I Was Cleopatra
Written by Dennis Abrams
In Shakespeare’s time, women were not allowed to appear on stage, and so female parts were played by boy actors. In I Was Cleopatra, readers meet John Rice — perhaps the most beautiful and acclaimed boy actor of them all. It is believed by many that John Rice originated the roles of Lady Macbeth, Cleopatra and Cordelia, and this fictional memoir explores his life both on and off the stage. With graceful prose and an encyclopedic knowledge of the period, Dennis Abrams invites readers to experience gender fluidity and sexuality through the fictional recollections of a fascinating historical figure as he reflects on his life in this “farewell” to his theatrical past.
The story follows John from the age of thirteen, when he leaves his family in Reading to join the King’s Men theater troupe in London as an apprentice boy actor. Over the course of the next few years, John eagerly hones the acting skills necessary to portray female roles. He memorizes lines, reads all the plays he can get his hands on, and works on imitating female gestures and mannerisms. He becomes a friend, and eventually a lover, of Alexander, a boy actor who is getting too old to play female roles. And he works closely with Shakespeare himself, who coaches him through the roles of Lady Macbeth and Cleopatra, among others.
But around the time he turns sixteen, John starts to worry about inevitably becoming too old to convincingly portray women onstage, which leads to some unsettling choices.
Dennis Abrams is the southern correspondent for Publishers Weekly. He has written more than thirty young adult biographies and history books. He is also the author of The Play’s the Thing, a complete young adult guide to the plays of William Shakespeare. I Was Cleopatra is his first novel. He lives in Houston.
The Play’s the Thing by Dennis Abrams:
“Abrams takes his reader on a glorious journey through the world of Shakespeare, the worlds within his plays, the worlds within the human psyche — and then brings us home, transformed.” New York Journal of Books
". . . a poignant coming-of-age tale that explores the complexities of youth and gender performance. . . . A thought-provoking work that will encourage readers to learn more about the world of Elizabethan theater." Kirkus Reviews