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{"id":6983307657275,"title":"My Grief, the Sun","handle":"my-grief-the-sun","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","published_at":"2022-09-13T17:34:15-04:00","created_at":"2022-09-13T17:04:07-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Wani Sanna","House of Anansi Press","pub date: 2022-04-05"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780552732731,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010843","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":214,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010843","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40780553420859,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010850","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010850","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","options":["Title"],"media":[{"alt":null,"id":24712606679099,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005771","AlsoRecommendedISBN_1":"9781487008710","AlsoRecommendedISBN_2":"9781487009465","BASICMainSubject":"POE023000","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e is a Kashmiri writer, editor, and translator based in Toronto. Her debut collection, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, won the 2023 Trillium Award for Poetry. Her writing has been widely published, including in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eHazlitt\u003c\/em\u003e, and \u003cem\u003ePoem-A-Day\u003c\/em\u003e. She is the creator and host of the podcast, \u003cem\u003ePoet Talk\u003c\/em\u003e; Poetry Editor at \u003cem\u003eThe Ex-Puritan\u003c\/em\u003e; and Publicity Manager at Between the Lines. Learn more at sannawani.com.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE023000","BISACSubject_1":"POE011000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e is a Kashmiri writer, editor, and translator based in Toronto. Her debut collection, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, won the 2023 Trillium Award for Poetry. Her writing has been widely published, including in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eHazlitt\u003c\/em\u003e, and \u003cem\u003ePoem-A-Day\u003c\/em\u003e. She is the creator and host of the podcast, \u003cem\u003ePoet Talk\u003c\/em\u003e; Poetry Editor at \u003cem\u003eThe Ex-Puritan\u003c\/em\u003e; and Publicity Manager at Between the Lines. Learn more at sannawani.com.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Wani, Sanna (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","EAN":"9781487010850","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010850\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"billy ray belcourt;intruder bardia sinaee;imagery;poets to watch;billy ray belcourt;india;pakistan;inspirational quotes;healing;canadian poetry","NumberOfPages":"112","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Wani has put her entire self—all her grief, all her unexpressed love, and poured it into this white and yellow bound gift for those of us who need it the most—the grief-stricken, filled to the brim with endless love.” — \u003cstrong\u003e\u003cem\u003ePorter House Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Porter House Review","OtherText_Review_1":"\u003cp\u003e“Beautiful and fresh ... this is a collection that finds delight in life, and its delight is contagious in the best way.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"The Miramichi Reader","OtherText_Review_2":"\u003cp\u003e“Sanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e makes such a convincing case for astonishment as a way of life. Each poem enveloped me with so much tenderness it was as if \u003cem\u003eI \u003c\/em\u003ewere the sun! The theological music that courses throughout the book was not a narrowing toward some esoteric knowledge but rather an opening toward a collective sense of enmeshment with the inscrutable world. This book is a necessary reminder that ‘there is something inside \/ [us] that says live.’ \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e is a wonder and a delight.” — \u003cstrong\u003eBilly-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Billy-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms","OtherText_Review_3":"\u003cp\u003e“Mapping us through time, space, and geography, Sanna Wani’s debut collection \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e spins a web of various griefs and loves. As visual as it is lyrical, Wani announces herself as a poet who pushes the experimentation of form forward, taking bold risks and literally reinventing the way that we see language. ‘A mosque is always directed toward Mecca. A dome does not have orientation unless it is toward the sky,’ Wani writes, and pointing her eyes to the sky, and with incredible vision, makes even the tiniest detail visible.” — \u003cstrong\u003eFatimah Asghar, author of If They Come for Us, \u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Fatimah Asghar, author of If They Come for Us","OtherText_Review_4":"\u003cp\u003e“I read Sanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e with a highlighter in my hand, and by the time I was done, it was nearly out of ink. I could not stop loving lines, wanting to be sure I remembered them always. They progress with such sureness into marvelous and unexpected directions: ‘God climbs so many trees. Religion is a ladder. We are meant to help Him down.’ Over and over, Wani practices the act of artful surrender to each poem’s strange, budding logic. That she can do so with such apparent ease is astonishing. That we get to witness the places her gorgeous poems take her is a profound gift. I’m wonderstruck.” — \u003cstrong\u003eHeather Christle, author of Heliopause and The Trees The Trees, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Heather Christle, author of Heliopause and The Trees The Trees","OtherText_Review_5":"\u003cp\u003e“Slipping gracefully between subjects as disparate as pop culture and theology, while maintaining her recognizably disarming mix of poignancy and sweetness, Wani’s formal approaches in \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e are … hard to look away from, with surprise after surprise appearing on each successive page.” — \u003cstrong\u003e\u003cem\u003eCAROUSEL\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"CAROUSEL","OtherText_Review_6":"\u003cp\u003e“In \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, Sanna Wani unlocks a door for her readers, invites them to be open-hearted—to be vulnerable and curious—meditating on the ways in which love, longing, grief, distance, and faith can live together inside a person’s body and soul.” — \u003cstrong\u003e\u003cem\u003eHerizons\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Herizons","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"01","PrizeName_0":"LCP Gerald Lampert Memorial Award","PrizeName_1":"LCP Pat Lowther Memorial Award","PrizeName_2":"Ontario Trillium Award for Poetry","PrizeYear_0":"2023","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"epub","PublicationDate":"2022-04-05","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","Width":"6","WidthCode":"in"}
My Grief, the Sun
The highly anticipated debut collection from acclaimed poet Sanna Wani.
Quick View
{"id":7294242488379,"title":"My Grief, the Sun: Special Edition","handle":"my-grief-the-sun-special-edition","description":"\u003cp\u003e\u003cstrong\u003eThis specially designed and bound hardcover First Edition of Sanna Wani’s award-winning debut poetry collection\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis limited to 50 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrincess Mononoke\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eundoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e\n\u003c!----\u003e","published_at":"2024-07-29T13:57:37-04:00","created_at":"2024-07-29T12:25:51-04:00","vendor":"House of Anansi Press","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Wani Sanna","House of Anansi Press"],"price":3500,"price_min":3500,"price_max":3500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41786244726843,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"MGTS-SE(9781487013608)","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"My Grief, the Sun: Special Edition - hardcover","public_title":"hardcover","options":["hardcover"],"price":3500,"weight":316,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632","options":["Title"],"media":[{"alt":"A photo of the book My Grief, the Sun on a wooden table. The book is yellow hardcover edition. A bird with a quarter-complete circle behind it is drawn on the cover in blue, and the title is in blue cursive below the image. ","id":24715164090427,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2098,"width":2098,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632"},"aspect_ratio":1.0,"height":2098,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632","width":2098}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis specially designed and bound hardcover First Edition of Sanna Wani’s award-winning debut poetry collection\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis limited to 50 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrincess Mononoke\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eundoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e\n\u003c!----\u003e"}
{"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487009465","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003ci\u003eBrick, Poem-A-Day (\u003c\/i\u003epoets.org\u003ci\u003e),\u003c\/i\u003e and \u003ci\u003eBest Canadian Poetry 2020. \u003c\/i\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003ci\u003eBrick, Poem-A-Day (\u003c\/i\u003epoets.org\u003ci\u003e),\u003c\/i\u003e and \u003ci\u003eBest Canadian Poetry 2020. \u003c\/i\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Wani, Sanna (CA)","EAN":"9781487010843","OtherText_Review_0":"Wani has put her entire self—all her grief, all her unexpressed love, and poured it into this white and yellow bound gift for those of us who need it the most—the grief-stricken, filled to the brim with endless love.","OtherText_Review_0_Src":"Porter House Review","OtherText_Review_1":"Beautiful and fresh ... this is a collection that finds delight in life, and its delight is contagious in the best way.","OtherText_Review_1_Src":"The Miramichi Reader","OtherText_Review_2":"\u003cp\u003eSanna Wani’s \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e makes such a convincing case for astonishment as a way of life. Each poem enveloped me with so much tenderness it was as if \u003ci\u003eI \u003c\/i\u003ewere the sun! The theological music that courses throughout the book was not a narrowing toward some esoteric knowledge but rather an opening toward a collective sense of enmeshment with the inscrutable world. This book\u0026nbsp;is a necessary reminder that ‘there is something inside \/ [us] that says live.’ \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e is a wonder and a delight.\u003c\/p\u003e","OtherText_Review_2_Auth":"Billy-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms","OtherText_Review_3":"\u003cp\u003eMapping us through time, space, and geography, Sanna Wani’s debut collection \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e spins a web of various griefs and loves. As visual as it is lyrical, Wani announces herself as a poet who pushes the experimentation of form forward, taking bold risks and literally reinventing the way that we see language. ‘A mosque is always directed toward Mecca. A dome does not have orientation unless it is toward the sky,’ Wani writes, and pointing her eyes to the sky, and with incredible vision, makes even the tiniest detail visible.\u003c\/p\u003e","OtherText_Review_3_Auth":"Fatimah Asghar, author of If They Come for Us","OtherText_Review_4":"\u003cp\u003eI read Sanna Wani’s\u0026nbsp;\u003ci\u003eMy Grief, the Sun\u003c\/i\u003e\u0026nbsp;with a highlighter in my hand, and by the time I was done, it was nearly out of ink. I could not stop loving lines, wanting to be sure I remembered them always. They progress with such sureness into marvelous and unexpected directions: ‘God climbs so many trees. Religion is a ladder. We are meant to help Him down.’ Over and over, Wani practices the act of artful surrender to each poem’s strange, budding logic. That she can do so with such apparent ease is astonishing. That we get to witness the places her gorgeous poems take her is a profound gift. I’m wonderstruck.\u003c\/p\u003e","OtherText_Review_4_Auth":"Heather Christle, author of Heliopause and The Trees The Trees","OtherText_Review_5":"\u003cp\u003eSlipping gracefully between subjects as disparate as pop culture and theology, while maintaining her recognizably disarming mix of poignancy and sweetness, Wani’s formal approaches in\u0026nbsp;\u003ci\u003eMy Grief, the Sun\u003c\/i\u003e\u0026nbsp;are … hard to look away from, with surprise after surprise appearing on each successive page.\u003c\/p\u003e","OtherText_Review_5_Src":"CAROUSEL","OtherText_Review_6":"\u003cp\u003eIn \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e, Sanna Wani unlocks a door for her readers, invites them to be open-hearted—to be vulnerable and curious—meditating on the ways in which love, longing, grief, distance, and faith can live together inside a person’s body and soul.\u003c\/p\u003e","OtherText_Review_6_Src":"Herizons","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"01","PrizeName_0":"LCP Gerald Lampert Memorial Award","PrizeName_1":"LCP Pat Lowther Memorial Award","PrizeName_2":"Ontario Trillium Award for Poetry","PrizeYear_0":"2023","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003ehardcover\u003c\/span\u003e\u003c\/p\u003e","PublicationDate":"2022-04-05","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e"}
My Grief, the Sun: Special Edition
The highly anticipated debut collection from acclaimed poet Sanna Wani.
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{"id":6811232534587,"title":"My Mad Hair Day","handle":"my-mad-hair-day","description":"\u003cp\u003e\u003cstrong\u003eThanks to her wild head of hair, Malie gets all tangled up with an unexpected cast of characters in this funny, stylish twist of a tall tale. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMalie is a little girl with huge, uncontrollable hair. And this morning, it seems wilder than ever. She tries to comb it. She tries to hide it, but nothing works! And things go from bad to worse when her mother sends her out to run some errands. \u003c\/p\u003e\n\u003cp\u003eAt the bakery, Malie’s hair sweeps a tray of cupcakes off the counter. A flock of birds makes her irresistible nest a home. A child on a tricycle slips and flips — but enjoys the softest landing in Malie’s hair.\u003c\/p\u003e\n\u003cp\u003eHer wild mane becomes more and more of a burden, both physically and emotionally. But after a quick nap, Malie can appreciate the world anew. She smells delicious cupcakes, hears a chorus of birds singing, and meets a new friend who happens to have curly hair, too. \u003c\/p\u003e\n\u003cp\u003eIn her eagerly anticipated authorial debut, Nathalie Dion draws on personal experience, hilarious hyperbole and delightful idioms to spin a tall tale that will tickle all readers — curly-haired or not.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr\u003e\nWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003e\nWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","published_at":"2022-03-21T12:08:17-04:00","created_at":"2022-03-21T09:48:01-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 6","By (author) Dion Nathalie","CC Literature - Grade 1","CC Literature - Kindergarten","CCSS.ELA-LITERACY.RL.1.7","CCSS.ELA-LITERACY.RL.K.3","CCSS.ELA-LITERACY.RL.K.7","Childrens Starred Reviews","Fountas \u0026 Pinnell Text Level Gradient L","Groundwood Books","Guided Reading Level L","Illustrated by Dion Nathalie","Picture Books","pub date: 2021-09-01"],"price":1699,"price_min":1699,"price_max":1899,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190665719867,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773065113","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Mad Hair Day - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1899,"weight":431,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773065113","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40190666113083,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773065120","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Mad Hair Day - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773065120","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40190666211387,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773065137","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Mad Hair Day - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773065137","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ac2321eb-297b-4e38-acb6-933795dd9ac4.jpg?v=1731048179","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_aa6f1408-ba4e-4b8a-8878-522505e4cc64.jpg?v=1647873876","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_27d91841-a83c-4ec9-b79b-e7aed1ed72dc.jpg?v=1647873889","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_594cd022-c2e0-47d7-b5b9-377d09b96f90.jpg?v=1647873900"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ac2321eb-297b-4e38-acb6-933795dd9ac4.jpg?v=1731048179","options":["Title"],"media":[{"alt":"Cover: “My Mad Hair Day. By Nathalie Dion.” The red title text is placed on yellow and white striped wallpaper and is surrounded by bushy, curly blonde hair that fills the page. The hair belongs to a young girl with light skin tone standing in the center of the page with her eyebrows raised and her mouth shaped like an “o.” She wears a short green dress and holds a bag in each hand, one green striped and the other a red gingham. The floor beneath her feet is red tile.","id":24903080837179,"position":1,"preview_image":{"aspect_ratio":0.783,"height":2043,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ac2321eb-297b-4e38-acb6-933795dd9ac4.jpg?v=1731048179"},"aspect_ratio":0.783,"height":2043,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ac2321eb-297b-4e38-acb6-933795dd9ac4.jpg?v=1731048179","width":1600},{"alt":"A girl with blonde hair and light skin tone sits on a bed. Her hair is curly and spreads over her bed, to the ends of her room, and up to the ceiling. Text: My name is Malie and I H-A-T-E my curly hair! This morning when I woke up it was wilder than ever. It was a huge tangled mess!","id":21748459110459,"position":2,"preview_image":{"aspect_ratio":1.563,"height":320,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_aa6f1408-ba4e-4b8a-8878-522505e4cc64.jpg?v=1647873876"},"aspect_ratio":1.563,"height":320,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_aa6f1408-ba4e-4b8a-8878-522505e4cc64.jpg?v=1647873876","width":500},{"alt":"This image is a double page spread. To the left is a girl with blonde hair and light skin tone sitting on a pink stool. She is combing her hair. Her hair covers all of the room behind her. Text: I tried to comb it. To the right, the girl stands with her hands behind her back in a grey dress. Her hair is piled on top of her head, and is half covered by a grey and white knit cap. Text: and hide it under a cap.","id":21748459569211,"position":3,"preview_image":{"aspect_ratio":1.563,"height":320,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_27d91841-a83c-4ec9-b79b-e7aed1ed72dc.jpg?v=1647873889"},"aspect_ratio":1.563,"height":320,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_27d91841-a83c-4ec9-b79b-e7aed1ed72dc.jpg?v=1647873889","width":500},{"alt":"This image is a double page spread. To the left, a girl with light skin tone and blonde hair is looking up at her hair with her hands raised. Her hair rises up in a tall, thick tower out of the page. Text: Poof! To the right, a grey and white knit cap is floating through the air. Text: Nothing worked.","id":21748460191803,"position":4,"preview_image":{"aspect_ratio":1.563,"height":320,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_594cd022-c2e0-47d7-b5b9-377d09b96f90.jpg?v=1647873900"},"aspect_ratio":1.563,"height":320,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_594cd022-c2e0-47d7-b5b9-377d09b96f90.jpg?v=1647873900","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThanks to her wild head of hair, Malie gets all tangled up with an unexpected cast of characters in this funny, stylish twist of a tall tale. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMalie is a little girl with huge, uncontrollable hair. And this morning, it seems wilder than ever. She tries to comb it. She tries to hide it, but nothing works! And things go from bad to worse when her mother sends her out to run some errands. \u003c\/p\u003e\n\u003cp\u003eAt the bakery, Malie’s hair sweeps a tray of cupcakes off the counter. A flock of birds makes her irresistible nest a home. A child on a tricycle slips and flips — but enjoys the softest landing in Malie’s hair.\u003c\/p\u003e\n\u003cp\u003eHer wild mane becomes more and more of a burden, both physically and emotionally. But after a quick nap, Malie can appreciate the world anew. She smells delicious cupcakes, hears a chorus of birds singing, and meets a new friend who happens to have curly hair, too. \u003c\/p\u003e\n\u003cp\u003eIn her eagerly anticipated authorial debut, Nathalie Dion draws on personal experience, hilarious hyperbole and delightful idioms to spin a tall tale that will tickle all readers — curly-haired or not.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003cbr\u003e\nWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003e\nWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e"}
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She is the author and illustrator of \u003cem\u003eMy Mad Hair Day\u003c\/em\u003e, which has been translated into French and German. Nathalie lives in Montreal, Quebec.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Dion, Nathalie (CA)","Contributor_1":"Dion, Nathalie (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThanks to her wild head of hair, Malie gets all tangled up with an unexpected cast of characters in this funny, stylish twist of a tall tale. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMalie is a little girl with huge, uncontrollable hair. And this morning, it seems wilder than ever. She tries to comb it. She tries to hide it, but nothing works! And things go from bad to worse when her mother sends her out to run some errands. \u003c\/p\u003e\n\u003cp\u003eAt the bakery, Malie’s hair sweeps a tray of cupcakes off the counter. A flock of birds makes her irresistible nest a home. A child on a tricycle slips and flips — but enjoys the softest landing in Malie’s hair.\u003c\/p\u003e\n\u003cp\u003eHer wild mane becomes more and more of a burden, both physically and emotionally. But after a quick nap, Malie can appreciate the world anew. 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ages 3
to 6
/ grades P
to 1
My Mad Hair Day
Thanks to her wild head of hair, Malie gets all tangled up with an unexpected cast of characters in this funny, stylish twist of a tall tale.
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{"id":7447639359547,"title":"My Mom Is Like a Kite","handle":"my-mom-is-like-a-kite","description":"\u003cp\u003e\u003cstrong\u003eA child touchingly narrates the ups and downs of living with a parent who experiences mental illness.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSometimes Mom soars like a kite. Other times the kite turns into a sail, and she’s like a boat, bobbing along the waves, until water spills over the sides and she starts to sink. “I try to bail the water out,” the child says, “but my bucket is too small or has a hole in it.”\u003c\/p\u003e\n\u003cp\u003eOn a better day, Mom introduces the child to a \"new friend\" named Grace, a therapist and a good listener. Grace explains that it’s not the child’s job to fix things. And Grace helps the child find coping strategies such as talking, playing games and, especially, drawing as a creative outlet for their complicated feelings.\u003c\/p\u003e\n\u003cp\u003eGradually, the child begins to feel better when they’re at home with Mom, where there are plenty of crayons, as well as the comfort of a beloved pet to cuddle.\u003c\/p\u003e\n\u003cp\u003eBut the child has one big question. At the end of the story, they ask their mom, and then Grace, if they will sink or soar when they grow up. 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Other times the kite turns into a sail, and she’s like a boat, bobbing along the waves, until water spills over the sides and she starts to sink. “I try to bail the water out,” the child says, “but my bucket is too small or has a hole in it.”\u003c\/p\u003e\n\u003cp\u003eOn a better day, Mom introduces the child to a \"new friend\" named Grace, a therapist and a good listener. Grace explains that it’s not the child’s job to fix things. And Grace helps the child find coping strategies such as talking, playing games and, especially, drawing as a creative outlet for their complicated feelings.\u003c\/p\u003e\n\u003cp\u003eGradually, the child begins to feel better when they’re at home with Mom, where there are plenty of crayons, as well as the comfort of a beloved pet to cuddle.\u003c\/p\u003e\n\u003cp\u003eBut the child has one big question. At the end of the story, they ask their mom, and then Grace, if they will sink or soar when they grow up. And while no one knows for sure, the child believes Grace who suggests that they now have the tools to weather whatever storms might come.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eauthors note\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003eresources\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core States Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773061535","AlsoRecommendedISBN_1":"9781773066615","AlsoRecommendedISBN_2":"9781773069937","AlsoRecommendedISBN_3":"9781773069937","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"3","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"1","AudienceRangeValue_2_2":"6","BASICMainSubject":"JUV013060","BASICMainSubjectLiteral":"JUVENILE FICTION\/Family\/Parents","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLISL H. DETLEFSEN\u003c\/strong\u003e is the author of many notable picture books, including \u003cem\u003eTime for Cranberries\u003c\/em\u003e, illustrated by Jed Henry (Notable Social Studies Trade Books for Young People);\u003cem\u003e At the End of the Day\u003c\/em\u003e, illustrated by Lynnor Bontigao (Junior Library Guild Gold Standard Selection, Cooperative Children’s Book Center Choices); \u003cem\u003eStill There Was Bread\u003c\/em\u003e, illustrated by David Soman; and \u003cem\u003eEach Day Is a Gift, \u003c\/em\u003eillustrated by Natalia Vasilica. Lisl lives in a restored farmhouse on a family-owned cranberry marsh near Wisconsin Rapids, Wisconsin.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Family \/ Parents","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Depression \u0026amp; Mental Illness","BISACSubject_0":"JUV013060","BISACSubject_1":"JUV039050","BISACSubject_2":"JUV039240","CommonCore":"CCSS.ELA-LITERACY.RL.1.2","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLISL H. DETLEFSEN\u003c\/strong\u003e is the author of many notable picture books, including \u003cem\u003eTime for Cranberries\u003c\/em\u003e, illustrated by Jed Henry (Notable Social Studies Trade Books for Young People);\u003cem\u003e At the End of the Day\u003c\/em\u003e, illustrated by Lynnor Bontigao (Junior Library Guild Gold Standard Selection, Cooperative Children’s Book Center Choices); \u003cem\u003eStill There Was Bread\u003c\/em\u003e, illustrated by David Soman; and \u003cem\u003eEach Day Is a Gift, \u003c\/em\u003eillustrated by Natalia Vasilica. Lisl lives in a restored farmhouse on a family-owned cranberry marsh near Wisconsin Rapids, Wisconsin.\u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eNATHALIE DION\u003c\/strong\u003e is the acclaimed illustrator of \u003cem\u003eThe Big Bad Wolf in My House\u003c\/em\u003e by Valérie Fontaine (Kirkus Reviews Best Picture Books, USBBY Outstanding International Books); \u003cem\u003eI Found Hope in a Cherry Tree\u003c\/em\u003e by Jean E. Pendziwol (Globe 100 Books, OLA Best Bets); and \u003cem\u003eKumo: the Bashful Cloud\u003c\/em\u003e by Kyo Maclear (Golden Kite Award, Mrazik-Cleaver Honour); among others. She is the author and illustrator of \u003cem\u003eMy Mad Hair Day\u003c\/em\u003e, which has been translated into French and German. Nathalie lives in Montreal, Quebec.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Detlefsen, Lisl H.","Contributor_1":"Dion, Nathalie (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA child touchingly narrates the ups and downs of living with a parent who experiences mental illness.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSometimes Mom soars like a kite. Other times the kite turns into a sail, and she’s like a boat, bobbing along the waves, until water spills over the sides and she starts to sink. “I try to bail the water out,” the child says, “but my bucket is too small or has a hole in it.”\u003c\/p\u003e\n\u003cp\u003eOn a better day, Mom introduces the child to a \"new friend\" named Grace, a therapist and a good listener. Grace explains that it’s not the child’s job to fix things. And Grace helps the child find coping strategies such as talking, playing games and, especially, drawing as a creative outlet for their complicated feelings.\u003c\/p\u003e\n\u003cp\u003eGradually, the child begins to feel better when they’re at home with Mom, where there are plenty of crayons, as well as the comfort of a beloved pet to cuddle.\u003c\/p\u003e\n\u003cp\u003eBut the child has one big question. At the end of the story, they ask their mom, and then Grace, if they will sink or soar when they grow up. And while no one knows for sure, the child believes Grace who suggests that they now have the tools to weather whatever storms might come.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eauthors note\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003eresources\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core States Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003c\/p\u003e\n\u003cp\u003eRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e","EAN":"9781773068558","Height":"11.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eauthors note;dialogue;illustrations;resources;vignettes\u003c\/p\u003e","MetaKeywords":"mental health;mental illness;manic depression;bipolar disorder;psychology;psychiatry;counseling;art therapy;support services;resources;struggling;coping;books about;gift book;read-aloud;read-along;educational book;social-emotional learning (SEL)","NumberOfPages":"32","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eHARD FEELINGS: In its imaginative exploration of depression, therapy, and the ebbs and flows of mental health, \u003cem\u003eMy Mom Is Like a Kite\u003c\/em\u003e touches on key elements of social-emotional learning like self-management and self-awareness.\u003c\/li\u003e\n\u003cli\u003eREVIEWED BY AN EXPERT: The content in \u003cem\u003eMy Mom Is Like a Kite\u003c\/em\u003e has been reviewed by a children's psychiatrist for authenticity. It also features an author's note, along with a list of resources and helplines for mental health.\u003c\/li\u003e\n\u003cli\u003eIMAGINATIVE ILLUSTRATIONS: Nathalie Dion's vivid illustrations embrace both real and imagined worlds, immediately engaging young readers.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA child touchingly narrates the ups and downs of living with a parent who experiences mental illness, over time learning to cope with their feelings.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"EPUB, fixed","PublicationDate":"2026-04-07","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA child touchingly narrates the ups and downs of living with a parent who experiences mental illness, over time learning to cope with their feelings.\u003c\/strong\u003e\u003c\/p\u003e","Width":"8.75","WidthCode":"in"}
ages 3
to 6
/ grades P
to 1
My Mom Is Like a Kite
A child touchingly narrates the ups and downs of living with a parent who experiences mental illness, over time learning to cope with their feelings.
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{"id":7130434207803,"title":"My Mother Was a Nanny","handle":"my-mother-was-a-nanny","description":"\u003cp\u003e\u003cstrong\u003eA girl longs for her mother’s attention. But Mummy is always busy helping everyone else and their children!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDay by day, the narrator recalls what it was like growing up with her mother, who was a nanny, as well as a friend, baker, maker, teacher, cleaner and more. As the youngest in her family, the girl stayed home and helped amuse the children her mother looked after. She went along on trips to the Caribbean greengrocer in their Brooklyn neighborhood, where her mother would almost always forget to buy her favorite fruit. She eavesdropped on her mother’s conversations, waiting for her turn to talk, only to be shooed away. She even accompanied her mother on office-cleaning expeditions on Saturdays. 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A woman with medium-dark skin tone and black hair holds a baby with light skin tone and brown hair and looks at a girl with medium-dark skin tone and black hair who floats in the air beside her. The girl has one hand on the woman’s shoulder and holds paintbrushes and pencils in her other hand. The woman wears a red dress, the child wears a purple dress over a green t-shirt, and the baby wears yellow pajamas and holds a pink balloon on a string.","id":24903078510651,"position":1,"preview_image":{"aspect_ratio":1.134,"height":1600,"width":1814,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_64cd9369-214a-42e1-a1a3-6ac743de3e8a.jpg?v=1731047163"},"aspect_ratio":1.134,"height":1600,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_64cd9369-214a-42e1-a1a3-6ac743de3e8a.jpg?v=1731047163","width":1814},{"alt":"A woman with medium-dark skin tone takes a baby with light skin tone from a woman with light skin tone. A child with light skin tone stands nearby. Another woman with light skin tone walks behind two girls with medium-dark skin tone who wear backpacks. The girls wave at a young girl with medium-dark skin tone in the window. She waves back. A cat watches. Text: My mother was a nanny. On Mondays, Mummy traded kids with the teachers, Mrs. Goldman and Mrs. Bing. I watched as they took my sisters to school.","id":23457767325755,"position":2,"preview_image":{"aspect_ratio":2.286,"height":350,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e4918883-07cb-4e57-b12c-d44a9347ef90.jpg?v=1683580942"},"aspect_ratio":2.286,"height":350,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e4918883-07cb-4e57-b12c-d44a9347ef90.jpg?v=1683580942","width":800},{"alt":"A woman pushes a stroller along a street of shops and looks back at a girl who holds a bag of fruit. They both have medium-dark skin tone. A baby with light skin tone sleeps in the stroller. A child with light skin tone eats a piece of fruit nearby. Text: On Tuesdays, Mummy took us to the greengrocer. They sold the same kinds of fruits and vegetables that my mother grew up eating in Antigua. I tried to get her to buy my favorite fruit—soursop—but most of the time she forgot and said, “Oh shucks, next time.”","id":23457767358523,"position":3,"preview_image":{"aspect_ratio":2.286,"height":350,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_b236ea08-d812-43d0-a573-320ac7286432.jpg?v=1683580944"},"aspect_ratio":2.286,"height":350,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_b236ea08-d812-43d0-a573-320ac7286432.jpg?v=1683580944","width":800},{"alt":"A woman with medium-dark skin tone sits on a sofa sewing and chatting with two women who have light skin tone. The two women both have children with light skin tone in their laps. A girl with medium-dark skin tone in an orange top peeks around the doorway. An old-fashioned TV is in the room. Text: My mother was a friend. After school, the teachers sat and talked with Mummy for hours. I waited in the hallway for my chance to talk, but Mummy said, “Go ’long from there. This conversation is not for pickney!”","id":23457767587899,"position":4,"preview_image":{"aspect_ratio":2.286,"height":350,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_530832c5-9c49-4dd7-a47d-8fd3fddf1d61.jpg?v=1683580947"},"aspect_ratio":2.286,"height":350,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_530832c5-9c49-4dd7-a47d-8fd3fddf1d61.jpg?v=1683580947","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA girl longs for her mother’s attention. But Mummy is always busy helping everyone else and their children!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDay by day, the narrator recalls what it was like growing up with her mother, who was a nanny, as well as a friend, baker, maker, teacher, cleaner and more. As the youngest in her family, the girl stayed home and helped amuse the children her mother looked after. She went along on trips to the Caribbean greengrocer in their Brooklyn neighborhood, where her mother would almost always forget to buy her favorite fruit. She eavesdropped on her mother’s conversations, waiting for her turn to talk, only to be shooed away. She even accompanied her mother on office-cleaning expeditions on Saturdays. Mummy seldom had a moment to spare. \u003c\/p\u003e\n\u003cp\u003eBut looking back on a special surprise one Easter Sunday, the narrator realizes that her mother was always thinking about her own children, in spite of the demands of her domestic work and the central role she played in her community.\u003c\/p\u003e\n\u003cp\u003eBased on Laura James’ childhood in Brooklyn, and accompanied by her gorgeous, vibrant illustrations, this simple story is a moving reflection of race, class and labor in North America, including the Caribbean.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773060415","AlsoRecommendedISBN_1":"9781773063799","AlsoRecommendedISBN_4":"9781773068503","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"3","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"6","AudienceRangeValue_2_2":"1","BASICMainSubject":"JUV006000","BASICMainSubjectLiteral":"JUVENILE FICTION\/Business, Careers, Occupations","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAURA JAMES\u003c\/strong\u003e is a self-taught painter and illustrator whose African- and Caribbean-American heritage and love of color, design and story inform her work. This book was inspired by her mother, a homemaker, nanny and domestic worker, along with Laura’s paintings in the Nanny Series. Her art has appeared in many solo and group exhibitions, textbooks and film, and the picture books \u003cem\u003eAnna Carries Water\u003c\/em\u003e and \u003cem\u003eBoonoonoonous Hair!\u003c\/em\u003e both by Olive Senior. Laura lives in the Bronx, New York.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Business, Careers, Occupations","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Girls \u0026amp; Women","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Family \/ Parents","BISACSubject_0":"JUV006000","BISACSubject_1":"JUV014000","BISACSubject_2":"JUV013060","CommonCore":"CCSS.ELA-LITERACY.RL.1.3","ComplexityCode_0":"AD650L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAURA JAMES\u003c\/strong\u003e is a self-taught painter and illustrator whose African- and Caribbean-American heritage and love of color, design and story inform her work. This book was inspired by her mother, a homemaker, nanny and domestic worker, along with Laura’s paintings in the Nanny Series. Her art has appeared in many solo and group exhibitions, textbooks and film, and the picture books \u003cem\u003eAnna Carries Water\u003c\/em\u003e and \u003cem\u003eBoonoonoonous Hair!\u003c\/em\u003e both by Olive Senior. Laura lives in the Bronx, New York.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eLAURA JAMES\u003c\/strong\u003e is a self-taught painter and illustrator whose African- and Caribbean-American heritage and love of color, design and story inform her work. This book was inspired by her mother, a homemaker, nanny and domestic worker, along with Laura’s paintings in the Nanny Series. Her art has appeared in many solo and group exhibitions, textbooks and film, and the picture books \u003cem\u003eAnna Carries Water\u003c\/em\u003e and \u003cem\u003eBoonoonoonous Hair!\u003c\/em\u003e both by Olive Senior. Laura lives in the Bronx, New York.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"James, Laura","Contributor_1":"James, Laura","Description":"\u003cp\u003e\u003cstrong\u003eA girl longs for her mother’s attention. But Mummy is always busy helping everyone else and their children!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDay by day, the narrator recalls what it was like growing up with her mother, who was a nanny, as well as a friend, baker, maker, teacher, cleaner and more. As the youngest in her family, the girl stayed home and helped amuse the children her mother looked after. She went along on trips to the Caribbean greengrocer in their Brooklyn neighborhood, where her mother would almost always forget to buy her favorite fruit. She eavesdropped on her mother’s conversations, waiting for her turn to talk, only to be shooed away. She even accompanied her mother on office-cleaning expeditions on Saturdays. Mummy seldom had a moment to spare. \u003c\/p\u003e\n\u003cp\u003eBut looking back on a special surprise one Easter Sunday, the narrator realizes that her mother was always thinking about her own children, in spite of the demands of her domestic work and the central role she played in her community.\u003c\/p\u003e\n\u003cp\u003eBased on Laura James’ childhood in Brooklyn, and accompanied by her gorgeous, vibrant illustrations, this simple story is a moving reflection of race, class and labor in North America, including the Caribbean.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e","EAN":"9781773068329","Height":"8","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003edialogue,illustrations\u003c\/p\u003e","MetaKeywords":"self employment;Easter outfit;work and society;caregiving and caregivers;Antigua;Carribean diaspora;gig economy;Brooklyn;New York City;how to talk to kids about;talking to kids about","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis book shines a light on a subject rarely seen in picture books — the life of a nanny as seen through the eyes of her own child. \u003c\\\/li\u003e\\n\u003cli\u003eThe story was inspired by Laura James’ paintings in the Nanny Series, which combine memories from her childhood with surrealist painting and post-colonial theory to address issues of gender, work and motherhood in the lives of domestic workers. \u003c\\\/li\u003e\\n\u003cli\u003eNannies have touched so many people’s lives, says James, but they are almost invisible in mainstream art\\\/popular culture. \u003c\\\/li\u003e\\n\u003cli\u003eThe author is well-known for her art in the tradition of Ethiopian iconography. Many of her paintings address race and class in America and the Caribbean. \u003c\\\/li\u003e\\n\u003cli\u003eJames is also involved in her community as a board member, manager of the community garden, arts activist and the founder of BX200: The Bronx Visual Artist Directory.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis book shines a light on a subject rarely seen in picture books — the life of a nanny as seen through the eyes of her own child. \u003c\/li\u003e\n\u003cli\u003eThe story was inspired by Laura James’ paintings in the Nanny Series, which combine memories from her childhood with surrealist painting and post-colonial theory to address issues of gender, work and motherhood in the lives of domestic workers. \u003c\/li\u003e\n\u003cli\u003eNannies have touched so many people’s lives, says James, but they are almost invisible in mainstream art\/popular culture. \u003c\/li\u003e\n\u003cli\u003eThe author is well-known for her art in the tradition of Ethiopian iconography. Many of her paintings address race and class in America and the Caribbean. \u003c\/li\u003e\n\u003cli\u003eJames is also involved in her community as a board member, manager of the community garden, arts activist and the founder of BX200: The Bronx Visual Artist Directory.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eA unique and loving portrait of a close-knit family.\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003eBeautifully crafted book … A kind reminder that even the busiest of parents can remember and care deeply about their own families.\u003c\/p\u003e","OtherText_Review_1_Src":"Booklist","OtherText_Review_2":"\u003cp\u003eThis heartfelt narrative is highly recommended, offering a touching glimpse into the extraordinary love and dedication that define the unique relationship between a daughter and her mother.\u003c\/p\u003e","OtherText_Review_2_Src":"Children's Literature Comprehensive Database","OtherText_Review_3":"\u003cp\u003e\u003cem\u003eMy Mother is a Nanny\u003c\/em\u003e is an excellent example of what picture books are and can be. Through a deceptively simple exploration of one individual's everyday life, Laura James manages to prod at ideas of classicism, labour, love and community.\u003c\/p\u003e","OtherText_Review_3_Src":"CM: Canadian Review of Materials","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA girl longs for her mother’s attention. But Mummy is always busy helping everyone else and their children!\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"Cooperative Children's Book Center, CCBC Choices","PrizeYear_0":"2024","ProductFormDescription":"EPUB, fixed","PublicationDate":"2023-09-05","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA girl longs for her mother’s attention. But Mummy is always busy helping everyone else and their children!\u003c\/strong\u003e\u003c\/p\u003e","Width":"9.125","WidthCode":"in"}
ages 3
to 6
/ grades P
to 1
My Mother Was a Nanny
A girl longs for her mother’s attention. But Mummy is always busy helping everyone else and their children!
Quick View
{"id":7348892205115,"title":"My Name Is Parvana","handle":"my-name-is-parvana","description":"\u003cp\u003e\u003cstrong\u003eThe fourth book in the internationally bestselling series that includes \u003cem\u003eThe Breadwinner\u003c\/em\u003e, \u003cem\u003eParvana’s Journey\u003c\/em\u003e and \u003cem\u003eMud City.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this stunning sequel, Parvana, now fifteen, is found in a bombed-out school and held as a suspected terrorist by American troops in Afghanistan.\u003c\/p\u003e\n\u003cp\u003eOn a military base in Afghanistan, after the fall of the Taliban in 2001, American authorities have just imprisoned a teenaged girl found in a bombed-out school. The army major thinks she may be a terrorist working with the Taliban. The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan — and Parvana.\u003c\/p\u003e\n\u003cp\u003eIn this long-awaited sequel, Parvana is now fifteen years old. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother has finally managed to open a school for girls. But even though the Taliban has been driven from the government, the country is still at war, and many continue to view the education and freedom of girls and women with suspicion and fear.\u003c\/p\u003e\n\u003cp\u003eAs her family settles into the routine of running the school, Parvana, a bit to her surprise, finds herself restless and bored. She even thinks of running away. But when local men threaten the school and her family, she must draw on every ounce of bravery and resilience she possesses to survive the disaster that kills her mother, destroys the school, and puts her own life in jeopardy. \u003c\/p\u003e\n\u003cp\u003eA riveting page-turner, Deborah Ellis’s final novel in the series is at once harrowing, inspiring and thought-provoking. And, yes, in the end, Parvana is reunited with her childhood friend, Shauzia.\u003c\/p\u003e\n\u003cp\u003eThe paperback edition includes a new cover and map, and an author’s note to provide background and context. Royalties from the sale of this book will go to Right to Learn Afghanistan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003eCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003eDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.9\u003cbr\u003eCompare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.\u003c\/p\u003e","published_at":"2025-02-20T10:10:24-05:00","created_at":"2025-02-20T10:10:24-05:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 10 - 14","Breadwinner Series","By (author) Ellis Deborah","CC Literature - Grade 6","CCSS.ELA-LITERACY.RL.5.3","CCSS.ELA-LITERACY.RL.6.3","CCSS.ELA-LITERACY.RL.6.9","Childrens Accessible ebooks","Childrens Starred Reviews","Free Study Guides","Groundwood Books","Human Rights and Activism","Lexile measure 670L","Middle Grade","pub date: 2012-08-08"],"price":1099,"price_min":1099,"price_max":1099,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42024412577851,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781554982981","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Name Is Parvana - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1099,"weight":299,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554982981","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42024412643387,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781554982998","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Name Is Parvana - epub","public_title":"epub","options":["epub"],"price":1099,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554982998","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42024412676155,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781554986286","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Name Is Parvana - mobi","public_title":"mobi","options":["mobi"],"price":1099,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554986286","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_38776f30-71dd-41d6-82a7-02ef82e4e570.jpg?v=1740064261"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_38776f30-71dd-41d6-82a7-02ef82e4e570.jpg?v=1740064261","options":["Title"],"media":[{"alt":null,"id":25134889893947,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_38776f30-71dd-41d6-82a7-02ef82e4e570.jpg?v=1740064261"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_38776f30-71dd-41d6-82a7-02ef82e4e570.jpg?v=1740064261","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe fourth book in the internationally bestselling series that includes \u003cem\u003eThe Breadwinner\u003c\/em\u003e, \u003cem\u003eParvana’s Journey\u003c\/em\u003e and \u003cem\u003eMud City.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this stunning sequel, Parvana, now fifteen, is found in a bombed-out school and held as a suspected terrorist by American troops in Afghanistan.\u003c\/p\u003e\n\u003cp\u003eOn a military base in Afghanistan, after the fall of the Taliban in 2001, American authorities have just imprisoned a teenaged girl found in a bombed-out school. The army major thinks she may be a terrorist working with the Taliban. The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan — and Parvana.\u003c\/p\u003e\n\u003cp\u003eIn this long-awaited sequel, Parvana is now fifteen years old. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother has finally managed to open a school for girls. But even though the Taliban has been driven from the government, the country is still at war, and many continue to view the education and freedom of girls and women with suspicion and fear.\u003c\/p\u003e\n\u003cp\u003eAs her family settles into the routine of running the school, Parvana, a bit to her surprise, finds herself restless and bored. She even thinks of running away. But when local men threaten the school and her family, she must draw on every ounce of bravery and resilience she possesses to survive the disaster that kills her mother, destroys the school, and puts her own life in jeopardy. \u003c\/p\u003e\n\u003cp\u003eA riveting page-turner, Deborah Ellis’s final novel in the series is at once harrowing, inspiring and thought-provoking. And, yes, in the end, Parvana is reunited with her childhood friend, Shauzia.\u003c\/p\u003e\n\u003cp\u003eThe paperback edition includes a new cover and map, and an author’s note to provide background and context. Royalties from the sale of this book will go to Right to Learn Afghanistan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003eCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003eDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.9\u003cbr\u003eCompare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888998620","AlsoRecommendedISBN_1":"9781554981458","AlsoRecommendedISBN_5":"9781773061955","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"11","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"10","AudienceRangeValue_1_1":"5","AudienceRangeValue_1_2":"5","AudienceRangeValue_2_0":"14","AudienceRangeValue_2_1":"9","AudienceRangeValue_2_2":"9","BASICMainSubject":"JUV039180","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/Violence","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eDEBORAH ELLIS\u003c\/strong\u003e is the author of \u003cem\u003eThe Breadwinner\u003c\/em\u003e, which has been published in thirty languages. She has won the Governor General’s Award, the Middle East Book Award, the Peter Pan Prize, the Jane Addams Children’s Book Award and the Vicky Metcalf Award. A recipient of the Order of Canada, Deborah has donated more than $2 million in royalties to organizations such as Right to Learn Afghanistan, Mental Health Without Borders and the UNHCR. She lives in Simcoe, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Violence","BISACSubjectLiteral_1":"JUVENILE FICTION \/ People \u0026amp; Places \/ Middle East","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Girls \u0026amp; Women","BISACSubject_0":"JUV039180","BISACSubject_1":"JUV030110","BISACSubject_2":"JUV014000","CommonCore":"CCSS.ELA-LITERACY.RL.5.3","CommonCore_1":"CCSS.ELA-LITERACY.RL.6.9","CommonCore_2":"CCSS.ELA-LITERACY.RL.6.3","ComplexityCode_0":"670L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eDEBORAH ELLIS\u003c\/strong\u003e is the author of \u003cem\u003eThe Breadwinner\u003c\/em\u003e, which has been published in thirty languages. She has won the Governor General’s Award, the Middle East Book Award, the Peter Pan Prize, the Jane Addams Children’s Book Award and the Vicky Metcalf Award. A recipient of the Order of Canada, Deborah has donated more than $2 million in royalties to organizations such as Right to Learn Afghanistan, Mental Health Without Borders and the UNHCR. She lives in Simcoe, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ellis, Deborah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThe fourth book in the internationally bestselling series that includes \u003cem\u003eThe Breadwinner\u003c\/em\u003e, \u003cem\u003eParvana’s Journey\u003c\/em\u003e and \u003cem\u003eMud City.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this stunning sequel, Parvana, now fifteen, is found in a bombed-out school and held as a suspected terrorist by American troops in Afghanistan.\u003c\/p\u003e\n\u003cp\u003eOn a military base in Afghanistan, after the fall of the Taliban in 2001, American authorities have just imprisoned a teenaged girl found in a bombed-out school. The army major thinks she may be a terrorist working with the Taliban. The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan — and Parvana.\u003c\/p\u003e\n\u003cp\u003eIn this long-awaited sequel, Parvana is now fifteen years old. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother has finally managed to open a school for girls. But even though the Taliban has been driven from the government, the country is still at war, and many continue to view the education and freedom of girls and women with suspicion and fear.\u003c\/p\u003e\n\u003cp\u003eAs her family settles into the routine of running the school, Parvana, a bit to her surprise, finds herself restless and bored. She even thinks of running away. But when local men threaten the school and her family, she must draw on every ounce of bravery and resilience she possesses to survive the disaster that kills her mother, destroys the school, and puts her own life in jeopardy. \u003c\/p\u003e\n\u003cp\u003eA riveting page-turner, Deborah Ellis’s final novel in the series is at once harrowing, inspiring and thought-provoking. And, yes, in the end, Parvana is reunited with her childhood friend, Shauzia.\u003c\/p\u003e\n\u003cp\u003eThe paperback edition includes a new cover and map, and an author’s note to provide background and context. Royalties from the sale of this book will go to Right to Learn Afghanistan. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr\u003e\nCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr\u003e\nDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.9\u003cbr\u003e\nCompare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.\u003c\/p\u003e","EAN":"9781554986286","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781554986286\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"maps;author's note","MetaKeywords":"strong female characters; conflict; human rights; survival; gender roles; educating girls; home; feminism; family and family issues; friends and friendship issues; oppression; poverty; breadwinner; courage; dedication; perseverance; responsibility; cooperation; third person narration; figurative language; imagery; Canadian curriculum; social justice; novel studies; connecting; predicting; synthesizing; Common Core aligned; CC Literature Key Ideas and Details; Craft and Structure","NumberOfPages":"176","OtherText_Review_0":"This passionate volume stands on its own, though readers new to the series and to Ellis' overall body of work will want to read every one of her fine, important novels. Readers will learn much about the war in Afghanistan even as they cheer on this feisty protagonist.","OtherText_Review_0_Src":"Kirkus, STARRED REVIEW","OtherText_Review_1":"This sequel to the series is not merely an important book about the difficulty of girls' lives in war-torn, U.S.-occupied Afghanistan. It is also an example of vivid storytelling with a visceral sense of place, loss, distrust, and hope.","OtherText_Review_1_Src":"School Library Journal, STARRED REVIEW","OtherText_ShortDescription_0":"In this stunning sequel to The Breadwinner Trilogy, Parvana, now fifteen, is held as a suspected terrorist by American troops in Afghanistan.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Commended","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Short-listed","PrizeCodeText_6":"Commended","PrizeCodeText_7":"Short-listed","PrizeCodeText_8":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeCode_2":"03","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"04","PrizeCode_6":"03","PrizeCode_7":"04","PrizeCode_8":"03","PrizeName_0":"USBBY Outstanding International Book List","PrizeName_1":"Bank Street College of Education's Book of the Month","PrizeName_2":"Capitol Choices Noteworthy Titles for Children and Teens List","PrizeName_3":"IODE Violet Downey Book Award","PrizeName_4":"CCBC Choices","PrizeName_5":"Manitoba Young Readers' Choice Award","PrizeName_6":"The Bankstreet College of Education's Best Books of the Year 2013","PrizeName_7":"Rocky Mountain Book Award","PrizeName_8":"An Indie Next List Selection","PrizeYear_0":"2013","PrizeYear_1":"2013","PrizeYear_2":"2013","PrizeYear_3":"2013","PrizeYear_4":"2013","PrizeYear_5":"2014","PrizeYear_6":"2013","PrizeYear_7":"2014","PrizeYear_8":"2013","ProductFormDescription":"mobi","PublicationDate":"2012-08-08","Publisher":"Groundwood Books Ltd","Series":"Breadwinner Series","ShortDescription":"In this stunning sequel to The Breadwinner Trilogy, Parvana, now fifteen, is held as a suspected terrorist by American troops in Afghanistan.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781554986286\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"5.25","WidthCode":"in"}
ages 10
to 14
/ grades 5
to 9
My Name Is Parvana
In this stunning sequel to The Breadwinner Trilogy, Parvana, now fifteen, is held as a suspected terrorist by American troops in Afghanistan.
Quick View
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Most of all, there are her memories of holidays back at the ranch — camping trips, horseback riding, picking berries and cleaning fish with her mother, aunt and grandmother. Always, thoughts of home make school life bearable.\u003c\/p\u003e\n\u003cp\u003eBased on her own experiences at the Kamloops Indian Residential School, this powerful novel by Nlaka’pamux author Shirley Sterling is a moving account of one of the most blatant expressions of racism in the history of Canada. \u003c\/p\u003e\n\u003cp\u003eIncludes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eafterword\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003ejournal entries\u003c\/p\u003e\n\u003cp\u003emaps\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.2\u003cbr\u003e\nDetermine a theme of a story, drama, or poem from details in the text; summarize the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.1\u003cbr\u003e\nQuote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003cbr\u003e\n\u003c\/p\u003e","published_at":"2025-02-19T11:21:25-05:00","created_at":"2025-02-19T11:16:18-05:00","vendor":"Groundwood Books Ltd","type":"","tags":["Afterword by Highway Tomson","age range 9 - 12","By (author) Sterling Shirley","CC Literature - Grade 5","CC Literature - Grade 6","CCSS.ELA-LITERACY.RL.4.2","CCSS.ELA-LITERACY.RL.5.1","CCSS.ELA-LITERACY.RL.6.6","Childrens Accessible ebooks","Childrens Award-Winning","Childrens Course Adoption","Diversity","Free Study Guides","Groundwood Books","Human Rights and Activism","Indigenous Voices","Lexile measure 720L","Mental Health","Middle Grade","Nonfiction","pub date: 1992-11-01","Stories from Canada","Stories of Resilience"],"price":999,"price_min":999,"price_max":1299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42023345553467,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781773068565","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Name Is Seepeetza - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1299,"weight":127,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773068565","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42023345586235,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781773068848","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Name Is Seepeetza - epub","public_title":"epub","options":["epub"],"price":999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773068848","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ab96f1d8-4295-4358-a6ff-870525065898.jpg?v=1739981807"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ab96f1d8-4295-4358-a6ff-870525065898.jpg?v=1739981807","options":["Title"],"media":[{"alt":"My Name Is Seepeetza by Shirley Sterling. This image features beadwork by Speplól Tanya Zilinski. A tattered and worn black-and-white photograph is in the middle of the image. In the photograph is a girl with light skin tone and brown hair pulled back. She wears a white shirt with a black vest on top. She smiles at the camera. Behind this photograph is a background of small colored beads that form a tapestry. The section behind the photograph is light pink and creamy white in a geometric pattern.","id":25131165843515,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ab96f1d8-4295-4358-a6ff-870525065898.jpg?v=1739981807"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ab96f1d8-4295-4358-a6ff-870525065898.jpg?v=1739981807","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eAn honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeepeetza loves living on Joyaska Ranch with her family. But when she is six years old, she is driven to the town of Kalamak, in the interior of British Columbia. Seepeetza will spend the next several years of her life at an Indian residential school. The nuns call her Martha and cut her hair. Worst of all, she is forbidden to “talk Indian,” even with her sisters and cousins.\u003c\/p\u003e\n\u003cp\u003eStill, Seepeetza looks for bright spots — the cookie she receives at Halloween, the dance practices. Most of all, there are her memories of holidays back at the ranch — camping trips, horseback riding, picking berries and cleaning fish with her mother, aunt and grandmother. Always, thoughts of home make school life bearable.\u003c\/p\u003e\n\u003cp\u003eBased on her own experiences at the Kamloops Indian Residential School, this powerful novel by Nlaka’pamux author Shirley Sterling is a moving account of one of the most blatant expressions of racism in the history of Canada. \u003c\/p\u003e\n\u003cp\u003eIncludes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eafterword\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003ejournal entries\u003c\/p\u003e\n\u003cp\u003emaps\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.2\u003cbr\u003e\nDetermine a theme of a story, drama, or poem from details in the text; summarize the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.1\u003cbr\u003e\nQuote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003cbr\u003e\n\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888996169","AlsoRecommendedISBN_1":"9780888996596","AlsoRecommendedISBN_2":"9780888996961","AlsoRecommendedISBN_3":"9780888996961","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"4","AudienceRangeValue_1_1":"4","AudienceRangeValue_1_2":"9","AudienceRangeValue_2_0":"7","AudienceRangeValue_2_1":"7","AudienceRangeValue_2_2":"12","BASICMainSubject":"JUV016180","BASICMainSubjectLiteral":"JUVENILE FICTION\/Historical\/Canada\/Post-Confederation (1867-)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSHIRLEY STERLING\u003c\/strong\u003e (1948–2005) was Nlaka’pamux. She twice received the Native Indian Teacher Education Alumni Award and held a PhD in Education from the University of British Columbia. \u003cem\u003eMy Name Is Seepeetza\u003c\/em\u003e is based on her childhood experiences at the Kamloops Indian Residential School. Acclaimed in Canada and the United States, the book won the Sheila A. Egoff Children’s Literature Prize and was a finalist for the Governor General’s Literary Award. Shirley also won the Laura Steinman Award for Children’s Literature.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Historical \/ Canada \/ Post-Confederation (1867-)","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Prejudice \u0026amp; Racism","BISACSubjectLiteral_2":"JUVENILE FICTION \/ People \u0026amp; Places \/ Canada \/ Indigenous","BISACSubject_0":"JUV016180","BISACSubject_1":"JUV039120","BISACSubject_2":"JUV030090","CommonCore":"CCSS.ELA-LITERACY.RL.6.6","CommonCore_1":"CCSS.ELA-LITERACY.RL.4.2","CommonCore_2":"CCSS.ELA-LITERACY.RL.5.1","ComplexityCode_0":"720L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSHIRLEY STERLING\u003c\/strong\u003e (1948–2005) was Nlaka’pamux. She twice received the Native Indian Teacher Education Alumni Award and held a PhD in Education from the University of British Columbia. \u003cem\u003eMy Name Is Seepeetza\u003c\/em\u003e is based on her childhood experiences at the Kamloops Indian Residential School. Acclaimed in Canada and the United States, the book won the Sheila A. Egoff Children’s Literature Prize and was a finalist for the Governor General’s Literary Award. Shirley also won the Laura Steinman Award for Children’s Literature.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eTOMSON HIGHWAY\u003c\/strong\u003e is a Cree author, playwright, and musician. His memoir, \u003cem\u003ePermanent Astonishment\u003c\/em\u003e,\u003cem\u003e \u003c\/em\u003ewon the 2021 Hilary Weston Writers’ Trust Prize for Nonfiction. He also wrote the plays \u003cem\u003eThe Rez Sisters\u003c\/em\u003e and \u003cem\u003eDry Lips Oughta Move to Kapuskasing\u003c\/em\u003e, and the bestselling novel \u003cem\u003eKiss of the Fur Queen\u003c\/em\u003e. He is a member of the Barren Lands First Nation and lives in Gatineau, Quebec.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Afterword by","Contributor_0":"Sterling, Shirley (CA)","Contributor_1":"Highway, Tomson (CA)","Description":"\u003cp\u003e\u003cstrong\u003eAn honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeepeetza loves living on Joyaska Ranch with her family. But when she is six years old, she is driven to the town of Kalamak, in the interior of British Columbia. Seepeetza will spend the next several years of her life at an Indian residential school. The nuns call her Martha and cut her hair. Worst of all, she is forbidden to “talk Indian,” even with her sisters and cousins.\u003c\/p\u003e\n\u003cp\u003eStill, Seepeetza looks for bright spots — the cookie she receives at Halloween, the dance practices. Most of all, there are her memories of holidays back at the ranch — camping trips, horseback riding, picking berries and cleaning fish with her mother, aunt and grandmother. Always, thoughts of home make school life bearable.\u003c\/p\u003e\n\u003cp\u003eBased on her own experiences at the Kamloops Indian Residential School, this powerful novel by Nlaka’pamux author Shirley Sterling is a moving account of one of the most blatant expressions of racism in the history of Canada. \u003c\/p\u003e\n\u003cp\u003eIncludes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eafterword\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003ejournal entries\u003c\/p\u003e\n\u003cp\u003emaps\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.2\u003cbr\u003e\nDetermine a theme of a story, drama, or poem from details in the text; summarize the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.1\u003cbr\u003e\nQuote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr\u003e\nExplain how an author develops the point of view of the narrator or speaker in a text.\u003cbr\u003e\n\u003c\/p\u003e","EAN":"9781773068848","Height":"8","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eafterword;dialogue;journal entries;maps\u003c\/p\u003e","MetaKeywords":"First Nations children;child abuse;bullying;Indigenous heritage and culture;cultural genocide;child as narrator;first person narration;own voice;20th century history;point of view;Canadian history;social justice;afterword;dialogue;journal entries","NumberOfPages":"144","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis book has been in demand since it was first published thirty years ago.\u003c\/li\u003e\n\u003cli\u003eThe novel is based on the author’s own experience at Kamloops Indian Residential School, where — tragically — the remains of 215 children in unmarked graves were found in 2021.\u003c\/li\u003e\n\u003cli\u003eThis edition will be published with a new cover, a fresh interior design and a new afterword by acclaimed author, playwright and musician Tomson Highway, who is Cree and a member of the Barren Lands First Nation in northern Manitoba, just south of Nunavut.\u003c\/li\u003e\n\u003cli\u003eThe new cover features beadwork by Speplól Tanya Zilinski, an Anishinaabe artist. The image was inspired by the end of the story where Seepeetza thinks about asking her grandmother to bead fireweed flowers on a buckskin cover for her journal. The background (pink and cream beads) was inspired by pre-contact Nlaka’pamux basket design.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis book has been in demand since it was first published thirty years ago.\u003c\/li\u003e\n\u003cli\u003eThe novel is based on the author’s own experience at Kamloops Indian Residential School, where — tragically — the remains of 215 children in unmarked graves were found in 2021.\u003c\/li\u003e\n\u003cli\u003eThis edition will be published with a new cover, a fresh interior design and a new afterword by acclaimed author, playwright and musician Tomson Highway, who is Cree and a member of the Barren Lands First Nation in northern Manitoba, just south of Nunavut.\u003c\/li\u003e\n\u003cli\u003eThe new cover features beadwork by Speplól Tanya Zilinski, an Anishinaabe artist. The image was inspired by the end of the story where Seepeetza thinks about asking her grandmother to bead fireweed flowers on a buckskin cover for her journal. The background (pink and cream beads) was inspired by pre-contact Nlaka’pamux basket design.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Sterling's experiences as a residential school student and her courageous spirit shine through in this autobiographical novel.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"CM: Canadian Review of Materials","OtherText_Review_1":"\u003cp\u003e“\u003cem\u003eMy Name is Seepeetza\u003c\/em\u003e is an excellent book … as an introduction to, or indeed, to learn more about the Indian residential schools and those courageous students who attended them. \u003cem\u003eMy Name is Seepeetza\u003c\/em\u003e is as valid a book today as it was when it was first published, and it is well worth in-depth study.” — \u003cstrong\u003e\u003cem\u003eMiramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Miramichi Reader","OtherText_Review_2":"\u003cp\u003e“Sterling's writing is simple yet powerful … Even more, her words act as a catalyst for deep reflection and necessary conversation about Canada's dark past regarding the residential school system.” — \u003cstrong\u003e\u003cem\u003eCloud Lake Literary\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Cloud Lake Literary","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eAn honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"04","PrizeName_0":"Sheila A. Egoff Children's Literature Prize","PrizeName_1":"Governor General's Literary Awards: Text","PrizeYear_0":"1992","PrizeYear_1":"1993","ProductFormDescription":"epub","PublicationDate":"1992-11-01","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eAn honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"30th Anniversary Edition","Width":"5.25","WidthCode":"in"}
ages 9
to 12
/ grades 4
to 7
My Name Is Seepeetza
An honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.
Quick View
{"id":6899077152827,"title":"My Story Starts Here","handle":"my-story-starts-here","description":"\u003cp\u003e\u003cstrong\u003eDeborah Ellis, activist and award-winning author of \u003ci\u003eThe Breadwinner \u003c\/i\u003einterviews young people involved in the criminal justice system and lets them tell their own stories.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eJamar found refuge in a gang after leaving an abusive home where his mother stole from him. Fred was arrested for assault with a weapon, public intoxication and attacking his mother while on drugs. Jeremy first went to court at age fourteen (“Court gives you the feeling that you can never make up for what you did, that you’re just bad forever”) but now wears a Native Rights hat to remind him of his strong Métis heritage. Kate, charged with petty theft and assault, finally found a counselor who treated her like a person for the first time.\u003c\/p\u003e\u003cp\u003eMany readers will recognize themselves, or someone they know, somewhere in these stories. Being lucky or unlucky after making a mistake. The encounter with a mean cop or a good one. Couch-surfing, or being shunted from one foster home to another. The kids in this book represent a range of socioeconomic backgrounds, genders, sexual orientations and ethnicities. Every story is different, but there are common threads — loss of parenting, dislocation, poverty, truancy, addiction, discrimination. The book also includes the points of view of family members as well as “voices of experience” — adults looking back at their own experiences as young offenders.\u003c\/p\u003e\u003cp\u003eMost of all, this book leaves readers asking the most pressing questions of all. Does it make sense to put kids in jail? Can’t we do better? Have we forgotten that we were once teens ourselves, feeling powerless to change our lives, confused about who we were and what we wanted, and quick to make a move without a thought for the consequences?\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003eillustrations\u003cbr\u003ephotographs\u003cbr\u003efurther reading\u003cbr\u003eglossary\u003cbr\u003eresources\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.2\u003cbr\u003eDetermine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.6\u003cbr\u003eDetermine an author's point of view or purpose in a text and explain how it is conveyed in the text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.8\u003cbr\u003eTrace and evaluate the argument and specific claims in a text, distinguishing claims that are supported by reasons and evidence from claims that are not.\u003c\/p\u003e","published_at":"2022-06-27T18:16:54-04:00","created_at":"2022-06-27T17:26:31-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 12 - 0","By (author) Ellis Deborah","Childrens Accessible ebooks","Dealing with Loss","Fountas \u0026 Pinnell Text Level Gradient Z+","Groundwood Books","Guided Reading Level Z+","Lexile measure 800L","Mental Health","Middle Grade","Nonfiction","pub date: 2019-09-01"],"price":1495,"price_min":1495,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40499147079739,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781773061214","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Story Starts Here - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1895,"weight":380,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773061214","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499150815291,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781773061344","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Story Starts Here - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773061344","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499151077435,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781773061351","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Story Starts Here - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773061351","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_895b151e-e12f-4fcb-bb0e-02de131cd758.jpg?v=1731057722"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_895b151e-e12f-4fcb-bb0e-02de131cd758.jpg?v=1731057722","options":["Title"],"media":[{"alt":"The background resembles a concrete wall. The title is made to look like it is spray painted on the wall in purple paint. Text: My Story Starts Here. Voices of Young Offenders. Deborah Ellis.","id":24903339966523,"position":1,"preview_image":{"aspect_ratio":0.71,"height":2254,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_895b151e-e12f-4fcb-bb0e-02de131cd758.jpg?v=1731057722"},"aspect_ratio":0.71,"height":2254,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_895b151e-e12f-4fcb-bb0e-02de131cd758.jpg?v=1731057722","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eDeborah Ellis, activist and award-winning author of \u003ci\u003eThe Breadwinner \u003c\/i\u003einterviews young people involved in the criminal justice system and lets them tell their own stories.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eJamar found refuge in a gang after leaving an abusive home where his mother stole from him. Fred was arrested for assault with a weapon, public intoxication and attacking his mother while on drugs. Jeremy first went to court at age fourteen (“Court gives you the feeling that you can never make up for what you did, that you’re just bad forever”) but now wears a Native Rights hat to remind him of his strong Métis heritage. Kate, charged with petty theft and assault, finally found a counselor who treated her like a person for the first time.\u003c\/p\u003e\u003cp\u003eMany readers will recognize themselves, or someone they know, somewhere in these stories. Being lucky or unlucky after making a mistake. The encounter with a mean cop or a good one. Couch-surfing, or being shunted from one foster home to another. The kids in this book represent a range of socioeconomic backgrounds, genders, sexual orientations and ethnicities. Every story is different, but there are common threads — loss of parenting, dislocation, poverty, truancy, addiction, discrimination. The book also includes the points of view of family members as well as “voices of experience” — adults looking back at their own experiences as young offenders.\u003c\/p\u003e\u003cp\u003eMost of all, this book leaves readers asking the most pressing questions of all. Does it make sense to put kids in jail? Can’t we do better? Have we forgotten that we were once teens ourselves, feeling powerless to change our lives, confused about who we were and what we wanted, and quick to make a move without a thought for the consequences?\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003eillustrations\u003cbr\u003ephotographs\u003cbr\u003efurther reading\u003cbr\u003eglossary\u003cbr\u003eresources\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.2\u003cbr\u003eDetermine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.6\u003cbr\u003eDetermine an author's point of view or purpose in a text and explain how it is conveyed in the text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.8\u003cbr\u003eTrace and evaluate the argument and specific claims in a text, distinguishing claims that are supported by reasons and evidence from claims that are not.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888994660","AlsoRecommendedISBN_1":"9781554981755","AlsoRecommendedISBN_2":"9781773060781","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"11","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"12","AudienceRangeValue_1_1":"7","AudienceRangeValue_1_2":"7","BASICMainSubject":"JNF053010","BASICMainSubjectLiteral":"JUVENILE NONFICTION\/Social Topics\/Adolescence","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eDEBORAH ELLIS\u003c\/strong\u003e is the author of \u003cem\u003eThe Breadwinner\u003c\/em\u003e, which has been published in 30 languages and made into an Oscar-nominated film. She has won the Governor General’s Award, the Middle East Book Award, the Peter Pan Prize, the Jane Addams Children’s Book Award and the Vicky Metcalf Award. A recipient of the Order of Canada, Deborah has donated more than $2 million in royalties to organizations such as Right to Learn Afghanistan, Mental Health Without Borders and UNHCR. She lives in Simcoe, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE NONFICTION \/ Social Topics \/ Adolescence","BISACSubjectLiteral_1":"JUVENILE NONFICTION \/ Family \/ Orphans \u0026amp; Foster Homes","BISACSubjectLiteral_2":"JUVENILE NONFICTION \/ Law \u0026amp; Crime","BISACSubject_0":"JNF053010","BISACSubject_1":"JNF019050","BISACSubject_2":"JNF030000","ComplexityCode_0":"Z+","ComplexityCode_1":"Z+","ComplexityCode_2":"800L","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdentifier_2":"06","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_2":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eDEBORAH ELLIS\u003c\/strong\u003e is the author of \u003cem\u003eThe Breadwinner\u003c\/em\u003e, which has been published in 30 languages and made into an Oscar-nominated film. She has won the Governor General’s Award, the Middle East Book Award, the Peter Pan Prize, the Jane Addams Children’s Book Award and the Vicky Metcalf Award. A recipient of the Order of Canada, Deborah has donated more than $2 million in royalties to organizations such as Right to Learn Afghanistan, Mental Health Without Borders and UNHCR. She lives in Simcoe, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ellis, Deborah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eDeborah Ellis, activist and award-winning author of \u003ci\u003eThe Breadwinner \u003c\/i\u003einterviews young people involved in the criminal justice system and lets them tell their own stories.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eJamar found refuge in a gang after leaving an abusive home where his mother stole from him. Fred was arrested for assault with a weapon, public intoxication and attacking his mother while on drugs. Jeremy first went to court at age fourteen (“Court gives you the feeling that you can never make up for what you did, that you’re just bad forever”) but now wears a Native Rights hat to remind him of his strong Métis heritage. Kate, charged with petty theft and assault, finally found a counselor who treated her like a person for the first time.\u003c\/p\u003e\u003cp\u003eMany readers will recognize themselves, or someone they know, somewhere in these stories. Being lucky or unlucky after making a mistake. The encounter with a mean cop or a good one. Couch-surfing, or being shunted from one foster home to another. The kids in this book represent a range of socioeconomic backgrounds, genders, sexual orientations and ethnicities. Every story is different, but there are common threads — loss of parenting, dislocation, poverty, truancy, addiction, discrimination. The book also includes the points of view of family members as well as “voices of experience” — adults looking back at their own experiences as young offenders.\u003c\/p\u003e\u003cp\u003eMost of all, this book leaves readers asking the most pressing questions of all. Does it make sense to put kids in jail? Can’t we do better? Have we forgotten that we were once teens ourselves, feeling powerless to change our lives, confused about who we were and what we wanted, and quick to make a move without a thought for the consequences?\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr \/\u003eillustrations\u003cbr \/\u003ephotographs\u003cbr \/\u003efurther reading\u003cbr \/\u003eglossary\u003cbr \/\u003eresources\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.2\u003cbr \/\u003eDetermine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.6\u003cbr \/\u003eDetermine an author's point of view or purpose in a text and explain how it is conveyed in the text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.6.8\u003cbr \/\u003eTrace and evaluate the argument and specific claims in a text, distinguishing claims that are supported by reasons and evidence from claims that are not.\u003c\/p\u003e","EAN":"9781773061351","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773061351\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"10.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"illustrations;photographs;further reading;glossary;resources","MetaKeywords":"In the Margins Recommended; memoir; illustrations; photographs; further reading; glossary","NumberOfPages":"224","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBoxed features provide context and background on the Youth Criminal Justice Act, foster care, mental health issues, homelessness, gangs, solitary confinement, the teen brain, restorative justice, etc.\u003c\/li\u003e\n\u003cli\u003e“Take Action” graphics encourage the reader to ask thoughtful questions about the causes of youth crime, and society’s responses to it.\u003c\/li\u003e\n\u003cli\u003eAn open magazine-style format, supplementary black-and-white illustrations by Eric Chow and spot photos make the text accessible and browsing-friendly.\u003c\/li\u003e\n\u003cli\u003eBackmatter includes further reading, a glossary and links to professional resources.\u003c\/li\u003e\n\u003cli\u003eThe quantity and range of interviews avoids the danger of a single story that plagues many novels, memoirs and nonfiction books about youth crime.\u003c\/li\u003e\n\u003cli\u003eDeb is a dynamic speaker who is invited all over the world to speak about her books. She would be an excellent conference presenter to teachers, family support workers, law enforcement, community organizations, parent groups and adults dealing with the youth justice system.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include development of communities, inequalities, economic development and quality of life, goals of politics, law and economics, responsibility, fairness and justice, citizenship education, substance use, addictions and related behavior, personal safety.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eIan, 17\u003c\/p\u003e\u003cp\u003eMy trouble with the law started in grade four. Me and some friends started fires in our town. \u003c\/p\u003e\u003cp\u003eThere were some caves in the areas I was living. We liked to explore the caves and we thought it would be great to have campfires there. We gathered up some branches off dead trees and made a fire and it was fine. \u003c\/p\u003e\u003cp\u003eWe might have been okay if we’d left it there. I mean, we should have known more about fire safety, but I don’t think we were bothering anybody. But we decided to keep building fires and to build bigger ones.\u003c\/p\u003e\u003cp\u003eIt’s against the law to start fires like that. People caught on that it was us because we needed paper to build these fires. We would go to those free-newspaper and free-magazine stands and empty these out and run down the street with armloads of these things. It was a small town. People knew us, got to wondering what we were doing, put two and two together and called the police…\u003c\/p\u003e\u003cp\u003eI got into more serious trouble in grade nine. I didn’t like school and skipped it all the time. This one day we skipped classes the whole day then came back into the school at the end of the day to catch the school bus home. 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I feel like there’s something deep inside me that won’t let me do anything good…\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eBoxed features provide context and background on the Youth Criminal Justice Act, foster care, mental health issues, homelessness, gangs, solitary confinement, the teen brain, restorative justice, etc.\u003c\/li\u003e\n\u003cli\u003e“Take Action” graphics encourage the reader to ask thoughtful questions about the causes of youth crime, and society’s responses to it.\u003c\/li\u003e\n\u003cli\u003eAn open magazine-style format, supplementary black-and-white illustrations by Eric Chow and spot photos make the text accessible and browsing-friendly.\u003c\/li\u003e\n\u003cli\u003eBackmatter includes further reading, a glossary and links to professional resources.\u003c\/li\u003e\n\u003cli\u003eThe quantity and range of interviews avoids the danger of a single story that plagues many novels, memoirs and nonfiction books about youth crime.\u003c\/li\u003e\n\u003cli\u003eDeb is a dynamic speaker who is invited all over the world to speak about her books. 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ages 12
and up
/ grades 7
and up
My Story Starts Here
Deborah Ellis, activist and award-winning author of The Breadwinner, interviews young people involved in the criminal justice system.
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{"id":7390771609659,"title":"My Street Remembers","handle":"my-street-remembers","description":"\u003cp\u003e\u003cstrong\u003eHow many footsteps have walked your street in the past? \u003cem\u003eMy Street Remembers\u003c\/em\u003e peels back the history of one city street in North America to reveal the greater story of the land on which we live.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe story begins 14,000 years ago, when mammoths roamed the icefields, and the First Peoples followed their trail. Historically accurate illustrations show the lives of their descendants over thousands of years as they hunted and gathered food, built homes and celebrated together, until the 1600s, when Europeans arrived with settlers in their wake.\u003c\/p\u003e\n\u003cp\u003eIn lyrical text, the street remembers agreements to live in peace, the efforts of the British to take the land with unfair treaties, and the conflict and suffering that followed. The street recalls its naming, paving and the waves of immigrants who called it home. Illustrations of recent times depict Canada’s apology to Indigenous Peoples and efforts toward Truth and Reconciliation, including a march with a banner that reads: Every Child Matters.\u003c\/p\u003e\n\u003cp\u003eThis rich collaboration between author Karen Krossing, of White settler descent, and Anishinaabe artist Cathie Jamieson ends with a question that readers anywhere can ask—what does your street remember?\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003ebibliography\u003c\/p\u003e\n\u003cp\u003ecaptions\u003c\/p\u003e\n\u003cp\u003eexplanation\u003c\/p\u003e\n\u003cp\u003efacts\u003c\/p\u003e\n\u003cp\u003eflags\u003c\/p\u003e\n\u003cp\u003efurther information\u003c\/p\u003e\n\u003cp\u003ehistorical context\u003c\/p\u003e\n\u003cp\u003ehistorical note\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003eillustrator’s notes\u003c\/p\u003e\n\u003cp\u003esources\u003c\/p\u003e\n\u003cp\u003etimeline\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e","published_at":"2025-05-09T09:48:27-04:00","created_at":"2025-05-09T09:38:07-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 6","Better Paths","By (author) Krossing Karen","CCSS.ELA-LITERACY.RL.1.3","Childrens New Releases","Groundwood Books","Illustrated by Jamieson Cathie","Lexile measure NC940L","Nonfiction","Picture Books","pub date: 2025-09-02","Stories from Canada"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42181794725947,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781773066356","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Street Remembers - hardcover","public_title":"hardcover","options":["hardcover"],"price":2199,"weight":470,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773066356","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42181794955323,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773066363","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Street Remembers - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773066363","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4321d51f-9811-46b4-bd01-99e392ba92bf.jpg?v=1746797915","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c2515d99-7091-46d9-9c00-269988f7c203.jpg?v=1746797916","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_304b477d-1683-4201-b703-fc5f6b9a2a00.jpg?v=1746797916","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_9d1dce70-690c-4a63-9fc5-5e7661506691.jpg?v=1746797916"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4321d51f-9811-46b4-bd01-99e392ba92bf.jpg?v=1746797915","options":["Title"],"media":[{"alt":"Cover: My Street Remembers. Written by Karen Krossing and illustrated by Cathie Jamieson. Paintings were inspired by illustrator’s Anishinaabe and Haudenosaunee background, showing organic shapes in thick outlines. A turtle crawls along the sand, leaving footprints behind. The sky is blue. Grass grows above, and under it there is dark earth with a long, curving black line bisected by shorter vertical lines. Pictured on the left side of the page is half of a medicine wheel ringed with a braided grass ring.","id":25362292932667,"position":1,"preview_image":{"aspect_ratio":1.363,"height":1600,"width":2181,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4321d51f-9811-46b4-bd01-99e392ba92bf.jpg?v=1746797915"},"aspect_ratio":1.363,"height":1600,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_4321d51f-9811-46b4-bd01-99e392ba92bf.jpg?v=1746797915","width":2181},{"alt":"Many people of diverse ages and ethnicities walk, bike, scooter and wheel along a modern city street. A street sign reads “DANFORTH AV.” Trees with green leaves grow in the sidewalk and apartment buildings and store fronts can be seen across the street. Text: My street remembers everyone who travels our land now.","id":25362293063739,"position":2,"preview_image":{"aspect_ratio":2.759,"height":290,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c2515d99-7091-46d9-9c00-269988f7c203.jpg?v=1746797916"},"aspect_ratio":2.759,"height":290,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c2515d99-7091-46d9-9c00-269988f7c203.jpg?v=1746797916","width":800},{"alt":"On the left page, are two hunters with medium skin tone and long brown hair in a forest with small rock formations and purple sky. One has a spear and the other is behind a fallen tree, watching a caribou hit by a spear. On the right page, is a clearing with two pit houses built of sticks and animal hides. A couple sit on a mat and work and a man carves a canoe. An infant crawls across a blanket. Text: My street remembers how First Peoples hunted and gathered food, built homes and celebrated together.","id":25362293162043,"position":3,"preview_image":{"aspect_ratio":2.759,"height":290,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_304b477d-1683-4201-b703-fc5f6b9a2a00.jpg?v=1746797916"},"aspect_ratio":2.759,"height":290,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_304b477d-1683-4201-b703-fc5f6b9a2a00.jpg?v=1746797916","width":800},{"alt":"On the right page, is a close up of an early settler’s feet on the beach. He wears a red jacket with yellow trim and blue pants with a yellow stripe and black knee-high leather boots. In the water is a ship with a rowboat approaching. Text states my street remembers when settlers arrived. On the left page, is a river with grass on either side. An Indigenous man stands with four settlers with canoes and various barrels and items on the shore. One settler wears hide clothing and holds a musket and small axe.","id":25362293260347,"position":4,"preview_image":{"aspect_ratio":2.759,"height":290,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_9d1dce70-690c-4a63-9fc5-5e7661506691.jpg?v=1746797916"},"aspect_ratio":2.759,"height":290,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_9d1dce70-690c-4a63-9fc5-5e7661506691.jpg?v=1746797916","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eHow many footsteps have walked your street in the past? \u003cem\u003eMy Street Remembers\u003c\/em\u003e peels back the history of one city street in North America to reveal the greater story of the land on which we live.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe story begins 14,000 years ago, when mammoths roamed the icefields, and the First Peoples followed their trail. Historically accurate illustrations show the lives of their descendants over thousands of years as they hunted and gathered food, built homes and celebrated together, until the 1600s, when Europeans arrived with settlers in their wake.\u003c\/p\u003e\n\u003cp\u003eIn lyrical text, the street remembers agreements to live in peace, the efforts of the British to take the land with unfair treaties, and the conflict and suffering that followed. The street recalls its naming, paving and the waves of immigrants who called it home. Illustrations of recent times depict Canada’s apology to Indigenous Peoples and efforts toward Truth and Reconciliation, including a march with a banner that reads: Every Child Matters.\u003c\/p\u003e\n\u003cp\u003eThis rich collaboration between author Karen Krossing, of White settler descent, and Anishinaabe artist Cathie Jamieson ends with a question that readers anywhere can ask—what does your street remember?\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003ebibliography\u003c\/p\u003e\n\u003cp\u003ecaptions\u003c\/p\u003e\n\u003cp\u003eexplanation\u003c\/p\u003e\n\u003cp\u003efacts\u003c\/p\u003e\n\u003cp\u003eflags\u003c\/p\u003e\n\u003cp\u003efurther information\u003c\/p\u003e\n\u003cp\u003ehistorical context\u003c\/p\u003e\n\u003cp\u003ehistorical note\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003eillustrator’s notes\u003c\/p\u003e\n\u003cp\u003esources\u003c\/p\u003e\n\u003cp\u003etimeline\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888995896","AlsoRecommendedISBN_1":"9781773064680","AlsoRecommendedISBN_2":"9781773065519","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"3","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"1","AudienceRangeValue_2_2":"6","BASICMainSubject":"JNF038040","BASICMainSubjectLiteral":"JUVENILE NONFICTION\/Places\/Canada","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAREN KROSSING\u003c\/strong\u003e is an author of settler heritage who has written thirteen books for kids and teens, including the picture books \u003cem\u003eOne Tiny Bubble\u003c\/em\u003e and \u003cem\u003eSour Cakes\u003c\/em\u003e, and the novels \u003cem\u003eMonster vs. Boy\u003c\/em\u003e and \u003cem\u003ePunch Like a Girl\u003c\/em\u003e. She has twice won the SCBWI Crystal Kite Award and has been a finalist for the Ontario Library Association White Pine Award, among other honors. She holds an MFA from Vermont College of Fine Arts, and she's on faculty at Whale Rock Literary Workshops. Karen lives in Toronto, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE NONFICTION \/ Places \/ Canada","BISACSubjectLiteral_1":"JUVENILE NONFICTION \/ History \/ Canada \/ General","BISACSubjectLiteral_2":"JUVENILE NONFICTION \/ Indigenous \/ Reconciliation","BISACSubject_0":"JNF038040","BISACSubject_1":"JNF025050","BISACSubject_2":"JNF076070","CommonCore":"CCSS.ELA-LITERACY.RL.1.3","ComplexityCode_0":"NC940L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAREN KROSSING\u003c\/strong\u003e is an author of settler heritage who has written thirteen books for kids and teens, including the picture books \u003cem\u003eOne Tiny Bubble\u003c\/em\u003e and \u003cem\u003eSour Cakes\u003c\/em\u003e, and the novels \u003cem\u003eMonster vs. Boy\u003c\/em\u003e and \u003cem\u003ePunch Like a Girl\u003c\/em\u003e. She has twice won the SCBWI Crystal Kite Award and has been a finalist for the Ontario Library Association White Pine Award, among other honors. She holds an MFA from Vermont College of Fine Arts, and she's on faculty at Whale Rock Literary Workshops. Karen lives in Toronto, Ontario.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eCATHIE JAMIESON\u003c\/strong\u003e is an Anishinaabe artist from the Mississaugas of the Credit First Nation with Haudenosaunee family ties to Six Nations. Her multidisciplinary art is based on storytelling from her Anishinaabe and Haudenosaunee identity. Themes in her work include history, the Dream Realm, traditional dancing, Clan Systems, natural elements, landscapes, figures, sounds and abstract forms. She now lives on Manitoulin Island in Wiikwemkoong Unceded Territory, where she practices land-based living.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Krossing, Karen (CA)","Contributor_1":"Jamieson, Cathie (CA)","Description":"\u003cp\u003e\u003cstrong\u003eHow many footsteps have walked your street in the past? \u003cem\u003eMy Street Remembers\u003c\/em\u003e peels back the history of one city street in North America to reveal the greater story of the land on which we live.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe story begins 14,000 years ago, when mammoths roamed the icefields, and the First Peoples followed their trail. Historically accurate illustrations show the lives of their descendants over thousands of years as they hunted and gathered food, built homes and celebrated together, until the 1600s, when Europeans arrived with settlers in their wake.\u003c\/p\u003e\n\u003cp\u003eIn lyrical text, the street remembers agreements to live in peace, the efforts of the British to take the land with unfair treaties, and the conflict and suffering that followed. The street recalls its naming, paving and the waves of immigrants who called it home. Illustrations of recent times depict Canada’s apology to Indigenous Peoples and efforts toward Truth and Reconciliation, including a march with a banner that reads: Every Child Matters.\u003c\/p\u003e\n\u003cp\u003eThis rich collaboration between author Karen Krossing, of White settler descent, and Anishinaabe artist Cathie Jamieson ends with a question that readers anywhere can ask—what does your street remember?\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003ebibliography\u003c\/p\u003e\n\u003cp\u003ecaptions\u003c\/p\u003e\n\u003cp\u003eexplanation\u003c\/p\u003e\n\u003cp\u003efacts\u003c\/p\u003e\n\u003cp\u003eflags\u003c\/p\u003e\n\u003cp\u003efurther information\u003c\/p\u003e\n\u003cp\u003ehistorical context\u003c\/p\u003e\n\u003cp\u003ehistorical note\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003eillustrator’s notes\u003c\/p\u003e\n\u003cp\u003esources\u003c\/p\u003e\n\u003cp\u003etimeline\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003c\/p\u003e\n\u003cp\u003eDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e","EAN":"9781773066363","Height":"8","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eauthor’s note;bibliography;captions;explanation;facts;flags;further information;historical context;historical note;illustrations;illustrator’s notes;sources;timeline;vignettes;writing inspiration\u003c\/p\u003e","MetaKeywords":"city life;placemaking;public space;demographics;gentrification;urban development; renewal; and decay;infrastructure;heritage and culture;immigration and emigration;ancestors;community;neighborhoods;street names;odonymy;streetonomics;Toronto; Ontario;East York;Danforth;Riverdale;Greek Town;North America;Canada and United States;confederation;pre-contact;pre-Colombian;ThinkCities;City of Neighbors","NumberOfPages":"48","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eWELL-RESEARCHED: A meticulously researched and illustrated history of a single city street (Danforth Avenue) in Toronto that reveals the greater story of the land on which it sits. Back matter for this book includes a historical note, a timeline, a list of sources, and notes from the author and illustrator.\u003c\/li\u003e\n\u003cli\u003eCOLLABORATIVE EFFORT: Author Karen Krossing, who is descended from Scottish settlers, and illustrator Cathie Jamieson, an Anishinaabe artist from the Mississaugas of the Credit First Nation, join forces to tell a story from the street's perspective.\u003c\/li\u003e\n\u003cli\u003eUNIVERSAL APPLICATIONS: This picture book helps to demonstrate key components of the primary Social Studies curriculum. While it tells a specific story, this book also provides an entire lesson plan on how to broaden research into the communities in which we live.\u003c\/li\u003e\n\u003cli\u003eNEW SERIES! \u003cem\u003eMy Street Remembers\u003c\/em\u003e is the first book in the Better Paths series, which explores our relationship and reconciliation with the natural world. This book will be followed by \u003cem\u003eMy Creek Speaks\u003c\/em\u003e and \u003cem\u003eThe Tree Who Owns Itself\u003c\/em\u003e, also written by Karen Krossing.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Impressive [and] well-researched. ... A historical account with a wholly original perspective.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“A thoughtful overview and reflection on the life and legacy of a busy street.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“A useful deep dive for kiddos questioning their physical place in the world.” — \u003cstrong\u003e\u003cem\u003eBulletin of the Center for Children’s Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“[Jamieson’s illustrations] are rich in symbolism and complement the pared-down text in which Krossing offers her own history with the land as a stand-in for many of our own.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Useful for the study of community history.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMy Street Remembers\u003c\/em\u003e peels back the history of a single city street in North America to reveal the greater story of the land on which we live.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"EPUB, fixed","PublicationDate":"2025-09-02","Publisher":"Groundwood Books Ltd","Series":"Better Paths","ShortDescription":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMy Street Remembers\u003c\/em\u003e peels back the history of a single city street in North America to reveal the greater story of the land on which we live.\u003c\/strong\u003e\u003c\/p\u003e","Width":"11","WidthCode":"in"}
ages 3
to 6
/ grades P
to 1
My Street Remembers
My Street Remembers peels back the history of a single city street in North America to reveal the greater story of the land on which we live.
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Illustrator Pierre Pratt is one of Canada's most acclaimed children's book illustrators. A three-time recipient of the Governor General's Award for Illustration, his work has received international praise.\u003c\/li\u003e\n\u003cli\u003eDREAM TEAM: With text featuring James Gladstone's lyrical yet distilled language, and exuberantly colorful illustrations by Pierre Pratt, young readers will find new details to pore over each time they return to \u003cem\u003eMy Subway Runs\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003eEVERYONE RIDES THE SUBWAY: Pierre Pratt's lively illustrations display the wide socioeconomic diversity of people that ride the subway every day, touching on social issues like people experiencing homelessness and unemployment.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“This beautiful gem offers simple joy and a dreamy glimpse into subway travel. A must-purchase to bring joy, movement, and poetic wonder to shelves.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Gladstone aptly conveys the physical sensations of subway travel. ... A vibrant vision of city life.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Celebrates the wonders of public transportation.” — \u003cstrong\u003e\u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eFor a young child, a subway journey is an eye-opening city-life experience. 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ages 3
to 6
/ grades P
to 1
My Subway Runs
For a young child, a subway journey is an eye-opening city-life experience. A story-poem from award-winning creators James Gladstone and Pierre Pratt.
Quick View
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A person walks their dog through the snow on the sidewalk.Text: My winter city holds early light around us a moment before sunrise, silent, still.","id":21764670947387,"position":2,"preview_image":{"aspect_ratio":1.502,"height":333,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_606880c9-71c0-4b83-9fe2-7c562c80051f.jpg?v=1647964851"},"aspect_ratio":1.502,"height":333,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_606880c9-71c0-4b83-9fe2-7c562c80051f.jpg?v=1647964851","width":500},{"alt":"It is snowing. Adults walk a crowded sidewalk in winter clothes with their heads out of frame. A child with light skin tone walks their dog in the snow. The child is wearing a snow suit and winter accessories. The adults are carrying briefcases and satchels. One carries a sled. Text: trudging, huffing creatures move at the sluggish speed of snow.","id":21764676747323,"position":3,"preview_image":{"aspect_ratio":1.502,"height":333,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f16d9082-edd0-46dc-bfb5-68fb01321bb9.jpg?v=1647964864"},"aspect_ratio":1.502,"height":333,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f16d9082-edd0-46dc-bfb5-68fb01321bb9.jpg?v=1647964864","width":500},{"alt":"It is snowing while people sled down a snowy hill. The hill is lined with trees. Behind the hill is a cityscape. A couple with dark skin tone sleds with their hands in the air. A child with light skin tone sleds with their dog. Two girls with light skin tone sled alone. More groups of people are sledding further up the hill. Text: My winter city is a deep-freeze vision of big icy sled hills and towers that rise up through far-away skies.","id":21764683366459,"position":4,"preview_image":{"aspect_ratio":1.502,"height":333,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0058694d-fe92-4ab0-a7b8-5f7d597263db.jpg?v=1647964879"},"aspect_ratio":1.502,"height":333,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0058694d-fe92-4ab0-a7b8-5f7d597263db.jpg?v=1647964879","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA boy, his father and their dog have a perfect day in a snowy city, illustrated by Governor General’s Literary Award winner Gary Clement.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA young boy wakes up in the early light of a winter morning, pulls on his boots and mittens, and steps out into the snowy city with his dad. They trudge through the snow, their dog bounding along beside them, then a slushy, steamy bus ride takes them to the tobogganing hill for some winter fun. The boy describes all the sights and sounds of the day, from the frost in Dad’s beard and the snow “pillows” in the park, to the noisy clunking snow plows and the singing buskers they pass on their way home. That night, the boy lies awake under cozy covers, reflecting on the day, as snow blankets the world outside his window.\u003c\/p\u003e\n\u003cp\u003eThis is winter in the city.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003e\nDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003cbr\u003e\n\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554984053","AlsoRecommendedISBN_1":"9781554987962","AlsoRecommendedISBN_3":"9781773061986","AlsoRecommendedISBN_4":"9781773061986","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"4","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"7","BASICMainSubject":"JUV032080","BASICMainSubjectLiteral":"JUVENILE FICTION\/Sports \u0026 Recreation\/Winter Sports","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJAMES GLADSTONE\u003c\/strong\u003e is the author of many highly acclaimed picture books, including \u003cem\u003eWhen Planet Earth Was New: A Short History of Our Planet’s Long Journey\u003c\/em\u003e, illustrated by Katherine Diemert (Norma Fleck Award finalist); \u003cem\u003eTurtle Pond\u003c\/em\u003e, illustrated by Karen Reczuch (Norma Fleck Award); \u003cem\u003eMy Winter City\u003c\/em\u003e, illustrated by Gary Clement (Globe 100 List); and \u003cem\u003eJourney Around the Sun: The Story of Halley’s Comet\u003c\/em\u003e, illustrated by Yaara Eshet (Sheila Barry Best Canadian Picture Book of the Year finalist). James lives in Toronto, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Sports \u0026amp; Recreation \/ Winter Sports","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Concepts \/ Seasons","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Lifestyles \/ City \u0026amp; Town Life","BISACSubject_0":"JUV032080","BISACSubject_1":"JUV009100","BISACSubject_2":"JUV023000","CommonCore":"CCSS.ELA-LITERACY.RL.1.7","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.3","ComplexityCode_0":"N","ComplexityCode_1":"N","ComplexityCode_2":"AD940L","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdentifier_2":"06","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_2":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJAMES GLADSTONE\u003c\/strong\u003e is the author of many highly acclaimed picture books, including \u003cem\u003eWhen Planet Earth Was New: A Short History of Our Planet’s Long Journey\u003c\/em\u003e, illustrated by Katherine Diemert (Norma Fleck Award finalist); \u003cem\u003eTurtle Pond\u003c\/em\u003e, illustrated by Karen Reczuch (Norma Fleck Award); \u003cem\u003eMy Winter City\u003c\/em\u003e, illustrated by Gary Clement (Globe 100 List); and \u003cem\u003eJourney Around the Sun: The Story of Halley’s Comet\u003c\/em\u003e, illustrated by Yaara Eshet (Sheila Barry Best Canadian Picture Book of the Year finalist). James lives in Toronto, Ontario.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eGARY CLEMENT\u003c\/strong\u003e is an award-winning author and illustrator. He has won the Governor General’s Award (Illustration) for \u003cem\u003eThe Great Poochini\u003c\/em\u003e and was a finalist for the Governor General’s Award (Illustration) for \u003cem\u003eJust Stay Put\u003c\/em\u003e, and \u003cem\u003eOy, Feh, So\u003c\/em\u003e by Cary Fagan. He has also illustrated \u003cem\u003eA Coyote Solstice Tale\u003c\/em\u003e by Thomas King and \u003cem\u003eStories from Adam and Eve to Ezekiel\u003c\/em\u003e by Celia Barker Lottridge. He is the editorial cartoonist for the \u003cem\u003eNational Post\u003c\/em\u003e, and his work has appeared in the \u003cem\u003eNew York Times\u003c\/em\u003e and the \u003cem\u003eWall Street Journal\u003c\/em\u003e. Gary lives in Toronto where he regularly exhibits his drawings and paintings.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Gladstone, James (CA)","Contributor_1":"Clement, Gary (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA boy, his father and their dog have a perfect day in a snowy city, illustrated by Governor General’s Literary Award winner Gary Clement.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA young boy wakes up in the early light of a winter morning, pulls on his boots and mittens, and steps out into the snowy city with his dad. They trudge through the snow, their dog bounding along beside them, then a slushy, steamy bus ride takes them to the tobogganing hill for some winter fun. The boy describes all the sights and sounds of the day, from the frost in Dad’s beard and the snow “pillows” in the park, to the noisy clunking snow plows and the singing buskers they pass on their way home. That night, the boy lies awake under cozy covers, reflecting on the day, as snow blankets the world outside his window.\u003c\/p\u003e\n\u003cp\u003eThis is winter in the city.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.3\u003cbr\u003e\nDescribe characters, settings, and major events in a story, using key details.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003cbr\u003e\n\u003c\/p\u003e","EAN":"9781773062761","Height":"12.5","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"CC Literature Integration of Knowledge and Ideas;grade 1;grade 2;Globe 100 Best Books;Toronto;Allan Gardens;Greenwood Park;children's books on city life;urban life; TTC;streetcar;public transportation;New York Times Book Review;winter sports;discovery and adventure;playing outdoors;ice sports;bedtime story;readaloud;read aloud;Canadian winter;winter fun","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePERFECT INTRO TO POETRY:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eJames Gladstone’s poem describes a perfect winter day in the city through evocative, playful language. A delight to read aloud, educators can use the poem as an introduction to poetry for young children with its simple, effective use of metaphor, simile, imagery and alliteration.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED ILLUSTRATOR:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eGary Clement won the Governor General’s Literary Award, Canada’s most prominent children’s book award, for his illustrations in The Great Poochini, and his work has been featured in the New York Times and the Wall Street Journal. In \u003cem\u003eMy Winter City\u003c\\\/em\u003e, Clement’s stunning full-spread illustrations give us the sweep of the city — each one is a masterpiece — and show the fun and companionship shared by a boy, his father and their dog.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eSWEET FATHER-SON RELATIONSHIP:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eThe book features the strong relationship between a father and son.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eCurriculum connections include language arts \\\/ poetry, social studies \\\/ city life, and science \\\/ seasons.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003ePERFECT INTRO TO POETRY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eJames Gladstone’s poem describes a perfect winter day in the city through evocative, playful language. A delight to read aloud, educators can use the poem as an introduction to poetry for young children with its simple, effective use of metaphor, simile, imagery and alliteration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED ILLUSTRATOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eGary Clement won the Governor General’s Literary Award, Canada’s most prominent children’s book award, for his illustrations in The Great Poochini, and his work has been featured in the New York Times and the Wall Street Journal. In \u003cem\u003eMy Winter City\u003c\/em\u003e, Clement’s stunning full-spread illustrations give us the sweep of the city — each one is a masterpiece — and show the fun and companionship shared by a boy, his father and their dog.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSWEET FATHER-SON RELATIONSHIP:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe book features the strong relationship between a father and son.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum connections include language arts \/ poetry, social studies \/ city life, and science \/ seasons.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A delicious, snow-filled slice of life.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003e“This lovely tribute to urban wintertime is oversize, and Clement’s cheerful watercolor art takes full advantage. … Observant little ones can pore over these pages for a long time, noticing each well-observed detail of wintertime city life.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"New York Times","OtherText_Review_2":"\u003cp\u003e“Gladstone … poetically speaks to the city’s snowy appearance … Clement’s illustrations are chockablock with urban details.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"CM: Canadian Review of Materials","OtherText_ShortDescription_0":"A boy, his father and their dog have a perfect day in a snowy city, illustrated by Governor General's Literary Award winner Gary Clement.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Short-listed","PrizeCode_0":"03","PrizeCode_1":"04","PrizeName_0":"Globe 100 List","PrizeName_1":"Elizabeth-Mrazik Cleaver Award","PrizeYear_0":"2019","PrizeYear_1":"2019","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2019-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A boy, his father and their dog have a perfect day in a snowy city, illustrated by Governor General's Literary Award winner Gary Clement.","Width":"9.375","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
My Winter City
A boy, his father and their dog have a perfect day in a snowy city, illustrated by Governor General's Literary Award winner Gary Clement.
Quick View
{"id":7299167354939,"title":"Myth","handle":"myth","description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","published_at":"2024-08-29T17:50:22-04:00","created_at":"2024-08-29T17:44:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Mason Pierre Terese","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820379906107,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013042","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Myth - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":204,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013042","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820379971643,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013059","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Myth - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013059","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","options":["Title"],"media":[{"alt":"Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.","id":24981738094651,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487010720","AlsoRecommendedISBN_1":"9781487011826","AlsoRecommendedISBN_2":"9781487012250","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e is a Toronto-based writer and editor whose work has appeared in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny Magazine\u003c\/em\u003e, and \u003cem\u003eFantasy Magazine\u003c\/em\u003e, among others. One of ten winners of the Writers’ Trust McClelland \u0026 Stewart Journey Prize, she was named a Writers’ Trust Rising Star. Terese Mason Pierre is an editor at \u003cem\u003eAugur\u003c\/em\u003e, a Canadian journal of speculative literature, and the author of \u003cem\u003eMyth\u003c\/em\u003e (House of Anansi Press), a collection of poetry.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE024000","BISACSubject_1":"POE000000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e is a Toronto-based writer and editor whose work has appeared in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny Magazine\u003c\/em\u003e, and \u003cem\u003eFantasy Magazine\u003c\/em\u003e, among others. One of ten winners of the Writers’ Trust McClelland \u0026 Stewart Journey Prize, she was named a Writers’ Trust Rising Star. Terese Mason Pierre is an editor at \u003cem\u003eAugur\u003c\/em\u003e, a Canadian journal of speculative literature, and the author of \u003cem\u003eMyth\u003c\/em\u003e (House of Anansi Press), a collection of poetry.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Mason Pierre, Terese (CA)","Description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","EAN":"9781487013059","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013059\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Magical Realism;Experimental Poetry;BIPOC Voices;Own Voices;BIPOC Poetry;Racialized experimental literature;Science Fiction;Speculative Fiction;Fantasy;Mythology;Jillian Christmas;Manahil Bandukwala;Monument;Cannibal;Safiya Sinclair;Who Will Bury You?;Chido Muchemwa;Chrysalis;Anuja Varghese;Creation of Half Broken People;Legend;Storytelling;SFF;Advocacy;As the Earth Dreams;Fugue with Bedbug;Can You Sign My Tentacle?;Anne-Marie Turza;Brandon O'Brien;The Gospel Of Breaking;Siphiwe Ndlovu","NumberOfPages":"120","OtherText_Accolades_0":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e is aptly titled for it is as vast as the word’s implication … The diaspora is indeed everywhere because, in Mason Pierre’s thrillingly versatile language, it is as large as the cosmos and as intimate as the soul.” —\u003cstrong\u003eWayde Compton, author of \u003cem\u003eThe Outer Harbour\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e closely captures the way historicity and futurity move through us, not cleanly, but repetitively, snagging us with waves of ‘coloured truth’ and ‘layered violence’.” —\u003cstrong\u003ePhoebe Wang, author of \u003cem\u003eWaking Occupations\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“In the world of these poems, the body is closer to the blue of the sky and grasp of the grass than it is in ordinary life … Once the poems have changed us, we might not be able to leave the world Terese Mason Pierre has made.” —\u003cstrong\u003eLarissa Lai, author of \u003cem\u003eThe Lost Century\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“This is poetry that swells, takes flight, and soars.”—\u003cstrong\u003eManahil Bandukwala, author of \u003cem\u003eMonument\u003c\/em\u003e and \u003cem\u003eHeliotropia\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4":"\u003cp\u003e“Lead by a voice that is reflective, poised, and self-assured, this is the kind of poetry that honours old tellings, that journeys to speculative imaginings.” —\u003cstrong\u003eWhitney French, editor, \u003cem\u003eBlack Writers Matter\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003ePierre is well known both as a poet and as an advocate for (racialized) speculative literature. Though not a collection of speculative poems, a number of the strongest pieces in the book fit that description. \u003c\/li\u003e\n\u003cli\u003eBecause of its style and subject matter, the book\/author will draw crossover interest with speculative and science fiction audiences (Pierre is already a prominent Canadian figure in those genres). \u003c\/li\u003e\n\u003cli\u003ePierre is a strong reader and will likely hand-sell a good number of books on her own. Terese is also the editor of the forthcoming anthology of black speculative writing, \u003cem\u003eAs the Earth Dreams\u003c\/em\u003e, Anansi, Spring 2025 (title and pub date TBC).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A startling, transformative collection.” \u003cstrong\u003e\u003cem\u003e— Winnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Through the magic of her words, \u003cem\u003eMyth\u003c\/em\u003e explores our relationships to land, trauma, self, ancestry and the future— and asks how myths can manifest themselves in our everyday lives.” — \u003cstrong\u003e\u003cem\u003eCanadian Living\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“These are poems as foundational as the earth or the ocean, offering sharp and astute first-person observational, declarative and descriptive lyrics … \u003cem\u003eMyth\u003c\/em\u003e is a striking and deeply complex debut.” \u003cstrong\u003e\u003cem\u003e— rob mclennan's blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“What distinguishes \u003cem\u003eMyth\u003c\/em\u003e is not only its formal inventiveness, but its philosophical reach … A sustained inquiry into how we come to know ourselves through distance—temporal, emotional, and otherwise.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“These invisible connective structures from the tangible practical world of magic, devil, gods and myth do something, fulfil something, cross a gap of ache in a broken world. Such world-building in poetry permits a larger canvas than the obvious and given.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"CBC Best Book of 2025","PrizeYear_0":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.75","WidthCode":"in"}
Myth
A CBC Best Book of 2025 The much-anticipated debut collection from the multi-talented Terese Mason Pierre.
