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{"id":7299166732347,"title":"One Foot on the Platform","handle":"one-foot-on-the-platform","description":"\u003cp\u003e\u003cstrong\u003eThe final word from one of popular music's greatest critics.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the summer of 2020, acclaimed music critic and journalist Peter Goddard began work on a new book that would take readers on a journey back through his fifty-plus years spent writing professionally about rock music and the musical styles circling it—everything from blues and jazz to country and classical. His plan was to revisit his old haunts and their habitués, scenes and figures he first wrote about starting in the mid-1960s when he became Canada’s first on-staff popular music critic, to show how ongoing revisions continually reframe first impressions.\u003c\/p\u003e\n\u003cp\u003eTragically, Goddard died in 2022 before work on the manuscript was complete. But many of the core essays—on Bob Dylan, John Lennon and Yoko Ono, the Who, k.d. lang, David Bowie, Liza Minelli, The Band, Neil Diamond, and others—are here. Accompanying these new essays is a collection of some of the best writing of Goddard’s career—ranging from interviews with B. B. King, Joni Mitchell, Paul Simon, Bruce Springsteen, and Janis Joplin to reviews of classic albums by the Beatles, the Rolling Stones, and Neil Young, to close readings of Leonard Cohen, Anne Murray, Led Zeppelin, and Gordon Lightfoot. Taken as a whole, \u003cem\u003eOne Foot on the Platform\u003c\/em\u003e represents more than fifty years of thought and writing by one of Canada’s foremost cultural critics.\u003c\/p\u003e","published_at":"2024-08-29T17:32:56-04:00","created_at":"2024-08-29T17:28:13-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Coming Soon","Adult Nonfiction","By (author) Goddard Peter","Edited by Wainwright J.A.","House of Anansi Press","pub date: 2025-03-11"],"price":1999,"price_min":1999,"price_max":2699,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820375547963,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010430","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"One Foot on the Platform - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2699,"weight":486,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010430","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41820375613499,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010447","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"One Foot on the Platform - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010447","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7580d961-9617-46b0-9deb-17d4335f466c.jpg?v=1734188715"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7580d961-9617-46b0-9deb-17d4335f466c.jpg?v=1734188715","options":["Title"],"media":[{"alt":null,"id":24959661670459,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2700,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7580d961-9617-46b0-9deb-17d4335f466c.jpg?v=1734188715"},"aspect_ratio":0.667,"height":2700,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_7580d961-9617-46b0-9deb-17d4335f466c.jpg?v=1734188715","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe final word from one of popular music's greatest critics.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the summer of 2020, acclaimed music critic and journalist Peter Goddard began work on a new book that would take readers on a journey back through his fifty-plus years spent writing professionally about rock music and the musical styles circling it—everything from blues and jazz to country and classical. His plan was to revisit his old haunts and their habitués, scenes and figures he first wrote about starting in the mid-1960s when he became Canada’s first on-staff popular music critic, to show how ongoing revisions continually reframe first impressions.\u003c\/p\u003e\n\u003cp\u003eTragically, Goddard died in 2022 before work on the manuscript was complete. But many of the core essays—on Bob Dylan, John Lennon and Yoko Ono, the Who, k.d. lang, David Bowie, Liza Minelli, The Band, Neil Diamond, and others—are here. Accompanying these new essays is a collection of some of the best writing of Goddard’s career—ranging from interviews with B. B. King, Joni Mitchell, Paul Simon, Bruce Springsteen, and Janis Joplin to reviews of classic albums by the Beatles, the Rolling Stones, and Neil Young, to close readings of Leonard Cohen, Anne Murray, Led Zeppelin, and Gordon Lightfoot. Taken as a whole, \u003cem\u003eOne Foot on the Platform\u003c\/em\u003e represents more than fifty years of thought and writing by one of Canada’s foremost cultural critics.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000028","AlsoRecommendedISBN_1":"9781487002305","AlsoRecommendedISBN_2":"9781487007218","BASICMainSubject":"MUS020000","BASICMainSubjectLiteral":"MUSIC \/ History \u0026 Criticism","BiographicalNote":"\u003cp\u003e\u003cstrong\u003ePETER GODDARD\u003c\/strong\u003e (1943–2022) was a leading Canadian music, arts, and cultural commentator for more than five decades. A trained ethnomusicologist, he covered everything from rock ‘n’ roll to fashion, including classical music, movies, video, advertising, opera, and visual arts.\u003c\/p\u003e\n\u003cp\u003eAfter serving as music critic for \u003cem\u003eThe Varsity\u003c\/em\u003e newspaper at the University of Toronto from 1965 to 1967, he became the first on-staff popular music critic in Canada at the \u003cem\u003eToronto Telegram\u003c\/em\u003e until the newspaper closed in 1971. He was freelance music critic for the \u003cem\u003eGlobe and Mail\u003c\/em\u003e in the late sixties and joined the full-time staff of the \u003cem\u003eToronto Star\u003c\/em\u003e in 1972, where he remained for over thirty years. During this latter period, he contributed music columns to \u003cem\u003eMaclean's\u003c\/em\u003e and \u003cem\u003eChatelaine\u003c\/em\u003e, as well as cultural pieces to \u003cem\u003eSaturday Night\u003c\/em\u003e and \u003cem\u003eLe Monde\u003c\/em\u003e. In 1982, he won a National Newspaper Award for criticism, the first Canadian critic of popular culture to do so. \u003c\/p\u003e\n\u003cp\u003eGoddard wrote about a wide range of pop and rock acts. \u003cem\u003eRonnie Hawkins: Last of the Good Ol’ Boys\u003c\/em\u003e was cowritten with Hawkins in 1989. In 1973, his \u003cem\u003eFrank Sinatra: The Man, the Myth and the Music\u003c\/em\u003e appeared. \u003cem\u003eThe Rolling Stones: The Last Tour\u003c\/em\u003e with Philip Kamin (1982) was a national bestseller. He also wrote a futuristic fiction, \u003cem\u003eThe Sounding\u003c\/em\u003e, in 1988. Some of his other books (with Philip Kamin) have focused on the Who, David Bowie, Genesis, the Police, Michael Jackson, Duran Duran, Cyndi Lauper, and Bruce Springsteen. in 2017, his biography of Canadian pianist Glenn Gould, \u003cem\u003eThe Great Gould\u003c\/em\u003e, was published to critical acclaim.\u003c\/p\u003e","BISACSubjectLiteral_0":"MUSIC \/ History \u0026amp; Criticism","BISACSubjectLiteral_1":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Music","BISACSubjectLiteral_2":"MUSIC \/ Essays","BISACSubject_0":"MUS020000","BISACSubject_1":"BIO004000","BISACSubject_2":"MUS055000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003ePETER GODDARD\u003c\/strong\u003e (1943–2022) was a leading Canadian music, arts, and cultural commentator for more than five decades. A trained ethnomusicologist, he covered everything from rock ‘n’ roll to fashion, including classical music, movies, video, advertising, opera, and visual arts.\u003c\/p\u003e\n\u003cp\u003eAfter serving as music critic for \u003cem\u003eThe Varsity\u003c\/em\u003e newspaper at the University of Toronto from 1965 to 1967, he became the first on-staff popular music critic in Canada at the \u003cem\u003eToronto Telegram\u003c\/em\u003e until the newspaper closed in 1971. He was freelance music critic for the \u003cem\u003eGlobe and Mail\u003c\/em\u003e in the late sixties and joined the full-time staff of the \u003cem\u003eToronto Star\u003c\/em\u003e in 1972, where he remained for over thirty years. During this latter period, he contributed music columns to \u003cem\u003eMaclean's\u003c\/em\u003e and \u003cem\u003eChatelaine\u003c\/em\u003e, as well as cultural pieces to \u003cem\u003eSaturday Night\u003c\/em\u003e and \u003cem\u003eLe Monde\u003c\/em\u003e. In 1982, he won a National Newspaper Award for criticism, the first Canadian critic of popular culture to do so. \u003c\/p\u003e\n\u003cp\u003eGoddard wrote about a wide range of pop and rock acts. \u003cem\u003eRonnie Hawkins: Last of the Good Ol’ Boys\u003c\/em\u003e was cowritten with Hawkins in 1989. In 1973, his \u003cem\u003eFrank Sinatra: The Man, the Myth and the Music\u003c\/em\u003e appeared. \u003cem\u003eThe Rolling Stones: The Last Tour\u003c\/em\u003e with Philip Kamin (1982) was a national bestseller. He also wrote a futuristic fiction, \u003cem\u003eThe Sounding\u003c\/em\u003e, in 1988. Some of his other books (with Philip Kamin) have focused on the Who, David Bowie, Genesis, the Police, Michael Jackson, Duran Duran, Cyndi Lauper, and Bruce Springsteen. in 2017, his biography of Canadian pianist Glenn Gould, \u003cem\u003eThe Great Gould\u003c\/em\u003e, was published to critical acclaim.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJ.A. WAINWRIGHT\u003c\/strong\u003e is the author of six novels, five books of poetry, two critical biographies, and an opera libretto. He is McCulloch Emeritus Professor in English at Dalhousie University where he taught for thirty years, including a class on the lyrics and music of Bob Dylan.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Edited by","Contributor_0":"Goddard, Peter (CA)","Contributor_1":"Wainwright, J.A.","Description":"\u003cp\u003e\u003cstrong\u003eThe final word from one of popular music's greatest critics.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the summer of 2020, acclaimed music critic and journalist Peter Goddard began work on a new book that would take readers on a journey back through his fifty-plus years spent writing professionally about rock music and the musical styles circling it—everything from blues and jazz to country and classical. His plan was to revisit his old haunts and their habitués, scenes and figures he first wrote about starting in the mid-1960s when he became Canada’s first on-staff popular music critic, to show how ongoing revisions continually reframe first impressions.\u003c\/p\u003e\n\u003cp\u003eTragically, Goddard died in 2022 before work on the manuscript was complete. But many of the core essays—on Bob Dylan, John Lennon and Yoko Ono, the Who, k.d. lang, David Bowie, Liza Minelli, The Band, Neil Diamond, and others—are here. Accompanying these new essays is a collection of some of the best writing of Goddard’s career—ranging from interviews with B. B. King, Joni Mitchell, Paul Simon, Bruce Springsteen, and Janis Joplin to reviews of classic albums by the Beatles, the Rolling Stones, and Neil Young, to close readings of Leonard Cohen, Anne Murray, Led Zeppelin, and Gordon Lightfoot. Taken as a whole, \u003cem\u003eOne Foot on the Platform\u003c\/em\u003e represents more than fifty years of thought and writing by one of Canada’s foremost cultural critics.\u003c\/p\u003e","EAN":"9781487010430","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010430\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"9","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Frank Sinatra;The Sounding;Music Journalism;Polaris Music Prize;Rolling Stone Magazine;The Fader;Pitchfork;Max Wallace;Nardwuar the Human Serviette;Larry LeBlanc","NumberOfPages":"352","OtherText_Accolades_0":"\u003cp\u003e\"Peter Goddard's brilliant reporting helped define an era.\" \u003cstrong \u003e—Jeanne Beker, television host and author of \u003cem\u003eHeart on My Sleeve: Stories from a Life Well Worn\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“Like rediscovering a long-lost album by your favourite band.” —\u003cstrong\u003eElliott Lefko, AEG\/Goldenvoice Concerts (promoter for Leonard Cohen, Nick Cave, Sigur Ros, and Courtney Barnett)\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e“This illuminating collection confirms Goddard's place among the world’s finest critics.” —\u003cstrong\u003eNicholas Jennings, author of \u003cem\u003eLightfoot\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“Through Goddard’s eyes, we witness rock’s ascendance from teen trash to adult art, an evolution he playfully interrogated throughout his career. Essential reading for those who want to understand not just where today’s music came from, but the long, hard-earned shadow of the Sixties Generation.” —J\u003cstrong\u003eonny Dovercourt, author of \u003cem\u003eAny Night of the Week: A D.I.Y. History of Toronto Music, 1957–2001\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eGoddard was an award-winning music and culture journalist, active from the mid-1960s until his death in 2022. In 1967, he joined the now defunct \u003cem\u003eToronto Telegram\u003c\/em\u003e, becoming Canada’s first on-staff popular music and culture critic. Later, he worked in-house at the \u003cem\u003eGlobe and Mail \u003c\/em\u003eand the \u003cem\u003eToronto Star\u003c\/em\u003e, and freelance for many other outlets.\u003c\/li\u003e\n\u003cli\u003eIn addition to his regular newspaper and magazine work, Peter published over 20 books about artists ranging from Frank Sinatra, the Rolling Stones, Duran Duran, and Michael Jackson, to the Police, David Bowie, Cyndi Lauper, and Bruce Springsteen. In 2017, his biography of Canadian pianist Glenn Gould, \u003cem\u003eThe Great Gould\u003c\/em\u003e, was published to critical acclaim and commercial success.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"This diverting collection of concert reviews, essays, and other writings ... shines with surprisingly intimate portraits of some of music’s most famous personalities ... It adds up to an illuminating record of rock’s coming-of-age.\" — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe final word from one of popular music's greatest critics.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2025-03-11","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe final word from one of popular music's greatest critics.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Rock 'N' Roll Journey","Width":"6","WidthCode":"in"}