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{"id":6818978660411,"title":"Night Street Repairs","handle":"night-street-repairs","description":"\u003cp\u003eTo read A.F. Moritz is to find out what it means to be alive at this juncture of history. These poems are mansions, both derelict and opulent. Wander in with the mind open and hear what the ages, humanity, and the myth of progress have wrought.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eNight Street Repairs\u003c\/em\u003e contains necessary meditations on time, modernity, and our current situation as a society of appetite flirting with self-destruction. Many voices act as vigilant witness to our urban wastes and wastefulness. Moritz's unmistakable cadences -- magisterial, philosophical, and funny -- mingle among the ancients, the Bible, Leopardi, Montale, and Rilke as he extends his already prestigious and singular poetic project.\u003c\/p\u003e","published_at":"2022-03-30T15:33:45-04:00","created_at":"2022-03-30T14:20:10-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Moritz A.F.","House of Anansi Press","pub date: 2004-03-20"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40249493717051,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9780887847042","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Night Street Repairs - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":136,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780887847042","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40249494732859,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9780887849282","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Night Street Repairs - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9780887849282","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40249494863931,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770897076","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Night Street Repairs - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770897076","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_05d20540-3f18-4f2c-ac06-7b61db490a3f.jpg?v=1709286875"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_05d20540-3f18-4f2c-ac06-7b61db490a3f.jpg?v=1709286875","options":["Title"],"media":[{"alt":null,"id":24253405757499,"position":1,"preview_image":{"aspect_ratio":0.646,"height":611,"width":395,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_05d20540-3f18-4f2c-ac06-7b61db490a3f.jpg?v=1709286875"},"aspect_ratio":0.646,"height":611,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_05d20540-3f18-4f2c-ac06-7b61db490a3f.jpg?v=1709286875","width":395}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTo read A.F. Moritz is to find out what it means to be alive at this juncture of history. These poems are mansions, both derelict and opulent. Wander in with the mind open and hear what the ages, humanity, and the myth of progress have wrought.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eNight Street Repairs\u003c\/em\u003e contains necessary meditations on time, modernity, and our current situation as a society of appetite flirting with self-destruction. Many voices act as vigilant witness to our urban wastes and wastefulness. Moritz's unmistakable cadences -- magisterial, philosophical, and funny -- mingle among the ancients, the Bible, Leopardi, Montale, and Rilke as he extends his already prestigious and singular poetic project.\u003c\/p\u003e"}
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Night Street Repairs
An astonishing work by a master of the poetic form operating at the height of his powers.
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{"id":6901088157755,"title":"Night Walk","handle":"night-walk","description":"\u003cp\u003e\u003cstrong\u003eA child explores her neighborhood on a late-night walk with her dad, finding delight and comfort in moments of quiet and the warm windows into other people’s lives.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWhen a little girl can’t sleep one night, her dad asks if she’d like to go for a walk. They tiptoe through the silent house and step out into the dark.\u003c\/p\u003e\u003cp\u003eIt’s strange and exciting to be out so late. Walking down the street, the girl can see inside the lit-up windows of apartment buildings and houses where people’s lives are unfolding. Kids are having a pillow fight in one house, while a family has gathered for a festive meal in another. She and her dad reach the still-busy shopping area, walking past restaurants and enticing store windows, then stop for a tranquil moment in the park before returning home.\u003c\/p\u003e\u003cp\u003eSara O’Leary has captured a child’s nighttime wonder as she explores her neighborhood and comes to the comforting realization that she belongs. Ellie Arscott’s illustrations, luminous and rich in color, perfectly complement the story.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.4.1\u003cbr\u003eRefer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text.\u003c\/p\u003e","published_at":"2022-06-29T17:58:07-04:00","created_at":"2022-06-29T17:45:14-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 7","By (author) O'Leary Sara","CC Literature - Grade 4","CCSS.ELA-LITERACY.RL.1.6","CCSS.ELA-LITERACY.RL.4.1","Childrens Award-Winning","Fountas \u0026 Pinnell Text Level Gradient L","Groundwood Books","Guided Reading Level L","Illustrated by Arscott Ellie","Picture Books","pub date: 2020-09-29"],"price":1695,"price_min":1695,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40504980668475,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781554987962","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Night Walk - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1999,"weight":381,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554987962","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40504983093307,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781554987979","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Night Walk - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554987979","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40504983748667,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773064253","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Night Walk - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773064253","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e38e677b-997c-4294-b83f-7ead8f7caff7.jpg?v=1731057181","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_e70b20e3-8b05-4672-99df-a36213615fdf.jpg?v=1656539331","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_990875f9-8b33-4907-81e6-474e95e54f60.jpg?v=1656539332","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_fbe1cad1-111a-437f-9243-794aa17badf4.jpg?v=1656539334","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de75c697-fa0d-4666-98ab-5dff33d02c19.jpg?v=1656539335","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_36d81814-406b-414a-8408-063de459d699.jpg?v=1656539337","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cdfd8813-4f9b-4e46-8395-88354cbbeac4.jpg?v=1656539340"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e38e677b-997c-4294-b83f-7ead8f7caff7.jpg?v=1731057181","options":["Title"],"media":[{"alt":null,"id":24903324500027,"position":1,"preview_image":{"aspect_ratio":0.83,"height":1874,"width":1555,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e38e677b-997c-4294-b83f-7ead8f7caff7.jpg?v=1731057181"},"aspect_ratio":0.83,"height":1874,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e38e677b-997c-4294-b83f-7ead8f7caff7.jpg?v=1731057181","width":1555},{"alt":"A bedroom has a large window. The lights are off. Against the wall are an armchair and a bookcase. The door is open, and light comes through it. A man with light skin tone stands in the opening. He looks toward the bed. A girl with light skin tone is sitting up and looking at the man. On the bed are three picture books and a stuffed bunny rabbit. Text: Dad appeared in my doorway. “Can’t sleep?” he asked. “Come on. We’ll go for a walk.”","id":22296684003387,"position":2,"preview_image":{"aspect_ratio":1.656,"height":302,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_e70b20e3-8b05-4672-99df-a36213615fdf.jpg?v=1656539331"},"aspect_ratio":1.656,"height":302,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_e70b20e3-8b05-4672-99df-a36213615fdf.jpg?v=1656539331","width":500},{"alt":"It is nighttime. There is a row of houses with their lights shining through the windows. Streetlights light up the sidewalk. 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Across the street are buildings. People walk and ride bikes. Text: I saw for the first time that the sad-looking woman’s shop was also a home. And that she wasn’t always sad.","id":22296684232763,"position":4,"preview_image":{"aspect_ratio":1.656,"height":302,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_fbe1cad1-111a-437f-9243-794aa17badf4.jpg?v=1656539334"},"aspect_ratio":1.656,"height":302,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_fbe1cad1-111a-437f-9243-794aa17badf4.jpg?v=1656539334","width":500},{"alt":null,"id":22296684298299,"position":5,"preview_image":{"aspect_ratio":1.65,"height":303,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de75c697-fa0d-4666-98ab-5dff33d02c19.jpg?v=1656539335"},"aspect_ratio":1.65,"height":303,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de75c697-fa0d-4666-98ab-5dff33d02c19.jpg?v=1656539335","width":500},{"alt":null,"id":22296684429371,"position":6,"preview_image":{"aspect_ratio":1.65,"height":303,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_36d81814-406b-414a-8408-063de459d699.jpg?v=1656539337"},"aspect_ratio":1.65,"height":303,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_36d81814-406b-414a-8408-063de459d699.jpg?v=1656539337","width":500},{"alt":null,"id":22296684593211,"position":7,"preview_image":{"aspect_ratio":1.65,"height":303,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cdfd8813-4f9b-4e46-8395-88354cbbeac4.jpg?v=1656539340"},"aspect_ratio":1.65,"height":303,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cdfd8813-4f9b-4e46-8395-88354cbbeac4.jpg?v=1656539340","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA child explores her neighborhood on a late-night walk with her dad, finding delight and comfort in moments of quiet and the warm windows into other people’s lives.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWhen a little girl can’t sleep one night, her dad asks if she’d like to go for a walk. They tiptoe through the silent house and step out into the dark.\u003c\/p\u003e\u003cp\u003eIt’s strange and exciting to be out so late. Walking down the street, the girl can see inside the lit-up windows of apartment buildings and houses where people’s lives are unfolding. Kids are having a pillow fight in one house, while a family has gathered for a festive meal in another. She and her dad reach the still-busy shopping area, walking past restaurants and enticing store windows, then stop for a tranquil moment in the park before returning home.\u003c\/p\u003e\u003cp\u003eSara O’Leary has captured a child’s nighttime wonder as she explores her neighborhood and comes to the comforting realization that she belongs. Ellie Arscott’s illustrations, luminous and rich in color, perfectly complement the story.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.4.1\u003cbr\u003eRefer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554987146","AlsoRecommendedISBN_2":"9781554989799","AlsoRecommendedISBN_3":"9781554989799","AlsoRecommendedISBN_4":"9781773061726","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"3","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"7","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"2","BASICMainSubject":"JUV023000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Lifestyles\/City \u0026 Town Life","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSARA O'LEARY\u003c\/strong\u003e, an author of books for children and adults, has won the Vicky Metcalf Award for Literature for Young People. 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Ellie lives in Toronto’s east end with her family.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"O'Leary, Sara (CA)","Contributor_1":"Arscott, Ellie (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA child explores her neighborhood on a late-night walk with her dad, finding delight and comfort in moments of quiet and the warm windows into other people’s lives.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWhen a little girl can’t sleep one night, her dad asks if she’d like to go for a walk. They tiptoe through the silent house and step out into the dark.\u003c\/p\u003e\u003cp\u003eIt’s strange and exciting to be out so late. Walking down the street, the girl can see inside the lit-up windows of apartment buildings and houses where people’s lives are unfolding. Kids are having a pillow fight in one house, while a family has gathered for a festive meal in another. She and her dad reach the still-busy shopping area, walking past restaurants and enticing store windows, then stop for a tranquil moment in the park before returning home.\u003c\/p\u003e\u003cp\u003eSara O’Leary has captured a child’s nighttime wonder as she explores her neighborhood and comes to the comforting realization that she belongs. Ellie Arscott’s illustrations, luminous and rich in color, perfectly complement the story.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr \/\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.4.1\u003cbr \/\u003eRefer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text.\u003c\/p\u003e","EAN":"9781773064253","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"belonging; exploration and adventure; discovering neighborhood; child's perspective; parents and children; different perspective; nighttime wonder; bedtime story; new experience; neighborhood and community; appreciation; respect for community; child as narrator; first person narration; connecting; visualizing; imagining; Common Core aligned; CC Literature Key Ideas and Details; CC Literature Craft and Structure; grade 1; grade 4; picture book; Toronto; imagining parents as children","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eSara O’Leary excels in the art of the picture book, using few words that speak volumes, while giving ample space for the illustrations to tell the story too.\u003c\/li\u003e\n\u003cli\u003eA Family Is a Family Is a Family, also written by Sara O’Leary, is in its sixth printing and has sold over 20,00 copies in the US. When it was first published in 2016, it was named to many lists, including CBC Best Books, Bank Street College of Education Best Children’s Books of the Year, OLA Best Bets Top Ten, Toronto Public Library’s First and Best List and USBBY’s Outstanding International Books List. It was also short-listed for the Ruth and Sylvia Schwartz Children’s Book Award.\u003c\/li\u003e\n\u003cli\u003eIn her debut picture book, Ellie Arscott has created an ode to a neighborhood, which Torontonians will recognize as one of their own.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include Language arts \/ reading; Social studies \/ community, new experience.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eSara O’Leary excels in the art of the picture book, using few words that speak volumes, while giving ample space for the illustrations to tell the story too.\u003c\/li\u003e\n\u003cli\u003eA Family Is a Family Is a Family, also written by Sara O’Leary, is in its sixth printing and has sold over 20,00 copies in the US. When it was first published in 2016, it was named to many lists, including CBC Best Books, Bank Street College of Education Best Children’s Books of the Year, OLA Best Bets Top Ten, Toronto Public Library’s First and Best List and USBBY’s Outstanding International Books List. It was also short-listed for the Ruth and Sylvia Schwartz Children’s Book Award.\u003c\/li\u003e\n\u003cli\u003eIn her debut picture book, Ellie Arscott has created an ode to a neighborhood, which Torontonians will recognize as one of their own.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include Language arts \/ reading; Social studies \/ community, new experience.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“[A] touching book.” — \u003cstrong\u003e\u003cem\u003eMontreal Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Montreal Review of Books","OtherText_Review_1":"\u003cp\u003e“This father-daughter tale is told with a sense of belonging.” — \u003cstrong\u003e\u003cem\u003eSal’s Fiction Addiction Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Sal’s Fiction Addiction Blog","OtherText_Review_2":"\u003cp\u003e“The satisfying bedtime story will get young listeners ready for sleep.” — \u003cstrong\u003e\u003cem\u003eHorn Book\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Horn Book","OtherText_Review_3":"\u003cp\u003e“[A] subtly reassuring story about the wonder a child experiences when she becomes aware … she truly belongs.” — \u003cstrong\u003e\u003cem\u003eCanadian Children’s Book News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Canadian Children’s Book News","OtherText_ShortDescription_0":"A child explores her neighborhood on a late-night walk with her dad, finding delight and comfort in moments of quiet and the warm windows into other people’s lives.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Commended","PrizeCode_0":"01","PrizeCode_1":"03","PrizeName_0":"Crystal Kite","PrizeName_1":"Cooperative Children's Book Center, CCBC Choices","PrizeYear_0":"2021","PrizeYear_1":"2021","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2020-09-29","Publisher":"Groundwood Books Ltd","ShortDescription":"A child explores her neighborhood on a late-night walk with her dad, finding delight and comfort in moments of quiet and the warm windows into other people’s lives.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773064253\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"8.25","WidthCode":"in"}
ages 3
to 7
/ grades P
to 2
Night Walk
A child explores her neighborhood on a late-night walk with her dad, finding delight and comfort in moments of quiet and the warm windows into other people’s lives.
Quick View
{"id":7347156877371,"title":"Nightmare Jones","handle":"nightmare-jones","description":"\u003cp\u003e\u003cstrong\u003eA collection of jaunty and mischievously unsettling poems for middle-grade readers from award-winning poet Shannon Bramer and artist Cindy Derby, who brought us \u003cem\u003eClimbing Shadows\u003c\/em\u003e (NCTE Notable Poetry Book and Verse Novel, shortlisted for the Rocky Mountain Book Award).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShannon’s twenty-eight poems in \u003cem\u003eNightmare Jones\u003c\/em\u003e send delightful shivers down the spine. Written in a variety of styles and forms, they encompass magic realism and influences from fairy tales, folklore and ghost stories, alongside more contemporary explorations of unusual creatures, misunderstood monsters and commonplace human fears (both ridiculous and sublime!). 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Written by Shannon Bramer and illustrated by Cindy Derby. The title is circled by spooky plants and flowers, painted in red, purple and blue watercolor.","id":25115423834171,"position":1,"preview_image":{"aspect_ratio":0.622,"height":2571,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6ae97917-c067-438c-a650-66cde5189e0a.jpg?v=1739550075"},"aspect_ratio":0.622,"height":2571,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6ae97917-c067-438c-a650-66cde5189e0a.jpg?v=1739550075","width":1600},{"alt":"Nightmare Jones is in a dark bowler cap and massive coat. His teeth jut out in a grin, and small twigs grow from his head. Text states He comes to town with a bit of blood on his shoe a green drip in his nose a twist of stick in his yellow teeth and a snag of branch in his hair, black stench of ash in the air He was a swashbuckler in his day. A swashbuckler and fine dancer, that Nightmare But a barn fire burned in his heart and turned his soul to soot Now you can always smell the smoke when he comes to town","id":25115423866939,"position":2,"preview_image":{"aspect_ratio":1.229,"height":651,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07ae993c-d704-404a-9782-60374610048c.jpg?v=1739550075"},"aspect_ratio":1.229,"height":651,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07ae993c-d704-404a-9782-60374610048c.jpg?v=1739550075","width":800},{"alt":"A man wearing a large blue turtleneck peers down at a tooth in his hand. The man has dark curly hair with a long piece that trails down and is attached to a small ghost. Text: Chatterbox He had a drawer full of teeth Teeth of fish Teeth of cats Beach teeth Teeth that fell from a starry sky Canines Incisors Yellow moons alongside the black teeth of sharks He doesn’t brush his teeth he talks to his teeth He whispers and giggles His teeth listen almost like they love him","id":25115424194619,"position":3,"preview_image":{"aspect_ratio":1.229,"height":651,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c215a075-445c-46e3-9333-a9383ad9d85d.jpg?v=1739550075"},"aspect_ratio":1.229,"height":651,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c215a075-445c-46e3-9333-a9383ad9d85d.jpg?v=1739550075","width":800},{"alt":"Smoke emerges from the chimney of a tiny, frowning house. Small footprints lead away from the door and off the page. The horizon line extends to a child with light skin tone and black hair, wearing a purple hoodie, blue jeans and black shoes. The child kneels down to peer at the house. Text: The Scariest Word I know The scariest word I know is home. The saddest word I know is home. The only word I know is home. I lost home. I forgive home. I miss home. And then I don’t. Home, let me go.","id":25115424227387,"position":4,"preview_image":{"aspect_ratio":1.229,"height":651,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_f7b672c1-85f7-45a7-840d-9f678b8bc7f4.jpg?v=1739550076"},"aspect_ratio":1.229,"height":651,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_f7b672c1-85f7-45a7-840d-9f678b8bc7f4.jpg?v=1739550076","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA collection of jaunty and mischievously unsettling poems for middle-grade readers from award-winning poet Shannon Bramer and artist Cindy Derby, who brought us \u003cem\u003eClimbing Shadows\u003c\/em\u003e (NCTE Notable Poetry Book and Verse Novel, shortlisted for the Rocky Mountain Book Award).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShannon’s twenty-eight poems in \u003cem\u003eNightmare Jones\u003c\/em\u003e send delightful shivers down the spine. Written in a variety of styles and forms, they encompass magic realism and influences from fairy tales, folklore and ghost stories, alongside more contemporary explorations of unusual creatures, misunderstood monsters and commonplace human fears (both ridiculous and sublime!). Cindy Derby’s evocative line and watercolor illustrations inhabit these weird and wonderful works with her characteristic flair for the strange and witchy wonders of the world.\u003c\/p\u003e\n\u003cp\u003eIn these poems what makes a person scared might also make them sad, or even make them laugh, as Bramer writes from a place of wonder, empathy, curiosity and reverence for the deep dark woods we all have inside us. If you’ve ever wanted to spend some time in a witch’s garden or wondered what spiders do with our worries, this is the poetry book for you!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eepigraph\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003epoems\u003c\/p\u003e\n\u003cp\u003erecipes\u003c\/p\u003e\n\u003cp\u003etable of contents\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003c\/p\u003e\n\u003cp\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.4\u003c\/p\u003e\n\u003cp\u003eDetermine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773060958","AlsoRecommendedISBN_1":"9781773066585","AlsoRecommendedISBN_2":"9781773068206","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"9","AudienceRangeValue_1_1":"4","AudienceRangeValue_1_2":"4","AudienceRangeValue_2_0":"12","AudienceRangeValue_2_1":"7","AudienceRangeValue_2_2":"7","BASICMainSubject":"JUV058000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Paranormal, Occult \u0026 Supernatural","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSHANNON BRAMER\u003c\/strong\u003e is an author of poems, plays and short fiction. 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She lives with her family in Toronto, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Paranormal, Occult \u0026amp; Supernatural","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Horror","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Poetry","BISACSubject_0":"JUV058000","BISACSubject_1":"JUV018000","BISACSubject_2":"JUV070000","CommonCore":"CCSS.ELA-LITERACY.RL.5.2","CommonCore_1":"CCSS.ELA-LITERACY.RL.6.4","ComplexityCode_0":"NP","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSHANNON BRAMER\u003c\/strong\u003e is an author of poems, plays and short fiction. She has published \u003cem\u003eClimbing Shadows: Poems for Children\u003c\/em\u003e, illustrated by Cindy Derby; \u003cem\u003eRobot, Unicorn, Queen: poems for you and me\u003c\/em\u003e, illustrated by Irene Luxbacher (David Booth Children’s and Youth Poetry Award); and several poetry collections for adults, including \u003cem\u003ePrecious Energy\u003c\/em\u003e and \u003cem\u003esuitcases and other poems\u003c\/em\u003e (Hamilton and Region Arts Council Book Award). She lives with her family in Toronto, Ontario.\u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eCINDY DERBY\u003c\/strong\u003e is an author, illustrator and puppeteer. Her illustrations for \u003cem\u003eOutside In\u003c\/em\u003e by Deborah Underwood received a Caldecott Honor and a Golden Kite Honor. She has written and illustrated the highly acclaimed picture books \u003cem\u003eBlurp’s Book of Manners\u003c\/em\u003e, \u003cem\u003eTwo Many Birds\u003c\/em\u003e (Bank Street College of Education Best Children’s Books of the Year) and \u003cem\u003eHow to Walk an Ant\u003c\/em\u003e. Her work has received international recognition from France, Brazil and Japan. Cindy lives with her family in San Francisco.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Bramer, Shannon (CA)","Contributor_1":"Derby, Cindy","Description":"\u003cp\u003e\u003cstrong\u003eA collection of jaunty and mischievously unsettling poems for middle-grade readers from award-winning poet Shannon Bramer and artist Cindy Derby, who brought us \u003cem\u003eClimbing Shadows\u003c\/em\u003e (NCTE Notable Poetry Book and Verse Novel, shortlisted for the Rocky Mountain Book Award).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShannon’s twenty-eight poems in \u003cem\u003eNightmare Jones\u003c\/em\u003e send delightful shivers down the spine. Written in a variety of styles and forms, they encompass magic realism and influences from fairy tales, folklore and ghost stories, alongside more contemporary explorations of unusual creatures, misunderstood monsters and commonplace human fears (both ridiculous and sublime!). Cindy Derby’s evocative line and watercolor illustrations inhabit these weird and wonderful works with her characteristic flair for the strange and witchy wonders of the world.\u003c\/p\u003e\n\u003cp\u003eIn these poems what makes a person scared might also make them sad, or even make them laugh, as Bramer writes from a place of wonder, empathy, curiosity and reverence for the deep dark woods we all have inside us. If you’ve ever wanted to spend some time in a witch’s garden or wondered what spiders do with our worries, this is the poetry book for you!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eepigraph\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003epoems\u003c\/p\u003e\n\u003cp\u003erecipes\u003c\/p\u003e\n\u003cp\u003etable of contents\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003c\/p\u003e\n\u003cp\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.4\u003c\/p\u003e\n\u003cp\u003eDetermine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone\u003c\/p\u003e","EAN":"9781773069470","Height":"11","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003edialogue;epigraph;illustrations;poems;recipes;table of contents;vignettes\u003c\/p\u003e","MetaKeywords":"monsters;zombies;witches;ghouls;ghosts;trolls;vampires;spiders;haunted house;cryptkeeper;Read along;Read aloud;Classroom;Educational;Award winning author and illustrator","NumberOfPages":"56","OtherText_Accolades_0":"\u003cp\u003e“\u003cem\u003eNightmare Jones\u003c\/em\u003e is a book I wish I had growing up. Each poem is an ode to the iridescent dark, the delicious nightmares, and the silvery threads of childhood. Readers will thrill in these worlds that float between starlight spiders and glimmering gemstones, the venomous spike and the viper flowers. Paired with Cindy Derby’s dream-edged illustrations, Shannon Bramer’s words sing, bewitchingly and true. She doesn’t just reveal the ‘tiny fires’ in us with her poetry, she wisely knows that the embers are already there. These poems will set them ablaze.” — \u003cstrong\u003eGillian Sze, author of \u003cem\u003eThe Little Green Envelope\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“Shannon Bramer has a knack for tapping into what readers love with tenderness — here, a tenderness for monsters, darkness, and nightmares — and Cindy Derby’s art is absolutely stunning, in the shadowy in-between of waking and dreaming, with lines and shapes like claws and smoke.” — \u003cstrong\u003eKate Hoefler, author of \u003cem\u003eThe Couch in the Yard\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Description_for_R_0":"\u003cp\u003e\u003cstrong\u003eAll My Little Bundles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA spider the size of a quarter\u003c\/p\u003e\n\u003cp\u003ebuilt a web above my bed\u003c\/p\u003e\n\u003cp\u003ebig enough to be a quilt\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eIn the moonlight I could see\u003c\/p\u003e\n\u003cp\u003eflies and mosquitoes\u003c\/p\u003e\n\u003cp\u003eglittering in the web like diamonds\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eThe spider caught my thoughts, too\u003c\/p\u003e\n\u003cp\u003ethe dead dust of my dreams\u003c\/p\u003e\n\u003cp\u003eand all my little bundles\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eof wiggling nightmares\u003c\/p\u003e\n\u003cp\u003ewere delicious to her\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eSCARY STORIES TO TELL IN THE DARK: The humor and fear factor of these poems will have strong appeal for middle-grade readers. The poems feature spooky characters like the Chatterbox, the Ghost in the Mirror and Nightmare Jones himself, and are accompanied by breathtaking illustrations by Cindy Derby.\u003c\/li\u003e\n\u003cli\u003eNEW HALLOWEEN CLASSIC: Nightmare Jones is a creepy, kooky, poetic companion to frightening kids' classics like \u003cem\u003eScary Stories to Tell in the Dark\u003c\/em\u003e, and \u003cem\u003eIn a Dark, Dark Room and Other Scary Stories\u003c\/em\u003e. Its spooky cover and contents make it an excellent addition to Halloween-themed collections and displays.\u003c\/li\u003e\n\u003cli\u003eAWARD-WINNING DUO: Shannon Bramer's most recent poetry collection for children, \u003cem\u003eRobot, Unicorn, Queen\u003c\/em\u003e (Groundwood Books; 2023), is an NCTE Notable Poetry Book and won the David Booth Children's and Youth Poetry Award in 2024. Cindy Derby is an internationally lauded illustrator, having been award the Caldecott Honor and a Golden Kite Honor for \u003cem\u003eOutside In\u003c\/em\u003e (HarperCollins; 2021), and a Crystal Kite Award for \u003cem\u003eThe Boy and the Gorilla\u003c\/em\u003e (Candlewick Press; 2020), among many others.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Beautifully crafted and appropriately spine-tingling. ... Delicious poetry paired with haunting art speaks with authority to the darkness so many kids crave.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“Destined to creep out the most jaded of middle- and even high-schoolers. [Derby’s] smeary illustrations, often recalling Stephen Gammell at his most macabre, echo the gleeful darkness of [Bramer’s poems].” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“A true embrace of the spooky corners that exist both out in the world and in our own worst thoughts. ... Simultaneously grim and lovely.” — \u003cstrong\u003e\u003cem\u003eBulletin of the Center for Children’s Books\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“\u003cem\u003eNightmare Jones\u003c\/em\u003e is a dark delight of storytelling poems that will feel like a gift to many kids who, like Bramer and Derby, are attuned to the gothic side of life.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“An eerie, yet magical world … The poems feel as if [Alvin] Schwartz teamed up with Shel Silverstein.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA collection of jaunty and mischievously unsettling poems for middle-grade readers from award-winning poet Shannon Bramer and artist Cindy Derby.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"Kirkus Best Middle Grade Books of the Year","PrizeYear_0":"2025","ProductFormDescription":"EPUB, fixed","PublicationDate":"2025-10-07","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA collection of jaunty and mischievously unsettling poems for middle-grade readers from award-winning poet Shannon Bramer and artist Cindy Derby.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"poems","Width":"6.75","WidthCode":"in"}
ages 9
to 12
/ grades 4
to 7
Nightmare Jones
A collection of jaunty and mischievously unsettling poems for middle-grade readers from award-winning poet Shannon Bramer and artist Cindy Derby.
Quick View
{"id":7168346456123,"title":"ninitohtênân \/ We Listen","handle":"ninitohtnn-we-listen","description":"\u003cp\u003e\u003cstrong\u003eThe third book in the Nôhkom series, in Cree and English, tells a story about gathering leaves for Labrador tea, while listening in different ways.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA child, her family and her friend have arrived at their favorite picnic spot by the lake, but before they eat lunch Nôhkom suggests they pick leaves for Labrador tea. Once among the trees, Nôhkom pauses for a moment to listen, and the others do too. Nôhkom prays, the girls take their turn, then Nôhkom shows them where to find the leaves. Nôhkom and Mom rest after harvesting, but the girls opt for a swim in the lake ... though they’re quite happy to warm up afterwards with freshly brewed Labrador tea. And when it’s time for the picnic, the girls take another turn at listening.\u003c\/p\u003e\n\u003cp\u003eBeautifully rendered paintings in acrylic on canvas show the family outing. Includes a recipe for Labrador tea as well as a salve made from Labrador Tea leaves.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003erecipe\u003c\/p\u003e\n\u003cp\u003einformational note\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003c\/p\u003e\n\u003cp\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","published_at":"2023-07-28T10:19:45-04:00","created_at":"2023-07-28T10:10:23-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 0 - 3","By (author) Nicholson Caitlin Dale","CCSS.ELA-LITERACY.RL.1.2","CCSS.ELA-LITERACY.RL.1.7","Diversity","Groundwood Books","Illustrated by Nicholson Caitlin Dale","Indigenous Voices","Nohkom series","Picture Books","pub date: 2024-04-02","Stories from Canada","Translated by Morin-Neilson Leona"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41384258732091,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781773068596","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"ninitohtênân \/ We Listen - hardcover","public_title":"hardcover","options":["hardcover"],"price":2199,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773068596","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41384259223611,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773068602","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"ninitohtênân \/ We Listen - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773068602","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41384259321915,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773068619","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"ninitohtênân \/ We Listen - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773068619","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781773068596.jpg?v=1709572826","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_fce3fe84-6417-4de8-a4ea-91f0ccb7ed49.jpg?v=1709572826","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_facd8e74-f50d-4d5d-a5ce-58d2d3c4255d.jpg?v=1709572826","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_747d740c-97ba-4e6f-b7b9-f535d94572a1.jpg?v=1709572826"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781773068596.jpg?v=1709572826","options":["Title"],"media":[{"alt":"ninitohtênân \/ ᓂᓂᑐᐦᑌᓈᐣ \/ We Listen. Written and illustrated by Caitlin Dale Nicholson asici \/ ᐊᓯᒋ \/ with Leona Morin-Neilson. Two girls stand in a lush green forest. In the foreground, a girl with medium-dark skin tone and black hair in braids looks over her shoulder toward the reader. She wears a light blue sweatshirt with a hood. In the background is a girl with medium skin tone and brown hair. She wears a blue, red and green sweatshirt and jeans. Both girls have quiet, thoughtful expressions.","id":24263877623867,"position":1,"preview_image":{"aspect_ratio":0.704,"height":2273,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781773068596.jpg?v=1709572826"},"aspect_ratio":0.704,"height":2273,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781773068596.jpg?v=1709572826","width":1600},{"alt":"Image 1: A woman looks toward the reader as she sits near a car holding an open bag on her knee. She has medium skin tone, glasses and brown hair. She wears a red top, blue pants and sandals. A basket rests on the ground near her feet. Text: nôhkom mamanêw. ᓅᐦᑯᒼ ᒪᒪᓀᐤ᙮ Nôhkom gets ready. Image 2: A girl holding a basket faces Nôhkom, who wears sunglasses and a hat. The girl’s face is hidden by the hood of her blue, red and green sweatshirt. Text: nikîsi-mamanânân. ᓂᑮᓯ ᒪᒪᓈᓈᐣ᙮ We get ready.","id":23648172900411,"position":2,"preview_image":{"aspect_ratio":1.389,"height":576,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_fce3fe84-6417-4de8-a4ea-91f0ccb7ed49.jpg?v=1709572826"},"aspect_ratio":1.389,"height":576,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_fce3fe84-6417-4de8-a4ea-91f0ccb7ed49.jpg?v=1709572826","width":800},{"alt":"Image 1: Nôhkom approaches two girls who sit near a campfire in the foreground. She has medium skin tone and brown hair and wears a hat and sunglasses. One girl has medium-dark skin tone and black hair. She wears a light blue sweatshirt. The other girl, with brown hair, is seen from behind. In the distance, a man and woman set up a picnic table. Text: nôhkom pimohtêw. ᓅᐦᑯᒼ ᐱᒧᐦᑌᐤ᙮ Nôhkom walks. Image 2: The girls and Nôhkom are shown in the sunlit forest. Text: nipimohtânân. ᓂᐱᒧᐦᑖᓈᐣ᙮ We walk.","id":23648172933179,"position":3,"preview_image":{"aspect_ratio":1.389,"height":576,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_facd8e74-f50d-4d5d-a5ce-58d2d3c4255d.jpg?v=1709572826"},"aspect_ratio":1.389,"height":576,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_facd8e74-f50d-4d5d-a5ce-58d2d3c4255d.jpg?v=1709572826","width":800},{"alt":"Image 1: Nôhkom stands in a clearing, her hands on her hips, and looks into the trees. She has medium skin tone and brown hair. She wears a hat and sunglasses, and carries a bag over her shoulder. Text: nôhkom nitohtam. ᓅᐦᑯᒼ ᓂᑐᐦᑕᒼ᙮ Nôhkom listens. Image 2: A younger woman with medium skin tone and brown hair stands in the forest with her hands on her hips. She looks back at a girl with medium-dark skin tone and black hair, who looks off into the trees. Text: ninitohtênân. ᓂᓂᑐᐦᑌᓈᐣ᙮ We listen.","id":23648172998715,"position":4,"preview_image":{"aspect_ratio":1.389,"height":576,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_747d740c-97ba-4e6f-b7b9-f535d94572a1.jpg?v=1709572826"},"aspect_ratio":1.389,"height":576,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_747d740c-97ba-4e6f-b7b9-f535d94572a1.jpg?v=1709572826","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe third book in the Nôhkom series, in Cree and English, tells a story about gathering leaves for Labrador tea, while listening in different ways.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA child, her family and her friend have arrived at their favorite picnic spot by the lake, but before they eat lunch Nôhkom suggests they pick leaves for Labrador tea. Once among the trees, Nôhkom pauses for a moment to listen, and the others do too. Nôhkom prays, the girls take their turn, then Nôhkom shows them where to find the leaves. Nôhkom and Mom rest after harvesting, but the girls opt for a swim in the lake ... though they’re quite happy to warm up afterwards with freshly brewed Labrador tea. And when it’s time for the picnic, the girls take another turn at listening.\u003c\/p\u003e\n\u003cp\u003eBeautifully rendered paintings in acrylic on canvas show the family outing. Includes a recipe for Labrador tea as well as a salve made from Labrador Tea leaves.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003erecipe\u003c\/p\u003e\n\u003cp\u003einformational note\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003c\/p\u003e\n\u003cp\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554989140","AlsoRecommendedISBN_1":"9781773061160","AlsoRecommendedISBN_2":"9781773063263","AudienceRangePrecision_1_0":"04","AudienceRangePrecision_1_1":"04","AudienceRangePrecision_1_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"3","BASICMainSubject":"JUV030090","BASICMainSubjectLiteral":"JUVENILE FICTION \/ Indigenous Peoples of Turtle Island","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCAITLIN DALE NICHOLSON\u003c\/strong\u003e is a graduate of the First Nations Studies program at the University of Northern British Columbia. Her family and Leona Morin-Neilson’s family have been close friends for many years, and Caitlin continues to learn about traditional plant medicines from Leona. 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She is currently living with her family in Tahltan Territory in northern British Columbia. \u003c\/p\u003e\r\n","ContributorBio_2":"\u003cp\u003e\u003cstrong\u003eLEONA MORIN-NEILSON\u003c\/strong\u003e teaches Cree at the “Power of Friendship” Aboriginal Head Start program in Prince George, British Columbia, and at the University of Northern British Columbia. She also teaches people in her community about traditional plants and how they can be used for medicinal purposes. She lives in Prince George, British Columbia.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","ContributorRole_2":"Translated by","Contributor_0":"Nicholson, Caitlin Dale (CA)","Contributor_1":"Nicholson, Caitlin Dale (CA)","Contributor_2":"Morin-Neilson, Leona (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThe third book in the Nôhkom series, in Cree and English, tells a story about gathering leaves for Labrador tea, while listening in different ways.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA child, her family and her friend have arrived at their favorite picnic spot by the lake, but before they eat lunch Nôhkom suggests they pick leaves for Labrador tea. Once among the trees, Nôhkom pauses for a moment to listen, and the others do too. Nôhkom prays, the girls take their turn, then Nôhkom shows them where to find the leaves. Nôhkom and Mom rest after harvesting, but the girls opt for a swim in the lake ... though they’re quite happy to warm up afterwards with freshly brewed Labrador tea. And when it’s time for the picnic, the girls take another turn at listening.\u003c\/p\u003e\n\u003cp\u003eBeautifully rendered paintings in acrylic on canvas show the family outing. Includes a recipe for Labrador tea as well as a salve made from Labrador Tea leaves.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003erecipe\u003c\/p\u003e\n\u003cp\u003einformational note\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003c\/p\u003e\n\u003cp\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","EAN":"9781773068596","Height":"12.25","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eillustrations;recipe;informational note\u003c\/p\u003e","NumberOfPages":"24","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eTranslator Leona Morin-Neilson is the inspiration for the stories and art in the Nôhkom series, which highlights her traditional knowledge of the uses of wild plants.\u003c\/li\u003e\n\u003cli\u003eWritten in short sentences in Cree and English (with Cree text appearing in standard roman orthography and syllabics), the book is a good choice for beginning readers and\/or language learners.\u003c\/li\u003e\n\u003cli\u003eThe story features different forms of listening — in the bush, to teachings from Nôhkom, to the conversation of family and friends (when listening can be especially fun!).\u003c\/li\u003e\n\u003cli\u003eThe first two books in the Nôhkom series have had strong reviews. \u003cem\u003eniwîcihâw \/ I Help\u003c\/em\u003e has been reissued in paperback; \u003cem\u003enipêhon \/ I Wait\u003c\/em\u003e was named a Kirkus Best Picture Book.\u003c\/li\u003e\n\u003cli\u003eThe title in Cree — ninitohtênân — is pronounced nin nit TOH tay nahn. An audio version is available \u003ca href=\"https:\/\/houseofanansi-my.sharepoint.com\/:u:\/g\/personal\/mark_anansi_ca\/EaPCaNEOBFxLlDzyl1OF-RABs9tAJGT9fOE01br2mbhPnA\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eThe third book in the Nôhkom series, in Cree and English, tells a story about gathering leaves for Labrador tea, while listening in different ways.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"hardcover","PublicationDate":"2024-04-02","Publisher":"Groundwood Books Ltd","Series":"Nohkom series","ShortDescription":"\u003cp\u003e\u003cstrong \u003eThe third book in the Nôhkom series, in Cree and English, tells a story about gathering leaves for Labrador tea, while listening in different ways.\u003c\/strong\u003e\u003c\/p\u003e","Width":"8.5","WidthCode":"in"}
ages 3
and up
/ grades P
and up
ninitohtênân / We Listen
The third book in the Nôhkom series, in Cree and English, tells a story about gathering leaves for Labrador tea, while listening in different ways.
Quick View
{"id":6983970521147,"title":"nipêhon \/ I Wait","handle":"niphon-i-wait","description":"\u003cp\u003e\u003cstrong\u003eA quiet, gentle story about a family working together written in Cree and English.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA young child, her grandmother and mother are going out to pick wild yarrow. As Grandmother gets ready, the child and her mom wait. Grandmother leads the way to the field of blossoms, where they can finally start to pick … only now they have to wait for Mom!\u003c\/p\u003e\n\u003cp\u003eThe simple story, written in Cree and English and accompanied by rich acrylic illustrations, shows the patience, love and humor involved as three generations accommodate one another on a family outing. \u003cem\u003enipêhon \/ I Wait\u003c\/em\u003e was translated by Leona Morin-Neilson, who was the inspiration for the book.\u003c\/p\u003e\n\u003cp\u003eThis companion volume to \u003cem\u003eNiwechihaw \/ I Help\u003c\/em\u003e includes a recipe for yarrow tea, known for its refreshing and soothing effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nrecipe\u003cbr\u003e\nauthor’s note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr\u003e\nWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003e\nAsk and answer questions about unknown words in a text.\u003c\/p\u003e","published_at":"2022-09-14T12:22:37-04:00","created_at":"2022-09-14T11:38:25-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 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On the table are a basket with small items inside, scissors, and a small bag. Behind the woman is a trailer home. Text: Nôhkom gets ready.","id":22672618979387,"position":2,"preview_image":{"aspect_ratio":0.691,"height":1000,"width":691,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4e68824f-1b7c-4124-a0a9-ee8802864810.jpg?v=1663170708"},"aspect_ratio":0.691,"height":1000,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4e68824f-1b7c-4124-a0a9-ee8802864810.jpg?v=1663170708","width":691},{"alt":"A girl with medium light skin tone stands in the grass. Her eyes are closed, and she holds something small and green in her hands. A brown dog stands beside her. Text: I pray.","id":22672619274299,"position":3,"preview_image":{"aspect_ratio":0.691,"height":1000,"width":691,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ab71d270-20fc-473f-bc21-c078641c340f.jpg?v=1663170710"},"aspect_ratio":0.691,"height":1000,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ab71d270-20fc-473f-bc21-c078641c340f.jpg?v=1663170710","width":691},{"alt":"A field of green grass extends out into hills with trees and flowers. A woman and a girl with medium light skin tone stand in the grass beside each other. Text: We wait.","id":22672619405371,"position":4,"preview_image":{"aspect_ratio":0.691,"height":1000,"width":691,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a51655ab-3e37-4353-9ebd-e6bb1f61b46c.jpg?v=1663170714"},"aspect_ratio":0.691,"height":1000,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a51655ab-3e37-4353-9ebd-e6bb1f61b46c.jpg?v=1663170714","width":691}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA quiet, gentle story about a family working together written in Cree and English.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA young child, her grandmother and mother are going out to pick wild yarrow. As Grandmother gets ready, the child and her mom wait. Grandmother leads the way to the field of blossoms, where they can finally start to pick … only now they have to wait for Mom!\u003c\/p\u003e\n\u003cp\u003eThe simple story, written in Cree and English and accompanied by rich acrylic illustrations, shows the patience, love and humor involved as three generations accommodate one another on a family outing. \u003cem\u003enipêhon \/ I Wait\u003c\/em\u003e was translated by Leona Morin-Neilson, who was the inspiration for the book.\u003c\/p\u003e\n\u003cp\u003eThis companion volume to \u003cem\u003eNiwechihaw \/ I Help\u003c\/em\u003e includes a recipe for yarrow tea, known for its refreshing and soothing effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nrecipe\u003cbr\u003e\nauthor’s note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr\u003e\nWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003e\nAsk and answer questions about unknown words in a text.\u003c\/p\u003e"}
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She lives in Prince George, British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Nicholson, Caitlin Dale (CA)","Contributor_1":"Morin-Neilson, Leona (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA quiet, gentle story about a family working together written in Cree and English.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA young child, her grandmother and mother are going out to pick wild yarrow. As Grandmother gets ready, the child and her mom wait. Grandmother leads the way to the field of blossoms, where they can finally start to pick … only now they have to wait for Mom!\u003c\/p\u003e\n\u003cp\u003eThe simple story, written in Cree and English and accompanied by rich acrylic illustrations, shows the patience, love and humor involved as three generations accommodate one another on a family outing. \u003cem\u003enipêhon \/ I Wait\u003c\/em\u003e was translated by Leona Morin-Neilson, who was the inspiration for the book.\u003c\/p\u003e\n\u003cp\u003eThis companion volume to \u003cem\u003eNiwechihaw \/ I Help\u003c\/em\u003e includes a recipe for yarrow tea, known for its refreshing and soothing effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nrecipe\u003cbr\u003e\nauthor’s note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr\u003e\nWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003e\nAsk and answer questions about unknown words in a text.\u003c\/p\u003e","EAN":"9781773065045","Height":"12.25","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"author's note","MetaKeywords":"family; intergenerational friendships; Indigenous language text; grandparents and grandchildren; cultural traditions; nature and the natural world; culture and heritage; early reader; girls and women; cooperation; helpfulness; respect for environment; self-discipline; caring; low level wordless text; child as narrator; bilingual elements; Cree language; first person narration; dual language classroom; connecting; Common Core aligned; grade 1; picture book; author's note; traditional painting","NumberOfPages":"24","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis is a companion volume to\u003cem\u003e Niwechihaw \\\/ I Help\u003c\\\/em\u003e, which is in its fifth printing. It also won the AGHE Book Award for Best Children’s Literature on Aging.\u003c\\\/li\u003e\\n\u003cli\u003eThere is a universality to this story about having to wait for one another.\u003c\\\/li\u003e\\n\u003cli\u003eThe very simple, short story, well supported by illustration, makes this an excellent book for children learning to read. The Cree and English text appear in different colours to help differentiate between the two.\u003c\\\/li\u003e\\n\u003cli\u003eThe text in Cree and English contributes to the effort to keep indigenous languages alive.\u003c\\\/li\u003e\\n\u003cli\u003eCurriculum connections to Indigenous languages and Language arts \\\/ reading; Social studies \\\/ heritage and identities, people and environments.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is a companion volume to\u003cem\u003e Niwechihaw \/ I Help\u003c\/em\u003e, which is in its fifth printing. It also won the AGHE Book Award for Best Children’s Literature on Aging.\u003c\/li\u003e\n\u003cli\u003eThere is a universality to this story about having to wait for one another.\u003c\/li\u003e\n\u003cli\u003eThe very simple, short story, well supported by illustration, makes this an excellent book for children learning to read. The Cree and English text appear in different colours to help differentiate between the two.\u003c\/li\u003e\n\u003cli\u003eThe text in Cree and English contributes to the effort to keep indigenous languages alive.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections to Indigenous languages and Language arts \/ reading; Social studies \/ heritage and identities, people and environments.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A quiet, gentle picture book about a contemporary First Nations family and their ties to one another, their heritage, and their homeland.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003e“I Wait is a thoughtful story that captures important teachable moments in a child’s life, moments that impart knowledge, strengthen family bonds and build character.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"CM: Canadian Review of Materials","OtherText_Review_2":"\u003cp\u003e“The acrylic illustrations are the work of Caitlin Dale Nicholson who ensures accuracy and reality while going beyond true likeness and sharing the feel of the people and the place. The patience and connection between the three generations is palpable, even as they work separately and seemingly silently.” — \u003cstrong\u003e\u003cem\u003eCanLit for Little Canadians Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"CanLit for Little Canadians Blog","OtherText_Review_3":"\u003cp\u003e“Warm acrylic illustrations express the sense of peace and pleasure of time spent together conveyed by the text, which is punctuated with playful humor.” — \u003cstrong\u003e\u003cem\u003eInternational Literacy Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"International Literacy Association","OtherText_ShortDescription_0":"A quiet, gentle story about a family working together in the Cree tradition.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"Kirkus Best Picture Books","PrizeYear_0":"2017","ProductFormDescription":"EPUB, fixed","PublicationDate":"2017-09-01","Publisher":"Groundwood Books Ltd","Series":"Nohkom series","ShortDescription":"A quiet, gentle story about a family working together in the Cree tradition.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773065045\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"8.5","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
nipêhon / I Wait
A quiet, gentle story about a family working together in the Cree tradition.
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{"id":7349184069691,"title":"niwîcihâw \/ I Help","handle":"niwcihw-i-help","description":"\u003cp\u003e\u003cstrong\u003e “Textured acrylic paintings, done in rich earth tones...portray the sanctity of the natural environment...a sensitive, respectful portrayal of contemporary Native Americans.” — \u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis simple story in Cree and English explores a young child’s relationship to his grandmother, or nôkhom, as they go for a walk in the woods to pick rosehips. The young boy follows his grandmother, walking, listening, picking, praying and eating, just as she does. In doing so, he absorbs the rich cultural traditions and values of his Cree heritage.\u003c\/p\u003e\u003cp\u003eCaitlin Dale Nicholson’s acrylic-on-canvas illustrations portray the close relationship between the boy and his grandmother and the natural beauty of the bush. Her text has been translated into Cree by Leona Morin-Neilson, who was also the inspiration for \u003cem\u003eniwîcihâw \/ I Help\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eFormerly titled \u003cem\u003eNiwechihaw \/ I Help\u003c\/em\u003e, this revised paperback edition features updated text, including Cree syllabics in addition to standard roman orthography and English.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003erecipe\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003eAsk and answer questions about unknown words in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003cbr\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e","published_at":"2025-02-21T09:57:31-05:00","created_at":"2025-02-21T09:55:12-05:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 7","By (author) Nicholson Caitlin Dale","CC Literature - Kindergarten","CCSS.ELA-LITERACY.RL.K.3","CCSS.ELA-LITERACY.RL.K.4","CCSS.ELA-LITERACY.RL.K.6","CCSS.ELA-LITERACY.RL.K.7","Early Picture Books","Free Study Guides","Groundwood Books","Indigenous Voices","Nohkom series","Picture Books","pub date: 2018-03-01","Stories from Canada","Translated by Morin-Neilson Leona"],"price":999,"price_min":999,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025476685883,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781773061160","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"niwîcihâw \/ I Help - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1299,"weight":160,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773061160","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42035928498235,"title":"Hardback B221","option1":"Hardback B221","option2":null,"option3":null,"sku":"9780888998125","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"niwîcihâw \/ I Help - 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To the left is a kitchen. A woman with medium skin tone stands at a kitchen table wearing a red coat. Her hands are in a small basket on the table. Text: Kohkom gets ready. To the right is a room with a boy with medium skin tone sitting on the floor. He is looking into an open backpack and holding a toy car. A cat is beside him. Text: I get ready.","id":25137096982587,"position":2,"preview_image":{"aspect_ratio":1.389,"height":576,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_92e9d6ff-f984-48e2-a28d-03d06061683e.jpg?v=1740149731"},"aspect_ratio":1.389,"height":576,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_92e9d6ff-f984-48e2-a28d-03d06061683e.jpg?v=1740149731","width":800},{"alt":"This image is a double page spread. To the left is the view from the back seat of a car. In the driver’s seat is a woman with medium skin tone wearing a red jacket. Text: Kohkom drives. To the right is a view of the back seat of a car. In the backseat is a boy with medium skin tone. He has a toy car in is hands and is rolling it along the top of the passenger’s seat. Text: I drive.","id":25137097015355,"position":3,"preview_image":{"aspect_ratio":1.389,"height":576,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d2e1f5e6-1cab-4a0e-a7f5-35cddcd2eb41.jpg?v=1740149731"},"aspect_ratio":1.389,"height":576,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d2e1f5e6-1cab-4a0e-a7f5-35cddcd2eb41.jpg?v=1740149731","width":800},{"alt":"This image is a double page spread. To the left is the shore beside a lake. The ground is full of leaves and sparse bushes. A woman with medium skin tone sits by a table. She smiles. Text: Kohkom sits. To the right is the lake and a rocky shore. A boy holds a slingshot up to his face, which he aims out toward the water. Text: Not me!","id":25137097048123,"position":4,"preview_image":{"aspect_ratio":1.389,"height":576,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5702ef1f-6e62-49c4-a4d0-fed49f9d0401.jpg?v=1740149732"},"aspect_ratio":1.389,"height":576,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5702ef1f-6e62-49c4-a4d0-fed49f9d0401.jpg?v=1740149732","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e “Textured acrylic paintings, done in rich earth tones...portray the sanctity of the natural environment...a sensitive, respectful portrayal of contemporary Native Americans.” — \u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis simple story in Cree and English explores a young child’s relationship to his grandmother, or nôkhom, as they go for a walk in the woods to pick rosehips. The young boy follows his grandmother, walking, listening, picking, praying and eating, just as she does. In doing so, he absorbs the rich cultural traditions and values of his Cree heritage.\u003c\/p\u003e\u003cp\u003eCaitlin Dale Nicholson’s acrylic-on-canvas illustrations portray the close relationship between the boy and his grandmother and the natural beauty of the bush. Her text has been translated into Cree by Leona Morin-Neilson, who was also the inspiration for \u003cem\u003eniwîcihâw \/ I Help\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eFormerly titled \u003cem\u003eNiwechihaw \/ I Help\u003c\/em\u003e, this revised paperback edition features updated text, including Cree syllabics in addition to standard roman orthography and English.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003erecipe\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003eAsk and answer questions about unknown words in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003cbr\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888999436","AlsoRecommendedISBN_1":"9781554980840","AlsoRecommendedISBN_2":"9781554980840","AlsoRecommendedISBN_5":"9781773062204","AlsoRecommendedISBN_6":"9781773062204","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"4","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"7","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"2","BASICMainSubject":"JUV029000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Science \u0026 Nature\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCAITLIN DALE NICHOLSON\u003c\/strong\u003e is a graduate of the First Nations Studies program at the University of Northern British Columbia. Her family and Leona Morin-Neilson’s family have been close friends for many years, and Caitlin continues to learn about traditional plant medicines from Leona. Caitlin has written and illustrated the first two books in the Nôhkom series — \u003cem \u003eniwîcihâw \/ I Help\u003c\/em\u003e and \u003cem \u003enipêhon \/ I Wait\u003c\/em\u003e. She is currently living with her family in Tahltan Territory in northern British Columbia. \u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Science \u0026amp; Nature \/ General","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Family \/ Multigenerational","BISACSubjectLiteral_2":"JUVENILE FICTION \/ People \u0026amp; Places \/ Canada \/ Indigenous","BISACSubject_0":"JUV029000","BISACSubject_1":"JUV013030","BISACSubject_2":"JUV030090","CommonCore":"CCSS.ELA-LITERACY.RL.K.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.K.4","CommonCore_2":"CCSS.ELA-LITERACY.RL.K.6","CommonCore_3":"CCSS.ELA-LITERACY.RL.K.7","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCAITLIN DALE NICHOLSON\u003c\/strong\u003e is a graduate of the First Nations Studies program at the University of Northern British Columbia. Her family and Leona Morin-Neilson’s family have been close friends for many years, and Caitlin continues to learn about traditional plant medicines from Leona. Caitlin has written and illustrated the first two books in the Nôhkom series — \u003cem \u003eniwîcihâw \/ I Help\u003c\/em\u003e and \u003cem \u003enipêhon \/ I Wait\u003c\/em\u003e. She is currently living with her family in Tahltan Territory in northern British Columbia. \u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eLEONA MORIN-NEILSON\u003c\/strong\u003e teaches Cree at the “Power of Friendship” Aboriginal Head Start program in Prince George, British Columbia, and at the University of Northern British Columbia. She also teaches people in her community about traditional plants and how they can be used for medicinal purposes. She lives in Prince George, British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Nicholson, Caitlin Dale (CA)","Contributor_1":"Morin-Neilson, Leona (CA)","Description":"\u003cp\u003e\u003cstrong\u003e “Textured acrylic paintings, done in rich earth tones...portray the sanctity of the natural environment...a sensitive, respectful portrayal of contemporary Native Americans.” — \u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis simple story in Cree and English explores a young child’s relationship to his grandmother, or nôkhom, as they go for a walk in the woods to pick rosehips. The young boy follows his grandmother, walking, listening, picking, praying and eating, just as she does. In doing so, he absorbs the rich cultural traditions and values of his Cree heritage.\u003c\/p\u003e\u003cp\u003eCaitlin Dale Nicholson’s acrylic-on-canvas illustrations portray the close relationship between the boy and his grandmother and the natural beauty of the bush. Her text has been translated into Cree by Leona Morin-Neilson, who was also the inspiration for \u003cem\u003eniwîcihâw \/ I Help\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eFormerly titled \u003cem\u003eNiwechihaw \/ I Help\u003c\/em\u003e, this revised paperback edition features updated text, including Cree syllabics in addition to standard roman orthography and English.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr \/\u003erecipe\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr \/\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr \/\u003eAsk and answer questions about unknown words in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003cbr \/\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr \/\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e","EAN":"9781773061979","Height":"12.25","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"recipe","MetaKeywords":"Cree; grandparents and grandchildren; nohkom; learning from elders; heritage and culture; outdoor adventure; Indigenous; family and family issues; Indigenous narrator; work ethic; Cree language; translated words; second language; bilingual elements; low level wordless text; child as narrator; Common Core aligned; CC Literature Key Ideas and Details; CC Literature Craft and Structure; CC Literature Integration of Knowledge and Ideas; kindergarten; picture book; recipe","NumberOfPages":"24","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eniwîcihâw \/ \u003cem\u003eI Help\u003c\/em\u003e won the AGHE Book Award for Best Children’s Literature on Aging.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePROMOTES LITERACY\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe very simple, short story, well supported by illustration, makes this an excellent book for children learning to read.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHELP PRESERVE INDIGENOUS LANGUAGES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThis book contributes to the effort to keep indigenous languages alive; the Cree and English text appear in different colours to help differentiate between the two. The follow-up book, nipêhon \/ \u003cem\u003eI Wait\u003c\/em\u003e, will be released in August 2017.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum connections include language arts (indigenous languages \/ reading comprehension) and social studies (heritage \/ identity).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Textured acrylic paintings, done in rich earth tones...portray the sanctity of the natural environment...a sensitive, respectful portrayal of contemporary Native Americans.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“...acrylic-on-canvas paintings give a dream-like feel to the story, making it almost a nostalgic look at childhood...Recommended.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"CM: Canadian Review of Materials","OtherText_Review_2":"\u003cp\u003e“...a quiet narrative...broad brush strokes and blurred colours conveying light and atmosphere as much as personality...the simple verbs in present tense provide a wealth of clues about the workings of the Cree language.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Toronto Star","OtherText_ShortDescription_0":"A simple and beautifully illustrated story in Cree and English about a young child picking rosehips in the woods with his grandmother.","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2018-03-01","Publisher":"Groundwood Books Ltd","Series":"Nohkom series","ShortDescription":"A simple and beautifully illustrated story in Cree and English about a young child picking rosehips in the woods with his grandmother.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773061979\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"8.5","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
niwîcihâw / I Help
A simple and beautifully illustrated story in Cree and English about a young child picking rosehips in the woods with his grandmother.
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{"id":6984078000187,"title":"niwîcihâw \/ Moi, j'aide","handle":"niwcihw-moi-jaide","description":"\u003cp\u003eCette histoire simple, en cri et en français, explore la relation entre un jeune enfant et sa grand-mère lors d’une marche qu’ils font ensemble dans le bois pour cueillir des fruits d’églantier. Le jeune garçon suit sa grand-mère : il marche, écoute, cueille, prie et mange tout en assimilant les riches traditions culturelles et les valeurs de son patrimoine cri. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eL’histoire de Caitlin Dale Nicholson a été traduite en cri par Leona Morin-Neilson, qui a également inspiré ce livre.\u003c\/p\u003e","published_at":"2022-09-14T13:44:18-04:00","created_at":"2022-09-14T13:34:33-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 7","By (author) Nicholson Caitlin Dale","CC Literature - Kindergarten","Groundwood Books","Indigenous Voices","Picture Books","pub date: 2018-03-01","Stories from Canada","Translated by Morin-Neilson Leona","Translated by Ouriou Susan"],"price":1299,"price_min":1299,"price_max":1299,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40783528296507,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781773064796","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"niwîcihâw \/ Moi, j'aide - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1299,"weight":160,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773064796","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_10f22532-91af-4474-b3a4-e1cc55a321dc.jpg?v=1731045410","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_c539672f-edd5-49c9-adc5-862bc20568b3.jpg?v=1663177011","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_05f205a8-f873-4e2e-9343-f571a3087b0a.jpg?v=1663177013","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_fd6c8716-83c3-4635-80dc-f24906db5c82.jpg?v=1663177016"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_10f22532-91af-4474-b3a4-e1cc55a321dc.jpg?v=1731045410","options":["Title"],"media":[{"alt":null,"id":24903070122043,"position":1,"preview_image":{"aspect_ratio":0.695,"height":4608,"width":3201,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_10f22532-91af-4474-b3a4-e1cc55a321dc.jpg?v=1731045410"},"aspect_ratio":0.695,"height":4608,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_10f22532-91af-4474-b3a4-e1cc55a321dc.jpg?v=1731045410","width":3201},{"alt":null,"id":22673025695803,"position":2,"preview_image":{"aspect_ratio":0.691,"height":1000,"width":691,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_c539672f-edd5-49c9-adc5-862bc20568b3.jpg?v=1663177011"},"aspect_ratio":0.691,"height":1000,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_c539672f-edd5-49c9-adc5-862bc20568b3.jpg?v=1663177011","width":691},{"alt":null,"id":22673025761339,"position":3,"preview_image":{"aspect_ratio":0.691,"height":1000,"width":691,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_05f205a8-f873-4e2e-9343-f571a3087b0a.jpg?v=1663177013"},"aspect_ratio":0.691,"height":1000,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_05f205a8-f873-4e2e-9343-f571a3087b0a.jpg?v=1663177013","width":691},{"alt":null,"id":22673025957947,"position":4,"preview_image":{"aspect_ratio":0.691,"height":1000,"width":691,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_fd6c8716-83c3-4635-80dc-f24906db5c82.jpg?v=1663177016"},"aspect_ratio":0.691,"height":1000,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_fd6c8716-83c3-4635-80dc-f24906db5c82.jpg?v=1663177016","width":691}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eCette histoire simple, en cri et en français, explore la relation entre un jeune enfant et sa grand-mère lors d’une marche qu’ils font ensemble dans le bois pour cueillir des fruits d’églantier. Le jeune garçon suit sa grand-mère : il marche, écoute, cueille, prie et mange tout en assimilant les riches traditions culturelles et les valeurs de son patrimoine cri. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eL’histoire de Caitlin Dale Nicholson a été traduite en cri par Leona Morin-Neilson, qui a également inspiré ce livre.\u003c\/p\u003e"}
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Caitlin has written and illustrated the first two books in the Nôhkom series — \u003cem\u003eniwîcihâw \/ I Help\u003c\/em\u003e and \u003cem\u003enipêhon \/ I Wait\u003c\/em\u003e. She is currently living with her family in Tahltan Territory in northern British Columbia. \u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eLEONA MORIN-NEILSON\u003c\/strong\u003e teaches Cree at the “Power of Friendship” Aboriginal Head Start program in Prince George, British Columbia, and at the University of Northern British Columbia. She also teaches people in her community about traditional plants and how they can be used for medicinal purposes. She lives in Prince George, British Columbia.\u003c\/p\u003e","ContributorBio_2":"\u003cp\u003e\u003cstrong\u003eSUSAN OURIOU\u003c\/strong\u003e is an award-winning fiction writer and literary translator with over seventy translations and co-translations of fiction, non-fiction, children’s and young-adult literature to her credit. She has received the Governor General’s Literary Award for Translation and, in 2024, her translation of Catherine Leroux's \u003cem\u003eThe Future\u003c\/em\u003e won CBC's Canada Reads. Her translations have also been long-listed for awards such as the International Dublin Literary Award, the Carol Shields Prize for Fiction and the Giller Prize. as well as appearing on IBBY’s Honor List. 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ages 4
to 7
/ grades K
to 2
niwîcihâw / Moi, j'aide
Cette histoire simple, en cri et en français, explore la relation entre un jeune enfant et sa grand-mère lors d’une marche qu’ils font ensemble dans le bois pour cueillir des fruits d’églantier.
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{"id":6818366160955,"title":"No","handle":"no","description":"\u003cp\u003eIt's winter and little bear doesn't want to go to sleep. He's sure he won't get cold outside. He doesn't mind how long the winter is, how deep the snow might get or how hard the wind might blow. Until, that is, he finds himself all alone in a snowstorm. After a few panicky moments, he finds his mother again. \"Mamma, I'm back,\" he says. \"Winter is very long and you might get lonely.\"\u003c\/p\u003e\n\n\u003cp\u003eClaudia Rueda's classic picture-book illustrations, with their simple strong lines and shapes, show a very determined little bear and his mother in an increasingly snowy landscape. Little bear is a character that children everywhere will identify with.\u003c\/p\u003e","published_at":"2022-03-29T16:14:40-04:00","created_at":"2022-03-29T14:18:33-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 2 - 5","By (author) Rueda Claudia","Childrens Starred Reviews","Groundwood Books","Picture Books","pub date: 2010-08-01","Translated by Amado Elisa"],"price":1895,"price_min":1895,"price_max":1895,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40232180219963,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9780888999917","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No - hardcover","public_title":"hardcover","options":["hardcover"],"price":1895,"weight":408,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780888999917","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2acf376a-4455-43be-87b8-1e311a2df93c.jpg?v=1731044034","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c03a1ea-1c67-4c1a-8565-713ff3d6b2b8.jpg?v=1648579436","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_71d2bfbc-f818-4c55-ab0e-345380642ca4.jpg?v=1648579448","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_dd82d0ec-9d3c-4a14-b4c2-f24feaa5c6ef.jpg?v=1648579459"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2acf376a-4455-43be-87b8-1e311a2df93c.jpg?v=1731044034","options":["Title"],"media":[{"alt":null,"id":24903060521019,"position":1,"preview_image":{"aspect_ratio":1.057,"height":634,"width":670,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2acf376a-4455-43be-87b8-1e311a2df93c.jpg?v=1731044034"},"aspect_ratio":1.057,"height":634,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2acf376a-4455-43be-87b8-1e311a2df93c.jpg?v=1731044034","width":670},{"alt":"It is snowing. A black bear walks between bare trees. A smaller bear walks behind it. An owl sits in a tree branch. Text: “No,” said little bear. “I don’t want to go to sleep.”","id":21867271684155,"position":2,"preview_image":{"aspect_ratio":2.101,"height":238,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c03a1ea-1c67-4c1a-8565-713ff3d6b2b8.jpg?v=1648579436"},"aspect_ratio":2.101,"height":238,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1c03a1ea-1c67-4c1a-8565-713ff3d6b2b8.jpg?v=1648579436","width":500},{"alt":"It is snowing. A black bear stands between bare trees watching a smaller black bear. The smaller bear stands in the snow by a group of trees. Text: “You’ll freeze out here,” said mother bear. “I’m not cold,” said little bear.","id":21867272175675,"position":3,"preview_image":{"aspect_ratio":2.101,"height":238,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_71d2bfbc-f818-4c55-ab0e-345380642ca4.jpg?v=1648579448"},"aspect_ratio":2.101,"height":238,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_71d2bfbc-f818-4c55-ab0e-345380642ca4.jpg?v=1648579448","width":500},{"alt":"It is snowing. A small black bear holds onto a tree trunk up in the branches. It looks down with a smile. Text: “There’s no food to eat,” said mother bear. “I saved some berries,” said little bear.","id":21867272568891,"position":4,"preview_image":{"aspect_ratio":2.101,"height":238,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_dd82d0ec-9d3c-4a14-b4c2-f24feaa5c6ef.jpg?v=1648579459"},"aspect_ratio":2.101,"height":238,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_dd82d0ec-9d3c-4a14-b4c2-f24feaa5c6ef.jpg?v=1648579459","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eIt's winter and little bear doesn't want to go to sleep. He's sure he won't get cold outside. He doesn't mind how long the winter is, how deep the snow might get or how hard the wind might blow. Until, that is, he finds himself all alone in a snowstorm. After a few panicky moments, he finds his mother again. \"Mamma, I'm back,\" he says. \"Winter is very long and you might get lonely.\"\u003c\/p\u003e\n\n\u003cp\u003eClaudia Rueda's classic picture-book illustrations, with their simple strong lines and shapes, show a very determined little bear and his mother in an increasingly snowy landscape. Little bear is a character that children everywhere will identify with.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554988532","AlsoRecommendedISBN_1":"9781773061825","AlsoRecommendedISBN_2":"9781773063775","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"2","AudienceRangeValue_2_0":"K","AudienceRangeValue_2_1":"5","BASICMainSubject":"JUV010000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Bedtime \u0026 Dreams","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCLAUDIA RUEDA\u003c\/strong\u003e's picture books include \u003cem\u003eMy Little Polar Bear\u003c\/em\u003e (Oppenheim Platinum Award, NYC Society of Illustrators Original Art Show selection), \u003cem\u003eLet's Play in the Forest\u003c\/em\u003e (National Parenting Publications Award, Colombian IBBY Honor List) and \u003cem\u003eNacho and Lolita\u003c\/em\u003e by Pam Munoz Ryan (Child magazine Best Children's Books List, NYC Society of Illustrators Original Art Show selection). Her picture books have been published in Mexico, Spain and the US and translations have been published in Asia and Europe. Claudia has also worked as a political cartoonist and has written educational books for UNICEF. She lives with her family in Bogota, Colombia.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Bedtime \u0026amp; Dreams","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Animals \/ Bears","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Concepts \/ Seasons","BISACSubject_0":"JUV010000","BISACSubject_1":"JUV002030","BISACSubject_2":"JUV009100","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCLAUDIA RUEDA\u003c\/strong\u003e's picture books include \u003cem\u003eMy Little Polar Bear\u003c\/em\u003e (Oppenheim Platinum Award, NYC Society of Illustrators Original Art Show selection), \u003cem\u003eLet's Play in the Forest\u003c\/em\u003e (National Parenting Publications Award, Colombian IBBY Honor List) and \u003cem\u003eNacho and Lolita\u003c\/em\u003e by Pam Munoz Ryan (Child magazine Best Children's Books List, NYC Society of Illustrators Original Art Show selection). Her picture books have been published in Mexico, Spain and the US and translations have been published in Asia and Europe. Claudia has also worked as a political cartoonist and has written educational books for UNICEF. She lives with her family in Bogota, Colombia.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eELISA AMADO\u003c\/strong\u003e is a Guatemalan-born author and translator. She has written \u003cem\u003eMy Friend\u003c\/em\u003e (\u003cem\u003eMi amiga\u003c\/em\u003e), illustrated by Alfonso Ruano; \u003cem\u003eUn Barrilete para el Día de los Muertos\u003c\/em\u003e \/ \u003cem\u003eBarrilete: A Kite for the Day of the Dead\u003c\/em\u003e; \u003cem\u003eCousins\u003c\/em\u003e (\u003cem\u003ePrimas\u003c\/em\u003e), illustrated by Luis Garay; and \u003cem\u003eTricycle\u003c\/em\u003e (\u003cem\u003eEl triciclo\u003c\/em\u003e), illustrated by Alfonso Ruano, which is on the Américas Award Commended List and is a USBBY Outstanding International Book. She lives in Toronto.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Rueda, Claudia","Contributor_1":"Amado, Elisa (CA)","Description":"\u003cp\u003eIt's winter and little bear doesn't want to go to sleep. He's sure he won't get cold outside. He doesn't mind how long the winter is, how deep the snow might get or how hard the wind might blow. Until, that is, he finds himself all alone in a snowstorm. After a few panicky moments, he finds his mother again. \"Mamma, I'm back,\" he says. \"Winter is very long and you might get lonely.\"\u003c\/p\u003e\n\n\u003cp\u003eClaudia Rueda's classic picture-book illustrations, with their simple strong lines and shapes, show a very determined little bear and his mother in an increasingly snowy landscape. Little bear is a character that children everywhere will identify with.\u003c\/p\u003e","EAN":"9780888999917","Height":"9.29","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Bedtime \u0026amp; Dreams; Animals; Bears","NumberOfPages":"44","OtherText_Review_0":"\u003cp\u003e“A lovely book about a determined little bear and his patient mother that will be popular for storytime or at bedtime, especially in winter.” — \u003cstrong\u003eSamantha Godbey, \u003cem\u003eBayviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Samantha Godbey","OtherText_Review_0_Src":"Bayviews","OtherText_Review_1":"\u003cp\u003e“Rebellious children will recognize themselves with a smile.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Publishers Weekly","OtherText_Review_2":"\u003cp\u003e“Sure to be a crowd pleaser.” — \u003cstrong\u003eSarah Polace, \u003cem\u003eSchool Library Journal\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Sarah Polace","OtherText_Review_2_Src":"School Library Journal, STARRED REVIEW","OtherText_Review_3":"\u003cp\u003e“Getting right to the heart of a child’s inner life, this is a little gem.” — \u003cstrong\u003eIlene Cooper, \u003cem\u003eBooklist\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Ilene Cooper","OtherText_Review_3_Src":"Booklist, STARRED REVIEW","OtherText_ShortDescription_0":"A very simple story about a little bear who doesn't want to come inside for the winter.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"Cooperative Children's Book Center, CCBC Choices","PrizeYear_0":"2011","ProductFormDescription":"hardcover","PublicationDate":"2010-08-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A very simple story about a little bear who doesn't want to come inside for the winter.","Width":"8.85","WidthCode":"in"}
ages 2
to 5
/ grades P
to K
No
A very simple story about a little bear who doesn't want to come inside for the winter.
Quick View
{"id":6899077218363,"title":"No Friend but the Mountains","handle":"no-friend-but-the-mountains","description":"\u003cp\u003e\u003cstrong\u003eWinner of Australia’s richest literary award, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. \u003c\/p\u003e\u003cp\u003eIt is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.\u003c\/p\u003e\u003cp\u003e“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan\u003c\/p\u003e","published_at":"2022-06-27T18:18:04-04:00","created_at":"2022-06-27T17:26:39-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult Bestseller","Adult Course Adoption","Adult Nonfiction","Adult Starred Reviews","Anansi International","By (author) Boochani Behrouz","pub date: 2019-02-11","Translated by Tofighian Omid"],"price":1895,"price_min":1895,"price_max":4000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40499147309115,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006839","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":560,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006839","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499150848059,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006846","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006846","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499151142971,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006853","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006853","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499152650299,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008000","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":4000,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008000","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499152945211,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008017","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":4000,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008017","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907","options":["Title"],"media":[{"alt":"This image is in shades of black and white. A photograph shows a close-up of a face. It shows a man with light skin tone, dark hair, and a beard. Text: No Friend but the Mountains. Writing from Manus Prison. Behrouz Boochani. International Bestseller. Winner of the Victorian Prize for Literature. Translated by Omid Tofighian. Foreword by Richard Flanagan.","id":22284931596347,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2700,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907"},"aspect_ratio":0.667,"height":2700,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner of Australia’s richest literary award, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. \u003c\/p\u003e\u003cp\u003eIt is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.\u003c\/p\u003e\u003cp\u003e“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887848346","AlsoRecommendedISBN_1":"9780887849596","AlsoRecommendedISBN_2":"9781487002008","BASICMainSubject":"BIO032000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Social Activists","BiographicalNote":"\u003cp\u003eBEHROUZ BOOCHANI is a Kurdish-Iranian writer, journalist, and adjunct associate professor at the University of NSW. He publishes regularly with The Guardian, and his book, No Friend but the Mountains, won the 2019 Victorian Prize for Literature. It has been published in 23 countries and is currently being adapted for both stage and screen. A political prisoner incarcerated by the Australian government in Papua New Guinea before he escaped in 2019, Boochani now resides in Wellington, New Zealand.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Social Activists","BISACSubjectLiteral_1":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_2":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Survival","BISACSubject_0":"BIO032000","BISACSubject_1":"BIO026000","BISACSubject_2":"BIO038000","ContributorBio_0":"\u003cp\u003eBEHROUZ BOOCHANI is a Kurdish-Iranian writer, journalist, and adjunct associate professor at the University of NSW. He publishes regularly with The Guardian, and his book, No Friend but the Mountains, won the 2019 Victorian Prize for Literature. It has been published in 23 countries and is currently being adapted for both stage and screen. A political prisoner incarcerated by the Australian government in Papua New Guinea before he escaped in 2019, Boochani now resides in Wellington, New Zealand.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eOMID TOFIGHIAN\u003c\/strong\u003e is a translator, lecturer, researcher, and community advocate, combining philosophy with interests in citizen media, rhetoric, religion, popular culture, transnationalism, displacement, and discrimination. He completed his Ph.D. in philosophy at Leiden University and graduated with a combined Honours degree in philosophy and studies in religion at the University of Sydney. His current roles include Assistant Professor of Philosophy at the American University in Cairo; Honorary Research Associate for the Department of Philosophy, University of Sydney; faculty at Iran Academia; and campaign manager for Why Is My Curriculum White? — Australasia. He has published numerous book chapters and journal articles, and is author of \u003cem\u003eMyth and Philosophy in Platonic Dialogues\u003c\/em\u003e, and is translator of Behrouz Boochani’s book \u003cem\u003eNo Friend but the Mountains: Writing From Manus Prison\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Boochani, Behrouz","Contributor_1":"Tofighian, Omid","Description":"\u003cp\u003e\u003cstrong\u003eWinner of Australia’s richest literary award, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. \u003c\/p\u003e\u003cp\u003eIt is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.\u003c\/p\u003e\u003cp\u003e“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan\u003c\/p\u003e","EAN":"9781487006839","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006839\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"9","HeightCode":"in","Imprint":"Anansi International","NumberOfPages":"416","OtherText_Accolades_0":"No Friend but the Mountains by Behrouz Boochani will always belong to the canon of literature written under great duress and courage. This unique book should be read by all who care about the stories of our time. No Friend but the Mountains reminds us that no matter how different we may be from one another, whether it’s the colour of our skin, the god we pray to, where we are born, or where we call home, that we have words, language, and literature in common. I celebrate the courage of Boochani, who has pursued this ideal, this love of writing, and the faith in words as a tool to inform, to be a doorway to new and unexpected worlds, challenge tyrannies, and seek justice.","OtherText_Accolades_0_Auth":"Jennifer Clement","OtherText_Accolades_0_Src":"Jennifer Clement","OtherText_Accolades_1":"Under atrocious conditions [Behrouz Boochani] has managed to write and publish a record of his experiences (experiences yet to be concluded), a record that will certainly leave his jailers gnashing their teeth . . . No Friend but the Mountains provides a wholly engrossing account of the first four years that Boochani spent on Manus, up to the time when the prison camp was closed and the prisoners resettled elsewhere on the island. Just as absorbing is his analysis of the system that reigns in the camp, a system imposed by the Australian authorities but autonomous in the sense that it holds the jailers as well as the prisoners in its grip . . . [No Friend but the Mountains is] the absorbing record of a life-transforming episode whose effects on his inner self the writer is still trying to plumb.","OtherText_Accolades_1_Auth":"J.M. Coetzee","OtherText_Accolades_2":"No Friend but the Mountains deserves a place beside some of the world’s most famous prison narratives and testaments about living in a time of genocide, slavery, and state-sponsored oppression. It brings to mind various literary siblings: the ways in which The Diary of Anne Frank sketched the life of a young girl in the period leading up to her murder in the Holocaust; how Incidents in the Life of a Slave Girl painted Harriet Jacobs’s life as a fugitive in the United States; the means by which One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn showed the daily oppression of a man living in a Soviet gulag; how The Autobiography of Malcolm X charted the movement of a man through prison life and into militancy as the most famous Black Muslim in America; and how Martin Luther King Jr. condemned arbitrary imprisonment and racial segregation in The Letter from Birmingham Jail . . . In a time of mounting hysteria and paranoia with regard to the arrival of migrants in developed countries, Behrouz Boochani reminds us that 68.5 million displaced people in the world today are the same as us. We could be them, tomorrow.","OtherText_Accolades_2_Auth":"Lawrence Hill","OtherText_Accolades_2_Src":"Lawrence Hill","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAN INTERNATIONAL SENSATION:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBoochani’s story went global when \u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e won the Victorian Prize for Literature, Australia’s richest literary prize. The book won both the prize for nonfiction, as well as the overall winner for literature. The publisher had to make a special request that his work be eligible, despite the fact that he is essentially stateless. His win is a clear political statement of the Australian literary community’s objection to its government’s continued exile of Boochani and other refugees on Manus Island and Nauru Island, the two notorious immigration immigration detention facilities.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAustralian sales are around 30K now (as of April 2019) but are projected to reach 50K before the end of the year. Rights have been sold in the following territories: Homeward in Taiwan, Add Editore in Italy, Random House in Germany, Picador UK, Hugo in France, Al Arabi in Egypt, Leya in Portugal and Jurgen Maas Uitgeverij in the Netherlands. In the coming months the agent expects to conclude deals in Japan, Spain, Portugal, Turkey, Brazil, Lithuania, Sri Lanka, Denmark, Greece and Sweden. Film rights have been sold to Aurora Australia.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTIMELY SUBJECT MATTER — REFUGEES AND FREE PRESS UNDER ATTACK:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe detainment of refugees is a hot-button issue. Boochani’s rare insider’s first-person account is beautifully and poetically told, and symbolic of the realities and circumstances tens of thousands of migrants are living in today. In addition, the reason for his flight from Iran — escaping persecution as a journalist — is more and more common with the increase of autocratic nations: https:\/\/www.theguardian.com\/commentisfree\/2019\/feb\/03\/observer-view-on-assad-regime-murder-marie-colvin?CMP=Share_iOSApp_Other\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eRECENT TALK OF REOPENING THE DETENTION CENTRES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe situation on Manus and Nauru Islands will continue to be in the news throughout the year. On February 13, 2019, the Australian prime minister, Scott Morrison, threatened to reopen the Manus Island detention centre after a medical evacuation bill — the new legislation sets out the conditions by which sick people on Nauru and Manus can be transferred to Australia for medical treatment. In the event there is medical advice from two or more treating doctors that a person needs to be evacuated, the home affairs minister has grounds for refusal.) passed in the Senate.\u003cbr\u003e\r\n\u003cbr\u003e\r\nHere is information on the medical evacuation bill:\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/feb\/13\/nine-facts-about-the-medical-evacuation-bill\u003cbr\u003e\r\n\u003cbr\u003e\r\nAnd Prime Minister Scott Morrison’s response, upping the rhetoric on fearing migrants and refugees:\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/feb\/13\/coalition-to-reopen-christmas-island-detention-centre-as-senate-passes-refugee-transfer-bill\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eA PEN INTERNATIONAL WRITER:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePEN International has called on the Australian government for Boochani’s release. We will be approaching PEN International, PEN America, PEN U.K., and PEN Canada for support on this work, and through our efforts in publicizing the book we will also push for the author’s release.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDEMAND FOR IMMIGRANT STORIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eNever before has there been such interest in immigrant and refugee stories, as demonstrated by the success of story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eACCLAIMED COMPANION FILM:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBehrouz Boochani shot the feature-length documentary \u003cem\u003eChauka, Please Tell Us the Time\u003c\/em\u003e with Arash Kamali Sarvestani on a cellphone at the detention centre. It was acclaimed upon its release in 2018 and is available to watch on Vimeo: https:\/\/vimeo.com\/ondemand\/chauka.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eFILM ADAPTATION IN THE WORKS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eSweetshop \u0026 Green, Aurora Films, and Hoodlum Entertainment are producing a major motion picture adaptation of \u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e. Filming is set to begin in Australia in mid-2021.\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/amp.theguardian.com\/world\/2020\/feb\/24\/behrouz-boochanis-book-no-friend-but-the-mountains-to-be-made-into-a-film\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.screendaily.com\/news\/behrouz-boochanis-asylum-seeker-drama-no-friend-but-the-mountains-heads-to-big-screen-exclusive\/5147441.article?fbclid=IwAR3jcsIJTHbmAHuDmpFZLYft6En7RBnuY9Ae9XCZ4uUbjjUbIj6tjuAlQeQ\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBOOKSELLER INTEREST:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e“\u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e tells a story those in power do not want you to know. In writing this improbable memoir, Behrouz Boochani has given voice to migrants and refugees across the world and reminds us that the struggle for freedom is an ongoing one. I’m grateful this book exists.” — Stephen Sparks, Point Reyes Books\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMedia Coverage on and by Behrouz Boochani\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.nytimes.com\/2019\/11\/14\/world\/australia\/behrouz-boochani-refugee.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/nov\/14\/behrouz-boochani-free-voice-manus-island-refugees-new-zealand-australia\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.nytimes.com\/2019\/01\/31\/world\/australia\/behrouz-boochani-victorian-prize-manus-island.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/world\/2019\/feb\/01\/behrouz-boochani-on-literary-prize-words-still-have-the-power-to-challenge-inhumane-systems\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/pen-international.org\/news\/on-human-rights-day-take-action-for-journalist-behrouz-boochani-stranded-on-manus-island\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.npr.org\/books\/titles\/634881611\/no-friend-but-the-mountains-writing-from-manus-prison\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/oct\/29\/i-returned-to-my-prison-on-manus-island-and-was-stunned-by-what-i-saw\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/aug\/31\/australia-needs-a-moral-revolution\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/jun\/20\/our-lives-are-have-become-weapons-in-a-rugged-political-contest\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.smh.com.au\/national\/australia-s-barbaric-policy-confronted-by-boochani-s-prison-memoir-20180821-p4zyt7.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.smh.com.au\/entertainment\/books\/no-friend-but-the-mountains-review-behrouz-boochanis-poetic-and-vital-memoir-20180801-h13fuu.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2018\/aug\/02\/behrouz-boochani-manus-island-and-the-book-written-one-text-at-a-time\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.thesaturdaypaper.com.au\/news\/politics\/2017\/12\/09\/letter-manus-island\/15127380005617\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.aljazeera.com\/programmes\/talktojazeera\/inthefield\/2018\/02\/behrouz-boochani-living-limbo-manus-island-180208113527825.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.huffingtonpost.com.au\/author\/behrouz-boochani\/\u003c\/p\u003e","OtherText_Description_for_R_0":"\u003cdiv \u003e\u003cstrong\u003eForeword by Richard Flanagan\u003c\/strong\u003e\u003c\/div\u003e\u003cp\u003e\u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e is a book that can rightly take its place on the shelf of world prison literature, alongside such diverse works as Oscar Wilde’s \u003cem\u003eDe Profundis\u003c\/em\u003e, Antonio Gramsci’s \u003cem\u003ePrison Notebooks\u003c\/em\u003e, Ray Parkin’s \u003cem\u003eInto The Smother\u003c\/em\u003e, Wole Soyinka’s \u003cem\u003eThe Man Died\u003c\/em\u003e, and Martin Luther King Jr’s \u003cem\u003eLetter from Birmingham Jail\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eWritten in Farsi by a young Kurdish poet, Behrouz Boochani, in situations of prolonged duress, torment, and suffering, the very existence of this book is a miracle of courage and creative tenacity. It was written not on paper or a computer, but thumbed on a phone and smuggled out of Manus Island in the form of thousands of text messages.\u003c\/p\u003e\u003cp\u003eWe should recognise the extent of Behrouz Boochani’s achievement by first acknowledging the difficulty of its creation, the near impossibility of its existence. Everything has been done by our government to dehumanise asylum seekers. Their names and their stories are kept from us. On Nauru and Manus Island, they live in a zoo of cruelty. Their lives are stripped of meaning.\u003c\/p\u003e\u003cp\u003eThese prisoners were all people who had been imprisoned without charge, without conviction, and without sentence. It is a particularly Kafkaesque fate that frequently has the cruellest effect — and one fully intended by their Australian jailers – of destroying hope.\u003c\/p\u003e\u003cp\u003eThus the cry for freedom was transmuted into charring flesh as 23-year-old Omid Masoumali burnt his body in protest. The screams of 21-year-old Hodan Yasin as she too set herself alight.\u003c\/p\u003e\u003cp\u003eThis is what we, Australia, have become.\u003c\/p\u003e\u003cp\u003eThe ignored begging of a woman on Nauru being raped.\u003c\/p\u003e\u003cp\u003eA girl who sewed her lips together.\u003c\/p\u003e\u003cp\u003eA child refugee who stitched a heart into their hand and didn’t know why.\u003c\/p\u003e\u003cp\u003eBehrouz Boochani’s revolt took a different form. For the one thing that his jailers could not destroy in Behrouz Boochani was his belief in words: their beauty, their necessity, their possibility, their liberating power.\u003c\/p\u003e\u003cp\u003eAnd so over the course of his imprisonment Behrouz Boochani began one of the more remarkable careers in Australian journalism: reporting about what was happening on Manus Island in the form of tweets, texts, phone videos, calls, and emails. In so doing he defied the Australian government which went to extreme lengths to prevent refugees’ stories being told, constantly seeking to deny journalists access to Manus Island and Nauru; going so far, for a time, as to legislate the draconian section 42 of the \u003cem\u003eAustralian Border Force Act\u003c\/em\u003e, which allowed for the jailing for two years of any doctors or social workers who bore public witness to children beaten or sexually abused, to acts of rape or cruelty.\u003c\/p\u003e\u003cp\u003eHis words came to be read around the world, to be heard across the oceans and over the shrill cries of the legions of paid propagandists. With only the truth on his side and a phone in his hand, one imprisoned refugee alerted the world to Australia’s great crime.\u003c\/p\u003e\u003cp\u003eBehrouz Boochani has now written a strange and terrible book chronicling his fate as a young man who has spent \u003cem\u003efive years\u003c\/em\u003e on Manus Island as a prisoner of the Australian government’s refugee policies — policies in which both our major parties have publicly competed in cruelty.\u003c\/p\u003e\u003cp\u003eReading this book is difficult for any Australian. We pride ourselves on decency, kindness, generosity, and a fair go. None of these qualities are evident in Boochani’s account of hunger, squalor, beatings, suicide and murder.\u003c\/p\u003e\u003cp\u003eI was painfully reminded in his descriptions of the Australian officials’ behaviour on Manus of my father’s descriptions of the Japanese commanders’ behaviour in the POW camps where he and fellow Australian POWs suffered so much.\u003c\/p\u003e\u003cp\u003eWhat has become of us when it is we who now commit such crimes?\u003c\/p\u003e\u003cp\u003eThis account demands a reckoning. Someone must answer for these crimes. Because if they don’t, the one certainty that history teaches us is that the injustice of Manus Island and Nauru will one day be repeated on a larger, grander, and infinitely more tragic scale in Australia.\u003c\/p\u003e\u003cp\u003eSomeone is responsible, and it is they, and not the innocent, to whose great suffering this book bears such disturbing witness, who should be in jail.\u003c\/p\u003e\u003cp\u003eThis book, though, is something greater than just a \u003cem\u003eJ’accuse\u003c\/em\u003e. It is a profound victory for a young poet who showed us all how much words can still matter. Australia imprisoned his body, but his soul remained that of a free man. His words have now irrevocably become our words, and our history must henceforth account for his story.\u003c\/p\u003e\u003cp\u003eI hope one day to welcome Behrouz Boochani to Australia as what I believe he has shown himself to be in these pages. A writer. A great Australian writer.\u003c\/p\u003e \u003cp\u003e Richard Flanagan, 2018\u003c\/p\u003e\u003cdiv \u003e\u003cstrong\u003e*\u003cbr\/\u003e\u003cbr\/\u003eExcerpt from Chapter 5—\u003cbr\/\u003eA Christmas (Island) Tale \/ A Stateless Rohingya Boy Sent Away to Follow the Star of Exile\u003c\/strong\u003e\u003cbr\/\u003e\u003c\/div\u003e\u003cp\u003eThey load us onto a bus. A few days ago in this exact area a bloody battle erupted, right in the place where we are now standing like submissive sheep. Lebanese refugees stood up to defy the guards who wanted to load them on board. But the guards smashed them and beat them down. They annihilated them, beat down on the arms and faces of a few of them. The guards dragged their battered and blood-soaked bodies over the concrete. They banished them to Manus Island. No matter how the refugees tried to resist, they couldn’t alter the political machinations of a government, a government that had just recently taken power, that had gone mad with the mere whiff of power.\u003c\/p\u003e\u003cp\u003eThe bus takes off. The path to the airport is surrounded by jungle. The conversation inside the vehicle is about the possibility of a particular scenario: that we will disembark at Darwin Airport and find out that all this talk is nothing but a ridiculous performance, the whole thing just a farce, that this whole thing doesn’t involve Manus in any way. However, talk of this kind comes from a place of weakness. At this point, faith in an occurrence that resembles a miracle comes across as ludicrous. We have to accept the reality. Within hours we will be descending on a remote island called Manus.\u003c\/p\u003e\u003cp\u003eA few police vehicles follow our bus, and a few travel ahead. It is as though they are attending to our bus like a car transporting a president. We are so disempowered that we couldn’t do anything at all, even if we wanted to. Our baggy, cumbersome clothing weighs us down.\u003c\/p\u003e\u003cp\u003ePandemonium breaks loose at the airport. Dozens of police officers stand by the plane in military mode. A few journalists have their cameras ready. All of them are waiting for us. The interpreters are there, also. That Kurdish woman has both her hands clasped behind her back. She just stands there, completely obedient. I can’t work it out; I can’t understand why they have to securitise that space. I am frightened by the journalists; I am frightened by the cameras they hold.\u003c\/p\u003e\u003cp\u003eJournalists inquire into everything. They are always seeking out horrific events. They acquire fodder for their work from wars, from bad occurrences, from the misery of people. I remember when I used to work for a newspaper I would become agitated from listening to all the news about, for instance, a coup d’état, a revolution, or a terrorist attack. I would begin work with great fervour and scramble for that kind of research like a vulture; in turn, I fed the appetite of the people.\u003c\/p\u003e\u003cp\u003eThe journalists are staking out the situation like vultures: waiting until the wretched and miserable exit the vehicle; eager for us to come out as quickly as possible, to catch sight of the poor and helpless and launch on us —\u003c\/p\u003e\u003cp\u003e\u003cem\u003eClick, click \/\u003cbr\/\u003eWaiting to take their photos \/ Click, click.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e— and dispatch the images to the whole world. They are completely mesmerised by the government’s dirty politics and just follow along. The deal is that we have to be a warning, a lesson for people who want to seek protection in Australia.\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"A stateless Kurdish-Iranian asylum-seeker detained by the Australian government won the country’s highest-paying literary prize on Thursday. But he could not attend the festivities to accept the award. Behrouz Boochani, a writer, journalist and filmmaker who has been held in offshore detention on Manus Island in Papua New Guinea for more than five years, won the 2019 Victorian Prize for Literature for his book, No Friend but the Mountains . . . Typically, only Australian citizens or permanent residents are eligible for the award. But an exception was made in Mr. Boochani’s case because judges considered his story an Australia story, said Michael Williams, the director of the Wheeler Center, a literary institution that administers the award on behalf of the state government. ‘We canvassed the critical and broader literary reception of the book, and we made our decision on that basis,’ Mr. Williams said. ‘This is an extraordinary literary work that is an indelible contribution to Australian publishing and storytelling.","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"Boochani tapped his book out in text messages to his friend Omid Tofighian, who translated the book from Persian. Before the book was published, Boochani filmed a movie, Chauka, Please Tell Us the Time, which was shot in secret, on his cell phone. He has written many articles and essays for Australian and international media. He now holds a non-resident appointment at the University of Sydney. In a different place, or at a different time, these professional recognitions, to say nothing of his many literary awards, would have signalled that Boochani is integrated into Australian society, and valued by it. But Australia’s extreme anti-immigrant turn, which preceded that of the United States by several years, has created a stark disjuncture between what the culture values and what the state allows. In an era when simply being a person in need of international protection makes a man a criminal, he cannot live in the society that has showered him with praise.","OtherText_Review_1_Auth":"Masha Gessen","OtherText_Review_1_Src":"The New Yorker","OtherText_Review_2":"No Friend but the Mountains: Writing from Manus Prison is an extraordinary insight into the life of several hundred men held in offshore prisons under the Australian policy of immigration detention.","OtherText_Review_2_Src":"Los Angeles Review of Books","OtherText_Review_3":"The winner of Australia’s richest literary prize did not attend the ceremony. His absence was not by choice. Behrouz Boochani, whose debut book won both the $25,000 non-fiction prize at the Victorian premier’s literary awards and the $100,000 Victorian prize for literature on Thursday night, is not allowed into Australia. The Kurdish Iranian writer is an asylum seeker who has been kept in purgatory on Manus Island in Papua New Guinea for almost six years, first behind the wire of the Australian offshore detention centre, and then in alternative accommodation on the island. Now his book No Friend but the Mountains — composed one text message at a time from within the detention centre — has been recognized by a government from the same country that denied him access and locked him up.","OtherText_Review_3_Src":"Guardian","OtherText_Review_4":"As war, crime, famine, and civil disruption result in growing numbers of asylum seekers, Boochani’s deeply disturbing memoir introduces readers to hard realities and reveals the wounded hearts of captors and prisoners alike.","OtherText_Review_4_Src":"Foreword Reviews","OtherText_ShortDescription_0":"Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Winner","PrizeCodeText_4":"Winner","PrizeCodeText_5":"Nominated","PrizeCodeText_6":"Winner","PrizeCodeText_7":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"01","PrizeCode_3":"01","PrizeCode_4":"01","PrizeCode_5":"07","PrizeCode_6":"01","PrizeCode_7":"03","PrizeName_0":"Victorian Prize for Literature","PrizeName_1":"Victorian Premier’s Prize for Nonfiction","PrizeName_2":"NSW Premier’s Literary Award: Special Award","PrizeName_3":"ABIA General Non-Fiction Book of the Year","PrizeName_4":"State Library New South Wales National Biography Award","PrizeName_5":"Foreword INDIES Book of the Year Award: Autobiography \u0026amp; Memoir","PrizeName_6":"Foreword INDIES Book of the Year Award: Editor’s Choice (Nonfiction)","PrizeName_7":"A New Statesman Book of the Year","ProductFormDescription":"trade paperback","PublicationDate":"2019-02-11","Publisher":"House of Anansi Press Inc","ShortDescription":"Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.","Subtitle":"Writing from Manus Prison","Width":"6","WidthCode":"in"}
No Friend but the Mountains
Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.
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{"id":6811315732539,"title":"No More Nice Girls","handle":"no-more-nice-girls","description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e","published_at":"2022-03-21T17:16:09-04:00","created_at":"2022-03-21T12:42:27-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Nonfiction","By (author) McKeon Lauren","Feminist Reads","pub date: 2020-03-03","The Walrus Books"],"price":1895,"price_min":1895,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191030558779,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006440","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":500,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006440","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191116902459,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006457","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006457","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191116935227,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006464","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No More Nice Girls - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006464","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440","options":["Title"],"media":[{"alt":"A painted portrait shows a girl with light skin tone and brown hair rolling her eyes toward the ceiling. She wears a century period style dress. The title is made to look stenciled with paint. Text: No More Nice Girls. Gender, Power, and Why it’s Time to Stop Playing by the Rules. Lauren McKeon.","id":23033317228603,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5ee89489-b74f-4f2a-bde8-db40bfd700e2.jpg?v=1670223440","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003043","AlsoRecommendedISBN_1":"9781487004552","AlsoRecommendedISBN_4":"9781487006471","BASICMainSubject":"SOC028000","BASICMainSubjectLiteral":"SOCIAL SCIENCE\/Women's Studies","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAUREN MCKEON’S\u003c\/strong\u003e critically acclaimed first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e, was a finalist for the Kobo Emerging Writer Prize and was selected by the \u003cem\u003eHill Times\u003c\/em\u003e as a book of the year and by the Feminist Book Club as one of their top five feminist books ever. McKeon is the winner of several National Magazine Awards, including a Gold in the Personal Journalism category. Her writing has appeared in \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and \u003cem\u003eBest Canadian Essays\u003c\/em\u003e, on TVO.org, and in the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life After Sexual Assault\u003c\/em\u003e. McKeon has taught long-form writing at Humber College and holds an M.F.A. in Creative Nonfiction from the University of King’s College. She was the editor of \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016 and the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e from 2017 to 2020, and she is currently a contributing editor at \u003cem\u003eToronto Life\u003c\/em\u003e and the deputy editor of \u003cem\u003eReader’s Digest\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Women's Studies","BISACSubjectLiteral_1":"SOCIAL SCIENCE \/ Feminism \u0026amp; Feminist Theory","BISACSubjectLiteral_2":"POLITICAL SCIENCE \/ History \u0026amp; Theory","BISACSubject_0":"SOC028000","BISACSubject_1":"SOC010000","BISACSubject_2":"POL010000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAUREN MCKEON’S\u003c\/strong\u003e critically acclaimed first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e, was a finalist for the Kobo Emerging Writer Prize and was selected by the \u003cem\u003eHill Times\u003c\/em\u003e as a book of the year and by the Feminist Book Club as one of their top five feminist books ever. McKeon is the winner of several National Magazine Awards, including a Gold in the Personal Journalism category. Her writing has appeared in \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and \u003cem\u003eBest Canadian Essays\u003c\/em\u003e, on TVO.org, and in the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life After Sexual Assault\u003c\/em\u003e. McKeon has taught long-form writing at Humber College and holds an M.F.A. in Creative Nonfiction from the University of King’s College. She was the editor of \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016 and the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e from 2017 to 2020, and she is currently a contributing editor at \u003cem\u003eToronto Life\u003c\/em\u003e and the deputy editor of \u003cem\u003eReader’s Digest\u003c\/em\u003e.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"McKeon, Lauren","Description":"\u003cp\u003e\u003cstrong\u003eA groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?\u003c\/p\u003e\u003cp\u003eAward-winning journalist and author of \u003ci\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/i\u003e, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game. \u003c\/p\u003e","EAN":"9781487006464","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006464\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"MeToo; Intersectionality; Misogyny; female empowerment; girl boss; rape culture; gender and equality; fourth-wave feminism; patriarchy; sexual abuse and harassment; times up; Canadian history; women's studies; sociology; cultural studies; civics; Footnotes; index; Jodi Kantor; Megan Twohey; Robyn Doolittle; Handmaid's Tale; Gloria Steinem; Lindy West; Mary Beard; Long-form journalism","NumberOfPages":"352","OtherText_Accolades_0":"Lauren McKeon has written a bold, searching, and ultimately hopeful book about what it would mean for women to be truly powerful in the world. Not the kind of power that requires a token change at the top, but a radical overhauling of social structures to create a more progressive and inclusive society. There is much power to be found in her wise, eye-opening book.","OtherText_Accolades_0_Auth":"Elizabeth Renzetti","OtherText_Accolades_1":"Lauren McKeon has long cemented herself as a writer whose insights are biting, effective, and necessary. And unsurprisingly, No More Nice Girls is no different. In this book, her work is meticulously researched and brilliantly argued, and she’s not afraid to confront us with information and perspectives that are as uncomfortable as they are true (see: very). That said, McKeon’s ability to engage with instead of dictating to is powerful and unifying, specifically as she provides the type of ammunition needed for readers to abandon existing comfort zones or truths fabricated for self-preservation. She urges us to learn and listen (but actually listen). She’s patient but forceful in offering her many (many) facts. I’ve never liked the word nice, and liked the idea of aspiring to be nice even less. Thankfully, McKeon makes nice a non-word — a notion or descriptor that means nothing and does nothing. She sets us free of the rhetoric associated with niceness and exchanges the burden of playing by the rules for the data, statistics, and emphasis on intersectionality that will help us, collectively, to obliterate them.","OtherText_Accolades_1_Auth":"Anne","OtherText_Accolades_2":"Lauren McKeon is one of the most important journalists writing about feminist issues in this country today. This impeccably researched and reported book is a revelation, an inspiration, a punch in the gut, and a fierce rallying cry. It’s a definite must read for anyone who cares about women’s current reality, and women’s future in this country and beyond.","OtherText_Accolades_2_Auth":"Stacey May Fowles","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eTIMELY SUBJECT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThere’s a huge market for books on feminist literature and ongoing attention to women’s issues in popular media. \u003cem\u003eNo More Nice Girls\u003c\/em\u003e picks up where her 2017 book,\u003cem\u003e F-Bomb\u003c\/em\u003e, left off.\u003cem\u003e F-Bomb\u003c\/em\u003e looked at the supposed demise of the feminist movement, while this book reimagines the very concept of power itself. Perfect for fans of feminist nonfiction by Gemma Hartley, Soraya Chemaly, Robyn Doolittle.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAUTHOR’S INTERSECTIONAL APPROACH AND STYLE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eMcKeon’s intersectional approach led her to many interviews with people whose experiences with power is more layered than her own, including people of all genders, Native American women, women of colour, women with disabilities, and those who are LGBTQ+. She practices what she preaches: all interview subjects are referred to by their chosen pronouns and none are described by their physical appearances unless that is relevant to the discussion of power or a man would be physically described in the same situation. Her nuanced and intentional writing is also fun to read. Having developed her writing for online audiences as well as for readers of long-form print journalism, McKeon’s prose style — sharp, honest, and entertaining — is persuasive, and will appeal especially to readers in their twenties, thirties, and forties.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTIMED TO COINCIDE WITH TWO SIGNIFICANT DATES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eWe will publish the book on March 3, 2020, to coincide with International Women’s Day on March 8. Also worth noting is that in 2020, it will be twenty-five years since the Beijing Platform for Action, a visionary agenda for the empowerment of women and girls which came out of the UN’s Fourth World Conference on Women in 1995 in Beijing. The anniversary of the Beijing Platform, and how much progress has or has not been made over the last twenty-five years, will be much discussed in the media. McKeon is very well connected in the media, and we will work with her to effectively market and promote the book to women’s long-lead magazines and national literary media (magazines, newspapers, radio, TV, podcasts, blogs) in addition to her spotlight in \u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAWARD-WINNING AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eLauren McKeon’s long-form writing has won her several Canadian National Magazine Awards. Her first book, \u003cem\u003eF-Bomb: Dispatches from the War on Feminism\u003c\/em\u003e (Goose Lane, 2017), was nominated for Rakuten Kobo’s Emerging Writer Prize. She contributed a chapter to the book \u003cem\u003eWhatever Gets You Through: Twelve Survivors on Life after Sexual Assault\u003c\/em\u003e. She holds an M.F.A. in Creative Nonfiction from the University of King’s College and has taught long-form writing at Humber College. She was the editor of Canada’s progressive, independent \u003cem\u003eThis Magazine\u003c\/em\u003e from 2011 to 2016, where she helmed one of the bestselling issues in recent years, “Why Canada Needs More Feminism.” She writes for \u003cem\u003eHazlitt\u003c\/em\u003e, \u003cem\u003eFlare\u003c\/em\u003e, \u003cem\u003eReader’s Digest\u003c\/em\u003e, and the \u003cem\u003eKit\u003c\/em\u003e. She is the digital editor at \u003cem\u003eThe Walrus\u003c\/em\u003e.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTHE PRESTIGE AND SUCCESS OF THE WALRUS BOOKS IMPRINT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe inaugural publication of Walrus Books, \u003cem\u003eBig Lonely Doug\u003c\/em\u003e, sold well and earned wide media coverage and prize attention. Lauren McKeon’s book follows Harley Rustad’s as a fine product of the same strong partnership between \u003cem\u003eThe Walrus\u003c\/em\u003e magazine, the Chawkers Foundation, and House of Anansi Press. The Walrus Books imprint publishes strong, rigorous works of narrative nonfiction that reflect the excellence of both \u003cem\u003eThe Walrus\u003c\/em\u003e and Anansi brands.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eOn November 8, 2016, I tried to pretend the TVs at my gym did not exist. I’d shown up that night to my weekly class expecting to walk out sweaty and exalted. If America elected a woman as its leader (as all the pundits and polls suggested the country would) then, surely, Canada would follow. Anything felt possible. I imagined a cascade of broken status quos — belligerent white men in crisp suits falling like dominos. But over the next hour disbelief replaced excitement. At one point, our class melted away from our workout stations to pool, lost, around the TV. Women muttered shit, what, no, over and over again. That night, I couldn’t sleep. I stayed seated on my bed, cross-legged, stunned. It didn’t matter that I wasn’t American, or that one of the wokest men on Earth supposedly ran my own country. Electing a blatant misogynist to one of the world’s most powerful positions symbolized something: we were fucked.\u003cbr \/\u003e\u003cbr \/\u003eSince then, the question of women and power has undergone something of a renaissance — largely because we’ve been forced to confront, once again, how much of it women still don’t have. Quite literally overnight, many of us went from believing, with good reason, that we’d never been closer to equality — and power — to reckoning with just how far away from both women truly were. In response, women woke up, gathered, and demanded change. All around the world, they protested. The momentum from the Women’s March on Washington built into #MeToo and a very public reckoning with the everyday ways in which women’s power and autonomy are constantly undermined.\u003cbr \/\u003e\u003cbr \/\u003eWatching it all, I was galvanized. But I also felt as though I was stuck in a not-so-fun house of magic mirrors. Come one, come all! Watch as the road to equality shrinks, stretches, distorts! Sometimes it seemed as if our fury, powerful in its own right, could propel us anywhere we wanted to go: into public office, into the C-suite, into a world in which we had bodily autonomy. Other times, as the anti-feminist backlash grew louder, bolder, and more expansive, it seemed as though women were in our most precarious spot yet. I began to think of feminist power as a paradox: from some vantages, we seemed closer than ever to achieving it; from others, we’d never been farther away.\u003cbr \/\u003e\u003cbr \/\u003eI have spent the bulk of my journalism career investigating the ways in which women navigate, and in many cases push back against, the expectations of the world around them. In doing this, I now realize, what I’ve really been asking, consciously or not, is how women disrupt and reimagine power structures, how they gain power both in and over their lives. Many of the women I’ve interviewed are pioneers in their fields, often ones dominated by men, and you could say they are subverting from within. Others are pushing at established power structures from the outside, rallying from the grassroots. They are all inspiring and amazing. But is what they’re doing working? These past few years have illuminated some stark, and seemingly contradictory, truths. Despite immense progress, no amount of success can immunize women against the toxic, sexist environments around them, and it is not uncommon for women to be utterly alone: one of few in their field, the only woman in management at their company, or the only one breaking a certain convention.\u003cbr \/\u003e\u003cbr \/\u003eThe more I heard their stories, the more I wondered: Even if a woman won the next American or Canadian federal election, what would that victory gain us? Or, put another way: Do we have the very concept of women and power all wrong? I’m not saying I want all the feminists to give up the fight, retreat to their kitchens, and let one pucker-mouthed man and his acolytes burn the planet. I want women to attain the same powerful positions afforded to men, in equal numbers. But it’s also dangerous to see that status, in and of itself, as a panacea to centuries of Western civilization, all built on foundational histories of sexism, misogyny, and violence against women. A woman prime minister certainly wouldn’t “cancel out” this seemingly new brand of misogyny, dredged up for all the world to see. In fact, the past few years have revealed that any woman, or member of another equity-seeking group, who stands where white, straight, cisgender men usually do is certain to face violent backlash. Or, as University of Cambridge classics professor Mary Beard argues in her short manifesto Women and Power, throughout time women have been placed in, or near to, positions of power simply to fail. To illustrate her point, Beard borrows from Greek mythology, referring to Clytemnestra, who rules over her city while her husband fights in the Trojan War, only to be murdered by her own children after she refuses to cede her new leadership upon his return (well, okay, she also killed her husband rather than go back down the patriarchal chain). Or more recently, Beard suggests, consider Theresa May or Hillary Clinton. For women, power is messy from every angle.\u003cbr \/\u003e\u003cbr \/\u003ePerhaps, then, it’s finally time to start rethinking feminism’s one-time end goals, to ditch our old checklists for equality. Yes, let’s not abandon our strategizing toward getting more women to the top, but let’s also examine a deeper, less considered problem: that is, what the view from “the top” looks like for women once they’re there. What if we could redefine not just women’s path to power but the very concept of power itself? Or more radical yet: What if we stopped focusing on playing the game better, ditched the rulebook, and refused to play their game at all? What would power even look like to us if we weren’t always visualizing it within the context of men?\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\r\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\r\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“[Lauren McKeon’s] vital, keenly insightful work is a must-read.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Booklist","OtherText_Review_1":"\u003cp\u003e“McKeon uses plain language and an army of external sources to illuminate the puppet strings of power . . . No More Nice Girls avoids despairing, instead positing a hopeful roadmap toward a future wherein women will not just attain power, but will topple and rebuild it in their own image.” — \u003cstrong\u003e\u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Foreword Reviews","OtherText_Review_2":"\u003cp\u003e“Through a wealth of examples of women and communities working to topple power structures in a variety of sectors, No More Nice Girls is a thoughtful, bold read that envisions a future in which women create new styles of leadership.” — \u003cstrong\u003e\u003cem\u003eRabble.ca\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Rabble.ca","OtherText_Review_3":"\u003cp\u003e“Timely … [\u003cem\u003eNo More Nice Girls\u003c\/em\u003e] will open your eyes to a better way of doing things.” — \u003cstrong\u003e\u003cem\u003eI’ve Read This\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"I’ve Read This","OtherText_Review_4":"\u003cp\u003e“\u003cem\u003eNo More Nice Girls \u003c\/em\u003eprovides a rallying cry for feminists of any age to once again challenge the current paradigm and institutions that continue to disempower women. McKeon’s book contains a healthy amount of outrage and antidote that will leave the reader with tools to do more than just get angry — it will also create for themselves and for future generations recipes for working toward systemic change … \u003cem\u003eNo More Nice Girls\u003c\/em\u003e belongs on the bookshelf alongside Susan Faludi’s Backlash, Susan Douglas’s Enlightened Sexism, Sylvia Bashevkin’s Women, Power, Politics, and Linda Trimble’s Ms. Prime Minister — all important contemporary books that lay out feminist issues. It adds to the conversation and stands upon the shoulders of these giants in terms of moving feminist thought ahead.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.","ProductFormDescription":"mobi","PublicationDate":"2020-03-03","Publisher":"House of Anansi Press Inc","ShortDescription":"An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.","Subtitle":"Gender, Power, and Why It’s Time to Stop Playing by the Rules","Width":"5.5","WidthCode":"in"}
No More Nice Girls
An insightful novel that shows how women are disrupting the standard (very male) vision of power and ditching convention.
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{"id":7267102982203,"title":"No Ordinary Day","handle":"no-ordinary-day","description":"\u003cp\u003e\u003cstrong\u003eShortlisted for the Saskatchewan Young Readers' Choice Awards 2013 Diamond Willow Award, selected as an American Library Association 2012 Notable Children's Book, a Booklist Editors' Choice, nominated for the OLA Golden Oak Tree Award, and a finalist for the Ruth and Sylvia Schwartz Children's Book Awards: Young Adult\/Middle Reader Award, the Governor General's Literary Awards: Children's Text and the Canadian Library Association Book of the Year for Children Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere's not much that upsets young Valli. Even though her days are spent picking coal and fighting with her cousins, life in the coal town of Jharia, India, is the only life she knows. The only sight that fills her with terror are the monsters who live on the other side of the train tracks -- the lepers. Valli and the other children throw stones at them. No matter how hard her life is, she tells herself, at least she will never be one of them.\u003c\/p\u003e\n\u003cp\u003eThen she discovers that she is not living with family after all, that her \"aunt\" was a stranger who was paid money to take Valli off her own family's hands. She decides to leave Jharia … and so begins a series of adventures that takes her to Kolkata, the city of the gods.\u003c\/p\u003e\n\u003cp\u003eIt's not so bad. Valli finds that she really doesn't need much to live. She can \"borrow\" the things she needs and then pass them on to people who need them more than she does. It helps that though her bare feet become raw wounds as she makes her way around the city, she somehow feels no pain. But when she happens to meet a doctor on the ghats by the river, Valli learns that she has leprosy. Despite being given a chance to receive medical care, she cannot bear the thought that she is one of those monsters she has always feared, and she flees, to an uncertain life on the street.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","published_at":"2024-05-13T10:28:45-04:00","created_at":"2024-05-13T10:17:28-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 9 - 12","By (author) Ellis Deborah","CC Literature - Grade 4","CC Literature - Grade 6","CCSS.ELA-LITERACY.RL.4.3","CCSS.ELA-LITERACY.RL.5.3","CCSS.ELA-LITERACY.RL.6.6","Childrens Accessible ebooks","Childrens Award-Winning","Childrens Starred Reviews","Dealing with Loss","Groundwood Books","Lexile measure 600L","pub date: 2011-08-10","Stories from Around the World"],"price":995,"price_min":995,"price_max":995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41713160388667,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781554981083","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Ordinary Day - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":995,"weight":154,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554981083","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41713160519739,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781554981762","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Ordinary Day - epub","public_title":"epub","options":["epub"],"price":995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554981762","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41713160552507,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781554986323","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Ordinary Day - mobi","public_title":"mobi","options":["mobi"],"price":995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554986323","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_92601069-46e8-4727-944c-ab8b4615bd7d.jpg?v=1731060310"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_92601069-46e8-4727-944c-ab8b4615bd7d.jpg?v=1731060310","options":["Title"],"media":[{"alt":null,"id":24903393771579,"position":1,"preview_image":{"aspect_ratio":0.666,"height":2253,"width":1501,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_92601069-46e8-4727-944c-ab8b4615bd7d.jpg?v=1731060310"},"aspect_ratio":0.666,"height":2253,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_92601069-46e8-4727-944c-ab8b4615bd7d.jpg?v=1731060310","width":1501}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted for the Saskatchewan Young Readers' Choice Awards 2013 Diamond Willow Award, selected as an American Library Association 2012 Notable Children's Book, a Booklist Editors' Choice, nominated for the OLA Golden Oak Tree Award, and a finalist for the Ruth and Sylvia Schwartz Children's Book Awards: Young Adult\/Middle Reader Award, the Governor General's Literary Awards: Children's Text and the Canadian Library Association Book of the Year for Children Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere's not much that upsets young Valli. Even though her days are spent picking coal and fighting with her cousins, life in the coal town of Jharia, India, is the only life she knows. The only sight that fills her with terror are the monsters who live on the other side of the train tracks -- the lepers. Valli and the other children throw stones at them. No matter how hard her life is, she tells herself, at least she will never be one of them.\u003c\/p\u003e\n\u003cp\u003eThen she discovers that she is not living with family after all, that her \"aunt\" was a stranger who was paid money to take Valli off her own family's hands. She decides to leave Jharia … and so begins a series of adventures that takes her to Kolkata, the city of the gods.\u003c\/p\u003e\n\u003cp\u003eIt's not so bad. Valli finds that she really doesn't need much to live. She can \"borrow\" the things she needs and then pass them on to people who need them more than she does. It helps that though her bare feet become raw wounds as she makes her way around the city, she somehow feels no pain. But when she happens to meet a doctor on the ghats by the river, Valli learns that she has leprosy. Despite being given a chance to receive medical care, she cannot bear the thought that she is one of those monsters she has always feared, and she flees, to an uncertain life on the street.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888994899","AlsoRecommendedISBN_4":"9781773060781","AlsoRecommendedISBN_5":"9781773063843","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"4","AudienceRangeValue_1_1":"9","AudienceRangeValue_1_2":"4","AudienceRangeValue_2_0":"7","AudienceRangeValue_2_1":"12","AudienceRangeValue_2_2":"7","BASICMainSubject":"JUV030020","BASICMainSubjectLiteral":"JUVENILE FICTION\/Places\/Asia","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eDEBORAH ELLIS\u003c\/strong\u003e is the author of \u003cem\u003eThe Breadwinner\u003c\/em\u003e, which has been published in 30 languages and made into an Oscar-nominated film. She has won the Governor General’s Award, the Middle East Book Award, the Peter Pan Prize, the Jane Addams Children’s Book Award and the Vicky Metcalf Award. A recipient of the Order of Canada, Deborah has donated more than $2 million in royalties to organizations such as Right to Learn Afghanistan, Mental Health Without Borders and UNHCR. She lives in Simcoe, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ People \u0026amp; Places \/ Asia","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Homelessness \u0026amp; Poverty","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Health \u0026amp; Daily Living \/ Diseases, Illnesses \u0026amp; Injuries","BISACSubject_0":"JUV030020","BISACSubject_1":"JUV039070","BISACSubject_2":"JUV015020","CommonCore":"CCSS.ELA-LITERACY.RL.4.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.6.6","CommonCore_2":"CCSS.ELA-LITERACY.RL.5.3","ComplexityCode_0":"600L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eDEBORAH ELLIS\u003c\/strong\u003e is the author of \u003cem\u003eThe Breadwinner\u003c\/em\u003e, which has been published in 30 languages and made into an Oscar-nominated film. She has won the Governor General’s Award, the Middle East Book Award, the Peter Pan Prize, the Jane Addams Children’s Book Award and the Vicky Metcalf Award. A recipient of the Order of Canada, Deborah has donated more than $2 million in royalties to organizations such as Right to Learn Afghanistan, Mental Health Without Borders and UNHCR. She lives in Simcoe, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ellis, Deborah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted for the Saskatchewan Young Readers' Choice Awards 2013 Diamond Willow Award, selected as an American Library Association 2012 Notable Children's Book, a Booklist Editors' Choice, nominated for the OLA Golden Oak Tree Award, and a finalist for the Ruth and Sylvia Schwartz Children's Book Awards: Young Adult\/Middle Reader Award, the Governor General's Literary Awards: Children's Text and the Canadian Library Association Book of the Year for Children Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere's not much that upsets young Valli. Even though her days are spent picking coal and fighting with her cousins, life in the coal town of Jharia, India, is the only life she knows. The only sight that fills her with terror are the monsters who live on the other side of the train tracks -- the lepers. Valli and the other children throw stones at them. No matter how hard her life is, she tells herself, at least she will never be one of them.\u003c\/p\u003e\n\u003cp\u003eThen she discovers that she is not living with family after all, that her \"aunt\" was a stranger who was paid money to take Valli off her own family's hands. She decides to leave Jharia … and so begins a series of adventures that takes her to Kolkata, the city of the gods.\u003c\/p\u003e\n\u003cp\u003eIt's not so bad. Valli finds that she really doesn't need much to live. She can \"borrow\" the things she needs and then pass them on to people who need them more than she does. It helps that though her bare feet become raw wounds as she makes her way around the city, she somehow feels no pain. But when she happens to meet a doctor on the ghats by the river, Valli learns that she has leprosy. Despite being given a chance to receive medical care, she cannot bear the thought that she is one of those monsters she has always feared, and she flees, to an uncertain life on the street.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.3\u003cbr\u003e\nDescribe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","EAN":"9781554986323","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781554986323\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"author's note;glossary","NumberOfPages":"160","OtherText_Review_0":"\u003cp\u003e“...solid and worthy of attention by both its intended audience and adults alike...Ellis continues to write what needs to be read...Recommended.” — \u003cstrong\u003eRob Bittner, \u003cem\u003eCM Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Rob Bittner","OtherText_Review_0_Src":"CM Magazine","OtherText_Review_1":"\u003cp\u003e“Ellis's straightforward language and uncompromising depictions of Valli's unimaginably harsh and gritty world combine with believable character development to create a strong and accessible novel.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“A powerful and outstanding book...” — \u003cstrong\u003e\u003cem\u003eWaking Brain Cells\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Src":"Waking Brain Cells","OtherText_Review_11":"\u003cp\u003e“Once again, Ellis writes a poignant, penetrating story about the difficult challenges of being a girl in the developing world.” — \u003cstrong\u003e\u003cem\u003eBookDragon\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Src":"BookDragon","OtherText_Review_1_Src":"Publishers Weekly","OtherText_Review_2":"\u003cp\u003e“A true-to-life portrait of a young girl’s cheerful selfishness in this surprisingly optimistic novel of unrelenting poverty.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Kirkus Reviews","OtherText_Review_3":"\u003cp\u003e“The story highlights not only the overcoming of adversity, but also the importance of education and literacy. It also brings to light the issue of leprosy, which is misunderstood. An important, inspiring tale.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"School Library Journal, STARRED REVIEW","OtherText_Review_4":"\u003cp\u003e“...compelling and accessible...” — \u003cstrong\u003eKay Weisman, \u003cem\u003eBooklist\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Kay Weisman","OtherText_Review_4_Src":"Booklist, STARRED REVIEW","OtherText_Review_5":"\u003cp\u003e“Ellis writes with great skill...” — \u003cstrong\u003eJoanna Rudge Long, \u003cem\u003eHorn Book Magazine\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Auth":"Joanna Rudge Long","OtherText_Review_5_Src":"Horn Book Magazine, STARRED REVIEW","OtherText_Review_6":"\u003cp\u003e“Ellis is a passionate and respectful teacher.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"Chelsea Donaldson","OtherText_Review_6_Src":"Quill \u0026 Quire","OtherText_Review_7":"\u003cp\u003e“I would recommend this book to middle grade readers as a way to learn more about the world – and about supporting important causes.” — \u003cstrong\u003e\u003cem\u003eAmy Reads\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Amy Reads","OtherText_Review_8":"\u003cp\u003e“Deborah Ellis does not back down from world issues that need addressing.” — \u003cstrong\u003e\u003cem\u003eSal's Fiction Addiction\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Src":"Sal's Fiction Addiction","OtherText_Review_9":"\u003cp\u003e“Ellis...creates a remarkable narrative voice, both detached and immediate...” — \u003cstrong\u003e\u003cem\u003eBulletin of the Center for Children’s Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Src":"Bulletin of the Center for Children’s Books","OtherText_ShortDescription_0":"Deborah Ellis, author of The Breadwinner, brings us another feisty young heroine, Valli — an orphan with leprosy who lives on the streets of Kolkata.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Short-listed","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Long-listed","PrizeCodeText_7":"Long-listed","PrizeCodeText_8":"Short-listed","PrizeCode_0":"04","PrizeCode_1":"03","PrizeCode_2":"01","PrizeCode_3":"03","PrizeCode_4":"04","PrizeCode_5":"03","PrizeCode_6":"05","PrizeCode_7":"05","PrizeCode_8":"04","PrizeName_0":"Governor General's Award: Children's Text","PrizeName_1":"ALA Notable Children's Books List","PrizeName_2":"Booklist Editors' Choice: Books for Youth","PrizeName_3":"Cooperative Children's Book Center, CCBC Choices","PrizeName_4":"Ruth and Syliva Schwartz Young Adult\/Middle Reader Book Award","PrizeName_5":"South Asia Book Award Honor Book","PrizeName_6":"OLA Tree Awards","PrizeName_7":"TD Canadian Children’s Literature Award","PrizeName_8":"Saskatchewan Young Readers' Choice Awards, Diamond Willlow Award","PrizeYear_0":"2011","PrizeYear_1":"2012","PrizeYear_2":"2012","PrizeYear_3":"2012","PrizeYear_4":"2012","PrizeYear_5":"2012","PrizeYear_6":"2013","PrizeYear_7":"2012","PrizeYear_8":"2013","ProductFormDescription":"mobi","PublicationDate":"2011-08-10","Publisher":"Groundwood Books Ltd","ShortDescription":"Deborah Ellis, author of The Breadwinner, brings us another feisty young heroine, Valli — an orphan with leprosy who lives on the streets of Kolkata.","Width":"5","WidthCode":"in"}
ages 9
to 12
/ grades 4
to 7
No Ordinary Day
Deborah Ellis, author of The Breadwinner, brings us another feisty young heroine, Valli — an orphan with leprosy who lives on the streets of Kolkata.
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{"AlsoRecommendedISBN_0":"9781487005436","AlsoRecommendedISBN_1":"9781487008420","AlsoRecommendedISBN_2":"9781770892491","AlsoRecommendedISBN_4":"9781770892491","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHAROLD SONNY LADOO\u003c\/strong\u003e was born and grew up in Trinidad. He emigrated to Canada in 1968, where he published \u003cem\u003eNo Pain Like This Body\u003c\/em\u003e. Shortly afterwards, in 1973, Ladoo died an untimely and violent death on a visit home to Calcutta Settlement, Trinidad. He was twenty-eight. Ladoo’s novel \u003cem\u003eYesterdays\u003c\/em\u003e appeared posthumously in 1974.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHAROLD SONNY LADOO\u003c\/strong\u003e was born and grew up in Trinidad. He emigrated to Canada in 1968, where he published \u003cem\u003eNo Pain Like This Body\u003c\/em\u003e. Shortly afterwards, in 1973, Ladoo died an untimely and violent death on a visit home to Calcutta Settlement, Trinidad. He was twenty-eight. Ladoo’s novel \u003cem\u003eYesterdays\u003c\/em\u003e appeared posthumously in 1974.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Ladoo, Harold Sonny (CA)","Contributor_1":"Chariandy, David","Description":"\u003cp\u003eThe A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community. Featuring a new introduction by David Chariandy\u003c\/p\u003e\r\n\u003cp\u003eSet in the Eastern Caribbean at the beginning of the twentieth century, \u003cem\u003eNo Pain Like this Body\u003c\/em\u003e describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father, and the violence of the elements end in unbearable loss.\u003c\/p\u003e\u003cp\u003eThrough vivid, vertiginous prose, and with brilliant economy and originality, Ladoo creates a fearful world of violation and grief, in the face of which even the most despairing efforts to endure stand out as acts of courage.\u003c\/p\u003e\r\n","EAN":"9781770893795","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770893795\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"A List","NumberOfPages":"152","OtherText_ShortDescription_0":"The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community.","ProductFormDescription":"epub","PublicationDate":"2013-07-24","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community."}
No Pain Like This Body
The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community.
