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BIPOC Voices
Fiction, nonfiction and poetry by BIPOC authors to add to your reading list.
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{"id":6582749397051,"title":"NDN Coping Mechanisms","handle":"ndn-coping-mechanisms","description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","published_at":"2021-05-13T13:12:19-04:00","created_at":"2021-05-13T13:12:19-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult LGBTQ+","Adult Poetry","Adult Starred Reviews","By (author) Belcourt Billy-Ray","House of Anansi Press","Literary Fiction","pub date: 2019-09-03"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403449221179,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487005771","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":180,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005771","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413615886395,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487005788","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005788","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413615951931,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007164","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007164","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_39bee3d4-aab3-4adb-8fa1-b460ca80dfd2.jpg?v=1639339610"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_39bee3d4-aab3-4adb-8fa1-b460ca80dfd2.jpg?v=1639339610","options":["Title"],"media":[{"alt":null,"id":21224427126843,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_39bee3d4-aab3-4adb-8fa1-b460ca80dfd2.jpg?v=1639339610"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_39bee3d4-aab3-4adb-8fa1-b460ca80dfd2.jpg?v=1639339610","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. 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{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_1":"9781487002268","AlsoRecommendedISBN_2":"9781487003463","BASICMainSubject":"POE015000","BASICMainSubjectLiteral":"POETRY \/ American \/ Native American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Native American","BISACSubjectLiteral_1":"POETRY \/ LGBT","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE015000","BISACSubject_1":"POE021000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Belcourt, Billy-Ray (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","EAN":"9781487005771","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005771\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"ethnopoetics; not dead native; visceral; campy; ferocious; LGBTQ+; accessible poetry; sucker punch; decolonial; grief and desire; genre-bending; poetics; prose; uncompromising; Tina Fontaine; experimental verse; canlit; indigenous literature; critical theory; Finalist; Lambda Literary Award for Gay Poetry; Longlist; CBC Canada Reads; Library Journal Best Book; CBC Book of the Year; Library Journal; starred review; Griffin Poetry Prize","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e\u003cstrong\u003ePRAISE FOR BILLY-RAY BELCOURT AND \u003cem\u003eNDN COPING MECHANISMS\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003eWinner, Stephan G. Stephansson Award for Poetry\u003cbr\/\u003eFinalist, Lambda Literary Award for Gay Poetry\u003cbr \/\u003eLonglist, CBC Canada Reads\u003cbr \/\u003eA Library Journal Best Book of 2019\u003cbr \/\u003eA CBC Book of the Year\u003cbr \/\u003e\u003cbr \/\u003e“[Billy-Ray Belcourt’s] words shake with their own power.” — \u003cem\u003eAdroit Journal\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Both intellectual and visceral, these poems dazzle with metaphoric richness and striking lyricism.” — \u003cem\u003eToronto Star\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“An impressive follow-up to his first book.” — \u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Playful, candid, and campy.” — \u003cem\u003ePrairie Books NOW\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“A masterful blend of the personal and the political, the ephemeral and the corporal, the theoretical and the emotional.” — \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“For all the ferocious energy and one-two punch of language here, this is also a concentrated, beautifully managed work.” — \u003cem\u003eLibrary Journal\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“This brilliant book is endlessly giving, lingering in tight spaces within the forms of loneliness, showing us their contours. These poems do the necessary work of negotiating with the heart-killing present from which we imagine and make Indigenous futures. Every line feels like a possible way out of despair.” — Elissa Washuta, author of \u003cem\u003eMy Body Is a Book of Rules\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“‘I believe I exist. \/ To live, one can be neither \/ more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.” — TC Tolbert, author of \u003cem\u003eGephyromania\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e is a haunting book that dreams a new world — a ‘holy place filled with NDN girls, hair wet with utopia’ — as it simultaneously excoriates the world that ‘is a wound’ and the historic and present modalities of violence against Indigenous peoples under Canadian settler colonialism. Belcourt considers the genocidal nation-state, queerness, and the limits and potential of representation, often through a poetic\/scholarly lineage that includes Leanne Betasamosake Simpson, Saidiya Hartman, Anne Boyer, José Esteban Muñoz, Christina Sharpe, and Gwen Benaway, among others. This is the beautiful achievement of NDN Coping Mechanisms: Belcourt conjures a sovereign literary space that refuses white sovereignty and is always already in relation to the ideas of the foremost decolonial poets and thinkers of Turtle Island.” — Mercedes Eng, author of \u003cem\u003ePrison Industrial Complex Explodes\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003cstrong\u003ePRAISE FOR BILLY-RAY BELCOURT AND \u003cem\u003eTHIS WOUND IS A WORLD\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003eWinner, Griffin Poetry Prize\u003cbr \/\u003eWinner, Robert Kroetsch City of Edmonton Book Prize\u003cbr \/\u003eWinner, Most Significant Book of Poetry in English by an Emerging Indigenous Writer, Indigenous Voices Award\u003cbr \/\u003eFinalist, Governor General’s Literary Award for Poetry\u003cbr \/\u003eFinalist, Gerald Lampert Memorial Award\u003cbr \/\u003eFinalist, Raymond Souster Award\u003cbr \/\u003eA CBC Books Best Poetry Collection of the Year\u003cbr \/\u003e\u003cbr \/\u003e“Blending the resources of love song and elegy, prayer and manifesto, Billy-Ray Belcourt’s \u003cem\u003eThis Wound is a World\u003c\/em\u003e shows us poetry at its most intimate and politically necessary. Mindful of tangled lineages and the lingering erasures of settler colonialism, Belcourt crafts poems in which ‘history lays itself bare’ — but only as bare as their speaker’s shapeshifting heart. Belcourt pursues original forms with which to chart the constellations of queerness and Indigeneity, rebellion and survival, desire and embodiedness these poems so fearlessly explore. Between its bold treatment of sexuality and wary anatomy of despair, \u003cem\u003eThis Wound is a World\u003c\/em\u003e peels back the layers of feeling and experience to offer, finally, the glimmerings of hope — which only sometimes looks like escape: ‘follow me out the backdoor of the world.’ This electrifying book reminds us that a poem may live twin lives as incantation and inscription, singing from the untamed margins: ‘grieve is the name i give to myself \/ i carve it into the bed frame. \/ i am make-believe. \/ this is an archive. \/ it hurts to be a story.’” — 2018 Griffin Poetry Prize Judges’ Citation\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eThis Wound is a World\u003c\/em\u003e is a decolonial wild fire from which the acclaimed writer Billy-Ray Belcourt builds a new world — and it's the brilliant, radiant Indigenous world, I want to live in. His poetics create space out of nothing, unapologetically inhabit that space and then gift it to us with uninhibited love. Belcourt is sovereign genius and \u003cem\u003eThis Wound is a World\u003c\/em\u003e redefines poetics as a refusal of colonial erasure, a radical celebration of Indigenous life and our beautiful, intimate rebellion. This is a breathtaking masterpiece. Belcourt has emerged fully formed.” — Leanne Betasamosake Simpson, CBC Books\u003cbr \/\u003e\u003cbr \/\u003e“Belcourt, in a cutting, contemporary idiom, has made himself the urgent fresh voice of his generation.” — \u003cem\u003eEdmonton Journal\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“This is poetry at its brightest. It is electric, profound, necessary work. Belcourt bends genre, challenging the cage of colonialism through a poetics of intimacy. It is a collection unafraid to ask questions, exploring grief, desire, queer sexuality, and Indigeneity with tender honesty. Belcourt asks us to consider the ways Indigenous bodies can be simultaneously unbound and ‘rendered again,’ how worlds can be made and unmade. These are poems to be returned to again and again with reverence.” — \u003cem\u003ePrism International\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Billy-Ray Belcourt’s poems are full of sound. They are cacophonous enunciations of both the blaring and imperceptible legacies of colonization that resonate in contemporary life.” — CBC Arts\u003c\/p\u003e","OtherText_Accolades_1":"I believe I exist. \/ To live, one can be neither \/ more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.","OtherText_Quote_from_review_0":"A masterful blend of the personal and the political, the ephemeral and the corporeal, the theoretical and the emotional.","OtherText_Quote_from_review_1":"Both intellectual and visceral, these poems dazzle with metaphoric richness and striking lyricism.","OtherText_ShortDescription_0":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"03","PrizeName_0":"Stephan G. Stephansson Award for Poetry","PrizeName_1":"Robert Kroetsch City of Edmonton Book Prize","PrizeName_2":"Lambda Literary Award for Gay Poetry","PrizeName_3":"Raymond Souster Award","PrizeName_4":"A Library Journal Best Book","PrizeName_5":"A CBC Book of the Year","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","PrizeYear_3":"2019","PrizeYear_4":"2019","PrizeYear_5":"2019","ProductFormDescription":"trade paperback","PublicationDate":"2019-09-03","Publisher":"House of Anansi Press Inc","ShortDescription":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","Subtitle":"Notes from the Field","Width":"6","WidthCode":"in"}
NDN Coping Mechanisms
The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.
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{"id":6582750576699,"title":"No Pain Like This Body","handle":"no-pain-like-this-body","description":"\u003cp\u003eThe A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community. Featuring a new introduction by David Chariandy\u003c\/p\u003e\r\n\u003cp\u003eSet in the Eastern Caribbean at the beginning of the twentieth century, \u003cem\u003eNo Pain Like this Body\u003c\/em\u003e describes the perilous existence of a poor rice-growing family during the August rainy season. 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Featuring a new introduction by David Chariandy\u003c\/p\u003e\r\n\u003cp\u003eSet in the Eastern Caribbean at the beginning of the twentieth century, \u003cem\u003eNo Pain Like this Body\u003c\/em\u003e describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father, and the violence of the elements end in unbearable loss.\u003c\/p\u003e\u003cp\u003eThrough vivid, vertiginous prose, and with brilliant economy and originality, Ladoo creates a fearful world of violation and grief, in the face of which even the most despairing efforts to endure stand out as acts of courage.\u003c\/p\u003e\r\n"}
{"AlsoRecommendedISBN_0":"9781487005436","AlsoRecommendedISBN_1":"9781487008420","AlsoRecommendedISBN_2":"9781770892491","AlsoRecommendedISBN_4":"9781770892491","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHAROLD SONNY LADOO\u003c\/strong\u003e was born and grew up in Trinidad. He emigrated to Canada in 1968, where he published \u003cem\u003eNo Pain Like This Body\u003c\/em\u003e. Shortly afterwards, in 1973, Ladoo died an untimely and violent death on a visit home to Calcutta Settlement, Trinidad. He was twenty-eight. Ladoo’s novel \u003cem\u003eYesterdays\u003c\/em\u003e appeared posthumously in 1974.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHAROLD SONNY LADOO\u003c\/strong\u003e was born and grew up in Trinidad. He emigrated to Canada in 1968, where he published \u003cem\u003eNo Pain Like This Body\u003c\/em\u003e. Shortly afterwards, in 1973, Ladoo died an untimely and violent death on a visit home to Calcutta Settlement, Trinidad. He was twenty-eight. Ladoo’s novel \u003cem\u003eYesterdays\u003c\/em\u003e appeared posthumously in 1974.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Ladoo, Harold Sonny (CA)","Contributor_1":"Chariandy, David","Description":"\u003cp\u003eThe A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community. Featuring a new introduction by David Chariandy\u003c\/p\u003e\r\n\u003cp\u003eSet in the Eastern Caribbean at the beginning of the twentieth century, \u003cem\u003eNo Pain Like this Body\u003c\/em\u003e describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father, and the violence of the elements end in unbearable loss.\u003c\/p\u003e\u003cp\u003eThrough vivid, vertiginous prose, and with brilliant economy and originality, Ladoo creates a fearful world of violation and grief, in the face of which even the most despairing efforts to endure stand out as acts of courage.\u003c\/p\u003e\r\n","EAN":"9781770893795","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770893795\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"A List","NumberOfPages":"152","OtherText_ShortDescription_0":"The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community.","ProductFormDescription":"epub","PublicationDate":"2013-07-24","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community."}
No Pain Like This Body
The A List edition of Harold Sonny Ladoo’s enduring novel, a raw, unsentimental story of life in a small Caribbean community.
Quick View
{"id":6660407492667,"title":"No Stars in the Sky","handle":"no-stars-in-the-sky","description":"\u003cp\u003e\u003cstrong\u003eA new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe nineteen stories in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.\u003c\/p\u003e\r\n","published_at":"2021-09-27T09:39:21-04:00","created_at":"2021-09-21T10:09:18-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Coming Soon","Adult Short Stories","Astoria","By (author) Bátiz Martha","Feminist Reads","Literary Fiction","pub date: 2022-05-03"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39645093101627,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010027","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Stars in the Sky - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010027","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39645094477883,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010034","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Stars in the Sky - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010034","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_0e1a4659-7ca1-4cef-9c0c-1bda11319c1c.jpg?v=1636829980"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_0e1a4659-7ca1-4cef-9c0c-1bda11319c1c.jpg?v=1636829980","options":["Title"],"media":[{"alt":null,"id":21066742235195,"position":1,"preview_image":{"aspect_ratio":0.786,"height":2100,"width":1650,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_0e1a4659-7ca1-4cef-9c0c-1bda11319c1c.jpg?v=1636829980"},"aspect_ratio":0.786,"height":2100,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_0e1a4659-7ca1-4cef-9c0c-1bda11319c1c.jpg?v=1636829980","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe nineteen stories in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in \u003cem\u003eNo Stars in the Sky\u003c\/em\u003e face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.\u003c\/p\u003e\r\n"}
{"AlsoRecommendedISBN_0":"9781487004897","AlsoRecommendedISBN_1":"9781487006020","AlsoRecommendedISBN_2":"9781487008284","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION \/ Short Stories","BiographicalNote":"\u003cp\u003e\u003cstrong \u003eMARTHA BÁTIZ\u003c\/strong\u003e is an award-winning writer, translator, and professor of Spanish language in literature. She is the author of four books, including the story collection \u003cem \u003ePlaza Requiem\u003c\/em\u003e, winner of an International Latino Book Award, and the novella \u003cem \u003eThe Wolf’s Mouth\u003c\/em\u003e, winner of the Casa de Teatro Prize. Born and raised in Mexico City, she lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ Women","BISACSubjectLiteral_2":"FICTION \/ Hispanic \u0026amp; Latino","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC044000","BISACSubject_2":"FIC056000","ContributorBio_0":"\u003cp\u003e\u003cstrong \u003eMARTHA BÁTIZ\u003c\/strong\u003e is an award-winning writer, translator, and professor of Spanish language in literature. She is the author of four books, including the story collection \u003cem \u003ePlaza Requiem\u003c\/em\u003e, winner of an International Latino Book Award, and the novella \u003cem \u003eThe Wolf’s Mouth\u003c\/em\u003e, winner of the Casa de Teatro Prize. Born and raised in Mexico City, she lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Bátiz, Martha (CA)","Description":"\u003cp\u003e\u003cstrong \u003eA new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe nineteen stories in \u003cem \u003eNo Stars in the Sky\u003c\/em\u003e feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in \u003cem \u003eNo Stars in the Sky\u003c\/em\u003e face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.\u003c\/p\u003e\r\n","EAN":"9781487010027","Height":"7","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"latinx writers;immigrant stories;feminism;motherhood;divided loyalties nilofar shidmehr;we want what we want alix ohlin;canadian literature;creative writing","NumberOfPages":"300","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA Mexican Canadian author, Bátiz is an authentic voice telling nuanced and layered Hispanic stories filled with multidimensional characters.\u003c\/li\u003e\r\n\u003cli\u003eHer stories shine a light on crises such as the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and generalized racial and domestic violence.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n","OtherText_ShortDescription_0":"A new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.","ProductFormDescription":"trade paperback","PublicationDate":"2022-05-03","Publisher":"House of Anansi Press Inc","ShortDescription":"A new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.","Width":"5.5","WidthCode":"in"}
No Stars in the Sky
A new collection of hard-hitting and intimate stories by award-winning Mexican Canadian author Martha Bátiz.
Quick View
{"id":6582750675003,"title":"Noopiming","handle":"noopiming","description":"\u003cp\u003e\u003cstrong\u003eAward-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMashkawaji (they\/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir \u003cem\u003eRoughing It in the Bush\u003c\/em\u003e. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. 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They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir \u003cem\u003eRoughing It in the Bush\u003c\/em\u003e. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.\u003c\/p\u003e\r\n"}
{"AlsoRecommendedISBN_0":"9781487001117","AlsoRecommendedISBN_1":"9781487002268","AlsoRecommendedISBN_2":"9781487005771","BASICMainSubject":"FIC039000","BASICMainSubjectLiteral":"FICTION \/ Visionary \u0026 Metaphysical","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLEANNE BETASAMOSAKE SIMPSON\u003c\/strong\u003e is a Michi Saagiig Nishnaabeg writer, scholar, and musician, and a member of Alderville First Nation. She is the author of five previous books, including \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e, which won the MacEwan Book of the Year and the Peterborough Arts Award for Outstanding Achievement by an Indigenous Author; was a finalist for the Rogers Writers’ Trust Fiction Prize and the Trillium Book Award; was longlisted for CBC Canada Reads; and was named a best book of the year by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eNational Post\u003c\/em\u003e, and \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e. She has released two albums, including \u003cem\u003ef(l)ight\u003c\/em\u003e, which is a companion piece to \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Visionary \u0026amp; Metaphysical","BISACSubjectLiteral_1":"FICTION \/ Native American \u0026amp; Aboriginal","BISACSubjectLiteral_2":"FICTION \/ Literary","BISACSubject_0":"FIC039000","BISACSubject_1":"FIC059000","BISACSubject_2":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLEANNE BETASAMOSAKE SIMPSON\u003c\/strong\u003e is a Michi Saagiig Nishnaabeg writer, scholar, and musician, and a member of Alderville First Nation. She is the author of five previous books, including \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e, which won the MacEwan Book of the Year and the Peterborough Arts Award for Outstanding Achievement by an Indigenous Author; was a finalist for the Rogers Writers’ Trust Fiction Prize and the Trillium Book Award; was longlisted for CBC Canada Reads; and was named a best book of the year by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eNational Post\u003c\/em\u003e, and \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e. She has released two albums, including \u003cem\u003ef(l)ight\u003c\/em\u003e, which is a companion piece to \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Simpson, Leanne Betasamosake (CA)","Description":"\u003cp\u003e\u003cstrong\u003eAward-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMashkawaji (they\/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNoopiming\u003c\/em\u003e is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir \u003cem\u003eRoughing It in the Bush\u003c\/em\u003e. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.\u003c\/p\u003e\r\n","EAN":"9781487007645","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007645\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"368","OtherText_Accolades_0":"\u003cp\u003ePRAISE FOR LEANNE BETASAMOSAKE SIMPSON AND \u003cem\u003eNOOPIMING\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003eFinalist, Governor General's Literary Award for Fiction\u003c\/p\u003e\r\n\u003cp\u003eFinalist, ReLit Award for Novel\u003c\/p\u003e\r\n\u003cp\u003eA \u003cem\u003eGlobe And Mail\u003c\/em\u003e Top 100 Book of the Year\u003c\/p\u003e\r\n\u003cp\u003eNational Bestseller\u003c\/p\u003e\r\n\u003cp\u003e“This brilliant novel is a carefully curated mix of prose and poetry, though the narrative and poetic form never leaves either; at all times, there is a deliberate attention to rhythm, movement, and sound. The layered storytelling is rich with wry and undeniable humour and introduces readers to an incredible cast of characters, giving us the perspective of Elders, Indigenous youth, raccoons, geese, and trees, braiding together past, present, and future and intentionally centring Nishnaabe life and practices … This is the beauty and masterful work of this novel: it holds something for every Indigenous person. It’s a gift that feels specifically for us.” — \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eNoopiming\u003c\/em\u003e is a rare parcel of beauty and power, at once a creator and destroyer of forms. All of Leanne Betasamosake Simpson’s myriad literary gifts shine here — her scalpel-sharp humour, her eye for the smallest human details, the prodigious scope of her imaginative and poetic generosity. The result is a book at once fierce, uproarious, heartbreaking, and, throughout and above all else, rooted in love.” — Omar El Akkad, bestselling author of \u003cem\u003eAmerican War\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eNoopiming\u003c\/em\u003e is a novel that is as philosophically generative as it is stylistically original. It begins with someone who is frozen in a lake, waiting, and from whom we learn that: ‘being frozen in the lake is another kind of life.’ Leanne Betasamosake Simpson’s expansive work explores the indivisibility of beings — old woman, old man, tree, caribou, stone, ice, spirit, geese, the brain, and more, all watching, grieving, thinking, acting, and listening amidst the ongoing and quotidian urgencies of capital. They are sleepless, ceaseless, trying to alter and to recode the world of consumerism, and their survival means that they must daily and collectively reconstruct existence in the city and its coterminous forests. \u003cem\u003eNoopiming\u003c\/em\u003e is far ahead of us in so many registers of story, language, and worldview; its cumulative effect is a new cosmography.” — Dionne Brand, award-winning author of \u003cem\u003eTheory\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“This imaginative book is what would happen if we gave pen and paper to the deepest, most secretive parts of ourselves. Down to the fibres, down to each breath, Leanne Betasamosake Simpson dares to not only explore the humanity of a character, but the humanity of the parts that make us whole, in a world running on empty.” — Catherine Hernandez, bestselling author of \u003cem\u003eScarborough\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Leanne Betasamosake Simpson’s \u003cem\u003eNoopiming\u003c\/em\u003e once again confirms her position as a brilliant, daring experimentalist and a beautiful, radical portraitist of contemporary NDN life. The prose hums with a lovingness that moved me to tears and with a humour that felt plucked right out of my rez adolescence. The chorus of thinkers, dreamers, revolutionaries, poets, and misfits that Simpson conjures here feels like a miracle. My heart ached and swelled for all of them. What I adored most about this book is that it has so little to do with the white gaze. Simpson writes for us, for NDNs, those made to make other kinds of beauty, to build other kinds of beautiful lives, where no one is looking.\u003cem\u003e Noopiming \u003c\/em\u003eis a book from the future! Simpson is our much-needed historian of the future!” — Billy-Ray Belcourt, award-winning author of \u003cem\u003eThis Wound is a World \u003c\/em\u003eand \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“How is it that Leanne Betasamosake Simpson’s fiction can feel both familiar and warm like old teachings and absolutely fresh and brand new? Is it even fiction? \u003cem\u003eNoopiming\u003c\/em\u003e seems to exist somewhere in the in-between, with all the best parts of poetry and story. As always, I am in awe of Leanne Betasamosake Simpson, prolific in every way.” — Katherena Vermette, bestselling author of \u003cem\u003eThe Break\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“I’m pretty sure we don’t deserve Leanne Betasamosake Simpson. But miracles happen, and this is one. This book is poem, novel, prophecy, handbook, and side-eyed critique all at once. This book doesn’t only present characters you will love and never want to leave (but yes, it does), it doesn’t only transform the function of character and plot into a visibly collective dynamic energy field (and hallelujah), but it also cultivates \u003cem\u003echaracter\u003c\/em\u003e in the reader, that we might remember what we first knew. Which is that what seems separate was never separate. What feels impossible is already happening. And it depends on our most loving words. It requires our most loving actions towards each other. The ceremony has been found.” — Alexis Pauline Gumbs, author of \u003cem\u003eDub: Finding Ceremony\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“[\u003cem\u003eNoopiming\u003c\/em\u003e] presses readers — Indigenous and settler alike — to consider the novel form as a wider venue for storytelling than it is traditionally conceived … Language is thrilling in all of Simpson’s work, and nowhere more so than in this newest offering … Simpson’s writing is at once political and loud, honest and whisper-quiet … This novel will be reread for its many truths and teachings and for its undeniable power. The complicated questions \u003cem\u003eNoopiming\u003c\/em\u003e poses are worth revisiting, and the novel’s wisdom will continue to grow as the reader does.” — \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, STARRED REVIEW\u003c\/p\u003e\r\n\u003cp\u003e“Taking traditional Anishinaabe teachings and weaving them through contemporary forms of understanding, Simpson brings the reader into not a new world, but a world already existing, one that breaks through the colonial bars that try to cage it.” —\u003cem\u003e Rabble.ca\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003ePRAISE FOR LEANNE BETASAMOSAKE SIMPSON AND \u003cem\u003eTHIS ACCIDENT OF BEING LOST\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003eFinalist, Rogers Writers’ Trust Fiction Prize\u003c\/p\u003e\r\n\u003cp\u003eFinalist, Trillium Book Award\u003c\/p\u003e\r\n\u003cp\u003eA \u003cem\u003eGlobe And Mail\u003c\/em\u003e Top 100 Book of the Year\u003c\/p\u003e\r\n\u003cp\u003eA \u003cem\u003eNational Post\u003c\/em\u003e 99 Best Book of the Year\u003c\/p\u003e\r\n\u003cp\u003e“Leanne Betasamosake Simpson is a poet who strides through multiple realms. In \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e, she carries the reader along with her urgent, direct address . . . It is the uneasiness and emotional uncertainty of her characters that makes the book strangely addictive. I was stunned by Simpson’s generosity in sharing these experiences and inviting us to be challenged and to be lost. I welcomed having my assumptions about urban Indigenous people upended, and this is accomplished with the nourishing humour, wisdom, and poetic, loose-limbed lines that have been sewn through the stories.” — \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“A testament to the power of connection, \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e is by turns poignant, funny, fiercely angry, and deeply sad . . . Remarkable.” — \u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“[Leanne Betasamosake Simpson’s] storytelling philosophy is full of humour, truth, beauty, and love — and is always political. Decolonizing moments live within every song and story found in \u003cem\u003eThis Accident of Being Lost.\u003c\/em\u003e” — \u003cem\u003eArc Poetry Magazine\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“A powerful collection of short stories and songs . . . [Leanne Betasamosake Simpson] is quickly becoming known as one of the country’s greatest storytellers. Unique in its fragmented and casual, yet lyrical and elegant language . . . \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e forces readers to look at Canada differently.” — \u003cem\u003eThis Magazine\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Simpson deftly moves through and combines Nishnaabeg stories, the realities of indigeneity, and fantastical spaces . . . This [is an] exceptionally affecting work.” — \u003cem\u003eMuskrat Magazine\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“This is groundbreaking and powerful . . . Simpson is an unapologetic resistor of the colonial state, she creates a world where ordinary fears sit together with acts of defiance against racism and cultural fragmentation . . . One of Simpson’s more significant contributions to Indigenous literature.” — \u003cem\u003eWinnipeg Review\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“A finalist for the Rogers Writers’ Trust Fiction Prize, this collection of stories, poems, and songs from a major Indigenous voice is a demonstration of the different ways an idea can manifest.” — \u003cem\u003eNational Post\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“A stunning collection of poetry, song, and short fiction. These short pieces are darkly humorous, elegantly constructed, and beautifully sorrowful . . . The stories are not bleak, and a wry sense of humour glimmers throughout, walking hand in hand with damaged humanity to create a gentleness that combats the sometimes grim subject matter . . . This is a truly creative and heartfelt work, thoroughly modern in tone and timbre.” — \u003cem\u003ePublishers Weekly\u003c\/em\u003e, STARRED REVIEW\u003c\/p\u003e\r\n\u003cp\u003e“Leanne Betasamosake Simpson’s genre-defying \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e is like no other book you will ever read in your life. In a luminous interweaving of Nishnaabeg storytelling, narrative, and poetry, she constructs linked fragments in which the natural world threads through a sharp urban realm and both the sacred and profane coexist. Her intimate fictions are populated with diverse characters — a mother and child at a city ballet, lovers in a sacred boreal forest, a woman attending a firearms training course. Visionary in scope, Simpson creates decolonialized realities where the routine of day-to-day life is alive with ceremony and illumination. These are shimmering stories etched with humour, anger, and above all, love and kindness.” — Rogers Writers’ Trust Fiction Prize Jury Citation\u003c\/p\u003e\r\n\u003cp\u003e“The raw energy contained within these pieces gives this book flight. And what a flight! Within its energetic arcs the reader encounters anger and love and devotion and regret. Combining stories and poems, sharp realism and Nishnaabeg legend, \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e displays an extraordinary blend of humour and political truth-telling. Fiercely angry at one moment, lyrically loving in the next, Simpson introduces us to people whose honesty, humour, and passion unsettles and endears.” — Trillium Book Award Jury Citation\u003c\/p\u003e\r\n\u003cp\u003e“Playful, pissed off, and ferociously funny, Leanne Simpson writes irresistible love stories in the jaws of genocide. A genius shape-shifter and defiant genre-detonator, there is quite simply no one like her.” — Naomi Klein, author of \u003cem\u003eThis Changes Everything\u003c\/em\u003e and \u003cem\u003eThe (Burning) Case for a New Green Deal\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Blending song and story, humour and truth, \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e feels so intimate and so familiar. It is the story of our sisters, cousins, and friends. I love this book. Simpson is a master lyricist, captivating storyteller, and a true gift to us all.” — Katherena Vermette, author of \u003cem\u003eThe Break\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Leanne is a gifted writer who brings passion and commitment to her storytelling and who has demonstrated an uncommon ability to manage an impressive range of genres from traditional storytelling to critical analysis, from poetry to spoken word, from literary and social activism to songwriting. She is, in my opinion, one of the more articulate and engaged voices of her generation.” — Thomas King, author of \u003cem\u003eGreen Grass, Running Water\u003c\/em\u003e and \u003cem\u003eThe Inconvenient Indian\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003ePRAISE FOR LEANNE BETASAMOSAKE SIMPSON AND \u003cem\u003eISLANDS OF DECOLONIAL LOVE\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“A dazzling collection of stories of beauty and resilience, fiercely illustrating how Indigenous communities continue to grow.” —\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Well-written, poetic prose has special power — and the pages of \u003cem\u003eIslands of Decolonial Love\u003c\/em\u003e read like a salve for wounds from colonial hurts.” — \u003cem\u003eCBC News\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eIslands of Decolonial Love \u003c\/em\u003eis the sort of book I have been looking for all my life — the kind of book that is going to make me a good writer, a good listener, and a good citizen — it is going to wake up everything that is brilliant in everyone that reads it.” — Lee Maracle, author of \u003cem\u003eRavensong\u003c\/em\u003e and \u003cem\u003eCelia’s Song\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e“How many lives, Leanne Simpson, have you lived to create this most incredible collection? Astounding storytelling. Wondrous prose. \u003cem\u003eIslands of Decolonial Love\u003c\/em\u003e is a constellation of galaxies that I never want to leave. Wow!” — Richard Van Camp\u003c\/p\u003e\r\n","OtherText_ShortDescription_0":"Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCode_0":"04","PrizeCode_1":"04","PrizeName_0":"Governor General's Literary Award for Fiction","PrizeName_1":"ReLit Award for Novel","ProductFormDescription":"trade paperback","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel.","Subtitle":"The Cure for White Ladies","Width":"5.5","WidthCode":"in"}
Noopiming
Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel.
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This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ? particularly through language as it lives inside the body ? that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ? her destructive power and beauty, her endurance, and her stories. 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Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ? particularly through language as it lives inside the body ? that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ? her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_3":"9781487007799","AlsoRecommendedISBN_4":"9781487008376","BASICMainSubject":"POE015000","BASICMainSubjectLiteral":"POETRY \/ American \/ Native American","BISACSubjectLiteral_0":"POETRY \/ Native American","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Nature","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE015000","BISACSubject_1":"POE023030","BISACSubject_2":"POE011000","ContributorRole_0":"By (author)","Contributor_0":"Vermette, Katherena (CA)","Description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ? particularly through language as it lives inside the body ? that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ? her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","EAN":"9781487003463","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487003463\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"truth and reconciliation; colonialism; nature; missing and murdered indigenous women; bipoc; indigenous; reconciliation; award winning author; climate change; Indigenous literature; Indigenous Stories; poems; this accident of being lost leanne betasomasake simpson; even this page is white vivek shraya; alicia elliott; ndn coping mechanisms billy ray belcourt; poetry lovers; collectors edition","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e\u003cstrong\u003ePRAISE FOR KATHERENA VERMETTE AND \u003cem\u003eRIVER WOMAN\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Intensely political and personal … A beautiful and resonant book.” — \u003cem\u003ePrairie Fire\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“A book that is at once deeply personal and politically charged.” — \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“These spare, imagistic poems live up to the words of the Vietnamese spiritual leader Thich Nhat Hanh, quoted in an epigraph: ‘If our hearts are big, we can be like the river.’” — \u003cem\u003eToronto Star\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Vermette’s new collection is a strong follow-up to her Governor General’s Award-winning debut, 2012’s \u003cem\u003eNorth End Love Songs\u003c\/em\u003e.” — \u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“‘A snake carved \/ into prairie grass,’ \u003cem\u003eriver woman\u003c\/em\u003e is a collection that will stay with you, question you, live in you. One cannot simply tread the surface of its open invitation. There are many layers here below the poetic surface, and Vermette is singer-guide to the true depths of this river. It’s a work to be read, shared, and read again.” — Liz Howard, author of the Griffin Poetry Prize–winning collection \u003cem\u003eInfinite Citizen of the Shaking Tent\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“In \u003cem\u003eriver woman\u003c\/em\u003e, Vermette take us inside river, as a concept, a reality, and another world, and gently reveals the power, the resistance, and the sheer love of water, of life, and of all things Indigenous. Vermette’s poetics are sparse, haunting, and steeped in river story, and her poems come to me as river songs. There is a presencing rhythm to this work, revealing that which is and always has been, flowing right in front of us.” — Leanne Betasamosake Simpson, author of \u003cem\u003eThis Accident of Being Lost\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“In \u003cem\u003eriver woman\u003c\/em\u003e, Katherena Vermette marshals the maternal energy of the river to spin the lyric poem into something that is awash with vitality. This ethic of care, which each section bears and ricochets about, has at its core a project of repair or nourishment, not just of the natural, but of those of us entangled with it. This us, Vermette deftly shows, is not an empty thing, but is instead teeming with Indigenous life — ‘we are the earth you are hurting.’ We are the river and, in this, we are without end, regardless of what history swells in us. Pick up this book and listen for the musicality of our beautiful rebellion!” — Billy-Ray Belcourt, author of \u003cem\u003eThis Wound is a World\u003c\/em\u003e, winner of the 2018 Griffin Poetry Prize\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eriver woman\u003c\/em\u003e again displays Vermette’s extraordinary gift for narrative. ‘Ziibiwan (like a river),’ these are poems that gather pieces of personal experience and Indigenous history and in their sweep are bigger than the spare language we see on the page.” — Armand Garnet Ruffo, author of \u003cem\u003eThe Thunderbird Poems\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003cstrong\u003ePRAISE FOR KATHERENA VERMETTE AND \u003cem\u003eTHE BREAK\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003eWINNER, AMAZON.CA FIRST NOVEL AWARD\u003cbr \/\u003eWINNER, MARGARET LAURENCE AWARD FOR FICTION\u003cbr \/\u003eWINNER, CAROL SHIELDS WINNIPEG BOOK AWARD\u003cbr \/\u003eWINNER, MCNALLY ROBINSON BOOK OF THE YEAR\u003cbr \/\u003eWINNER, BURT AWARD FOR FIRST NATIONS, INUIT, AND MÉTIS YOUNG ADULT LITERATURE\u003cbr \/\u003eINDIGO HEATHER’S PICK\u003cbr \/\u003eCBC CANADA READS FINALIST\u003cbr \/\u003eNATIONAL BESTSELLER\u003cbr \/\u003e2016 ROGERS WRITERS’ TRUST FICTION PRIZE FINALIST\u003cbr \/\u003e2016 GOVERNOR GENERAL’S LITERARY AWARD FINALIST\u003cbr \/\u003eQUILL \u0026 QUIRE BOOK OF THE YEAR\u003cbr \/\u003eKOBO BEST BOOKS OF THE YEAR\u003cbr \/\u003e49TH SHELF BOOKS OF THE YEAR\u003cbr \/\u003eGLOBE AND MAIL BEST 100 BOOKS OF THE YEAR\u003cbr \/\u003eNATIONAL POST 99 BEST BOOKS OF THE YEAR\u003cbr \/\u003eWALRUS MAGAZINE THE BEST BOOKS OF THE YEAR\u003cbr \/\u003eCBC BEST CANADIAN DEBUT NOVELS OF THE YEAR\u003cbr \/\u003e\u003cbr \/\u003e“In language that’s quick and bruising, sharp-edged and relentless, Vermette limns one family and one community to show us something bigger.” — \u003cem\u003eLibrary Journal\u003c\/em\u003e, starred review\u003cbr \/\u003e\u003cbr \/\u003e“Vermette portrays a wide array of strong, complicated, absolutely believable women, and through them and their hardships offers readers sharp views of race and class issues. This is slice-of-life storytelling at its finest.” — \u003cem\u003ePublishers Weekly\u003c\/em\u003e, starred review\u003cbr \/\u003e\u003cbr \/\u003e“This intimate and emotional look at their lives succeeds both as a novel and as a work of social justice.” — \u003cem\u003eBooklist\u003c\/em\u003e, starred review\u003cbr \/\u003e\u003cbr \/\u003e“Vermette's approach to her complex and devastating subject matter is boundless in its scope, intelligence, and beauty.” — \u003cem\u003eShelf Awareness\u003c\/em\u003e, starred review\u003cbr \/\u003e\u003cbr \/\u003e“Katherena Vermette’s debut novel, \u003cem\u003eThe Break\u003c\/em\u003e, takes a tough, close-up look at an extended family in Winnipeg, tackling along the way a side of female life that’s often hard to acknowledge: the violence of girls and women sometimes display towards other girls and women, and the power struggles among them. In The Break, the characters may be Métis, but the motivations and emotions are surely universal. This is an accomplished writer who will go far.” — Margaret Atwood\u003cbr \/\u003e\u003cbr \/\u003e“Katherena Vermette is a tremendously gifted writer, a dazzling talent.” — Madeleine Thien, author of \u003cem\u003eDo Not Say We Have Nothing\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Katherena Vermette rendered the women of the North End gorgeous in her poetry, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e. In \u003cem\u003eThe Break\u003c\/em\u003e, she renders them sweet, beautiful battlers who love under the most horrific of circumstances.” — Lee Maracle, author of \u003cem\u003eCelia’s Song\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Vermette is a staggering talent.” — Eden Robinson, author of Monkey Beach\u003cbr \/\u003e\u003cbr \/\u003e“In Vermette’s poetic prose, The Break offers a stark portrayal of the adversity that plagues First Nations women in this country — and the strength that helps them survive.” — \u003cem\u003eToronto Star\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“It’s unsurprising that a novel by a poet would be beautifully written … \u003cem\u003eThe Break\u003c\/em\u003e is an astonishing act of empathy, and its conclusion is heartbreaking.” — \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“With adeptness and sensitivity, Vermette puts a human face to issues that are too-often misunderstood, and in so doing, she has written a book that is both one of the most important of the year and one of the best. Though Katherena Vermette is not an emerging writer — she has written seven children’s books and won a Governor General’s award for her poetry collection \u003cem\u003eNorth End Love Songs\u003c\/em\u003e — for many, this novel will be their first encounter. And it will be a revelation. Vermette is a fully matured literary talent confronting some of our society’s fundamental problems through understated prose that exudes wisdom and emotion. Every page hides beauty amid suffering; love winning out over violence and hate. Stella, at one point in the novel, thinks about ‘[a] story that didn’t happen to her but that she keeps and remembers.’ \u003cem\u003eThe Break\u003c\/em\u003e is like that; it is a story that will stick with you a long time.” — \u003cem\u003eNational Post\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eThe Break\u003c\/em\u003e doesn’t read like an impressive first novel; it reads like a masterstroke from someone who knows what they’re doing … Vermette is skilled at writing with a language that is conversational and comfortable and with a poetic ease that makes the hard things easier to swallow. The result is a book that is at times emotionally demanding, funny, suspenseful, and always engaging.” — \u003cem\u003eThe Winnipeg Review\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Stunning … [Vermette] chooses her words with a poet’s precision.” — \u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Equal parts page-turner and stunning literary accomplishment.” — \u003cem\u003eOpen Book\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003cstrong\u003ePRAISE FOR KATHERENA VERMETTE AND \u003cem\u003eNORTH END LOVE SONGS\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003eWINNER, GOVERNOR GENERAL’S LITERARY AWARD FOR POETRY\u003cbr \/\u003eSELECTION, “On the Same Page” (Manitoba’s provincial book club)\u003cbr \/\u003e\u003cbr \/\u003e“In spare, minimalist language, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e attends to the demands of Indigenous and European poetics, braiding an elegant journey that takes us from Winnipeg’s North End out into the world.” — Governor General’s Literary Award jury citation\u003cbr \/\u003e\u003cbr \/\u003e“In \u003cem\u003eNorth End Love Songs\u003c\/em\u003e, Katherena Vermette uses spare language and brief, telling sketches to illuminate the aviary of a prairie neighbourhood. Vermette’s love songs are unconventional and imminent, an examination and a celebration of family and community in all weathers, the beautiful as well as the less clement conditions. This collection is a very moving tribute, to the girls and the women, the boys and the men, and the loving trouble that has forever transpired between us.” — Joanne Arnott\u003cbr \/\u003e\u003cbr \/\u003e“The love that sits at the core of Katherena Vermette’s \u003cem\u003eNorth End Love Songs\u003c\/em\u003e is not simple or serene, but pugnacious and ferocious, something to be alternately fled from as well as embraced… . Vermette’s poetry explores a landscape that she at once rejects … but elsewhere speaks of with a great sense of love and longing … These North End Love Songs are loud and heightened, but also possess a surprising vulnerability. The collection’s subjects are often wounded and sometimes disappear, as both the inner and outer landscapes that Vermette explores have the tendency to turn hostile… . \u003cem\u003eNorth End Love Songs\u003c\/em\u003e embraces the difficulties, the stumbling and the groping, and all the chilly, ugly elements than can nonetheless combine into a sense of place and home.” — \u003cem\u003eThe Walrus\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“From a mixed-blood Métis woman with Mennonite roots, Kate weaves a story that winds its way through the north end (Nor-tend) of Winnipeg. It’s a story of death, birth, survival, beauty, and ugliness; through it all there are glimmers of hope, strength, and a will to survive whatever this city throws at you.” — Duncan Mercredi\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eNorth End Love Songs\u003c\/em\u003e … combines elegiac and fiercely ecstatic melodies to sing of a complicated love for a city, a river, and a neighbourhood. It is deep rooted in its location, yet will reach out to readers everywhere with its harsh and beautiful tunings of growing up female in Winnipeg’s North End.” — \u003cem\u003ePrairie Fire\u003c\/em\u003e\u003c\/p\u003e","OtherText_Quote_from_review_0":"Vermette’s new collection is a strong follow-up to her Governor General’s Award-winning debut, 2012’s North End Love Songs.","OtherText_ShortDescription_0":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","ProductFormDescription":"trade paperback","PublicationDate":"2018-09-25","Publisher":"House of Anansi Press Inc","ShortDescription":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","Width":"5.5","WidthCode":"in"}
river woman
Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.
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{"id":6582757916731,"title":"river woman special hardcover edition","handle":"river-woman-special-hardcover-edition","description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ? particularly through language as it lives inside the body ? that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ? her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","published_at":"2021-05-13T13:14:19-04:00","created_at":"2021-05-13T13:14:19-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Environmentalism","Adult Poetry","Adult Special Edition","By (author) Vermette Katherena","House of Anansi Press","pub date: 2018-09-25"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403466457147,"title":"hardcover special edition","option1":"hardcover special edition","option2":null,"option3":null,"sku":"9781487003487","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"river woman special hardcover edition - hardcover special edition","public_title":"hardcover special edition","options":["hardcover special edition"],"price":3500,"weight":140,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003487","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_b721c2b1-0cbf-438a-babb-c969f6a1f347.jpg?v=1621116584"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_b721c2b1-0cbf-438a-babb-c969f6a1f347.jpg?v=1621116584","options":["Title"],"media":[{"alt":null,"id":20454341181499,"position":1,"preview_image":{"aspect_ratio":0.8,"height":3341,"width":2673,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_b721c2b1-0cbf-438a-babb-c969f6a1f347.jpg?v=1621116584"},"aspect_ratio":0.8,"height":3341,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_b721c2b1-0cbf-438a-babb-c969f6a1f347.jpg?v=1621116584","width":2673}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ? particularly through language as it lives inside the body ? that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ? her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_1":"9781487007799","AlsoRecommendedISBN_2":"9781487008376","BASICMainSubject":"POE023030","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Nature","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026 Themes \/ Nature","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ American \/ Native American","BISACSubject_0":"POE023030","BISACSubject_1":"POE011000","BISACSubject_2":"POE015000","ContributorRole_0":"By (author)","Contributor_0":"Vermette, Katherena (CA)","Description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ? particularly through language as it lives inside the body ? that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ? her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","EAN":"9781487003487","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003ePRAISE FOR KATHERENA VERMETTE AND \u003cem\u003eRIVER WOMAN\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e\r\n \r\n“‘A snake carved \/ into prairie grass,’ \u003cem\u003eriver woman\u003c\/em\u003e is a collection that will stay with you, question you, live in you. One cannot simply tread the surface of its open invitation. There are many layers here below the poetic surface, and Vermette is singer-guide to the true depths of this river. It’s a work to be read, shared, and read again.” — Liz Howard, author of the Griffin Poetry Prize–winning collection \u003cem\u003eInfinite Citizen of the Shaking Tent\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e\r\n\r\n\r\n “In \u003cem\u003eriver woman\u003c\/em\u003e, Katherena Vermette marshals the maternal energy of the river to spin the lyric poem into something that is awash with vitality. This ethic of care, which each section bears and ricochets about, has at its core a project of repair or nourishment, not just of the natural, but of those of us entangled with it. This us, Vermette deftly shows, is not an empty thing, but is instead teeming with Indigenous life — ‘we are the earth you are hurting.’ We are the river and, in this, we are without end, regardless of what history swells in us. Pick up this book and listen for the musicality of our beautiful rebellion!” — Billy-Ray Belcourt, author of \u003cem\u003eThis Wound is a World\u003c\/em\u003e, winner of the 2018 Griffin Poetry Prize \u003cbr\/\u003e\u003cbr\/\u003e\r\n \r\n “\u003cem\u003eriver woman\u003c\/em\u003e again displays Vermette’s extraordinary gift for narrative. ‘Ziibiwan (like a river),’ these are poems that gather pieces of personal experience and Indigenous history and in their sweep are bigger than the spare language we see on the page.” — Armand Garnet Ruffo, author of \u003cem\u003eThe Thunderbird Poems\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003ePraise for Katherena Vermette and The Break:\u003cbr\/\u003e\u003cbr\/\u003e\r\n \r\n FINALIST, 2017 BURT AWARD FOR FIRST NATIONS, INUIT, AND MÉTIS LITERATURE\u003cbr\/\u003eWINNER, AMAZON.CA FIRST NOVEL AWARD\u003cbr\/\u003eWINNER, MARGARET LAURENCE AWARD FOR FICTION\u003cbr\/\u003eWINNER, CAROL SHIELDS WINNIPEG BOOK AWARD\u003cbr\/\u003eWINNER, MCNALLY ROBINSON BOOK OF THE YEAR\u003cbr\/\u003eINDIGO HEATHER’S PICK\u003cbr\/\u003eCBC CANADA READS FINALIST\u003cbr\/\u003eNATIONAL BESTSELLER\u003cbr\/\u003e2016 ROGERS WRITERS’ TRUST FICTION PRIZE FINALIST\u003cbr\/\u003e2016 GOVERNOR GENERAL’S LITERARY AWARD FINALIST\u003cbr\/\u003eQUILL \u0026 QUIRE BOOK OF THE YEAR (2016)\u003cbr\/\u003eKOBO BEST BOOKS OF THE YEAR (2016)\u003cbr\/\u003e49TH SHELF BOOKS OF THE YEAR (2016)\u003cbr\/\u003eGLOBE AND MAIL BEST 100 BOOKS OF 2016\u003cbr\/\u003eNATIONAL POST 99 BEST BOOKS OF THE YEAR (2016)\u003cbr\/\u003eWALRUS MAGAZINE THE BEST BOOKS OF 2016\u003cbr\/\u003eCBC BEST CANADIAN DEBUT NOVELS OF 2016\u003c\/strong\u003e\u003cbr\/\u003e\u003cbr\/\u003e“The lives of the girls and women in \u003cem\u003eThe Break\u003c\/em\u003e are not easy, but their voices — complex, urgent, and unsparing — lay bare what it means to survive, not only once, but multiple times, against the forces of private and national histories. Katherena Vermette is a tremendously gifted writer, a dazzling talent.” — Madeleine Thien, author of \u003cem\u003eDo Not Say We Have Nothing\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“The narrator of this story is dead. He misses feeling the skin of others, but he likes being about memory. It’s who we are siem. Katherena Vermette rendered the women of the North End gorgeous in her poetry: North End Love Songs. In The Break, she renders them sweet, beautiful battlers who love under the most horrific of circumstances. She points no fingers, just plots the story, person by person, memory by memory, until it is clear that we must give up the feeling of hopelessness that haunts the lives of these women. \u003cem\u003eThe Break\u003c\/em\u003e is itself a beautiful love song of desire to live a full and rich life as cherished women — even when we cannot have that. We can hope. Resilient as the star world from which they arise these women reconcile with their lives without giving in to the horrors they have faced. Vermette captures the reader from beginning to end. She creates unforgettable characters with honor, respect and a deft hand. In so doing she holds the reader’s tender love in her capable hands and weaves us right into the story. \u003cem\u003eThe Break\u003c\/em\u003e is unforgettable.” — Lee Maracle, author of \u003cem\u003eCelia’s Song\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“Vermette is a staggering talent. Reading \u003cem\u003eThe Break\u003c\/em\u003e is like a revelation; stunning, heartbreaking and glorious. From her exquisitely rendered characters to her fully realized world and the ratcheting tension, I couldn’t put it down. Absolutely riveting.” — Eden Robinson, author of \u003cem\u003eMonkey Beach \u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“In Vermette’s poetic prose, \u003cem\u003eThe Break\u003c\/em\u003e offers a stark portrayal of the adversity that plagues First Nations women in this country — and the strength that helps them survive.” — \u003cem\u003eToronto Star\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“It’s unsurprising that a novel by a poet would be beautifully written . . . \u003cem\u003eThe Break\u003c\/em\u003e is an astonishing act of empathy, and its conclusion is heartbreaking.” — \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“With adeptness and sensitivity, Vermette puts a human face to issues that are too-often misunderstood, and in so doing, she has written a book that is both one of the most important of the year and one of the best. Though Katherena Vermette is not an emerging writer — she has written seven children’s books and won a Governor General’s award for her poetry collection North End Love Songs — for many, this novel will be their first encounter. And it will be a revelation. Vermette is a fully matured literary talent confronting some of our society’s fundamental problems through understated prose that exudes wisdom and emotion. Every page hides beauty amid suffering; love winning out over violence and hate. Stella, at one point in the novel, thinks about ‘[a] story that didn’t happen to her but that she keeps and remembers.’ \u003cem\u003eThe Break\u003c\/em\u003e is like that; it is a story that will stick with you a long time.” — \u003cem\u003eNational Post\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“\u003cem\u003eThe Break\u003c\/em\u003e doesn’t read like an impressive first novel; it reads like a masterstroke from someone who knows what they’re doing . . . Vermette is skilled at writing with a language that is conversational and comfortable and with a poetic ease that makes the hard things easier to swallow. The result is a book that is at times emotionally demanding, funny, suspenseful, and always engaging.” The Winnipeg Review\u003cbr\/\u003e\u003cbr\/\u003e“\u003cem\u003eThe Break\u003c\/em\u003e manages to be political even when it isn’t. It’s a book that explores social issues without ever preaching, or even seeming to be about them at all. It examines the only element of those issues that matter: their human impact. It’s astonishing in its empathy.” — The Uniter\u003cbr\/\u003e\u003cbr\/\u003e“\u003cem\u003eThe Break\u003c\/em\u003e is a condemnation of reprehensible individual behaviour, but also of a broader society incapable of dealing effectively with problems of addiction, poverty, homelessness, and despair . . . \u003cem\u003eThe Break\u003c\/em\u003e offers clear insight into people struggling to secure a place in the world.” —\u003cem\u003e Quill \u0026 Quire\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“[A] brave and important novel.” — \u003cem\u003eThe Eastern Door\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“A visionary debut novel.” — CBC Books\u003cbr\/\u003e\u003cbr\/\u003e“Stunning . . . [Vermette] chooses her words with a poet’s precision.” — \u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“One of the great Indigenous novels” — \u003cem\u003eFirst Nations Voice\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“Equal parts page-turner and stunning literary accomplishment.” — Open Book\u003cbr\/\u003e\u003cbr\/\u003e“This is a debut novel by the Governor General's Literary Award-winning Métis poet Katherena Vermette. The story takes place in Winnipeg`s North End. And it starts when Stella thinks she sees a violent assault taking place in a barren strip of land outside her window, known as The Break. Turns out, she is right. In fact, there is a threat of violence that hovers over all the women in the story, three generations of them, and the story is told in many voices. Katherena writes with empathy and understanding about people who are living with the pain of intergenerational trauma. The Winnipeg winter she evokes is cold and cruel. But there is such love, loyalty and support in this story. If you enjoy a gripping family saga, I would recommend \u003cem\u003eThe Break\u003c\/em\u003e.” — Shelagh Rogers, CBC The Next Chapter\u003cbr\/\u003e\u003cbr\/\u003e“A debut novel brimming with grace and wisdom, that puts the spotlight on the systemic violence being committed in our country, [\u003cem\u003eThe Break\u003c\/em\u003e] is both a wake-up call and a call-to-arms. Vital.” — \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e“Katherena Vermette’s debut novel, \u003cem\u003eThe Break\u003c\/em\u003e, takes a tough, close-up look at an extended family in Winnipeg, tackling along the way a side of female life that’s often hard to acknowledge: the violence of girls and women sometimes display towards other girls and women, and the power struggles among them. In The Break, the characters may be Métis, but the motivations and emotions are surely universal. This is an accomplished writer who will go far.” — Margaret Atwood\r\n \u003cbr\/\u003e\u003cbr\/\u003e\r\n “This intimate and emotional look at their lives succeeds both as a novel and as a work of social justice.” — \u003cem\u003eBooklist\u003c\/em\u003e STARRED REVIEW\r\n\u003cbr\/\u003e\u003cbr\/\u003e\r\n“Vermette portrays a wide array of strong, complicated, absolutely believable women, and through them and their hardships offers readers sharp views of race and class issues. This is slice-of-life storytelling at its finest.” — \u003cem\u003ePublishers Weekly\u003c\/em\u003eSTARRED REVIEW\r\n \r\n \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePraise for \u003cem\u003eNorth End Love Songs\u003c\/em\u003e:\u003cbr\/\u003e\u003cbr\/\u003eWINNER, GOVERNOR GENERAL’S LITERARY AWARD FOR POETRY\u003cbr\/\u003eSELECTION, “On the Same Page” (Manitoba’s provincial book club)\u003c\/strong\u003e\u003cbr\/\u003e\u003cbr\/\u003e“In spare, minimalist language, North End Love Songs attends to the demands of Indigenous and European poetics, braiding an elegant journey that takes us from Winnipeg’s North End out into the world.” — Governor General’s Literary Award jury citation\u003cbr\/\u003e\u003cbr\/\u003e“In North End Love Songs, Katherena Vermette uses spare language and brief, telling sketches to illuminate the aviary of a prairie neighbourhood. Vermette’s love songs are unconventional and imminent, an examination and a celebration of family and community in all weathers, the beautiful as well as the less clement conditions. This collection is a very moving tribute, to the girls and the women, the boys and the men, and the loving trouble that has forever transpired between us.” — Joanne Arnott\u003cbr\/\u003e\u003cbr\/\u003e“The love that sits at the core of Katherena Vermette’s North End Love Songs is not simple or serene, but pugnacious and ferocious, something to be alternately fled from as well as embraced. … Vermette’s poetry explores a landscape that she at once rejects … but elsewhere speaks of with a great sense of love and longing….[T]hese North End Love Songs are loud and heightened, but also possess a surprising vulnerability. The collection’s subjects are often wounded and sometimes disappear, as both the inner and outer landscapes that Vermette explores have the tendency to turn hostile. …. North End Love Songs embraces the difficulties, the stumbling and the groping, and all the chilly, ugly elements than can nonetheless combine into a sense of place and home.” —\u003cem\u003eThe Walrus\u003c\/em\u003e\u003cbr\/\u003e\u003cbr\/\u003e “From a mixed-blood Métis woman with Mennonite roots, Kate weaves a story that winds its way through the north end (Nor-tend) of Winnipeg. It’s a story of death, birth, survival, beauty, and ugliness; through it all there are glimmers of hope, strength, and a will to survive whatever this city throws at you.” — Duncan Mercredi\u003cbr\/\u003e\u003cbr\/\u003e“North End Love Songs … combines elegiac and fiercely ecstatic melodies to sing of a complicated love for a city, a river, and a neighbourhood. It is deep rooted in its location, yet will reach out to readers everywhere with its harsh and beautiful tunings of growing up female in Winnipeg's North End.” — \u003cem\u003ePrairie Fire\u003c\/em\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"This specially designed and bound hardcover First Edition of Katherena Vermette's poetry collection river woman is limited to 50 copies.","ProductFormDescription":"hardcover special edition","PublicationDate":"2018-09-25","Publisher":"House of Anansi Press Inc","ShortDescription":"This specially designed and bound hardcover First Edition of Katherena Vermette's poetry collection river woman is limited to 50 copies.","Subtitle":"Special Edition","Width":"5.5","WidthCode":"in"}
river woman special hardcover edition
This specially designed and bound hardcover First Edition of Katherena Vermette's poetry collection river woman is limited to 50 copies.
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{"id":6593565524027,"title":"Seven Fallen Feathers","handle":"seven-fallen-feathers","description":"\u003cp\u003e\u003cstrong\u003eThe groundbreaking and multiple award-winning national bestseller work about systemic racism, education, the failure of the policing and justice systems, and Indigenous rights by Tanya Talaga.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOver the span of eleven years, seven Indigenous high school students died in Thunder Bay, Ontario. They were hundreds of kilometres away from their families, forced to leave home because there was no adequate high school on their reserves. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. 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{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_5":"9781487006839","AlsoRecommendedISBN_6":"9781770899377","BASICMainSubject":"BIO028000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Cultural, Ethnic \u0026 Regional \/ Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eTANYA TALAGA\u003c\/strong\u003e is the acclaimed author of \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e, which was the winner of the RBC Taylor Prize, the Shaughnessy Cohen Prize for Political Writing, and the First Nation Communities READ: Young Adult\/Adult Award; a finalist for the Hilary Weston Writers’ Trust Nonfiction Prize and the BC National Award for Nonfiction; CBC’s Nonfiction Book of the Year, a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Top 100 Book, and a national bestseller. Talaga was the 2017–2018 Atkinson Fellow in Public Policy, the 2018 CBC Massey Lecturer, and author of the national bestseller \u003cem\u003eAll Our Relations: Finding The Path Forward\u003c\/em\u003e. For more than twenty years she has been a journalist at the Toronto Star and is now a columnist at the newspaper. She has been nominated five times for the Michener Award in public service journalism. Talaga is of Polish and Indigenous descent. Her great-grandmother, Liz Gauthier, was a residential school survivor. Her great-grandfather, Russell Bowen, was an Ojibwe trapper and labourer. Her grandmother is a member of Fort William First Nation. Her mother was raised in Raith and Graham, Ontario. She lives in Toronto with her two teenage children.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Cultural, Ethnic \u0026amp; Regional \/ Native American \u0026amp; Aboriginal","BISACSubjectLiteral_1":"SOCIAL SCIENCE \/ Indigenous Studies","BISACSubjectLiteral_2":"POLITICAL SCIENCE \/ Human Rights","BISACSubject_0":"BIO028000","BISACSubject_1":"SOC062000","BISACSubject_2":"POL035010","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eTANYA TALAGA\u003c\/strong\u003e is the acclaimed author of \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e, which was the winner of the RBC Taylor Prize, the Shaughnessy Cohen Prize for Political Writing, and the First Nation Communities READ: Young Adult\/Adult Award; a finalist for the Hilary Weston Writers’ Trust Nonfiction Prize and the BC National Award for Nonfiction; CBC’s Nonfiction Book of the Year, a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Top 100 Book, and a national bestseller. Talaga was the 2017–2018 Atkinson Fellow in Public Policy, the 2018 CBC Massey Lecturer, and author of the national bestseller \u003cem\u003eAll Our Relations: Finding The Path Forward\u003c\/em\u003e. For more than twenty years she has been a journalist at the Toronto Star and is now a columnist at the newspaper. She has been nominated five times for the Michener Award in public service journalism. Talaga is of Polish and Indigenous descent. Her great-grandmother, Liz Gauthier, was a residential school survivor. Her great-grandfather, Russell Bowen, was an Ojibwe trapper and labourer. Her grandmother is a member of Fort William First Nation. Her mother was raised in Raith and Graham, Ontario. She lives in Toronto with her two teenage children.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Talaga, Tanya (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThe groundbreaking and multiple award-winning national bestseller work about systemic racism, education, the failure of the policing and justice systems, and Indigenous rights by Tanya Talaga.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOver the span of eleven years, seven Indigenous high school students died in Thunder Bay, Ontario. They were hundreds of kilometres away from their families, forced to leave home because there was no adequate high school on their reserves. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Using a sweeping narrative focusing on the lives of the students, award-winning author Tanya Talaga delves into the history of this northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities. \u003c\/p\u003e","EAN":"9781487002268","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002268\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Woodland style","NumberOfPages":"376","OtherText_Accolades_0":"\u003cp\u003e\u003cstrong\u003ePraise for Tanya Talaga and \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003e Winner, 2018 RBC Taylor Prize\u003cbr \/\u003eWinner, 2017 Shaughnessy Cohen Prize for Political Writing\u003cbr \/\u003eWinner, First Nation Communities Read Indigenous Literature Award\u003cbr \/\u003eFinalist, 2017 Hilary Weston Writers’ Trust Prize for Nonfiction\u003cbr \/\u003eFinalist, 2017 Speaker’s Book Award\u003cbr \/\u003eFinalist, 2018 B.C. National Award for Canadian Non-Fiction\u003cbr \/\u003eA Best Book of the Decade, The Walrus\u003cbr \/\u003eAn Indigo Best Book of the Decade\u003cbr \/\u003eA Globe And Mail Top 100 Book\u003cbr \/\u003eA National Post 99 Best Book of the Year\u003cbr \/\u003e\u003cbr \/\u003e“Talaga has written Canada’s J’Accuse, an open letter to the rest of us about the many ways we contribute — through act or inaction — to suicides and damaged existences in Canada’s Indigenous communities. Tanya Talaga’s account of teen lives and deaths in and near Thunder Bay is detailed, balanced and heart-rending. Talaga describes gaps in the system large enough for beloved children and adults to fall through, endemic indifference, casual racism and a persistent lack of resources. It is impossible to read this book and come away unchanged.” — RBC Taylor Prize Jury Citation“Tanya Talaga’s powerful book is a hard-hitting story of the realities of Canadian racism, complicity, and Indigenous suffering. It is also a testament to the resilience of the Anishinaabe families who endure the crushing impacts of historic and contemporary injustices. In spare prose and a direct voice, Talaga documents the tragedies of the lost lives of Indigenous youth while creating a compelling narrative that educates the reader on the sad history of Indigenous–White relations. This book is a crucial document of our times, and vital to the emergence of a true vision of justice in Canada.” — Shaughnessy Cohen Prize for Political Writing Jury Citation\u003cbr \/\u003e\u003cbr \/\u003e“In \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e, Tanya Talaga delves into the lives of seven Indigenous students who died while attending high school in Thunder Bay over the first eleven years of this century. With a narrative voice encompassing lyrical creation myth, razor-sharp reporting, and a searing critique of Canada’s ongoing colonial legacy, Talaga binds these tragedies — and the ambivalent response from police and government — into a compelling tapestry. This vivid, wrenching book shatters the air of abstraction that so often permeates news of the injustices Indigenous communities face every day. It is impossible to read \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e and not care about the lives lost, the families thrust into purgatory, while the rest of society looks away.” — Hilary Weston Writers’ Trust Prize for Nonfiction Jury Citation\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e is achingly blunt in confronting recurring damage that must be repaired. The book puts a human face to the headline statistics, reveals the continuing harm of unequal educational opportunity, and delivers the evidence of systemic racism in Canada with an insistent voice. Tanya Talaga draws the reader into communities of hurt and flawed responses surrounding the deaths of seven Indigenous students, the ‘fallen feathers.’ Talaga yanks at the reader’s complacency with her story of separated families, untethered youths, and the seemingly unbridgeable distance between cultures. She offers painful lessons while courting hope.” — BC National Award for Canadian Non-Fiction Jury Citation\u003cbr \/\u003e\u003cbr \/\u003e“You simply must read this book. Tanya Talaga has done the hard work for us. She sat with the families, heard their stories. Now, with the keen eye and meticulous research of an uncompromising journalist, she is sharing their truths. We have to start listening. Parents are sending their children to school in Thunder Bay to watch them die. Racism, police indifference, bureaucratic ineptitude, lateral violence — it doesn’t have to be this way. Let this book enrage you — and then demand that Canada act now.” — Duncan McCue, host of Cross Country Checkup on CBC Radio\u003cbr \/\u003e\u003cbr \/\u003e“This story is hard and harrowing, but Talaga tells it with the care of a storyteller and the factual attention of a journalist. She makes the difficult connections between this national tragedy and the greater colonial systems that have endangered our most vulnerable for over a century, and she does it all with a keen, compassionate eye for all involved, especially the families who are too often overlooked. These stories need to be heard. These young people deserve nothing less than to be honoured everywhere.” — Katherena Vermette, bestselling author of \u003cem\u003eThe Break\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e may prove to be the most important book published in Canada in 2017. Tanya Talaga offers well-researched, difficult truths that expose the systemic racism, poverty, and powerlessness that contribute to the ongoing issues facing Indigenous youth, their families, and their communities. It is a call to action that deeply honours the lives of the seven young people; our entire nation should feel their loss profoundly.” — Patti LaBoucane-Benson, author of The Outside Circle\u003cbr \/\u003e\u003cbr \/\u003e“Once started, this book is difficult to put down. At just over 300 pages, \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e moves from one compelling story to the next, and seamlessly weaves in facts and history. The writing is crisp and thoughtful. \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e … fosters understanding, and is a book that can benefit everyone.” — \u003cem\u003eOttawa Review of Books\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“[W]here \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e truly shines is in Talaga’s intimate retellings of what families experience when a loved one goes missing, from filing a missing-persons report with police, to the long and brutal investigation process, to the final visit in the coroner’s office. It’s a heartbreaking portrait of an indifferent and often callous system … \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e is a must-read for all Canadians. It shows us where we came from, where we’re at, and what we need to do to make the country a better place for us all.” — The Walrus\u003cbr \/\u003e\u003cbr \/\u003e“Devastating, angry, and thought-provoking” — \u003cem\u003eOpen Letters Monthly\u003c\/em\u003e (blog review)\u003cbr \/\u003e\u003cbr \/\u003e“What is happening in Thunder Bay is particularly destructive, but Talaga makes clear how Thunder Bay is symptomatic, not the problem itself. Recently shortlisted for the Hilary Weston Writers’ Trust Prize for Nonfiction, Talaga’s is a book to be justly infuriated by.” — \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“[A]n urgent and unshakable portrait of the horrors faced by Indigenous teens going to school in Thunder Bay, Ontario, far from their homes and families… . Talaga’s incisive research and breathtaking storytelling could bring this community one step closer to the healing it deserves.” — \u003cem\u003eBooklist\u003c\/em\u003e, STARRED REVIEW\u003cbr \/\u003e\u003cbr \/\u003e“Talaga’s research is meticulous and her journalistic style is crisp and uncompromising… . The book is heartbreaking and infuriating, both an important testament to the need for change and a call to action.” — \u003cem\u003ePublishers Weekly\u003c\/em\u003e, STARRED REVIEW\u003cbr \/\u003e\u003cbr \/\u003e“A poignant, emotional glimpse into the lives of the seven fallen feathers — Jethro Anderson, Curran Strang, Kyle Morriseau, Paul Panacheese, Reggie Bushie, Robyn Harper, and Jordan Wabasse — through the eyes of their friends and families.” — \u003cem\u003eTBNewswatch\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“\u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e … is a must read. One can hope in \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e people in our community might find a path forward to true understanding and reconciliation.” — NetNewsLedger\u003cbr \/\u003e\u003cbr \/\u003e“This is a book that everyone should read… . [it] will grip you, make you think and help you understand better what has led up to the horrific experiences of young people cut down too soon. It connects the local experience to the larger experience of Canada and is a cry for justice, human rights and respect.” — \u003cem\u003eThe Chronicle Journal\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003eTalaga’s work brings stories to the fore when mainstream media have covered them up for decades … \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e is a difficult read. It deals with death and racism; it tackles pain and suffering head on. Telling the students’ stories is also an act of hope and healing based on the certainty that things can be better, and that they must. This book is a solid piece of investigative journalism and should be read, and shared far and wide.” — \u003cem\u003eCitizens’ Press\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Tanya Talaga investigates the deaths of seven Indigenous teens in Thunder Bay — Jethro Anderson, Curran Strang, Robyn Harper, Paul Panacheese, Reggie Bushie, Kyle Morrisseau, and Jordan Wabasse — searching for answers and offering a deserved censure to the authorities who haven’t investigated, or considered the contributing factors, nearly enough.” — \u003cem\u003eNational Post\u003c\/em\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\"This story is hard and harrowing, but Talaga tells it with the care of a storyteller and the factual attention of a journalist. She makes the difficult connections between this national tragedy and the greater colonial systems that have endangered our most vulnerable for over a century, and she does it all with a keen, compassionate eye for all involved, especially the families who are too often overlooked. These stories need to be heard. These young people deserve nothing less than to be honoured everywhere.\"","OtherText_Description_for_R_0":"\u003cp\u003eIt’s early April and the 2011 federal election is in full swing. All over Canada, Stephen Harper’s Conservatives are duking it out with Jack Layton’s New Democrats and the struggling Liberals in a bid to win a majority government.\u003c\/p\u003e\u003cp\u003eI’m in Thunder Bay, Ontario, to see Stan Beardy, the Nishawbe-Aski Nation’s grand chief, to interview him for a story on why it is indigenous people never seem to vote.\u003c\/p\u003e\u003cp\u003eThe receptionist at the NAN’s office greets me and ushers me into a large, common meeting room to wait for Stan. Everything in the room is grey — the walls, the tubular plastic tables, the carpets. The only splash of colour is a large white flag with a bear on it that has been tacked to the wall.\u003c\/p\u003e\u003cp\u003eThe Great White Bear stands in the centre of a red circle, in the middle of the flag. The white bear is the traditional symbol of the life of the North American Indian. The red circle background is symbolic of the Red Man. His feet are standing, planted firmly on the bottom line, representing the Earth while his head touches the top line, symbolic to his relationship to the Great Spirit in the sky. The bear is stretched out, arms and feet open wide, to show he has nothing to hide.\u003c\/p\u003e\u003cp\u003eThere are circles joining the bear’s rib cage. They are the souls of the people, indigenous songs, and legends. The circles are the ties that bind all the clans together.\u003c\/p\u003e\u003cp\u003eThese circles also offer protection. Without them, the ribcage would expose the great bear’s beating heart and leave it open to harm.\u003c\/p\u003e\u003cp\u003eStan walks in and greets me warmly, his brown eyes twinkling as he takes a seat.\u003c\/p\u003e\u003cp\u003eStan is pensive, quiet, and patient. He says nothing as he wearily leans back in his chair and waits for me to explain why exactly I flew 2,400 km north from Toronto to see him and talk about the federal election.\u003c\/p\u003e\u003cp\u003eI launch into my spiel, trying not to sound like a salesperson or an interloper into his world, someone who kind of belongs here and kind of does not. This is the curse of my mixed blood. I am the daughter of a half-Anish mom and a Polish father.\u003c\/p\u003e \u003cp\u003eI ramble off abysmal voting pattern statistics across Canada, while pointing out that in many ridings indigenous people could act as a swing vote, influencing that riding and hence the trajectory of the election.\u003c\/p\u003e\u003cp\u003eStan stares at me impassively. Non-plussed.\u003c\/p\u003e\u003cp\u003eSo I start firing off some questions.\u003c\/p\u003e\u003cp\u003eIt doesn’t go well. Every time I try to engage him, asking him about why indigenous people won’t get in the game and vote, he begins talking about the disappearance of fifteen-year-old Jordan Wabasse.\u003c\/p\u003e\u003cp\u003eIt was a frustrating exchange, like we were speaking two different languages.\u003c\/p\u003e\u003cp\u003e“Indigenous voters could influence fifty seats across the country if they got out and voted but they don’t. Why?” I ask.\u003c\/p\u003e\u003cp\u003e“Why aren’t you writing a story on Jordan Wabasse? He has been gone seventy-one days now,” replies Stan.\u003c\/p\u003e\u003cp\u003e“Stephen Harper has been no friend to indigenous people yet if everyone voted, they could swing the course of this election,” I continue, hoping he’ll bite at the sound of Harper’s name. The man is no friend of the Indians.\u003c\/p\u003e\u003cp\u003e“They found a shoe down by the water. Police think it might have been his,” replies Stan.\u003c\/p\u003e\u003cp\u003eThis went on for a good fifteen minutes. I was annoyed. I knew a missing Grade 9 indigenous student in Thunder Bay would not make news in urban Toronto at Canada’s largest daily newspaper. I could practically see that election bus rolling away without me.\u003c\/p\u003e\u003cp\u003eThen I remembered my manners and where I was.\u003c\/p\u003e\u003cp\u003eI was sitting with the elected grand chief of 23,000 people and he was clearly trying to tell me something.\u003c\/p\u003e\u003cp\u003eI tried a new tactic. I’d ask about Jordan and then I’d swing around and get him to talk about elections.\u003c\/p\u003e\u003cp\u003eThen Stan said: “Jordan is the seventh student to go missing or die while at school.”\u003c\/p\u003e\u003cp\u003eSeven.\u003c\/p\u003e\u003cp\u003eStan says their names: “Reggie Bushie. Jethro Anderson. Paul Panacheese. Curran Strang. Robyn Harper. Kyle Morrisseau. And now, Jordan Wabasse.”\u003c\/p\u003e\u003cp\u003eHe then tells me the seven were hundreds of miles away from their home communities and families.\u003c\/p\u003e\u003cp\u003eEach was forced to leave their reserve simply because there was no high school for them to attend.\u003c\/p\u003e\u003cp\u003e“Going to high school is the right of every Canadian child,” says Stan, adding that these children are no different.\u003c\/p\u003e","OtherText_Quote_from_review_0":"\"[W]here Seven Fallen Feathers truly shines is in Talaga’s intimate retellings of what families experience when a loved one goes missing, from filing a missing-persons report with police, to the long and brutal investigation process, to the final visit in the coroner’s office. It’s a heartbreaking portrait of an indifferent and often callous system . . . Seven Fallen Feathers is a must-read for all Canadians. It shows us where we came from, where we’re at, and what we need to do to make the country a better place for us all.\"","OtherText_Quote_from_review_1":"\"[A]n urgent and unshakable portrait of the horrors faced by Indigenous teens going to school in Thunder Bay, Ontario, far from their homes and families. . . . Talaga’s incisive research and breathtaking storytelling could bring this community one step closer to the healing it deserves.\"","OtherText_Quote_from_review_2":"\"Tanya Talaga investigates the deaths of seven Indigenous teens in Thunder Bay — Jethro Anderson, Curran Strang, Robyn Harper, Paul Panacheese, Reggie Bushie, Kyle Morrisseau, and Jordan Wabasse — searching for answers and offering a deserved censure to the authorities who haven’t investigated, or considered the contributing factors, nearly enough.\"","OtherText_ShortDescription_0":"The shocking true story of seven young Indigenous students who were found dead in a northern Ontario city over the span of seven years.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_10":"Commended","PrizeCodeText_11":"Commended","PrizeCodeText_12":"Commended","PrizeCodeText_13":"Commended","PrizeCodeText_14":"Commended","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Winner","PrizeCodeText_5":"Winner","PrizeCodeText_6":"Winner","PrizeCodeText_7":"Short-listed","PrizeCodeText_8":"Long-listed","PrizeCodeText_9":"Commended","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_10":"03","PrizeCode_11":"03","PrizeCode_12":"03","PrizeCode_13":"03","PrizeCode_14":"03","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"01","PrizeCode_5":"01","PrizeCode_6":"01","PrizeCode_7":"04","PrizeCode_8":"05","PrizeCode_9":"03","PrizeName_0":"Hilary Weston Writers’ Trust Prize for Nonfiction","PrizeName_1":"B.C. National Award for Canadian Non-fiction","PrizeName_10":"Walrus Book of the Decade","PrizeName_11":"Globe and Mail Top 100 Book","PrizeName_12":"National Post 99 Best Book of the Year","PrizeName_13":"Chatelaine 20 Best Books of 2017","PrizeName_14":"CBC’s Nonfiction Book of the Year","PrizeName_2":"Speaker's Book Award","PrizeName_3":"National Bestseller","PrizeName_4":"RBC Taylor Prize","PrizeName_5":"Shaughnessy Cohen Prize for Political Writing","PrizeName_6":"First Nation Communities Read: Young Adult\/Adult","PrizeName_7":"J. W. Dafoe Book Prize","PrizeName_8":"CBC Canada Reads","PrizeName_9":"Indigo Best Book of the Decade","PrizeYear_0":"2017","PrizeYear_1":"2018","PrizeYear_10":"2017","PrizeYear_11":"2017","PrizeYear_12":"2017","PrizeYear_13":"2017","PrizeYear_14":"2017","PrizeYear_2":"2017","PrizeYear_3":"2017","PrizeYear_4":"2017","PrizeYear_5":"2017","PrizeYear_6":"2017","PrizeYear_7":"2017","PrizeYear_8":"2017","PrizeYear_9":"2017","ProductFormDescription":"trade paperback","PublicationDate":"2017-09-30","Publisher":"House of Anansi Press Inc","ShortDescription":"The shocking true story of seven young Indigenous students who were found dead in a northern Ontario city over the span of seven years.","Subtitle":"Racism, Death, and Hard Truths in a Northern City","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002268\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"5.5","WidthCode":"in"}
Seven Fallen Feathers
The shocking true story of seven young Indigenous students who were found dead in a northern Ontario city over the span of seven years.
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{"id":6582761488443,"title":"Small Game Hunting at the Local Coward Gun Club","handle":"small-game-hunting-at-the-local-coward-gun-club","description":"\u003cp\u003e\u003cstrong\u003e#1 National Bestseller\u003cbr\u003eFinalist, CBC Canada Reads\u003cbr\u003eFinalist, Scotiabank Giller Prize\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBy turns savage, biting, funny, poetic, and heartbreaking, Megan Gail Coles’s debut novel rips into the inner lives of a wicked cast of characters, exposing class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eValentine’s Day, the longest day of the year. \u003c\/p\u003e\u003cp\u003eA fierce blizzard is threatening to tear a strip off the city, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. \u003c\/p\u003e\u003cp\u003eThrough rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.\u003c\/p\u003e","published_at":"2021-05-13T13:15:06-04:00","created_at":"2021-05-13T13:15:06-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult Award Winning","Adult Bestseller","Adult BIPOC Voices","Book Club Pick","By (author) Coles Megan Gail","Feminist Reads","House of Anansi Press","pub date: 2019-02-12"],"price":1895,"price_min":1895,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403470127163,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487001711","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Small Game Hunting at the Local Coward Gun Club - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":460,"compare_at_price":null,"inventory_management":null,"barcode":"9781487001711","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413796175931,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487001728","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Small Game Hunting at the Local Coward Gun Club - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487001728","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413796995131,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487001735","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Small Game Hunting at the Local Coward Gun Club - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487001735","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413797683259,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008802","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Small Game Hunting at the Local Coward Gun Club - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008802","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413798305851,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008819","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Small Game Hunting at the Local Coward Gun Club - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008819","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_5920654f-692d-48ac-a559-81d77002a004.jpg?v=1638038360"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_5920654f-692d-48ac-a559-81d77002a004.jpg?v=1638038360","options":["Title"],"media":[{"alt":null,"id":21151692226619,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_5920654f-692d-48ac-a559-81d77002a004.jpg?v=1638038360"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_5920654f-692d-48ac-a559-81d77002a004.jpg?v=1638038360","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e#1 National Bestseller\u003cbr\u003eFinalist, CBC Canada Reads\u003cbr\u003eFinalist, Scotiabank Giller Prize\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBy turns savage, biting, funny, poetic, and heartbreaking, Megan Gail Coles’s debut novel rips into the inner lives of a wicked cast of characters, exposing class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eValentine’s Day, the longest day of the year. \u003c\/p\u003e\u003cp\u003eA fierce blizzard is threatening to tear a strip off the city, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. \u003c\/p\u003e\u003cp\u003eThrough rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887847554","AlsoRecommendedISBN_1":"9781487001117","AlsoRecommendedISBN_4":"9781487006075","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ General","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Coles, Megan Gail (CA)","Description":"\u003cp\u003e\u003cstrong\u003e#1 National Bestseller\u003cbr\/\u003eFinalist, CBC Canada Reads\u003cbr\/\u003eFinalist, Scotiabank Giller Prize\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBy turns savage, biting, funny, poetic, and heartbreaking, Megan Gail Coles’s debut novel rips into the inner lives of a wicked cast of characters, exposing class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eValentine’s Day, the longest day of the year. \u003c\/p\u003e\u003cp\u003eA fierce blizzard is threatening to tear a strip off the city, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. \u003c\/p\u003e\u003cp\u003eThrough rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.\u003c\/p\u003e","EAN":"9781487001711","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487001711\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487001711\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Newfoundland; MeToo; toxic workplace; book club; sexual assault; sexual abuse and harassment; classism; power imbalance; restaurant culture; server life; Sweetbitter Stephanie Danler; service industry; infidelity; cheating; feminism; rape; toxic masculinity; drug use; strong female protagonist; PTSD; pink cover deer; CanLit; Indigenous character; Giller Prize shortlist; Unbelievable; Come From Away; Glass Hotel; WomenDoItWrite; multi-voice narrator","NumberOfPages":"440","OtherText_Accolades_0":"No mistake, Megan Gail Coles is a driven, consequential writer who plays for keeps. Her seemingly off-the-cuff voice is controlled and quite intricate, and commands revisiting. Small Game Hunting at the Local Coward Gun Club is as important a novel as any that’s hit Canadian literature in years.","OtherText_Accolades_0_Auth":"Joel Thomas Hynes, author of We’ll All Be Burnt in Our Beds Some Night","OtherText_Accolades_1":"Small Game Hunting is a singular, beautiful, burning story — not only a piercing page-turner but a sharp and essential portrait of an island and its people in our times that will draw you in and then pull you under. It is an ocean of a book. Not to be missed.","OtherText_Accolades_1_Auth":"Alicia Elliott, author of A Mind Spread Out on the Ground","OtherText_Accolades_1_Src":"Elisabeth de Mariaffi, author of Hysteria","OtherText_Accolades_2":"Each character is rendered with such stunning details and unflinching insights that you can’t leave this novel’s pages without being changed. To read Megan Gail Coles’s masterful debut is to become obsessed with it.","OtherText_Accolades_2_Auth":"Alicia Elliott, author of A Mind Spread Out on the Ground","OtherText_Accolades_2_Src":"Elisabeth de Mariaffi, author of Hysteria","OtherText_Description_for_R_0":"\u003cp\u003eOlive waits below the sad mural painted in memory of some long ago drowned boy.\u003c\/p\u003e\u003cp\u003eShe can see up and down Duckworth Street from her perch though there’s not much to see this early in the morning. A scattered taxi slogs by carrying fiendish-looking passengers who attempt to discreetly smoke from barely cracked windows. Discretion is a skill they have fallen out with but they don’t know that yet. They still fancy themselves stealth, piling four parka-plied humans into a single toilet stall, scarves dangling beneath the door, telling tails on them all.\u003c\/p\u003e\u003cp\u003eVolume control is a thing of delusion in the confined spaces they inhabit. It will be years before this is fully realized by those who escape the scene or are thrown into adulthood by overdose or pregnancy. These lucky few will feel overwhelmingly, retroactively embarrassed by their one-time rock star fantasies. Olive can hear them bawling about their supposed betrayals as clouds of tobacco smoke and slurry syllables updraft skyward through the slightly parted window.\u003c\/p\u003e\u003cp\u003eBut Olive forgives them their make-believe follies.\u003c\/p\u003e\u003cp\u003eThey are no better or worse than most of the half well-off, half grown-up humans she has met. They are just flawed and vulnerable to the pitch. Olive is no different. She has chased the white dragon into smoky rooms where grad students complained about unkindly thesis feedback while wearing thousand dollar watches. A holiday-tanned winter wrist, a baggie held aloft, another Volvo fob serving key bumps round the ring. Under such circumstances, Olive is for the most part silent. She can pass for one of them until she releases language into the world.\u003c\/p\u003e\u003cp\u003eOlive often holds her rural tongue for fear of being found out. She is not a card-carrying member of the townie majority. And rarely are there other fugitive faces for Olive to hide behind on nights when she wants to get on the go. There was a Mexican painter once. A Russian musician. There was the one Pakistani fellow whose name Olive could never recall. She did not think it was unpronounceable, she just could not pronounce it.\u003c\/p\u003e\u003cp\u003eThere are lots of words still beyond her reach.\u003c\/p\u003e\u003cp\u003eLike Olive can think of no words to describe the pain felt where her pants nearly meet her feet. She winces and tucks her chin farther inside her coat. She tries to push her neck back to save from catching skin in the zipper. She sniffs back hard and swallows a slippery lob. Her grandmother would not approve of hoarding mucus in the body but her grandmother would not approve of much of what she does lately. Olive sighs and swells and swallows spit to slide the lob along.\u003c\/p\u003e\u003cp\u003eOllie my dollie, get a tissue.\u003c\/p\u003e\u003cp\u003eHer grandmother’s voice is always a program running in the back of her mind. But Olive can’t sacrifice a tissue on mere mucus this morning. Her store of napkins is running low and the last time she tried to hock and spit the wind gust blew snot back onto her sleeve. The line of mucus running from her lips to her elbow turned her weak stomach over. A middle-aged woman in a bright blue Canada Goose coat muttered oh for the love of god as she hurried past the translucent boundary. This made Olive feel gross.\u003c\/p\u003e\u003cp\u003eShe swallows that gross feeling down again while she waits.\u003c\/p\u003e\u003cp\u003eShe can distract herself for a time from the damp soak settling in her heels by watching the craven-faced respectable people meander to their grown-up jobs after a weekend of pretending to be twenty-five. They are not twenty-five. They are not even thirty-five and feel as such. Most internally promise to stay home with the kids next weekend as they turn their faces to or from the sunshine depending on the quantity of painkillers ingested in the car. This temporary commitment to sobriety is bookended by revolving party systems.\u003c\/p\u003e\u003cp\u003eSome relish vitamin D while others resent it.\u003c\/p\u003e\u003cp\u003eThe division will not last long, though, as the sun already has started to duck back inside the nimbostratus. It will storm again today as surely as the nearly forty will go out again in four days’ time. The babysitter will be called. The cat will be let in. They will flee their houses for a little look around.\u003c\/p\u003e\u003cp\u003eGet the stink of house off ya.\u003c\/p\u003e\u003cp\u003eThey will reliably cloak this smell of domestication in alcohol and nicotine and self-loathing until Monday. Mondays are for quitting everything. Again. Except when it storms on Monday. Then quitting everything is pushed to Tuesday.\u003c\/p\u003e\u003cp\u003eToday is such a Tuesday.\u003c\/p\u003e\u003cp\u003eThe weekend warriors refuse to sell out and so have fully bought in pound for pound.\u003c\/p\u003e\u003cp\u003eOlive is just the same. She too had been sold the notion of party drugs as lazy fun and then fast gobbled them hand over fist. Swallow, snort, smoke; ingestion is an irrelevant matter of personal preference and ease. There is no wall to wall them out. Or in. Drug trends are trendingalong regardless of national media reports daily updating all on their progress east and upward. Olive has watched the same scenes play out on repeat in dark corners of the late night since arriving in Sin Jawns.\u003c\/p\u003e\u003cp\u003eAnd they’ve gone and stashed the kits everywhere to protect against the siren call. A first line of defence kept behind wine bars. Under the bathroom sink. In purses. And Olive knows she must address the long list of reasons why self-medicare is needed to comfort her.\u003c\/p\u003e\u003cp\u003eEventually. \u003c\/p\u003e","OtherText_Quote_from_review_0":"The lure of Coles’s often glorious use of language and the importance of reading books that do exactly what Small Game Hunting does — force the reader to face truths that have been hidden and swept away for far too long, to be made uncomfortable and prompted to think rather than be simply entertained — are reason enough to give this up-and-coming author’s new work serious consideration.","OtherText_Quote_from_review_1":"Although Small Game Hunting is often tragic and heartbreaking, its finale offers a glimmer of hope that we are invited to be brave and wait for. The hope that sees women, both tattered and changed by the work of male violence and power, not at a loss for agency or warmth. In the end, Coles’s powerful novel is a tale of resilience.","OtherText_Review_0":"The lure of Coles’s often glorious use of language and the importance of reading books that do exactly what Small Game Hunting does — force the reader to face truths that have been hidden and swept away for far too long, to be made uncomfortable and prompted to think rather than be simply entertained — are reason enough to give this up-and-coming author’s new work serious consideration.","OtherText_Review_0_Src":"Quill and Quire","OtherText_Review_1":"What recommends this novel most is the way its author stays with her characters’ hurt, how she holds it without reverence but understands how those wounds can motivate like nothing else . . . Small Game Hunting at the Local Coward Gun Club is a dark, taut, funny novel that feels for its characters’ pain while remaining caustic toward the enablers and the kinds of violence that polite society allows.","OtherText_Review_1_Src":"Globe and Mail","OtherText_Review_2":"A profound read, offering up perfectly crafted sentences in the thoughts of the motley cast of characters.","OtherText_Review_2_Src":"Canadian Living","OtherText_Review_3":"Although Small Game Hunting is often tragic and heartbreaking, its finale offers a glimmer of hope that we are invited to be brave and wait for. The hope that sees women, both tattered and changed by the work of male violence and power, not at a loss for agency or warmth. In the end, Coles’s powerful novel is a tale of resilience.","OtherText_Review_3_Src":"Rabble.ca","OtherText_Review_4":"Early in Small Game Hunting, a Nigerian immigrant asks the heroine about her true origins: ‘You don’t look all white,’ he says. In other words, this is not your traditional Newfoundland novel of social isolation. Instead, Megan Gail Coles portrays the harsh existence of the islanders as emblematic of the human condition itself. The characters’ lives unfold around a fine restaurant. They are physically and emotionally crippled by their society’s devastating inequalities, the women psychologically maimed by repeated sexual assault. Coles’s narrator storms against the status quo in a kinetic novel that dazzles, challenges, and exhilarates.","OtherText_Review_4_Src":"Scotiabank Giller Prize Jury Citation","OtherText_Review_5":"Beautifully fluid writing pulls the reader right in and keeps them gliding along. Fans of Rene Denfeld, Alice Sebold, and Eowyn Ivey will want to check this book out.","OtherText_Review_5_Src":"Booklist","OtherText_ShortDescription_0":"Megan Gail Coles’s debut novel exposes class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm.","PrizeCodeText_0":"Nominated","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Nominated","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCode_0":"07","PrizeCode_1":"01","PrizeCode_2":"07","PrizeCode_3":"03","PrizeCode_4":"03","PrizeName_0":"Scotiabank Giller Prize","PrizeName_1":"BMO Winterset Award","PrizeName_2":"CBC Canada Reads","PrizeName_3":"A Globe and Mail Book of the Year","PrizeName_4":"#1 National Bestseller","PrizeYear_3":"2018","PrizeYear_4":"2018","ProductFormDescription":"trade paperback","PublicationDate":"2019-02-12","Publisher":"House of Anansi Press Inc","ShortDescription":"Megan Gail Coles’s debut novel exposes class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm.","Width":"5.25","WidthCode":"in"}
Small Game Hunting at the Local Coward Gun Club
Megan Gail Coles’s debut novel exposes class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm.
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{"id":6582763225147,"title":"Spirit Bear","handle":"spirit-bear","description":"\u003cp\u003e\u003cstrong\u003eA classic work of nature and wildlife, \u003ci\u003eSpirit Bear\u003c\/i\u003e is the captivating story of wilderness guide and naturalist Charles Russell’s quest to understand the rare spirit bear of British Columbia’s Princess Royal Island — now updated and reissued with a new design and an afterword by the author.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFrom early experiences observing black bears in the Rocky Mountains with his father, the well-known writer and broadcaster Andy Russell, to nerve-racking encounters with grizzlies in British Columbia’s Khutzeymateen Valley, Charles Russell has spent a lifetime studying bears in their natural habitat. In 1991, Russell visited Princess Royal Island, an uninhabited island off the coast of British Columbia. There, amidst the rivers and trees of the western rainforest, he encountered the elusive spirit bear.\u003c\/p\u003e\u003cp\u003eKnown to scientists as the Kermode bear and to the public as the white, ghost, or spirit bear, these extraordinary animals have never been exposed to civilization. In \u003ci\u003eSpirit Bear\u003c\/i\u003e, Russell recounts his experiences on Princess Royal Island — trekking over rocks and through streams; waiting hours for the evasive ghost bear to appear; and finally coming face-to-face with a spirit bear only inches from his nose. \u003c\/p\u003e\u003cp\u003eIllustrated with more than 100 stunning colour photographs, \u003ci\u003eSpirit Bear\u003c\/i\u003e provides beautiful and astonishing insight into the habits and nature of the Kermode bear, and is part of an ongoing effort by conservationists to save Princess Royal Island as a sanctuary for these remarkable animals.\u003c\/p\u003e","published_at":"2021-05-13T13:15:28-04:00","created_at":"2021-05-13T13:15:28-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Environmentalism","Adult Nonfiction","By (author) Russell Charles","House of Anansi Press","pub date: 2017-05-06"],"price":1995,"price_min":1995,"price_max":2495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403471929403,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487002091","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Spirit Bear - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2495,"weight":520,"compare_at_price":null,"inventory_management":null,"barcode":"9781487002091","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413902639163,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487002107","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Spirit Bear - epub","public_title":"epub","options":["epub"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487002107","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413903196219,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487002114","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Spirit Bear - mobi","public_title":"mobi","options":["mobi"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487002114","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_8afa4033-877d-497d-9f1b-f513e974e36c.jpg?v=1639338657"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_8afa4033-877d-497d-9f1b-f513e974e36c.jpg?v=1639338657","options":["Title"],"media":[{"alt":null,"id":21224398225467,"position":1,"preview_image":{"aspect_ratio":0.8,"height":3000,"width":2400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_8afa4033-877d-497d-9f1b-f513e974e36c.jpg?v=1639338657"},"aspect_ratio":0.8,"height":3000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_8afa4033-877d-497d-9f1b-f513e974e36c.jpg?v=1639338657","width":2400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA classic work of nature and wildlife, \u003ci\u003eSpirit Bear\u003c\/i\u003e is the captivating story of wilderness guide and naturalist Charles Russell’s quest to understand the rare spirit bear of British Columbia’s Princess Royal Island — now updated and reissued with a new design and an afterword by the author.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFrom early experiences observing black bears in the Rocky Mountains with his father, the well-known writer and broadcaster Andy Russell, to nerve-racking encounters with grizzlies in British Columbia’s Khutzeymateen Valley, Charles Russell has spent a lifetime studying bears in their natural habitat. 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In \u003ci\u003eSpirit Bear\u003c\/i\u003e, Russell recounts his experiences on Princess Royal Island — trekking over rocks and through streams; waiting hours for the evasive ghost bear to appear; and finally coming face-to-face with a spirit bear only inches from his nose. \u003c\/p\u003e\u003cp\u003eIllustrated with more than 100 stunning colour photographs, \u003ci\u003eSpirit Bear\u003c\/i\u003e provides beautiful and astonishing insight into the habits and nature of the Kermode bear, and is part of an ongoing effort by conservationists to save Princess Royal Island as a sanctuary for these remarkable animals.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781487007799","AlsoRecommendedISBN_3":"9781770893894","AlsoRecommendedISBN_4":"9781770899919","BASICMainSubject":"NAT003000","BASICMainSubjectLiteral":"NATURE \/ Animals \/ Bears","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHARLES RUSSELL\u003c\/strong\u003e was born and raised in southwest Alberta near what is now Waterton Lakes National Park, in bear country. He is an accomplished Canadian wilderness guide, naturalist, photographer, rancher, and pilot. Russell has authored several other books on bears, including \u003cem\u003eGrizzly Heart: Living Without Fear Among the Brown Bears of Kamchatka\u003c\/em\u003e, \u003cem\u003eGrizzly Seasons\u003c\/em\u003e, and \u003cem\u003eLearning to Be Wild: Raising Orphan Grizzlies\u003c\/em\u003e. His photographs have appeared in magazines such as \u003cem\u003eCanadian Geographic, Nature Canada\u003c\/em\u003e, and \u003cem\u003eOutdoor Life\u003c\/em\u003e. He lives in Alberta.\u003c\/p\u003e","BISACSubjectLiteral_0":"NATURE \/ Animals \/ Bears","BISACSubjectLiteral_1":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubjectLiteral_2":"TRAVEL \/ Canada \/ Western Provinces (AB, BC)","BISACSubject_0":"NAT003000","BISACSubject_1":"NAT011000","BISACSubject_2":"TRV006050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHARLES RUSSELL\u003c\/strong\u003e was born and raised in southwest Alberta near what is now Waterton Lakes National Park, in bear country. He is an accomplished Canadian wilderness guide, naturalist, photographer, rancher, and pilot. Russell has authored several other books on bears, including \u003cem\u003eGrizzly Heart: Living Without Fear Among the Brown Bears of Kamchatka\u003c\/em\u003e, \u003cem\u003eGrizzly Seasons\u003c\/em\u003e, and \u003cem\u003eLearning to Be Wild: Raising Orphan Grizzlies\u003c\/em\u003e. His photographs have appeared in magazines such as \u003cem\u003eCanadian Geographic, Nature Canada\u003c\/em\u003e, and \u003cem\u003eOutdoor Life\u003c\/em\u003e. He lives in Alberta.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Russell, Charles (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA classic work of nature and wildlife, \u003ci\u003eSpirit Bear\u003c\/i\u003e is the captivating story of wilderness guide and naturalist Charles Russell’s quest to understand the rare spirit bear of British Columbia’s Princess Royal Island — now updated and reissued with a new design and an afterword by the author.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFrom early experiences observing black bears in the Rocky Mountains with his father, the well-known writer and broadcaster Andy Russell, to nerve-racking encounters with grizzlies in British Columbia’s Khutzeymateen Valley, Charles Russell has spent a lifetime studying bears in their natural habitat. 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In \u003ci\u003eSpirit Bear\u003c\/i\u003e, Russell recounts his experiences on Princess Royal Island — trekking over rocks and through streams; waiting hours for the evasive ghost bear to appear; and finally coming face-to-face with a spirit bear only inches from his nose. \u003c\/p\u003e\u003cp\u003eIllustrated with more than 100 stunning colour photographs, \u003ci\u003eSpirit Bear\u003c\/i\u003e provides beautiful and astonishing insight into the habits and nature of the Kermode bear, and is part of an ongoing effort by conservationists to save Princess Royal Island as a sanctuary for these remarkable animals.\u003c\/p\u003e","EAN":"9781487002091","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002091\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"10","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"conservation; environmentalism; climate change; nature; animals; western canada; pacific ocean; great bear rainforest; indigenous peoples; poaching; deforestation; canadian animals; nature photography; wildlife; outdoors; mountains; grizzlies; polar bear; canlit; zoology; photographs; afterward; grizzly man; bear; spirit of the wild; haida gwaii; islands of the people; jennifer harrington; planet earth; reference; nonficion; nature lover; gifts for dad","NumberOfPages":"152","OtherText_Description_for_R_0":"\u003cp\u003eI could scarcely believe what I was experiencing. Here was a wild bear, of fearsome lore, examining me and my trappings as though I were a novelty, a cousin from the big city come to visit — an object of curiosity, but definitely not something to fear, or to eat for that matter.\u003c\/p\u003e","OtherText_ShortDescription_0":"A classic work of Canadian nature and wildlife — updated and reissued with a new design and afterword by the author.","ProductFormDescription":"trade paperback","PublicationDate":"2017-05-06","Publisher":"House of Anansi Press Inc","ShortDescription":"A classic work of Canadian nature and wildlife — updated and reissued with a new design and afterword by the author.","Subtitle":"Encounters with the White Bear of the Western Rainforest","Width":"8","WidthCode":"in"}
Spirit Bear
A classic work of Canadian nature and wildlife — updated and reissued with a new design and afterword by the author.
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{"id":6593564049467,"title":"tawâw","handle":"taww","description":"\u003cp\u003e\u003cstrong\u003e\u003ci\u003etawâw\u003c\/i\u003e [pronounced ta-WOW]:\u003cbr\u003eCome in, you’re welcome, there’s room.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAcclaimed chef Shane M. Chartrand’s debut cookbook explores the reawakening of Indigenous cuisine and what it means to cook, eat, and share food in our homes and communities.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eBorn to Cree parents and raised by a Métis father and Mi’kmaw-Irish mother, Shane M. Chartrand has spent the past ten years learning about his history, visiting with other First Nations peoples, gathering and sharing knowledge and stories, and creating dishes that combine his interests and express his personality. 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Chartrand’s debut cookbook explores the reawakening of Indigenous cuisine and what it means to cook, eat, and share food in our homes and communities.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eBorn to Cree parents and raised by a Métis father and Mi’kmaw-Irish mother, Shane M. Chartrand has spent the past ten years learning about his history, visiting with other First Nations peoples, gathering and sharing knowledge and stories, and creating dishes that combine his interests and express his personality. The result is \u003ci\u003etawâw: Progressive Indigenous Cuisine\u003c\/i\u003e, a book that traces Chartrand’s culinary journey from his childhood in Central Alberta, where he learned to raise livestock, hunt, and fish on his family’s acreage, to his current position as executive chef at the acclaimed SC Restaurant in the River Cree Resort \u0026amp;Casino in Enoch, Alberta, on Treaty 6 Territory.\u003c\/p\u003e\u003cp\u003eContaining over seventy-five recipes — including Chartrand’s award-winning dish “War Paint” — along with personal stories, culinary influences, and interviews with family members, \u003ci\u003etaw\u003c\/i\u003e\u003ci\u003eâw\u003c\/i\u003e is part cookbook, part exploration of ingredients and techniques, and part chef’s personal journal.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002442","AlsoRecommendedISBN_1":"9781487004101","AlsoRecommendedISBN_2":"9781487004132","BASICMainSubject":"CKB058000","BASICMainSubjectLiteral":"COOKING \/ Regional \u0026 Ethnic \/ Indigenous Food of the Americas","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSHANE M. CHARTRAND\u003c\/strong\u003e, of the Enoch Cree Nation, is at the forefront of the re-emergence of Indigenous cuisine in North America. Raised in Central Alberta, where he learned to respect food through raising livestock, hunting, and fishing on his family’s acreage, Chartrand relocated to Edmonton as a young man to pursue culinary training. In 2015, Chartrand was invited to participate in the prestigious international chef contingent of Cook It Raw, and has since competed on Food Network Canada’s \u003cem\u003eIron Chef Canada\u003c\/em\u003e and \u003cem\u003eChopped Canada\u003c\/em\u003e. Currently, Chartrand is the executive chef at the acclaimed SC Restaurant at the River Cree Resort \u0026 Casino in Enoch, Alberta, where he transforms his diverse influences and experiences into culinary art.\u003c\/p\u003e","BISACSubjectLiteral_0":"COOKING \/ Regional \u0026amp; Ethnic \/ Native American","BISACSubjectLiteral_1":"COOKING \/ Courses \u0026amp; Dishes \/ General","BISACSubjectLiteral_2":"COOKING \/ Regional \u0026amp; Ethnic \/ Canadian","BISACSubject_0":"CKB058000","BISACSubject_1":"CKB101000","BISACSubject_2":"CKB091000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSHANE M. CHARTRAND\u003c\/strong\u003e, of the Enoch Cree Nation, is at the forefront of the re-emergence of Indigenous cuisine in North America. Raised in Central Alberta, where he learned to respect food through raising livestock, hunting, and fishing on his family’s acreage, Chartrand relocated to Edmonton as a young man to pursue culinary training. In 2015, Chartrand was invited to participate in the prestigious international chef contingent of Cook It Raw, and has since competed on Food Network Canada’s \u003cem\u003eIron Chef Canada\u003c\/em\u003e and \u003cem\u003eChopped Canada\u003c\/em\u003e. Currently, Chartrand is the executive chef at the acclaimed SC Restaurant at the River Cree Resort \u0026 Casino in Enoch, Alberta, where he transforms his diverse influences and experiences into culinary art.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003eBorn and raised in Edmonton, Alberta, \u003cstrong\u003eJENNIFER COCKRALL-KING\u003c\/strong\u003e is a Canadian food writer who now lives in the small community of Naramata, in British Columbia’s Okanagan Valley. She is the author of \u003cem\u003eFood and the City: Urban Agriculture and the New Food Revolution\u003c\/em\u003e and \u003cem\u003eFood Artisans of the Okanagan Valley\u003c\/em\u003e. Her writing has appeared in publications across North America, including \u003cem\u003eMaclean’s\u003c\/em\u003e, \u003cem\u003eReader’s Digest\u003c\/em\u003e, \u003cem\u003eEighteen Bridges\u003c\/em\u003e, \u003cem\u003eCanadian Geographic\u003c\/em\u003e, and \u003cem\u003eenRoute\u003c\/em\u003e magazine. \u003cem\u003etawâw: Progressive Indigenous Cuisine\u003c\/em\u003e is her third book. \u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"With","Contributor_0":"Chartrand, Shane M. (CA)","Contributor_1":"Cockrall-King, Jennifer (CA)","Description":"\u003cp\u003e\u003cstrong\u003e\u003ci\u003etawâw\u003c\/i\u003e [pronounced ta-WOW]:\u003cbr\/\u003eCome in, you’re welcome, there’s room.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAcclaimed chef Shane M. Chartrand’s debut cookbook explores the reawakening of Indigenous cuisine and what it means to cook, eat, and share food in our homes and communities.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eBorn to Cree parents and raised by a Métis father and Mi’kmaw-Irish mother, Shane M. Chartrand has spent the past ten years learning about his history, visiting with other First Nations peoples, gathering and sharing knowledge and stories, and creating dishes that combine his interests and express his personality. The result is \u003ci\u003etawâw: Progressive Indigenous Cuisine\u003c\/i\u003e, a book that traces Chartrand’s culinary journey from his childhood in Central Alberta, where he learned to raise livestock, hunt, and fish on his family’s acreage, to his current position as executive chef at the acclaimed SC Restaurant in the River Cree Resort \u0026Casino in Enoch, Alberta, on Treaty 6 Territory.\u003c\/p\u003e\u003cp\u003eContaining over seventy-five recipes — including Chartrand’s award-winning dish “War Paint” — along with personal stories, culinary influences, and interviews with family members, \u003ci\u003etaw\u003c\/i\u003e\u003ci\u003eâw\u003c\/i\u003e is part cookbook, part exploration of ingredients and techniques, and part chef’s personal journal.\u003c\/p\u003e","EAN":"9781487005122","Height":"10","HeightCode":"in","Imprint":"Ambrosia","NumberOfPages":"304","OtherText_Accolades_0":"\u003cp\u003e\u003cstrong\u003ePraise for \u003cem\u003etawâw\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Beautiful aesthetically and altruistically … [\u003cem\u003etawâw\u003c\/em\u003e] is deeply entertaining, combining elements of historic truths that are sometimes difficult to accept with a delightful story of a young person finding a calling in the culinary world.” — Gonzo Okanagan\u003cbr \/\u003e\u003cbr \/\u003e “The recipes are wonderful, representing a variety of ideas … Chef Chartrand set out to create a cookbook that expresses his personality and that replicates how he learned about his own identity and history. He is part of a group of Indigenous chefs from Canada and the United States who are taking back the Indigenous culture that was stolen from them. \u003cem\u003etawâw: Progressive Indigenous Cuisine\u003c\/em\u003e is a welcome voice in the ongoing conversation about the resurgence of Indigenous culture and food.” — \u003cem\u003eForeword Reviews\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“I’m so happy to see Chef Shane Chartrand’s creative work elevating and bringing awareness to the importance of our Indigenous foods. We need more Native voices and role models like him to help empower and inspire the next generation of Indigenous chefs!” — Sean Sherman, chef\/founder, the Sioux Chef™ and the Indigenous Food Lab, and co-author of \u003cem\u003eThe Sioux Chef’s Indigenous Kitchen\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Shane understands the cultural importance of food. For him, cooking is a ceremonial act and an act of respect — for the land we use, the animals we eat, and the people who share our tables. We all need to think more about this aspect of our food, and \u003cem\u003etawâw\u003c\/em\u003e will help make that happen.” — Alessandro Porcelli, founder and director of \u003cem\u003eCook It Raw\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Chef Shane Chartrand greets life with open arms and a sense of discovery that translates into one of the most inspirational and deeply personal food books I’ve ever read. \u003cem\u003etawâw\u003c\/em\u003e is poised to become a must-have classic in any serious culinary library.” — Anita Stewart, chef, author, and founder of Food Day Canada\u003cbr \/\u003e\u003cbr \/\u003e“I first met Shane during a chef’s retreat in Kananaskis Country, surrounded by the majesty of the Rocky Mountains. Through him, I learned the importance of traditional Indigenous thinking and approaches to food, which continues to influence and guide the uniqueness of Albertan cuisine today. I’m so happy that Shane and Jennifer have captured these ideas in tawâw for us all to savour. Bravo!” — Jamie Kennedy, chef\/founder, Jamie Kennedy Kitchens, and author of \u003cem\u003eJ.K.: The Jamie Kennedy Cookbook\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“Chef Chartrand’s recipes are like the food he serves: each dish is a delicious journey that connects us to \u003cem\u003enêhiyaw\u003c\/em\u003e\/Métis ways of life. \u003cem\u003etawâw\u003c\/em\u003e draws us in the way Shane welcomes us into his restaurant — with warmth, good stories, and an abundance of great food.” — Senator Patti LaBoucane-Benson, director of research at the Native Counselling Services of Alberta, and author of \u003cem\u003eThe Outside Circle\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e“I have always respected Shane’s focus, dedication to his craft, and pride for his Indigenous culture, heritage, and food. Shane understands the need to tell his stories, to have them heard, and to make them delicious. With \u003cem\u003etawâw\u003c\/em\u003e, he has placed his stamp firmly on the future of food in this country.” — Ned Bell, chef, TV personality, and author of \u003cem\u003eLure: Sustainable Seafood Recipes from the West Coast\u003c\/em\u003e\u003c\/p\u003e","OtherText_Accolades_1":"Chef Shane Chartrand greets life with open arms and a sense of discovery that translates into one of the most inspirational and deeply personal food books I’ve ever read. tawâw is poised to become a must-have classic in any serious culinary library.","OtherText_Accolades_2":"I first met Shane during a chef’s retreat in Kananaskis Country, surrounded by the majesty of the Rocky Mountains. Through him, I learned the importance of traditional Indigenous thinking and approaches to food, which continues to influence and guide the uniqueness of Albertan cuisine today. I’m so happy that Shane and Jennifer have captured these ideas in tawâw for us all to savour. Bravo!","OtherText_Accolades_3":"Shane understands the cultural importance of food. For him, cooking is a ceremonial act and an act of respect — for the land we use, the animals we eat, and the people who share our tables. We all need to think more about this aspect of our food, and tawâw will help make that happen.","OtherText_ShortDescription_0":"Acclaimed chef Shane M. Chartrand’s debut cookbook explores the reawakening of Indigenous cuisine.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCode_0":"01","PrizeCode_1":"01","PrizeName_0":"Best in the World — Innovative, Gourmand World Cookbook Awards","PrizeName_1":"Innovative Gourmand World Cookbook Award","PrizeYear_0":"2019","PrizeYear_1":"2019","ProductFormDescription":"hardcover","PublicationDate":"2019-10-01","Publisher":"House of Anansi Press Inc","ShortDescription":"Acclaimed chef Shane M. Chartrand’s debut cookbook explores the reawakening of Indigenous cuisine.","Subtitle":"Progressive Indigenous Cuisine","Width":"8","WidthCode":"in"}
tawâw
Acclaimed chef Shane M. Chartrand’s debut cookbook explores the reawakening of Indigenous cuisine.
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{"id":6582717808699,"title":"The Accusation","handle":"the-accusation","description":"\u003cp\u003e\u003cstrong\u003eAuthored by an anonymous writer and smuggled out of North Korea, \u003ci\u003eThe Accusation\u003c\/i\u003e is the first work of fiction to come out of the country and a moving portrayal of life under a totalitarian regime.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 1989, a North Korean dissident writer, known to us only by the pseudonym Bandi, began to write a series of stories about life under Kim Il-sung’s totalitarian regime. 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Smuggled out of North Korea and published around the world, \u003ci\u003eThe Accusation \u003c\/i\u003eprovides a unique and shocking window into this most secretive of countries.\u003c\/p\u003e\u003cp\u003eBandi’s profound, deeply moving, vividly characterized stories tell of ordinary men and women facing the terrible absurdity of daily life in North Korea: a factory supervisor caught between loyalty to an old friend and loyalty to the Party; a woman struggling to feed her husband through the great famine; the staunch Party man whose actor son reveals to him the theatre that is their reality; the mother raising her child in a world where the all-pervasive propaganda is the very stuff of childhood nightmare.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Accusation \u003c\/i\u003eis a heartbreaking portrayal of the realities of life in North Korea. It is also a reminder that humanity can sustain hope even in the most desperate of circumstances — and that the courage of free thought has a power far beyond those who seek to suppress it.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002008","AlsoRecommendedISBN_3":"9781487006839","AlsoRecommendedISBN_4":"9781770893832","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION \/ Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBANDI\u003c\/strong\u003e, which means “firefly” in Korean, is a pseudonym for a writer who is still living in his homeland of North Korea, and who wrote these stories in secret. \u003cem\u003eThe Accusation\u003c\/em\u003e is his only published book to date.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Short Stories","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC029000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBANDI\u003c\/strong\u003e, which means “firefly” in Korean, is a pseudonym for a writer who is still living in his homeland of North Korea, and who wrote these stories in secret. \u003cem\u003eThe Accusation\u003c\/em\u003e is his only published book to date.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eDEBORAH SMITH\u003c\/strong\u003e is a British translator of Korean fiction. She translated \u003cem\u003eThe Vegetarian\u003c\/em\u003e by Korean author \u003cem\u003eHan Kang\u003c\/em\u003e, for which she and the author were co-winners of the Man Booker International Prize in 2016. After graduating from the University of Cambridge, Smith began learning Korean in 2010. She founded Tilted Axis Press, a non-profit publishing house focusing on contemporary fiction specifically from Asia. She is currently a research fellow at the School of Oriental and African Studies, University of London.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Bandi","Contributor_1":"Smith, Deborah","Description":"\u003cp\u003e\u003cstrong\u003eAuthored by an anonymous writer and smuggled out of North Korea, \u003ci\u003eThe Accusation\u003c\/i\u003e is the first work of fiction to come out of the country and a moving portrayal of life under a totalitarian regime.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 1989, a North Korean dissident writer, known to us only by the pseudonym Bandi, began to write a series of stories about life under Kim Il-sung’s totalitarian regime. Smuggled out of North Korea and published around the world, \u003ci\u003eThe Accusation \u003c\/i\u003eprovides a unique and shocking window into this most secretive of countries.\u003c\/p\u003e\u003cp\u003eBandi’s profound, deeply moving, vividly characterized stories tell of ordinary men and women facing the terrible absurdity of daily life in North Korea: a factory supervisor caught between loyalty to an old friend and loyalty to the Party; a woman struggling to feed her husband through the great famine; the staunch Party man whose actor son reveals to him the theatre that is their reality; the mother raising her child in a world where the all-pervasive propaganda is the very stuff of childhood nightmare.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Accusation \u003c\/i\u003eis a heartbreaking portrayal of the realities of life in North Korea. It is also a reminder that humanity can sustain hope even in the most desperate of circumstances — and that the courage of free thought has a power far beyond those who seek to suppress it.\u003c\/p\u003e","EAN":"9781487002718","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002718\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002718\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"5.5","HeightCode":"in","Imprint":"Anansi International","NumberOfPages":"256","OtherText_Accolades_0":"\u003cp\u003e\u003cstrong\u003ePraise for Bandi and \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Accusation\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003eA \u003cem\u003eGLOBE AND MAIL\u003c\/em\u003e TOP 100 BOOK\u003cbr \/\u003eNATIONAL POST 99 BEST BOOKS OF THE YEAR\u003c\/p\u003e\u003cp\u003e“An absorbing story collection.” — \u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Searing fiction by an anonymous dissident … A fierce indictment of life in the totalitarian North.” ― \u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“\u003cem\u003eThe Accusation\u003c\/em\u003e continues to make international history as the first literary work smuggled out of repressive North Korea … Illuminating stories that reveal desperate lives enduring terrifying day-to-day challenges … British translator Smith … expertly delivers Bandi's subversive prose with nuanced grace … As Bandi's characters\u003c\/p\u003e\u003cp\u003eboth fear and sling accusations, the title takes on piercing gravitas for readers.” ― \u003cem\u003eBooklist, \u003c\/em\u003eSTARRED REVIEW\u003c\/p\u003e\u003cp\u003e“Smuggled out of the Democratic People’s Republic of Korea 25 years after being written, this pseudonymous collection covers the final years of the rule of Kim Il-sung. Depicting everyday citizens trying to make the best of a bad situation, \u003cem\u003eThe Accusation\u003c\/em\u003e gives a human face to the people living under a brutal regime.” ― \u003cem\u003eNational Post\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“\u003cem\u003eThe Accusation\u003c\/em\u003e shines a light on the dark half of the Korean peninsula with stories that are as readable as they are important … If these stories are an exorcism for the author, they are a revelation for us; \u003cem\u003eThe Accusation\u003c\/em\u003e is fiction, but it is fiction that screams truth. Like its great literary predecessor \u003cem\u003eOne Day in the Life of Ivan\u003c\/em\u003e\u003cem\u003eDenisovich\u003c\/em\u003e, \u003cem\u003eThe Accusation\u003c\/em\u003e is a powerful work that seems destined to serve as the go-to example, and indictment, of life in the Democratic People's Republic of Korea.” ― \u003cem\u003eNational Post\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“All we can do is to read these 'accusations.' Only that will save the writer who wrote and sent them out into the world at the risk of his own life.” ― Kyung-Sook Shin, \u003cem\u003eNew York Times\u003c\/em\u003e bestselling author of \u003cem\u003ePlease Look After Mom\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“This is an extraordinary tale of ordinary people in North Korea … A highly readable, nuanced, credible picture of a country where ordinary people go about their lives treading around the regime, and sometimes bumping into it.” ― BBC World Service\u003c\/p\u003e\u003cp\u003e“A collection of courageous and confounding short stories … expertly translated by Deborah Smith … Shows similarities of both quality and content to stories by authors as various as Gorky, Solzhenitsyn, and Chen Ruoxi, or even Chinese contemporaries such as Yan Lianke … Vivid and uncompromising storytelling.” ― \u003cem\u003eNew Statesman\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“These short works offer powerful insights into a world behind walls … In its scope and courage, \u003cem\u003eThe Accusation\u003c\/em\u003e is an act of great love.” ― \u003cem\u003eGuardian\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“\u003cem\u003eThe Accusation\u003c\/em\u003e takes us across a deep cultural and political border … The stories, written between 1989 and 1995, constitute a passionate \u003cem\u003eJ'accuse\u003c\/em\u003e … Shines a necessary light on what remains one of the darkest places on Earth.” — \u003cem\u003eHamilton Spectator\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“A rare piece of fiction from one of the world's most repressive regimes … A dramatic page-turner.” ― \u003cem\u003eQuartz\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“For readers interested in a candid look at life in North Korea, \u003cem\u003eThe Accusation\u003c\/em\u003e … will immerse you via the stories of common folk.” ― \u003cem\u003eMillions\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“With these uncompromising stories, the pseudonymous Bandi gives a rare glimpse of life in the ‘truly fathomless darkness’ of North Korea … An endnote about how Bandi's collection was smuggled out of the country reveals just how miraculous it is that it exists at all.” ― \u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Fugitive fiction ― literally ― from inside North Korea, devastatingly critical of the Kim dynasty and its workers’ paradise … There is a streak of satire in these stories, but mostly they are grimly realistic … Certainly the author has access to the broad sweep of North Korean society, from industrial workers and farmers to midlevel political functionaries … An important document of witness.” ― \u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“No fiction beyond a trickle of agitprop has passed beyond North Korea's borders, and of course dissident voices are suppressed altogether. When it was smuggled out, this story collection became an international publishing sensation.” ― \u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Well-crafted stories … \u003cem\u003eThe Accusation\u003c\/em\u003e is a haunting, disturbing collection … worthwhile.” ― \u003cem\u003eComplete Review\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“[A] slim, powerful volume.” ― \u003cem\u003eWeek\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Bandi's writing style is markedly different from that of Western fiction … The rather bare-bones, bracing style fits the stories told. Their content has so much implicit drama and heartache, there's no need to elaborate … \u003cem\u003eThe Accusation\u003c\/em\u003e is a quick read … Worthy of attention.” ― \u003cem\u003eCrime Fiction Lover\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“[A] remarkable collection of stories … Revealing the terrible truth of living in a country where any freedoms are curtailed, where famine and brutality are rife, but where human belief and hope can survive any odds, this is a defining read for 2017.” ― \u003cem\u003eEmerald Street\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“\u003cem\u003eThe Accusation\u003c\/em\u003e courageously speaks for millions of people who collectively long for a life of peace.” ― \u003cem\u003eCulture Trip\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“A collection of short stories written under a pseudonym and smuggled out of\u003ca href=\"https:\/\/www.theguardian.com\/world\/north-korea\"\u003e North Korea\u003c\/a\u003e is on its way to becoming an international literary sensation, with its agent fielding offers from around the world for an author who is being labelled the North Korean Solzhenitsyn.” — Alison Flood, \u003cem\u003eGuardian\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Plunges us into the daily life of families in North Korea. These stories are the cry of a man suffocated by totalitarianism. These are also the cry of an entire people who have been broken under the yoke of North Korean communism … The author makes use of storytelling, poetry, humour, and even the burlesque to aid his condemnation of these unbearable injustices. The writing is simple, humble, which gives it its beauty. The seven novellas shine with humanity and tenderness.” — \u003cem\u003eAleteia\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“This collection of novellas that the author managed to extract from his country is of incredible value … The classic construction reminds us of Gogol and Chekhov, and for their taste for absurdist satire, Ionesco and Bulgakov.” — \u003cem\u003eBooks Magazine\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Describes in very impressionistic, subtle, almost veiled tones, if I may, the daily life of a dictatorship … The book gives a human face, gives stories and images, to the sufferings of North Koreans … I was almost groggy by the time I finished reading, reminding myself of just how lucky I am to live in a democracy … I thought of Orwell and Kafka but realized that the country described here really exists and that there are people who are living there, perhaps not even knowing that a different kind of life is possible.” — \u003cem\u003eL’express\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Bandi, a pseudonym that means ‘firefly,’ has achieved the unthinkable — offering a testimony on the dictatorial regime of North Korea while remaining in situ … In the same way as the works of Solzhenitsyn in their time, Bandi’s writing reminds us of the perennial necessity of battling censorship, whatever the cost.” — \u003cem\u003eL’amour des livres\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“This author is completely unknown and would like to stay that way. He continues to live in a country that is held fast by an iron fist, putting his life at risk by writing. He describes, not without humor, the ordinary life of this dictatorship, the extreme misery there, and the surveillance networks that have been put in place by the regime, which make everyone into a potential spy or informant.” — \u003cem\u003eMag Dimanche\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Even if one did not know anything about the writer or the way the manuscript was smuggled out of the country, it would not diminish the fact that the force of this collection of novellas evokes the classics of world literature about totalitarianism.” — \u003cem\u003eL’ours\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“A message in a bottle that is so precious that we should all reach out to grab it and better understand the tragedy of the last Marxist regime in the world.” — \u003cem\u003eLe Revenu\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Stories of simple people that are humiliated and beaten down for absurd reasons, watched over by grotesque henchmen and toadying neighbors, arrested and punished by a dictatorship that has held the country under its heel for six decades. A book to burst the silence.” — \u003cem\u003eLa Vie\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“This rare collection offers seven moving novellas, snapshots of a country where nothing normal ever leaks out … A far cry from the grandiloquent, ridiculous images that are thrown out by the Kim Jong-Un regime, \u003cem\u003eThe Accusation\u003c\/em\u003e offers the opportunity to discover a moving portrait of a secret country, a forgotten land where humanity only asks to try to triumph.” — \u003cem\u003eLire\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“No one could imagine that it could be at all comical to live in a dictatorship, but in describing the limitless absurdity of the system, Bandi sometimes makes the reader give out a nervous laugh … A fragile hint of light in a country that confuses democracy with obscurantism.” — \u003cem\u003eL’Alsace\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Each of these stories shows a different aspect of the remorseless dictatorship … With a fierce sense of irony and a deeply dark humor, Bandi denounces totalitarianism, the divisions in North Korean society, and the absurdity and corruption of the one party system.” — \u003cem\u003eLa Grande Parade\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Stories written with a great humanity, the work of a true writer.” — Lecturama.fr\u003c\/p\u003e\u003cp\u003e“Magnificently humane and tender, \u003cem\u003eThe Accusation \u003c\/em\u003eis a profound read that shines a spotlight on the ordinary people living in the darkest of lands. It is also a staggering indictment of the deceit and falsehood that is today’s North Korea. A mournful, deeply felt, and necessary read. It will change you.” — Irina Kovalyova, author of \u003cem\u003eSpecimen\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e“Bandi’s collection of short stories are well crafted parable-like portraits of people struggling to trust and yearning to create meaning as they navigate their way through the sterile, Kafkaesque landscape of 1990s North Korea. More stories like these may crumble the regime.” — Ins Choi, author of \u003cem\u003eKim’s Convenience\u003c\/em\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\"Magnificently humane and tender, The Accusation is a profound read that shines a spotlight on the ordinary people living in the darkest of lands. It is also a staggering indictment of the deceit and falsehood that is today’s North Korea. A mournful, deeply felt, and necessary read. It will change you.\"","OtherText_Quote_from_review_0":"\"Searing fiction by an anonymous dissident . . . A fierce indictment of life in the totalitarian North.\"","OtherText_Quote_from_review_1":"\"Searing fiction by an anonymous dissident . . . A fierce indictment of life in the totalitarian North.\"","OtherText_ShortDescription_0":"A major publishing phenomenon, The Accusation by anonymous North Korean writer Bandi is the first piece of fiction to come out of North Korea.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeName_0":"A GLOBE AND MAIL TOP 100 BOOK","PrizeName_1":"NATIONAL POST 99 BEST BOOKS OF THE YEAR","PrizeYear_0":"2017","PrizeYear_1":"2017","ProductFormDescription":"trade paperback","PublicationDate":"2017-03-04","Publisher":"House of Anansi Press Inc","ShortDescription":"A major publishing phenomenon, The Accusation by anonymous North Korean writer Bandi is the first piece of fiction to come out of North Korea.","Width":"8.25","WidthCode":"in"}
The Accusation
A major publishing phenomenon, The Accusation by anonymous North Korean writer Bandi is the first piece of fiction to come out of North Korea.
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{"id":6582723084347,"title":"The Book of Fate","handle":"the-book-of-fate","description":"\u003cp\u003e\u003cstrong\u003eSelected as one of \u003cem\u003eWorld Literature Today\u003c\/em\u003e's 75 Notable Translations of 2013\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSpanning five turbulent decades in Iranian history, from before the 1979 revolution, through the Islamic Republic, and up to the present, \u003cem\u003eThe Book of Fate\u003c\/em\u003e is a powerful story of friendship and passion, fear and hope.\u003c\/p\u003e\r\n\u003cp\u003eA teenager in pre-revolutionary Tehran, Massoumeh is an average girl, passionate about learning. On her way to school she meets a local man and falls in love, but when her family discovers his letters they accuse her of bringing them dishonour. She is badly beaten by her brother, and her parents hastily arrange for her to marry a man she’s never met. Facing a life without love, and the prospect of no education, Massoumeh is distraught, but a female neighbour urges her to comply: \"We each have a destiny, and you can’t fight yours.\"\u003c\/p\u003e\r\n\u003cp\u003eThe years that follow Massoumeh’s wedding prove transformative for Iran. Hamid, Massoumeh’s husband, is a political dissident and a threat to the Shah’s regime. When the secret service arrive to arrest him, it is the start of a terrifying period for Massoumeh. Her fate, so long dictated by family loyalty and tradition, is now tied to the changing fortunes of her country.\u003c\/p\u003e","published_at":"2021-05-13T13:06:39-04:00","created_at":"2021-05-13T13:06:39-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Anansi International","Book Club Pick","By (author) Saniee Parinoush","pub date: 2013-08-31","Translated by Khalili Sara"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403408588859,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770893849","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Book of Fate - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770893849","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39412943454267,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770893832","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Book of Fate - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":535,"compare_at_price":null,"inventory_management":null,"barcode":"9781770893832","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39412943978555,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770895768","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Book of Fate - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770895768","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_aa993eab-a261-4042-95d7-8810307169ca.jpg?v=1629872838"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_aa993eab-a261-4042-95d7-8810307169ca.jpg?v=1629872838","options":["Title"],"media":[{"alt":null,"id":20819581501499,"position":1,"preview_image":{"aspect_ratio":0.647,"height":618,"width":400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_aa993eab-a261-4042-95d7-8810307169ca.jpg?v=1629872838"},"aspect_ratio":0.647,"height":618,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0264\/3374\/9051\/products\/BNCImageAPI_aa993eab-a261-4042-95d7-8810307169ca.jpg?v=1629872838","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eSelected as one of \u003cem\u003eWorld Literature Today\u003c\/em\u003e's 75 Notable Translations of 2013\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSpanning five turbulent decades in Iranian history, from before the 1979 revolution, through the Islamic Republic, and up to the present, \u003cem\u003eThe Book of Fate\u003c\/em\u003e is a powerful story of friendship and passion, fear and hope.\u003c\/p\u003e\r\n\u003cp\u003eA teenager in pre-revolutionary Tehran, Massoumeh is an average girl, passionate about learning. On her way to school she meets a local man and falls in love, but when her family discovers his letters they accuse her of bringing them dishonour. She is badly beaten by her brother, and her parents hastily arrange for her to marry a man she’s never met. Facing a life without love, and the prospect of no education, Massoumeh is distraught, but a female neighbour urges her to comply: \"We each have a destiny, and you can’t fight yours.\"\u003c\/p\u003e\r\n\u003cp\u003eThe years that follow Massoumeh’s wedding prove transformative for Iran. Hamid, Massoumeh’s husband, is a political dissident and a threat to the Shah’s regime. When the secret service arrive to arrest him, it is the start of a terrifying period for Massoumeh. Her fate, so long dictated by family loyalty and tradition, is now tied to the changing fortunes of her country.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001391","AlsoRecommendedISBN_1":"9781487002008","AlsoRecommendedISBN_2":"9781770893597","BASICMainSubject":"FIC008000","BASICMainSubjectLiteral":"FICTION \/ Sagas","BiographicalNote":"Parinoush Saniee is a sociologist and psychologist. She is the author of several novels, including \u003cem\u003eThe Book of Fate\u003c\/em\u003e, which has been reprinted twenty-one times in Iran and is a bestseller in Italy, Romania, and Norway.","BISACSubjectLiteral_0":"FICTION \/ Sagas","BISACSubjectLiteral_1":"FICTION \/ Coming of Age","BISACSubjectLiteral_2":"FICTION \/ Women","BISACSubject_0":"FIC008000","BISACSubject_1":"FIC043000","BISACSubject_2":"FIC044000","ContributorBio_0":"Parinoush Saniee is a sociologist and psychologist. She is the author of several novels, including \u003cem\u003eThe Book of Fate\u003c\/em\u003e, which has been reprinted twenty-one times in Iran and is a bestseller in Italy, Romania, and Norway.","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Saniee, Parinoush","Contributor_1":"Khalili, Sara","Description":"\u003cp\u003e\u003cstrong\u003eSelected as one of \u003cem\u003eWorld Literature Today\u003c\/em\u003e's 75 Notable Translations of 2013\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSpanning five turbulent decades in Iranian history, from before the 1979 revolution, through the Islamic Republic, and up to the present, \u003cem\u003eThe Book of Fate\u003c\/em\u003e is a powerful story of friendship and passion, fear and hope.\u003c\/p\u003e\r\n\u003cp\u003eA teenager in pre-revolutionary Tehran, Massoumeh is an average girl, passionate about learning. On her way to school she meets a local man and falls in love, but when her family discovers his letters they accuse her of bringing them dishonour. She is badly beaten by her brother, and her parents hastily arrange for her to marry a man she’s never met. Facing a life without love, and the prospect of no education, Massoumeh is distraught, but a female neighbour urges her to comply: \"We each have a destiny, and you can’t fight yours.\"\u003c\/p\u003e\r\n\u003cp\u003eThe years that follow Massoumeh’s wedding prove transformative for Iran. Hamid, Massoumeh’s husband, is a political dissident and a threat to the Shah’s regime. When the secret service arrive to arrest him, it is the start of a terrifying period for Massoumeh. Her fate, so long dictated by family loyalty and tradition, is now tied to the changing fortunes of her country.\u003c\/p\u003e","EAN":"9781770893849","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770893849\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"Anansi International","NumberOfPages":"464","OtherText_Quote_from_review_0":"...this family saga shines a bright light on what it is like to live according [to] the expectations of family and society.","OtherText_Quote_from_review_1":"Saniee has successfully pursued the perennial theme of the potentially explosive interaction between the individual and society, as well as the consequences of discrimination, intolerance and extremism.","OtherText_Quote_from_review_2":"The Book of Fate is a gentle reminder to all of us that selflessness and loyalty to family are important as are moral values and goodness of heart. Sad as it is, it imparts lessons of gratitude for what is taken for granted and for appreciating the goodness that helps one steer through life’s darkest periods. It is more an ode to women, not just of Iran but of societies all over the world, who have had to struggle to get their basic rights.","OtherText_Quote_from_review_3":"...this engrossing story is difficult to put down at any juncture.","OtherText_Quote_from_review_4":"...the novel was enlightening.","OtherText_Quote_from_review_5":"The Book of Fate is a gentle reminder to all of us that selflessness and loyalty to family are important as are moral values and goodness of heart. Sad as it is, it imparts lessons of gratitude for what is taken for granted and for appreciating the goodness that helps one steer through life’s darkest periods. It is more an ode to women, not just of Iran but of societies all over the world, who have had to struggle to get their basic rights.","OtherText_Quote_from_review_6":"Domestic drama, social revolution, exotic setting and a strong female narrator -- what more does a novel need?","OtherText_Review_0":"The Book of Fate is a gentle reminder to all of us that selflessness and loyalty to family are important as are moral values and goodness of heart. Sad as it is, it imparts lessons of gratitude for what is taken for granted and for appreciating the goodness that helps one steer through life’s darkest periods. It is more an ode to women, not just of Iran but of societies all over the world, who have had to struggle to get their basic rights.","OtherText_Review_0_Auth":"Faryal Leghari","OtherText_Review_0_Src":"Gulf News","OtherText_Review_1":"...this family saga shines a bright light on what it is like to live according [to] the expectations of family and society.","OtherText_Review_1_Auth":"Emily Walz","OtherText_Review_1_Src":"Minneapolis Star Tribune","OtherText_Review_2":"[The Book of Fate] thrusts open a window onto the tough choices in all women's lives...","OtherText_Review_2_Auth":"Nancy Wigston","OtherText_Review_2_Src":"Toronto Star","OtherText_Review_3":"Domestic drama, social revolution, exotic setting and a strong female narrator -- what more does a novel need?","OtherText_Review_3_Auth":"Charlotte Duggan","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"Saniee has successfully pursued the perennial theme of the potentially explosive interaction between the individual and society, as well as the consequences of discrimination, intolerance and extremism.","OtherText_Review_4_Auth":"Veronica Sen","OtherText_Review_4_Src":"Sydney Morning Hearld","OtherText_Review_5":"...this engrossing story is difficult to put down at any juncture.","OtherText_Review_5_Auth":"Tess Heckel","OtherText_Review_5_Src":"Historical Novel Society","OtherText_Review_6":"...the novel was enlightening.","OtherText_Review_6_Auth":"Kate Wilson","OtherText_Review_6_Src":"Dead Ink","OtherText_ShortDescription_0":"Spanning five turbulent decades in Iranian history, The Book of Fate is a powerful story of friendship and passion, fear and hope.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"World Literature Today's 75 Notable Translations","PrizeYear_0":"2013","ProductFormDescription":"epub","PublicationDate":"2013-08-31","Publisher":"House of Anansi Press Inc","ShortDescription":"Spanning five turbulent decades in Iranian history, The Book of Fate is a powerful story of friendship and passion, fear and hope."}
The Book of Fate
Spanning five turbulent decades in Iranian history, The Book of Fate is a powerful story of friendship and passion, fear and hope.
