yodeller\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Src":"CBC Candy Palmater show","OtherText_ShortDescription_0":"Told in the tradition of Alice Munro’s Lives of Girls and Women, Thirteen Shells is a novel-in-stories about a young girl coming of age in the 1980s.","ProductFormDescription":"mobi","PublicationDate":"2016-05-07","Publisher":"House of Anansi Press Inc","ShortDescription":"Told in the tradition of Alice Munro’s Lives of Girls and Women, Thirteen Shells is a novel-in-stories about a young girl coming of age in the 1980s."}
Thirteen Shells
Told in the tradition of Alice Munro’s Lives of Girls and Women, Thirteen Shells is a novel-in-stories about a young girl coming of age in the 1980s.
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{"id":6816111460411,"title":"I Wish I Could Draw","handle":"i-wish-i-could-draw","description":"\u003cp\u003eWhen the narrator of this sneakily clever book decides he will try to draw even though he believes he isn’t very good at it, a world of silly possibilities opens for him. By the end of the story, he has vanquished a dragon, been given a medal, published a book, and seen his artwork on display in a real museum—and all because he refused to be held back by his own perceived limitations.\u003c\/p\u003e\n\u003cp\u003eThe narrator of \u003cem\u003eI Wish I Could Draw\u003c\/em\u003e shares a name with creator Cary Fagan and has the same curly hair and glasses. Perhaps most interesting of all, though, the narrator believes he has no artistic talent—just like the Cary Fagan who not only wrote but also bravely and exuberantly illustrated this book. Fortunately for readers, both Cary-the-narrator and Cary-the-children’s-book-creator refused to let self-doubt stop them from trying to tell (and draw) the funniest and most exciting story they could think of. 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This image is a double page spread. To the left are four images. One says “bowl” with a drawing of a bowl. Two says “teapot” with a drawing of a teapot. Three says “fruit” with a drawn apple, pear, and banana. Four says “drapery” and has a drawing of fabric. To the right is a drawing of a fruit bowl with an apple and pear, a teapot, and a banana on draped fabric. The text says they are trying to draw still life. They say it isn’t terrible, but it’s not very good.","id":21816872894523,"position":2,"preview_image":{"aspect_ratio":1.592,"height":314,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3d4e829f-05b1-4d92-8cbe-ad42c0f97515.jpg?v=1648227573"},"aspect_ratio":1.592,"height":314,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3d4e829f-05b1-4d92-8cbe-ad42c0f97515.jpg?v=1648227573","width":500},{"alt":"This image is in shades of black and white. To the left is an image labelled “Parts of a House.” It labels parts like doors and fancy bits. To the right is a drawing of a house. A stick person labelled “me” is in an upper window. Five stick people, labeled everyone else, in a lower window say “Is that a big puppy?” A speech bubble from above reads “Grr.” The text says the pictures will be better with a story. The story starts with him in a house eating ice cream. Then a dragon appears who wants it.","id":21816873517115,"position":3,"preview_image":{"aspect_ratio":1.592,"height":314,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b7cf7277-5e9e-4636-bf10-6f30478860d4.jpg?v=1648227586"},"aspect_ratio":1.592,"height":314,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b7cf7277-5e9e-4636-bf10-6f30478860d4.jpg?v=1648227586","width":500},{"alt":"This image is in shades of black and white. A medal says, “Local Hero. Smart, Brave. Free ride on any bus!” Beside it is a stage where a man hands a medal to a boy. The man says, “For you are a good-deed doer…” A thought bubble above the boy’s head reads “I’m blushing!” Below is an audience. Speech bubbles from them say “Bravo!” and “Three cheers!” Text: The town was so thankful that the mayor gave Cary a big medal. “Aw shucks,” Cary said. “It was nothing.” The crowd cheered.","id":21816874139707,"position":4,"preview_image":{"aspect_ratio":1.592,"height":314,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3eb842b5-fe25-4a79-9525-6cfbbf07d3f2.jpg?v=1648227597"},"aspect_ratio":1.592,"height":314,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3eb842b5-fe25-4a79-9525-6cfbbf07d3f2.jpg?v=1648227597","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eWhen the narrator of this sneakily clever book decides he will try to draw even though he believes he isn’t very good at it, a world of silly possibilities opens for him. By the end of the story, he has vanquished a dragon, been given a medal, published a book, and seen his artwork on display in a real museum—and all because he refused to be held back by his own perceived limitations.\u003c\/p\u003e\n\u003cp\u003eThe narrator of \u003cem\u003eI Wish I Could Draw\u003c\/em\u003e shares a name with creator Cary Fagan and has the same curly hair and glasses. Perhaps most interesting of all, though, the narrator believes he has no artistic talent—just like the Cary Fagan who not only wrote but also bravely and exuberantly illustrated this book. Fortunately for readers, both Cary-the-narrator and Cary-the-children’s-book-creator refused to let self-doubt stop them from trying to tell (and draw) the funniest and most exciting story they could think of. The result is a book that delivers plenty of excitement, silly jokes and fun—and also an important message about self-confidence and perseverance.\u003c\/p\u003e\u003cp\u003eDesigned to look like a child’s notebook, \u003cem\u003eI Wish I Could Draw\u003c\/em\u003e will inspire readers to pick up a pencil and let their imaginations do the rest.\u003c\/p\u003e"}
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He has won the Vicky Metcalf Award for Children’s Literature, the Jewish Book Award, the IODE Jean Throop Book Award and the Marilyn Baillie Picture Book Award, among others. His picture books include \u003cem\u003eA Cage Went in Search of a Bird\u003c\/em\u003e, illustrated by Banafsheh Erfanian, and \u003cem\u003eSon of Happy\u003c\/em\u003e, illustrated by Milan Pavlović, which was named one of the Best Canadian Picture Books of 2020 by CBC Books. Cary lives with his family in Toronto.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eCARY FAGAN\u003c\/strong\u003e writes books for children and adults. He has won the Vicky Metcalf Award for Children’s Literature, the Jewish Book Award, the IODE Jean Throop Book Award and the Marilyn Baillie Picture Book Award, among others. His picture books include \u003cem\u003eA Cage Went in Search of a Bird\u003c\/em\u003e, illustrated by Banafsheh Erfanian, and \u003cem\u003eSon of Happy\u003c\/em\u003e, illustrated by Milan Pavlović, which was named one of the Best Canadian Picture Books of 2020 by CBC Books. Cary lives with his family in Toronto.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Fagan, Cary (CA)","Contributor_1":"Fagan, Cary (CA)","Description":"\u003cp\u003eWhen the narrator of this sneakily clever book decides he will try to draw even though he believes he isn’t very good at it, a world of silly possibilities opens for him. By the end of the story, he has vanquished a dragon, been given a medal, published a book, and seen his artwork on display in a real museum—and all because he refused to be held back by his own perceived limitations.\u003c\/p\u003e\n\u003cp\u003eThe narrator of \u003cem\u003eI Wish I Could Draw\u003c\/em\u003e shares a name with creator Cary Fagan and has the same curly hair and glasses. Perhaps most interesting of all, though, the narrator believes he has no artistic talent—just like the Cary Fagan who not only wrote but also bravely and exuberantly illustrated this book. Fortunately for readers, both Cary-the-narrator and Cary-the-children’s-book-creator refused to let self-doubt stop them from trying to tell (and draw) the funniest and most exciting story they could think of. The result is a book that delivers plenty of excitement, silly jokes and fun—and also an important message about self-confidence and perseverance.\u003c\/p\u003e\u003cp\u003eDesigned to look like a child’s notebook, \u003cem\u003eI Wish I Could Draw\u003c\/em\u003e will inspire readers to pick up a pencil and let their imaginations do the rest.\u003c\/p\u003e","EAN":"9781554983193","Height":"8.5","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Art \u0026amp; Architecture; Art; Creativity; Perserverance; Artwork; Dragon","NumberOfPages":"32","OtherText_Review_0":"\u003cp\u003e“By book’s end, readers will recognize that, amid all the self-abasement, Fagan is encouraging them to scribble, doodle, and draw away, without worrying whether their art is \"good\" enough.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Publishers Weekly","OtherText_Review_1":"\u003cp\u003e“This friendly volume, told in the first person and directly addressing readers, is sure to encourage the perfectionist artist and wannabe cartoonist alike. Draw on!” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003e“Told from the first person perspective, the protagonist’s funny and direct manner lends the book a lighthearted and intimate conversational tone.” — \u003cstrong\u003e\u003cem\u003eCM Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"CM Magazine","OtherText_Review_3":"\u003cp\u003e“The upbeat ending will inspire wanna-be artists and storytellers to reconsider their own skills.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"School Library Journal","OtherText_Review_4":"\u003cp\u003e“A terrific picture book for the younger set. Recommended.” — \u003cstrong\u003e\u003cem\u003eLibrary Media Connections\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Library Media Connections","OtherText_ShortDescription_0":"A funny story about the wonderful things you can create if you refuse to limit (and label) yourself.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeName_0":"Canadian Children's Book Centre Best Books for Kids and Teens","PrizeName_1":"OLA Best Bets (Junior Fiction)","PrizeYear_0":"2014","PrizeYear_1":"2015","ProductFormDescription":"Web PDF","PublicationDate":"2014-04-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A funny story about the wonderful things you can create if you refuse to limit (and label) yourself.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781554983193\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"6.75","WidthCode":"in"}
ages 5
to 8
/ grades K
to 3
I Wish I Could Draw
A funny story about the wonderful things you can create if you refuse to limit (and label) yourself.
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{"id":6813810327611,"title":"Caught (TV tie-in edition)","handle":"caught-tv-tiein-edition","description":"\u003cp\u003e\u003cstrong\u003eShortlisted for the Rogers Writers' Trust Fiction Prize and the Scotiabank Giller Prize. Selected as an Amazon.ca Best Book and for The Globe 100 Books in 2013.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"In the creation of David Slaney, Lisa Moore brings us an unforgettable character, embodying the exuberance and energy of misspent youth. \u003cem\u003eCaught\u003c\/em\u003e is a propulsive and harrowing read.\"\u003cem\u003e—Patrick deWitt, author of The Sisters Brothers\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003eInternationally acclaimed author Lisa Moore offers us a remarkable new novel about a man who escapes from prison to embark upon one of the most ambitious pot-smuggling adventures ever attempted.\u003c\/p\u003e\r\n\u003cp\u003eHere are bravado and betrayal, bad weather and seas, love, undercover agents, the collusion of governments, unbridled ambition, innocence and the loss thereof, and many, many bales of marijuana. Here, too, is the seeming invincibility of youth and all the folly that it allows.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eCaught\u003c\/em\u003e is an exuberant, relentlessly suspenseful, and utterly unique novel, and promises to be the astonishing Lisa Moore’s most accomplished work to date.\u003c\/p\u003e","published_at":"2022-03-23T13:11:04-04:00","created_at":"2022-03-23T09:27:10-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult Award Winning","Adult Bestseller","Adult Humor","Adult Starred Reviews","Book Club Pick","By (author) Moore Lisa","House of Anansi Press","pub date: 2013-05-24","Thrillers \u0026 Mystery"],"price":2295,"price_min":2295,"price_max":2295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205730381883,"title":"trade paperback TV Tie-in","option1":"trade paperback TV Tie-in","option2":null,"option3":null,"sku":"9781487004545","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Caught (TV tie-in edition) - trade paperback TV Tie-in","public_title":"trade paperback TV Tie-in","options":["trade paperback TV Tie-in"],"price":2295,"weight":340,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487004545","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_97b6709e-1d1d-4dc1-b9ac-b0b71b9ae1f9.jpg?v=1648387225"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_97b6709e-1d1d-4dc1-b9ac-b0b71b9ae1f9.jpg?v=1648387225","options":["Title"],"media":[{"alt":null,"id":21823485739067,"position":1,"preview_image":{"aspect_ratio":0.661,"height":2405,"width":1589,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_97b6709e-1d1d-4dc1-b9ac-b0b71b9ae1f9.jpg?v=1648387225"},"aspect_ratio":0.661,"height":2405,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_97b6709e-1d1d-4dc1-b9ac-b0b71b9ae1f9.jpg?v=1648387225","width":1589}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted for the Rogers Writers' Trust Fiction Prize and the Scotiabank Giller Prize. Selected as an Amazon.ca Best Book and for The Globe 100 Books in 2013.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"In the creation of David Slaney, Lisa Moore brings us an unforgettable character, embodying the exuberance and energy of misspent youth. \u003cem\u003eCaught\u003c\/em\u003e is a propulsive and harrowing read.\"\u003cem\u003e—Patrick deWitt, author of The Sisters Brothers\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003eInternationally acclaimed author Lisa Moore offers us a remarkable new novel about a man who escapes from prison to embark upon one of the most ambitious pot-smuggling adventures ever attempted.\u003c\/p\u003e\r\n\u003cp\u003eHere are bravado and betrayal, bad weather and seas, love, undercover agents, the collusion of governments, unbridled ambition, innocence and the loss thereof, and many, many bales of marijuana. Here, too, is the seeming invincibility of youth and all the folly that it allows.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eCaught\u003c\/em\u003e is an exuberant, relentlessly suspenseful, and utterly unique novel, and promises to be the astonishing Lisa Moore’s most accomplished work to date.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001650","AlsoRecommendedISBN_1":"9781770891845","AlsoRecommendedISBN_2":"9781770893085","BASICMainSubject":"FIC021000","BASICMainSubjectLiteral":"FICTION \/ Media Tie-In","BiographicalNote":"\u003cp\u003e\u003cstrong \u003eLISA MOORE\u003c\/strong\u003e is the acclaimed author of the novels \u003cem \u003eCaught\u003c\/em\u003e, \u003cem \u003eFebruary\u003c\/em\u003e, and \u003cem \u003eAlligator\u003c\/em\u003e; the story collections \u003cem \u003eOpen\u003c\/em\u003e and \u003cem \u003eSomething for Everyone\u003c\/em\u003e; and the young-adult novel \u003cem \u003eFlannery\u003c\/em\u003e. Her books have won the Commonwealth Writers’ Prize and CBC’s Canada Reads, been finalists for the Writers’ Trust Fiction Prize and the Scotiabank Giller Prize, and been longlisted for the Man Booker Prize. Moore is also the co-librettist, along with Laura Kaminsky, of the opera \u003cem \u003eFebruary\u003c\/em\u003e, based on her novel of the same name. 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She lives in St. John’s, Newfoundland.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Moore, Lisa (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted for the Rogers Writers' Trust Fiction Prize and the Scotiabank Giller Prize. 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Caught is a propulsive and harrowing read.","OtherText_Accolades_0_Src":"Patrick deWitt, author of The Sisters Brothers","OtherText_Review_0":"[Lisa Moore’s] written a new kind of legend for a new Newfoundland.","OtherText_Review_0_Auth":"Emily Landau","OtherText_Review_0_Src":"Reader's Digest","OtherText_Review_1":"…precise, compressed, intimately rhythmic, mesmerizingly smart.","OtherText_Review_10":"Even we, as readers, will be caught by the timbre and skill of Moore’s storytelling and her careful sculpting of characters.","OtherText_Review_10_Auth":"Jodi Delong","OtherText_Review_10_Src":"Chronicle Herald","OtherText_Review_11":"This is an author who grips you with her impeccable use of language. The novel walks a great line between paperback levity and psychological intelligence—exactly what you want in a summer read.","OtherText_Review_11_Auth":"Julia De Laurentiis Johnson","OtherText_Review_11_Src":"Maclean's","OtherText_Review_12":"…sharp lines, seedy characters and the kind of can’t-put-it-down suspense you might expect from a dime store detective novel but with Lisa Moore-level construction, detail and meticulous prose. This isn’t Moore slumming it in suspense fiction—but genre elevation…","OtherText_Review_12_Src":"The Coast","OtherText_Review_13":"With linguistic verve and a magnified curiosity about whatever passes through her field of vision, Moore elevates the cops-and-robbers subgenre to literary respectability.","OtherText_Review_13_Auth":"Richard Cumyn","OtherText_Review_13_Src":"Winnipeg Review","OtherText_Review_14":"The reader can only marvel at the precision of Moore's observations.","OtherText_Review_14_Auth":"Mark Frutkin","OtherText_Review_14_Src":"Literary Review of Canada","OtherText_Review_15":"...witty, retrospective, eloquent and exciting. Moore has crafted an old-timey adventure with good guys and bad guys — who are also one in the same.","OtherText_Review_15_Auth":"Amy Rosen","OtherText_Review_15_Src":"Chatelaine","OtherText_Review_16":"...Moore’s Caught is a fantastic read. It’s a rapid ride, with a strong current of tension that never lets up.","OtherText_Review_16_Auth":"Jennifer Lori","OtherText_Review_16_Src":"PRISM international","OtherText_Review_17":"A superbly written novel that crosses literary boundaries, Caught will surely garner [Moore] even wider readership.","OtherText_Review_17_Auth":"Mike Heffernan","OtherText_Review_17_Src":"Atlantic Books Today","OtherText_Review_18":"Caught is a pleasure to read. The narrative is cohesive and propulsive, but it’s Moore’s mastery of language and image that sets her apart.","OtherText_Review_18_Auth":"Heather Cromarty","OtherText_Review_18_Src":"Quill \u0026amp; Quire","OtherText_Review_19":"Moore's ability to conceal a drum-tight plot line and an unflagging fidelity to the thematic pillars of Caught—mistakes and luck, trust and doubt, consequences and freedom—in the cloak of rough-and-tumble prose is something to behold.","OtherText_Review_19_Auth":"Laurie D Graham","OtherText_Review_19_Src":"The Malahat Review","OtherText_Review_1_Auth":"Leah Hager Cohen","OtherText_Review_1_Src":"Globe and Mail","OtherText_Review_2":"Caught is an outstanding novel, combining the complexity of the best literary fiction with the page-turning compulsive readability of a thriller.","OtherText_Review_2_Auth":"Jeet Heer","OtherText_Review_2_Src":"National Post","OtherText_Review_3":"Lisa Moore’s new book is a beautiful piece of writing…","OtherText_Review_3_Auth":"Duncan McMonagle","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"[T]his novel that is rife with realness, and beauty, and tension; so much it hurts, in the best possible way.","OtherText_Review_4_Auth":"Morgan Murray","OtherText_Review_4_Src":"Newfoundland Quarterly","OtherText_Review_5":"Moore’s prose is as vivid as ever...","OtherText_Review_5_Auth":"Susan G. Cole","OtherText_Review_5_Src":"NOW Magazine","OtherText_Review_6":"…Caught proceeds like a lit fuse.","OtherText_Review_6_Auth":"David Chau","OtherText_Review_6_Src":"Georgia Straight","OtherText_Review_7":"As trippy, mellow, and revelatory as Hearn’s weed, Caught takes pleasure from rewriting crime formulas and gives pleasure in doing so.","OtherText_Review_7_Auth":"Brett Josef Grubisic","OtherText_Review_7_Src":"The Vancouver Sun","OtherText_Review_8":"There is so much more to praise Moore for. The novel is rich with her subtle injections of humour, her careful pacing, and her clear yet coarse dialogue that leaves just enough unsaid. Of course, it also lives up to the ultimate test of a thriller – there is no doubt that this is a page-turner.","OtherText_Review_8_Auth":"Kaiva Brammanis","OtherText_Review_8_Src":"McGill Daily","OtherText_Review_9":"…in Caught Moore has clearly set out to challenge the conventions of crime writing.","OtherText_Review_9_Auth":"Jeff Miller","OtherText_Review_9_Src":"Cult Montreal","OtherText_ShortDescription_0":"A remarkable novel about a man who escapes from prison to embark upon one of the most ambitious pot-smuggling adventures ever attempted.","ProductFormDescription":"trade paperback TV Tie-in","PublicationDate":"2013-05-24","Publisher":"House of Anansi Press Inc","ShortDescription":"A remarkable novel about a man who escapes from prison to embark upon one of the most ambitious pot-smuggling adventures ever attempted.","Width":"5.25","WidthCode":"in"}
Caught (TV tie-in edition)
A remarkable novel about a man who escapes from prison to embark upon one of the most ambitious pot-smuggling adventures ever attempted.
Quick View
{"id":6813794566203,"title":"Deep Underwater","handle":"deep-underwater","description":"\u003cp\u003e\u003cstrong\u003e“Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.” \u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSophia bravely dives down to discover the secrets under the sea. She encounters beautiful fish and floating forests. Farther down, the dark water is full of tentacles and treasures. Deep underwater, she is never alone. Do you dare dive down after her?\u003c\/p\u003e\u003cp\u003eThe ocean is full of endless possibilities in this dreamy, imagistic story from acclaimed author\/illustrator Irene Luxbacher. Her otherworldly paintings show colorful fish, rippling seawater and the secrets to be found at the bottom of the ocean. Sophia’s journey will linger with readers long after the return to shore.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003eDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","published_at":"2022-03-23T13:10:56-04:00","created_at":"2022-03-23T09:20:39-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 7","By (author) Luxbacher Irene","CC Literature - Grade 2","CC Literature - Kindergarten","CCSS.ELA-LITERACY.RL.1.6","CCSS.ELA-LITERACY.RL.2.4","CCSS.ELA-LITERACY.RL.K.7","Fountas \u0026 Pinnell Text Level Gradient M","Groundwood Books","Guided Reading Level M","Illustrated by Luxbacher Irene","Lexile measure AD570L","Picture Books","pub date: 2018-08-01"],"price":1695,"price_min":1695,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205709967419,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773060149","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Deep Underwater - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1895,"weight":500,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773060149","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205815218235,"title":"Web PDF","option1":"Web PDF","option2":null,"option3":null,"sku":"9781773060156","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Deep Underwater - Web PDF","public_title":"Web PDF","options":["Web PDF"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773060156","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ebac37cf-914e-416b-8643-23109697343b.jpg?v=1731044795","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_66f8c2aa-f982-43a7-a457-e0ce004cf481.jpg?v=1648046475","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_82bac3a4-9ff6-4211-96f2-10c2a7912236.jpg?v=1648046489","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_7de98c00-66ea-4c3f-b561-917b058f76ae.jpg?v=1648046502"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ebac37cf-914e-416b-8643-23109697343b.jpg?v=1731044795","options":["Title"],"media":[{"alt":null,"id":24903065141307,"position":1,"preview_image":{"aspect_ratio":1.0,"height":384,"width":384,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ebac37cf-914e-416b-8643-23109697343b.jpg?v=1731044795"},"aspect_ratio":1.0,"height":384,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ebac37cf-914e-416b-8643-23109697343b.jpg?v=1731044795","width":384},{"alt":"A girl with light skin tone stands on a rock in the middle of the sea. 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Stars can only shine when the light fades.","id":21801180135483,"position":3,"preview_image":{"aspect_ratio":2.0,"height":250,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_82bac3a4-9ff6-4211-96f2-10c2a7912236.jpg?v=1648046489"},"aspect_ratio":2.0,"height":250,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_82bac3a4-9ff6-4211-96f2-10c2a7912236.jpg?v=1648046489","width":500},{"alt":"It is dark underwater and everything in the distance is black. A large ship lays crooked in the sand. A girl with light skin tone is on her knees in the sand and is looking into an open chest. The chest is glowing from the inside. Text: …and lost treasures wait silently, patiently hoping to be found.","id":21801181610043,"position":4,"preview_image":{"aspect_ratio":2.0,"height":250,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_7de98c00-66ea-4c3f-b561-917b058f76ae.jpg?v=1648046502"},"aspect_ratio":2.0,"height":250,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_7de98c00-66ea-4c3f-b561-917b058f76ae.jpg?v=1648046502","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e“Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.” \u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSophia bravely dives down to discover the secrets under the sea. She encounters beautiful fish and floating forests. Farther down, the dark water is full of tentacles and treasures. Deep underwater, she is never alone. 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{"AlsoRecommendedISBN_0":"9781773060200","AlsoRecommendedISBN_1":"9781554989836","AlsoRecommendedISBN_2":"9781554989836","AlsoRecommendedISBN_3":"9781773061023","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"4","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"7","AudienceRangeValue_2_2":"2","BASICMainSubject":"JUV051000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Imagination \u0026 Play","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. 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Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Imagination \u0026amp; Play","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Action \u0026amp; Adventure \/ General","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Technology \/ General","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Animals \/ Marine Life","BISACSubject_0":"JUV051000","BISACSubject_1":"JUV001000","BISACSubject_2":"JUV036000","BISACSubject_3":"JUV002170","CommonCore":"CCSS.ELA-LITERACY.RL.1.6","CommonCore_1":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_2":"CCSS.ELA-LITERACY.RL.2.4","ComplexityCode_0":"M","ComplexityCode_1":"AD570L","ComplexityCode_2":"M","ComplexitySchemeIdentifier_0":"05","ComplexitySchemeIdentifier_1":"06","ComplexitySchemeIdentifier_2":"09","ComplexitySchemeIdName_0":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_1":"Lexile measure","ComplexitySchemeIdName_2":"Guided Reading Level","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. She has written and illustrated \u003cem\u003eDeep Underwater\u003c\/em\u003e, an Elizabeth Mrazik-Cleaver Award finalist, and \u003cem\u003eMr. Frank\u003c\/em\u003e, which was selected as a USBBY Outstanding International Book. Her illustrations for the Malaika series by Nadia L. Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. She has written and illustrated \u003cem\u003eDeep Underwater\u003c\/em\u003e, an Elizabeth Mrazik-Cleaver Award finalist, and \u003cem\u003eMr. Frank\u003c\/em\u003e, which was selected as a USBBY Outstanding International Book. Her illustrations for the Malaika series by Nadia L. Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Luxbacher, Irene (CA)","Contributor_1":"Luxbacher, Irene (CA)","Description":"\u003cp\u003e\u003cstrong\u003e“Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.” \u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSophia bravely dives down to discover the secrets under the sea. She encounters beautiful fish and floating forests. Farther down, the dark water is full of tentacles and treasures. Deep underwater, she is never alone. Do you dare dive down after her?\u003c\/p\u003e\u003cp\u003eThe ocean is full of endless possibilities in this dreamy, imagistic story from acclaimed author\/illustrator Irene Luxbacher. Her otherworldly paintings show colorful fish, rippling seawater and the secrets to be found at the bottom of the ocean. Sophia’s journey will linger with readers long after the return to shore.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr \/\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr \/\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr \/\u003eDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","EAN":"9781773060156","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"nature; wonder; sealife; animals; exploration and adventure; ocean; imagination and play; under the sea; natural world; respect for environment; respect for self; caring; appreciation; low level wordless text; first person narration; child as narrator; figurative language; simile; metaphor; questioning; Common Core aligned; CC Literature Craft and Structure; CC Literature Integration of Knowledge and Ideas; kindergarten; grade 1; grade 2; grade 3; picture book; collage style artwork","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eIrene Luxbacher is the author and illustrator of \u003cem\u003eMr. Frank\u003c\/em\u003e and the illustrator of \u003cem\u003eMalaika’s Costume\u003c\/em\u003e and \u003cem\u003eMalaika’s Winter Carnival\u003c\/em\u003e, among others. Her illustrations are breathtaking — vivid, dreamy and lush.\u003c\/li\u003e\r\n\u003cli\u003eThis book is about exploring the unknown. Sophia’s underwater journey suggests that the unknown doesn’t always have to be scary.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum connections include science \/ marine life and ecosystems.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eIrene Luxbacher is the author and illustrator of \u003cem\u003eMr. Frank\u003c\/em\u003e and the illustrator of \u003cem\u003eMalaika’s Costume\u003c\/em\u003e and \u003cem\u003eMalaika’s Winter Carnival\u003c\/em\u003e, among others. Her illustrations are breathtaking — vivid, dreamy and lush.\u003c\/li\u003e\n\u003cli\u003eThis book is about exploring the unknown. Sophia’s underwater journey suggests that the unknown doesn’t always have to be scary.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include science \/ marine life and ecosystems.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Readers ride waves of wonder … Masterful artwork and nuanced verse invite readers to hold their breath and dive deep.” — \u003cstrong\u003e\u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus, STARRED REVIEW","OtherText_Review_1":"\u003cp\u003e“… subtle nods to creative inspirations and the enchanting visuals make for an immersive read celebrating the joys of imagination.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Booklist","OtherText_Review_2":"\u003cp\u003e“… the adventure creates a sense of quiet wonder and contentment.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Publishers Weekly","OtherText_Review_3":"\u003cp\u003e“[Luxbacher's] narration is both succinct and full of rich language, so listeners will have interesting words to ponder while poring over wondrous images… . Mixed media art and collage, digitally composed, produce intense colors and a riot of textures that depict the teeming underwater flora and fauna.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"School Library Journal","OtherText_Review_4":"\u003cp\u003e“In calm and soothing passages, this water nymph takes readers on an immersive adventure… . There is a lovely tranquility and depth to this ocean story that lies intriguingly below the shimmering surface.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"What secrets will Sophia discover at the bottom of the ocean?","ProductFormDescription":"Web PDF","PublicationDate":"2018-08-01","Publisher":"Groundwood Books Ltd","ShortDescription":"What secrets will Sophia discover at the bottom of the ocean?","Width":"10","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
Deep Underwater
What secrets will Sophia discover at the bottom of the ocean?
Quick View
{"id":6812117106747,"title":"The Ranger","handle":"the-ranger","description":"\u003cp\u003e\u003cstrong\u003eIn this second book in Nancy Vo’s Crow Stories trilogy, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this memorable and beautifully illustrated story, a ranger comes across a fox caught in a trap. The ranger frees the fox and promises only to tend to its wounds. The fox recovers and remains curiously close to the ranger, and when unexpected twists occur, the fox ends up being the helper. The ranger asks the fox, “Does this make us even?” and almost immediately feels regret—keeping score has no place in friendship. And so the two continue their journey together.\u003c\/p\u003e\n\u003cp\u003eIn this second book in the Crow Stories trilogy, Nancy Vo explores themes of friendship and how meaningful bonds form when we can openly give and receive. Vo’s stunning, spare illustrations are a delight, and complement the journey of these two nuanced characters toward understanding and companionship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e","published_at":"2022-03-22T16:42:45-04:00","created_at":"2022-03-22T11:21:19-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 8","By (author) Vo Nancy","CCSS.ELA-LITERACY.RL.1.2","Childrens Starred Reviews","Fountas \u0026 Pinnell Text Level Gradient N","Groundwood Books","Guided Reading Level N","Illustrated by Vo Nancy","Lexile measure 490L","Picture Books","pub date: 2019-08-01","Stories of Resilience","The Crow Stories trilogy"],"price":1495,"price_min":1495,"price_max":1795,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195611230267,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773061283","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Ranger - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1795,"weight":370,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773061283","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195710779451,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773061290","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Ranger - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773061290","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195714908219,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773062808","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Ranger - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773062808","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_8c670708-58ff-4695-b49d-88b520038964.jpg?v=1731057746","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_753b389b-458a-4ce8-82c1-e108dcde5552.jpg?v=1647967242","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8d1a2164-c0ba-487e-b3c7-65a582913c2c.jpg?v=1647967256","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c9b3fdf-eaaf-44b2-881a-eb4ca71e31f0.jpg?v=1647967267"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_8c670708-58ff-4695-b49d-88b520038964.jpg?v=1731057746","options":["Title"],"media":[{"alt":"A small strip of sand has bare, black trees rising out of it. Among the trees is the silhouette of a person with a hat and a walking stick. Grey-green water is next to the sand. White leaves that look like paper cut-outs are on the water, along with some green leaves. On the sand and in the water are sections of newspaper column and headline cut-outs. Beyond the sand are bare bushes. Text: The Ranger. Nancy Vo.","id":24903341244475,"position":1,"preview_image":{"aspect_ratio":0.958,"height":1670,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_8c670708-58ff-4695-b49d-88b520038964.jpg?v=1731057746"},"aspect_ratio":0.958,"height":1670,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_8c670708-58ff-4695-b49d-88b520038964.jpg?v=1731057746","width":1600},{"alt":"The sky is grey with the sun shining to the side. A girl with light skin tone stands alone. She is wearing a wide brimmed hat, a neckerchief, a jacket, and she carries a backpack. She has black hair that is in two braids. Her eyes look off to the side and her mouth is straight. One hand holds on to a strap of her backpack. Text: Her name was Annie.","id":21765897519163,"position":2,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_753b389b-458a-4ce8-82c1-e108dcde5552.jpg?v=1647967242"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_753b389b-458a-4ce8-82c1-e108dcde5552.jpg?v=1647967242","width":500},{"alt":"A fox stands crouched low. It has red fur with black paws and white on the tips of its tail, mouth, and ears. The fox has wide yellow eyes that are staring straight ahead. One of its front paws is caught in a black metal animal trap. Text: Annie came upon a fox in a bad way.","id":21765904793659,"position":3,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8d1a2164-c0ba-487e-b3c7-65a582913c2c.jpg?v=1647967256"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8d1a2164-c0ba-487e-b3c7-65a582913c2c.jpg?v=1647967256","width":500},{"alt":"It is dark outside. Patches of grass dot a small hill. The silhouette of a person holding a walking stick and wearing a hat is walking across the hill. The silhouette of a fox walks in front of them. There are clouds in the sky. Text: “Thank you,” said Annie. “Does this make us even?”","id":21765910167611,"position":4,"preview_image":{"aspect_ratio":1.916,"height":261,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c9b3fdf-eaaf-44b2-881a-eb4ca71e31f0.jpg?v=1647967267"},"aspect_ratio":1.916,"height":261,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c9b3fdf-eaaf-44b2-881a-eb4ca71e31f0.jpg?v=1647967267","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn this second book in Nancy Vo’s Crow Stories trilogy, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this memorable and beautifully illustrated story, a ranger comes across a fox caught in a trap. The ranger frees the fox and promises only to tend to its wounds. The fox recovers and remains curiously close to the ranger, and when unexpected twists occur, the fox ends up being the helper. The ranger asks the fox, “Does this make us even?” and almost immediately feels regret—keeping score has no place in friendship. And so the two continue their journey together.\u003c\/p\u003e\n\u003cp\u003eIn this second book in the Crow Stories trilogy, Nancy Vo explores themes of friendship and how meaningful bonds form when we can openly give and receive. Vo’s stunning, spare illustrations are a delight, and complement the journey of these two nuanced characters toward understanding and companionship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554983605","AlsoRecommendedISBN_1":"9781554988471","AlsoRecommendedISBN_2":"9781773060149","AlsoRecommendedISBN_3":"9781773060163","AlsoRecommendedISBN_4":"9781773060361","AlsoRecommendedISBN_6":"9781773062099","AlsoRecommendedISBN_7":"9781773062099","AlsoRecommendedISBN_8":"9781773062327","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"4","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"3","AudienceRangeValue_2_1":"8","AudienceRangeValue_2_2":"3","BASICMainSubject":"JUV029000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Science \u0026 Nature\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eNANCY VO\u003c\/strong\u003e was raised where the sun rose in the prairies and set behind the Rockies. 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She lives in Vancouver, British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Science \u0026amp; Nature \/ General","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Friendship","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Action \u0026amp; Adventure \/ Survival Stories","BISACSubject_0":"JUV029000","BISACSubject_1":"JUV039060","BISACSubject_2":"JUV001010","CommonCore":"CCSS.ELA-LITERACY.RL.1.2","ComplexityCode_0":"N","ComplexityCode_1":"490L","ComplexityCode_2":"N","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"06","ComplexitySchemeIdentifier_2":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Lexile measure","ComplexitySchemeIdName_2":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eNANCY VO\u003c\/strong\u003e was raised where the sun rose in the prairies and set behind the Rockies. By night she makes picture books. 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She is the author\/illustrator of the first two books in the Crow Stories trilogy: \u003cem\u003eThe Outlaw\u003c\/em\u003e, described by the New York Times as “bewitching,” and \u003cem\u003eThe Ranger\u003c\/em\u003e, praised in a \u003cem\u003eKirkus\u003c\/em\u003e starred review as “visually arresting and enigmatic.” Nancy is also the author\/illustrator of \u003cem\u003eBoobies\u003c\/em\u003e and the illustrator of \u003cem\u003eAs Glenn as Can Be\u003c\/em\u003e by Sarah Ellis. She lives in Vancouver, British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Vo, Nancy (CA)","Contributor_1":"Vo, Nancy (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn this second book in Nancy Vo’s Crow Stories trilogy, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this memorable and beautifully illustrated story, a ranger comes across a fox caught in a trap. The ranger frees the fox and promises only to tend to its wounds. The fox recovers and remains curiously close to the ranger, and when unexpected twists occur, the fox ends up being the helper. The ranger asks the fox, “Does this make us even?” and almost immediately feels regret—keeping score has no place in friendship. And so the two continue their journey together.\u003c\/p\u003e\n\u003cp\u003eIn this second book in the Crow Stories trilogy, Nancy Vo explores themes of friendship and how meaningful bonds form when we can openly give and receive. Vo’s stunning, spare illustrations are a delight, and complement the journey of these two nuanced characters toward understanding and companionship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e","EAN":"9781773062808","Height":"8.625","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"friends and friendship issues; nature and the natural world; animals; female protagonist; western; action and adventure stories; survival; independent; inter-dependence; adventurers and outlaws; empathy; nurturing; perseverance; respect for community; caring; inferring; questioning; predicting; Common Core aligned; CC Literature Key Ideas and Details; grade 1; grade 2; Kirkus Best Picture Books; Kirkus starred review; picture book; Crow Stories; mixed-media illustrations","NumberOfPages":"44","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Ranger\u003c\/em\u003e is the second book in a trilogy, which was preceded by \u003cem\u003eThe Outlaw\u003c\/em\u003e and will be followed by \u003cem\u003eThe Priest\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eNancy uses pen and watercolor to create her unique style of illustration. Then she adds subtle details with newspapers and textile materials from the time period researched — the 1860s to 1870s for \u003cem\u003eThe Ranger\u003c\/em\u003e. The body typeface is Caslon, which was also used for the original printings of the United States Declaration of Independence and the Constitution.\u003c\/li\u003e\n\u003cli\u003eNancy’s stories address themes such as friendship (\u003cem\u003eThe Ranger\u003c\/em\u003e) and redemption (\u003cem\u003eThe Outlaw\u003c\/em\u003e) simply, yet with depth and elegance.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include language arts \/ reading; social skills \/ friendship; health \/ human development.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Ranger\u003c\/em\u003e is the second book in a trilogy, which was preceded by \u003cem\u003eThe Outlaw\u003c\/em\u003e and will be followed by \u003cem\u003eThe Priest\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eNancy uses pen and watercolor to create her unique style of illustration. Then she adds subtle details with newspapers and textile materials from the time period researched — the 1860s to 1870s for \u003cem\u003eThe Ranger\u003c\/em\u003e. The body typeface is Caslon, which was also used for the original printings of the United States Declaration of Independence and the Constitution.\u003c\/li\u003e\n\u003cli\u003eNancy’s stories address themes such as friendship (\u003cem\u003eThe Ranger\u003c\/em\u003e) and redemption (\u003cem\u003eThe Outlaw\u003c\/em\u003e) simply, yet with depth and elegance.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include language arts \/ reading; social skills \/ friendship; health \/ human development.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A restrained text fuses with visually arresting and enigmatic interactions to open a welcoming space for contemplation.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003e“The Ranger is a memorable and beautifully illustrated picture book story … an especially and unreservedly recommended addition to family, daycare center, preschool, elementary school, and community library picture book collections …” — \u003cstrong\u003e\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Midwest Book Review","OtherText_ShortDescription_0":"In the sequel to The Outlaw, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness.","PrizeCodeText_0":"Nominated","PrizeCodeText_1":"Commended","PrizeCode_0":"07","PrizeCode_1":"03","PrizeName_0":"Chocolate Lily Book Award — Picture Book","PrizeName_1":"Kirkus Best Picture Books","PrizeYear_0":"2020","PrizeYear_1":"2019","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2019-08-01","Publisher":"Groundwood Books Ltd","Series":"The Crow Stories trilogy","ShortDescription":"In the sequel to The Outlaw, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness.","Width":"8.25","WidthCode":"in"}
ages 4
to 8
/ grades K
to 3
The Ranger
In the sequel to The Outlaw, a ranger and a fox form a special and unexpected friendship while navigating an indifferent and dangerous wilderness.
