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Fiction, nonfiction and poetry by BIPOC authors to add to your reading list.
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{"id":7253951250491,"title":"Miss Kim Knows and Other Stories","handle":"miss-kim-knows-and-other-stories","description":"\u003cp\u003e\u003cstrong\u003eSearing stories that critique the gender pressures and injustices rife in modern Korea from the author of \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEight women. Eight stories. One reality.\u003c\/p\u003e\n\u003cp\u003eA woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again.\u003c\/p\u003e\n\u003cp\u003eWritten in Cho Nam-Joo’s masterful, razor-sharp prose, \u003cem\u003eMiss Kim Knows\u003c\/em\u003e brings together the lives of eight Korean women, aged ten to eighty. Contained in each of these sensational stories is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo’s precise, unveiled gaze, nothing and nobody escapes scrutiny—not even herself.\u003c\/p\u003e","published_at":"2024-07-03T11:58:40-04:00","created_at":"2024-04-19T15:53:49-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Short Stories","Anansi International","By (author) Nam-Joo Cho","Feminist Reads","pub date: 2024-09-17","Translated by Chang Jamie"],"price":1999,"price_min":1999,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41696368459835,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012120","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Miss Kim Knows and Other Stories - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2499,"weight":214,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012120","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41696370098235,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012137","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Miss Kim Knows and Other Stories - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012137","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e37b2b7-3454-453d-89b8-cb5d447965c3.jpg?v=1732971527"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e37b2b7-3454-453d-89b8-cb5d447965c3.jpg?v=1732971527","options":["Title"],"media":[{"alt":null,"id":24940956975163,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2475,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e37b2b7-3454-453d-89b8-cb5d447965c3.jpg?v=1732971527"},"aspect_ratio":0.667,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_2e37b2b7-3454-453d-89b8-cb5d447965c3.jpg?v=1732971527","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eSearing stories that critique the gender pressures and injustices rife in modern Korea from the author of \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEight women. Eight stories. One reality.\u003c\/p\u003e\n\u003cp\u003eA woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again.\u003c\/p\u003e\n\u003cp\u003eWritten in Cho Nam-Joo’s masterful, razor-sharp prose, \u003cem\u003eMiss Kim Knows\u003c\/em\u003e brings together the lives of eight Korean women, aged ten to eighty. Contained in each of these sensational stories is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo’s precise, unveiled gaze, nothing and nobody escapes scrutiny—not even herself.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003043","AlsoRecommendedISBN_1":"9781487011666","AlsoRecommendedISBN_3":"9781487012335","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION \/ Short Stories","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHO NAM-JOO\u003c\/strong\u003e is a former television scriptwriter who subverted the landscape of feminist discourse in Korea with her international bestseller, \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, which sold in twenty-five countries and was longlisted for the National Book Award. She graduated from the Department of Sociology of Ewha Womans University and is the author of the dystopian thriller \u003cem\u003eSaha\u003c\/em\u003e. She lives in South Korea.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ World Literature \/ Korea","BISACSubjectLiteral_2":"FICTION \/ Women","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC109000","BISACSubject_2":"FIC044000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHO NAM-JOO\u003c\/strong\u003e is a former television scriptwriter who subverted the landscape of feminist discourse in Korea with her international bestseller, \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, which sold in twenty-five countries and was longlisted for the National Book Award. She graduated from the Department of Sociology of Ewha Womans University and is the author of the dystopian thriller \u003cem\u003eSaha\u003c\/em\u003e. She lives in South Korea.\u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJAMIE CHANG\u003c\/strong\u003e is an award-winning translator and teaches at the Ewha Womans University in Seoul, South Korea.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Nam-Joo, Cho","Contributor_1":"Chang, Jamie","Description":"\u003cp\u003e\u003cstrong\u003eSearing stories that critique the gender pressures and injustices rife in modern Korea from the author of \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEight women. Eight stories. One reality.\u003c\/p\u003e\n\u003cp\u003eA woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again.\u003c\/p\u003e\n\u003cp\u003eWritten in Cho Nam-Joo’s masterful, razor-sharp prose, \u003cem\u003eMiss Kim Knows\u003c\/em\u003e brings together the lives of eight Korean women, aged ten to eighty. Contained in each of these sensational stories is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo’s precise, unveiled gaze, nothing and nobody escapes scrutiny—not even herself.\u003c\/p\u003e","EAN":"9781487012120","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012120\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.25","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"Red Velvet;South Korea;short book;feminism;translated;short stories;Chrysalis;Syrian Ladies Benevolent Society;Anuja Varghese;Christine Estima;internalized misogyny;cultural criticism;Saha;motherhood;gender descrimination;parenting;parent child relationships;family dynamics;death and grief","NumberOfPages":"224","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003e\u003cem\u003eMiss Kim Knows\u003c\/em\u003e is the sensational new book from Cho Nam-joo, the internationally bestselling and highly acclaimed author of \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e. \u003c\/li\u003e\n\u003cli\u003eWomen worldwide can relate to Cho Nam-joo's compassionate and unflinching depiction of the plight of women in modern-day Korea. \u003c\/li\u003e\n\u003cli\u003eThis book continues the themes put forward in \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, which the \u003cem\u003eNew York Times\u003c\/em\u003e called a “cultural call to arms” for propelling a feminist wave and unleashing a debate about inequality, a novel so divisive that when a member of K-pop band Red Velvet revealed she’d read it, male music fans vowed to burn her photo. \u003c\/li\u003e\n\u003cli\u003eFor fans of Sayaka Murata, Hiromi Kawakami, or Anuja Varghese.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003e\u003cem\u003eMiss Kim Knows\u003c\/em\u003e is the sensational new book from Cho Nam-joo, the internationally bestselling and highly acclaimed author of \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e. \u003c\/li\u003e\n\u003cli\u003eWomen worldwide can relate to Cho Nam-joo's compassionate and unflinching depiction of the plight of women in modern-day Korea. \u003c\/li\u003e\n\u003cli\u003eThis book continues the themes put forward in \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, which the \u003cem\u003eNew York Times\u003c\/em\u003e called a “cultural call to arms” for propelling a feminist wave and unleashing a debate about inequality, a novel so divisive that when a member of K-pop band Red Velvet revealed she’d read it, male music fans vowed to burn her photo. \u003c\/li\u003e\n\u003cli\u003eFor fans of Sayaka Murata, Hiromi Kawakami, or Anuja Varghese.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Despite her characters’ hardships and disappointments, there is mischief and glee to be found in these pages.\" — \u003cstrong\u003e\u003cem\u003eThe Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"The Guardian","OtherText_Review_1":"\u003cp\u003e“A precise, cutting portrayal of societal misogyny.” — \u003cstrong\u003e\u003cem\u003eThe Atlantic\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\u003cem \u003e“\u003c\/em\u003eFueled by a palpable sense of rebellion. Taken together, the chorus of voices produces a stirring feminist anthem.” — \u003cstrong \u003e\u003cem\u003ePublisher’s Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“This subtle collection is elegant, honest, and empowering.\" — \u003cstrong\u003e\u003cem\u003eKirkus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“These brief stories pack quite a bit into their narratives.” — \u003cstrong\u003e\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Compelling narratives featuring ordinary people … [Cho Nam-Joo] is sensitive to her characters’ anger and frustrations, contrasting their emotional intensity with the ordinary nature of pedestrian difficulties and discriminations.” — \u003cstrong\u003e\u003cem\u003eAsymptote Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eSearing stories that critique the gender pressures and injustices rife in modern Korea from the author of \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-09-17","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eSearing stories that critique the gender pressures and injustices rife in modern Korea from the author of \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.5","WidthCode":"in"}
Miss Kim Knows and Other Stories
Searing stories that critique the gender pressures and injustices rife in modern Korea from the author of Kim Jiyoung, Born 1982
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{"id":6983307657275,"title":"My Grief, the Sun","handle":"my-grief-the-sun","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","published_at":"2022-09-13T17:34:15-04:00","created_at":"2022-09-13T17:04:07-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Wani Sanna","House of Anansi Press","pub date: 2022-04-05"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780552732731,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010843","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":214,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010843","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40780553420859,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010850","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010850","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","options":["Title"],"media":[{"alt":null,"id":24712606679099,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a33c88e1-bdb9-4d50-a024-25dc1833934e.jpg?v=1721967007","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005771","AlsoRecommendedISBN_1":"9781487008710","AlsoRecommendedISBN_2":"9781487009465","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003cem\u003eBrick, Poem-A-Day (\u003c\/em\u003epoets.org\u003cem\u003e),\u003c\/em\u003e and \u003cem\u003eBest Canadian Poetry 2020. \u003c\/em\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE024000","BISACSubject_1":"POE023000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003cem\u003eBrick, Poem-A-Day (\u003c\/em\u003epoets.org\u003cem\u003e),\u003c\/em\u003e and \u003cem\u003eBest Canadian Poetry 2020. \u003c\/em\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Wani, Sanna (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Trillium Book Award for Poetry \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalist, Gerald Lampert Memorial Award\u003cbr\u003e\nThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film \u003cem\u003ePrincess Mononoke \u003c\/em\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir, \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e undoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e","EAN":"9781487010850","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010850\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"billy ray belcourt;intruder bardia sinaee;imagery;poets to watch;billy ray belcourt;india;pakistan;inspirational quotes;healing;canadian poetry","NumberOfPages":"112","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eAnticipated debut from a talented young poet.\u003c\/li\u003e\n\u003cli\u003eWani is poet living in and writing about the timely issue of Kashmir; she has written about the region in both poetry and prose, including an essay in Time magazine.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eWani has put her entire self—all her grief, all her unexpressed love, and poured it into this white and yellow bound gift for those of us who need it the most—the grief-stricken, filled to the brim with endless love.\u003c\/p\u003e","OtherText_Review_0_Src":"Porter House Review","OtherText_Review_1":"\u003cp\u003eBeautiful and fresh ... this is a collection that finds delight in life, and its delight is contagious in the best way.\u003c\/p\u003e","OtherText_Review_1_Src":"The Miramichi Reader","OtherText_Review_2":"\u003cp\u003eSanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e makes such a convincing case for astonishment as a way of life. Each poem enveloped me with so much tenderness it was as if \u003cem\u003eI \u003c\/em\u003ewere the sun! The theological music that courses throughout the book was not a narrowing toward some esoteric knowledge but rather an opening toward a collective sense of enmeshment with the inscrutable world. This book is a necessary reminder that ‘there is something inside \/ [us] that says live.’ \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e is a wonder and a delight.\u003c\/p\u003e","OtherText_Review_2_Auth":"Billy-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms","OtherText_Review_3":"\u003cp\u003eMapping us through time, space, and geography, Sanna Wani’s debut collection \u003cem \u003eMy Grief, the Sun\u003c\/em\u003e spins a web of various griefs and loves. As visual as it is lyrical, Wani announces herself as a poet who pushes the experimentation of form forward, taking bold risks and literally reinventing the way that we see language. ‘A mosque is always directed toward Mecca. A dome does not have orientation unless it is toward the sky,’ Wani writes, and pointing her eyes to the sky, and with incredible vision, makes even the tiniest detail visible.\u003c\/p\u003e","OtherText_Review_3_Auth":"Fatimah Asghar, author of If They Come for Us","OtherText_Review_4":"\u003cp\u003eI read Sanna Wani’s \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e with a highlighter in my hand, and by the time I was done, it was nearly out of ink. I could not stop loving lines, wanting to be sure I remembered them always. They progress with such sureness into marvelous and unexpected directions: ‘God climbs so many trees. Religion is a ladder. We are meant to help Him down.’ Over and over, Wani practices the act of artful surrender to each poem’s strange, budding logic. That she can do so with such apparent ease is astonishing. That we get to witness the places her gorgeous poems take her is a profound gift. I’m wonderstruck.\u003c\/p\u003e","OtherText_Review_4_Auth":"Heather Christle, author of Heliopause and The Trees The Trees","OtherText_Review_5":"\u003cp\u003eSlipping gracefully between subjects as disparate as pop culture and theology, while maintaining her recognizably disarming mix of poignancy and sweetness, Wani’s formal approaches in \u003cem \u003eMy Grief, the Sun\u003c\/em\u003e are … hard to look away from, with surprise after surprise appearing on each successive page.\u003c\/p\u003e","OtherText_Review_5_Src":"CAROUSEL","OtherText_Review_6":"\u003cp\u003eIn \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e, Sanna Wani unlocks a door for her readers, invites them to be open-hearted—to be vulnerable and curious—meditating on the ways in which love, longing, grief, distance, and faith can live together inside a person’s body and soul.\u003c\/p\u003e","OtherText_Review_6_Src":"Herizons","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"01","PrizeName_0":"LCP Gerald Lampert Memorial Award","PrizeName_1":"LCP Pat Lowther Memorial Award","PrizeName_2":"Ontario Trillium Award for Poetry","PrizeYear_0":"2023","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"epub","PublicationDate":"2022-04-05","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","Width":"6","WidthCode":"in"}
My Grief, the Sun
The highly anticipated debut collection from acclaimed poet Sanna Wani.
Quick View
{"id":7294242488379,"title":"My Grief, the Sun: Special Edition","handle":"my-grief-the-sun-special-edition","description":"\u003cp\u003e\u003cstrong\u003eThis specially designed and bound hardcover First Edition of Sanna Wani’s award-winning debut poetry collection\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis limited to 50 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrincess Mononoke\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eundoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e\n\u003c!----\u003e","published_at":"2024-07-29T13:57:37-04:00","created_at":"2024-07-29T12:25:51-04:00","vendor":"House of Anansi Press","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Wani Sanna","House of Anansi Press"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41786244726843,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"MGTS-SE(9781487013608)","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun: Special Edition - hardcover","public_title":"hardcover","options":["hardcover"],"price":3500,"weight":316,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632","options":["Title"],"media":[{"alt":"A photo of the book My Grief, the Sun on a wooden table. The book is yellow hardcover edition. A bird with a quarter-complete circle behind it is drawn on the cover in blue, and the title is in blue cursive below the image. ","id":24715164090427,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2098,"width":2098,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632"},"aspect_ratio":1.0,"height":2098,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632","width":2098}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis specially designed and bound hardcover First Edition of Sanna Wani’s award-winning debut poetry collection\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis limited to 50 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrincess Mononoke\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eundoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e\n\u003c!----\u003e"}
{"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487009465","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003ci\u003eBrick, Poem-A-Day (\u003c\/i\u003epoets.org\u003ci\u003e),\u003c\/i\u003e and \u003ci\u003eBest Canadian Poetry 2020. \u003c\/i\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003ci\u003eBrick, Poem-A-Day (\u003c\/i\u003epoets.org\u003ci\u003e),\u003c\/i\u003e and \u003ci\u003eBest Canadian Poetry 2020. \u003c\/i\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Wani, Sanna (CA)","EAN":"9781487010843","OtherText_Review_0":"Wani has put her entire self—all her grief, all her unexpressed love, and poured it into this white and yellow bound gift for those of us who need it the most—the grief-stricken, filled to the brim with endless love.","OtherText_Review_0_Src":"Porter House Review","OtherText_Review_1":"Beautiful and fresh ... this is a collection that finds delight in life, and its delight is contagious in the best way.","OtherText_Review_1_Src":"The Miramichi Reader","OtherText_Review_2":"\u003cp\u003eSanna Wani’s \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e makes such a convincing case for astonishment as a way of life. Each poem enveloped me with so much tenderness it was as if \u003ci\u003eI \u003c\/i\u003ewere the sun! The theological music that courses throughout the book was not a narrowing toward some esoteric knowledge but rather an opening toward a collective sense of enmeshment with the inscrutable world. This book\u0026nbsp;is a necessary reminder that ‘there is something inside \/ [us] that says live.’ \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e is a wonder and a delight.\u003c\/p\u003e","OtherText_Review_2_Auth":"Billy-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms","OtherText_Review_3":"\u003cp\u003eMapping us through time, space, and geography, Sanna Wani’s debut collection \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e spins a web of various griefs and loves. As visual as it is lyrical, Wani announces herself as a poet who pushes the experimentation of form forward, taking bold risks and literally reinventing the way that we see language. ‘A mosque is always directed toward Mecca. A dome does not have orientation unless it is toward the sky,’ Wani writes, and pointing her eyes to the sky, and with incredible vision, makes even the tiniest detail visible.\u003c\/p\u003e","OtherText_Review_3_Auth":"Fatimah Asghar, author of If They Come for Us","OtherText_Review_4":"\u003cp\u003eI read Sanna Wani’s\u0026nbsp;\u003ci\u003eMy Grief, the Sun\u003c\/i\u003e\u0026nbsp;with a highlighter in my hand, and by the time I was done, it was nearly out of ink. I could not stop loving lines, wanting to be sure I remembered them always. They progress with such sureness into marvelous and unexpected directions: ‘God climbs so many trees. Religion is a ladder. We are meant to help Him down.’ Over and over, Wani practices the act of artful surrender to each poem’s strange, budding logic. That she can do so with such apparent ease is astonishing. That we get to witness the places her gorgeous poems take her is a profound gift. I’m wonderstruck.\u003c\/p\u003e","OtherText_Review_4_Auth":"Heather Christle, author of Heliopause and The Trees The Trees","OtherText_Review_5":"\u003cp\u003eSlipping gracefully between subjects as disparate as pop culture and theology, while maintaining her recognizably disarming mix of poignancy and sweetness, Wani’s formal approaches in\u0026nbsp;\u003ci\u003eMy Grief, the Sun\u003c\/i\u003e\u0026nbsp;are … hard to look away from, with surprise after surprise appearing on each successive page.\u003c\/p\u003e","OtherText_Review_5_Src":"CAROUSEL","OtherText_Review_6":"\u003cp\u003eIn \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e, Sanna Wani unlocks a door for her readers, invites them to be open-hearted—to be vulnerable and curious—meditating on the ways in which love, longing, grief, distance, and faith can live together inside a person’s body and soul.\u003c\/p\u003e","OtherText_Review_6_Src":"Herizons","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"01","PrizeName_0":"LCP Gerald Lampert Memorial Award","PrizeName_1":"LCP Pat Lowther Memorial Award","PrizeName_2":"Ontario Trillium Award for Poetry","PrizeYear_0":"2023","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003ehardcover\u003c\/span\u003e\u003c\/p\u003e","PublicationDate":"2022-04-05","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e"}
My Grief, the Sun: Special Edition
The highly anticipated debut collection from acclaimed poet Sanna Wani.
Quick View
{"id":7299167354939,"title":"Myth","handle":"myth","description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","published_at":"2024-08-29T17:50:22-04:00","created_at":"2024-08-29T17:44:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Mason Pierre Terese","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820379906107,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013042","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Myth - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":204,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013042","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820379971643,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013059","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Myth - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013059","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","options":["Title"],"media":[{"alt":null,"id":24981738094651,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7f3b452e-e87c-4632-82cf-4eaa1a59855a.jpg?v=1736550306","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487010720","AlsoRecommendedISBN_1":"9781487011826","AlsoRecommendedISBN_2":"9781487012250","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e (she\/her) is a writer, poet, and editor whose work has appeared in the \u003cem\u003eWalrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny\u003c\/em\u003e, and \u003cem\u003eYear’s Best Canadian Fantasy and Science Fiction\u003c\/em\u003e. Her work has been nominated for the bpNichol Chapbook Award, Best of the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She is one of ten winners of the Writers’ Trust Journey Prize and was named a Writers’ Trust Rising Star. Terese is the chief programming officer at Augur, a speculative arts nonprofit, and co-director of AugurCon, Augur’s biennial speculative arts conference. Terese lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Canadian","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE024000","BISACSubject_1":"POE011000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eTERESE MASON PIERRE\u003c\/strong\u003e (she\/her) is a writer, poet, and editor whose work has appeared in the \u003cem\u003eWalrus\u003c\/em\u003e, \u003cem\u003eROOM\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eUncanny\u003c\/em\u003e, and \u003cem\u003eYear’s Best Canadian Fantasy and Science Fiction\u003c\/em\u003e. Her work has been nominated for the bpNichol Chapbook Award, Best of the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She is one of ten winners of the Writers’ Trust Journey Prize and was named a Writers’ Trust Rising Star. Terese is the chief programming officer at Augur, a speculative arts nonprofit, and co-director of AugurCon, Augur’s biennial speculative arts conference. Terese lives in Toronto.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Mason Pierre, Terese (CA)","Description":"\u003cp\u003e\u003cem\u003eMyth\u003c\/em\u003e, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in \u003cem\u003eMyth\u003c\/em\u003e move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod \/ at the ocean \/ the ocean does \/ what it always does \/ trusts the moon completely.”\u003c\/p\u003e\n\u003cp\u003eFriends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue\/create futures that honour our truths, histories and legacies?\u003c\/p\u003e","EAN":"9781487013059","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013059\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Magical Realism;Experimental Poetry;BIPOC Voices;Own Voices;BIPOC Poetry;Racialized experimental literature;Science Fiction;Speculative Fiction;Fantasy;Mythology;Jillian Christmas;Manahil Bandukwala;Monument;Cannibal;Safiya Sinclair;Who Will Bury You?;Chido Muchemwa;Chrysalis;Anuja Varghese;Creation of Half Broken People","NumberOfPages":"120","OtherText_Accolades_0":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e is aptly titled for it is as vast as the word’s implication … The diaspora is indeed everywhere because, in Mason Pierre’s thrillingly versatile language, it is as large as the cosmos and as intimate as the soul.” —\u003cstrong\u003eWayde Compton, author of \u003cem\u003eThe Outer Harbour\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“\u003cem\u003eMyth\u003c\/em\u003e closely captures the way historicity and futurity move through us, not cleanly, but repetitively, snagging us with waves of ‘coloured truth’ and ‘layered violence’.” —\u003cstrong\u003ePhoebe Wang, author of \u003cem\u003eWaking Occupations\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“In the world of these poems, the body is closer to the blue of the sky and grasp of the grass than it is in ordinary life … Once the poems have changed us, we might not be able to leave the world Terese Mason Pierre has made.” —\u003cstrong\u003eLarissa Lai, author of \u003cem\u003eThe Lost Century\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“This is poetry that swells, takes flight, and soars.”—\u003cstrong\u003eManahil Bandukwala, author of \u003cem\u003eMonument\u003c\/em\u003e and \u003cem\u003eHeliotropia\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4":"\u003cp\u003e“Lead by a voice that is reflective, poised, and self-assured, this is the kind of poetry that honours old tellings, that journeys to speculative imaginings.” —\u003cstrong\u003eWhitney French, editor, \u003cem\u003eBlack Writers Matter\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003ePierre is well known both as a poet and as an advocate for (racialized) speculative literature. Though not a collection of speculative poems, a number of the strongest pieces in the book fit that description. \u003c\/li\u003e\n\u003cli\u003eBecause of its style and subject matter, the book\/author will draw crossover interest with speculative and science fiction audiences (Pierre is already a prominent Canadian figure in those genres). \u003c\/li\u003e\n\u003cli\u003ePierre is a strong reader and will likely hand-sell a good number of books on her own. Terese is also the editor of the forthcoming anthology of black speculative writing, \u003cem\u003eAs the Earth Dreams\u003c\/em\u003e, Anansi, Spring 2025 (title and pub date TBC).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“These are poems as foundational as the earth or the ocean, offering sharp and astute first-person observational, declarative and descriptive lyrics … \u003cem\u003eMyth\u003c\/em\u003e is a striking and deeply complex debut.” \u003cstrong\u003e\u003cem\u003e— rob mclennan's blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe much-anticipated debut collection from the multi-talented Terese Mason Pierre.\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.75","WidthCode":"in"}
Myth
The much-anticipated debut collection from the multi-talented Terese Mason Pierre.
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{"id":6661081694267,"title":"Narinjah (The Bitter Orange Tree)","handle":"narinjah-the-bitter-orange-tree","description":"\u003cp\u003e\u003cstrong\u003eThe eagerly awaited new novel by the winner of the Man Booker International Prize, \u003cem\u003eNarinjah (The Bitter Orange Tree)\u003c\/em\u003e is an extraordinary tale of one young Omani woman building a life for herself in Britain and reflecting on the relationships that have made her.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\nZuhur, an Omani student at a British university, is caught between the past and the present. As she attempts to form friendships and assimilate in Britain, she can’t help but ruminate on the relationships that have been central to her life. Most prominent is her strong emotional bond with Bint Amir, a woman she always thought of as her grandmother, who passed away just after Zuhur left the Arabian Peninsula.\u003cbr\u003e\r\nAs the historical narrative of Bint Amir’s challenged circumstances unfurls in captivating fragments, so too does Zuhur’s isolated and unfulfilled present, one narrative segueing into another as time slips and dreams mingle with memories.\u003cbr\u003e\r\n\u003cem\u003eNarinjah (The Bitter Orange Tree) \u003c\/em\u003eis a profound exploration of social status, wealth, desire, and female agency. It presents a mosaic portrait of one young woman’s attempt to understand the roots she has grown from, and to envisage an adulthood in which her own power and happiness might find the freedom necessary to bear fruit and flourish.\u003cbr\u003e\r\n\u003c\/p\u003e","published_at":"2021-09-23T08:59:14-04:00","created_at":"2021-09-23T08:54:46-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Anansi International","By (author) Alharthi Jokha","Literary Fiction","pub date: 2022-05-10","Translated by Booth Marilyn"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39647197462587,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007768","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Narinjah (The Bitter Orange Tree) - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":242,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007768","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39647198019643,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007775","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Narinjah (The Bitter Orange Tree) - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007775","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b89d2b6d-c9c4-4245-9224-c7d281911113.jpg?v=1655628445"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b89d2b6d-c9c4-4245-9224-c7d281911113.jpg?v=1655628445","options":["Title"],"media":[{"alt":null,"id":22243507109947,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2475,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b89d2b6d-c9c4-4245-9224-c7d281911113.jpg?v=1655628445"},"aspect_ratio":0.667,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_b89d2b6d-c9c4-4245-9224-c7d281911113.jpg?v=1655628445","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe eagerly awaited new novel by the winner of the Man Booker International Prize, \u003cem\u003eNarinjah (The Bitter Orange Tree)\u003c\/em\u003e is an extraordinary tale of one young Omani woman building a life for herself in Britain and reflecting on the relationships that have made her.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\nZuhur, an Omani student at a British university, is caught between the past and the present. As she attempts to form friendships and assimilate in Britain, she can’t help but ruminate on the relationships that have been central to her life. Most prominent is her strong emotional bond with Bint Amir, a woman she always thought of as her grandmother, who passed away just after Zuhur left the Arabian Peninsula.\u003cbr\u003e\r\nAs the historical narrative of Bint Amir’s challenged circumstances unfurls in captivating fragments, so too does Zuhur’s isolated and unfulfilled present, one narrative segueing into another as time slips and dreams mingle with memories.\u003cbr\u003e\r\n\u003cem\u003eNarinjah (The Bitter Orange Tree) \u003c\/em\u003eis a profound exploration of social status, wealth, desire, and female agency. It presents a mosaic portrait of one young woman’s attempt to understand the roots she has grown from, and to envisage an adulthood in which her own power and happiness might find the freedom necessary to bear fruit and flourish.\u003cbr\u003e\r\n\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487006020","AlsoRecommendedISBN_1":"9781487006471","AlsoRecommendedISBN_4":"9781487007904","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong \u003eJOKHA ALHARTHI\u003c\/strong\u003e is the first Omani woman to have a novel translated into English. Her previous novel, \u003cem \u003eCelestial Bodies\u003c\/em\u003e, was the first book translated from the Arabic to win the Man Booker International Prize. Alharthi is the author of three previous collections of short fiction, three children’s books, and three novels in Arabic. \u003cem \u003eNarinjah (The Bitter Orange Tree) \u003c\/em\u003ereceived the Sultan Qaboos Award for Culture, Art, and Literature. She completed a Ph.D. in Classical Arabic poetry in Edinburgh and teaches at Sultan Qaboos University in Muscat.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Women","BISACSubjectLiteral_2":"FICTION \/ World Literature \/ Middle East \/ Arabian Peninsula","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC044000","BISACSubject_2":"FIC111010","ContributorBio_0":"\u003cp\u003e\u003cstrong \u003eJOKHA ALHARTHI\u003c\/strong\u003e is the first Omani woman to have a novel translated into English. Her previous novel, \u003cem \u003eCelestial Bodies\u003c\/em\u003e, was the first book translated from the Arabic to win the Man Booker International Prize. Alharthi is the author of three previous collections of short fiction, three children’s books, and three novels in Arabic. \u003cem \u003eNarinjah (The Bitter Orange Tree) \u003c\/em\u003ereceived the Sultan Qaboos Award for Culture, Art, and Literature. She completed a Ph.D. in Classical Arabic poetry in Edinburgh and teaches at Sultan Qaboos University in Muscat.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong \u003eMARILYN BOOTH\u003c\/strong\u003e holds the Khalid bin Abdullah Al Saud Chair for the Study of the Contemporary Arab World, Oriental Institute, and Magdalen College, Oxford University. In addition to her academic publications, she has translated many works of fiction from Arabic, including Jokha Alharthi’s Man Booker International Prize–winning \u003cem \u003eCelestial Bodies\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Alharthi, Jokha","Contributor_1":"Booth, Marilyn","Description":"\u003cp\u003e\u003cstrong \u003eThe eagerly awaited new novel by the winner of the Man Booker International Prize, \u003cem\u003eNarinjah (The Bitter Orange Tree)\u003c\/em\u003e is an extraordinary tale of one young Omani woman building a life for herself in Britain and reflecting on the relationships that have made her.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\nZuhur, an Omani student at a British university, is caught between the past and the present. As she attempts to form friendships and assimilate in Britain, she can’t help but ruminate on the relationships that have been central to her life. Most prominent is her strong emotional bond with Bint Amir, a woman she always thought of as her grandmother, who passed away just after Zuhur left the Arabian Peninsula.\u003cbr\u003e\r\nAs the historical narrative of Bint Amir’s challenged circumstances unfurls in captivating fragments, so too does Zuhur’s isolated and unfulfilled present, one narrative segueing into another as time slips and dreams mingle with memories.\u003cbr\u003e\r\n\u003cem \u003eNarinjah (The Bitter Orange Tree) \u003c\/em\u003eis a profound exploration of social status, wealth, desire, and female agency. It presents a mosaic portrait of one young woman’s attempt to understand the roots she has grown from, and to envisage an adulthood in which her own power and happiness might find the freedom necessary to bear fruit and flourish.\u003cbr\u003e\r\n\u003c\/p\u003e\r\n","EAN":"9781487007768","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007768\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"oman;class dynamics;female friendships;female protagonist;immigration;belonging;identity;community;books in translation;international literature;creative writing","NumberOfPages":"224","OtherText_Accolades_0":"\u003cp\u003eIn probing history, challenging social status, questioning familial bonds and debts, Alharthi’s multilayered pages beautifully, achingly unveil the haunting aloneness of women’s experiences.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Jennifer Croft, author of Homesick and co-winner with Olga Tokarczuk of the International Booker Prize for Flights","OtherText_Accolades_0_Src":"Booklist, STARRED REVIEW","OtherText_Accolades_1":"\u003cp\u003eA rich and powerful novel that showcases the interplay between memory and emigration and the precariousness of sisterhood in a world that encourages the domination of men, told in a sumptuous and incisive translation by Marilyn Booth.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Jennifer Croft, author of Homesick and co-winner with Olga Tokarczuk of the International Booker Prize for Flights","OtherText_Accolades_2":"\u003cp\u003eJokha Alharthi is a remarkable writer for whom my admiration grows with each work. Watching the lives of Zuhour and Bint Amir unfurl within \u003cem \u003eNarinjah \u003c\/em\u003ewas a pleasure, and Alharthi’s prose in the capable hands of translator Marilyn Booth is as clear and refreshing as a cool glass of water.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sara Nović, author of America Is Immigrants","OtherText_Accolades_3":"\u003cp\u003eLyrical, elegiac, and poignant, a transcending read — like sitting by an open window at dusk as memories slip in, one by one, each radiating with life.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Akil Kumarasamy, author of Half Gods","OtherText_Accolades_4":"\u003cp\u003e\u003cem \u003eNarinjah \u003c\/em\u003eblazes with the strength of generations of Omani women — from the charcoal makers of the Arab gulf to the international students of a British residence hall. This mesmerizing novel is an illuminating, important work, and Jokha Alharthi points her pen at some of the most harrowing circumstances facing women and girls across the world. I am grateful to Marilyn Booth for her translation of this exquisite book.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Kali Fajardo-Anstine, author Sabrina \u0026amp; Corina","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eJokha Alharthi's Celestial Bodies was first ever novel originally written in Arabic to win the Man Booker International Prize.\u003c\/li\u003e\r\n\u003cli\u003eShe was also the first Omani woman to have a novel translated into English.\u003c\/li\u003e\r\n\u003cli\u003eThere has in incredible interest in immigrant and international stories, as demonstrated by the success of story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari. \u003c\/li\u003e\r\n\u003cli\u003eFor fans of prize-winning literary fiction; stories of immigration, belonging, and identity; stories about and for women.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n","OtherText_Review_0":"\u003cp\u003eA gorgeous and insightful story of longing … The bittersweet narrative, intuitively translated by Booth, is chock-full of indelible images … This solidifies Alharthi’s well-earned literary reputation.\u003c\/p\u003e","OtherText_Review_0_Src":"Publishers Weekly, STARRED REVIEW","OtherText_Review_1":"\u003cp\u003eAlharthi delivers an imaginative story. ... The slim novel is a bittersweet, non-linear exploration of social status and a young woman’s agency.\u003c\/p\u003e","OtherText_Review_1_Auth":"TIME","OtherText_Review_1_Src":"TIME","OtherText_Review_2":"\u003cp\u003e[\u003cem \u003eNarinjah\u003c\/em\u003e] offers plenty of detail about Omani life between world wars. ... It makes for evocative reading, helped by Booth’s translation. ... In Alharthi’s world, it’s not only the future that holds promise; the past has possibility and opportunities for revision, too.\u003c\/p\u003e","OtherText_Review_2_Auth":"Joumana Khatib, New York Times","OtherText_Review_3":"\u003cp\u003eAs with her acclaimed novel \u003cem \u003eCelestial Bodies\u003c\/em\u003e, Alharthi probes family relationships and picks at the frayed edges where the heart and society want different things. . . . Alharthi describes the Omani community and the family compound with sharp details, but her best renderings are of the characters’ interior lives.\u003c\/p\u003e","OtherText_Review_3_Auth":"Hadara","OtherText_Review_3_Src":"Hadara","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eFrom the winner of the Man Booker International Prize comes an extraordinary story of one young Omani woman building a life for herself in Britain.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2022-05-10","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003eFrom the winner of the Man Booker International Prize comes an extraordinary story of one young Omani woman building a life for herself in Britain.\u003c\/p\u003e\r\n","Width":"5.25","WidthCode":"in"}
Narinjah (The Bitter Orange Tree)
From the winner of the Man Booker International Prize comes an extraordinary story of one young Omani woman building a life for herself in Britain.
Quick View
{"id":6812109504571,"title":"NDN Coping Mechanisms","handle":"ndn-coping-mechanisms","description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","published_at":"2022-03-22T16:15:39-04:00","created_at":"2022-03-22T11:02:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Course Adoption","Adult LGBTQ+","Adult Poetry","Adult Starred Reviews","By (author) Belcourt Billy-Ray","House of Anansi Press","Literary Fiction","pub date: 2019-09-03"],"price":1695,"price_min":1695,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195473637435,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487005771","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487005771","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195478159419,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487005788","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005788","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195503521851,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007164","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007164","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","options":["Title"],"media":[{"alt":"A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.","id":22808187240507,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_1":"9781487002268","AlsoRecommendedISBN_2":"9781487003463","BASICMainSubject":"POE015000","BASICMainSubjectLiteral":"POETRY\\\/Native American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\\\/strong\u003e (he\\\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\\\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"POETRY \\\/ Native American","BISACSubjectLiteral_1":"POETRY \\\/ LGBT","BISACSubjectLiteral_2":"POETRY \\\/ Canadian \\\/ General","BISACSubject_0":"POE015000","BISACSubject_1":"POE021000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\\\/strong\u003e (he\\\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\\\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","Contributor_0":"Belcourt, Billy-Ray (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\\\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\\\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\\\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\\\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\\\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\\\/p\u003e","EAN":"9781487007164","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007164\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"ethnopoetics; not dead native; visceral; campy; ferocious; LGBTQ+; accessible poetry; sucker punch; decolonial; grief and desire; genre-bending; poetics; prose; uncompromising; Tina Fontaine; experimental verse; canlit; indigenous literature; critical theory; Finalist; Lambda Literary Award for Gay Poetry; Longlist; CBC Canada Reads; Library Journal Best Book; CBC Book of the Year; Library Journal; starred review; Griffin Poetry Prize","NumberOfPages":"112","OtherText_Accolades_0":"This brilliant book is endlessly giving, lingering in tight spaces within the forms of loneliness, showing us their contours. These poems do the necessary work of negotiating with the heart-killing present from which we imagine and make Indigenous futures. Every line feels like a possible way out of despair.","OtherText_Accolades_0_Auth":"Elissa Washuta, author of My Body Is a Book of Rules","OtherText_Accolades_1":"I believe I exist. \\\/ To live, one can be neither \\\/ more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.","OtherText_Accolades_1_Auth":"TC Tolbert, author of Gephyromania","OtherText_Accolades_2":"NDN Coping Mechanisms is a haunting book that dreams a new world — a ‘holy place filled with NDN girls, hair wet with utopia’ — as it simultaneously excoriates the world that ‘is a wound’ and the historic and present modalities of violence against Indigenous peoples under Canadian settler colonialism. Belcourt considers the genocidal nation-state, queerness, and the limits and potential of representation, often through a poetic\\\/scholarly lineage that includes Leanne Betasamosake Simpson, Saidiya Hartman, Anne Boyer, José Esteban Muñoz, Christina Sharpe, and Gwen Benaway, among others. This is the beautiful achievement of NDN Coping Mechanisms: Belcourt conjures a sovereign literary space that refuses white sovereignty and is always already in relation to the ideas of the foremost decolonial poets and thinkers of Turtle Island.","OtherText_Accolades_2_Auth":"Mercedes Eng, author of Prison Industrial Complex Explodes","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eWINNER OF THE GRIFFIN POETRY PRIZE:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eBilly-Ray Belcourt made history as the youngest-ever winner of the Griffin Poetry Prize for his previous collection, \u003cem\u003eThis Wound is a World.\u003c\\\/em\u003e\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eAWARD WINNING DEBUT COLLECTION:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eBelcourt’s debut collection \u003cem\u003eThis Wound is a World\u003c\\\/em\u003e was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It also won the Robert Kroetsch City of Edmonton Book Prize, and was a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eLGBTQ POETRY:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eAs with his first book, \u003cem\u003eNDN Coping Mechanisms\u003c\\\/em\u003e will appeal not only to fans of raw, emotionally direct lyric and confessional poetry, but also to readers of contemporary ethnopoetics and queer literary theory.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eTHE NEW WAVE OF INDIGENOUS POETS:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eBelcourt is among the leaders of a new wave of young and extremely talented and provocative group of Indigenous writers, a list that includes Leanne Betasamosake Simpson, Katherena Vermette, Jason Stefanik, and Jordan Abel in Canada and Layli Long Soldier, Natalie Diaz, and Craig Santos Perez in the U.S.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"For all the ferocious energy and one-two punch of language here, this is also a concentrated, beautifully managed work.","OtherText_Review_0_Src":"Library Journal","OtherText_Review_1":"Both intellectual and visceral, these poems dazzle with metaphoric richness and striking lyricism.","OtherText_Review_1_Src":"Toronto Star","OtherText_Review_2":"A masterful blend of the personal and the political, the ephemeral and the corporeal, the theoretical and the emotional.","OtherText_Review_2_Src":"Quill and Quire","OtherText_Review_3":"An impressive follow-up to his first book.","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"Playful, candid, and campy.","OtherText_Review_4_Src":"Prairie Books NOW","OtherText_ShortDescription_0":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"03","PrizeName_0":"Stephan G. Stephansson Award for Poetry","PrizeName_1":"Robert Kroetsch City of Edmonton Book Prize","PrizeName_2":"Lambda Literary Award for Gay Poetry","PrizeName_3":"Raymond Souster Award","PrizeName_4":"A Library Journal Best Book","PrizeName_5":"A CBC Book of the Year","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","PrizeYear_3":"2019","PrizeYear_4":"2019","PrizeYear_5":"2019","ProductFormDescription":"mobi","PublicationDate":"2019-09-03","Publisher":"House of Anansi Press Inc","ShortDescription":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","Subtitle":"Notes from the Field","Width":"6","WidthCode":"in"}
NDN Coping Mechanisms
The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.
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{"id":6582750576699,"title":"No Pain Like This Body","handle":"no-pain-like-this-body","description":"\u003cp\u003eThe A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community. Featuring a new introduction by David Chariandy\u003c\/p\u003e\r\n\u003cp\u003eSet in the Eastern Caribbean at the beginning of the twentieth century, \u003cem\u003eNo Pain Like this Body\u003c\/em\u003e describes the perilous existence of a poor rice-growing family during the August rainy season. 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Featuring a new introduction by David Chariandy\u003c\/p\u003e\r\n\u003cp\u003eSet in the Eastern Caribbean at the beginning of the twentieth century, \u003cem\u003eNo Pain Like this Body\u003c\/em\u003e describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father, and the violence of the elements end in unbearable loss.\u003c\/p\u003e\u003cp\u003eThrough vivid, vertiginous prose, and with brilliant economy and originality, Ladoo creates a fearful world of violation and grief, in the face of which even the most despairing efforts to endure stand out as acts of courage.\u003c\/p\u003e\r\n"}
{"AlsoRecommendedISBN_0":"9781487005436","AlsoRecommendedISBN_1":"9781487008420","AlsoRecommendedISBN_2":"9781770892491","AlsoRecommendedISBN_4":"9781770892491","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHAROLD SONNY LADOO\u003c\/strong\u003e was born and grew up in Trinidad. He emigrated to Canada in 1968, where he published \u003cem\u003eNo Pain Like This Body\u003c\/em\u003e. Shortly afterwards, in 1973, Ladoo died an untimely and violent death on a visit home to Calcutta Settlement, Trinidad. He was twenty-eight. Ladoo’s novel \u003cem\u003eYesterdays\u003c\/em\u003e appeared posthumously in 1974.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHAROLD SONNY LADOO\u003c\/strong\u003e was born and grew up in Trinidad. He emigrated to Canada in 1968, where he published \u003cem\u003eNo Pain Like This Body\u003c\/em\u003e. Shortly afterwards, in 1973, Ladoo died an untimely and violent death on a visit home to Calcutta Settlement, Trinidad. He was twenty-eight. Ladoo’s novel \u003cem\u003eYesterdays\u003c\/em\u003e appeared posthumously in 1974.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Ladoo, Harold Sonny (CA)","Contributor_1":"Chariandy, David","Description":"\u003cp\u003eThe A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community. Featuring a new introduction by David Chariandy\u003c\/p\u003e\r\n\u003cp\u003eSet in the Eastern Caribbean at the beginning of the twentieth century, \u003cem\u003eNo Pain Like this Body\u003c\/em\u003e describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father, and the violence of the elements end in unbearable loss.\u003c\/p\u003e\u003cp\u003eThrough vivid, vertiginous prose, and with brilliant economy and originality, Ladoo creates a fearful world of violation and grief, in the face of which even the most despairing efforts to endure stand out as acts of courage.\u003c\/p\u003e\r\n","EAN":"9781770893795","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770893795\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"A List","NumberOfPages":"152","OtherText_ShortDescription_0":"The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community.","ProductFormDescription":"epub","PublicationDate":"2013-07-24","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community."}
No Pain Like This Body
The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community.
Quick View
{"id":6660407492667,"title":"No Stars in the Sky","handle":"no-stars-in-the-sky","description":"\u003cp\u003e\u003cstrong\u003e“Profoundly moving and beautifully written . . . each story is its own universe that transports the reader through the characters’ joy and pain.” — Amy Stuart \u003c\/strong\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe nineteen stories in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.\u003c\/p\u003e","published_at":"2021-09-27T09:39:21-04:00","created_at":"2021-09-21T10:09:18-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Short Stories","Astoria","By (author) Bátiz Martha","Feminist Reads","Literary Fiction","pub date: 2022-05-03"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39645093101627,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010027","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Stars in the Sky - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":274,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010027","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39645094477883,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010034","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Stars in the Sky - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010034","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_85346c91-6140-45a6-9153-cb6a9c6429e8.jpg?v=1655628473"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_85346c91-6140-45a6-9153-cb6a9c6429e8.jpg?v=1655628473","options":["Title"],"media":[{"alt":null,"id":22243508518971,"position":1,"preview_image":{"aspect_ratio":0.786,"height":2100,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_85346c91-6140-45a6-9153-cb6a9c6429e8.jpg?v=1655628473"},"aspect_ratio":0.786,"height":2100,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_85346c91-6140-45a6-9153-cb6a9c6429e8.jpg?v=1655628473","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e“Profoundly moving and beautifully written . . . each story is its own universe that transports the reader through the characters’ joy and pain.” — Amy Stuart \u003c\/strong\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe nineteen stories in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487004897","AlsoRecommendedISBN_1":"9781487006020","AlsoRecommendedISBN_2":"9781487008284","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION \/ Short Stories","BiographicalNote":"\u003cp\u003e\u003cstrong \u003eMARTHA BÁTIZ\u003c\/strong\u003e is an award-winning writer, translator, and professor of Spanish language in literature. She is the author of four books, including the story collection \u003cem \u003ePlaza Requiem\u003c\/em\u003e, winner of an International Latino Book Award, and the novella \u003cem \u003eThe Wolf’s Mouth\u003c\/em\u003e, winner of the Casa de Teatro Prize. Born and raised in Mexico City, she lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories","BISACSubjectLiteral_1":"FICTION \/ Hispanic \u0026 Latino","BISACSubjectLiteral_2":"FICTION \/ Women","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC056000","BISACSubject_2":"FIC044000","ContributorBio_0":"\u003cp\u003e\u003cstrong \u003eMARTHA BÁTIZ\u003c\/strong\u003e is an award-winning writer, translator, and professor of Spanish language in literature. She is the author of four books, including the story collection \u003cem \u003ePlaza Requiem\u003c\/em\u003e, winner of an International Latino Book Award, and the novella \u003cem \u003eThe Wolf’s Mouth\u003c\/em\u003e, winner of the Casa de Teatro Prize. Born and raised in Mexico City, she lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Bátiz, Martha (CA)","Description":"\u003cp\u003e\u003cstrong \u003e“Profoundly moving and beautifully written . . . each story is its own universe that transports the reader through the characters’ joy and pain.” — Amy Stuart \u003c\/strong\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe nineteen stories in \u003cem \u003eNo Stars in the Sky\u003c\/em\u003e feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in \u003cem \u003eNo Stars in the Sky\u003c\/em\u003e face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.\u003c\/p\u003e","EAN":"9781487010027","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010027\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7","HeightCode":"in","Imprint":"Astoria","NumberOfPages":"300","OtherText_Accolades_0":"\u003cp\u003e\u003cem \u003eNo Stars in the Sky\u003c\/em\u003e offers wonderful, haunting writing that burrows deep into the reader’s heart. In these stories, Latin American women scramble with courage and stamina to persevere in the face of violence, illegal incarceration, abandonment, migration, solitude, and ruptured relationships. Bátiz’s prose is raw, honest, and immediate. To appreciate its beauty, one has only to take in the opening sentence to the story ‘Uncle Ko’s One Thousand Lives’: ‘When no one expected his return anymore, when almost everyone believed he must be dead, he appeared out of nowhere at our door.’\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Lawrence Hill, author of The Book of Negroes, The Illegal, and Beatrice and Croc Harry","OtherText_Accolades_1":"\u003cp\u003eProfoundly moving and beautifully written, Martha Bátiz’s \u003cem \u003eNo Stars in the Sky\u003c\/em\u003e spans different countries and timelines but always circles back to keen observances of the human experience. With a writing style so gorgeous and spare, Bátiz has a remarkable capacity to draw out moments both significant and small, to find the deepest meaning in little snippets of time. Each story is its own universe that transports the reader through the characters’ joy and pain, turmoil and resilience, from the hills of inland Mexico to the streetcars of Toronto and beyond. A brilliant collection.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Amy Stuart, author of Still Mine, Still Water, and Still Here","OtherText_Accolades_2":"\u003cp\u003eThese are stories for the twenty-first century. Their geography is as vast as their violence. Bátiz has a powerful gift for empathy, entering the mind of a disappeared boy in Argentina, a fourteen-year-old girl exploited at the US\/ Mexico border, and female asylum seekers sharing their grief. The power of these stories comes from the writer’s understanding of the politics of exploitation and her refusal to look away.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Rosemary Sullivan, author of Stalin's Daughter and The Betrayal of Anne Frank","OtherText_Accolades_3":"\u003cp\u003e\u003cem \u003eNo Stars in the Sky\u003c\/em\u003e is a beautifully written, masterfully crafted collection that explores the trauma of loss. Its vivid characters stayed with me long after I finished the book.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Marina Nemat, author of Prisoner of Tehran and After Tehran","OtherText_Accolades_4":"\u003cp\u003eBrimming with unforgettable characters who find themselves in unimaginable circumstances \u003cem \u003eNo Stars in the Sky\u003c\/em\u003e shines with brilliance and will leave you breathless. Bátiz’s prose sparkles against the dark background of heartbreaking choices and harsh realities, and lights up the senses. This book is meant to be read slowly and savoured.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Christina Kilbourne, author of Safe Harbour and The Limitless Sky","OtherText_Accolades_5":"\u003cp\u003eIn \u003cem \u003eNo Stars in the Sky\u003c\/em\u003e, Martha Bátiz travels across countries and cultures with confidence, humour, and an ear for the musicality of language. Her stories, both beautiful and terrifying, deal with loss, depression, injustice, and the need to love and be loved. A refreshing collection written by an author in full control of her literary style.\u003c\/p\u003e","OtherText_Accolades_5_Auth":"Pura López-Colomé, author of Speaking in Song and Borrosa Imago Mundi","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA Mexican Canadian author, Bátiz is an authentic voice telling nuanced and layered Hispanic stories filled with multidimensional characters.\u003c\/li\u003e\r\n\u003cli\u003eHer stories shine a light on crises such as the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and generalized racial and domestic violence.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n","OtherText_Review_0":"\u003cp\u003eThis incisive and evocative collection of stories feature strong and resilient women faced with violence, disappearance and tragedies that all too often remain unseen.\u003c\/p\u003e","OtherText_Review_0_Auth":"Ms. Magazine","OtherText_Review_0_Src":"Ms. Magazine","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2022-05-03","Publisher":"House of Anansi Press Inc","ShortDescription":"A new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.","Width":"5.5","WidthCode":"in"}
No Stars in the Sky
A new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.
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{"id":6811310653499,"title":"Noopiming","handle":"noopiming","description":"\u003cp\u003e\u003cstrong\u003eAward-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMashkawaji (they\/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir \u003cem\u003eRoughing It in the Bush\u003c\/em\u003e. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. 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They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir \u003cem\u003eRoughing It in the Bush\u003c\/em\u003e. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001117","AlsoRecommendedISBN_1":"9781487002268","AlsoRecommendedISBN_2":"9781487005771","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLEANNE BETASAMOSAKE SIMPSON\u003c\/strong\u003e is a Michi Saagiig Nishnaabeg writer, scholar, and musician, and a member of Alderville First Nation. She is the author of five previous books, including \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e, which won the MacEwan Book of the Year and the Peterborough Arts Award for Outstanding Achievement by an Indigenous Author; was a finalist for the Rogers Writers’ Trust Fiction Prize and the Trillium Book Award; was longlisted for CBC Canada Reads; and was named a best book of the year by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eNational Post\u003c\/em\u003e, and \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e. She has released two albums, including \u003cem\u003ef(l)ight\u003c\/em\u003e, which is a companion piece to \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Native American \u0026amp; Aboriginal","BISACSubjectLiteral_2":"FICTION \/ Visionary \u0026amp; Metaphysical","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC059000","BISACSubject_2":"FIC039000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLEANNE BETASAMOSAKE SIMPSON\u003c\/strong\u003e is a Michi Saagiig Nishnaabeg writer, scholar, and musician, and a member of Alderville First Nation. She is the author of five previous books, including \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e, which won the MacEwan Book of the Year and the Peterborough Arts Award for Outstanding Achievement by an Indigenous Author; was a finalist for the Rogers Writers’ Trust Fiction Prize and the Trillium Book Award; was longlisted for CBC Canada Reads; and was named a best book of the year by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eNational Post\u003c\/em\u003e, and \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e. She has released two albums, including \u003cem\u003ef(l)ight\u003c\/em\u003e, which is a companion piece to \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Simpson, Leanne Betasamosake (CA)","Description":"\u003cp\u003e\u003cstrong\u003eAward-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMashkawaji (they\/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir \u003cem\u003eRoughing It in the Bush\u003c\/em\u003e. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.\u003c\/p\u003e","EAN":"9781487007645","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007645\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"368","OtherText_Accolades_0":"\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is a rare parcel of beauty and power, at once a creator and destroyer of forms. All of Leanne Betasamosake Simpson’s myriad literary gifts shine here — her scalpel-sharp humour, her eye for the smallest human details, the prodigious scope of her imaginative and poetic generosity. The result is a book at once fierce, uproarious, heartbreaking, and, throughout and above all else, rooted in love.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Omar El Akkad, bestselling author of American War","OtherText_Accolades_1":"\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is a novel that is as philosophically generative as it is stylistically original. It begins with someone who is frozen in a lake, waiting, and from whom we learn that: ‘being frozen in the lake is another kind of life.’ Leanne Betasamosake Simpson’s expansive work explores the indivisibility of beings — old woman, old man, tree, caribou, stone, ice, spirit, geese, the brain, and more, all watching, grieving, thinking, acting, and listening amidst the ongoing and quotidian urgencies of capital. They are sleepless, ceaseless, trying to alter and to recode the world of consumerism, and their survival means that they must daily and collectively reconstruct existence in the city and its coterminous forests. Noopiming is far ahead of us in so many registers of story, language, and worldview; its cumulative effect is a new cosmography.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Dionne Brand, award-winning author of Theory","OtherText_Accolades_2":"This imaginative book is what would happen if we gave pen and paper to the deepest, most secretive parts of ourselves. Down to the fibres, down to each breath, Leanne Betasamosake Simpson dares to not only explore the humanity of a character, but the humanity of the parts that make us whole, in a world running on empty.","OtherText_Accolades_2_Auth":"Catherine Hernandez, bestselling author of Scarborough","OtherText_Accolades_3":"Leanne Betasamosake Simpson’s Noopiming once again confirms her position as a brilliant, daring experimentalist and a beautiful, radical portraitist of contemporary NDN life. The prose hums with a lovingness that moved me to tears and with a humour that felt plucked right out of my rez adolescence. The chorus of thinkers, dreamers, revolutionaries, poets, and misfits that Simpson conjures here feels like a miracle. My heart ached and swelled for all of them. What I adored most about this book is that it has so little to do with the white gaze. Simpson writes for us, for NDNs, those made to make other kinds of beauty, to build other kinds of beautiful lives, where no one is looking. Noopiming is a book from the future! Simpson is our much-needed historian of the future!","OtherText_Accolades_3_Auth":"Billy-Ray Belcourt, award-winning author of This Wound is a World and NDN Coping Mechanisms","OtherText_Accolades_4":"How is it that Leanne Betasamosake Simpson’s fiction can feel both familiar and warm like old teachings and absolutely fresh and brand new? Is it even fiction? Noopiming seems to exist somewhere in the in-between, with all the best parts of poetry and story. As always, I am in awe of Leanne Betasamosake Simpson, prolific in every way.","OtherText_Accolades_4_Auth":"Katherena Vermette, bestselling author of The Break","OtherText_Accolades_5":"I’m pretty sure we don’t deserve Leanne Betasamosake Simpson. But miracles happen, and this is one. This book is poem, novel, prophecy, handbook, and side-eyed critique all at once. This book doesn’t only present characters you will love and never want to leave (but yes, it does), it doesn’t only transform the function of character and plot into a visibly collective dynamic energy field (and hallelujah), but it also cultivates character in the reader, that we might remember what we first knew. Which is that what seems separate was never separate. What feels impossible is already happening. And it depends on our most loving words. It requires our most loving actions towards each other. The ceremony has been found.","OtherText_Accolades_5_Auth":"Alexis Pauline Gumbs, author of Dub: Finding Ceremony","OtherText_Review_0":"This brilliant novel is a carefully curated mix of prose and poetry, though the narrative and poetic form never leaves either; at all times, there is a deliberate attention to rhythm, movement, and sound. The layered storytelling is rich with wry and undeniable humour and introduces readers to an incredible cast of characters, giving us the perspective of Elders, Indigenous youth, raccoons, geese, and trees, braiding together past, present, and future and intentionally centring Nishnaabe life and practices … This is the beauty and masterful work of this novel: it holds something for every Indigenous person. It’s a gift that feels specifically for us.","OtherText_Review_0_Src":"Globe and Mail","OtherText_Review_1":"[Noopiming] presses readers — Indigenous and settler alike — to consider the novel form as a wider venue for storytelling than it is traditionally conceived … Language is thrilling in all of Simpson’s work, and nowhere more so than in this newest offering … Simpson’s writing is at once political and loud, honest and whisper-quiet … This novel will be reread for its many truths and teachings and for its undeniable power. The complicated questions Noopiming poses are worth revisiting, and the novel’s wisdom will continue to grow as the reader does.","OtherText_Review_1_Src":"Quill \u0026amp; Quire, STARRED REVIEW","OtherText_Review_2":"Taking traditional Anishinaabe teachings and weaving them through contemporary forms of understanding, Simpson brings the reader into not a new world, but a world already existing, one that breaks through the colonial bars that try to cage it.","OtherText_Review_2_Src":"Rabble.ca","OtherText_Review_3":"\u003cp\u003eIn \u003cem \u003eNoopiming\u003c\/em\u003e, nothing is ever simply a metaphor. Everything is so wrought of love and care, spell and calling.\u003c\/p\u003e","OtherText_Review_3_Src":"GenControlZ","OtherText_ShortDescription_0":"Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"04","PrizeName_0":"Governor General's Literary Award for Fiction","PrizeName_1":"ReLit Award for Novel","PrizeName_2":"DUBLIN Literary Award","ProductFormDescription":"trade paperback","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel.","Subtitle":"The Cure for White Ladies","Width":"5.5","WidthCode":"in"}
Noopiming
Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel.
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{"id":7371565662267,"title":"On Wholeness","handle":"on-wholeness","description":"\u003cp\u003e\u003cstrong\u003eA brilliant exploration of the body as a site of settler colonial impact, centring embodied wholeness as a pathway to our collective liberation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis fierce and enlightening book reimagines the way we understand settler colonialism—through the body itself. Anishinaabeg visual artist Quill Christie-Peters takes us on a journey that begins before birth, in a realm where ancestors and spirits swirl like smoke in the great beyond. But once we enter the world, our bodies are shaped and scarred by colonial forces.\u003c\/p\u003e\n\u003cp\u003eIn poetic and raw storytelling, Quill shares her own experiences of gendered violence and her father’s survival of residential school, revealing how colonialism disconnects us from ourselves. Yet, through an Anishinaabeg lens, the body is more than just flesh—it extends to ancestors, homelands, spirit relations, and animal kin.\u003c\/p\u003e\n\u003cp\u003eThrough reflections on childbirth, parenting, creative practice, and expansive responsibility as pathways to wholeness, Quill explores how reconnecting with the body can be an act of resistance and healing. She shows that wholeness—despite pain and displacement—is not just possible but essential for liberation, not only for Indigenous people but for all of us.\u003c\/p\u003e","published_at":"2025-04-04T11:33:18-04:00","created_at":"2025-04-02T13:03:14-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Coming Soon","Adult Nonfiction","Ambrosia","By (author) Christie-Peters Quill","pub date: 2025-10-28"],"price":1999,"price_min":1999,"price_max":2699,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42116210491451,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013257","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"On Wholeness - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2699,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013257","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42116210917435,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013264","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"On Wholeness - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013264","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013257.jpg?v=1743780707"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013257.jpg?v=1743780707","options":["Title"],"media":[{"alt":null,"id":25262074036283,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013257.jpg?v=1743780707"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013257.jpg?v=1743780707","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA brilliant exploration of the body as a site of settler colonial impact, centring embodied wholeness as a pathway to our collective liberation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis fierce and enlightening book reimagines the way we understand settler colonialism—through the body itself. Anishinaabeg visual artist Quill Christie-Peters takes us on a journey that begins before birth, in a realm where ancestors and spirits swirl like smoke in the great beyond. But once we enter the world, our bodies are shaped and scarred by colonial forces.\u003c\/p\u003e\n\u003cp\u003eIn poetic and raw storytelling, Quill shares her own experiences of gendered violence and her father’s survival of residential school, revealing how colonialism disconnects us from ourselves. Yet, through an Anishinaabeg lens, the body is more than just flesh—it extends to ancestors, homelands, spirit relations, and animal kin.\u003c\/p\u003e\n\u003cp\u003eThrough reflections on childbirth, parenting, creative practice, and expansive responsibility as pathways to wholeness, Quill explores how reconnecting with the body can be an act of resistance and healing. She shows that wholeness—despite pain and displacement—is not just possible but essential for liberation, not only for Indigenous people but for all of us.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_1":"9781487006471","AlsoRecommendedISBN_2":"9781487010577","BASICMainSubject":"HIS069000","BASICMainSubjectLiteral":"HISTORY\/Indigenous Peoples of Turtle Island","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eQUILL CHRISTIE-PETERS\u003c\/strong\u003e is an Anishinaabe educator and self-taught visual artist from Lac des Mille Lacs First Nation located in Treaty 3 territory. She is the creator and director of the Indigenous Youth Residency Program, an artist residency for Indigenous youth that engages land-based creative practices through Anishinaabe artistic methodologies. She holds a master’s degree in Indigenous governance on Anishinaabe art-making as a process of falling in love. She has spoken at Stanford University, the University of Toronto, and California College of the Arts, and her written work can be found in \u003cem\u003eGUTS\u003c\/em\u003e magazine and \u003cem\u003eCanadian Art\u003c\/em\u003e. She is also a mother, beadwork artist, and traditional tattoo practitioner following the protocols of her community. All of her work can be found at @raunchykwe.\u003c\/p\u003e","BISACSubjectLiteral_0":"HISTORY \/ Indigenous Peoples of Turtle Island","BISACSubjectLiteral_1":"SELF-HELP \/ Indigenous Mental Health \u0026amp; Healing","BISACSubjectLiteral_2":"SOCIAL SCIENCE \/ Customs \u0026amp; Traditions","BISACSubject_0":"HIS069000","BISACSubject_1":"SEL050000","BISACSubject_2":"SOC005000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eQUILL CHRISTIE-PETERS\u003c\/strong\u003e is an Anishinaabe educator and self-taught visual artist from Lac des Mille Lacs First Nation located in Treaty 3 territory. She is the creator and director of the Indigenous Youth Residency Program, an artist residency for Indigenous youth that engages land-based creative practices through Anishinaabe artistic methodologies. She holds a master’s degree in Indigenous governance on Anishinaabe art-making as a process of falling in love. She has spoken at Stanford University, the University of Toronto, and California College of the Arts, and her written work can be found in \u003cem\u003eGUTS\u003c\/em\u003e magazine and \u003cem\u003eCanadian Art\u003c\/em\u003e. She is also a mother, beadwork artist, and traditional tattoo practitioner following the protocols of her community. All of her work can be found at @raunchykwe.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Christie-Peters, Quill (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA brilliant exploration of the body as a site of settler colonial impact, centring embodied wholeness as a pathway to our collective liberation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis fierce and enlightening book reimagines the way we understand settler colonialism—through the body itself. Anishinaabeg visual artist Quill Christie-Peters takes us on a journey that begins before birth, in a realm where ancestors and spirits swirl like smoke in the great beyond. But once we enter the world, our bodies are shaped and scarred by colonial forces.\u003c\/p\u003e\n\u003cp\u003eIn poetic and raw storytelling, Quill shares her own experiences of gendered violence and her father’s survival of residential school, revealing how colonialism disconnects us from ourselves. Yet, through an Anishinaabeg lens, the body is more than just flesh—it extends to ancestors, homelands, spirit relations, and animal kin.\u003c\/p\u003e\n\u003cp\u003eThrough reflections on childbirth, parenting, creative practice, and expansive responsibility as pathways to wholeness, Quill explores how reconnecting with the body can be an act of resistance and healing. She shows that wholeness—despite pain and displacement—is not just possible but essential for liberation, not only for Indigenous people but for all of us.\u003c\/p\u003e","EAN":"9781487013264","Height":"8.5","HeightCode":"in","Imprint":"Ambrosia","NumberOfPages":"288","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eACCESSIBLE CRITIQUE: With personal and poetic writing, this book seeks to fill the gap between academic, didactic and creative writing about the tangible impact of colonialism. For fans of \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e, \u003cem\u003eA History of My Brief Body\u003c\/em\u003e, and \u003cem\u003eHow to Do Nothing\u003c\/em\u003e, works where activism and philosophy meet.\u003c\/li\u003e\n\u003cli\u003eHOPEFUL \u0026 TIMELY: One of the central themes of the book is that the body holds everything one needs in spite of colonial violence and oppression.\u003c\/li\u003e\n\u003cli\u003eCOMPLEX \u0026 CREATIVE: \u003cem\u003eWholeness\u003c\/em\u003e weaves in an Anishinaabeg worldview with robust theoretical and practical explorations of settler colonialism.\u003c\/li\u003e\n\u003cli\u003eANISHINAABEG AUTHOR \u0026 AUDIENCE: This book is meant for Anishinaabeg peoples, but is also accessible to anyone interested in social justice, anti-oppression work, and truth \u0026 reconciliation. Debut author Quill Christie-Peters is an Anishinaabe educator and visual artist from Treaty 3 territory.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA brilliant exploration of the body as a site of settler colonial impact, centring embodied wholeness as a pathway to our collective liberation.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-10-28","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA brilliant exploration of the body as a site of settler colonial impact, centring embodied wholeness as a pathway to our collective liberation.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Anishinaabe Pathways to Embodiment and Collective Liberation","Width":"5.5","WidthCode":"in"}
On Wholeness
A brilliant exploration of the body as a site of settler colonial impact, centring embodied wholeness as a pathway to our collective liberation.
Quick View
{"id":6982222643259,"title":"Our Voice of Fire","handle":"our-voice-of-fire","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2023 R\u003c\/strong\u003e\u003cstrong\u003eakuten Kobo Emerging Writer Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003cbr\u003e\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. 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This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\/p\u003e","published_at":"2022-09-12T12:20:27-04:00","created_at":"2022-09-12T12:10:59-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Bestseller","Adult BIPOC Voices","Adult Starred Reviews","Anansi Audio","By (author) Morin Brandi","Feminist Reads","pub date: 2022-08-02"],"price":1899,"price_min":1899,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40776300953659,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010577","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":208,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010577","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40776302919739,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010584","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010584","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40776303312955,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487012014","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012014","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40776303640635,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487012021","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012021","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a3d9d97d-f10f-4bbe-aa1b-b348ec0c79ac.jpg?v=1737267008"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a3d9d97d-f10f-4bbe-aa1b-b348ec0c79ac.jpg?v=1737267008","options":["Title"],"media":[{"alt":null,"id":25014080143419,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2250,"width":1500,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a3d9d97d-f10f-4bbe-aa1b-b348ec0c79ac.jpg?v=1737267008"},"aspect_ratio":0.667,"height":2250,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a3d9d97d-f10f-4bbe-aa1b-b348ec0c79ac.jpg?v=1737267008","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2023 R\u003c\/strong\u003e\u003cstrong\u003eakuten Kobo Emerging Writer Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003cbr\u003e\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, \u003cem\u003eOur Voice of Fire\u003c\/em\u003e chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002268","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487007645","BASICMainSubject":"BIO028000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY\\\/Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI MORIN\u003c\\\/strong\u003e, an acclaimed Cree\\\/Iroquois\\\/French journalist from Treaty 6 territory in Alberta, Canada, has spent over a decade amplifying Indigenous voices through her work with major outlets including \u003cem\u003eNational Geographic\u003c\\\/em\u003e, \u003cem\u003eBBC\u003c\\\/em\u003e, \u003cem\u003eAl Jazeera English\u003c\\\/em\u003e, \u003cem\u003eRolling Stone\u003c\\\/em\u003e, and the \u003cem\u003eNew York Times\u003c\\\/em\u003e. Her exceptional journalism has earned numerous prestigious awards, including the 2019 Human Rights Reporting award from the Canadian Association of Journalists, the 2022 National Native American Journalism Award for Best Feature Story, a 2022 Edward Murrow Award for her series on Missing and Murdered Indigenous Women and Girls, PEN Canada's 2023 Ken Filkow Prize, Amnesty International Canada's 2022\\\/23 Media Award, a 2024 Sidney Hillman award for her documentary \\\"Killer Water,\\\" the 2024 Canadian Association of Journalists Environmental and Climate Change award, and the 2024 Tim Giago Free Press Award.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \\\/ Cultural, Ethnic \u0026amp; Regional \\\/ Indigenous","BISACSubjectLiteral_1":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \\\/ Editors, Journalists, Publishers","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \\\/ Personal Memoirs","BISACSubject_0":"BIO028000","BISACSubject_1":"BIO025000","BISACSubject_2":"BIO026000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI MORIN\u003c\\\/strong\u003e, an acclaimed Cree\\\/Iroquois\\\/French journalist from Treaty 6 territory in Alberta, Canada, has spent over a decade amplifying Indigenous voices through her work with major outlets including \u003cem\u003eNational Geographic\u003c\\\/em\u003e, \u003cem\u003eBBC\u003c\\\/em\u003e, \u003cem\u003eAl Jazeera English\u003c\\\/em\u003e, \u003cem\u003eRolling Stone\u003c\\\/em\u003e, and the \u003cem\u003eNew York Times\u003c\\\/em\u003e. Her exceptional journalism has earned numerous prestigious awards, including the 2019 Human Rights Reporting award from the Canadian Association of Journalists, the 2022 National Native American Journalism Award for Best Feature Story, a 2022 Edward Murrow Award for her series on Missing and Murdered Indigenous Women and Girls, PEN Canada's 2023 Ken Filkow Prize, Amnesty International Canada's 2022\\\/23 Media Award, a 2024 Sidney Hillman award for her documentary \\\"Killer Water,\\\" the 2024 Canadian Association of Journalists Environmental and Climate Change award, and the 2024 Tim Giago Free Press Award.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","Contributor_0":"Morin, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\\\/strong\u003e\u003cbr\u003e\\n\u003cstrong\u003eFinalist, 2023 R\u003c\\\/strong\u003e\u003cstrong \u003eakuten Kobo Emerging Writer Prize\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\\\/Cree\\\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\\\/strong\u003e\u003cbr\u003e\\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, \u003cem\u003eOur Voice of Fire\u003c\\\/em\u003e chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\\\/p\u003e","EAN":"9781487012021","Height":"7.5","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"indigenous authors;violence against women;residential schools;the break katherena vermette;seven fallen feathers tanya talaga;feminism;systemic racism;inequality;memoir;marginalized communities","NumberOfPages":"224","OtherText_Accolades_0":"\u003cp\u003e\u003cem \u003e\\\"Our Voice Of Fire\u003c\\\/em\u003e is a searingly honest, thought-provoking, and ultimately empowering exploration of pain and the quest for justice. By sharing her stories with the world, Brandi Morin makes a beautiful proclamation that there can be a hopeful path through trauma without diminishing the significance of the trauma itself, both personal and intergenerational. These are stories that need to be told and stories that need to be read.\\\" — \u003cstrong\u003e\u003cem\u003eDan Levy\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_0_Auth":"Dan Levy","OtherText_Accolades_1":"\u003cp\u003e\\\"Brandi Morin is one of the most important Indigenous journalists and warriors of our time. Her raw, honest, and beautifully written story of her experiences, trauma, reliance, and perseverance is a must-read for all.\\\" — \u003cstrong\u003eCrystal Echo Hawk, founder and executive director, IllumiNative\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_1_Auth":"Crystal Echo Hawk, founder and executive director, IllumiNative","OtherText_Accolades_2":"\u003cp\u003e\\\"Brandi Morin is a remarkable writer and a true original, her unique and clarion voice ringing out in the crowded field of contemporary journalism. This memoir is indeed written in fire: it can warm and it can scorch. And it casts a circle of light in the darkness.\\\" — \u003cstrong\u003eNaomi Klein, author of \u003cem\u003eThis Changes Everything\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_2_Auth":"Naomi Klein, author of This Changes Everything","OtherText_Accolades_3":"\u003cp\u003e\\\"An indispensable memoir from one of the most informative voices in contemporary journalism. Brandi Morin’s life story is one of dedication and triumph in spite of the many traumas inflicted upon Indigenous women by the settler colonial state. Through it all, her truth and hope persevere. This book will influence and inspire communities everywhere.\\\" — \u003cstrong\u003eWaubgeshig Rice, author of \u003cem\u003eMoon of the Crusted Snow\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_3_Auth":"Waubgeshig Rice, author of Moon of the Crusted Snow","OtherText_Accolades_4":"\u003cp\u003e\\\"Brandi Morin is a writer at the height of her powers, fighting to reclaim Canadian history for those whose memory has been crushed under the weight of it. Equal parts devastating and beautiful, \u003cem \u003eOur Voice of Fire\u003c\\\/em\u003e is essential reading for anyone who wants to understand Canada in 2022.\\\" — \u003cstrong\u003eChristopher Curtis, journalist and co-founder of \u003cem\u003eThe Rover\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_4_Auth":"Christopher Curtis, journalist and co-founder of The Rover","OtherText_Accolades_5":"\u003cp\u003e\\\"Throughout her remarkable career as a journalist, Brandi Morin has told the often-ignored stories of others — particularly of Indigenous women and girls — with respect, dignity, and fearless authenticity. In this book, she does the same with her own.\\\" — \u003cstrong\u003eJacqueline O'Neill, Canada's Ambassador for Women, Peace, and Security\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_5_Auth":"Jacqueline O'Neill, Canada's Ambassador for Women, Peace, and Security","OtherText_Accolades_6":"\u003cp\u003e\\\"Brandi Morin is a fighter, a survivor, a champion, and her weapon of choice is her words. Only God\\\/Creator knows where her fight for justice will take her next, but the way I see it, this is just the beginning.\\\" — \u003cstrong\u003eJolene Banning, journalist and producer\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_6_Auth":"Jolene Banning, journalist and producer","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA timely and important subject; more than ever before, Canadians are engaging in conversations about ending violence against Indigenous Peoples.\u003c\/li\u003e\n\u003cli\u003eBoth heartbreaking and hopeful, Morin's story details tremendous pain but the book is ultimately about healing.\u003c\/li\u003e\n\u003cli\u003eFor fans of Billy-Ray Belcourt, Tanya Talaga, and Leanne Betasamosake Simpson.\u003c\/li\u003e\n\u003cli\u003eMorin is a popular journalist with a growing platform.\u003c\/li\u003e\n\u003cli\u003eFor anyone who wants to be engrossed in a compelling memoir but also for those who want to learn more about MMIW.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eA timely and important subject; more than ever before, Canadians are engaging in conversations about ending violence against Indigenous Peoples.\u003c\\\/li\u003e\\n\u003cli\u003eBoth heartbreaking and hopeful, Morin's story details tremendous pain but the book is ultimately about healing.\u003c\\\/li\u003e\\n\u003cli\u003eFor fans of Billy-Ray Belcourt, Tanya Talaga, and Leanne Betasamosake Simpson.\u003c\\\/li\u003e\\n\u003cli\u003eMorin is a popular journalist with a growing platform.\u003c\\\/li\u003e\\n\u003cli\u003eFor anyone who wants to be engrossed in a compelling memoir but also for those who want to learn more about MMIW.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\\\"Her powerful and necessary work is required reading for all readers seeking to better know the realities and buried truths of the Indigenous experience.\\\" — \u003cstrong\u003e\u003cem\u003eBooklist (starred review)\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_0_Src":"Booklist (starred review)","OtherText_Review_1":"\u003cp\u003e\\\"Morin writes honestly and compassionately … Her narrative provides an important window into an experience that needs far more mainstream attention.\\\" — \u003cstrong\u003e\u003cem\u003eLiber Review\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_1_Src":"Literary Review of Canada","OtherText_Review_2":"\u003cp\u003e\\\"[Morin] comes to view her life story as intertwined with those of others, particularly other Indigenous women …\u003cstrong \u003e \u003c\\\/strong\u003eIn her candour, she calls on us, as readers, to be good visitors in her narrative.\\\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_2_Src":"Liber Review","OtherText_Review_3":"\u003cp\u003e\\\"Brandi Morin's storytelling is accessible, powerful, and clear. ... She is a brave and vulnerable storyteller who brings greater empathy and understanding into the lives of Indigenous people and the cycles of intergenerational trauma and yet manages to get up again and again in hope.\\\" — \u003cstrong \u003e\u003cem\u003eThe \u003c\\\/em\u003e\u003c\\\/strong\u003e\u003cstrong\u003e\u003cem\u003eMiramichi Reader\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_3_Src":"Miramichi Reader","OtherText_Review_4":"\u003cp\u003e\\\"Morin’s writing is very satisfying. … Cathartic and evocative, \u003cem \u003eOur Voice of Fire\u003c\\\/em\u003e is a beautiful memoir … [and] a wake-up call to Canada’s settlers and the politically indifferent.\\\" — \u003cstrong\u003e\u003cem\u003eCloud Lake Literary\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_4_Src":"Cloud Lake Literary","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eA wildfire of a debut memoir by internationally recognized French\\\/Cree\\\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\\\/strong\u003e\u003c\\\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"04","PrizeName_0":"Writers' Union of Canada Freedom to Read Award","PrizeName_1":"Wilfrid Eggleston Award for Nonfiction","PrizeName_2":"Rakuten Kobo Emerging Writer Prize","PrizeYear_0":"2024","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2022-08-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eA wildfire of a debut memoir by internationally recognized French\\\/Cree\\\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\\\/strong\u003e\u003c\\\/p\u003e","Subtitle":"A Memoir of a Warrior Rising","Width":"5","WidthCode":"in"}
Our Voice of Fire
A wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.<\/strong><\/p>
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{"id":7055104999483,"title":"Owlish","handle":"owlish","description":"\u003cp\u003e\u003cstrong\u003eThe winner of a 2021 PEN\/Heim Translation Fund grant, \u003cem\u003eOwlish\u003c\/em\u003e is a fantastically eerie debut novel that is also a bold exploration of life under oppressive regimes. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a city called Nevers, there lives a professor of literature called Q. He has a dull marriage and a lackluster career, but also a scrumptious collection of antique dolls locked away in his cupboard. And soon Q lands his crowning acquisition: a music box ballerina named Aliss who has tantalizingly sprung to life. Guided by his mysterious friend Owlish and inspired by an inexplicably familiar painting, Q embarks on an all-consuming love affair with Aliss, oblivious to the protests spreading across the university that have left his classrooms all but empty.\u003c\/p\u003e\n\u003cp\u003eThe mountainous city of Nevers is itself a mercurial character with concrete flesh, glimmering new construction, and “colonial flair.” Having fled there as a child refugee, Q thought he knew the faces of the city and its people, but Nevers is alive with secrets and shape-shifting geographies.\u003c\/p\u003e","published_at":"2022-12-05T13:38:23-05:00","created_at":"2022-12-05T13:15:50-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Anansi International","By (author) Tse Dorothy","Literary Fiction","pub date: 2023-05-16","Technology \u0026 Politics","Translated by Bruce Natascha"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41002635558971,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011581","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Owlish - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":277,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011581","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41002636083259,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011598","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Owlish - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011598","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6ddf08ec-2b1c-453b-9a2c-1bdaa7296e52.jpg?v=1709621372"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6ddf08ec-2b1c-453b-9a2c-1bdaa7296e52.jpg?v=1709621372","options":["Title"],"media":[{"alt":null,"id":24267421122619,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2475,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6ddf08ec-2b1c-453b-9a2c-1bdaa7296e52.jpg?v=1709621372"},"aspect_ratio":0.667,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6ddf08ec-2b1c-453b-9a2c-1bdaa7296e52.jpg?v=1709621372","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe winner of a 2021 PEN\/Heim Translation Fund grant, \u003cem\u003eOwlish\u003c\/em\u003e is a fantastically eerie debut novel that is also a bold exploration of life under oppressive regimes. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a city called Nevers, there lives a professor of literature called Q. He has a dull marriage and a lackluster career, but also a scrumptious collection of antique dolls locked away in his cupboard. And soon Q lands his crowning acquisition: a music box ballerina named Aliss who has tantalizingly sprung to life. Guided by his mysterious friend Owlish and inspired by an inexplicably familiar painting, Q embarks on an all-consuming love affair with Aliss, oblivious to the protests spreading across the university that have left his classrooms all but empty.\u003c\/p\u003e\n\u003cp\u003eThe mountainous city of Nevers is itself a mercurial character with concrete flesh, glimmering new construction, and “colonial flair.” Having fled there as a child refugee, Q thought he knew the faces of the city and its people, but Nevers is alive with secrets and shape-shifting geographies.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005832","AlsoRecommendedISBN_1":"9781487006990","AlsoRecommendedISBN_2":"9781487009809","BASICMainSubject":"FIC055000","BASICMainSubjectLiteral":"FICTION \/ Dystopian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eDOROTHY TSE\u003c\/strong\u003e is the author of several short-story collections and has received the Hong Kong Book Prize, Hong Kong Biennial Award for Chinese Literature, and Taiwan’s Unitas New Fiction Writers’ Award. Her first book to appear in English, \u003cem\u003eSnow and Shadow\u003c\/em\u003e (translated by Nicky Harman), was longlisted for the Best Translated Book Award. She is the co-founder of the literary journal \u003cem\u003eFleurs des Lettres\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Dystopian","BISACSubjectLiteral_1":"FICTION \/ Own Voices","BISACSubjectLiteral_2":"FICTION \/ Literary","BISACSubject_0":"FIC055000","BISACSubject_1":"FIC082000","BISACSubject_2":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eDOROTHY TSE\u003c\/strong\u003e is the author of several short-story collections and has received the Hong Kong Book Prize, Hong Kong Biennial Award for Chinese Literature, and Taiwan’s Unitas New Fiction Writers’ Award. Her first book to appear in English, \u003cem\u003eSnow and Shadow\u003c\/em\u003e (translated by Nicky Harman), was longlisted for the Best Translated Book Award. She is the co-founder of the literary journal \u003cem\u003eFleurs des Lettres\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eNATASCHA BRUCE\u003c\/strong\u003e translates fiction from Chinese. Her work includes \u003cem\u003eLonely Face\u003c\/em\u003e by Yeng Pway Ngon, \u003cem\u003eBloodline \u003c\/em\u003eby Patigül, N\u003cem\u003eLake Like a Mirror\u003c\/em\u003e by Ho Sok Fong, and \u003cem\u003eMystery Train\u003c\/em\u003e by Can Xue. Her translation of Dorothy Tse’s poem “Cloth Birds” was a winner of the 2019 Words Without Borders Poems in Translation Prize. After several years in Hong Kong, she now lives in Amsterdam.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Tse, Dorothy","Contributor_1":"Bruce, Natascha","Description":"\u003cp\u003e\u003cstrong\u003eThe winner of a 2021 PEN\/Heim Translation Fund grant, \u003cem\u003eOwlish\u003c\/em\u003e is a fantastically eerie debut novel that is also a bold exploration of life under oppressive regimes. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a city called Nevers, there lives a professor of literature called Q. He has a dull marriage and a lackluster career, but also a scrumptious collection of antique dolls locked away in his cupboard. And soon Q lands his crowning acquisition: a music box ballerina named Aliss who has tantalizingly sprung to life. Guided by his mysterious friend Owlish and inspired by an inexplicably familiar painting, Q embarks on an all-consuming love affair with Aliss, oblivious to the protests spreading across the university that have left his classrooms all but empty.\u003c\/p\u003e\n\u003cp\u003eThe mountainous city of Nevers is itself a mercurial character with concrete flesh, glimmering new construction, and “colonial flair.” Having fled there as a child refugee, Q thought he knew the faces of the city and its people, but Nevers is alive with secrets and shape-shifting geographies.\u003c\/p\u003e","EAN":"9781487011581","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011581\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.25","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"fable","NumberOfPages":"224","OtherText_Accolades_0":"\u003cp\u003eBeguilingly eerie, richly textured, the pages of \u003cem\u003eOwlish\u003c\/em\u003e are drenched in strange beauty and menace. Like all the best fairy tales, it reveals the dark truths that we would rather not look at directly, and does so with a surreal and singular clarity.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Sophie Mackintosh, author of Cursed Bread","OtherText_Accolades_1":"\u003cp\u003eA magical and potent tale for these tyrannical times.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"NoViolet Bulawayo, author of Glory","OtherText_Accolades_2":"\u003cp\u003e\u003cem\u003eOwlish\u003c\/em\u003e is so delightfully creepy, wonderful, and strange—I loved it.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Camilla Grudova, author of Children of Paradise","OtherText_Accolades_3":"\u003cp\u003eA bold, brilliantly absorbing read. This clever, mercurial portrait of an alternate Hong Kong lingers long after the last page.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Irenosen Okojie, author of Nudibranch","OtherText_Accolades_4":"\u003cp\u003eDorothy Tse is a magnificent historian of unreal places. Her sage and serious characters are cast adrift in realities that are neither sage nor serious at all—and possibly impossible. Her parallel worlds and paradoxes brilliantly illuminate our own reality, with all its fictions masquerading as facts (and vice versa). Boundlessly creative, richly philosophical—I loved this book.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Joanna Kavenna, author of Zed","OtherText_Accolades_5":"\u003cp\u003eBy turns playful and melancholy, Dorothy Tse’s tales never fail to mesmerize. They are wonderfully assured, and genuinely strange.\u003c\/p\u003e","OtherText_Accolades_5_Auth":"Sarah Shun-lien Bynum, author of Likes","OtherText_Accolades_6":"\u003cp\u003eTse joins the ranks of artists currently remaking the world, from Yoko Tawada to César Aira.\u003c\/p\u003e","OtherText_Accolades_6_Auth":"Joyelle McSweeney, author of Toxicon and Arachne","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eOn one level, the novel is about a middle-aged professor’s doomed love affair with a doll named Aliss. But it is also a highly ambitious and original exploration of life under oppressive political regimes. Set in an alternate near-future, \u003cem\u003eOwlish\u003c\/em\u003e is a boldly innovative wake-up call, forcing readers to confront the perils of apathy, complacency, and indifference.\u003c\/li\u003e\n\u003cli\u003eUpon original publication the novel was a finalist for the fiction prize at the 2021 Taipei Book Fair. Tse has previously won the Hong Kong Book Prize, the Hong Kong Biennial Award for Chinese Literature, Taiwan’s Unitas New Fiction Writers’ Award, and the Hong Kong Award for Creative Writing in Chinese. \u003c\/li\u003e\n\u003cli\u003eUK rights to \u003cem\u003eOwlish\u003c\/em\u003e were acquired by Fitzcarraldo in a seven-way auction in early 2021.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eThrough the dark rearview mirror of Tse’s fiction, Hong Kong’s past collides with its future.\u003c\/p\u003e","OtherText_Review_0_Auth":"Bookseller","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"\u003cp\u003eIt is as though [\u003cem \u003eOwlish\u003c\/em\u003e], with its ellipses and obstructed messages, were depicting the reality-warping effects of an uncanny, constraining force—a force like state censorship.\u003c\/p\u003e","OtherText_Review_1_Src":"New Yorker","OtherText_Review_2":"\u003cp\u003eWhat’s most evocative about \u003cem \u003eOwlish\u003c\/em\u003e is its scrupulous recall of the city’s quirks … [Tse] wittily captures a recent crisis moment in Hong Kong, exploring a discombobulating state caught between civilisation and its discontents.\u003c\/p\u003e","OtherText_Review_2_Src":"Guardian","OtherText_Review_3":"\u003cp\u003eI was blown away by the craft, inventiveness, and humour of \u003cem\u003eOwlish\u003c\/em\u003e … A frustrated literature professor retreats into a secret inner world in this playful novel set in an alternate Hong Kong: a disquieting tale of revolt and rebellion, denial and self-delusion, and the tricks we perform to keep going in life … \u003cem\u003eOwlish\u003c\/em\u003e is both a sly subversion of fairytales and a Kafkaesque portrait of life under an oppressive regime.\u003c\/p\u003e","OtherText_Review_3_Auth":"Bookseller","OtherText_Review_3_Src":"Financial Times","OtherText_Review_4":"\u003cp\u003eAbsorbing, erotic and at times nightmarish. \u003c\/p\u003e","OtherText_Review_4_Src":"The Guardian","OtherText_Review_5":"\u003cp\u003eTse combines the banal and the fantastic to terrific effect. Full of striking imagery, \u003cem\u003eOwlish \u003c\/em\u003eis a vertiginous tale of a people sleepwalking into catastrophe.\u003c\/p\u003e","OtherText_Review_5_Src":"Financial Times","OtherText_Review_6":"\u003cp\u003e\u003cem \u003eOwlish \u003c\/em\u003emoves past allegory and arrives at a place that is more profound.\u003c\/p\u003e","OtherText_Review_6_Src":"Brooklyn Rail","OtherText_Review_7":"\u003cp\u003efantastical yet utterly absurd … Tse’s novel is ultimately a discussion of British colonialism, oppression and censorship.\u003c\/p\u003e","OtherText_Review_7_Src":"Stanford Daily","OtherText_Review_8":"\u003cp\u003eA wonderfully imaginative fable that resonates with political critique and protest.\u003c\/p\u003e","OtherText_Review_8_Src":"Kirkus","OtherText_Review_9":"\u003cp\u003eWith consummate skill, Tse builds a strange yet somehow familiar backdrop for her story.\u003c\/p\u003e","OtherText_Review_9_Src":"Asian Review of Books","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eWith your face covered, sneaking into a city you thought you knew, are you still yourself? Or have you crossed to another world, where the streets are unpredictable and the people strangers, where you might at any moment run into some unknown dream version of yourself?\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2023-05-16","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eWith your face covered, sneaking into a city you thought you knew, are you still yourself? Or have you crossed to another world, where the streets are unpredictable and the people strangers, where you might at any moment run into some unknown dream version of yourself?\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.5","WidthCode":"in"}
Owlish
With your face covered, sneaking into a city you thought you knew, are you still yourself? Or have you crossed to another world, where the streets are unpredictable and the people strangers, where you might at any moment run into some unknown dream version of yourself?
