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{"id":6811321663547,"title":"We Two Alone","handle":"we-two-alone","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e","published_at":"2022-03-21T17:17:03-04:00","created_at":"2022-03-21T12:52:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Short Stories","Astoria","Book Club Pick","By (author) Wang Jack","pub date: 2020-09-01"],"price":1695,"price_min":1695,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191046680635,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007461","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":308,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007461","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191140397115,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007478","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007478","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191140462651,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007485","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007485","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191140560955,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008826","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008826","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191140790331,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008833","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209","options":["Title"],"media":[{"alt":null,"id":24959859064891,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001469","AlsoRecommendedISBN_1":"9781487002299","AlsoRecommendedISBN_2":"9781487006563","BASICMainSubject":"FIC054000","BASICMainSubjectLiteral":"FICTION \/ Asian American \u0026 Pacific Islander","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Asian American","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubjectLiteral_2":"FICTION \/ Short Stories (single author)","BISACSubject_0":"FIC054000","BISACSubject_1":"FIC019000","BISACSubject_2":"FIC029000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Wang, Jack (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong \u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e","EAN":"9781487007461","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007461\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"canadian history; hockey; immigration; refugees; marriage; asia; Madeleine Thien; Pachinko; A Tale for the Time Being; David Chariandy; London; Lunar New Year; WWI; WWII; world war; holocaust; asian literature; post colonial; creative writing; canlit; Holman; Cozy Classics; Star Wars Epic Yarns; Great Job Dad; Frying Plantain; Kim's Convenience; Asian Americans PBS; book club","NumberOfPages":"296","OtherText_Accolades_0":"\u003cp\u003eThese moving stories are both global and intimate as they span the continents where the Chinese diaspora has settled. With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection that zeroes in on the emotional texture of utterly unique lives.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer","OtherText_Accolades_1":"\u003cp\u003eThis impressive and vibrant collection of stories takes the reader by the hand, leading us across the world and back in time. But they’re all unified by the gentle sensitivity of Jack Wang’s prose and his ability to inhabit characters who long for freedom, connection, and fulfillment. Deeply humane and beautifully wrought, these stories stay in the heart and the mind.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Alix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside","OtherText_Accolades_2":"\u003cp\u003eOne of the best books I’ve read this year and one of my all-time favourite short-story collections.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sharon Bala, bestselling author of The Boat People","OtherText_Accolades_3":"\u003cp\u003eJack Wang’s \u003cem\u003eWe Two Alone\u003c\/em\u003e is not only a penetrating examination of the Chinese diaspora, it also brilliantly renders its subject in the most deeply resonant universal way, as the yearning for personal identity that drives us all in our shared humanity. This is a remarkable collection of stories, a remarkable work of art.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain","OtherText_Accolades_4":"\u003cp\u003eJack Wang’s dazzling first collection of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, moves through decades and across continents with rare ease, telling not \u003cem\u003ethe\u003c\/em\u003e story but some of the many stories of the Chinese diaspora in the last century. These stories are so elegantly shaped, so satisfying as individual stories, that their collective power sneaks up on you. There is a quiet and building intensity to the storytelling here, a commitment to chronicling — with deep compassion and a refusal of easy answers — the dignity of human experience against the broader indignities of history. I was moved, heartbroken, and thrilled.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Emily Fridlund, author of the Booker Prize finalist History of Wolves","OtherText_Description_for_R_0":"\u003cp\u003eFrom “The Night of Broken Glass”\u003cbr \/\u003e A finalist for the 2014 Commonwealth Short Story Prize, whose jury included Booker Prize winner Marlon James\u003cbr \/\u003ePublished in \u003cem\u003eLet’s Tell This Story Properly: An Anthology of the Commonwealth Short Story Prize\u003c\/em\u003e\u003cbr \/\u003eNominated by the \u003cem\u003eNew Quarterly\u003c\/em\u003e for a 2016 National Magazine Award \u003cbr \/\u003e\u003cbr \/\u003e I met my mother for the first time when I was six. I say “mother” because that was what I was expected to call her, and did, though in fact she was my stepmother. My real mother died of tuberculosis when I was five. A year later my father came home with a new wife. He had been studying international law in Chicago despite already having a Ph.D. in political economics from the University of Munich. While he was gone I received a series of brightly coloured linen postcards of the World’s Fair: the Hall of Science, the Avenue of Flags, the iron lattice towers of the Sky Ride. The theme of the fair was A Century of Progress. That’s where my father met Grace.\u003cbr \/\u003e\u003cbr \/\u003eIt was a windless, thick-aired summer day in Changsha when a motorcar saddled with steamer trucks pulled up in front of our house and a woman in a white blouse, wide-legged trousers, and large round sunglasses climbed out. She was beautiful, which made me sad for my mother and scornful of my father, and she looked too fair to be Chinese. As it turned out, she was half Chinese, born of a Chinese father and a German-American mother. That, along with her clothes and her beauty, made her unlike any woman I had ever seen. My father had secured a large two-storey house on the outskirts of town and staffed it with half a dozen servants, all in an effort to make his new wife comfortable, but as soon as they arrived he was stricken by all he had not foreseen. The house had no running water, and despite the need Grace refused to use the privy, which had no seat and emitted at that time of year an audible drone. After pleading with Grace in hushed tones, my father ordered Old Chao into town for a portable commode, a trip of at least three hours. For the rest of the afternoon my new mother paced the courtyard, smoking one Lucky after another, which made her seem feral and caged. \u003cbr \/\u003e\u003cbr \/\u003e[…] \u003cbr \/\u003e\u003cbr \/\u003eNeedless to say, Grace was unhappy in China. Though my father had no particular desire to leave, he began to eye the foreign service. When the Governor for whom he worked recommended the post of First Secretary in the Chinese legation in Austria, my father accepted for Grace’s sake. We arrived in Vienna in June of my tenth year, after a three-week voyage on the \u003cem\u003eConte Verde\u003c\/em\u003e through Saigon, Singapore, Madras, Bombay, Aden, and Port Said, and at first everything did seem better. The city was glorious with summer, and everywhere open air orchestras paid homage to the old masters, which made our lives seem set to music. Many nights my parents put on tails and gown and went to balls and receptions, living at last the life for which they were meant. \u003cbr \/\u003e\u003cbr \/\u003eBut it wasn’t long before Grace again felt stranded. She could no more distinguish der, die, and das than she could first and second tones. Then, in the spring, German troops goose-stepped through the Ringstrasse, just blocks away from our townhouse. The crowds that greeted them were lusty, adoring, as was I, my schoolboy fantasies of soldiers and guns come to life. My father did not raise his arm but he didn’t stop me from raising mine. That night, in a scene that would soon become commonplace, hoodlums took to the streets, smashing the windows of certain homes and shops. Thereafter, walking to and from school, I passed storefronts marked \u003cem\u003eJude\u003c\/em\u003e and \u003cem\u003eNicht arisches Geschaeft\u003c\/em\u003e and blocked by baby-faced men in jackboots and flared helmets. As a visible foreigner and part of the diplomatic corps, my father felt undeterred and often went into these stores despite the piercing glares — and once, an arm held stiffly against his chest. For my mother, annexation was yet another rung of descent in a private tragedy. She chided my father for bringing her to a Nazi-occupied country. His answer: Better the Germans than the Japanese. \u003cbr \/\u003e\u003cbr \/\u003eAt the end of October, thousands of Polish-born Jews were rounded up and sent back to Poland. When a seventeen-year-old boy learned that his family was among those languishing at the border, unwanted by either side, he walked into the German Embassy in Paris and pumped five bullets into the viscera of a minor German diplomat. Two days later, Ernst vom Rath died of his wounds. The seething of the Germans, checked so long as their countryman clung to life, would now be unleashed. This was what my father knew when he came home that afternoon.\u003c\/p\u003e","OtherText_Review_0":"\u003cp\u003eA collection that announces an important new voice in contemporary fiction … Beyond Vancouver, Shanghai, Vienna, Port Elizabeth, and London, the stories in \u003cem\u003eWe Two Alone\u003c\/em\u003e encompass Tallahassee, Los Angeles, and Boston. Wang is committed to rendering his backdrops accurately; with perfectly presented details, he showcases the disharmony of the Chinese diaspora, as individuals endure salient moments in twentieth-century history and more recent times … \u003cem\u003eWe Two Alone\u003c\/em\u003e shows that Jack Wang is a master of the short story, a writer who has mapped his own space, neither Canadian nor American, nor anywhere else. Each episode in this collection is a moving tribute to its characters as well as an indictment of the ostracism that remains when racist taunts and human failures continue to bedevil the modern world.\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_Review_1":"\u003cp\u003eRich and poignant … History lovers and literary buffs will sink joyfully into his moving collection … Wang manages to underscore the importance of cultural heritage while stressing humanity’s common ties … His ability to create vivid and believable settings, in beautiful and readable prose, will deeply move readers.\u003c\/p\u003e","OtherText_Review_1_Src":"Winnipeg Free Press","OtherText_Review_2":"\u003cp\u003eJack Wang is a welcome new voice in Canadian letters … [\u003cem\u003eWe Two Alone\u003c\/em\u003e] is serious, engaging, well crafted, thought-provoking. Wang clearly has something to say, and this accomplished collection not only says it but also promises a great deal more to come.\u003c\/p\u003e","OtherText_Review_2_Src":"Ormsby Review","OtherText_Review_3":"\u003cp\u003eJack Wang’s extraordinary debut book of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, weaves a path across the world, following the Chinese diaspora over nearly a hundred years. It’s the kind of collection that comes along only once in a while, to be savoured by readers for its sharp, smart portraits of longing, connection, and identity.\u003c\/p\u003e","OtherText_Review_3_Src":"Open Book","OtherText_Review_4":"\u003cp\u003eIn \u003cem\u003eWe Two Alone\u003c\/em\u003e, Jack Wang has written an instantly engaging and achingly poignant collection of stories about people struggling to preserve their way of life and seeking stability, connection, and meaning. Focusing on Chinese immigrant experiences, Wang’s stories range freely and easily across many decades and a dizzyingly assortment of geographies. All of Wang’s characters are vividly rendered, their struggles and agonies richly conceived and indelibly portrayed. The writing throughout is atmospheric, highly visual, and peppered with startling and persuasive detail. Long after finishing it, \u003cem\u003eWe Two Alone\u003c\/em\u003e lingers in the mind as a compassionate work by a profoundly talented writer who cares deeply about what it means to be human in turbulent times.\u003c\/p\u003e","OtherText_Review_4_Auth":"Danuta Gleed Literary Award Jury Citation","OtherText_ShortDescription_0":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"05","PrizeName_0":"Danuta Gleed Literary Award","PrizeName_1":"CBC Canada Reads","ProductFormDescription":"trade paperback","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","Width":"5.25","WidthCode":"in"}
We Two Alone
A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.
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{"id":7315893846075,"title":"What I Mean to Say","handle":"what-i-mean-to-say","description":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners?\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.\u003c\/p\u003e","published_at":"2024-11-08T09:55:14-05:00","created_at":"2024-11-08T09:41:31-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Nonfiction","By (author) Williams Ian","House of Anansi Press","pub date: 2024-10-08","Technology \u0026 Politics","The CBC Massey Lectures"],"price":1999,"price_min":1999,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41888108806203,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013424","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"What I Mean to Say - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2499,"weight":310,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013424","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41888108838971,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781487013820","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"What I Mean to Say - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013820","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41888108871739,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781487013837","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"What I Mean to Say - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013837","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335","options":["Title"],"media":[{"alt":null,"id":25013096972347,"position":1,"preview_image":{"aspect_ratio":0.697,"height":2475,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335"},"aspect_ratio":0.697,"height":2475,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0d401842-c6e8-43c6-b2f7-c7547a715320.jpg?v=1737218335","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners?\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008512","AlsoRecommendedISBN_1":"9781487010362","AlsoRecommendedISBN_2":"9781487012847","BASICMainSubject":"SOC026040","BASICMainSubjectLiteral":"SOCIAL SCIENCE\/Sociology\/Social Theory","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eIAN WILLIAMS\u003c\/strong\u003e is the author of seven books of fiction, nonfiction, and poetry. He is the winner of the Scotiabank Giller Prize, the Danuta Gleed Literary Award, the Raymound Souster Award, and a finalist for the Griffin Poetry Prize. \u003c\/p\u003e\n\u003cp\u003eWilliams is a professor of English at the University of Toronto, where he directs the Creative Writing program.\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Sociology \/ Social Theory","BISACSubjectLiteral_1":"PSYCHOLOGY \/ Social Psychology","BISACSubjectLiteral_2":"SOCIAL SCIENCE \/ Essays","BISACSubject_0":"SOC026040","BISACSubject_1":"PSY031000","BISACSubject_2":"SOC041000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eIAN WILLIAMS\u003c\/strong\u003e is the author of seven books of fiction, nonfiction, and poetry. He is the winner of the Scotiabank Giller Prize, the Danuta Gleed Literary Award, the Raymound Souster Award, and a finalist for the Griffin Poetry Prize. \u003c\/p\u003e\n\u003cp\u003eWilliams is a professor of English at the University of Toronto, where he directs the Creative Writing program.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Williams, Ian","Description":"\u003cp\u003e\u003cstrong\u003eEnough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners? \u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.\u003c\/p\u003e","EAN":"9781487013837","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013837\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.25","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Griffin Poetry Prize;Malcolm Gladwell;cancel culture;deep conversation;therapy talk;intimate;politics;debate;social studies;shared experience;Seven Habits of Highly Effective People","NumberOfPages":"248","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eURGENT SUBJECT MATTER: Now more than ever, conversation—the sincere, open exchange of thoughts and feelings—is essential if we are to restore civic and civil discourse. This book is an attempt to encourage a conversation about conversation.\u003c\/li\u003e\n\u003cli\u003eCONVERSATIONS AND THE 2024 U.S. ELECTION: The next U.S. election is on November 5, 2024. As American (and global) politics become more and more polarized, it feels harder than ever to have important conversations. \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e delves into why tough topics are often the most important, and how reactivity has caused people to back away from engaging in thoughtful discourse. The book publishes just before the 2024 U.S. election, on October 8 in the U.S. and Canada.\u003c\/li\u003e\n\u003cli\u003eBESTSELLING AUTHOR AND EXPERIENCED ACADEMIC: Ian Williams is the bestselling author of \u003cem\u003eReproduction\u003c\/em\u003e for which he also won the Scotiabank Giller Prize. He is also the author of \u003cem\u003eDisorientation: Being Black in the World\u003c\/em\u003e which was shortlisted for the Hilary Weston Writers’ Prize for Nonfiction. He is a tenured English professor at the University of Toronto.\u003c\/li\u003e\n\u003cli\u003eCROSS COUNTRY TOUR AND RADIO BROADCAST: The five lectures will be delivered live and in person in Sidney NS, Iqaluit NV, Saskatoon SK, Victoria BC, and Toronto ON over several weeks in fall 2024 and then will be broadcast on CBC Radio’s \u003cem\u003eIdeas\u003c\/em\u003e series in November 2024.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"An excellent book.\" \u003cstrong\u003e— \u003cem\u003eThe Globe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e\"A true conversation.\" —\u003cstrong \u003e\u003cem\u003eGuelph Today\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“In an age marked by the proliferation of social media platforms, political polarization, and censorship campaigns that ban books and silence opposing viewpoints, \u003cem\u003eWhat I Mean to Say\u003c\/em\u003e is a call to reevaluate how we converse.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2024-10-08","Publisher":"House of Anansi Press Inc","Series":"The CBC Massey Lectures","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Remaking Conversation in Our Time","Width":"5.75","WidthCode":"in"}
What I Mean to Say
The 2024 Massey Lectures will be delivered by Scotiabank Giller Prize–winning author Ian Williams.
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{"id":6811321761851,"title":"When He Was Free and Young and He Used to Wear Silks","handle":"when-he-was-free-and-young-and-he-used-to-wear-silks","description":"\u003cp\u003e\u003cstrong\u003eNow available after over four decades, the first collection of short fiction from bestselling author and Barbadian-born Canadian luminary Austin Clarke — winner of the Scotiabank Giller Prize, the Commonwealth Writers’ Prize, and the Trillium Book Award for his novel \u003c\/strong\u003e\u003cstrong\u003e\u003ci\u003eThe Polished Hoe\u003c\/i\u003e\u003c\/strong\u003e\u003cstrong\u003e — is a vital, lyrical, and provocative exploration of the Black immigrant experience in Canada. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOriginally issued in 1971, Austin Clarke’s first published collection of eleven remarkable stories showcases his groundbreaking approach to chronicling the Caribbean diaspora experience in Canada. Characters move through the mire of working life, of establishing a home for themselves, of reconciling with what and who they left behind — all the while contending with a place in which their bone-chilling reception is both social and atmospheric. In lyrical, often racy, and wholly unforgettable prose, Clarke portrays a set of provocative, scintillating portraits of the psychological realities faced by people of colour in a society so often lauded for its geniality and openness.\u003c\/p\u003e","published_at":"2022-03-21T17:17:04-04:00","created_at":"2022-03-21T12:52:35-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","Adult BIPOC Voices","Adult Short Stories","By (author) Clarke Austin","Introduction by Walcott Rinaldo","pub date: 2020-10-06"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191046778939,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008420","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"When He Was Free and Young and He Used to Wear Silks - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":240,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008420","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191140757563,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008437","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"When He Was Free and Young and He Used to Wear Silks - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008437","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191140921403,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487008444","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"When He Was Free and Young and He Used to Wear Silks - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008444","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_200eb7fa-c446-4dfd-b762-88d04d74d127.jpg?v=1654443860"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_200eb7fa-c446-4dfd-b762-88d04d74d127.jpg?v=1654443860","options":["Title"],"media":[{"alt":null,"id":22170948730939,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_200eb7fa-c446-4dfd-b762-88d04d74d127.jpg?v=1654443860"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_200eb7fa-c446-4dfd-b762-88d04d74d127.jpg?v=1654443860","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eNow available after over four decades, the first collection of short fiction from bestselling author and Barbadian-born Canadian luminary Austin Clarke — winner of the Scotiabank Giller Prize, the Commonwealth Writers’ Prize, and the Trillium Book Award for his novel \u003c\/strong\u003e\u003cstrong\u003e\u003ci\u003eThe Polished Hoe\u003c\/i\u003e\u003c\/strong\u003e\u003cstrong\u003e — is a vital, lyrical, and provocative exploration of the Black immigrant experience in Canada. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOriginally issued in 1971, Austin Clarke’s first published collection of eleven remarkable stories showcases his groundbreaking approach to chronicling the Caribbean diaspora experience in Canada. Characters move through the mire of working life, of establishing a home for themselves, of reconciling with what and who they left behind — all the while contending with a place in which their bone-chilling reception is both social and atmospheric. In lyrical, often racy, and wholly unforgettable prose, Clarke portrays a set of provocative, scintillating portraits of the psychological realities faced by people of colour in a society so often lauded for its geniality and openness.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001889","AlsoRecommendedISBN_1":"9781487005344","AlsoRecommendedISBN_4":"9781770893108","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION\\\/Short Stories (single author)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eAUSTIN CLARKE\u003c\\\/strong\u003e (1934–2016) was one of Canada’s foremost authors, whose work includes ten novels, six short-story collections, three memoirs, and two collections of poetry. His novel \u003cem\u003eThe Polished Hoe\u003c\\\/em\u003e won the 2002 Giller Prize. Clarke was appointed to the Order of Canada, held four honorary doctorates, and was awarded the Commonwealth Writers’ Prize, the W. O. Mitchell Prize, the Casa de las Américas Prize, and the Martin Luther King Jr. Award for Excellence in Writing, among others. In his fifty-year career he worked as a journalist, a professor, and a cultural attaché in Washington, D.C.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"FICTION \\\/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \\\/ Literary","BISACSubjectLiteral_2":"FICTION \\\/ Cultural Heritage","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC019000","BISACSubject_2":"FIC051000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eAUSTIN CLARKE\u003c\\\/strong\u003e (1934–2016) was one of Canada’s foremost authors, whose work includes ten novels, six short-story collections, three memoirs, and two collections of poetry. His novel \u003cem\u003eThe Polished Hoe\u003c\\\/em\u003e won the 2002 Giller Prize. Clarke was appointed to the Order of Canada, held four honorary doctorates, and was awarded the Commonwealth Writers’ Prize, the W. O. Mitchell Prize, the Casa de las Américas Prize, and the Martin Luther King Jr. Award for Excellence in Writing, among others. In his fifty-year career he worked as a journalist, a professor, and a cultural attaché in Washington, D.C.\u003c\\\/p\u003e\\r\\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Clarke, Austin","Contributor_1":"Walcott, Rinaldo (CA)","Description":"\u003cp\u003e\u003cstrong\u003eNow available after over four decades, the first collection of short fiction from bestselling author and Barbadian-born Canadian luminary Austin Clarke — winner of the Scotiabank Giller Prize, the Commonwealth Writers’ Prize, and the Trillium Book Award for his novel \u003c\\\/strong\u003e\u003cstrong\u003e\u003ci\u003eThe Polished Hoe\u003c\\\/i\u003e\u003c\\\/strong\u003e\u003cstrong\u003e — is a vital, lyrical, and provocative exploration of the Black immigrant experience in Canada. \u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cp\u003eOriginally issued in 1971, Austin Clarke’s first published collection of eleven remarkable stories showcases his groundbreaking approach to chronicling the Caribbean diaspora experience in Canada. Characters move through the mire of working life, of establishing a home for themselves, of reconciling with what and who they left behind — all the while contending with a place in which their bone-chilling reception is both social and atmospheric. In lyrical, often racy, and wholly unforgettable prose, Clarke portrays a set of provocative, scintillating portraits of the psychological realities faced by people of colour in a society so often lauded for its geniality and openness.\u003c\\\/p\u003e","EAN":"9781487008444","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487008444\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","MetaKeywords":"bipoc; black culture; barbados; immigration; racism; award winning author; black lives matter; identity; white society; colonialism; james baldwin; malcolm x; harlem; canada's angriest black man; canlit; short fiction; black author; immigrant community; introduction; giller prize; martin luther king jr. achievement award; no pain like this body harold sonny ladoo; heads of the coloured people; columbus and the fat lady matt cohen; collectors edition","NumberOfPages":"176","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eVITAL WORK AT THE INTERSECTION OF THE BLACK COMMUNITY, THE CARIBBEAN DIASPORA, AND RACE AND CLASS IN POST-COLONIAL NORTH AMERICA:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003eIn the age of Black Lives Matter; the rise of white supremacist movements; and the push for representation, inclusivity, and stories from traditionally marginalized communities, Clarke’s work is more relevant now than ever. He boasted a career that spanned fifty years and saw his writing — nearly a dozen novels, several story collections, as well as memoirs and poems — break the mould of North American literature by exposing the realities faced by immigrants, predominantly from the Caribbean, in white society. His fiction chronicles the outer challenges of colonialism, racism, and economic hardship, as well as the psychological challenges of colonial mentality and racial shame — all the while showcasing the diaspora community’s wit and resilience through a vibrant and signature use of Bajan vernacular.\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eA PROVOCATIVE LEGACY:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003eIn 1963, the CBC sent Clarke to interview the writer James Baldwin, and while that interview never panned out, Clarke did land an extended interview with civil rights leader Malcolm X, which was incorporated into a two-hour CBC documentary called \u003cem\u003eAustin Clarke’s Harlem\u003c\\\/em\u003e. His involvement in the civil rights movement south of the border and his criticism of Canada’s purported openness and tolerance earned him the title of “Canada’s angriest black man” — the implications of which rankled him for the majority of his working life.\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eCELEBRATED WORKS:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003eClarke’s most famous book, \u003cem\u003eThe Polished Hoe\u003c\\\/em\u003e (2002), won the Commonwealth Writers’ Prize, the Scotiabank Giller Prize, and the Trillium Book Award. His novel \u003cem\u003eMore\u003c\\\/em\u003e (2008) was longlisted for the Giller and won the Toronto Book Award. In 2012, at the Toronto International Festival of Authors, Clarke was awarded the $10,000 Harbourfront Festival Prize “on the merits of his published work and efforts in fostering literary talent in new and aspiring writers.” His body of work has also been honoured with the Martin Luther King Jr. Achievement Award for Excellence in Writing and the W. O. Mitchell Literary Prize.\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eHANDSOME A LIST EDITION:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003eThe title is receiving the full A List treatment, including a beautiful new cover and introduction.\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eAN ACCESSIBLE ENTRY POINT:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003eAnansi’s A List reissues have demonstrated a unique ability to revive interest in house classics, bringing them to both collectors and new readers discovering the works afresh.\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_Review_0":"Tremendously versatile in what he expresses, and exhilarating to read.","OtherText_Review_0_Src":"Globe and Mail","OtherText_Review_1":"Powerful and probing. Situations may be cruel, reactions vulgar, but the vitality of the characters is mirrored by the style which shapes and moulds and becomes, from time to time, the theme itself.","OtherText_Review_1_Src":"London Free Press","OtherText_Review_2":"Funny, sad, boisterous, virile, vigorous.","OtherText_Review_2_Src":"Queen’s Quarterly","OtherText_Review_3":"Gives a convincing and compassionate picture of the life of these immigrants in Toronto set against the varied backgrounds of their West Indian life.","OtherText_Review_3_Src":"Windsor Star","OtherText_ShortDescription_0":"The first collection of short fiction from bestselling author Austin Clarke is a provocative exploration of the Black immigrant experience in Canada.","ProductFormDescription":"mobi","PublicationDate":"2020-10-06","Publisher":"House of Anansi Press Inc","ShortDescription":"The first collection of short fiction from bestselling author Austin Clarke is a provocative exploration of the Black immigrant experience in Canada.","Width":"5.5","WidthCode":"in"}
When He Was Free and Young and He Used to Wear Silks
The first collection of short fiction from bestselling author Austin Clarke is a provocative exploration of the Black immigrant experience in Canada.
Quick View
{"id":7253953282107,"title":"Who Will Bury You?","handle":"who-will-bury-you","description":"\u003cp\u003e\u003cstrong\u003eA Boston Globe Best Book of 2024\u003cbr\u003e\nBrittle Paper 100 Notable African Books of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in Toronto and Zimbabwe, the twelve elegant stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e touch on themes of loss, identity, and inequality as they follow the lives of Zimbabweans who often feel like they are on the outside looking in. A mother and daughter navigate new relationship dynamics when the daughter comes out as a lesbian. Two sisters wonder what will hold them together after their grandmother’s death. A daughter tries to tell her father she loves him as she prepares to leave home for the first time. A journalist takes her grieving mother on a trip to report on girls who are allegedly being abducted by mermaids. A girl born to be the river god’s wife becomes a hero when chaos breaks out in the mighty Zambezi. A group of mothers discover just how far they are willing to go to protect their children during wartime.\u003c\/p\u003e\n\u003cp\u003eEphemeral yet beautifully satisfying, the stories in Chido Muchemwa's debut collection ask what makes people leave home, what makes them come back, and what keeps them there.\u003c\/p\u003e","published_at":"2024-04-19T16:21:08-04:00","created_at":"2024-04-19T16:09:32-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Course Adoption","Adult LGBTQ+","Adult New Releases","Adult Short Stories","Adult Starred Reviews","Astoria","By (author) Muchemwa Chido","Literary Fiction","pub date: 2024-10-08"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41696379994171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012465","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Who Will Bury You? - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":198,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012465","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41696380715067,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012472","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Who Will Bury You? - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012472","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366","options":["Title"],"media":[{"alt":null,"id":25013097431099,"position":1,"preview_image":{"aspect_ratio":0.786,"height":2100,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366"},"aspect_ratio":0.786,"height":2100,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA Boston Globe Best Book of 2024\u003cbr\u003e\nBrittle Paper 100 Notable African Books of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in Toronto and Zimbabwe, the twelve elegant stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e touch on themes of loss, identity, and inequality as they follow the lives of Zimbabweans who often feel like they are on the outside looking in. A mother and daughter navigate new relationship dynamics when the daughter comes out as a lesbian. Two sisters wonder what will hold them together after their grandmother’s death. A daughter tries to tell her father she loves him as she prepares to leave home for the first time. A journalist takes her grieving mother on a trip to report on girls who are allegedly being abducted by mermaids. A girl born to be the river god’s wife becomes a hero when chaos breaks out in the mighty Zambezi. A group of mothers discover just how far they are willing to go to protect their children during wartime.\u003c\/p\u003e\n\u003cp\u003eEphemeral yet beautifully satisfying, the stories in Chido Muchemwa's debut collection ask what makes people leave home, what makes them come back, and what keeps them there.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005344","AlsoRecommendedISBN_1":"9781487006389","AlsoRecommendedISBN_2":"9781487011383","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHIDO MUCHEMWA\u003c\/strong\u003e is a Zimbabwean writer living in Toronto. Her work has appeared in \u003cem\u003eLolwe\u003c\/em\u003e, \u003cem\u003eAugur\u003c\/em\u003e, \u003cem\u003eCatapult\u003c\/em\u003e, \u003cem\u003eBaltimore Review\u003c\/em\u003e, and \u003cem\u003ePRISM international\u003c\/em\u003e, among others. She has been shortlisted twice for the Short Story Day Africa Prize, and she was the winner of the 2022 Bridge Prize.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_2":"FICTION \/ Cultural Heritage","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC029000","BISACSubject_2":"FIC051000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHIDO MUCHEMWA\u003c\/strong\u003e is a Zimbabwean writer living in Toronto. Her work has appeared in \u003cem\u003eLolwe\u003c\/em\u003e, \u003cem\u003eAugur\u003c\/em\u003e, \u003cem\u003eCatapult\u003c\/em\u003e, \u003cem\u003eBaltimore Review\u003c\/em\u003e, and \u003cem\u003ePRISM international\u003c\/em\u003e, among others. She has been shortlisted twice for the Short Story Day Africa Prize, and she was the winner of the 2022 Bridge Prize.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Muchemwa, Chido","Description":"\u003cp\u003e\u003cstrong\u003eA Boston Globe Best Book of 2024\u003cbr\u003e\nBrittle Paper 100 Notable African Books of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in Toronto and Zimbabwe, the twelve elegant stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e touch on themes of loss, identity, and inequality as they follow the lives of Zimbabweans who often feel like they are on the outside looking in. A mother and daughter navigate new relationship dynamics when the daughter comes out as a lesbian. Two sisters wonder what will hold them together after their grandmother’s death. A daughter tries to tell her father she loves him as she prepares to leave home for the first time. A journalist takes her grieving mother on a trip to report on girls who are allegedly being abducted by mermaids. A girl born to be the river god’s wife becomes a hero when chaos breaks out in the mighty Zambezi. A group of mothers discover just how far they are willing to go to protect their children during wartime.\u003c\/p\u003e\n\u003cp\u003eEphemeral yet beautifully satisfying, the stories in Chido Muchemwa's debut collection ask what makes people leave home, what makes them come back, and what keeps them there.\u003c\/p\u003e","EAN":"9781487012472","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012472\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"Governor General's Academic Medal;folklore;motherhood;friendship;sisterhood;family relationships;chosen family;Chrysalis;Anuja Varghese","NumberOfPages":"192","OtherText_Accolades_0":"\u003cp\u003e\"The language is transparent, unadorned, concise, and elegant. The stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e are jampacked with nuanced moments, calibrations of tension, and a kind of uneasy epiphany.\" — \u003cstrong\u003eLisa Moore, author of \u003cem\u003eThis Is How We Love\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Lisa Moore, author of This Is How We Love","OtherText_Accolades_1":"\u003cp\u003e“Brilliant and moving. A literary treasure!\" — \u003cstrong \u003eNovuyo Rosa Tshuma, author of \u003cem\u003eDigging Stars\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Rattawut Lapcharoensap, author of Sightseeing","OtherText_Accolades_2":"\u003cp\u003e\"These stories build astonishing bridges: between mother and daughter, between Harare and Toronto, between lovers, between the living and the dead, between those who leave and those they leave behind. Chido Muchemwa is a terrific writer, and \u003cem\u003eWho Will Bury You?\u003c\/em\u003e is a marvellous debut collection.\" — \u003cstrong\u003eRattawut Lapcharoensap, author of \u003cem\u003eSightseeing\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA collection of stories about people who often feel like they are on the outside looking in. \u003c\/li\u003e\n\u003cli\u003eIn Zimbabwe, same-sex sexual activity is prohibited, same-sex marriage is banned, and LGBTQ+ people are heavily marginalized in both the legal and social spheres, with no legal protections from discrimination, violence, or harassment. But these stories consider what queerness actually looks like on an interpersonal level, depicting queer love and joy as well as reconciliation between family members. \u003c\/li\u003e\n\u003cli\u003eSome of the stories in the collection are inflected by Zimbabwean mythology.\u003c\/li\u003e\n\u003cli\u003eThe author wrote many of these stories to cope after her father’s death. The characters are dealing with all types of loss, but the collection remains hopeful.\u003c\/li\u003e\n\u003cli\u003eThe phrase “Who will bury you” appears as a refrain throughout the collection. The title story includes the line “Sometimes I think that maybe when I ask who will bury you what I’m really saying is who will be there at the end?”\u003c\/li\u003e\n\u003cli\u003eMuchemwa was the winner of the 2022 Bridge Prize.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eA collection of stories about people who often feel like they are on the outside looking in. \u003c\/li\u003e\n\u003cli\u003eIn Zimbabwe, same-sex sexual activity is prohibited, same-sex marriage is banned, and LGBTQ+ people are heavily marginalized in both the legal and social spheres, with no legal protections from discrimination, violence, or harassment. But these stories consider what queerness actually looks like on an interpersonal level, depicting queer love and joy as well as reconciliation between family members. \u003c\/li\u003e\n\u003cli\u003eSome of the stories in the collection are inflected by Zimbabwean mythology.\u003c\/li\u003e\n\u003cli\u003eThe author wrote many of these stories to cope after her father’s death. The characters are dealing with all types of loss, but the collection remains hopeful.\u003c\/li\u003e\n\u003cli\u003eThe phrase “Who will bury you” appears as a refrain throughout the collection. The title story includes the line “Sometimes I think that maybe when I ask who will bury you what I’m really saying is who will be there at the end?”\u003c\/li\u003e\n\u003cli\u003eMuchemwa was the winner of the 2022 Bridge Prize.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“An impressive and expansive collection.” — \u003cstrong\u003e\u003cem\u003eKirkus (STARRED Review)\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“\u003cem\u003eWho Will Bury You?\u003c\/em\u003e feels like a diasporan love letter to Zim life and culture, but also a eulogy for what’s inevitably lost as time and people move on … If she isn’t already, Muchemwa is set to be a leading light of modern Zimbabwean and African literature.” \u003cstrong\u003e\u003cem\u003e— The Continent \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Muchemwa deftly combines Zimbabwean culture and folklore with explorations of belonging.” \u003cstrong\u003e\u003cem\u003e— Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“A moving collection of stories delving into the intimate relationships among local and diasporic Zimbabweans and their families.” \u003cstrong\u003e\u003cem\u003e— Herizons\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeName_0":"Boston Globe Best Books of 2024","PrizeName_1":"Brittle Paper 100 Notable African Books of 2024","PrizeYear_0":"2024","PrizeYear_1":"2024","ProductFormDescription":"epub","PublicationDate":"2024-10-08","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"And Other Stories","Width":"5.5","WidthCode":"in"}
Who Will Bury You?
Intimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.
