Two lovers plot a daring heist in this atmospheric noir about fate and fortune on the fringes of the American dream.
Post-war Riverton has little to offer Richard, a mild-mannered loner working a dead-end job. When he meets Marlon, a smooth-talking confidence man, Richard finds his partner in crime, and together, they hatch a plan to rob the vault at Eddy & Dowd Safe Deposit Company—a once-in-a-lifetime score that will fund their escape to the Big City, where they can live and love as they desire.
Their plans are complicated by a recent divorcée scheming her own route to wealth, a disgraced ex-cop, and a paranoid tycoon scrambling to hold onto his crumbling empire. As Richard and Marlon race towards their destiny, reckless violence threatens both their plans and their devotion to each other.
Inspired by the iconic lexicon and unsparing storytelling of Raymond Chandler and Patricia Highsmith, The Longest Death weaves a twisted morality tale about what it means to love someone at any cost.
Two lovers plot a daring heist in this atmospheric noir about fate and fortune on the fringes of the American dream.
Post-war Riverton has little to offer Richard, a mild-mannered loner working a dead-end job. When he meets Marlon, a smooth-talking confidence man, Richard finds his partner in crime, and together, they hatch a plan to rob the vault at Eddy & Dowd Safe Deposit Company—a once-in-a-lifetime score that will fund their escape to the Big City, where they can live and love as they desire.
Their plans are complicated by a recent divorcée scheming her own route to wealth, a disgraced ex-cop, and a paranoid tycoon scrambling to hold onto his crumbling empire. As Richard and Marlon race towards their destiny, reckless violence threatens both their plans and their devotion to each other.
Inspired by the iconic lexicon and unsparing storytelling of Raymond Chandler and Patricia Highsmith, The Longest Death weaves a twisted morality tale about what it means to love someone at any cost.
| Published By | House of Anansi Press Inc — Jun 16, 2026 |
| Specifications | 320 pages | 5.25 in x 8 in |
| Keywords | CanLit; Canadian Author; Neo Noir; Historical Fiction; Debut Novel; Heist Books; Queer Noir; Queer Books; Gay Main Characters; Gay Books; Who Killed Roger Rabbit; Drive (2011); Strangers on a Train; Money Heist; Oceans 11; Oceans 8; Lupin; Bath Haus; Bound (1996); r/noir; |
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Excerpt |
| Written By |
KEVIN JAGERNAUTH is a pop culture critic who has written about cinema, music, and literature for over twenty years. Born in Ottawa, he currently resides in Montreal. The Longest Death is his first novel. |
| Written By |
|
KEVIN JAGERNAUTH is a pop culture critic who has written about cinema, music, and literature for over twenty years. Born in Ottawa, he currently resides in Montreal. The Longest Death is his first novel. |
“An impressive debut.” —Toronto Star
“A sly love-letter to the Golden Age of hardboiled fiction—and a recognition of some of what it left out. Kevin Jagernauth tells this story like a get-away driver who knows every alley by heart.” —Sean Michaels, Giller Prize–winning author of Us Conductors and Do You Remember Being Born?
”“Deftly plotted and more confident than a debut novel has any right to be, The Longest Death follows a trio of small-time criminals brimming with big dreams and a mid-century swagger in their steps.” —Dimitri Nasrallah, Canada Reads–shortlisted author of Hotline
”“The Longest Death, Kevin Jagernauth’s intoxicating debut novel, is both an expert homage to—and a vital expansion of—the great noir tradition. At its gleaming centre is a risky plan conjured by a trio of desperate characters, each nursing their own secrets and desires. A dreamy, captivating dance through juke joints and diners, Jagernauth effortlessly conjures a lost noir world of petty grifts, the faint scent of violet cigarettes.” —Megan Abbott, author of The Fever and El Dorado Drive
”“Crime stories are at their best when they ache. In Kevin Jagernauth’s debut novel, The Longest Death, that ache comes from a defiant refusal to belong, a rejection of the ‘normal’ world in favour of something riskier and more intimate, full of human longing. There’s restraint, precision in his writing, with tension and secrets lurking beneath every gesture, every word, every facade. If Jean-Pierre Melville had written a novel, it might feel like this: cinematic, spare, and quietly devastating.” —Derek Cianfrance, writer/director of Blue Valentine and The Place Beyond the Pines
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