Categories
Poetry and Prose
Poetry collections paired with novels for the perfect gift!
Quick View
{"id":7168131465275,"title":"Scientific Marvel","handle":"scientific-marvel","description":"\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","published_at":"2023-07-27T14:16:06-04:00","created_at":"2023-07-27T14:05:58-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Undi Chimwemwe","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382944407611,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012250","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012250","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41386271277115,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012281","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012281","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884","options":["Title"],"media":[{"alt":null,"id":24263880835131,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487011154","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. She was the recipient of the 2022 John Hirsch Emerging Writer Award from the Manitoba Book Awards, and she is the Winnipeg Poet Laureate for 2023 and 2024.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ LGBTQ+","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubject_0":"POE011000","BISACSubject_1":"POE021000","BISACSubject_2":"POE023040","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. She was the recipient of the 2022 John Hirsch Emerging Writer Award from the Manitoba Book Awards, and she is the Winnipeg Poet Laureate for 2023 and 2024.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Undi, Chimwemwe (CA)","Description":"\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","EAN":"9781487012250","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012250\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003eBound together and each piece so very much its own, this collection marvels from masterful found poems to sprinkles of pure love and humour. Undi electrifies, is at once vulnerable and completely indestructible. PS: That first Winnipeg poem has got to be our new hometown anthem.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of The Break","OtherText_Accolades_1":"\u003cp\u003e\u003cem \u003eScientific Marvel\u003c\/em\u003e is poetic anti-gravity. Poetry of the lightest touch for the heftiest matters. And so lit by its poet’s willingness to tarry with the things only poetry can illuminate, its music blooms with defiant wit. Sharp, pointed, and sage about the world and its endangered moving parts, the great reward of Undi’s meticulous attention is ours to reap, whether it is trained close to home or beyond. But even more, Undi has proven herself an exquisite and needful diarist of the inextricability of Black being from love, from freedom, from the tangled, hurtful web of this modern life. At the core of this book is always the heart-stirring necessity of surprise. A queerly marvelous debut!\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Canisia Lubrin, author of Code Noir","OtherText_Accolades_2":"\u003cp\u003eWith searing wit, a tender hand, and a bird’s eye, \u003cem\u003eScientific Marvel\u003c\/em\u003e delivers a smirk behind each word as alluring as it is intelligent. Melding the personal and the political, Undi’s poems understand Winnipeg streets as well as they know Supreme Court jurisprudence. High school crushes mingle with the evolution of birds—apologies with freedom—in a voice that represents both an astounding and curious achievement. ‘I am learning about property\/in a recent nation where no one looks me in the eye,’ she writes. ‘I wanted something\/too, to survive,\/besides my good name.’ \u003cem\u003eScientific Marvel\u003c\/em\u003e is a fight song for anyone in love with their broken city—its strange stores—and our dying earth, its betrayal and beauty. All of it, Undi demonstrates, worth noticing, worth cherishing, worth remembering.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sanna Wani, author of My Grief, the Sun","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis book marks the third consecutive season Anansi Poetry has featured a debut collection from a young Winnipeg poet (Brandi Bird, Hannah Green).\u003c\/li\u003e\n\u003cli\u003eUndi was born and raised in Namibia, and did not arrive in Canada until the age of 13. As a result, her experiences of immigration, assimilation, discrimination, etc. in her new country are first hand, not inherited.\u003c\/li\u003e\n\u003cli\u003eIn terms of its touchstones the book is very local and regional. The book includes several “Manitoba” poems and even a cheeky list poem about the obligatory references that make for an accepted ‘Winnipeg’ poem.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Scientific Marvel
Marked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.
Quick View
{"id":7130424574011,"title":"Broughtupsy","handle":"broughtupsy","description":"\u003cp\u003eAkúa is returning home to Jamaica for the first time in ten years. Her younger brother has died suddenly, and Akúa hopes to reconnect with her estranged older sister, Tamika. Over three fateful weeks, the sisters visit significant places from their childhood where Akúa spreads her brother’s ashes. But time spent with Tamika only seems to make apparent how different they are and how alone Akúa feels.\u003c\/p\u003e\n\u003cp\u003eThen Akúa meets Jayda, a brash stripper who reveals a different side of Kingston. As the two women grow closer, Akúa is forced to confront the difficult reality of being gay in a deeply religious family, and what it means to be a gay woman in Jamaica. Her trip comes to a frenzied and dangerous end, but not without a glimmer of hope of how to be at peace with her sister—and herself.\u003c\/p\u003e\n\u003cp\u003eBy turns diasporic family saga, bildungsroman, and terse sexual awakening, \u003cem\u003eBroughtupsy\u003c\/em\u003e asks: What are we willing to do for family, and what are we willing to do to feel at home?\u003c\/p\u003e","published_at":"2023-07-27T13:20:33-04:00","created_at":"2023-05-08T16:35:34-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult LGBTQ+","By (author) Cooke Christina","House of Anansi Press","Literary Fiction","pub date: 2024-01-23"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41234854969403,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012762","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Broughtupsy - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":272,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012762","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41234856050747,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012779","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Broughtupsy - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012779","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_fed4afdf-c3b6-4f84-972e-3a03d5475964.jpg?v=1705983168"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_fed4afdf-c3b6-4f84-972e-3a03d5475964.jpg?v=1705983168","options":["Title"],"media":[{"alt":null,"id":24125603676219,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2475,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_fed4afdf-c3b6-4f84-972e-3a03d5475964.jpg?v=1705983168"},"aspect_ratio":0.667,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_fed4afdf-c3b6-4f84-972e-3a03d5475964.jpg?v=1705983168","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAkúa is returning home to Jamaica for the first time in ten years. Her younger brother has died suddenly, and Akúa hopes to reconnect with her estranged older sister, Tamika. Over three fateful weeks, the sisters visit significant places from their childhood where Akúa spreads her brother’s ashes. But time spent with Tamika only seems to make apparent how different they are and how alone Akúa feels.\u003c\/p\u003e\n\u003cp\u003eThen Akúa meets Jayda, a brash stripper who reveals a different side of Kingston. As the two women grow closer, Akúa is forced to confront the difficult reality of being gay in a deeply religious family, and what it means to be a gay woman in Jamaica. Her trip comes to a frenzied and dangerous end, but not without a glimmer of hope of how to be at peace with her sister—and herself.\u003c\/p\u003e\n\u003cp\u003eBy turns diasporic family saga, bildungsroman, and terse sexual awakening, \u003cem\u003eBroughtupsy\u003c\/em\u003e asks: What are we willing to do for family, and what are we willing to do to feel at home?\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005344","AlsoRecommendedISBN_1":"9781487007058","AlsoRecommendedISBN_2":"9781487009632","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHRISTINA COOKE\u003c\/strong\u003e’s writing has previously appeared in \u003cem\u003ePRISM international\u003c\/em\u003e, \u003cem\u003eThe Caribbean Writer\u003c\/em\u003e, \u003cem\u003ePrairie Schooner\u003c\/em\u003e, \u003cem\u003eEpiphany: A Literary Journal\u003c\/em\u003e, and elsewhere. A MacDowell Fellow, Writers' Trust M\u0026S Journey Prize winner, and 2022 Glenna Luschei Prairie Schooner Award winner, she holds an MA from the University of New Brunswick and an MFA from the Iowa Writers’ Workshop. Born in Jamaica, Christina is now a Canadian citizen who lives and writes in New York City.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ African American \u0026amp; Black \/ Women","BISACSubjectLiteral_2":"FICTION \/ Family Life \/ General","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC049020","BISACSubject_2":"FIC045000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHRISTINA COOKE\u003c\/strong\u003e’s writing has previously appeared in \u003cem\u003ePRISM international\u003c\/em\u003e, \u003cem\u003eThe Caribbean Writer\u003c\/em\u003e, \u003cem\u003ePrairie Schooner\u003c\/em\u003e, \u003cem\u003eEpiphany: A Literary Journal\u003c\/em\u003e, and elsewhere. A MacDowell Fellow, Writers' Trust M\u0026S Journey Prize winner, and 2022 Glenna Luschei Prairie Schooner Award winner, she holds an MA from the University of New Brunswick and an MFA from the Iowa Writers’ Workshop. Born in Jamaica, Christina is now a Canadian citizen who lives and writes in New York City.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Cooke, Christina (CA)","Description":"\u003cp\u003eAkúa is returning home to Jamaica for the first time in ten years. Her younger brother has died suddenly, and Akúa hopes to reconnect with her estranged older sister, Tamika. Over three fateful weeks, the sisters visit significant places from their childhood where Akúa spreads her brother’s ashes. But time spent with Tamika only seems to make apparent how different they are and how alone Akúa feels.\u003c\/p\u003e\n\u003cp\u003eThen Akúa meets Jayda, a brash stripper who reveals a different side of Kingston. As the two women grow closer, Akúa is forced to confront the difficult reality of being gay in a deeply religious family, and what it means to be a gay woman in Jamaica. Her trip comes to a frenzied and dangerous end, but not without a glimmer of hope of how to be at peace with her sister—and herself.\u003c\/p\u003e\n\u003cp\u003eBy turns diasporic family saga, bildungsroman, and terse sexual awakening, \u003cem\u003eBroughtupsy\u003c\/em\u003e asks: What are we willing to do for family, and what are we willing to do to feel at home?\u003c\/p\u003e","EAN":"9781487012762","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012762\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.25","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"frying plantain;zalika reid benta;lgbtq;coming of age;caribbean diaspora;eglinton west;short reads;black lives matter;best books 2024","NumberOfPages":"240","OtherText_Accolades_0":"\u003cp\u003e\u003cem \u003eBroughtupsy\u003c\/em\u003e is the work of a writer of immense heart. Cooke’s sharp imagination grows the more you read this novel, which by turns, brims with careful, sensitive storytelling. This debut promises, delivers, and delights.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Canisia Lubrin, author of Code Noir","OtherText_Accolades_1":"\u003cp\u003eThrough prose that leaps off the page and burrows under your skin, Christina Cooke renders a Jamaica that is lush, sensuous, and brimming with hope and joy. A heartrending exploration of grief, loss, identity, and desire—of family and all the ways the ones you love can hurt and heal you—\u003cem\u003eBroughtupsy\u003c\/em\u003e is a marvel.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Jasmine Sealy, author of The Island of Forgetting","OtherText_Accolades_2":"\u003cp\u003eCooke's prose is vivid, propulsive, and visceral.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Angie Cruz, author of How Not to Drown in a Glass of Water","OtherText_Accolades_3":"\u003cp\u003eChristina Cooke’s \u003cem \u003eBroughtupsy\u003c\/em\u003e is a searing, touching, and often funny meditation on family fault lines drawn by migration, homophobia, cultural difference, and sibling order, from a talented new writer among us.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Emily Raboteau, author of Searching for Zion","OtherText_Accolades_4":"\u003cp\u003ePeppered with music, sensuality, and unflinching emotion, \u003cem \u003eBroughtupsy\u003c\/em\u003e completely immersed me in Akúa’s fraught homecoming journey through the heat and the heart of Kingston. Christina Cooke poses thrillingly nuanced, provocative questions about what it means to feel at home, what we owe to our families, and how to guard the boundaries of the self while navigating it all. A gorgeous debut!\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Dawnie Walton, author of The Final Revival of Opal \u0026 Nev","OtherText_Accolades_5":"\u003cp\u003eA luminous tale of a latter-day Antigone who navigates grief, love, death, sex, violence, language, queerness, race, and three countries with courage, joy, and a tender heart.\u003cem \u003e Broughtupsy\u003c\/em\u003e is an instant classic and Christina Cooke brings beauty and truth to every page.\u003c\/p\u003e","OtherText_Accolades_5_Auth":"Stacey D'Erasmo, author of The Complicities","OtherText_Accolades_6":"\u003cp\u003eWhat a brilliant novel \u003cem \u003eBroughtupsy\u003c\/em\u003e is, with its crackling dialogue and vivid descriptions of the sights, sounds, and smells of Kingston—don’t read it when you’re hungry! I longed for nothing more than for Akúa, the passionate, opinionated heroine, to safely navigate the vicissitudes of loss and sisterhood. A stunning debut.\u003c\/p\u003e","OtherText_Accolades_6_Auth":"Margot Livesey, author of The Boy in the Field","OtherText_Accolades_7":"\u003cp\u003eChristina Cooke’s \u003cem\u003eBroughtupsy\u003c\/em\u003e is a fiery debut novel that breaks new ground. It recounts the coming of age of an Afro-Caribbean lesbian who travels home to Jamaica from Canada seeking solace and finds her sense of self threatened by the triple undertow of grief, alienation, and homophobia.\u003c\/p\u003e","OtherText_Accolades_7_Auth":"Naomi Jackson, author of The Star Side of Bird Hill","OtherText_Accolades_8":"\u003cp\u003e\u003cem\u003eBroughtupsy\u003c\/em\u003e is a tale that spans the hemisphere, from Jamaica to Texas to British Columbia. It also spans the evocative and intricate lengths of kinship and relationship. Christina Cooke weaves a tale of personal revelation and desire, spun from a language that is agile, vibrant, and expert in its registers.\u003c\/p\u003e","OtherText_Accolades_8_Auth":"Wayde Compton, author of The Outer Harbour and The Blue Road: A Fable of Migration","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eChristina Cooke is one of the winners of this year’s Writers’ Trust McClelland \u0026 Stewart Journey Prize. She holds a Master of Arts degree from the University of New Brunswick and a Master of Fine Arts degree from the Iowa Writers’ Workshop. Born in Jamaica, Christina is now a Canadian citizen who lives and writes in New York City.\u003c\/li\u003e\n\u003cli\u003eThis is a co-publication with prestigious US independent press Catapult.\u003c\/li\u003e\n\u003cli\u003eThis beautifully written novel features a Black queer protagonist returning home in an attempt to answer questions about family, identity, love, and belonging.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eThe story builds to a fierce, then sweetly redemptive, climax. The voice of innocence, the violence, and the sibling dynamics of Cooke’s debut recall Justin Torres’ \u003cem \u003eWe the Animals \u003c\/em\u003e(2011), also a queer coming-of-age story—but this blend of those elements is as unique as a thumbprint. Vivid, emotionally intense, and unafraid of the dark.\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus","OtherText_Review_1":"\u003cp\u003eCooke makes an assured debut … [She] successfully evokes the temerity and rebellious intelligence of Françoise Sagan’s \u003cem \u003eBonjour Tristesse.\u003c\/em\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Publishers Weekly","OtherText_Review_2":"\u003cp\u003eA moving coming-of-age story.\u003c\/p\u003e","OtherText_Review_2_Src":"Booklist","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003e\u003cem\u003eBroughtupsy\u003c\/em\u003e gives intersectionality a face, name, and head full of braids in this brilliant exploration of family, migration, queerness, and love.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-01-23","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003e\u003cem\u003eBroughtupsy\u003c\/em\u003e gives intersectionality a face, name, and head full of braids in this brilliant exploration of family, migration, queerness, and love.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Novel","Width":"5.5","WidthCode":"in"}
Broughtupsy
Broughtupsy gives intersectionality a face, name, and head full of braids in this brilliant exploration of family, migration, queerness, and love.
Quick View
{"id":7168136216635,"title":"Crying Dress","handle":"crying-dress","description":"\u003cp\u003eThe poems in \u003cem\u003eCrying Dress\u003c\/em\u003e, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, \u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.\u003c\/p\u003e","published_at":"2023-07-27T14:22:08-04:00","created_at":"2023-07-27T14:16:38-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) McFadzean Cassidy","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382972129339,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012588","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crying Dress - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":195,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012588","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41382972915771,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012595","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Crying Dress - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012595","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553","options":["Title"],"media":[{"alt":"Crying Dress, Poems, by Cassidy McFadzean. The cover features a sketched illustration of a figure composed of different shapes on textured a beige background. The torso of the figure is a green sphere, the toe is a black point, the right arm a brown bat, the left arm a bell, and the face a combination of a white triangle and red half-circle. The figure has small lips as if it is wearing simple lipstick.","id":24263862681659,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe poems in \u003cem\u003eCrying Dress\u003c\/em\u003e, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, \u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000264","AlsoRecommendedISBN_1":"9781487007843","AlsoRecommendedISBN_3":"9781770890114","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCASSIDY McFADZEAN\u003c\/strong\u003e studied poetry at the Iowa Writers’ Workshop, and fiction at Brooklyn College. She is the author of two books of poetry: \u003cem\u003eDrolleries\u003c\/em\u003e (McClelland \u0026 Stewart 2019), shortlisted for the Raymond Souster Award, and \u003cem\u003eHacker Packer\u003c\/em\u003e (M\u0026S 2015), which won two Saskatchewan Book Awards and was a finalist for the Gerald Lampert Memorial Award. Her crown of sonnets, \u003cem\u003eThird State of Being\u003c\/em\u003e, was published by Gaspereau Press in 2022. She lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCASSIDY McFADZEAN\u003c\/strong\u003e studied poetry at the Iowa Writers’ Workshop, and fiction at Brooklyn College. She is the author of two books of poetry: \u003cem\u003eDrolleries\u003c\/em\u003e (McClelland \u0026 Stewart 2019), shortlisted for the Raymond Souster Award, and \u003cem\u003eHacker Packer\u003c\/em\u003e (M\u0026S 2015), which won two Saskatchewan Book Awards and was a finalist for the Gerald Lampert Memorial Award. Her crown of sonnets, \u003cem\u003eThird State of Being\u003c\/em\u003e, was published by Gaspereau Press in 2022. She lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"McFadzean, Cassidy (CA)","Description":"\u003cp\u003eThe poems in \u003cem\u003eCrying Dress\u003c\/em\u003e, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, \u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.\u003c\/p\u003e","EAN":"9781487012588","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012588\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e‘There was a time we could have gone back but that time has passed,’ writes Cassidy McFadzean in \u003cem\u003eCrying Dress\u003c\/em\u003e, where poems of grief and intimacy memorably explore modernity’s juxtapositions of the beautiful, the bizarre, and the brutal. Here ‘the bud of a tadpole in cupped palms,’ a Frida Kahlo pillow, and the last text message from a loved one become unexpected keystones in the architecture of the speaker’s experience. These surprising, moving poems relate newfound sobriety, nascent love, and irrevocable loss, while capturing the flickering quality of contemporary attention. McFadzean confronts the immense entropy of our moment and uncovers, within it, within us, tenderness.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Michael Prior, author of Burning Province","OtherText_Accolades_1":"\u003cp\u003eSeasonal affect falls into beautifully monstrous order in Cassidy McFadzean’s \u003cem\u003eCrying Dress\u003c\/em\u003e, a collection tracking a year’s circuitous passage in New York, Toronto, and abroad. Writing from the disorienting clarity of grief and new love, McFadzean sutures these states into blunt longing—to savour every warp of the world and to hover outside its adjunct horrors, a lyric zone in which the poet can ‘sing like an animal clawing inside.’\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Daniel Poppick, author of Fear of Description","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eMcFadzean is one of very few Canadians to be a graduate of the prestigious Iowa Writer’s Workshop. That combined with her recent MFA at New York University, and her regular publication in influential U.S. poetry journals (\u003cem\u003eDenver Quarterly\u003c\/em\u003e, \u003cem\u003eAmerican Poetry Journal\u003c\/em\u003e, \u003cem\u003eColumba\u003c\/em\u003e, \u003cem\u003eTupelo Quarterly\u003c\/em\u003e) makes her a more familiar name in the American market.\u003c\/li\u003e\n\u003cli\u003eWhereas previous titles were set in historical sites, European and Asian countries, and amongst animals, real and imagined, \u003cem\u003eCrying Dress\u003c\/em\u003e is the first to delve mostly into urban environments, particularly Brooklyn and Toronto.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003e\u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003e\u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Crying Dress
Crying Dress explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological.
Quick View
{"id":7253953151035,"title":"Keep","handle":"keep","description":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHome staging is an art of erasure. But in some cases—no matter how much clutter you remove, or how many coats of white paint you apply—stains bleed through, and memories rise from the walls like ghosts. Harriet, an elderly poet whose eccentricities have been compounded by years of living alone, must sell her beloved house. Having been recently diagnosed with dementia, she is being moved into a care facility against her wishes. When stagers Eleanor and Jacob are hired for the job, they quickly find themselves immersed in Harriet’s brimming and mysterious world, but as they struggle to help her, their own lives are unravelling.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKeep\u003c\/em\u003e is a meditation on all the stuff in our lives—from the singular, handcrafted artifact to indelible, mass-produced plastics. As Jenny Haysom excavates the material of our domestic spaces, she centres the people within them and celebrates the power of memory, even when it falters.\u003c\/p\u003e","published_at":"2024-04-19T16:19:24-04:00","created_at":"2024-04-19T16:09:20-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult New Releases","By (author) Haysom Jenny","House of Anansi Press","Literary Fiction","pub date: 2024-10-01"],"price":1899,"price_min":1899,"price_max":2399,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41696379797563,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012427","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keep - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2399,"weight":306,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012427","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41696380649531,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012434","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Keep - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012434","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3a742d78-c8da-45c2-bf1e-96c20233f252.jpg?v=1732971458"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3a742d78-c8da-45c2-bf1e-96c20233f252.jpg?v=1732971458","options":["Title"],"media":[{"alt":null,"id":24940956909627,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3a742d78-c8da-45c2-bf1e-96c20233f252.jpg?v=1732971458"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3a742d78-c8da-45c2-bf1e-96c20233f252.jpg?v=1732971458","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHome staging is an art of erasure. But in some cases—no matter how much clutter you remove, or how many coats of white paint you apply—stains bleed through, and memories rise from the walls like ghosts. Harriet, an elderly poet whose eccentricities have been compounded by years of living alone, must sell her beloved house. Having been recently diagnosed with dementia, she is being moved into a care facility against her wishes. When stagers Eleanor and Jacob are hired for the job, they quickly find themselves immersed in Harriet’s brimming and mysterious world, but as they struggle to help her, their own lives are unravelling.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKeep\u003c\/em\u003e is a meditation on all the stuff in our lives—from the singular, handcrafted artifact to indelible, mass-produced plastics. As Jenny Haysom excavates the material of our domestic spaces, she centres the people within them and celebrates the power of memory, even when it falters.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887847998","AlsoRecommendedISBN_1":"9781487004866","AlsoRecommendedISBN_2":"9781487006884","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJENNY HAYSOM\u003c\/strong\u003e has published her writing in magazines across Canada. Her debut poetry collection, \u003cem\u003eDividing the Wayside\u003c\/em\u003e, won the Archibald Lampman Award and was shortlisted for the Gerald Lampert Memorial Award. Jenny lived in Ottawa for nearly thirty years, on the unceded, ancestral lands of the Algonquin Nation, and has recently returned to Nova Scotia, in Mi’kma’ki, where she grew up.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ City Life","BISACSubjectLiteral_2":"FICTION \/ Family Life \/ General","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC069000","BISACSubject_2":"FIC045000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJENNY HAYSOM\u003c\/strong\u003e has published her writing in magazines across Canada. Her debut poetry collection, \u003cem\u003eDividing the Wayside\u003c\/em\u003e, won the Archibald Lampman Award and was shortlisted for the Gerald Lampert Memorial Award. Jenny lived in Ottawa for nearly thirty years, on the unceded, ancestral lands of the Algonquin Nation, and has recently returned to Nova Scotia, in Mi’kma’ki, where she grew up.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Haysom, Jenny (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHome staging is an art of erasure. But in some cases—no matter how much clutter you remove, or how many coats of white paint you apply—stains bleed through, and memories rise from the walls like ghosts. Harriet, an elderly poet whose eccentricities have been compounded by years of living alone, must sell her beloved house. Having been recently diagnosed with dementia, she is being moved into a care facility against her wishes. When stagers Eleanor and Jacob are hired for the job, they quickly find themselves immersed in Harriet’s brimming and mysterious world, but as they struggle to help her, their own lives are unravelling.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKeep\u003c\/em\u003e is a meditation on all the stuff in our lives—from the singular, handcrafted artifact to indelible, mass-produced plastics. As Jenny Haysom excavates the material of our domestic spaces, she centres the people within them and celebrates the power of memory, even when it falters.\u003c\/p\u003e","EAN":"9781487012427","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012427\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012427\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"The Love Song of J Alfred Prufrock;T. S. Eliot;Gen X;sandwich generation;aging parents;HGTV;hoarders;moving;senior;senior center;directionless;transient;neighbours;neighbourhood;family dynamics;forced moving;downsizing;renovicted;forced into care facility;evicted;Lynn Coady;Away from Her;Still Alice","NumberOfPages":"280","OtherText_Accolades_0":"\u003cp\u003e\"This gentle novel thoughtfully explores how the things we choose to keep can hold us back, and the opportunity for growth that can come from letting go.\" —\u003cstrong\u003eKim van Alkemade, New York Times bestselling author of \u003cem\u003eCounting Lost Stars\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Kim van Alkemade, New York Times bestselling author of Counting Lost Stars","OtherText_Accolades_1":"\u003cp\u003e\"Tender, witty, and wise, Jenny Haysom’s \u003cem\u003eKeep\u003c\/em\u003e brims with insights about the perils and serendipities of change at various stages of life—a wonderful novel.\" —\u003cstrong\u003eClaire Messud, author of \u003cem\u003eThis Strange Eventful History\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eAuthor worked as a home stager and was struck by how staging was a form of erasure, removing the personality of a place. \u003c\/li\u003e\n\u003cli\u003eSharply observed portrayal of early stages of dementia.\u003c\/li\u003e\n\u003cli\u003e\"Domestic\" novel – thoughtful representation of the sense of place and relationship to things of people at different stages of life.\u003c\/li\u003e\n\u003cli\u003eCritique of late capitalism.\u003c\/li\u003e\n\u003cli\u003eBeautifully written – author is an award-winning poet.\u003c\/li\u003e\n\u003cli\u003eThe book’s mood\/tone: Reflective – it explores the relationship between home and possessions; poignant – explores different kinds of loss and grief; topical – a commentary on real estate and development, the packaging of idealized possible lives.\u003c\/li\u003e\n\u003cli\u003eFor women 35+; Gen X\/Sandwich Generation for whom the challenges of ageing parents are imminent, downsizing will resonate. Potential for book clubs with a more literary bent.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eAuthor worked as a home stager and was struck by how staging was a form of erasure, removing the personality of a place. \u003c\/li\u003e\n\u003cli\u003eSharply observed portrayal of early stages of dementia.\u003c\/li\u003e\n\u003cli\u003e\"Domestic\" novel – thoughtful representation of the sense of place and relationship to things of people at different stages of life.\u003c\/li\u003e\n\u003cli\u003eCritique of late capitalism.\u003c\/li\u003e\n\u003cli\u003eBeautifully written – author is an award-winning poet.\u003c\/li\u003e\n\u003cli\u003eThe book’s mood\/tone: Reflective – it explores the relationship between home and possessions; poignant – explores different kinds of loss and grief; topical – a commentary on real estate and development, the packaging of idealized possible lives.\u003c\/li\u003e\n\u003cli\u003eFor women 35+; Gen X\/Sandwich Generation for whom the challenges of ageing parents are imminent, downsizing will resonate. Potential for book clubs with a more literary bent.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\u003cem \u003e“\u003c\/em\u003eAstute and appealing … \u003cem \u003eKeep \u003c\/em\u003eis a compassionate novel in which three people learn that history and memory are ‘fluent and fallible.’” — \u003cstrong \u003e\u003cem\u003eForeword\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“[Haysom’s] prose is remarkable in its spareness. She adeptly represents intergenerational lives with gentleness, heart, and veracity.” — \u003cstrong\u003e\u003cem\u003eBooklist \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“\u003cem\u003eKeep\u003c\/em\u003e is a wry yet tender exploration of the way our homes and possessions carry our memories and reflect our values; we should not, the novel suggests, be too ruthless in our sorting.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e\"A rewarding and memorable read … \u003cem\u003eKeep\u003c\/em\u003e is filled with images and ideas well worth preserving.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Haysom is tender and generous with her characters … This is a book for anyone who needs to sit with and explore their feelings about material objects, and what we do with them, both as we live and as we prepare for the next stage in our lives.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“The braided narrative [in \u003cem\u003eKeep\u003c\/em\u003e] is so well balanced, each character a vivid and engaging presence in the novel, and it’s interesting (and refreshing!) to encounter a book presenting three different generations together and the genuine connections between them.” — \u003cstrong\u003e\u003cem\u003ePickle Me This Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“Jenny Haysom reminds us that keeping is a complex, multilayered process ... [and] poignantly invites us to consider our mortality and impermanence.” — \u003cstrong\u003e\u003cem\u003eGetting Lit with Linda Podcast\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-10-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Novel","Width":"5.25","WidthCode":"in"}
Keep
A timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.
Quick View
{"id":7168137920571,"title":"Midway","handle":"midway","description":"\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","published_at":"2023-07-27T14:27:46-04:00","created_at":"2023-07-27T14:22:33-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult LGBTQ+","Adult Poetry","By (author) Czaga Kayla","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382985695291,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012601","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midway - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012601","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41382986416187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012618","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Midway - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012618","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","options":["Title"],"media":[{"alt":"Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.","id":24263874871355,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005962","AlsoRecommendedISBN_1":"9781487008680","AlsoRecommendedISBN_2":"9781487008949","BASICMainSubject":"POE023010","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Death, Grief, Loss","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Death, Grief, Loss","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE023010","BISACSubject_1":"POE023050","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Czaga, Kayla (CA)","Description":"\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","EAN":"9781487012601","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012601\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"88","OtherText_Accolades_0":"\u003cp\u003eA lyric force, taking on grief in molecular detail. I love these poems.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Souvankham Thammavongsa, author of How to Pronounce Knife","OtherText_Accolades_1":"\u003cp\u003e“Then I got into the poem– \/ it doesn’t matter which poem– \/ and let it take me \/ wherever it was going,” Kayla Czaga concludes in her powerful elegy, “Dad Poem,” and I found myself making this allowance as well throughout the brilliant lyric poems of \u003cem \u003eMidway. \u003c\/em\u003eThere’s a lot of discussion of dinosaur erotica but, sadly, little actual dinosaur erotica. Instead the poet shows a sprightly imagination formed as much from the ebullience of fanfiction as the “seven hundred Romantic poems” she studied in school (merely learning “how to flirt with lakes”). But Keats in the Internet age would still have been Keats, just a Keats who wrote some Hanson fanfiction at some point. He would have perhaps written, as Czaga does, a poem called “The Sadness of Marge Simpson,” though this one is better because it’s real, and in this tremendous book: “my dad didn’t actually die \/ but has been in China this whole time \/ gawking at the Great Wall like he always wanted \/ and maybe Marge Simpson is with him, \/ having finally divorced her declining franchise.” To a reader facing one’s own declining franchises, Czaga’s \u003cem \u003eMidway\u003c\/em\u003e offers a glimpse at how, through the paired problems of the presence of parents and their absences, one's imagination and self might still grow.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Ed Skoog, author of Travelers Leaving for the City","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\u003cem \u003eMidway\u003c\/em\u003e is funny, genuine, and well written. Czaga offers a fitting and vulnerable elegy for her parents and a harrowing meditation on her life in the aftermath.\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Midway
Honest, elegiac, characteristically strange, and frequently funny, Midway is an exploration of grief in all its manifestations.
Quick View
{"id":7168128319547,"title":"Little Crosses","handle":"little-crosses","description":"\u003cp\u003e\u003cstrong\u003eA daughter examines her complicated relationship with a charismatic, narcissistic mother who now lives with alcohol-related dementia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Cassie Wolfe brings her mother, Nina, to the Albuquerque Presbyterian Hospital to be detoxed, the doctors ask her to write a profile of the patient. But how can she fit Nina into a Word document? The last two years have left Cassie stunned, unable to reconcile the shell of a woman lying in the hospital bed with the force of nature that was her mother. \u003c\/p\u003e\n\u003cp\u003eCassie's memories of Nina span decades and landscapes, from a farmhouse in Massachusetts to the streets of New York and the mountains of New Mexico. Nina was a charismatic iconoclast—an architect and builder who could wield a circular saw as easily as discuss politics art. But as Cassie comes to realize, Nina's brilliant constructions were only possible when she walled off whole sides of herself. Hiding is not unique to Nina—Cassie knows AA is full of just such intelligent, hilarious, powerful women. And when her critical gaze turns to her own life and how she’s raising her two daughters, she sees her mother's influence everywhere. In the end, Nina's devastating descent threatens to pull the family under, and Cassie's constant action is propelled by grief until she realizes that all that remains is to let it go.\u003c\/p\u003e","published_at":"2023-07-27T14:02:55-04:00","created_at":"2023-07-27T13:50:09-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["By (author) Reeves Sabrina","Feminist Reads","House of Anansi Press","Literary Fiction","pub date: 2024-03-19"],"price":1899,"price_min":1899,"price_max":2399,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382911148091,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011840","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Little Crosses - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2399,"weight":354,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011840","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41382911737915,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011857","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Little Crosses - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011857","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487011840.jpg?v=1710165758"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487011840.jpg?v=1710165758","options":["Title"],"media":[{"alt":"Cover: Little Crosses, a novel by Sabrina Reeves. An abstract painting of a New Mexico horizon at late dusk. The sky and the ground are both dark shades of indigo and midnight blue, separated in the lower third of the image by a strip of pale orange sky with a darker orange swatch to the right. At the top of the cover is the blurb “… gorgeous, ruthless, and unforgettable ...” from Peter Behrens, author of the Governor General’s Literary Award–winning The Law of Dreams","id":24299721162811,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487011840.jpg?v=1710165758"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487011840.jpg?v=1710165758","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA daughter examines her complicated relationship with a charismatic, narcissistic mother who now lives with alcohol-related dementia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Cassie Wolfe brings her mother, Nina, to the Albuquerque Presbyterian Hospital to be detoxed, the doctors ask her to write a profile of the patient. But how can she fit Nina into a Word document? The last two years have left Cassie stunned, unable to reconcile the shell of a woman lying in the hospital bed with the force of nature that was her mother. \u003c\/p\u003e\n\u003cp\u003eCassie's memories of Nina span decades and landscapes, from a farmhouse in Massachusetts to the streets of New York and the mountains of New Mexico. Nina was a charismatic iconoclast—an architect and builder who could wield a circular saw as easily as discuss politics art. But as Cassie comes to realize, Nina's brilliant constructions were only possible when she walled off whole sides of herself. Hiding is not unique to Nina—Cassie knows AA is full of just such intelligent, hilarious, powerful women. And when her critical gaze turns to her own life and how she’s raising her two daughters, she sees her mother's influence everywhere. In the end, Nina's devastating descent threatens to pull the family under, and Cassie's constant action is propelled by grief until she realizes that all that remains is to let it go.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000394","AlsoRecommendedISBN_1":"9781487005344","AlsoRecommendedISBN_3":"9781770898233","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSABRINA REEVES\u003c\/strong\u003e grew up in Boston and New York and currently lives in Montreal. Her artistic practice has primarily been in writing performance texts and plays. She founded the performance company Bluemouth Inc., with whom she’s written and staged over a dozen original works and performed all over the world. In 2018, she completed an MFA in creative writing at Concordia University, where she was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Family Life \/ General","BISACSubjectLiteral_2":"FICTION \/ Women","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC045000","BISACSubject_2":"FIC044000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSABRINA REEVES\u003c\/strong\u003e grew up in Boston and New York and currently lives in Montreal. Her artistic practice has primarily been in writing performance texts and plays. She founded the performance company Bluemouth Inc., with whom she’s written and staged over a dozen original works and performed all over the world. In 2018, she completed an MFA in creative writing at Concordia University, where she was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Reeves, Sabrina (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA daughter examines her complicated relationship with a charismatic, narcissistic mother who now lives with alcohol-related dementia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Cassie Wolfe brings her mother, Nina, to the Albuquerque Presbyterian Hospital to be detoxed, the doctors ask her to write a profile of the patient. But how can she fit Nina into a Word document? The last two years have left Cassie stunned, unable to reconcile the shell of a woman lying in the hospital bed with the force of nature that was her mother. \u003c\/p\u003e\n\u003cp\u003eCassie's memories of Nina span decades and landscapes, from a farmhouse in Massachusetts to the streets of New York and the mountains of New Mexico. Nina was a charismatic iconoclast—an architect and builder who could wield a circular saw as easily as discuss politics art. But as Cassie comes to realize, Nina's brilliant constructions were only possible when she walled off whole sides of herself. Hiding is not unique to Nina—Cassie knows AA is full of just such intelligent, hilarious, powerful women. And when her critical gaze turns to her own life and how she’s raising her two daughters, she sees her mother's influence everywhere. In the end, Nina's devastating descent threatens to pull the family under, and Cassie's constant action is propelled by grief until she realizes that all that remains is to let it go.\u003c\/p\u003e","EAN":"9781487011840","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011840\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"344","OtherText_Accolades_0":"\u003cp\u003eNina is brilliant and drunk. She’s also a mother, whose children celebrate her gifts and struggle to survive her parenting. Sabrina Reeves’s first novel is as gorgeous, ruthless, and unforgettable as its protagonist.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Peter Behrens, author of the Governor General’s Literary Award–winning The Law of Dreams","OtherText_Accolades_1":"\u003cp\u003eA portrait of childhood and motherhood that turns these concepts on their heads, shining a light over all their gaps and insufficiencies. Sabrina Reeves’s love of her characters is reckless and palpable, propelling the reader forward across every heartrending page.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Sean Michaels, Scotiabank Giller Prize winner and author of Do You Remember Being Born","OtherText_Accolades_2":"\u003cp\u003eThere are never enough accounts of mothers and daughters; the bedside lamentations, the diversions, the lengths women must go to reach—and care—for each other, and very often, finally, just to let go. In \u003cem\u003eLittle Crosses\u003c\/em\u003e, Sabrina Reeves wades into the maelstrom with her heart on the outside, and it’s that vulnerability that sets the pace here, that makes this book so hard to set down. Cassie’s is a compelling journey, one that many of us will recognize intimately, and painfully, as true.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sina Queyras, author of Autobiography of Childhood","OtherText_Accolades_3":"\u003cp\u003eNina Wolfe is a force of nature, a free spirit, and the life of the party—but as her children know, she can also swallow people whole. Her story sucked me in and left me with a deep respect for writer Sabrina Reeves, who clearly understands the push and pull of dealing with a larger-than-life parent in crisis. \u003cem \u003eLittle Crosses\u003c\/em\u003e heralds the arrival of a big talent.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Neil Smith, author of Jones","OtherText_Accolades_4":"\u003cp\u003eA magnetic read. In \u003cem\u003eLittle Crosses\u003c\/em\u003e, when a mother requires critical intervention, her daughter balances the brilliant, neurotic exuberance of her mom’s life with her own, and with the entrenched aggravations of their complex time together. Sabrina Reeves creates a hypnotic character who invigorates a jubilant, intimate, painful, loving, and astonishing novel.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Trevor Ferguson, Hugh MacLennan Prize winner and author of The River Burns","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eWill appeal to women who find themselves stretched between caring for their young children and ageing parents.\u003c\/li\u003e\n\u003cli\u003eReaders who face the challenge of caring for loved ones who struggle with alcoholism and addiction will find the story relatable. Good discussion points for book clubs.\u003c\/li\u003e\n\u003cli\u003eThe author is married to David Usher of the band Moist. David is also an Anansi author. This novel is loosely autobiographical.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eA daughter examines her complicated relationship with a charismatic, narcissistic mother who now lives with alcohol-related dementia.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-03-19","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eA daughter examines her complicated relationship with a charismatic, narcissistic mother who now lives with alcohol-related dementia.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Novel","Width":"5.25","WidthCode":"in"}
Little Crosses
A daughter examines her complicated relationship with a charismatic, narcissistic mother who now lives with alcohol-related dementia.
Quick View
{"id":7095986716731,"title":"The All + Flesh","handle":"the-all-flesh","description":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e\r\n\u003cp\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\r\nthe development of my molars\u003cbr\u003e\r\nthe hunger the teeth grew\u003cbr\u003e\r\nhas been with me since childhood\u003cbr\u003e\r\nI can’t escape the mouths of others\u003c\/p\u003e","published_at":"2023-02-23T16:49:40-05:00","created_at":"2023-02-23T15:53:49-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Bird Brandi","House of Anansi Press","pub date: 2023-08-08"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41136186622011,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011826","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011826","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41136228007995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011833","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448","options":["Title"],"media":[{"alt":"Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.","id":23738560708667,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e\r\n\u003cp\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\r\nthe development of my molars\u003cbr\u003e\r\nthe hunger the teeth grew\u003cbr\u003e\r\nhas been with me since childhood\u003cbr\u003e\r\nI can’t escape the mouths of others\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487011154","BASICMainSubject":"POE023050","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Family","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, Tsleil-Waututh, and Musqueam peoples. Bird’s poems have been published in \u003cem\u003eCatapult\u003c\/em\u003e, \u003cem\u003eThe Puritan\u003c\/em\u003e, \u003cem\u003eRoom Magazine\u003c\/em\u003e, and others. They are a fourth year BFA student at the University of British Columbia, but their heart is always yearning for the prairies.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ Indigenous","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE023050","BISACSubject_1":"POE011010","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, Tsleil-Waututh, and Musqueam peoples. Bird’s poems have been published in \u003cem\u003eCatapult\u003c\/em\u003e, \u003cem\u003eThe Puritan\u003c\/em\u003e, \u003cem\u003eRoom Magazine\u003c\/em\u003e, and others. They are a fourth year BFA student at the University of British Columbia, but their heart is always yearning for the prairies.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Bird, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e\r\n\u003cp\u003eI am made of centuries \u0026 carbohydrates\u003cbr\u003e\r\nthe development of my molars\u003cbr\u003e\r\nthe hunger the teeth grew\u003cbr\u003e\r\nhas been with me since childhood\u003cbr\u003e\r\nI can’t escape the mouths of others\u003c\/p\u003e","EAN":"9781487011826","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011826\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"leanne betasamosake simpson;this accident of being lost;noopiming;billy ray belcourt;ndn coping mechanisms;thomas king;the truth about stories;katherena vermette;the break;indigenous studies;canadian poetry","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003eSince hearing Brandi Bird at a reading in a park in summertime recite the lines, “I know \/ then that there is hope \/ until I die \u0026 then \/ there is other \/ people’s hope,” I have thought about them many times, they have merged with my own consciousness. That’s the power of Bird’s poems—they resonate at such a visceral and cerebral level that they become a part of you. \u003cem\u003eThe All + Flesh\u003c\/em\u003e marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Billy-Ray Belcourt, author of A MINOR CHORUS","OtherText_Accolades_1":"\u003cp\u003eIn \u003cem\u003eThe All + Flesh\u003c\/em\u003e, Brandi Bird maps the psychic space between ‘NDN compartmentalization’ and split prairies, from bus depots to ‘endocrine storms,’ from LiveJournal to a living history of relocation under land theft. ‘My body is not an empire but first contact happened at \/ birth’ and ‘I eat \/ until my mouth needles \/ the dark.’ With exacting lucidity, Bird’s lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Liz Howard, author of Letters in a Bruised Cosmos","OtherText_Accolades_2":"\u003cp\u003eA stunning collection with carefully crafted, searing poems that refuse artifice, indirectness, and voyeurism. Brandi Bird writes the experience of illness and Indigeneity into a world that accepts illness only if it perpetuates colonial beauty and body standards, then interrogates the racist systems that disallow care and compassion for Indigenous people. These poems are tender and surprising; they are holes travelling through time and space. They are able to shapeshift God into pills, prayers, seeds, and stars. \u003cem\u003eThe All + Flesh \u003c\/em\u003ehas taken root in my mind and I'm happy to let it grow there.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Jessica Johns, author of Bad Cree","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eThis is Bird’s gospel … They transform prayer into poetry.\u003c\/p\u003e","OtherText_Review_0_Src":"British Columbia Review","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2023-08-08","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
The All + Flesh
Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.
Quick View
{"id":7118293827643,"title":"An Ordinary Violence","handle":"an-ordinary-violence","description":"\u003cp\u003e\u003cstrong\u003eA chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eDawn hasn’t spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return to her childhood home and the prairie city that hold so much pain for her and her fractured family. \u003c\/p\u003e\n\u003cp\u003eCody is unexpectedly released from prison with a mysterious new friend by his side, who seems to be the charismatic leader of a dangerous supernatural network. Trying to uncover their plans, Dawn follows increasingly sinister leads until the lines between this world and the next, now and then, and right and wrong begin to blur and dissolve. \u003c\/p\u003e\n\u003cp\u003eWhat unfolds is an eerie, incisive, and at times darkly funny horror novel about a young Indigenous woman reckoning with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living—and where it is humans who carry out the truly monstrous acts.\u003c\/p\u003e","published_at":"2023-04-11T10:10:34-04:00","created_at":"2023-04-03T09:21:25-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","By (author) Chartrand Adriana","Literary Fiction","pub date: 2023-10-31","Spiderline","Thrillers \u0026 Mystery"],"price":1899,"price_min":1899,"price_max":2399,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41192452489275,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011888","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"An Ordinary Violence - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2399,"weight":272,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011888","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41196877152315,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011956","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"An Ordinary Violence - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011956","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2b333203-6ec5-49f7-8693-7b3d29cdc6fd.jpg?v=1695491922"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2b333203-6ec5-49f7-8693-7b3d29cdc6fd.jpg?v=1695491922","options":["Title"],"media":[{"alt":"Cover: An Ordinary Violence, a novel by Adriana Chartrand. A black-and-white image of a rabbit against a black background spans the cover diagonally. The rabbit appears from the side with its eyes open. Its legs are bunched under its body, and its ears are laid flat against its back, with its nose pointed into the upper left corner. Red blood droplets spatter the cover.","id":23812601086011,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2b333203-6ec5-49f7-8693-7b3d29cdc6fd.jpg?v=1695491922"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2b333203-6ec5-49f7-8693-7b3d29cdc6fd.jpg?v=1695491922","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eDawn hasn’t spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return to her childhood home and the prairie city that hold so much pain for her and her fractured family. \u003c\/p\u003e\n\u003cp\u003eCody is unexpectedly released from prison with a mysterious new friend by his side, who seems to be the charismatic leader of a dangerous supernatural network. Trying to uncover their plans, Dawn follows increasingly sinister leads until the lines between this world and the next, now and then, and right and wrong begin to blur and dissolve. \u003c\/p\u003e\n\u003cp\u003eWhat unfolds is an eerie, incisive, and at times darkly funny horror novel about a young Indigenous woman reckoning with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living—and where it is humans who carry out the truly monstrous acts.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001117","AlsoRecommendedISBN_1":"9781487001278","AlsoRecommendedISBN_2":"9781487007645","BASICMainSubject":"FIC059000","BASICMainSubjectLiteral":"FICTION \/ Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eADRIANA CHARTRAND\u003c\/strong\u003e is a mixed-race Native woman, born and raised in Winnipeg, Manitoba. Her father is Red River Métis (Michif), born and raised in the Métis community of St. Laurent, and her mother is a mixed white settler from Manitoba. Adriana has two degrees in film studies and has previously worked in the social work field. She lives in Toronto and works in the film industry. \u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Indigenous","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubjectLiteral_2":"FICTION \/ Horror","BISACSubject_0":"FIC059000","BISACSubject_1":"FIC019000","BISACSubject_2":"FIC015000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eADRIANA CHARTRAND\u003c\/strong\u003e is a mixed-race Native woman, born and raised in Winnipeg, Manitoba. Her father is Red River Métis (Michif), born and raised in the Métis community of St. Laurent, and her mother is a mixed white settler from Manitoba. Adriana has two degrees in film studies and has previously worked in the social work field. She lives in Toronto and works in the film industry. \u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Chartrand, Adriana (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eDawn hasn’t spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return to her childhood home and the prairie city that hold so much pain for her and her fractured family. \u003c\/p\u003e\n\u003cp\u003eCody is unexpectedly released from prison with a mysterious new friend by his side, who seems to be the charismatic leader of a dangerous supernatural network. Trying to uncover their plans, Dawn follows increasingly sinister leads until the lines between this world and the next, now and then, and right and wrong begin to blur and dissolve. \u003c\/p\u003e\n\u003cp\u003eWhat unfolds is an eerie, incisive, and at times darkly funny horror novel about a young Indigenous woman reckoning with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living—and where it is humans who carry out the truly monstrous acts.\u003c\/p\u003e","EAN":"9781487011888","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011888\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Spiderline","MetaKeywords":"katherena vermette;the break;the strangers","NumberOfPages":"256","OtherText_Accolades_0":"\u003cp\u003eWell written, creepy, frustrating, and puzzling. There may be violence in this novel, but there’s nothing ordinary about it.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Drew Hayden Taylor, author of Take Us to Your Chief","OtherText_Accolades_1":"\u003cp\u003eWhat a book! It’s utterly enthralling and unsettling to your bones. A wonderful haunt that creeps into your psyche in the best possible way. I feel like I know Dawn, which only makes the story creepier. A tremendous debut, and I can’t wait to read more.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Jesse Wente, author of Unreconciled: Family, Truth, and Indigenous Resistance","OtherText_Accolades_2":"\u003cp\u003e\u003cem \u003eAn Ordinary Violence \u003c\/em\u003eby Adriana Chartrand is a compelling read that rockets off the page. From the first chapter, I was hooked and gleefully followed Dawn as she moved around the spaces she used to call home to figure out her new reality. The writing is poetic, truthful, and you can tell that Adriana has written a story from her heart. This book will be sure to surprise its readers!\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Francine Cunningham, author of God Isn’t Here Today","OtherText_Accolades_3":"\u003cp\u003e\u003cem \u003eAn Ordinary Violence \u003c\/em\u003eis surely a gripping and haunting novel, one that will hold you from the first word to the last, but what makes it so potent and memorable is the way Adriana Chartrand tells this story with such grace and humility. There is horror, and then there is \u003cem \u003ehorror\u003c\/em\u003e—\u003cem \u003eAn Ordinary Violence\u003c\/em\u003e has both. This is an unforgettable novel.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Morgan Talty, author of Night of the Living Rez","OtherText_Accolades_4":"\u003cp\u003eAdriana Chartrand’s \u003cem \u003eAn Ordinary Violence\u003c\/em\u003e is a hallucinatory slow-burn chiller, sharply observed and heartfelt in its depiction of family ties that bind like strips of wet rawhide. Dawn returns to her hometown to find it is in the grip of something uncanny and malevolent. As she visits old friends and familiar places, she grapples with ghosts from the past and demons on the rise to save her struggling father, her wayward brother, and herself. With this fresh and fearsome look at the contemporary Indigenous experience, Chartrand emerges at the forefront of our newest literary voices.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"David Demchuk, author of The Bone Mother and RED X","OtherText_Accolades_5":"\u003cp\u003e\u003cem \u003eAn Ordinary Violence\u003c\/em\u003e is a gripping debut novel that bewilders in the best way possible. Adriana Chartrand sparks a fire on the first page that steadily burns into a tremendous literary spectacle that transcends genre. I was riveted by the story and thoroughly impressed by the writing. This novel will stay with me for a long time.\u003c\/p\u003e","OtherText_Accolades_5_Auth":"Waubgeshig Rice, author of Moon of the Turning Leaves","OtherText_Accolades_6":"\u003cp\u003eAn unsettling, lyrical, slow-burn of a novel that combines the best elements of atmosphere and horror. Weaving together a history of violence with spirituality and the supernatural, Chartrand has achieved something special here, a cacophony of style and genre that displays the immeasurable potential of Indigenous storytelling.\u003c\/p\u003e","OtherText_Accolades_6_Auth":"David A. Robertson, author of The Theory of Crows","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eAdriana Chartrand is a mixed-race Indigenous woman — Red River Metis (Michif) and white. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eAn Ordinary Violence\u003c\/em\u003e fits into the burgeoning literary genre of Indigenous speculative fiction by authors such as Cherie Dimaline, Eden Robinson, Darcie Little Badger, David Robertson, and Waubgeshig Rice.\u003c\/li\u003e\n\u003cli\u003eThis book kicks off our new direction for the Spiderline imprint, which will include more genre-bending, ground-breaking, experimental, innovative, unexpected, and unconventional speculative titles, as well as mysteries and thrillers, by more BIPOC and LGBTQ2S+ authors. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eAn Ordinary Violence\u003c\/em\u003e is a prime example of the movement in horror film and TV series to explore big-ticket social issues such as feminism, racism, colonization, and intergenerational trauma, such as Jordan Peele’s \u003cem\u003eGet Out\u003c\/em\u003e, \u003cem\u003eUs\u003c\/em\u003e, and \u003cem\u003eNope\u003c\/em\u003e; \u003cem\u003eThe Babadook\u003c\/em\u003e; and \u003cem\u003eThe Haunting of Hill House\u003c\/em\u003e. This book seamlessly blends classic horror and a dramatic narrative with sharp social commentary. \u003c\/li\u003e\n\u003cli\u003eThere is now an undeniable explosion of spectacular Indigenous content in mainstream arts, culture, and entertainment, with movies like \u003cem\u003ePrey\u003c\/em\u003e and TV shows like \u003cem\u003eReservation Dogs\u003c\/em\u003e and \u003cem\u003eRutherford Falls\u003c\/em\u003e. The past two winners of CBC’s Canada Reads have been Indigenous-authored books (\u003cem\u003eJonny Appleseed\u003c\/em\u003e and \u003cem\u003eFive Little Indians\u003c\/em\u003e).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eCreepy and unsettling, this assured debut addresses the ways violence, grief, and unprocessed trauma reverberate over years, keeping fractured psyches and relationships from mending.\u003c\/p\u003e","OtherText_Review_0_Src":"Booklist","OtherText_Review_1":"\u003cp\u003eA chilling picture of trauma, grief, and violence that is anything but ordinary.\u003c\/p\u003e","OtherText_Review_1_Src":"Library Journal","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2023-10-31","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Novel","Width":"5.25","WidthCode":"in"}
An Ordinary Violence
A chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.
