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Poetic Presents
Got an artist on your list this year? Poetry makes the perfect present.
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{"id":7371423350843,"title":"Procession","handle":"procession","description":"\u003cp\u003eyou are only here\u003c\/p\u003e\n\u003cp\u003e to learn from those who came before\u003c\/p\u003e\n\u003cp\u003eand make space\u003c\/p\u003e\n\u003cp\u003e for those who come after\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eProcession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General’s Award–winner Katherena Vermette’s third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations.\u003c\/p\u003e\n\u003cp\u003eIn frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from ’80s childhood nostalgia to welcoming one’s own babies, Vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. \u003cem\u003eProcession\u003c\/em\u003e delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you’re very lucky, age.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ebe a good ancestor\u003c\/p\u003e\n\u003cp\u003e be a good kid\u003c\/p\u003e","published_at":"2025-04-02T11:24:36-04:00","created_at":"2025-04-02T10:37:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Vermette Katherena","House of Anansi Press","pub date: 2025-09-30"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42115993829435,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013523","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Procession - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013523","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42115994058811,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013530","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Procession - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013530","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094","options":["Title"],"media":[{"alt":"Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.","id":25259041488955,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eyou are only here\u003c\/p\u003e\n\u003cp\u003e to learn from those who came before\u003c\/p\u003e\n\u003cp\u003eand make space\u003c\/p\u003e\n\u003cp\u003e for those who come after\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eProcession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General’s Award–winner Katherena Vermette’s third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations.\u003c\/p\u003e\n\u003cp\u003eIn frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from ’80s childhood nostalgia to welcoming one’s own babies, Vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. \u003cem\u003eProcession\u003c\/em\u003e delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you’re very lucky, age.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ebe a good ancestor\u003c\/p\u003e\n\u003cp\u003e be a good kid\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000905","AlsoRecommendedISBN_1":"9781487003463","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE030000","BASICMainSubjectLiteral":"POETRY\/Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE\u003c\/strong\u003e (she\/her) is a Red River Métis (Michif) writer from Treaty 1 territory. Her father’s roots run deep in this land, dating back over two centuries, and her mother’s side is Mennonite.\u003c\/p\u003e\n\u003cp\u003eVermette received the Governor General’s Literary Award for Poetry for her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e, and wide acclaim for her second collection of poems, \u003cem\u003eriver woman\u003c\/em\u003e. \u003cem\u003eThe Break\u003c\/em\u003e, a novel, won many awards including the Amazon.ca First Novel Award, and was a bestseller in Canada. She holds an MFA from the University of British Columbia.\u003c\/p\u003e\n\u003cp\u003eBorn in Winnipeg, Manitoba, Katherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Indigenous","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE030000","BISACSubject_1":"POE024000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE\u0026nbsp;\u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada.\u0026nbsp;\u003c\/p\u003e\u003cp\u003eIn 2013, her first book,\u0026nbsp;\u003ci\u003eNorth End Love Songs\u003c\/i\u003e\u0026nbsp;(Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection,\u0026nbsp;\u003ci\u003eprocession\u003c\/i\u003e\u0026nbsp;(House of Anansi).\u0026nbsp;\u003c\/p\u003e\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Vermette, Katherena (CA)","Description":"\u003cp\u003eyou are only here\u003c\/p\u003e\n\u003cp\u003e to learn from those who came before\u003c\/p\u003e\n\u003cp\u003eand make space\u003c\/p\u003e\n\u003cp\u003e for those who come after\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eProcession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General’s Award–winner Katherena Vermette’s third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations.\u003c\/p\u003e\n\u003cp\u003eIn frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from ’80s childhood nostalgia to welcoming one’s own babies, Vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. \u003cem\u003eProcession\u003c\/em\u003e delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you’re very lucky, age.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ebe a good ancestor\u003c\/p\u003e\n\u003cp\u003e be a good kid\u003c\/p\u003e","EAN":"9781487013530","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eLONG ANTICIPATED COLLECTION: Katherena Vermette's previous collection of poems, \u003cem\u003eriver woman\u003c\/em\u003e (House of Anansi; 2018), received widespread critical acclaim and has sold over 7,000 copies since its release. Her debut collection, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (The Muses' Company; 2013), was awarded the Governor General's Award for Poetry in 2013.\u003c\/li\u003e\n\u003cli\u003eICONIC AUTHOR: Katherena Vermette's poetry and novels have been met with critical and commercial success around the globe. Her debut novel, \u003cem\u003eThe Break\u003c\/em\u003e (House of Anansi; 2016) was a finalist for CBC's Canada Reads in 2017. It was also shortlisted for the Writers' Trust Fiction Prize and the Governor General's Award for Fiction, among many other accolades. It has sold over 95,000 copies worldwide.\u003c\/li\u003e\n\u003cli\u003eLOOKING FORWARD AND BACKWARD: The poems featured in \u003cem\u003eProcession\u003c\/em\u003e muse on the nature of aging, of belonging, of nostalgia, and of the ceaseless march of time.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eAt once descendants and future ancestors, \u003cem\u003eProcession\u003c\/em\u003e explores the connections we have with ourselves, with friends, and within families and Nations.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-09-30","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eAt once descendants and future ancestors, \u003cem\u003eProcession\u003c\/em\u003e explores the connections we have with ourselves, with friends, and within families and Nations.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Procession
At once descendants and future ancestors, Procession explores the connections we have with ourselves, with friends, and within families and Nations.
Quick View
{"id":7349209169979,"title":"Wellwater","handle":"wellwater","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","published_at":"2025-02-21T10:57:34-05:00","created_at":"2025-02-21T10:54:35-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult New Releases","Adult Poetry","By (author) Solie Karen","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025534554171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013400","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":190,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013400","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42025534652475,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013417","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013417","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909","options":["Title"],"media":[{"alt":null,"id":26139679326267,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887846885","AlsoRecommendedISBN_1":"9781487000967","AlsoRecommendedISBN_2":"9781487008376","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Solie, Karen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","EAN":"9781487013417","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013417\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Caiplie Caves;Griffin Poetry Prize;T.S. Elliot Prize for Poetry;Pat Lowther Memorial Award;Trillium Award;Dorothy Livesay Prize;Lyric Poetry;Career Poets;Lifetime Poets;Poetry;Capitalism;Economy;Environment;Climate Anxiety;Corporate Greed;The University of St Andrews;Guggenheim Fellowship;Women Auhtors;Women Poets;Critical Poetry;Iris Trio;Project Earth;Ben Lerner;Lights;Lisa Robertson;Boat;Michael Ondaatje;A Year of Last Things;Rural Poetry;Late Stage Capitalism;Nature Poetry","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is Solie’s sixth standalone collection and the first since \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e, was shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eCaiplie\u003c\/em\u003e was a book-length, concept-oriented title, Wellwater returns to a more familiar, varied collection. \u003c\/li\u003e\n\u003cli\u003eWidely considered the best lyric poet of her generation, Solie has won virtually every Canadian award and is one of the very few Canadian poets with a substantial readership in Canada, the U.S. and the U.K. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWellwater\u003c\/em\u003e includes poems commissioned by Iris Trio for its forthcoming album \u003cem\u003eProject Earth: The Green Chapter\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Blazingly honest.” \u003cstrong\u003e\u003cem\u003e— The Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“[Karen Solie has] a consistent knack for surprise, for finding ways to develop a style that, one book back, felt fully realized.” \u003cstrong\u003e\u003cem\u003e— Literary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“Solie’s poems offer both deep wisdom and a lightness across the line … Her poems craft deep wells of meditative thinking, lines that turn a leaf over in one’s hand, to study every side.” \u003cstrong\u003e\u003cem\u003e— rob mclennan’s blog \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11":"\u003cp\u003e\"[Karen Solie] has never faltered.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12":"\u003cp\u003e“Thoughtful.” —\u003cstrong\u003e\u003cem\u003e Quebec Library Association \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e “\u003cem\u003eWellwater\u003c\/em\u003e is full of small revelations. At this point, Solie has little left to achieve, but if her poems keep letting their mask slip, they might genuinely surprise us. She has been a thrillingly unpredictable poet for twenty-five years.” — \u003cstrong\u003e\u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an unerring recalibration. To counter an age of abstraction and illusion, Solie zeroes in on the overlooked … Masterful compositions.” \u003cstrong\u003e\u003cem\u003e— The Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Authoritative and unforgettable … How Solie binds bleakness, distance, confidence and vulnerability into such a distinctive poetic presence is a compelling puzzle.” —\u003cstrong\u003e\u003cem\u003e The Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003eis full of complex ideas that speak to resilience of both people and our environment, and look to ways we can move forward at peace with our world.” — \u003cstrong\u003e\u003cem\u003eCanadian Living \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“Sardonic, perceptive, and unrelenting.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003e[has] a characteristically fierce intellectual and poetic rigour.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“If there is any obvious hope to be found in the sombre and desolate poems on offer in this collection, it is in the perseverance of nature in the face of violence and peril … These things, independent of human faith and competitive capitalism, endure. And they are the things, these poems argue, we might most profitably focus on.” \u003cstrong\u003e\u003cem\u003e— That Shakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an extraordinary collection.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Joint winner","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCode_0":"01","PrizeCode_1":"06","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Forward Prize for Best Collection of Poetry","PrizeName_2":"T.S. Eliot Prize for Poetry","PrizeName_3":"The Observer best book of 2025","PrizeName_4":"The Financial Times best book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2025","PrizeYear_4":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Wellwater
The poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.
Quick View
{"id":7168131465275,"title":"Scientific Marvel","handle":"scientific-marvel","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Governor General's Literary Award for Poetry\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWinner, League of Canadian Poets Raymond Souster Award\u003cbr\u003eFinalist, League of Canadian Poets Gerald Lampert Memorial Award\u003cbr\u003eCBC Best Book of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","published_at":"2023-07-27T14:16:06-04:00","created_at":"2023-07-27T14:05:58-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Undi Chimwemwe","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382944407611,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012250","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012250","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41386271277115,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012281","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012281","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611","options":["Title"],"media":[{"alt":null,"id":25437470916667,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Governor General's Literary Award for Poetry\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWinner, League of Canadian Poets Raymond Souster Award\u003cbr\u003eFinalist, League of Canadian Poets Gerald Lampert Memorial Award\u003cbr\u003eCBC Best Book of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487011154","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE021000","BASICMainSubjectLiteral":"POETRY\/LGBTQ+","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. Her debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, received the 2024 Governor General’s Literary Award in Poetry. She is Canada’s Parliamentary Poet Laureate.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ LGBTQ+","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE021000","BISACSubject_1":"POE023040","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. Her debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, received the 2024 Governor General’s Literary Award in Poetry. She is Canada’s Parliamentary Poet Laureate.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Undi, Chimwemwe (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Governor General's Literary Award for Poetry\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, League of Canadian Poets Raymond Souster Award\u003cbr\u003e\nFinalist, League of Canadian Poets Gerald Lampert Memorial Award\u003cbr\u003e\nCBC Best Book of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","EAN":"9781487012281","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012281\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003e\u003cem \u003e\"Scientific Marvel\u003c\/em\u003e is poetic anti-gravity. Poetry of the lightest touch for the heftiest matters … Undi has proven herself an exquisite and needful diarist of the inextricability of Black being from love, from freedom, from the tangled, hurtful web of this modern life … A queerly marvelous debut!\" — \u003cstrong\u003eCanisia Lubrin, author of \u003cem\u003eCode Noir\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of The Break","OtherText_Accolades_1":"\u003cp\u003e\"Bound together and each piece so very much its own, this collection marvels from masterful found poems to sprinkles of pure love and humour. Undi electrifies, is at once vulnerable and completely indestructible. PS: That first Winnipeg poem has got to be our new hometown anthem.\" — \u003cstrong\u003eKatherena Vermette, author of \u003cem\u003eThe Break\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Canisia Lubrin, author of Code Noir","OtherText_Accolades_2":"\u003cp\u003e\"With searing wit, a tender hand, and a bird’s eye, \u003cem\u003eScientific Marvel\u003c\/em\u003e delivers a smirk behind each word as alluring as it is intelligent. Melding the personal and the political, Undi’s poems understand Winnipeg streets as well as they know Supreme Court jurisprudence. High school crushes mingle with the evolution of birds—apologies with freedom—in a voice that represents both an astounding and curious achievement. ‘I am learning about property\/in a recent nation where no one looks me in the eye,’ she writes. ‘I wanted something\/too, to survive,\/besides my good name.’ \u003cem\u003eScientific Marvel\u003c\/em\u003e is a fight song for anyone in love with their broken city—its strange stores—and our dying earth, its betrayal and beauty. All of it, Undi demonstrates, worth noticing, worth cherishing, worth remembering.\" — \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sanna Wani, author of My Grief, the Sun","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis book marks the third consecutive season Anansi Poetry has featured a debut collection from a young Winnipeg poet (Brandi Bird, Hannah Green).\u003c\/li\u003e\n\u003cli\u003eUndi was born and raised in Namibia, and did not arrive in Canada until the age of 13. As a result, her experiences of immigration, assimilation, discrimination, etc. in her new country are first hand, not inherited.\u003c\/li\u003e\n\u003cli\u003eIn terms of its touchstones the book is very local and regional. The book includes several “Manitoba” poems and even a cheeky list poem about the obligatory references that make for an accepted ‘Winnipeg’ poem.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis book marks the third consecutive season Anansi Poetry has featured a debut collection from a young Winnipeg poet (Brandi Bird, Hannah Green).\u003c\/li\u003e\n\u003cli\u003eUndi was born and raised in Namibia, and did not arrive in Canada until the age of 13. As a result, her experiences of immigration, assimilation, discrimination, etc. in her new country are first hand, not inherited.\u003c\/li\u003e\n\u003cli\u003eIn terms of its touchstones the book is very local and regional. The book includes several “Manitoba” poems and even a cheeky list poem about the obligatory references that make for an accepted ‘Winnipeg’ poem.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Incisive and precise, tender and loving, these poems escort readers through questions of race and place, disappeared histories, immigration, gender and climate angst … A captivating debut, \u003cem \u003eScientific Marvel\u003c\/em\u003e transforms through tough lessons and uplifts through lively language play — and, of course, love.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e\u003cem\u003e“\u003c\/em\u003ePolitically astute, rigorously loving, lyrically deft debut collection.” — \u003cstrong\u003e\u003cem\u003eHerizons\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“What is remarkable about \u003cem\u003eScientific Marvel \u003c\/em\u003eis the way Undi seamlessly creates threads between Winnipeg landmarks and girlhood, legal cases and love, grammar, and ancestry … Her poetic voice remains distinct, strong, and memorable.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“Expansive in form and subject, precise in language and image, \u003cem\u003eScientific Marvel\u003c\/em\u003e … hums cover to cover.” \u003cstrong\u003e\u003cem\u003e— EVENT\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Throughout \u003cem\u003eScientific Marvel\u003c\/em\u003e, Undi trusts the reader to meet her in ambiguity and confront the limits of both legal reasoning and poetic expression.” — \u003cstrong\u003e\u003cem\u003ePrairie Fire\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem \u003eScientific Marvel \u003c\/em\u003eis intelligent and incisive … perceptive and vulnerable.” — \u003cstrong \u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“Undi’s is undeniably a poetry of place and is augmented through a deep understanding of context.” \u003cstrong\u003e\u003cem\u003e— Border Crossings Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"League of Canadian Poets Raymond Souster Award","PrizeName_2":"League of Canadian Poets Gerald Lampert Memorial Award","PrizeName_3":"CBC Best Book of 2024","PrizeName_4":"CBC Best Poetry of 2024","PrizeYear_0":"2024","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2024","PrizeYear_4":"2024","ProductFormDescription":"epub","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Scientific Marvel
Marked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.
Quick View
{"id":6813787848763,"title":"river woman","handle":"river-woman","description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","published_at":"2022-03-23T13:02:33-04:00","created_at":"2022-03-23T09:17:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Bestseller","Adult BIPOC Voices","Adult Environmentalism","Adult Poetry","By (author) vermette katherena","House of Anansi Press","pub date: 2018-09-25"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205700530235,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003463","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"river woman - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":140,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003463","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205701808187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003470","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"river woman - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003470","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205702758459,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006266","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"river woman - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006266","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120","options":["Title"],"media":[{"alt":null,"id":24629797290043,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2473,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120"},"aspect_ratio":0.647,"height":2473,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_3":"9781487007799","AlsoRecommendedISBN_4":"9781487008376","BASICMainSubject":"POE015000","BASICMainSubjectLiteral":"POETRY\/Native American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE \u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada. \u003c\/p\u003e\n\u003cp\u003eIn 2013, her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection, \u003cem\u003eprocession\u003c\/em\u003e (House of Anansi). \u003c\/p\u003e\n\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Native American","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Nature","BISACSubject_0":"POE015000","BISACSubject_1":"POE011000","BISACSubject_2":"POE023030","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE \u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada. \u003c\/p\u003e\n\u003cp\u003eIn 2013, her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection, \u003cem\u003eprocession\u003c\/em\u003e (House of Anansi). \u003c\/p\u003e\n\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"vermette, katherena (CA)","Description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","EAN":"9781487006266","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006266\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"truth and reconciliation; colonialism; nature; missing and murdered indigenous women; bipoc; indigenous; reconciliation; award winning author; climate change; Indigenous literature; Indigenous Stories; poems; this accident of being lost leanne betasomasake simpson; even this page is white vivek shraya; alicia elliott; ndn coping mechanisms billy ray belcourt; poetry lovers; collectors edition","NumberOfPages":"112","OtherText_Accolades_0":"In river woman, Vermette take us inside river, as a concept, a reality, and another world, and gently reveals the power, the resistance, and the sheer love of water, of life, and of all things Indigenous. Vermette’s poetics are sparse, haunting, and steeped in river story, and her poems come to me as river songs. There is a presencing rhythm to this work, revealing that which is and always has been, flowing right in front of us.","OtherText_Accolades_0_Auth":"Leanne Betasamosake Simpson, author of This Accident of Being Lost","OtherText_Accolades_1":"\u003cp\u003eIn river woman, Katherena Vermette marshals the maternal energy of the river to spin the lyric poem into something that is awash with vitality. This ethic of care, which each section bears and ricochets about, has at its core a project of repair or nourishment, not just of the natural, but of those of us entangled with it. This us, Vermette deftly shows, is not an empty thing, but is instead teeming with Indigenous life — ‘we are the earth you are hurting.’ We are the river and, in this, we are without end, regardless of what history swells in us. Pick up this book and listen for the musicality of our beautiful rebellion!\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Billy-Ray Belcourt, author of This Wound is a World, winner of the 2018 Griffin Poetry Prize","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eINTERNATIONALLY RESPECTED:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eKatherena’s work has appeared in literary magazines and anthologies across the globe, including in Mothership: Tales from Afrofuturism and Beyond (Rosarium Press, Baltimore), and Kwe: Standing with Our Sisters (edited by Joseph Boyden, Penguin Random House Canada).\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eRELEVANT AND TIMELY:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eMuch attention has been drawn this year and last to Indigenous issues in North America, and in the United States particularly surrounding the Dakota Access Pipeline protests. Indigenous voices and postcolonial issues are rising to the fore, and it’s becoming increasingly crucial to recognize and give space to these voices.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eINTERNATIONALLY RESPECTED:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eKatherena’s work has appeared in literary magazines and anthologies across the globe, including in Mothership: Tales from Afrofuturism and Beyond (Rosarium Press, Baltimore), and Kwe: Standing with Our Sisters (edited by Joseph Boyden, Penguin Random House Canada).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRELEVANT AND TIMELY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMuch attention has been drawn this year and last to Indigenous issues in North America, and in the United States particularly surrounding the Dakota Access Pipeline protests. Indigenous voices and postcolonial issues are rising to the fore, and it’s becoming increasingly crucial to recognize and give space to these voices.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\\\/strong\u003e:\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"These spare, imagistic poems live up to the words of the Vietnamese spiritual leader Thich Nhat Hanh, quoted in an epigraph: ‘If our hearts are big, we can be like the river.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"\u003cp\u003e\"A book that is at once deeply personal and politically charged.\" — \u003cstrong\u003e\u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill and Quire","OtherText_Review_2":"\u003cp\u003e\"Vermette’s new collection is a strong follow-up to her Governor General’s Award-winning debut, 2012’s North End Love Songs.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","ProductFormDescription":"mobi","PublicationDate":"2018-09-25","Publisher":"House of Anansi Press Inc","ShortDescription":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","Width":"5.5","WidthCode":"in"}
river woman
Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.
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{"id":7299167092795,"title":"Shadow Price","handle":"shadow-price","description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003eLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","published_at":"2024-08-29T17:43:54-04:00","created_at":"2024-08-29T17:38:26-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Ghafoor Farah","Feminist Reads","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820378726459,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012922","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":210,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012922","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820378791995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012939","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012939","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872","options":["Title"],"media":[{"alt":"Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.","id":26067219185723,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003eLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487010843","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ghafoor, Farah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","EAN":"9781487012939","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012939\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Poetry;EJ Pratt Award for Poetry;CBC Poetry Prize;University of Toronto;Financial Analyst;Accounting Poems;South Asian;My Grief the Sun;Intruder;Sanna Wani;Wellwater;Room Magazine;Silk Road Literary Festival;League of Canadian Poets;ARC Poetry Magazine;Pakistani-Canadian;Climate Anxiety;Capitalism;Late Stage Capitalism;Chimwemwe Undi;Scientific Marvel;Environmentalism;Economy;Muslim;Islam;Women's Studies;Women's Poetry;Muslim Poetry;Karen Solie","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e“Farah Ghafoor’s highly-anticipated debut is as expansive and epic as it is exacting … \u003cem\u003eShadow Price\u003c\/em\u003e is a stalwart reminder of how much we have already lost to capitalism, how much we still might lose, and how we might come to terms with this disrepair.”– \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“With ardor and a lustrous fury, Farah Ghafoor emboldens with poems that resound of a planet in crisis … This is a book we need now more than ever given the severe and precarious state of our entire existence and all that we touch, eat, breathe, and leave behind.\" —\u003cstrong\u003eMai Der Vang, author of \u003cem\u003ePrimordial\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"If we are the last poets, may this collection inspire us to truly value the pricelessness of our wounded and wondrous planet.\" — \u003cstrong\u003eCraig Santos Perez, author of \u003cem\u003eCal This Mutiny\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“[Ghafoor] deconstructs and reassembles our world into a sincere but uncanny and urgent stream of thoughts and images, often playful, absurd, sarcastic, and funny … A tour de force.” —\u003cstrong\u003eAndri Magnason, author of \u003cem\u003eTime and Water\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is the second year in a row we have featured a poetry debut by someone who is not a graduate of a creative writing or MFA program (Chim Undi, \u003cem\u003eScientific Marvel\u003c\/em\u003e). She has a BBA from U of T.\u003c\/li\u003e\n\u003cli\u003eBecause of its politics and subject matter, the book\/author will potentially draw crossover interest (it already has) in Environmental, Muslim, and Women’s Studies courses.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A groundbreaking take on ecopoetry … [\u003cem\u003eShadow Price\u003c\/em\u003e manages to] show us a world that is beautiful and, above all, inherently valuable.” \u003cstrong\u003e\u003cem\u003e— Room Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Urgent debut.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Ghafoor’s words hold up a mirror to society, asking whether we still have time or if it is already too late … Gut-wrenching. — \u003cstrong\u003e\u003cem\u003eQuebec Library Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCode_0":"04","PrizeCode_1":"05","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Toronto Book Award","PrizeYear_0":"2025","PrizeYear_1":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Shadow Price
Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens.
Quick View
{"id":7014714015803,"title":"Xanax Cowboy","handle":"xanax-cowboy","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","published_at":"2022-10-14T10:56:29-04:00","created_at":"2022-10-13T16:51:14-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","Adult Starred Reviews","By (author) Green Hannah","Feminist Reads","House of Anansi Press","pub date: 2023-04-04"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40874727178299,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011154","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Xanax Cowboy - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":218,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011154","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40874727604283,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011161","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Xanax Cowboy - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011161","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","options":["Title"],"media":[{"alt":"Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.","id":24914449465403,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005962","AlsoRecommendedISBN_1":"9781487010690","AlsoRecommendedISBN_3":"9781770890329","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. Her debut collection \u003cem\u003eXanax Cowboy \u003c\/em\u003ewas the recipient of the 2023 Governor General’s Literary Award and the 2024 Gerald Lampert Memorial Award. She lives in Winnipeg.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. Her debut collection \u003cem\u003eXanax Cowboy \u003c\/em\u003ewas the recipient of the 2023 Governor General’s Literary Award and the 2024 Gerald Lampert Memorial Award. She lives in Winnipeg.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Green, Hannah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","EAN":"9781487011161","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011161\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"dunk tank;kayla czaga;let the world have you;mikko harvey;for em;sanna wani;my grief; the sun;contemporary poetry;canadian poetry;poetry collectors","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e\"Xanax Cowboy is a meta-poetic romp that chews through the lexicons of pulp, pop, and academia, spitting out pieces that are at once campy, dark, and gnawingly tender, with a bravado and showmanship that challenge conventions of power, performance, gender, and genre. Through roving tours of tone and tactic … Hannah Green mounts a contemporary antihero with both a light and devastating touch, knowing just when to loosen the slack and when to jerk the line arrestingly taut.\" — \u003cstrong\u003eJury Citation, 2021 Bronwen Wallace Award\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Dallas Hunt, author of Creeland","OtherText_Accolades_1":"\u003cp\u003e\"I’ve never read anything quite like Xanax Cowboy, with its lassoed dream logic or its pistol-drawn showdown with dread. But that’s life when you live in a Wild West of anxiety, and nowhere else can you find this prescription-laced, wasp-sting aesthetic. Hannah Green’s poems are a form-bending live wire, a chainsaw ethos that carves its way through the desert sunset. A long howl in cowboy boots that refuses to be wrangled, Xanax Cowboy is original and compelling.\" — \u003cstrong\u003eAndrew Faulkner, author of \u003cem\u003eHeady Bloom\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Jury Citation, 2021 Bronwen Wallace Award","OtherText_Accolades_2":"\u003cp\u003e\"A fierce collection on cowboy boots and alienation, with incisive and insightful thoughts on navigating mental health, Hannah Green’s debut is all tooth and claw. It bristles, sears, and haunts. At once individual, and yet illuminating in the affective commons it articulates, Hannah has created a home here — come dwell.\" — \u003cstrong\u003eDallas Hunt, author of \u003cem\u003eCreeland\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Andrew Faulkner, author of Heady Bloom","OtherText_Accolades_3":"\u003cp\u003eA fierce collection on cowboy boots and alienation, with incisive and insightful thoughts on navigating mental health, Hannah Green’s debut is all tooth and claw. It bristles, sears, and haunts. At once individual, and yet illuminating in the affective commons it articulates, Hannah has created a home here — come dwell.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Dallas Hunt, author of Creeland","OtherText_Accolades_4":"\u003cp\u003eXanax Cowboy is a meta-poetic romp that chews through the lexicons of pulp, pop, and academia, spitting out pieces that are at once campy, dark, and gnawingly tender, with a bravado and showmanship that challenge conventions of power, performance, gender, and genre. Through roving tours of tone and tactic … Hannah Green mounts a contemporary antihero with both a light and devastating touch, knowing just when to loosen the slack and when to jerk the line arrestingly taut.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Jury Citation, 2021 Bronwen Wallace Award","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Green’s debut is timely and witty. It leaves nothing off stage, hides nothing. It is a revelation of living in our anxious times. It is wisely engaging.\" — \u003cstrong\u003eQuill \u0026 Quire, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Winnipeg Free Press","OtherText_Review_1":"\u003cp\u003e\"Hannah Green’s figurative language is so dazzling, her tone so sardonically witty … her debut is indeed a romp.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Shakespearean Rag","OtherText_Review_2":"\u003cp\u003e\"Even as it treats serious topics like romanticizing addiction, \u003cem\u003eXanax Cowboy \u003c\/em\u003eis riotously funny, brimming with wit and bravado … Exceptional debut.\" — \u003cstrong\u003e\u003cem\u003eARC Poetry\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Freefall","OtherText_Review_3":"\u003cp\u003e“Reading [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] is an undeniably cinematic experience … There is so much gold that has been dug-up in this wild-west.” — \u003cstrong\u003e\u003cem\u003eThe Fiddlehead \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"The Miramichi Reader","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e\"Playing on the way suffering has been romanticized in writers and in cowboys, Green skewers this cultural demand for authenticity.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Quill \u0026 Quire, STARRED REVIEW","OtherText_Review_5":"\u003cp\u003e\"A true original – smart and aggressive and assured.\" — \u003cstrong\u003e\u003cem\u003eShakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Toronto Star","OtherText_Review_6":"\u003cp\u003e\"A bingeable book of poetry … \u003cem\u003eXanax Cowboy \u003c\/em\u003edisplays a raw honesty on important topics. Green balances tone and content, form and media, to deliver a powerhouse of a debut book from title to finishing line.\" — \u003cstrong\u003e\u003cem\u003eFreefall\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"The Miramichi Reader","OtherText_Review_6_Src":"ARC Poetry","OtherText_Review_7":"\u003cp\u003e\"Breaching borders and breaking boundaries … [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] subverts expectations with feminist contortions in the twists and turns of phrase, form, and verse.\" — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“Brimming with verve, wit and bravado, Hannah Green’s \u003cem\u003eXanax Cowboy\u003c\/em\u003e is a brain-jolting joy.” — \u003cstrong\u003e\u003cem\u003eThe Ampersand Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"03","PrizeName_0":"Governor General's Literary Award in the Poetry Category","PrizeName_1":"League of Canadian Poets' Gerald Lampert Memorial Award","PrizeName_2":"CBC 2023 Best Canadian Poetry","PrizeYear_0":"2023","PrizeYear_1":"2024","PrizeYear_2":"2023","ProductFormDescription":"epub","PublicationDate":"2023-04-04","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Xanax Cowboy
This edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.
Quick View
{"id":7299167354939,"title":"Myth","handle":"myth","description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","published_at":"2024-08-29T17:50:22-04:00","created_at":"2024-08-29T17:44:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Mason Pierre Terese","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820379906107,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013042","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Myth - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":204,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013042","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820379971643,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013059","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Myth - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013059","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","options":["Title"],"media":[{"alt":"Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.","id":24981738094651,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487010720","AlsoRecommendedISBN_1":"9781487011826","AlsoRecommendedISBN_2":"9781487012250","BASICMainSubject":"POE000000","BASICMainSubjectLiteral":"POETRY\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e is a Toronto-based writer and editor whose work has appeared in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny Magazine\u003c\/em\u003e, and \u003cem\u003eFantasy Magazine\u003c\/em\u003e, among others. One of ten winners of the Writers’ Trust McClelland \u0026 Stewart Journey Prize, she was named a Writers’ Trust Rising Star. Terese Mason Pierre is an editor at \u003cem\u003eAugur\u003c\/em\u003e, a Canadian journal of speculative literature, and the author of \u003cem\u003eMyth\u003c\/em\u003e (House of Anansi Press), a collection of poetry.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ General","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE000000","BISACSubject_1":"POE024000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e is a Toronto-based writer and editor whose work has appeared in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny Magazine\u003c\/em\u003e, and \u003cem\u003eFantasy Magazine\u003c\/em\u003e, among others. One of ten winners of the Writers’ Trust McClelland \u0026 Stewart Journey Prize, she was named a Writers’ Trust Rising Star. Terese Mason Pierre is an editor at \u003cem\u003eAugur\u003c\/em\u003e, a Canadian journal of speculative literature, and the author of \u003cem\u003eMyth\u003c\/em\u003e (House of Anansi Press), a collection of poetry.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Mason Pierre, Terese (CA)","Description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","EAN":"9781487013059","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013059\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Magical Realism;Experimental Poetry;BIPOC Voices;Own Voices;BIPOC Poetry;Racialized experimental literature;Science Fiction;Speculative Fiction;Fantasy;Mythology;Jillian Christmas;Manahil Bandukwala;Monument;Cannibal;Safiya Sinclair;Who Will Bury You?;Chido Muchemwa;Chrysalis;Anuja Varghese;Creation of Half Broken People;Legend;Storytelling;SFF;Advocacy;As the Earth Dreams;Fugue with Bedbug;Can You Sign My Tentacle?;Anne-Marie Turza;Brandon O'Brien;The Gospel Of Breaking;Siphiwe Ndlovu","NumberOfPages":"120","OtherText_Accolades_0":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e is aptly titled for it is as vast as the word’s implication … The diaspora is indeed everywhere because, in Mason Pierre’s thrillingly versatile language, it is as large as the cosmos and as intimate as the soul.” —\u003cstrong\u003eWayde Compton, author of \u003cem\u003eThe Outer Harbour\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e closely captures the way historicity and futurity move through us, not cleanly, but repetitively, snagging us with waves of ‘coloured truth’ and ‘layered violence’.” —\u003cstrong\u003ePhoebe Wang, author of \u003cem\u003eWaking Occupations\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“In the world of these poems, the body is closer to the blue of the sky and grasp of the grass than it is in ordinary life … Once the poems have changed us, we might not be able to leave the world Terese Mason Pierre has made.” —\u003cstrong\u003eLarissa Lai, author of \u003cem\u003eThe Lost Century\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“This is poetry that swells, takes flight, and soars.”—\u003cstrong\u003eManahil Bandukwala, author of \u003cem\u003eMonument\u003c\/em\u003e and \u003cem\u003eHeliotropia\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4":"\u003cp\u003e“Lead by a voice that is reflective, poised, and self-assured, this is the kind of poetry that honours old tellings, that journeys to speculative imaginings.” —\u003cstrong\u003eWhitney French, editor, \u003cem\u003eBlack Writers Matter\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003ePierre is well known both as a poet and as an advocate for (racialized) speculative literature. Though not a collection of speculative poems, a number of the strongest pieces in the book fit that description. \u003c\/li\u003e\n\u003cli\u003eBecause of its style and subject matter, the book\/author will draw crossover interest with speculative and science fiction audiences (Pierre is already a prominent Canadian figure in those genres). \u003c\/li\u003e\n\u003cli\u003ePierre is a strong reader and will likely hand-sell a good number of books on her own. Terese is also the editor of the forthcoming anthology of black speculative writing, \u003cem\u003eAs the Earth Dreams\u003c\/em\u003e, Anansi, Spring 2025 (title and pub date TBC).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A startling, transformative collection.” \u003cstrong\u003e\u003cem\u003e— Winnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Through the magic of her words, \u003cem\u003eMyth\u003c\/em\u003e explores our relationships to land, trauma, self, ancestry and the future— and asks how myths can manifest themselves in our everyday lives.” — \u003cstrong\u003e\u003cem\u003eCanadian Living\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“These are poems as foundational as the earth or the ocean, offering sharp and astute first-person observational, declarative and descriptive lyrics … \u003cem\u003eMyth\u003c\/em\u003e is a striking and deeply complex debut.” \u003cstrong\u003e\u003cem\u003e— rob mclennan's blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“What distinguishes \u003cem\u003eMyth\u003c\/em\u003e is not only its formal inventiveness, but its philosophical reach … A sustained inquiry into how we come to know ourselves through distance—temporal, emotional, and otherwise.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“These invisible connective structures from the tangible practical world of magic, devil, gods and myth do something, fulfil something, cross a gap of ache in a broken world. Such world-building in poetry permits a larger canvas than the obvious and given.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.75","WidthCode":"in"}
Myth
The much-anticipated debut collection from the multi-talented Terese Mason Pierre.
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{"id":7299166863419,"title":"The Seated Woman","handle":"the-seated-woman","description":"\u003cp\u003eTHE POEMS\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou fell asleep on the tiles,\u003cbr\u003e\n a translucent peacock loomed,\u003cbr\u003e\n your sex opened and let out\u003cbr\u003e\n a very blue, very high flame.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou wore a split veil, that morning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSilent, nailed to her chair, the seated woman writes. She cracks. The poems fidget, slip their fingers: they seek to enter. Perched on her shoulder, the poems whisper in her ear. She captures their messages: “I love the sacred contortions you offer me.” The poems protest: “You're squeezing us too hard: careful, pet.”\u003c\/p\u003e\n\u003cp\u003eMore than descriptors, the words behave as commands or moves in a game—and the voice of the seated woman rises to play.\u003c\/p\u003e","published_at":"2024-08-29T17:37:53-04:00","created_at":"2024-08-29T17:33:35-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult LGBTQ+","Adult New Releases","Adult Poetry","Arachnide Editions","By (author) Dumas-Côté Clémence","pub date: 2025-03-25","Translated by Taillon E. S."],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820377481275,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013295","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Seated Woman - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":94,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013295","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820377514043,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013301","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Seated Woman - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013301","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061","options":["Title"],"media":[{"alt":"Cover: The Seated Woman, poems by Clémence Dumas-Côté, translated by E.S. Taillon. Over a dark landscape, an illustrated red comet descends through the night sky, with flares in purple, pink, and yellow emitting from behind it. On the ground appears a silhouette of an angel, lit at the edges in red from the comet.","id":25036121931835,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTHE POEMS\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou fell asleep on the tiles,\u003cbr\u003e\n a translucent peacock loomed,\u003cbr\u003e\n your sex opened and let out\u003cbr\u003e\n a very blue, very high flame.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou wore a split veil, that morning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSilent, nailed to her chair, the seated woman writes. She cracks. The poems fidget, slip their fingers: they seek to enter. Perched on her shoulder, the poems whisper in her ear. She captures their messages: “I love the sacred contortions you offer me.” The poems protest: “You're squeezing us too hard: careful, pet.”\u003c\/p\u003e\n\u003cp\u003eMore than descriptors, the words behave as commands or moves in a game—and the voice of the seated woman rises to play.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005924","AlsoRecommendedISBN_1":"9781487010720","AlsoRecommendedISBN_2":"9781487011604","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCLÉMENCE DUMAS-CÔTÉ\u003c\/strong\u003e was born in Montreal in 1986. She studied acting at the National Theatre School of Canada and holds a master's degree in creative writing. She is the author of two poetry books, \u003cem\u003eL'alphabet du don\u003c\/em\u003e (2017) and \u003cem\u003eLa femme assise\u003c\/em\u003e (2019), and the novel \u003cem\u003eGlu\u003c\/em\u003e (2022).\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCLÉMENCE DUMAS-CÔTÉ\u003c\/strong\u003e was born in Montreal in 1986. She studied acting at the National Theatre School of Canada and holds a master's degree in creative writing. She is the author of two poetry books, \u003cem\u003eL'alphabet du don\u003c\/em\u003e (2017) and \u003cem\u003eLa femme assise\u003c\/em\u003e (2019), and the novel \u003cem\u003eGlu\u003c\/em\u003e (2022).\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eE. S. TAILLON\u003c\/strong\u003e is a queer, neurodivergent writer and the former managing editor at \u003cem\u003ePRISM\u003c\/em\u003e international magazine. They hold a master’s degree in French literature from the University of Toronto and an MFA in Creative Writing from the University of British Columbia. They have published prose in \u003cem\u003eDéraciné\u003c\/em\u003e and \u003cem\u003efilling Station\u003c\/em\u003e, and poetry in \u003cem\u003eCV2\u003c\/em\u003e, \u003cem\u003eThe \/tƐmz\/ Review\u003c\/em\u003e, and \u003cem\u003eAugur Magazine\u003c\/em\u003e. Their first literary translation, \u003cem\u003eScenes from the Underground\u003c\/em\u003e, was shortlisted for the Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Dumas-Côté, Clémence (CA)","Contributor_1":"Taillon, E. S.","Description":"\u003cp\u003eTHE POEMS\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou fell asleep on the tiles,\u003cbr\u003e\n a translucent peacock loomed,\u003cbr\u003e\n your sex opened and let out\u003cbr\u003e\n a very blue, very high flame.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou wore a split veil, that morning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSilent, nailed to her chair, the seated woman writes. She cracks. The poems fidget, slip their fingers: they seek to enter. Perched on her shoulder, the poems whisper in her ear. She captures their messages: “I love the sacred contortions you offer me.” The poems protest: “You're squeezing us too hard: careful, pet.”\u003c\/p\u003e\n\u003cp\u003eMore than descriptors, the words behave as commands or moves in a game—and the voice of the seated woman rises to play.\u003c\/p\u003e","EAN":"9781487013301","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013301\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Arachnide Editions","MetaKeywords":"Translation;Poetry Translation;Erín Moure;Arachnide;French Canadian;Dayne Ogilvie Prize;Scenes From the Underground;Les Herbs Rouges;Theophylline;Chantal Neveu;Poetry Bash;Poetry;French Poetry;Poetry in Translation;Khashayar Mohammadi;Kess Mohammadi;E.S Taillon;Klara Du Plessis;Kapusta;My Dinosaur;François Turcot;L'alphabet Du Don;La Femme Assise;Glu;PRISM International;Women Authors;2SLGBTQIA+;Poetry Month","NumberOfPages":"72","OtherText_Accolades_0":"\u003cp\u003e\"E.S. Taillon beautifully shapes Clémence Dumas-Côté’s duel in English, creating a luminous, sharp-tender, glad \u003cem \u003eréplique\u003c\/em\u003e that lets \u003cem \u003epoet \u003c\/em\u003estand up to \u003cem \u003epoetry\u003c\/em\u003e.\" —\u003cstrong \u003eErín Moure, author of \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eTheophylline: an a-poretic migration via the modernisms of Rukeyser, Bishop, Grimké\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e\"A conversation, an antiphony, a tug of war, a dance, in which the beauty of the French surfaces through the equal beauty of the English.\" —\u003cstrong\u003eRhonda Mullins, translator of \u003cem\u003ePale Shadows \u003c\/em\u003eand \u003cem\u003eSing, Nightingale\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eArachnide's mandate to bring very good French-Canadian literature to English-speaking audiences is broadening its scope by delving into one of the great art forms of all time: French poetry.\u003c\/li\u003e\n\u003cli\u003eE.S. Taillon was shortlisted for the Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers for their last translation with us.\u003c\/li\u003e\n\u003cli\u003ePart of Arachnide's mission is to nurture and elevate emerging talent in the translation sphere.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A fresh and frankly inspired collection … From theatre to the art of folded paper, the poems show the reader a more porous boundary between poetry and other forms of expression.” \u003cstrong\u003e\u003cem\u003e— Montreal Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e\"A collection at once expansive and claustrophobic … Where sound creates a tension between tight control and entropy.\" \u003cstrong\u003e\u003cem\u003e— Winnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Each poem is a portal into a richly layered world where fragmented memories, fluid identities, and profound introspection intertwine, creating a deeply immersive and thought-provoking reading experience.” \u003cstrong\u003e\u003cem\u003e— Sandbox World\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eWith flexibility and invisible acrobatics, \u003cem\u003eThe Seated Woman\u003c\/em\u003e presents, as in the theatre, a competitive dialogue between a woman and her poems.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-03-25","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eWith flexibility and invisible acrobatics, \u003cem\u003eThe Seated Woman\u003c\/em\u003e presents, as in the theatre, a competitive dialogue between a woman and her poems.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
The Seated Woman
With flexibility and invisible acrobatics, The Seated Woman presents, as in the theatre, a competitive dialogue between a woman and her poems.
