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Poetry Bash 2025
Here are the five poetry collections we'll be celebrating during Poetry Bash!
Quick View
{"id":7299167354939,"title":"Myth","handle":"myth","description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","published_at":"2024-08-29T17:50:22-04:00","created_at":"2024-08-29T17:44:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Mason Pierre Terese","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820379906107,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013042","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Myth - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":204,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013042","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820379971643,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013059","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Myth - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013059","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","options":["Title"],"media":[{"alt":"Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.","id":24981738094651,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487010720","AlsoRecommendedISBN_1":"9781487011826","AlsoRecommendedISBN_2":"9781487012250","BASICMainSubject":"POE000000","BASICMainSubjectLiteral":"POETRY\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e is a Toronto-based writer and editor whose work has appeared in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny Magazine\u003c\/em\u003e, and \u003cem\u003eFantasy Magazine\u003c\/em\u003e, among others. One of ten winners of the Writers’ Trust McClelland \u0026 Stewart Journey Prize, she was named a Writers’ Trust Rising Star. Terese Mason Pierre is an editor at \u003cem\u003eAugur\u003c\/em\u003e, a Canadian journal of speculative literature, and the author of \u003cem\u003eMyth\u003c\/em\u003e (House of Anansi Press), a collection of poetry.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ General","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE000000","BISACSubject_1":"POE024000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e is a Toronto-based writer and editor whose work has appeared in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny Magazine\u003c\/em\u003e, and \u003cem\u003eFantasy Magazine\u003c\/em\u003e, among others. One of ten winners of the Writers’ Trust McClelland \u0026 Stewart Journey Prize, she was named a Writers’ Trust Rising Star. Terese Mason Pierre is an editor at \u003cem\u003eAugur\u003c\/em\u003e, a Canadian journal of speculative literature, and the author of \u003cem\u003eMyth\u003c\/em\u003e (House of Anansi Press), a collection of poetry.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Mason Pierre, Terese (CA)","Description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","EAN":"9781487013059","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013059\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Magical Realism;Experimental Poetry;BIPOC Voices;Own Voices;BIPOC Poetry;Racialized experimental literature;Science Fiction;Speculative Fiction;Fantasy;Mythology;Jillian Christmas;Manahil Bandukwala;Monument;Cannibal;Safiya Sinclair;Who Will Bury You?;Chido Muchemwa;Chrysalis;Anuja Varghese;Creation of Half Broken People;Legend;Storytelling;SFF;Advocacy;As the Earth Dreams;Fugue with Bedbug;Can You Sign My Tentacle?;Anne-Marie Turza;Brandon O'Brien;The Gospel Of Breaking;Siphiwe Ndlovu","NumberOfPages":"120","OtherText_Accolades_0":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e is aptly titled for it is as vast as the word’s implication … The diaspora is indeed everywhere because, in Mason Pierre’s thrillingly versatile language, it is as large as the cosmos and as intimate as the soul.” —\u003cstrong\u003eWayde Compton, author of \u003cem\u003eThe Outer Harbour\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e closely captures the way historicity and futurity move through us, not cleanly, but repetitively, snagging us with waves of ‘coloured truth’ and ‘layered violence’.” —\u003cstrong\u003ePhoebe Wang, author of \u003cem\u003eWaking Occupations\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“In the world of these poems, the body is closer to the blue of the sky and grasp of the grass than it is in ordinary life … Once the poems have changed us, we might not be able to leave the world Terese Mason Pierre has made.” —\u003cstrong\u003eLarissa Lai, author of \u003cem\u003eThe Lost Century\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“This is poetry that swells, takes flight, and soars.”—\u003cstrong\u003eManahil Bandukwala, author of \u003cem\u003eMonument\u003c\/em\u003e and \u003cem\u003eHeliotropia\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4":"\u003cp\u003e“Lead by a voice that is reflective, poised, and self-assured, this is the kind of poetry that honours old tellings, that journeys to speculative imaginings.” —\u003cstrong\u003eWhitney French, editor, \u003cem\u003eBlack Writers Matter\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003ePierre is well known both as a poet and as an advocate for (racialized) speculative literature. Though not a collection of speculative poems, a number of the strongest pieces in the book fit that description. \u003c\/li\u003e\n\u003cli\u003eBecause of its style and subject matter, the book\/author will draw crossover interest with speculative and science fiction audiences (Pierre is already a prominent Canadian figure in those genres). \u003c\/li\u003e\n\u003cli\u003ePierre is a strong reader and will likely hand-sell a good number of books on her own. Terese is also the editor of the forthcoming anthology of black speculative writing, \u003cem\u003eAs the Earth Dreams\u003c\/em\u003e, Anansi, Spring 2025 (title and pub date TBC).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A startling, transformative collection.” \u003cstrong\u003e\u003cem\u003e— Winnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Through the magic of her words, \u003cem\u003eMyth\u003c\/em\u003e explores our relationships to land, trauma, self, ancestry and the future— and asks how myths can manifest themselves in our everyday lives.” — \u003cstrong\u003e\u003cem\u003eCanadian Living\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“These are poems as foundational as the earth or the ocean, offering sharp and astute first-person observational, declarative and descriptive lyrics … \u003cem\u003eMyth\u003c\/em\u003e is a striking and deeply complex debut.” \u003cstrong\u003e\u003cem\u003e— rob mclennan's blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“What distinguishes \u003cem\u003eMyth\u003c\/em\u003e is not only its formal inventiveness, but its philosophical reach … A sustained inquiry into how we come to know ourselves through distance—temporal, emotional, and otherwise.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“These invisible connective structures from the tangible practical world of magic, devil, gods and myth do something, fulfil something, cross a gap of ache in a broken world. Such world-building in poetry permits a larger canvas than the obvious and given.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.75","WidthCode":"in"}
Myth
The much-anticipated debut collection from the multi-talented Terese Mason Pierre.
Quick View
{"id":7299167092795,"title":"Shadow Price","handle":"shadow-price","description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003eLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","published_at":"2024-08-29T17:43:54-04:00","created_at":"2024-08-29T17:38:26-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Ghafoor Farah","Feminist Reads","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820378726459,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012922","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":210,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012922","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820378791995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012939","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012939","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872","options":["Title"],"media":[{"alt":"Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.","id":26067219185723,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003eLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487010843","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ghafoor, Farah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","EAN":"9781487012939","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012939\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Poetry;EJ Pratt Award for Poetry;CBC Poetry Prize;University of Toronto;Financial Analyst;Accounting Poems;South Asian;My Grief the Sun;Intruder;Sanna Wani;Wellwater;Room Magazine;Silk Road Literary Festival;League of Canadian Poets;ARC Poetry Magazine;Pakistani-Canadian;Climate Anxiety;Capitalism;Late Stage Capitalism;Chimwemwe Undi;Scientific Marvel;Environmentalism;Economy;Muslim;Islam;Women's Studies;Women's Poetry;Muslim Poetry;Karen Solie","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e“Farah Ghafoor’s highly-anticipated debut is as expansive and epic as it is exacting … \u003cem\u003eShadow Price\u003c\/em\u003e is a stalwart reminder of how much we have already lost to capitalism, how much we still might lose, and how we might come to terms with this disrepair.”– \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“With ardor and a lustrous fury, Farah Ghafoor emboldens with poems that resound of a planet in crisis … This is a book we need now more than ever given the severe and precarious state of our entire existence and all that we touch, eat, breathe, and leave behind.\" —\u003cstrong\u003eMai Der Vang, author of \u003cem\u003ePrimordial\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"If we are the last poets, may this collection inspire us to truly value the pricelessness of our wounded and wondrous planet.\" — \u003cstrong\u003eCraig Santos Perez, author of \u003cem\u003eCal This Mutiny\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“[Ghafoor] deconstructs and reassembles our world into a sincere but uncanny and urgent stream of thoughts and images, often playful, absurd, sarcastic, and funny … A tour de force.” —\u003cstrong\u003eAndri Magnason, author of \u003cem\u003eTime and Water\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is the second year in a row we have featured a poetry debut by someone who is not a graduate of a creative writing or MFA program (Chim Undi, \u003cem\u003eScientific Marvel\u003c\/em\u003e). She has a BBA from U of T.\u003c\/li\u003e\n\u003cli\u003eBecause of its politics and subject matter, the book\/author will potentially draw crossover interest (it already has) in Environmental, Muslim, and Women’s Studies courses.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A groundbreaking take on ecopoetry … [\u003cem\u003eShadow Price\u003c\/em\u003e manages to] show us a world that is beautiful and, above all, inherently valuable.” \u003cstrong\u003e\u003cem\u003e— Room Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Urgent debut.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Ghafoor’s words hold up a mirror to society, asking whether we still have time or if it is already too late … Gut-wrenching. — \u003cstrong\u003e\u003cem\u003eQuebec Library Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCode_0":"04","PrizeCode_1":"05","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Toronto Book Award","PrizeYear_0":"2025","PrizeYear_1":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Shadow Price
Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens.
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{"id":7349209169979,"title":"Wellwater","handle":"wellwater","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","published_at":"2025-02-21T10:57:34-05:00","created_at":"2025-02-21T10:54:35-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult New Releases","Adult Poetry","By (author) Solie Karen","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025534554171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013400","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":190,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013400","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42025534652475,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013417","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013417","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909","options":["Title"],"media":[{"alt":null,"id":26139679326267,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2a6c15f3-4735-46b1-81cd-9651853b9287.jpg?v=1764168909","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887846885","AlsoRecommendedISBN_1":"9781487000967","AlsoRecommendedISBN_2":"9781487008376","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Solie, Karen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nWinner, Forward Prize for Best Collection of Poetry\u003cbr\u003e\nFinalist, T.S. Eliot Prize\u003cbr\u003e\nAn \u003cem\u003eObserver\u003c\/em\u003e and \u003cem\u003eFinancial Times \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","EAN":"9781487013417","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013417\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Caiplie Caves;Griffin Poetry Prize;T.S. Elliot Prize for Poetry;Pat Lowther Memorial Award;Trillium Award;Dorothy Livesay Prize;Lyric Poetry;Career Poets;Lifetime Poets;Poetry;Capitalism;Economy;Environment;Climate Anxiety;Corporate Greed;The University of St Andrews;Guggenheim Fellowship;Women Auhtors;Women Poets;Critical Poetry;Iris Trio;Project Earth;Ben Lerner;Lights;Lisa Robertson;Boat;Michael Ondaatje;A Year of Last Things;Rural Poetry;Late Stage Capitalism;Nature Poetry","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is Solie’s sixth standalone collection and the first since \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e, was shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eCaiplie\u003c\/em\u003e was a book-length, concept-oriented title, Wellwater returns to a more familiar, varied collection. \u003c\/li\u003e\n\u003cli\u003eWidely considered the best lyric poet of her generation, Solie has won virtually every Canadian award and is one of the very few Canadian poets with a substantial readership in Canada, the U.S. and the U.K. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWellwater\u003c\/em\u003e includes poems commissioned by Iris Trio for its forthcoming album \u003cem\u003eProject Earth: The Green Chapter\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Blazingly honest.” \u003cstrong\u003e\u003cem\u003e— The Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“[Karen Solie has] a consistent knack for surprise, for finding ways to develop a style that, one book back, felt fully realized.” \u003cstrong\u003e\u003cem\u003e— Literary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“Solie’s poems offer both deep wisdom and a lightness across the line … Her poems craft deep wells of meditative thinking, lines that turn a leaf over in one’s hand, to study every side.” \u003cstrong\u003e\u003cem\u003e— rob mclennan’s blog \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11":"\u003cp\u003e\"[Karen Solie] has never faltered.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12":"\u003cp\u003e“Thoughtful.” —\u003cstrong\u003e\u003cem\u003e Quebec Library Association \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e “\u003cem\u003eWellwater\u003c\/em\u003e is full of small revelations. At this point, Solie has little left to achieve, but if her poems keep letting their mask slip, they might genuinely surprise us. She has been a thrillingly unpredictable poet for twenty-five years.” — \u003cstrong\u003e\u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an unerring recalibration. To counter an age of abstraction and illusion, Solie zeroes in on the overlooked … Masterful compositions.” \u003cstrong\u003e\u003cem\u003e— The Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Authoritative and unforgettable … How Solie binds bleakness, distance, confidence and vulnerability into such a distinctive poetic presence is a compelling puzzle.” —\u003cstrong\u003e\u003cem\u003e The Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003eis full of complex ideas that speak to resilience of both people and our environment, and look to ways we can move forward at peace with our world.” — \u003cstrong\u003e\u003cem\u003eCanadian Living \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“Sardonic, perceptive, and unrelenting.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003e[has] a characteristically fierce intellectual and poetic rigour.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“If there is any obvious hope to be found in the sombre and desolate poems on offer in this collection, it is in the perseverance of nature in the face of violence and peril … These things, independent of human faith and competitive capitalism, endure. And they are the things, these poems argue, we might most profitably focus on.” \u003cstrong\u003e\u003cem\u003e— That Shakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an extraordinary collection.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Joint winner","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCode_0":"01","PrizeCode_1":"06","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Forward Prize for Best Collection of Poetry","PrizeName_2":"T.S. Eliot Prize for Poetry","PrizeName_3":"The Observer best book of 2025","PrizeName_4":"The Financial Times best book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2025","PrizeYear_4":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Wellwater
The poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.
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{"id":7299166863419,"title":"The Seated Woman","handle":"the-seated-woman","description":"\u003cp\u003eTHE POEMS\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou fell asleep on the tiles,\u003cbr\u003e\n a translucent peacock loomed,\u003cbr\u003e\n your sex opened and let out\u003cbr\u003e\n a very blue, very high flame.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou wore a split veil, that morning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSilent, nailed to her chair, the seated woman writes. She cracks. The poems fidget, slip their fingers: they seek to enter. Perched on her shoulder, the poems whisper in her ear. She captures their messages: “I love the sacred contortions you offer me.” The poems protest: “You're squeezing us too hard: careful, pet.”\u003c\/p\u003e\n\u003cp\u003eMore than descriptors, the words behave as commands or moves in a game—and the voice of the seated woman rises to play.\u003c\/p\u003e","published_at":"2024-08-29T17:37:53-04:00","created_at":"2024-08-29T17:33:35-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult LGBTQ+","Adult New Releases","Adult Poetry","Arachnide Editions","By (author) Dumas-Côté Clémence","pub date: 2025-03-25","Translated by Taillon E. S."],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820377481275,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013295","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Seated Woman - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":94,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013295","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820377514043,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013301","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Seated Woman - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013301","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061","options":["Title"],"media":[{"alt":"Cover: The Seated Woman, poems by Clémence Dumas-Côté, translated by E.S. Taillon. Over a dark landscape, an illustrated red comet descends through the night sky, with flares in purple, pink, and yellow emitting from behind it. On the ground appears a silhouette of an angel, lit at the edges in red from the comet.","id":25036121931835,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_57974b0a-a681-4666-bda0-e52dcb652b86.jpg?v=1738017061","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTHE POEMS\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou fell asleep on the tiles,\u003cbr\u003e\n a translucent peacock loomed,\u003cbr\u003e\n your sex opened and let out\u003cbr\u003e\n a very blue, very high flame.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou wore a split veil, that morning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSilent, nailed to her chair, the seated woman writes. She cracks. The poems fidget, slip their fingers: they seek to enter. Perched on her shoulder, the poems whisper in her ear. She captures their messages: “I love the sacred contortions you offer me.” The poems protest: “You're squeezing us too hard: careful, pet.”\u003c\/p\u003e\n\u003cp\u003eMore than descriptors, the words behave as commands or moves in a game—and the voice of the seated woman rises to play.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005924","AlsoRecommendedISBN_1":"9781487010720","AlsoRecommendedISBN_2":"9781487011604","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCLÉMENCE DUMAS-CÔTÉ\u003c\/strong\u003e was born in Montreal in 1986. She studied acting at the National Theatre School of Canada and holds a master's degree in creative writing. She is the author of two poetry books, \u003cem\u003eL'alphabet du don\u003c\/em\u003e (2017) and \u003cem\u003eLa femme assise\u003c\/em\u003e (2019), and the novel \u003cem\u003eGlu\u003c\/em\u003e (2022).\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCLÉMENCE DUMAS-CÔTÉ\u003c\/strong\u003e was born in Montreal in 1986. She studied acting at the National Theatre School of Canada and holds a master's degree in creative writing. She is the author of two poetry books, \u003cem\u003eL'alphabet du don\u003c\/em\u003e (2017) and \u003cem\u003eLa femme assise\u003c\/em\u003e (2019), and the novel \u003cem\u003eGlu\u003c\/em\u003e (2022).\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eE. S. TAILLON\u003c\/strong\u003e is a queer, neurodivergent writer and the former managing editor at \u003cem\u003ePRISM\u003c\/em\u003e international magazine. They hold a master’s degree in French literature from the University of Toronto and an MFA in Creative Writing from the University of British Columbia. They have published prose in \u003cem\u003eDéraciné\u003c\/em\u003e and \u003cem\u003efilling Station\u003c\/em\u003e, and poetry in \u003cem\u003eCV2\u003c\/em\u003e, \u003cem\u003eThe \/tƐmz\/ Review\u003c\/em\u003e, and \u003cem\u003eAugur Magazine\u003c\/em\u003e. Their first literary translation, \u003cem\u003eScenes from the Underground\u003c\/em\u003e, was shortlisted for the Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Dumas-Côté, Clémence (CA)","Contributor_1":"Taillon, E. S.","Description":"\u003cp\u003eTHE POEMS\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou fell asleep on the tiles,\u003cbr\u003e\n a translucent peacock loomed,\u003cbr\u003e\n your sex opened and let out\u003cbr\u003e\n a very blue, very high flame.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou wore a split veil, that morning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSilent, nailed to her chair, the seated woman writes. She cracks. The poems fidget, slip their fingers: they seek to enter. Perched on her shoulder, the poems whisper in her ear. She captures their messages: “I love the sacred contortions you offer me.” The poems protest: “You're squeezing us too hard: careful, pet.”\u003c\/p\u003e\n\u003cp\u003eMore than descriptors, the words behave as commands or moves in a game—and the voice of the seated woman rises to play.\u003c\/p\u003e","EAN":"9781487013301","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013301\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Arachnide Editions","MetaKeywords":"Translation;Poetry Translation;Erín Moure;Arachnide;French Canadian;Dayne Ogilvie Prize;Scenes From the Underground;Les Herbs Rouges;Theophylline;Chantal Neveu;Poetry Bash;Poetry;French Poetry;Poetry in Translation;Khashayar Mohammadi;Kess Mohammadi;E.S Taillon;Klara Du Plessis;Kapusta;My Dinosaur;François Turcot;L'alphabet Du Don;La Femme Assise;Glu;PRISM International;Women Authors;2SLGBTQIA+;Poetry Month","NumberOfPages":"72","OtherText_Accolades_0":"\u003cp\u003e\"E.S. Taillon beautifully shapes Clémence Dumas-Côté’s duel in English, creating a luminous, sharp-tender, glad \u003cem \u003eréplique\u003c\/em\u003e that lets \u003cem \u003epoet \u003c\/em\u003estand up to \u003cem \u003epoetry\u003c\/em\u003e.\" —\u003cstrong \u003eErín Moure, author of \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eTheophylline: an a-poretic migration via the modernisms of Rukeyser, Bishop, Grimké\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e\"A conversation, an antiphony, a tug of war, a dance, in which the beauty of the French surfaces through the equal beauty of the English.\" —\u003cstrong\u003eRhonda Mullins, translator of \u003cem\u003ePale Shadows \u003c\/em\u003eand \u003cem\u003eSing, Nightingale\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eArachnide's mandate to bring very good French-Canadian literature to English-speaking audiences is broadening its scope by delving into one of the great art forms of all time: French poetry.\u003c\/li\u003e\n\u003cli\u003eE.S. Taillon was shortlisted for the Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers for their last translation with us.\u003c\/li\u003e\n\u003cli\u003ePart of Arachnide's mission is to nurture and elevate emerging talent in the translation sphere.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A fresh and frankly inspired collection … From theatre to the art of folded paper, the poems show the reader a more porous boundary between poetry and other forms of expression.” \u003cstrong\u003e\u003cem\u003e— Montreal Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e\"A collection at once expansive and claustrophobic … Where sound creates a tension between tight control and entropy.\" \u003cstrong\u003e\u003cem\u003e— Winnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Each poem is a portal into a richly layered world where fragmented memories, fluid identities, and profound introspection intertwine, creating a deeply immersive and thought-provoking reading experience.” \u003cstrong\u003e\u003cem\u003e— Sandbox World\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eWith flexibility and invisible acrobatics, \u003cem\u003eThe Seated Woman\u003c\/em\u003e presents, as in the theatre, a competitive dialogue between a woman and her poems.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-03-25","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eWith flexibility and invisible acrobatics, \u003cem\u003eThe Seated Woman\u003c\/em\u003e presents, as in the theatre, a competitive dialogue between a woman and her poems.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
The Seated Woman
With flexibility and invisible acrobatics, The Seated Woman presents, as in the theatre, a competitive dialogue between a woman and her poems.
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{"id":7253951447099,"title":"Great Silent Ballad","handle":"great-silent-ballad","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026amp; Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e","published_at":"2024-04-19T16:08:58-04:00","created_at":"2024-04-19T15:54:32-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","Adult Poetry","By (author) Moritz A.F.","House of Anansi Press","pub date: 2024-09-24"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41696369180731,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012960","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Great Silent Ballad - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":248,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012960","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41696370393147,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012977","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Great Silent Ballad - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012977","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603","options":["Title"],"media":[{"alt":"Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.","id":24827446067259,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026amp; Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487006181","AlsoRecommendedISBN_1":"9781487011253","AlsoRecommendedISBN_3":"9781487013233","BASICMainSubject":"POE000000","BASICMainSubjectLiteral":"POETRY\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ General","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE000000","BISACSubject_1":"POE023000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Moritz, A.F. (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026 Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e","EAN":"9781487012977","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012977\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"poetry about poetry;poet laureate;Griffin Poetry Prize;Toronto;Trillium Award;As Far As You Know;The Sparrow;Kevin Connolly;mentorship;lifetime poet;community poet","NumberOfPages":"144","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eMoritz has for some time now been known as a master of the form, having won or been recognized for every conceivable honour, both in Canada and the U.S. \u003c\/li\u003e\n\u003cli\u003eEach new collection just solidifies his place among the best lyric poets of his generation.\u003c\/li\u003e\n\u003cli\u003eMoritz is fresh off a four-year stint (2019-2023) as poet Laureate of Toronto. \u003c\/li\u003e\n\u003cli\u003eMoritz has been teaching poetry at U of T for thirty years, and his known for his generosity and mentorship skills. He has helped dozens of young poets launch their careers.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eMoritz has for some time now been known as a master of the form, having won or been recognized for every conceivable honour, both in Canada and the U.S. \u003c\/li\u003e\n\u003cli\u003eEach new collection just solidifies his place among the best lyric poets of his generation.\u003c\/li\u003e\n\u003cli\u003eMoritz is fresh off a four-year stint (2019-2023) as poet Laureate of Toronto. \u003c\/li\u003e\n\u003cli\u003eMoritz has been teaching poetry at U of T for thirty years, and his known for his generosity and mentorship skills. He has helped dozens of young poets launch their careers.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e is a poet’s poetry book in one respect, but also quite mesmerizing in its visionary scenes … The poet’s voice engages the reader within its humanism as the speaker delves into his vulnerable childhood and a self-avowedly meagre experience outside of imaginative truth.” \u003cstrong\u003e\u003cem\u003e— The Fiddlehead\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Well worth the read.” — \u003cstrong\u003e\u003cem\u003eFreefall Magazine\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Masterful, lyrical, and evocative.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e offers us a refreshing and uplifting vision in the face of violence, social injustice, and inevitable physical extinction, and some of the poems in it are among the finest Moritz has written in his long and distinguished career.” — \u003cstrong\u003e\u003cem\u003eThe High Window \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“In \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e there is a persistent sense of a doorway opening before us, welcoming us to pass through.” — \u003cstrong\u003e\u003cem\u003eTraces Journal \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e is a masterful continuation of Moritz’s oeuvre, as well as a reminder that the lyric, at its best, still holds the power to transform attention into ethical insight.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBeloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Al \u0026 Eurithe Purdy Poetry Prize","PrizeYear_0":"2025","ProductFormDescription":"epub","PublicationDate":"2024-09-24","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBeloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Great Silent Ballad
Beloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.
