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This image is in shades of black and white. A photograph shows a close-up of a face. It shows a man with light skin tone, dark hair, and a beard. Text: No Friend but the Mountains. Writing from Manus Prison. Behrouz Boochani. International Bestseller. Winner of the Victorian Prize for Literature. Translated by Omid Tofighian. Foreword by Richard Flanagan.

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A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.\u003c\/p\u003e\u003cp\u003e“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan\u003c\/p\u003e","published_at":"2022-06-27T18:18:04-04:00","created_at":"2022-06-27T17:26:39-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult Bestseller","Adult Course Adoption","Adult Nonfiction","Adult Starred Reviews","Anansi International","By (author) Boochani Behrouz","pub date: 2019-02-11","Translated by Tofighian Omid"],"price":1895,"price_min":1895,"price_max":4000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40499147309115,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006839","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":560,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006839","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499150848059,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006846","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006846","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499151142971,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006853","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006853","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499152650299,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008000","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":4000,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008000","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499152945211,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008017","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"No Friend but the Mountains - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":4000,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008017","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907","options":["Title"],"media":[{"alt":"This image is in shades of black and white. A photograph shows a close-up of a face. It shows a man with light skin tone, dark hair, and a beard. Text: No Friend but the Mountains. Writing from Manus Prison. Behrouz Boochani. International Bestseller. Winner of the Victorian Prize for Literature. Translated by Omid Tofighian. Foreword by Richard Flanagan.","id":22284931596347,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2700,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907"},"aspect_ratio":0.667,"height":2700,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_449ed4fa-b477-486f-8791-257736caddd0.jpg?v=1656366907","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner of Australia’s richest literary award, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. \u003c\/p\u003e\u003cp\u003eIt is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.\u003c\/p\u003e\u003cp\u003e“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9780887848346","AlsoRecommendedISBN_1":"9780887849596","AlsoRecommendedISBN_2":"9781487002008","BASICMainSubject":"BIO032000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Social Activists","BiographicalNote":"\u003cp\u003eBEHROUZ BOOCHANI is a Kurdish-Iranian writer, journalist, and adjunct associate professor at the University of NSW. He publishes regularly with The Guardian, and his book, No Friend but the Mountains, won the 2019 Victorian Prize for Literature. It has been published in 23 countries and is currently being adapted for both stage and screen. A political prisoner incarcerated by the Australian government in Papua New Guinea before he escaped in 2019, Boochani now resides in Wellington, New Zealand.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Social Activists","BISACSubjectLiteral_1":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_2":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Survival","BISACSubject_0":"BIO032000","BISACSubject_1":"BIO026000","BISACSubject_2":"BIO038000","ContributorBio_0":"\u003cp\u003eBEHROUZ BOOCHANI is a Kurdish-Iranian writer, journalist, and adjunct associate professor at the University of NSW. He publishes regularly with The Guardian, and his book, No Friend but the Mountains, won the 2019 Victorian Prize for Literature. It has been published in 23 countries and is currently being adapted for both stage and screen. A political prisoner incarcerated by the Australian government in Papua New Guinea before he escaped in 2019, Boochani now resides in Wellington, New Zealand.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eOMID TOFIGHIAN\u003c\/strong\u003e is a translator, lecturer, researcher, and community advocate, combining philosophy with interests in citizen media, rhetoric, religion, popular culture, transnationalism, displacement, and discrimination. He completed his Ph.D. in philosophy at Leiden University and graduated with a combined Honours degree in philosophy and studies in religion at the University of Sydney. His current roles include Assistant Professor of Philosophy at the American University in Cairo; Honorary Research Associate for the Department of Philosophy, University of Sydney; faculty at Iran Academia; and campaign manager for Why Is My Curriculum White? — Australasia. He has published numerous book chapters and journal articles, and is author of \u003cem\u003eMyth and Philosophy in Platonic Dialogues\u003c\/em\u003e, and is translator of Behrouz Boochani’s book \u003cem\u003eNo Friend but the Mountains: Writing From Manus Prison\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Boochani, Behrouz","Contributor_1":"Tofighian, Omid","Description":"\u003cp\u003e\u003cstrong\u003eWinner of Australia’s richest literary award, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. \u003c\/p\u003e\u003cp\u003eIt is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.\u003c\/p\u003e\u003cp\u003e“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan\u003c\/p\u003e","EAN":"9781487006839","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006839\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"9","HeightCode":"in","Imprint":"Anansi International","NumberOfPages":"416","OtherText_Accolades_0":"No Friend but the Mountains by Behrouz Boochani will always belong to the canon of literature written under great duress and courage. This unique book should be read by all who care about the stories of our time. No Friend but the Mountains reminds us that no matter how different we may be from one another, whether it’s the colour of our skin, the god we pray to, where we are born, or where we call home, that we have words, language, and literature in common. I celebrate the courage of Boochani, who has pursued this ideal, this love of writing, and the faith in words as a tool to inform, to be a doorway to new and unexpected worlds, challenge tyrannies, and seek justice.","OtherText_Accolades_0_Auth":"Jennifer Clement","OtherText_Accolades_0_Src":"Jennifer Clement","OtherText_Accolades_1":"Under atrocious conditions [Behrouz Boochani] has managed to write and publish a record of his experiences (experiences yet to be concluded), a record that will certainly leave his jailers gnashing their teeth . . . No Friend but the Mountains provides a wholly engrossing account of the first four years that Boochani spent on Manus, up to the time when the prison camp was closed and the prisoners resettled elsewhere on the island. Just as absorbing is his analysis of the system that reigns in the camp, a system imposed by the Australian authorities but autonomous in the sense that it holds the jailers as well as the prisoners in its grip . . . [No Friend but the Mountains is] the absorbing record of a life-transforming episode whose effects on his inner self the writer is still trying to plumb.","OtherText_Accolades_1_Auth":"J.M. Coetzee","OtherText_Accolades_2":"No Friend but the Mountains deserves a place beside some of the world’s most famous prison narratives and testaments about living in a time of genocide, slavery, and state-sponsored oppression. It brings to mind various literary siblings: the ways in which The Diary of Anne Frank sketched the life of a young girl in the period leading up to her murder in the Holocaust; how Incidents in the Life of a Slave Girl painted Harriet Jacobs’s life as a fugitive in the United States; the means by which One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn showed the daily oppression of a man living in a Soviet gulag; how The Autobiography of Malcolm X charted the movement of a man through prison life and into militancy as the most famous Black Muslim in America; and how Martin Luther King Jr. condemned arbitrary imprisonment and racial segregation in The Letter from Birmingham Jail . . . In a time of mounting hysteria and paranoia with regard to the arrival of migrants in developed countries, Behrouz Boochani reminds us that 68.5 million displaced people in the world today are the same as us. We could be them, tomorrow.","OtherText_Accolades_2_Auth":"Lawrence Hill","OtherText_Accolades_2_Src":"Lawrence Hill","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAN INTERNATIONAL SENSATION:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBoochani’s story went global when \u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e won the Victorian Prize for Literature, Australia’s richest literary prize. The book won both the prize for nonfiction, as well as the overall winner for literature. The publisher had to make a special request that his work be eligible, despite the fact that he is essentially stateless. His win is a clear political statement of the Australian literary community’s objection to its government’s continued exile of Boochani and other refugees on Manus Island and Nauru Island, the two notorious immigration immigration detention facilities.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAustralian sales are around 30K now (as of April 2019) but are projected to reach 50K before the end of the year. Rights have been sold in the following territories: Homeward in Taiwan, Add Editore in Italy, Random House in Germany, Picador UK, Hugo in France, Al Arabi in Egypt, Leya in Portugal and Jurgen Maas Uitgeverij in the Netherlands. In the coming months the agent expects to conclude deals in Japan, Spain, Portugal, Turkey, Brazil, Lithuania, Sri Lanka, Denmark, Greece and Sweden. Film rights have been sold to Aurora Australia.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTIMELY SUBJECT MATTER — REFUGEES AND FREE PRESS UNDER ATTACK:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe detainment of refugees is a hot-button issue. Boochani’s rare insider’s first-person account is beautifully and poetically told, and symbolic of the realities and circumstances tens of thousands of migrants are living in today. In addition, the reason for his flight from Iran — escaping persecution as a journalist — is more and more common with the increase of autocratic nations: https:\/\/www.theguardian.com\/commentisfree\/2019\/feb\/03\/observer-view-on-assad-regime-murder-marie-colvin?CMP=Share_iOSApp_Other\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eRECENT TALK OF REOPENING THE DETENTION CENTRES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe situation on Manus and Nauru Islands will continue to be in the news throughout the year. On February 13, 2019, the Australian prime minister, Scott Morrison, threatened to reopen the Manus Island detention centre after a medical evacuation bill — the new legislation sets out the conditions by which sick people on Nauru and Manus can be transferred to Australia for medical treatment. In the event there is medical advice from two or more treating doctors that a person needs to be evacuated, the home affairs minister has grounds for refusal.) passed in the Senate.\u003cbr\u003e\r\n\u003cbr\u003e\r\nHere is information on the medical evacuation bill:\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/feb\/13\/nine-facts-about-the-medical-evacuation-bill\u003cbr\u003e\r\n\u003cbr\u003e\r\nAnd Prime Minister Scott Morrison’s response, upping the rhetoric on fearing migrants and refugees:\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/feb\/13\/coalition-to-reopen-christmas-island-detention-centre-as-senate-passes-refugee-transfer-bill\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eA PEN INTERNATIONAL WRITER:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePEN International has called on the Australian government for Boochani’s release. We will be approaching PEN International, PEN America, PEN U.K., and PEN Canada for support on this work, and through our efforts in publicizing the book we will also push for the author’s release.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDEMAND FOR IMMIGRANT STORIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eNever before has there been such interest in immigrant and refugee stories, as demonstrated by the success of story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eACCLAIMED COMPANION FILM:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBehrouz Boochani shot the feature-length documentary \u003cem\u003eChauka, Please Tell Us the Time\u003c\/em\u003e with Arash Kamali Sarvestani on a cellphone at the detention centre. It was acclaimed upon its release in 2018 and is available to watch on Vimeo: https:\/\/vimeo.com\/ondemand\/chauka.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eFILM ADAPTATION IN THE WORKS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eSweetshop \u0026 Green, Aurora Films, and Hoodlum Entertainment are producing a major motion picture adaptation of \u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e. Filming is set to begin in Australia in mid-2021.\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/amp.theguardian.com\/world\/2020\/feb\/24\/behrouz-boochanis-book-no-friend-but-the-mountains-to-be-made-into-a-film\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.screendaily.com\/news\/behrouz-boochanis-asylum-seeker-drama-no-friend-but-the-mountains-heads-to-big-screen-exclusive\/5147441.article?fbclid=IwAR3jcsIJTHbmAHuDmpFZLYft6En7RBnuY9Ae9XCZ4uUbjjUbIj6tjuAlQeQ\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBOOKSELLER INTEREST:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e“\u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e tells a story those in power do not want you to know. In writing this improbable memoir, Behrouz Boochani has given voice to migrants and refugees across the world and reminds us that the struggle for freedom is an ongoing one. I’m grateful this book exists.” — Stephen Sparks, Point Reyes Books\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMedia Coverage on and by Behrouz Boochani\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.nytimes.com\/2019\/11\/14\/world\/australia\/behrouz-boochani-refugee.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/nov\/14\/behrouz-boochani-free-voice-manus-island-refugees-new-zealand-australia\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.nytimes.com\/2019\/01\/31\/world\/australia\/behrouz-boochani-victorian-prize-manus-island.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/world\/2019\/feb\/01\/behrouz-boochani-on-literary-prize-words-still-have-the-power-to-challenge-inhumane-systems\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/pen-international.org\/news\/on-human-rights-day-take-action-for-journalist-behrouz-boochani-stranded-on-manus-island\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.npr.org\/books\/titles\/634881611\/no-friend-but-the-mountains-writing-from-manus-prison\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/oct\/29\/i-returned-to-my-prison-on-manus-island-and-was-stunned-by-what-i-saw\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/aug\/31\/australia-needs-a-moral-revolution\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/jun\/20\/our-lives-are-have-become-weapons-in-a-rugged-political-contest\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.smh.com.au\/national\/australia-s-barbaric-policy-confronted-by-boochani-s-prison-memoir-20180821-p4zyt7.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.smh.com.au\/entertainment\/books\/no-friend-but-the-mountains-review-behrouz-boochanis-poetic-and-vital-memoir-20180801-h13fuu.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2018\/aug\/02\/behrouz-boochani-manus-island-and-the-book-written-one-text-at-a-time\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.thesaturdaypaper.com.au\/news\/politics\/2017\/12\/09\/letter-manus-island\/15127380005617\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.aljazeera.com\/programmes\/talktojazeera\/inthefield\/2018\/02\/behrouz-boochani-living-limbo-manus-island-180208113527825.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.huffingtonpost.com.au\/author\/behrouz-boochani\/\u003c\/p\u003e","OtherText_Description_for_R_0":"\u003cdiv \u003e\u003cstrong\u003eForeword by Richard Flanagan\u003c\/strong\u003e\u003c\/div\u003e\u003cp\u003e\u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e is a book that can rightly take its place on the shelf of world prison literature, alongside such diverse works as Oscar Wilde’s \u003cem\u003eDe Profundis\u003c\/em\u003e, Antonio Gramsci’s \u003cem\u003ePrison Notebooks\u003c\/em\u003e, Ray Parkin’s \u003cem\u003eInto The Smother\u003c\/em\u003e, Wole Soyinka’s \u003cem\u003eThe Man Died\u003c\/em\u003e, and Martin Luther King Jr’s \u003cem\u003eLetter from Birmingham Jail\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eWritten in Farsi by a young Kurdish poet, Behrouz Boochani, in situations of prolonged duress, torment, and suffering, the very existence of this book is a miracle of courage and creative tenacity. It was written not on paper or a computer, but thumbed on a phone and smuggled out of Manus Island in the form of thousands of text messages.\u003c\/p\u003e\u003cp\u003eWe should recognise the extent of Behrouz Boochani’s achievement by first acknowledging the difficulty of its creation, the near impossibility of its existence. Everything has been done by our government to dehumanise asylum seekers. Their names and their stories are kept from us. On Nauru and Manus Island, they live in a zoo of cruelty. Their lives are stripped of meaning.\u003c\/p\u003e\u003cp\u003eThese prisoners were all people who had been imprisoned without charge, without conviction, and without sentence. It is a particularly Kafkaesque fate that frequently has the cruellest effect — and one fully intended by their Australian jailers – of destroying hope.\u003c\/p\u003e\u003cp\u003eThus the cry for freedom was transmuted into charring flesh as 23-year-old Omid Masoumali burnt his body in protest. The screams of 21-year-old Hodan Yasin as she too set herself alight.\u003c\/p\u003e\u003cp\u003eThis is what we, Australia, have become.\u003c\/p\u003e\u003cp\u003eThe ignored begging of a woman on Nauru being raped.\u003c\/p\u003e\u003cp\u003eA girl who sewed her lips together.\u003c\/p\u003e\u003cp\u003eA child refugee who stitched a heart into their hand and didn’t know why.\u003c\/p\u003e\u003cp\u003eBehrouz Boochani’s revolt took a different form. For the one thing that his jailers could not destroy in Behrouz Boochani was his belief in words: their beauty, their necessity, their possibility, their liberating power.\u003c\/p\u003e\u003cp\u003eAnd so over the course of his imprisonment Behrouz Boochani began one of the more remarkable careers in Australian journalism: reporting about what was happening on Manus Island in the form of tweets, texts, phone videos, calls, and emails. In so doing he defied the Australian government which went to extreme lengths to prevent refugees’ stories being told, constantly seeking to deny journalists access to Manus Island and Nauru; going so far, for a time, as to legislate the draconian section 42 of the \u003cem\u003eAustralian Border Force Act\u003c\/em\u003e, which allowed for the jailing for two years of any doctors or social workers who bore public witness to children beaten or sexually abused, to acts of rape or cruelty.\u003c\/p\u003e\u003cp\u003eHis words came to be read around the world, to be heard across the oceans and over the shrill cries of the legions of paid propagandists. With only the truth on his side and a phone in his hand, one imprisoned refugee alerted the world to Australia’s great crime.\u003c\/p\u003e\u003cp\u003eBehrouz Boochani has now written a strange and terrible book chronicling his fate as a young man who has spent \u003cem\u003efive years\u003c\/em\u003e on Manus Island as a prisoner of the Australian government’s refugee policies — policies in which both our major parties have publicly competed in cruelty.\u003c\/p\u003e\u003cp\u003eReading this book is difficult for any Australian. We pride ourselves on decency, kindness, generosity, and a fair go. None of these qualities are evident in Boochani’s account of hunger, squalor, beatings, suicide and murder.\u003c\/p\u003e\u003cp\u003eI was painfully reminded in his descriptions of the Australian officials’ behaviour on Manus of my father’s descriptions of the Japanese commanders’ behaviour in the POW camps where he and fellow Australian POWs suffered so much.\u003c\/p\u003e\u003cp\u003eWhat has become of us when it is we who now commit such crimes?\u003c\/p\u003e\u003cp\u003eThis account demands a reckoning. Someone must answer for these crimes. Because if they don’t, the one certainty that history teaches us is that the injustice of Manus Island and Nauru will one day be repeated on a larger, grander, and infinitely more tragic scale in Australia.\u003c\/p\u003e\u003cp\u003eSomeone is responsible, and it is they, and not the innocent, to whose great suffering this book bears such disturbing witness, who should be in jail.\u003c\/p\u003e\u003cp\u003eThis book, though, is something greater than just a \u003cem\u003eJ’accuse\u003c\/em\u003e. It is a profound victory for a young poet who showed us all how much words can still matter. Australia imprisoned his body, but his soul remained that of a free man. His words have now irrevocably become our words, and our history must henceforth account for his story.\u003c\/p\u003e\u003cp\u003eI hope one day to welcome Behrouz Boochani to Australia as what I believe he has shown himself to be in these pages. A writer. A great Australian writer.\u003c\/p\u003e \u003cp\u003e Richard Flanagan, 2018\u003c\/p\u003e\u003cdiv \u003e\u003cstrong\u003e*\u003cbr\/\u003e\u003cbr\/\u003eExcerpt from Chapter 5—\u003cbr\/\u003eA Christmas (Island) Tale \/ A Stateless Rohingya Boy Sent Away to Follow the Star of Exile\u003c\/strong\u003e\u003cbr\/\u003e\u003c\/div\u003e\u003cp\u003eThey load us onto a bus. A few days ago in this exact area a bloody battle erupted, right in the place where we are now standing like submissive sheep. Lebanese refugees stood up to defy the guards who wanted to load them on board. But the guards smashed them and beat them down. They annihilated them, beat down on the arms and faces of a few of them. The guards dragged their battered and blood-soaked bodies over the concrete. They banished them to Manus Island. No matter how the refugees tried to resist, they couldn’t alter the political machinations of a government, a government that had just recently taken power, that had gone mad with the mere whiff of power.\u003c\/p\u003e\u003cp\u003eThe bus takes off. The path to the airport is surrounded by jungle. The conversation inside the vehicle is about the possibility of a particular scenario: that we will disembark at Darwin Airport and find out that all this talk is nothing but a ridiculous performance, the whole thing just a farce, that this whole thing doesn’t involve Manus in any way. However, talk of this kind comes from a place of weakness. At this point, faith in an occurrence that resembles a miracle comes across as ludicrous. We have to accept the reality. Within hours we will be descending on a remote island called Manus.\u003c\/p\u003e\u003cp\u003eA few police vehicles follow our bus, and a few travel ahead. It is as though they are attending to our bus like a car transporting a president. We are so disempowered that we couldn’t do anything at all, even if we wanted to. Our baggy, cumbersome clothing weighs us down.\u003c\/p\u003e\u003cp\u003ePandemonium breaks loose at the airport. Dozens of police officers stand by the plane in military mode. A few journalists have their cameras ready. All of them are waiting for us. The interpreters are there, also. That Kurdish woman has both her hands clasped behind her back. She just stands there, completely obedient. I can’t work it out; I can’t understand why they have to securitise that space. I am frightened by the journalists; I am frightened by the cameras they hold.\u003c\/p\u003e\u003cp\u003eJournalists inquire into everything. They are always seeking out horrific events. They acquire fodder for their work from wars, from bad occurrences, from the misery of people. I remember when I used to work for a newspaper I would become agitated from listening to all the news about, for instance, a coup d’état, a revolution, or a terrorist attack. I would begin work with great fervour and scramble for that kind of research like a vulture; in turn, I fed the appetite of the people.\u003c\/p\u003e\u003cp\u003eThe journalists are staking out the situation like vultures: waiting until the wretched and miserable exit the vehicle; eager for us to come out as quickly as possible, to catch sight of the poor and helpless and launch on us —\u003c\/p\u003e\u003cp\u003e\u003cem\u003eClick, click \/\u003cbr\/\u003eWaiting to take their photos \/ Click, click.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e— and dispatch the images to the whole world. They are completely mesmerised by the government’s dirty politics and just follow along. The deal is that we have to be a warning, a lesson for people who want to seek protection in Australia.\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"A stateless Kurdish-Iranian asylum-seeker detained by the Australian government won the country’s highest-paying literary prize on Thursday. But he could not attend the festivities to accept the award. Behrouz Boochani, a writer, journalist and filmmaker who has been held in offshore detention on Manus Island in Papua New Guinea for more than five years, won the 2019 Victorian Prize for Literature for his book, No Friend but the Mountains . . . Typically, only Australian citizens or permanent residents are eligible for the award. But an exception was made in Mr. Boochani’s case because judges considered his story an Australia story, said Michael Williams, the director of the Wheeler Center, a literary institution that administers the award on behalf of the state government. ‘We canvassed the critical and broader literary reception of the book, and we made our decision on that basis,’ Mr. Williams said. ‘This is an extraordinary literary work that is an indelible contribution to Australian publishing and storytelling.","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"Boochani tapped his book out in text messages to his friend Omid Tofighian, who translated the book from Persian. Before the book was published, Boochani filmed a movie, Chauka, Please Tell Us the Time, which was shot in secret, on his cell phone. He has written many articles and essays for Australian and international media. He now holds a non-resident appointment at the University of Sydney. In a different place, or at a different time, these professional recognitions, to say nothing of his many literary awards, would have signalled that Boochani is integrated into Australian society, and valued by it. But Australia’s extreme anti-immigrant turn, which preceded that of the United States by several years, has created a stark disjuncture between what the culture values and what the state allows. In an era when simply being a person in need of international protection makes a man a criminal, he cannot live in the society that has showered him with praise.","OtherText_Review_1_Auth":"Masha Gessen","OtherText_Review_1_Src":"The New Yorker","OtherText_Review_2":"No Friend but the Mountains: Writing from Manus Prison is an extraordinary insight into the life of several hundred men held in offshore prisons under the Australian policy of immigration detention.","OtherText_Review_2_Src":"Los Angeles Review of Books","OtherText_Review_3":"The winner of Australia’s richest literary prize did not attend the ceremony. His absence was not by choice. Behrouz Boochani, whose debut book won both the $25,000 non-fiction prize at the Victorian premier’s literary awards and the $100,000 Victorian prize for literature on Thursday night, is not allowed into Australia. The Kurdish Iranian writer is an asylum seeker who has been kept in purgatory on Manus Island in Papua New Guinea for almost six years, first behind the wire of the Australian offshore detention centre, and then in alternative accommodation on the island. Now his book No Friend but the Mountains — composed one text message at a time from within the detention centre — has been recognized by a government from the same country that denied him access and locked him up.","OtherText_Review_3_Src":"Guardian","OtherText_Review_4":"As war, crime, famine, and civil disruption result in growing numbers of asylum seekers, Boochani’s deeply disturbing memoir introduces readers to hard realities and reveals the wounded hearts of captors and prisoners alike.","OtherText_Review_4_Src":"Foreword Reviews","OtherText_ShortDescription_0":"Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Winner","PrizeCodeText_4":"Winner","PrizeCodeText_5":"Nominated","PrizeCodeText_6":"Winner","PrizeCodeText_7":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"01","PrizeCode_3":"01","PrizeCode_4":"01","PrizeCode_5":"07","PrizeCode_6":"01","PrizeCode_7":"03","PrizeName_0":"Victorian Prize for Literature","PrizeName_1":"Victorian Premier’s Prize for Nonfiction","PrizeName_2":"NSW Premier’s Literary Award: Special Award","PrizeName_3":"ABIA General Non-Fiction Book of the Year","PrizeName_4":"State Library New South Wales National Biography Award","PrizeName_5":"Foreword INDIES Book of the Year Award: Autobiography \u0026amp; Memoir","PrizeName_6":"Foreword INDIES Book of the Year Award: Editor’s Choice (Nonfiction)","PrizeName_7":"A New Statesman Book of the Year","ProductFormDescription":"trade paperback","PublicationDate":"2019-02-11","Publisher":"House of Anansi Press Inc","ShortDescription":"Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.","Subtitle":"Writing from Manus Prison","Width":"6","WidthCode":"in"}

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No Friend but the Mountains

Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.

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Quick View {"id":7168124518459,"title":"Bury the Lead","handle":"bury-the-lead","description":"\u003cp\u003e\u003cstrong\u003eA big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCat Conway has recently returned to Port Ellis to work as a reporter at the \u003cem\u003eQuill \u0026amp; Packet\u003c\/em\u003e. She’s fled the tattered remains of her high-profile career and bad divorce for the holiday town of her childhood, famous for its butter tarts, theatre, and a century-old feud.\u003c\/p\u003e\n\u003cp\u003eOne of Cat’s first assignments is to interview legendary actor Eliot Fraser, the lead in the theatre’s season opener of \u003cem\u003eInherit the Wind\u003c\/em\u003e. When Eliot ends up dead onstage on opening night, the curtain rises on the sleepy town’s secrets. The suspects include the actor whose career Eliot ruined, the ex-wife he betrayed, the women he abused, and even the baker he wronged. With the attention of the world on Port Ellis, this story could be Cat’s chance to restore her reputation. But the police think she’s a suspect, and the murderer wants to kill the story—and her too. Can Cat solve the mystery before she loses her job or becomes the next victim of a killer with a theatrical bent for vengeance?\u003c\/p\u003e","published_at":"2023-07-27T13:33:40-04:00","created_at":"2023-07-27T13:28:25-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A Quill \u0026 Packet Mystery","Adult Bestseller","By (author) Hilton Kate","By (author) Renzetti Elizabeth","Feminist Reads","pub date: 2024-03-05","Spiderline","Thrillers \u0026 Mystery"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382828113979,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012625","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bury the Lead - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":331,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012625","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41382830768187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012632","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Bury the Lead - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012632","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_13da7008-a119-4bc3-9137-336078c3b823.jpg?v=1706946947"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_13da7008-a119-4bc3-9137-336078c3b823.jpg?v=1706946947","options":["Title"],"media":[{"alt":null,"id":24157458038843,"position":1,"preview_image":{"aspect_ratio":0.665,"height":2249,"width":1495,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_13da7008-a119-4bc3-9137-336078c3b823.jpg?v=1706946947"},"aspect_ratio":0.665,"height":2249,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_13da7008-a119-4bc3-9137-336078c3b823.jpg?v=1706946947","width":1495}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCat Conway has recently returned to Port Ellis to work as a reporter at the \u003cem\u003eQuill \u0026amp; Packet\u003c\/em\u003e. She’s fled the tattered remains of her high-profile career and bad divorce for the holiday town of her childhood, famous for its butter tarts, theatre, and a century-old feud.\u003c\/p\u003e\n\u003cp\u003eOne of Cat’s first assignments is to interview legendary actor Eliot Fraser, the lead in the theatre’s season opener of \u003cem\u003eInherit the Wind\u003c\/em\u003e. When Eliot ends up dead onstage on opening night, the curtain rises on the sleepy town’s secrets. The suspects include the actor whose career Eliot ruined, the ex-wife he betrayed, the women he abused, and even the baker he wronged. With the attention of the world on Port Ellis, this story could be Cat’s chance to restore her reputation. But the police think she’s a suspect, and the murderer wants to kill the story—and her too. Can Cat solve the mystery before she loses her job or becomes the next victim of a killer with a theatrical bent for vengeance?\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487009403","AlsoRecommendedISBN_2":"9781770893139","AlsoRecommendedISBN_3":"9781770894143","BASICMainSubject":"FIC022140","BASICMainSubjectLiteral":"FICTION \/ Mystery \u0026 Detective \/ Cozy \/ Holidays \u0026 Vacation","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKATE HILTON\u003c\/strong\u003e is the bestselling author of three novels: \u003cem\u003eThe Hole in the Middle\u003c\/em\u003e, \u003cem\u003eJust like Family\u003c\/em\u003e, and \u003cem\u003eBetter Luck Next Time\u003c\/em\u003e. When not writing, Kate works with psychotherapy and life coaching clients in the area of transformational change. No stranger to reinvention herself, Kate has had prior careers in law, university administration, publishing, and major gift fundraising. She lives in Toronto in a blended family—including a husband, two sons, a stepdaughter, and a rescue dog.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Mystery \u0026amp; Detective \/ Cozy \/ Holidays \u0026amp; Vacation","BISACSubjectLiteral_1":"FICTION \/ Mystery \u0026amp; Detective \/ Women Sleuths","BISACSubjectLiteral_2":"FICTION \/ Mystery \u0026amp; Detective \/ Cozy \/ General","BISACSubject_0":"FIC022140","BISACSubject_1":"FIC022040","BISACSubject_2":"FIC022070","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKATE HILTON\u003c\/strong\u003e is the bestselling author of three novels: \u003cem\u003eThe Hole in the Middle\u003c\/em\u003e, \u003cem\u003eJust like Family\u003c\/em\u003e, and \u003cem\u003eBetter Luck Next Time\u003c\/em\u003e. When not writing, Kate works with psychotherapy and life coaching clients in the area of transformational change. No stranger to reinvention herself, Kate has had prior careers in law, university administration, publishing, and major gift fundraising. She lives in Toronto in a blended family—including a husband, two sons, a stepdaughter, and a rescue dog.\u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eELIZABETH RENZETTI\u003c\/strong\u003e is a bestselling Canadian author and journalist. She has worked for the \u003cem\u003eGlobe and Mail\u003c\/em\u003e as a reporter, editor, and columnist. In 2020 she won the Landsberg Award for her reporting on gender equality. She is the author of the essay collection \u003cem\u003eShrewed: A Wry and Closely Observed Look at the Lives of Women and Girls\u003c\/em\u003e and the novel \u003cem\u003eBased on a True Story\u003c\/em\u003e. Her book \u003cem\u003eWhat She Said: Conversations about Equality\u003c\/em\u003e will be published in 2024. She lives in Toronto with her family.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"By (author)","Contributor_0":"Hilton, Kate (CA)","Contributor_1":"Renzetti, Elizabeth (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCat Conway has recently returned to Port Ellis to work as a reporter at the \u003cem\u003eQuill \u0026 Packet\u003c\/em\u003e. She’s fled the tattered remains of her high-profile career and bad divorce for the holiday town of her childhood, famous for its butter tarts, theatre, and a century-old feud.\u003c\/p\u003e\n\u003cp\u003eOne of Cat’s first assignments is to interview legendary actor Eliot Fraser, the lead in the theatre’s season opener of \u003cem\u003eInherit the Wind\u003c\/em\u003e. When Eliot ends up dead onstage on opening night, the curtain rises on the sleepy town’s secrets. The suspects include the actor whose career Eliot ruined, the ex-wife he betrayed, the women he abused, and even the baker he wronged. With the attention of the world on Port Ellis, this story could be Cat’s chance to restore her reputation. But the police think she’s a suspect, and the murderer wants to kill the story—and her too. Can Cat solve the mystery before she loses her job or becomes the next victim of a killer with a theatrical bent for vengeance?\u003c\/p\u003e","EAN":"9781487012625","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012625\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7.5","HeightCode":"in","Imprint":"Spiderline","NumberOfPages":"352","OtherText_Accolades_0":"\u003cp\u003eA propulsive, juicy little ride—the perfect combination of Agatha Christie and Janet Evanovich—a gorgeously written, twisty, turny, small-town whodunnit, that also seamlessly weaves together themes of a dying era of journalism, the ruthless nature of ‘theatah,’ and the strength of a woman trying to reinvent herself, heal her heart, and hopefully catch a killer before it’s too late. Kate Hilton and Elizabeth Renzetti have created a vivid, warm, hilarious character in Cat Conway, whose story \u003cem \u003esurely\u003c\/em\u003e doesn't end here … I loved every page.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Lisa Gabriele, author of The Winters","OtherText_Accolades_1":"\u003cp\u003eGiant egos, secret grievances, the locals vs. the artsy-farts: theatre towns were made for murder, and \u003cem \u003eBury the Lead\u003c\/em\u003e was made for mystery lovers. Kate Hilton and Elizabeth Renzetti had a lot of fun with this, and so will you.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Andrew Pyper, author of The Demonologist and Oracle","OtherText_Accolades_2":"\u003cp\u003eA classic, but also topical, whodunnit staged with humour and wit.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Linwood Barclay, author of The Lie Maker","OtherText_Accolades_3":"\u003cp\u003eA smart, devious whodunnit filled with theatrical shadows and veils, \u003cem \u003eBury the Lead\u003c\/em\u003e is both twisty and hilarious.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Robyn Harding, bestselling author of The Drowning Woman","OtherText_Accolades_4":"\u003cp\u003eRight from the hilariously brilliant opening line, I was hooked, helpless to resist reading just one more chapter. This very witty, sharp, fun, and suspenseful cozy mystery is the best escape and also a thought-provoking novel. With pitch-perfect dialogue, beautiful flow, and the most relatable heroine, \u003cem\u003eBury the Lead\u003c\/em\u003e showcases the immense talents of Kate Hilton and Elizabeth Renzetti. As a team, they're unstoppable.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Samantha M. Bailey, USA Today and #1 national bestselling author of Woman on the Edge and Watch Out for Her","OtherText_Accolades_5":"\u003cp\u003e\u003cem\u003eBury the Lead\u003c\/em\u003e is a word-perfect romp through the world of small-town theatre, both hilarious and poignant, insightful and full of twists. I give it a standing ovation!\u003c\/p\u003e","OtherText_Accolades_5_Auth":"Roz Nay, bestselling author of The Hunted","OtherText_Accolades_6":"\u003cp\u003eReading \u003cem\u003eBury the Lead\u003c\/em\u003e is like having cocktails with your most fabulous friends. Liz and Kate tell you fantastic stories, and you laugh, gasp, say ‘Wow!’ and ‘What?!’ a lot, and learn a few tricks you’re glad to know. They get the worlds of theatre and journalism exactly right, the stubborn talents and eggshell egos. The minute it’s over, you can’t wait to get together again.\u003c\/p\u003e","OtherText_Accolades_6_Auth":"Johanna Schneller, Bigger Picture columnist, Globe and Mail","OtherText_Accolades_7":"\u003cp\u003eTwo of my favourite authors have joined forces to create an engaging, sly mystery that is perfect for fans of Richard Osman and Louise Penny. With a heroine to root for, a quirky supporting cast, a charming but shadowy small-town setting, and a whodunit that had me turning pages as fast as I could, this novel is an absolute delight!\u003c\/p\u003e","OtherText_Accolades_7_Auth":"Marissa Stapley, New York Times bestselling author of Lucky","OtherText_Accolades_8":"\u003cp\u003e\u003cem\u003eBury the Lead\u003c\/em\u003e is the perfect cozy mystery novel … fun, dark, and impossible to put down. Kate Hilton and Elizabeth Renzetti have built a wonderful world in Port Ellis and an excellent main character in Cat Conway. As readers we find ourselves rooting for her while also wondering if we can fully trust her, which is the perfect set up. The cast of characters feels both fresh and familiar, straight out of a hard-boiled detective novel. It’s got to be hard to write a book that’s both touching and a little bit sinister, but \u003cem\u003eBury the Lead\u003c\/em\u003e pulls it off. I truly loved this novel!\u003c\/p\u003e","OtherText_Accolades_8_Auth":"Amy Stuart, bestselling author of A Death at the Party","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis series is a fresh addition to the newly revamped Spiderline imprint.\u003c\/li\u003e\n\u003cli\u003eThere’s a boom in cozy mysteries, and particularly those with smart, independent women as the lead.\u003c\/li\u003e\n\u003cli\u003eFor those who loved The Thursday Murder Club series and the Knives Out films. Will appeal to female readers with life experience and feminist leanings.\u003c\/li\u003e\n\u003cli\u003eAt the core of the story is a #METOO moment and the sexual misconduct of powerful men; also shown are issues affecting small towns, such as gentrification and overdevelopment.\u003c\/li\u003e\n\u003cli\u003eThis is the ideal holiday or weekend read, and particularly so when vacationing in cottage country. The setting taps into that rich vein of affection\/nostalgia for holiday towns: recognizable landscape, summer-stock theatre, the quirky locals, small-town papers.\u003c\/li\u003e\n\u003cli\u003eKate Hilton is the bestselling author of three comic novels; Elizabeth Renzetti is a bestselling Anansi author and award-winning journalist, formerly with the \u003cem\u003eGlobe and Mail\u003c\/em\u003e. Renzetti has a book on gender equality coming out in Fall 2024.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eA big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-03-05","Publisher":"House of Anansi Press Inc","Series":"A Quill \u0026 Packet Mystery","ShortDescription":"\u003cp\u003e\u003cstrong \u003eA big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Quill \u0026 Packet Mystery","Width":"5","WidthCode":"in"}

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Bury the Lead

A big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.

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Quick View {"id":6908290465851,"title":"Viola Desmond Won't Be Budged!","handle":"viola-desmond-wont-be-budged","description":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2011 Norma Fleck Award for Canadian Children's Non-Fiction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"On behalf of the Nova Scotia government, I sincerely apologize to Mrs. Viola Desmond’s family and to all African Nova Scotians for the racial discrimination she was subjected to by the justice system … We recognize today that the act for which Viola Desmond was arrested, was an act of courage, not an offence.\" -- Darrell Dexter, Premier of Nova Scotia, April 15, 2010\u003c\/p\u003e\n\u003cp\u003eIn Nova Scotia, in 1946, an usher in a movie theatre told Viola Desmond to move from her main floor seat up to the balcony. She refused to budge. Viola knew she was being asked to move because she was black. After all, she was the only black person downstairs. All the other black people were up in the balcony. In no time at all, the police arrived and took Viola to jail. The next day she was charged and fined, but she vowed to continue her struggle against such unfair rules. She refused to accept that being black meant she couldn't sit where she wanted.\u003c\/p\u003e\n\u003cp\u003eViola's determination gave strength and inspiration to her community at the time. She is an unsung hero of the North American struggle against injustice and racial discrimination whose story deserves to be widely known.\u003c\/p\u003e\n\u003cp\u003eThe African Canadian community in Nova Scotia is one of Canada's oldest and most established black communities. Despite their history and contributions to the province the people in this community have a long experience of racially based injustice. \u003c\/p\u003e\u003cp\u003eLike Claudette Colvin and Rosa Parks, who many years later, in 1955, refused to give up their bus seats in Alabama, Desmond's act of refusal awakened people to the unacceptable nature of racism and began and process of bringing an end to racial segregation in Canada.\u003c\/p\u003e \u003cp\u003eAn afterword provides a glimpse of African Canadian history. \u003c\/p\u003e","published_at":"2022-07-08T17:07:39-04:00","created_at":"2022-07-08T16:57:00-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 5 - 9","Black Voices","By (author) Warner Jody Nyasha","Childrens Bestsellers","Groundwood Books","Illustrated by Rudnicki Richard","Lexile measure 640L","Nonfiction","Picture Books","pub date: 2010-09-01","Stories from Canada","Stories of Resilience"],"price":999,"price_min":999,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40530068570171,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9780888997791","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1895,"weight":390,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780888997791","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40530069258299,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781554981960","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554981960","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40530069291067,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781773060354","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1299,"weight":140,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773060354","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40530069356603,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773063768","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773063768","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ba85acd2-a8e2-43ec-8d98-d8d775979fea.jpg?v=1657314356","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5e9c0c8b-1516-493f-a6ba-4a68dd8bbc19.jpg?v=1657314358","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4167f692-f65f-4f96-9aa4-04dd90b5e4cf.jpg?v=1657314360"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716","options":["Title"],"media":[{"alt":null,"id":24903395344443,"position":1,"preview_image":{"aspect_ratio":0.8,"height":1750,"width":1400,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716"},"aspect_ratio":0.8,"height":1750,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716","width":1400},{"alt":"Four women with dark skin tone sit in chairs. 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She waved to Gladys and Sue-Sue who worked for her at Vi’s Studio beauty parlor. Then she stepped into her car and drove away.","id":22337086292027,"position":3,"preview_image":{"aspect_ratio":1.603,"height":312,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5e9c0c8b-1516-493f-a6ba-4a68dd8bbc19.jpg?v=1657314358"},"aspect_ratio":1.603,"height":312,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5e9c0c8b-1516-493f-a6ba-4a68dd8bbc19.jpg?v=1657314358","width":500},{"alt":"It is cloudy and the sun shines through the clouds in small sections. A road passes a farm with many brown cows and a barn in the field. A woman with dark skin tone drives a green car down the road. Text: Viola drove those winter wet roads with care. She had a meeting to attend three towns away. But guess what? She never made it there. First she heard a rattle. Then she heard a clunk. And her car began to shake.","id":22337086652475,"position":4,"preview_image":{"aspect_ratio":1.603,"height":312,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4167f692-f65f-4f96-9aa4-04dd90b5e4cf.jpg?v=1657314360"},"aspect_ratio":1.603,"height":312,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4167f692-f65f-4f96-9aa4-04dd90b5e4cf.jpg?v=1657314360","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2011 Norma Fleck Award for Canadian Children's Non-Fiction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"On behalf of the Nova Scotia government, I sincerely apologize to Mrs. Viola Desmond’s family and to all African Nova Scotians for the racial discrimination she was subjected to by the justice system … We recognize today that the act for which Viola Desmond was arrested, was an act of courage, not an offence.\" -- Darrell Dexter, Premier of Nova Scotia, April 15, 2010\u003c\/p\u003e\n\u003cp\u003eIn Nova Scotia, in 1946, an usher in a movie theatre told Viola Desmond to move from her main floor seat up to the balcony. She refused to budge. Viola knew she was being asked to move because she was black. After all, she was the only black person downstairs. All the other black people were up in the balcony. In no time at all, the police arrived and took Viola to jail. The next day she was charged and fined, but she vowed to continue her struggle against such unfair rules. She refused to accept that being black meant she couldn't sit where she wanted.\u003c\/p\u003e\n\u003cp\u003eViola's determination gave strength and inspiration to her community at the time. She is an unsung hero of the North American struggle against injustice and racial discrimination whose story deserves to be widely known.\u003c\/p\u003e\n\u003cp\u003eThe African Canadian community in Nova Scotia is one of Canada's oldest and most established black communities. Despite their history and contributions to the province the people in this community have a long experience of racially based injustice. \u003c\/p\u003e\u003cp\u003eLike Claudette Colvin and Rosa Parks, who many years later, in 1955, refused to give up their bus seats in Alabama, Desmond's act of refusal awakened people to the unacceptable nature of racism and began and process of bringing an end to racial segregation in Canada.\u003c\/p\u003e \u003cp\u003eAn afterword provides a glimpse of African Canadian history. \u003c\/p\u003e"} {"AlsoRecommendedISBN_1":"9781554987528","AlsoRecommendedISBN_2":"9781554987528","AlsoRecommendedISBN_3":"9781773060439","AlsoRecommendedISBN_4":"9781773060439","AlsoRecommendedISBN_5":"9781773061047","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"5","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"9","AudienceRangeValue_2_1":"4","AudienceRangeValue_2_2":"4","BASICMainSubject":"JNF007120","BASICMainSubjectLiteral":"JUVENILE NONFICTION\\\/Biography \u0026 Autobiography\\\/Women","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJODY NYASHA WARNER\u003c\\\/strong\u003e is a writer, human rights advisor and former librarian. She was inspired to write this book because so much African Canadian history is either not well known or not documented.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"JUVENILE NONFICTION \\\/ Biography \u0026amp; Autobiography \\\/ Women","BISACSubjectLiteral_1":"JUVENILE NONFICTION \\\/ History \\\/ Canada \\\/ Post-Confederation (1867-)","BISACSubjectLiteral_2":"JUVENILE NONFICTION \\\/ Social Topics \\\/ Prejudice \u0026amp; Racism","BISACSubject_0":"JNF007120","BISACSubject_1":"JNF025240","BISACSubject_2":"JNF053140","ComplexityCode_0":"640L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJODY NYASHA WARNER\u003c\\\/strong\u003e is a writer, human rights advisor and former librarian. She was inspired to write this book because so much African Canadian history is either not well known or not documented.\u003c\\\/p\u003e\\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eRICHARD RUDNICKI\u003c\\\/strong\u003e is an artist known for his paintings of Nova Scotia as well as for his award-winning children’s books. His picture books include \u003cem\u003eTecumseh\u003c\\\/em\u003e by James Laxer, which was nominated for the Children’s Literature Roundtables of Canada’s Information Book Award, and \u003cem\u003eGracie, the Public Gardens Duck\u003c\\\/em\u003e by Judith Meyrick, winner of the Lillian Shepherd Memorial Award for Excellence in Illustration.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Warner, Jody Nyasha","Contributor_1":"Rudnicki, Richard (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2011 Norma Fleck Award for Canadian Children's Non-Fiction\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003e\\\"On behalf of the Nova Scotia government, I sincerely apologize to Mrs. Viola Desmond’s family and to all African Nova Scotians for the racial discrimination she was subjected to by the justice system … We recognize today that the act for which Viola Desmond was arrested, was an act of courage, not an offence.\\\" -- Darrell Dexter, Premier of Nova Scotia, April 15, 2010\u003c\\\/p\u003e\\n\u003cp\u003eIn Nova Scotia, in 1946, an usher in a movie theatre told Viola Desmond to move from her main floor seat up to the balcony. She refused to budge. Viola knew she was being asked to move because she was black. After all, she was the only black person downstairs. All the other black people were up in the balcony. In no time at all, the police arrived and took Viola to jail. The next day she was charged and fined, but she vowed to continue her struggle against such unfair rules. She refused to accept that being black meant she couldn't sit where she wanted.\u003c\\\/p\u003e\\n\u003cp\u003eViola's determination gave strength and inspiration to her community at the time. She is an unsung hero of the North American struggle against injustice and racial discrimination whose story deserves to be widely known.\u003c\\\/p\u003e\\n\u003cp\u003eThe African Canadian community in Nova Scotia is one of Canada's oldest and most established black communities. Despite their history and contributions to the province the people in this community have a long experience of racially based injustice. \u003c\\\/p\u003e\u003cp\u003eLike Claudette Colvin and Rosa Parks, who many years later, in 1955, refused to give up their bus seats in Alabama, Desmond's act of refusal awakened people to the unacceptable nature of racism and began and process of bringing an end to racial segregation in Canada.\u003c\\\/p\u003e \u003cp\u003eAn afterword provides a glimpse of African Canadian history. \u003c\\\/p\u003e","EAN":"9781773063768","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Social Situations; Prejudice \u0026amp; Racism; History; Canada; Post-Confederation (1867-)","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBrings to light a little-known but historically significant personality, Viola Desmond whose story continues to be an inspiration for all who struggle against racial discrimination.\u003c\/li\u003e\r\n\u003cli\u003eViola Desmond is now featured on the Canadian 10-dollar bill and on April 15, 2010, the premier of Nova Scotia granted Viola Desmond a free pardon, acknowledging her innocence.\u003c\/li\u003e\r\n\u003cli\u003eA natural companion title to studies of Rosa Parks, and a valuable resource for Black History Month, Canadian history and social studies teachers. Includes an afterword, which gives a glimpse of African Canadian history from 1605.\u003c\/li\u003e\r\n\u003cli\u003eWritten in the oral style of African Canadian culture with illustrations based on archival photographs.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum Connections: Canadian history \/ Black history \/ women’s history; Social studies; Civil rights; Reading\u003c\/li\u003e\r\n\u003cli\u003eLexile: 640L; Common Core: RI.2.1,3,4,6,7,8,9,10\/\/RI.3.1,2,3,4,6,7,8,9,10\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eBrings to light a little-known but historically significant personality, Viola Desmond whose story continues to be an inspiration for all who struggle against racial discrimination.\u003c\\\/li\u003e\\n\u003cli\u003eViola Desmond is now featured on the Canadian 10-dollar bill and on April 15, 2010, the premier of Nova Scotia granted Viola Desmond a free pardon, acknowledging her innocence.\u003c\\\/li\u003e\\n\u003cli\u003eA natural companion title to studies of Rosa Parks, and a valuable resource for Black History Month, Canadian history and social studies teachers. Includes an afterword, which gives a glimpse of African Canadian history from 1605.\u003c\\\/li\u003e\\n\u003cli\u003eWritten in the oral style of African Canadian culture with illustrations based on archival photographs.\u003c\\\/li\u003e\\n\u003cli\u003eCurriculum Connections: Canadian history \\\/ Black history \\\/ women’s history; Social studies; Civil rights; Reading\u003c\\\/li\u003e\\n\u003cli\u003eLexile: 640L; Common Core: RI.2.1,3,4,6,7,8,9,10\\\/\\\/RI.3.1,2,3,4,6,7,8,9,10\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"...the author of the children's book 'Viola Desmond Won't be Budged!' knows why she wanted to write the Halifax businesswoman's story... \\\"There's not much that's there that's Canadian and this is such a great story.\\\"","OtherText_Review_0_Auth":"Monica Graham","OtherText_Review_0_Src":"The Chronicle-Herald","OtherText_Review_1":"...vibrant...","OtherText_Review_10":"...impressive...","OtherText_Review_10_Auth":"Evelyn C. White","OtherText_Review_10_Src":"Vancouver Sun","OtherText_Review_11":"...a compelling story...","OtherText_Review_11_Auth":"Marya Jansen-Gruber","OtherText_Review_11_Src":"Through the Looking Glass Children's Book Reviews","OtherText_Review_1_Src":"Canadian Teacher Magazine","OtherText_Review_2":"Plain speech in the vernacular of the time and predominantly red-hued acrylic paintings that seem imbued with their subject's passion combine to great effect in this important but not-well-known piece of Canadian history.","OtherText_Review_2_Auth":"Susan Perren","OtherText_Review_2_Src":"Globe and Mail","OtherText_Review_3":"Varying perspectives heighten the emotional intensity, as do the excellent layout and design. This unique offering will be of particular value when studying women's or black history.","OtherText_Review_3_Auth":"Lucinda Snyder Whitehurst","OtherText_Review_3_Src":"School Library Journal","OtherText_Review_4":"...warm and engaging...","OtherText_Review_4_Auth":"Rosalie MacEachern","OtherText_Review_4_Src":"New Glasgow News","OtherText_Review_5":"Desmond’s story should prove eye-opening to readers whose civil rights references are limited to American figures.","OtherText_Review_5_Src":"Publishers Weekly","OtherText_Review_6":"Rudnicki's vivid, dramatic art intensifies the danger that Desmond's stubborn determination brought her, and it lends itself well to the warm recounting of the unnamed narrator.","OtherText_Review_6_Auth":"Courtney Jones","OtherText_Review_6_Src":"Booklist","OtherText_Review_7":"From the first page, Viola Desmond Won't be Budged! hooks the reader...an engaging delight to read.","OtherText_Review_7_Auth":"Crystal Sutherland","OtherText_Review_7_Src":"CM Magazine","OtherText_Review_8":"Using a cadenced style that echoes the oral tradition of African-Canadians, Warner recounts the story...","OtherText_Review_8_Src":"Kirkus Reviews","OtherText_Review_9":"This carefully-researched book provides young learners with an informative look at racial segregation in Canada and a pivotal event in the civil rights movement.","OtherText_Review_9_Src":"Rutgers University Project on Economics and Children","OtherText_ShortDescription_0":"A picture-book biography of Viola Desmond, Canada’s Rosa Parks, who was arrested for refusing to sit in the segregated section of a movie theater.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Commended","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Long-listed","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"03","PrizeCode_3":"04","PrizeCode_4":"05","PrizeName_0":"Norma Fleck for Canadian Children's Non Fiction","PrizeName_1":"ReadBoston Best Read Aloud Book","PrizeName_2":"Resource Links' Year's Best","PrizeName_3":"SYRCA Shining Willow Award","PrizeName_4":"Vancouver Children's Literature Roundtable Information Book Award","PrizeYear_0":"2011","PrizeYear_1":"2011","PrizeYear_2":"2010","PrizeYear_3":"2011","PrizeYear_4":"2011","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2010-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A picture-book biography of Viola Desmond, Canada’s Rosa Parks, who was arrested for refusing to sit in the segregated section of a movie theater.","Width":"8","WidthCode":"in"}

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Viola Desmond Won't Be Budged!

A picture-book biography of Viola Desmond, Canada’s Rosa Parks, who was arrested for refusing to sit in the segregated section of a movie theater.

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Quick View {"id":7201696251963,"title":"Do You Remember?","handle":"do-you-remember","description":"\u003cp\u003e\u003cstrong\u003eFrom the creator of \u003cem\u003eSmall in the City\u003c\/em\u003e and the illustrator of \u003cem\u003eTown Is by the Sea\u003c\/em\u003e and \u003cem\u003eSidewalk Flowers\u003c\/em\u003e, comes a moving look at how memories are made.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTucked in bed at a new apartment, a boy and his mother trade memories. Some are idyllic, like a picnic with Dad, but others are more surprising: a fall from a bike into soft piled hay, the smell of an old oil lamp when a rainstorm blew the power out.\u003c\/p\u003e\n\u003cp\u003eNow it’s just the two of them, and the house where all of those memories happened is far away. 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Other books he has illustrated include \u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e by Jo Ellen Bogart; \u003cem\u003eSidewalk Flowers\u003c\/em\u003e by JonArno Lawson; and \u003cem\u003eTown Is by the Sea\u003c\/em\u003e by Joanne Schwartz, which received the Kate Greenaway Medal. His other accolades include two Governor General’s Awards and four \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Book of the Year citations. He is also the illustrator of \u003cem\u003eI Talk Like a River\u003c\/em\u003e by Jordan Scott, which received the Schneider Family Book Award and the \u003cem\u003eBoston Globe\u003c\/em\u003e–Horn Book Award, and \u003cem\u003eMy Baba’s Garden\u003c\/em\u003e, also written by Jordan Scott. Sydney lives with his family in Halifax, Nova Scotia.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ New Experience","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Family \/ General","BISACSubject_0":"JUV039050","BISACSubject_1":"JUV039090","BISACSubject_2":"JUV013000","CommonCore":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.4","CommonCore_2":"CCSS.ELA-LITERACY.RL.1.7","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSYDNEY SMITH\u003c\/strong\u003e is the creator of \u003cem\u003eSmall in the City\u003c\/em\u003e, which received the Kate Greenaway Medal and the Ezra Jack Keats Award. Other books he has illustrated include \u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e by Jo Ellen Bogart; \u003cem\u003eSidewalk Flowers\u003c\/em\u003e by JonArno Lawson; and \u003cem\u003eTown Is by the Sea\u003c\/em\u003e by Joanne Schwartz, which received the Kate Greenaway Medal. His other accolades include two Governor General’s Awards and four \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Book of the Year citations. He is also the illustrator of \u003cem\u003eI Talk Like a River\u003c\/em\u003e by Jordan Scott, which received the Schneider Family Book Award and the \u003cem\u003eBoston Globe\u003c\/em\u003e–Horn Book Award, and \u003cem\u003eMy Baba’s Garden\u003c\/em\u003e, also written by Jordan Scott. Sydney lives with his family in Halifax, Nova Scotia.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSYDNEY SMITH\u003c\/strong\u003e is the creator of \u003cem\u003eSmall in the City\u003c\/em\u003e, which received the Kate Greenaway Medal and the Ezra Jack Keats Award. Other books he has illustrated include \u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e by Jo Ellen Bogart; \u003cem\u003eSidewalk Flowers\u003c\/em\u003e by JonArno Lawson; and \u003cem\u003eTown Is by the Sea\u003c\/em\u003e by Joanne Schwartz, which received the Kate Greenaway Medal. His other accolades include two Governor General’s Awards and four \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Book of the Year citations. He is also the illustrator of \u003cem\u003eI Talk Like a River\u003c\/em\u003e by Jordan Scott, which received the Schneider Family Book Award and the \u003cem\u003eBoston Globe\u003c\/em\u003e–Horn Book Award, and \u003cem\u003eMy Baba’s Garden\u003c\/em\u003e, also written by Jordan Scott. Sydney lives with his family in Halifax, Nova Scotia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Smith, Sydney (CA)","Contributor_1":"Smith, Sydney (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFrom the creator of \u003cem\u003eSmall in the City\u003c\/em\u003e and the illustrator of \u003cem\u003eTown Is by the Sea\u003c\/em\u003e and \u003cem\u003eSidewalk Flowers\u003c\/em\u003e, comes a moving look at how memories are made.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTucked in bed at a new apartment, a boy and his mother trade memories. Some are idyllic, like a picnic with Dad, but others are more surprising: a fall from a bike into soft piled hay, the smell of an old oil lamp when a rainstorm blew the power out.\u003c\/p\u003e\n\u003cp\u003eNow it’s just the two of them, and the house where all of those memories happened is far away. But maybe someday, this will be a favourite memory, too: happy and sad, an end and a beginning intertwined.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDo You Remember?\u003c\/em\u003e is another unforgettable book from award-winning author and illustrator Sydney Smith.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003epanels\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core States Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003c\/p\u003e\n\u003cp\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003c\/p\u003e\n\u003cp\u003eUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","EAN":"9781773069883","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eillustrations;dialogue;panels\u003c\/p\u003e","MetaKeywords":"starting fresh;child's perspective;children and parents;comforting;connecting;family and home stories;loss of a parent;memories;mother and son;new home;adapting to change;anxiety;coping;emotions; moods and feelings;fear of unknown;bedtime story;uncertainty","NumberOfPages":"40","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003e\u003cem\u003eTown Is by the Sea\u003c\/em\u003e by Joanne Schwartz has sold 20,000 copies; \u003cem\u003eSidewalk Flowers\u003c\/em\u003e by JonArno Lawson has sold 54,000 copies; \u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e by Jo Ellen Bogart has sold 22,000 copies.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDo You Remember?\u003c\/em\u003e is the second book that Sydney has both written and illustrated, following the success of \u003cem\u003eSmall in the City\u003c\/em\u003e, which has sold almost 5,000 copies in Canada.\u003c\/li\u003e\n\u003cli\u003eThis story will resonate with any child going through a big change — a move, parents separating — as they look backward and forward at their life.\u003c\/li\u003e\n\u003cli\u003eSydney’s beautiful watercolour illustrations flip between full spreads and smaller panels to pull the reader through the quick flashes of memory and slower moments of tenderness between mother and son.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003e\u003cem\u003eTown Is by the Sea\u003c\/em\u003e by Joanne Schwartz has sold 20,000 copies; \u003cem\u003eSidewalk Flowers\u003c\/em\u003e by JonArno Lawson has sold 54,000 copies; \u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e by Jo Ellen Bogart has sold 22,000 copies.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDo You Remember?\u003c\/em\u003e is the second book that Sydney has both written and illustrated, following the success of \u003cem\u003eSmall in the City\u003c\/em\u003e, which has sold almost 5,000 copies in Canada.\u003c\/li\u003e\n\u003cli\u003eThis story will resonate with any child going through a big change — a move, parents separating — as they look backward and forward at their life.\u003c\/li\u003e\n\u003cli\u003eSydney’s beautiful watercolour illustrations flip between full spreads and smaller panels to pull the reader through the quick flashes of memory and slower moments of tenderness between mother and son.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eSmith shows that, at any age, shared memories can help tilt the balance from present-day fearfulness to hope for the future.\u003c\/p\u003e","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"\u003cp\u003eAn immensely satisfying glimpse of a family's ability to navigate challenges through honest conversation and mutual support. STARRED REVIEW\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus","OtherText_Review_2":"\u003cp\u003eThe author delicately and triumphantly creates a book worth remembering, with a relatable topic for families and school-age children who also may be suffering loss. STARRED REVIEW\u003c\/p\u003e","OtherText_Review_2_Src":"School Library Journal","OtherText_Review_3":"\u003cp\u003eThis hushed and deeply tender story will spark many conversations. STARRED REVIEW\u003c\/p\u003e","OtherText_Review_3_Src":"Horn Book","OtherText_Review_4":"\u003cp\u003eStrong emotion is conveyed through effective illustrations and book design … The undertone of sadness is ever present but so is the feeling of hope. The design and details in the illustrations ask readers to proceed slowly, think beyond what is stated, and construct their own interpretations of story and memory. STARRED REVIEW\u003c\/p\u003e","OtherText_Review_4_Src":"Booklist","OtherText_Review_5":"\u003cp\u003eA loving familial portrait that envisions intentionality around the process of memory-making. STARRED REVIEW\u003c\/p\u003e","OtherText_Review_5_Src":"Publishers Weekly","OtherText_Review_6":"\u003cp\u003eSydney Smith beautifully captures all the fear and hope that comes with change in this heartfelt picture book about remembering and starting anew.\u003c\/p\u003e","OtherText_Review_6_Src":"BookPage","OtherText_Review_7":"\u003cp\u003eThough there is an undercurrent of sadness,\u003cem\u003e Do You Remember?\u003c\/em\u003e concludes on a hopeful note, its images and nuances remaining in one's memory long after the book has been set aside. This publication is nothing short of a triumph for Sydney Smith.\u003c\/p\u003e","OtherText_Review_7_Src":"Canadian Children's Book News","OtherText_Review_8":"\u003cp\u003eThe essence of this story is to be found not in what's said, but in what's left unspoken … \u003cem\u003eDo You Remember?\u003c\/em\u003e is a story of separation and change not to be missed.\u003c\/p\u003e","OtherText_Review_8_Src":"CM: Canadian Review of Materials","OtherText_Review_9":"\u003cp\u003eBeautifully written and evocatively illustrated.\u003c\/p\u003e","OtherText_Review_9_Src":"Montreal Gazette","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eFrom the creator of \u003cem\u003eSmall in the City\u003c\/em\u003e and the illustrator of \u003cem\u003eTown Is by the Sea\u003c\/em\u003e and \u003cem\u003eSidewalk Flowers\u003c\/em\u003e, comes a moving look at how memories are made.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_10":"Short-listed","PrizeCodeText_11":"Short-listed","PrizeCodeText_2":"Commended","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Commended","PrizeCodeText_7":"Commended","PrizeCodeText_8":"Commended","PrizeCodeText_9":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_10":"04","PrizeCode_11":"04","PrizeCode_2":"03","PrizeCode_3":"03","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"03","PrizeCode_7":"03","PrizeCode_8":"03","PrizeCode_9":"04","PrizeName_0":"Boston Globe–Horn Book Awards","PrizeName_1":"Sheila Barry Best Canadian Picture Book of the Year Award","PrizeName_10":"TD Canadian Children's Literature Award","PrizeName_11":"Ruth and Sylvia Schwartz Children's Book Awards","PrizeName_2":"New York Times Best Children's Books of 2023","PrizeName_3":"Wall Street Journal Best Books of 2023","PrizeName_4":"New York Public Library Best Books for Kids","PrizeName_5":"Kirkus Best Picture Books of the Year","PrizeName_6":"Horn Book Fanfare","PrizeName_7":"Globe 100 Best Books","PrizeName_8":"Ontario Library Association Best Bets","PrizeName_9":"Governor General's Literary Award, Young People's Literature — Illustrated Books","PrizeYear_0":"2024","PrizeYear_1":"2024","PrizeYear_10":"2024","PrizeYear_11":"2024","PrizeYear_2":"2023","PrizeYear_3":"2023","PrizeYear_4":"2023","PrizeYear_5":"2023","PrizeYear_6":"2023","PrizeYear_7":"2023","PrizeYear_8":"2023","PrizeYear_9":"2024","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2023-10-03","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong \u003eFrom the creator of \u003cem\u003eSmall in the City\u003c\/em\u003e and the illustrator of \u003cem\u003eTown Is by the Sea\u003c\/em\u003e and \u003cem\u003eSidewalk Flowers\u003c\/em\u003e, comes a moving look at how memories are made.\u003c\/strong\u003e\u003c\/p\u003e","Width":"9","WidthCode":"in"}

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Do You Remember?

From the creator of Small in the City and the illustrator of Town Is by the Sea and Sidewalk Flowers, comes a moving look at how memories are made.

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Quick View {"id":6814265638971,"title":"The Longest Year","handle":"the-longest-year","description":"\u003cp\u003e\u003cstrong\u003eF. Scott Fitzgerald’s “The Curious Case of Benjamin Button” meets Junot Diaz’s \u003ci\u003eThe Brief Wondrous Life of Oscar Wao \u003c\/i\u003ein Daniel Grenier’s epic novel, which tells the story of a boy who ages only one out of every four years.\u003c\/strong\u003e\u003c\/p\u003e\u003cblockquote\u003e\u003cp\u003eThere’s something extraordinary about Thomas Langlois.\u003c\/p\u003e\u003c\/blockquote\u003e\u003cp\u003eThomas is a young boy growing up in Chattanooga, Tennessee, with a French-Canadian father, Albert, and an American mother, Laura. But beyond the fact that he lives between two cultures and languages, there’s something else about Thomas that sets him apart: he was born on February 29.\u003c\/p\u003e\u003cp\u003eBefore Albert goes on a strange quest to find out more about their mysterious relative, Aimé Bolduc, he explains to Thomas that he will only age one year out of every four and he will outlive all of his loved ones.\u003c\/p\u003e\u003cp\u003eThomas’s loneliness grows and the years pass until a terrible accident involving a young girl sets in motion a series of events that link the young girl and Thomas to Aimé Bolduc — a Civil War–era soldier and perhaps their contemporary.\u003c\/p\u003e\u003cp\u003eSpanning three centuries and set against the backdrop of the Appalachians from Quebec to Tennessee, \u003ci\u003eThe Longest Year\u003c\/i\u003e is a magical and poignant story about family history, fateful dates, fragile destinies, and lives brutally ended and mysteriously extended.\u003c\/p\u003e","published_at":"2022-03-24T09:39:50-04:00","created_at":"2022-03-23T13:28:39-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult Award Winning","Anansi Audio","Book Club Pick","By (author) Grenier Daniel","pub date: 2017-03-25","Read by Bain Warren","Translated by Strauss Pablo"],"price":1895,"price_min":1895,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40206697889851,"title":"trade paperback with flaps","option1":"trade paperback with flaps","option2":null,"option3":null,"sku":"9781487001537","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Longest Year - trade paperback with flaps","public_title":"trade paperback with flaps","options":["trade paperback with flaps"],"price":2295,"weight":420,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487001537","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40206893973563,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487001544","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Longest Year - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487001544","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40206894530619,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487001551","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Longest Year - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487001551","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40206895022139,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487005634","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Longest Year - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005634","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40206895775803,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487005641","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Longest Year - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005641","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_eb3226a6-9a92-4542-b953-1d13f046705c.jpg?v=1727574437"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_eb3226a6-9a92-4542-b953-1d13f046705c.jpg?v=1727574437","options":["Title"],"media":[{"alt":null,"id":24827556102203,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_eb3226a6-9a92-4542-b953-1d13f046705c.jpg?v=1727574437"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_eb3226a6-9a92-4542-b953-1d13f046705c.jpg?v=1727574437","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eF. Scott Fitzgerald’s “The Curious Case of Benjamin Button” meets Junot Diaz’s \u003ci\u003eThe Brief Wondrous Life of Oscar Wao \u003c\/i\u003ein Daniel Grenier’s epic novel, which tells the story of a boy who ages only one out of every four years.\u003c\/strong\u003e\u003c\/p\u003e\u003cblockquote\u003e\u003cp\u003eThere’s something extraordinary about Thomas Langlois.\u003c\/p\u003e\u003c\/blockquote\u003e\u003cp\u003eThomas is a young boy growing up in Chattanooga, Tennessee, with a French-Canadian father, Albert, and an American mother, Laura. But beyond the fact that he lives between two cultures and languages, there’s something else about Thomas that sets him apart: he was born on February 29.\u003c\/p\u003e\u003cp\u003eBefore Albert goes on a strange quest to find out more about their mysterious relative, Aimé Bolduc, he explains to Thomas that he will only age one year out of every four and he will outlive all of his loved ones.\u003c\/p\u003e\u003cp\u003eThomas’s loneliness grows and the years pass until a terrible accident involving a young girl sets in motion a series of events that link the young girl and Thomas to Aimé Bolduc — a Civil War–era soldier and perhaps their contemporary.\u003c\/p\u003e\u003cp\u003eSpanning three centuries and set against the backdrop of the Appalachians from Quebec to Tennessee, \u003ci\u003eThe Longest Year\u003c\/i\u003e is a magical and poignant story about family history, fateful dates, fragile destinies, and lives brutally ended and mysteriously extended.\u003c\/p\u003e"} {"AlsoRecommendedISBN_4":"9781487005993","AlsoRecommendedISBN_5":"9781487006563","AlsoRecommendedISBN_6":"9781770890329","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\\\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eDANIEL GRENIER\u003c\\\/strong\u003e was born in Brossard, Quebec, in 1980. His debut short story collection, \u003cem\u003eMalgré tout on rit à Saint-Henri\u003c\\\/em\u003e was published in 2012, and his first novel, \u003cem\u003eL’anée la plus longue\u003c\\\/em\u003e (\u003cem\u003eThe Longest Year\u003c\\\/em\u003e), won the Prix littéraire des collégiens and was a finalist for the Governor General’s Literary Award for French Fiction, the Prix des libraires, and the Prix littéraire France-Québec. Grenier has also translated numerous English-language works into French. He lives in Quebec City.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"FICTION \\\/ Literary","BISACSubjectLiteral_1":"FICTION \\\/ Magical Realism","BISACSubjectLiteral_2":"FICTION \\\/ Sagas","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC061000","BISACSubject_2":"FIC008000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eDANIEL GRENIER\u003c\\\/strong\u003e was born in Brossard, Quebec, in 1980. His debut short story collection, \u003cem\u003eMalgré tout on rit à Saint-Henri\u003c\\\/em\u003e was published in 2012, and his first novel, \u003cem\u003eL’anée la plus longue\u003c\\\/em\u003e (\u003cem\u003eThe Longest Year\u003c\\\/em\u003e), won the Prix littéraire des collégiens and was a finalist for the Governor General’s Literary Award for French Fiction, the Prix des libraires, and the Prix littéraire France-Québec. Grenier has also translated numerous English-language works into French. He lives in Quebec City.\u003c\\\/p\u003e\\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003ePABLO STRAUSS\u003c\\\/strong\u003e grew up in Victoria, British Columbia, and has lived in Quebec City for a decade. His translation of Daniel Grenier’s \u003cem\u003eThe Longest Year\u003c\\\/em\u003e was a finalist for the Governor General’s Literary Award for Translation.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","ContributorRole_2":"Read by","Contributor_0":"Grenier, Daniel (CA)","Contributor_1":"Strauss, Pablo (CA)","Contributor_2":"Bain, Warren","Description":"\u003cp\u003e\u003cstrong\u003eF. Scott Fitzgerald’s “The Curious Case of Benjamin Button” meets Junot Diaz’s \u003ci\u003eThe Brief Wondrous Life of Oscar Wao \u003c\\\/i\u003ein Daniel Grenier’s epic novel, which tells the story of a boy who ages only one out of every four years.\u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cblockquote\u003e\u003cp\u003eThere’s something extraordinary about Thomas Langlois.\u003c\\\/p\u003e\u003c\\\/blockquote\u003e\u003cp\u003eThomas is a young boy growing up in Chattanooga, Tennessee, with a French-Canadian father, Albert, and an American mother, Laura. But beyond the fact that he lives between two cultures and languages, there’s something else about Thomas that sets him apart: he was born on February 29.\u003c\\\/p\u003e\u003cp\u003eBefore Albert goes on a strange quest to find out more about their mysterious relative, Aimé Bolduc, he explains to Thomas that he will only age one year out of every four and he will outlive all of his loved ones.\u003c\\\/p\u003e\u003cp\u003eThomas’s loneliness grows and the years pass until a terrible accident involving a young girl sets in motion a series of events that link the young girl and Thomas to Aimé Bolduc — a Civil War–era soldier and perhaps their contemporary.\u003c\\\/p\u003e\u003cp\u003eSpanning three centuries and set against the backdrop of the Appalachians from Quebec to Tennessee, \u003ci\u003eThe Longest Year\u003c\\\/i\u003e is a magical and poignant story about family history, fateful dates, fragile destinies, and lives brutally ended and mysteriously extended.\u003c\\\/p\u003e","EAN":"9781487005641","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005641\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi Audio","NumberOfPages":"384","OtherText_Accolades_0":"As a reader, I was charmed by [the] characters Aimé, Jeanne, Thomas, Van Ness, and the others, by their unexpected apparitions and disappearances. They are ghosts born of a magnificent well-documented imagination. [Grenier] is a great talent, [he] possesses a major voice, the invention of Quebec literature in 1958 flourishes thanks to [his] work. Only a genius like Réjean Ducharme could take umbrage, but no other novelist of my generation was able to undertake such a novel.","OtherText_Accolades_0_Src":"Jacques Godbout, author of Hail Galarneau!","OtherText_Accolades_1":"The Longest Year by Daniel Grenier is a magnificent novel featuring a character who is born on February 29 and is witness to 260 years of history in the United States and Quebec. Fascinating. Superbly written.","OtherText_Accolades_1_Src":"Michel Tremblay, author of The Heart Laid Bare","OtherText_Accolades_2":"The breadth of The Longest Year is very satisfying, the intimacy even more so. This is an addictive book. And the reason it is addictive is the warm, intelligent, empathic, enveloping voice of Daniel Grenier. Here is an author who excels in lyricism and is unafraid to tell a good, big story. Daniel Grenier is a rare breed: an old soul overflowing with youthful energy.","OtherText_Accolades_2_Src":"Mireille Silcoff, author of Chez L’arabe","OtherText_Accolades_3":"A leap year of a book: the kind that comes rarely. Grenier’s prose is tough, vibrant, and occasionally bloody, with a wit — and a grace — that recalls George Saunders or Rachel Kushner.","OtherText_Accolades_3_Src":"Sean Michaels, Scotiabank Giller Prize-winning author","OtherText_Accolades_4":"The Longest Year is a tall tale for the 21th century — insanely inventive, insightful, and moving, at times funny and at times horrifying, epic in scope and yet very intimate in its knowledge of the human heart. Its ideas about life and time, as well as its larger than life characters, will stay with the reader for a while.","OtherText_Accolades_4_Src":"Samuel Archibald, author of Arvida","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eWORK IN TRANSLATION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Longest Year\u003c\/em\u003e was first published with the title \u003cem\u003eL’année la plus longue\u003c\/em\u003e in French in August 2015 by the Montreal-based press, Le Quartanier. Following the widespread success of translations such as \u003cem\u003eThe Hidden Life of Trees\u003c\/em\u003e, \u003cem\u003eThe Vegetarian\u003c\/em\u003e, and Elena Ferrante’s Neapolitan series, public interest in translation has never been higher.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNEXT BIG THING IN MAGICAL REALISM:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eDaniel Grenier’s writing has been compared to that of Junot Diaz, George Saunders, Rachel Kushner, and David Mitchell.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Longest Year\u003c\/em\u003e was a finalist for the 2017 Governor General’s Literary Award for Translation. The French edition (\u003cem\u003eL’année la plus longue\u003c\/em\u003e), won the Prix littéraire des collégiens and was a finalist for the Governor General’s Literary Award for French Fiction, the Prix des libraires, and the Prix littéraire\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eWORK IN TRANSLATION:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Longest Year\u003c\\\/em\u003e was first published with the title \u003cem\u003eL’année la plus longue\u003c\\\/em\u003e in French in August 2015 by the Montreal-based press, Le Quartanier. Following the widespread success of translations such as \u003cem\u003eThe Hidden Life of Trees\u003c\\\/em\u003e, \u003cem\u003eThe Vegetarian\u003c\\\/em\u003e, and Elena Ferrante’s Neapolitan series, public interest in translation has never been higher.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eNEXT BIG THING IN MAGICAL REALISM:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eDaniel Grenier’s writing has been compared to that of Junot Diaz, George Saunders, Rachel Kushner, and David Mitchell.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Longest Year\u003c\\\/em\u003e was a finalist for the 2017 Governor General’s Literary Award for Translation. The French edition (\u003cem\u003eL’année la plus longue\u003c\\\/em\u003e), won the Prix littéraire des collégiens and was a finalist for the Governor General’s Literary Award for French Fiction, the Prix des libraires, and the Prix littéraire\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"A solid work . . . magical.","OtherText_Review_0_Src":"La Presse","OtherText_Review_1":"Ambitious. An epic with dense, controlled writing. Large in scope yet intimate . . . A tour de force that takes us across centuries, past frontiers . . . and doesn’t hesitate to flirt with fantasy.","OtherText_Review_1_Src":"Le Devoir","OtherText_Review_2":"Historical fiction at its finest ... full of wit, whimsy, and a wellspring of historical detail","OtherText_Review_2_Src":"Montreal Review of Books","OtherText_Review_3":"Last year, Catherine Leroux’s The Party Wall arrived like a revelation: a French-Canadian novel with a continent-sized imagination, about connections between people over borders and across time. . . . [I]n The Longest Year Grenier engages a similar continental imaginary. The novel’s magic realist conceit — that a person born on Feb. 29 might age one year for every four — allows an epic swath of history with sweeping geography to match.","OtherText_Review_3_Src":"The Globe and Mail","OtherText_Review_4":"[M]agical . . . spectacular . . . Grenier’s magnum opus . . . The Longest Year is the kind of book you want to tell people about. [Strauss] has masterfully translated L’année la plus longue, Grenier’s genre-volt-face, into The Longest Year — a year so good I wouldn’t mind living it a few times over myself, this novel’s plot begging for another crack.","OtherText_Review_4_Src":"The National Post","OtherText_ShortDescription_0":"Daniel Grenier’s novel, perfect for fans of “The Curious Case of Benjamin Button”, tells the story of a boy who ages only one out of every four years.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"05","PrizeCode_2":"05","PrizeName_0":"Prix littéraire des collégiens","PrizeName_1":"Prix des libraires","PrizeName_2":"Prix littéraire France-Québec","PrizeYear_0":"2015","PrizeYear_1":"2015","PrizeYear_2":"2015","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2017-03-25","Publisher":"House of Anansi Press Inc","ShortDescription":"Daniel Grenier’s novel, perfect for fans of “The Curious Case of Benjamin Button”, tells the story of a boy who ages only one out of every four years.","Width":"5.25","WidthCode":"in"}

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The Longest Year

Daniel Grenier’s novel, perfect for fans of “The Curious Case of Benjamin Button”, tells the story of a boy who ages only one out of every four years.

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Quick View {"id":7078608240699,"title":"Looking for Alicia","handle":"looking-for-alicia","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2022 Mavis Gallant Prize for Non-Fiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 Montreal Jewish Public Library J.I Segal Award for Best Quebec Book on a Jewish Theme\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe biography of a radical young idealist, her determination to make a difference in the world, and her disappearance in 1976, revealing the human cost and undying legacy of Argentina’s descent into rightwing madness.\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eIt started with a coincidence — when Marc Raboy happened to discover that he shared a surname with a young left-wing Argentinian journalist who in 1976 was ambushed by a right-wing death squad while driving with her family. Alicia’s partner was killed on the spot, and their baby daughter was taken and placed in an orphanage. The child was ultimately rescued, but Alicia was never heard from again.\u003c\/p\u003e\n\u003cp\u003e In \u003cem\u003eLooking for Alicia\u003c\/em\u003e, Raboy pursues her story not only to learn what happened when the post-Perón government in Argentina turned to state terror but also to understand the lives of those who risked everything to oppose it. Author and subject share more than a surname and a distant ancestral connection; their lives were both marked by youthful rebellion, journalistic ambition, and the radical politics that were a hallmark of the ’60s and ’70s.\u003c\/p\u003e\n\u003cp\u003e Raboy reassembles Alicia’s story using family archives, interviews with those who knew her, secret diplomatic correspondence recently made public by the U.S. State Department, and transcripts from the trial of former Argentine security forces personnel involved in her disappearance. Examining Alicia’s and his own different choices and circumstances, he attempts to discover how their lives diverged — and what drives people like Alicia to face death in the pursuit of their ideals.\u003c\/p\u003e","published_at":"2023-01-16T14:22:01-05:00","created_at":"2023-01-16T14:16:57-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Nonfiction","By (author) Raboy Marc","House of Anansi Press","pub date: 2022-04-12"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41074644779067,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010546","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Looking for Alicia - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":474,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010546","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41074645139515,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010553","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Looking for Alicia - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010553","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ed91d23c-c5ed-4d4e-9bee-73c6e8391ded.jpg?v=1733027446"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ed91d23c-c5ed-4d4e-9bee-73c6e8391ded.jpg?v=1733027446","options":["Title"],"media":[{"alt":null,"id":24941390168123,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2700,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ed91d23c-c5ed-4d4e-9bee-73c6e8391ded.jpg?v=1733027446"},"aspect_ratio":0.667,"height":2700,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ed91d23c-c5ed-4d4e-9bee-73c6e8391ded.jpg?v=1733027446","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2022 Mavis Gallant Prize for Non-Fiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 Montreal Jewish Public Library J.I Segal Award for Best Quebec Book on a Jewish Theme\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe biography of a radical young idealist, her determination to make a difference in the world, and her disappearance in 1976, revealing the human cost and undying legacy of Argentina’s descent into rightwing madness.\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eIt started with a coincidence — when Marc Raboy happened to discover that he shared a surname with a young left-wing Argentinian journalist who in 1976 was ambushed by a right-wing death squad while driving with her family. Alicia’s partner was killed on the spot, and their baby daughter was taken and placed in an orphanage. The child was ultimately rescued, but Alicia was never heard from again.\u003c\/p\u003e\n\u003cp\u003e In \u003cem\u003eLooking for Alicia\u003c\/em\u003e, Raboy pursues her story not only to learn what happened when the post-Perón government in Argentina turned to state terror but also to understand the lives of those who risked everything to oppose it. Author and subject share more than a surname and a distant ancestral connection; their lives were both marked by youthful rebellion, journalistic ambition, and the radical politics that were a hallmark of the ’60s and ’70s.\u003c\/p\u003e\n\u003cp\u003e Raboy reassembles Alicia’s story using family archives, interviews with those who knew her, secret diplomatic correspondence recently made public by the U.S. State Department, and transcripts from the trial of former Argentine security forces personnel involved in her disappearance. Examining Alicia’s and his own different choices and circumstances, he attempts to discover how their lives diverged — and what drives people like Alicia to face death in the pursuit of their ideals.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487005313","AlsoRecommendedISBN_1":"9781487005993","AlsoRecommendedISBN_2":"9781487009601","BASICMainSubject":"BIO006000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Historical","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARC RABOY\u003c\/strong\u003e is Beaverbrook Professor Emeritus in the Department of Art History and Communication Studies at McGill University. He has been a visiting scholar at Stockholm University, the University of Oxford, New York University, and the London School of Economics and Political Science. Raboy is the author or editor of some twenty books, including \u003cem\u003eMarconi: The Man Who Networked the World\u003c\/em\u003e, finalist for the Governor General’s Literary Award for Non-Fiction, the RBC Taylor Prize, and the BC National Award for Canadian Non-Fiction. He lives in Montreal.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Historical","BISACSubjectLiteral_1":"HISTORY \/ Latin America \/ South America","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Cultural, Ethnic \u0026amp; Regional \/ Hispanic \u0026amp; Latino","BISACSubject_0":"BIO006000","BISACSubject_1":"HIS033000","BISACSubject_2":"BIO002030","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARC RABOY\u003c\/strong\u003e is Beaverbrook Professor Emeritus in the Department of Art History and Communication Studies at McGill University. He has been a visiting scholar at Stockholm University, the University of Oxford, New York University, and the London School of Economics and Political Science. Raboy is the author or editor of some twenty books, including \u003cem\u003eMarconi: The Man Who Networked the World\u003c\/em\u003e, finalist for the Governor General’s Literary Award for Non-Fiction, the RBC Taylor Prize, and the BC National Award for Canadian Non-Fiction. He lives in Montreal.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Raboy, Marc (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2022 Mavis Gallant Prize for Non-Fiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 Montreal Jewish Public Library J.I Segal Award for Best Quebec Book on a Jewish Theme\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe biography of a radical young idealist, her determination to make a difference in the world, and her disappearance in 1976, revealing the human cost and undying legacy of Argentina’s descent into rightwing madness.\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eIt started with a coincidence — when Marc Raboy happened to discover that he shared a surname with a young left-wing Argentinian journalist who in 1976 was ambushed by a right-wing death squad while driving with her family. Alicia’s partner was killed on the spot, and their baby daughter was taken and placed in an orphanage. The child was ultimately rescued, but Alicia was never heard from again.\u003c\/p\u003e\n\u003cp\u003e In \u003cem\u003eLooking for Alicia\u003c\/em\u003e, Raboy pursues her story not only to learn what happened when the post-Perón government in Argentina turned to state terror but also to understand the lives of those who risked everything to oppose it. Author and subject share more than a surname and a distant ancestral connection; their lives were both marked by youthful rebellion, journalistic ambition, and the radical politics that were a hallmark of the ’60s and ’70s.\u003c\/p\u003e\n\u003cp\u003e Raboy reassembles Alicia’s story using family archives, interviews with those who knew her, secret diplomatic correspondence recently made public by the U.S. State Department, and transcripts from the trial of former Argentine security forces personnel involved in her disappearance. Examining Alicia’s and his own different choices and circumstances, he attempts to discover how their lives diverged — and what drives people like Alicia to face death in the pursuit of their ideals.\u003c\/p\u003e","EAN":"9781487010546","Height":"9","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"ancestry;family tree;lost stories;investigative journalism;latinx;memoir;biography;women in history;south america;canadian non fiction","NumberOfPages":"320","OtherText_Accolades_0":"\u003cp\u003e\"In taking us with him on his dogged search for Alicia, Raboy brings us back to one of the darkest chapters in Argentinian history, which still haunts the country to this day. Alicia’s story is the story of too many Argentinians, which Raboy brings to life in this thoroughly engrossing account.\" — \u003cstrong\u003ePeter Andreas, Brown University, author of \u003cem\u003eRebel Mother: My Childhood Chasing the Revolution\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Peter Andreas, Brown University, author of Rebel Mother: My Childhood Chasing the Revolution","OtherText_Accolades_1":"\u003cp\u003e\"Marc Raboy’s personal journey of discovery takes the reader into the terror of Argentina’s 1970s military dictatorship. Rich in anecdote and authoritative political history, this riveting work of remembrance combines thorough research with the pacing of a cracking good novel.\" — \u003cstrong\u003eChristopher Neal, former Latin America-based journalist and author of \u003cem\u003eThe Rebel Scribe – Carleton Beals and the Progressive Challenge to US Policy in Latin America\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Christopher Neal, former Latin America-based journalist and author of The Rebel Scribe – Carleton Beals and the Progressive Challenge to US Policy in Latin America","OtherText_Accolades_2":"\u003cp\u003e\"Marc Raboy’s investigation into the disappearance of Argentine journalist and social activist, Alicia Raboy, \u003cem\u003eLooking for Alicia\u003c\/em\u003e succeeds in many ways. As a personal memoir, it uncovers surprising family links (Marc and Alicia are distantly related). As a political essay, it delves into the nature of repressive and democratic governments. As a page-turning story, it sweeps away the dust around a decades-old mystery. As a cautionary tale, it warns of the consequences that idealistic youth inevitably face in their zeal to confront corrupt powers that be. As a moral treatise, it posits that the search for justice is an obligation that continues long after unpunished crimes were committed.\" — \u003cstrong\u003eJury Citation, Mavis Gallant Prize for Non-Fiction\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Jury Citation, Mavis Gallant Prize for Non-Fiction","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA compelling exploration of the life story of an Argentine desaparecida (“missing individual”).\u003c\/li\u003e\n\u003cli\u003eSpeaks to the complex political situation in Argentina in the 1970s.\u003c\/li\u003e\n\u003cli\u003eFor fans of complex memoirs, investigative journalism, and historical drama.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eA compelling exploration of the life story of an Argentine desaparecida (“missing individual”).\u003c\/li\u003e\n\u003cli\u003eSpeaks to the complex political situation in Argentina in the 1970s.\u003c\/li\u003e\n\u003cli\u003eFor fans of complex memoirs, investigative journalism, and historical drama.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Raboy’s book is an effort to recover something more than the bare-bones official story … it is an attempt to reconstruct the life of a woman who was killed by the state for her radical politics. Attempting this, difficult or impossible as it is, humanizes the victims of the dictatorship and reminds us that though they may be called \u003cem \u003edesaparecidos\u003c\/em\u003e, they did not disappear — they were killed by their fellow Argentines for what they believed in.\" — \u003cstrong\u003e\u003cem\u003eJacobin\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"White Wall Review","OtherText_Review_1":"\u003cp\u003e\"What had begun as a pleasant vacation and a casual genealogical interest suddenly became the impetus for an in-depth investigation … are the Argentinian Raboys long-lost relatives? The reader will find out, but more important than blood kinship for Marc Raboy is the irreparable bond he has forged with them.\" — \u003cstrong\u003e\u003cem\u003eCanadian Jewish News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Literary Review of Canada","OtherText_Review_2":"\u003cp\u003e\"By telling the tale of one person’s political awakening — her commitment, her energy and optimism, and her fate Marc Raboy makes a distant and dismal period of violence and fear accessible.\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Canadian Jewish News","OtherText_Review_3":"\u003cp\u003e\u003cem \u003e\"Looking for Alicia \u003c\/em\u003eis an important book\u003cem \u003e.\u003c\/em\u003e In giving a face and a name to one principled victim of the ‘Dirty War,’ it memorializes all of them. It is a stark reminder that there are moral choices to be made. Like Alicia, eventually we all must decide which side we are on.\" — \u003cstrong\u003e\u003cem\u003eJewish Book Council\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e\"In sketching the outlines of Alicia’s story, Raboy points us to other mysteries of Argentina’s 1970s and ’80s — thousands of them — still waiting to be solved.\" — \u003cstrong\u003e\u003cem\u003eForeword\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Jacobin","OtherText_Review_5":"\u003cp\u003e\u003cem \u003e\"Looking for Alicia \u003c\/em\u003eis beautifully written and based on meticulous research.\" — \u003cstrong\u003e\u003cem\u003eCanadian Journal of Communication\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Forward","OtherText_Review_6":"\u003cp\u003e\"[Raboy] thoroughly details the political turmoil that existed in Argentina for much of the 20th century, including six military coups that took place between 1930 and 1976 … Raboy links Argentina’s bloody history to the real lives of Alicia, Urondo and their families, but the book also contains detailed information on the country’s political history.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Jewish Book Council","OtherText_Review_7":"\u003cp\u003e\u003cem \u003e\"Looking for Alicia \u003c\/em\u003eis an unfortunate and stark symbol of the way women’s lives and stories are seen as inconsequential, as vessels for amplifying the lives of people around them. Years later, the publication of this book at a time where the rights of women are under attack feels like a chilling comparison to our current climate.\" — \u003cstrong\u003e\u003cem\u003eWhite Wall Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Canadian Journal of Communication","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe biography of a young idealist's disappearance in 1976, revealing the human cost and undying legacy of Argentina’s descent into rightwing madness.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCode_0":"01","PrizeCode_1":"01","PrizeName_0":"The Mavis Gallant Prize for Non-Fiction","PrizeName_1":"Montreal Jewish Public Library J.I Segal Award for Best Quebec Book on a Jewish Theme","PrizeYear_0":"2022","PrizeYear_1":"2024","ProductFormDescription":"trade paperback","PublicationDate":"2022-04-12","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe biography of a young idealist's disappearance in 1976, revealing the human cost and undying legacy of Argentina’s descent into rightwing madness.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"The Unfinished Life of an Argentinian Rebel","Width":"6","WidthCode":"in"}

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Looking for Alicia

The biography of a young idealist's disappearance in 1976, revealing the human cost and undying legacy of Argentina’s descent into rightwing madness.

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Quick View {"id":7201696612411,"title":"Robot, Unicorn, Queen","handle":"robot-unicorn-queen","description":"\u003cp\u003e\u003cstrong\u003eA collection of poems that explore childhood experiences—from the whimsical to the poignant—by Shannon Bramer, with magical art by Irene Luxbacher.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShannon Bramer’s follow-up to her much-loved poetry book \u003cem\u003eClimbing Shadows\u003c\/em\u003e is a collection of poems that explore a range of childhood experiences. Many poems reveal what it feels like to be a child—to pretend and dream and play with abandon, as well as to hurt and regret and feel sorrowful. The poems are varied in form, and while some are simple and direct, others invite children to see the potential for play and discovery in words and language.\u003c\/p\u003e\n\u003cp\u003eIn the opening poem a child welcomes their newborn sibling, while the last poem is a surreal lullaby. In between we find poems about a child who listens to a toad, who feels left out, who loves the beach, who must practice piano, who accidentally breaks their mother’s favorite plate, who doesn’t want to eat their lunch, whose pet budgies have died, who visits their father on weekends, and more.\u003c\/p\u003e\n\u003cp\u003eReaders young and old will see themselves in these beautifully illustrated poems—a collection full of laughter, tears and wonder.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003eIllustrations\u003c\/p\u003e\n\u003cp\u003epoems\u003c\/p\u003e\n\u003cp\u003etable of contents\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.2\u003c\/p\u003e\n\u003cp\u003eDetermine a theme of a story, drama, or poem from details in the text; summarize the text.\u003c\/p\u003e","published_at":"2023-10-13T16:33:58-04:00","created_at":"2023-10-13T16:05:24-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 6 - 9","By (author) Bramer Shannon","CCSS.ELA-LITERACY.RL.4.2","Childrens Award-Winning","Childrens Poetry","Groundwood Books","Illustrated by Luxbacher Irene","Picture Books","pub date: 2023-10-03"],"price":1699,"price_min":1699,"price_max":1899,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41504990101563,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773066585","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robot, Unicorn, Queen - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1899,"weight":336,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773066585","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41504991379515,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773066592","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Robot, Unicorn, Queen - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773066592","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41504991543355,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773066608","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Robot, Unicorn, Queen - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773066608","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c784b653-9767-4635-9dda-807ceda63d8c.jpg?v=1733734003","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_99b6e1d5-f68e-4da1-bcc4-1e0c352aa7ca.jpg?v=1697228115","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_19200bb2-ed62-4349-9a04-0d8210ba9303.jpg?v=1697228118","\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ec06a6db-d6d1-4dbe-b8a9-82794f3a7a11.jpg?v=1697228122"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c784b653-9767-4635-9dda-807ceda63d8c.jpg?v=1733734003","options":["Title"],"media":[{"alt":null,"id":24950362046523,"position":1,"preview_image":{"aspect_ratio":0.784,"height":2787,"width":2185,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c784b653-9767-4635-9dda-807ceda63d8c.jpg?v=1733734003"},"aspect_ratio":0.784,"height":2787,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_c784b653-9767-4635-9dda-807ceda63d8c.jpg?v=1733734003","width":2185},{"alt":"A woman and child sit on the floor next to a crib holding a baby. The woman’s arm is around the child. All three have light skin tone. The woman wears a headscarf. The baby is wrapped in a pink blanket and its eyes are closed. Behind them is an open window where a white curtain blows in the breeze. Also in the room are a guitar, an umbrella, a cat, a book and a stuffed toad. Text: The poem “Born” begins with the words: “Gentle people. Soft people,” describing the different people who are born every day.","id":23876166975547,"position":2,"preview_image":{"aspect_ratio":1.556,"height":514,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_99b6e1d5-f68e-4da1-bcc4-1e0c352aa7ca.jpg?v=1697228115"},"aspect_ratio":1.556,"height":514,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_99b6e1d5-f68e-4da1-bcc4-1e0c352aa7ca.jpg?v=1697228115","width":800},{"alt":"The image is divided in two. Image 1: A leafy green tree stands next to a field where five kids play ball as rain falls. Text: A poem called “Robot in the Rain” begins with the words: “They wouldn’t let me play the game; I felt left out, like a robot in the rain.” Image 2: A large blue robot with yellow eyes bends over, holding a pink umbrella over a child at an easel who paints a robot. The child has light skin tone and wears a red cap backwards. A rainbow flows from the robot’s chest.","id":23876167237691,"position":3,"preview_image":{"aspect_ratio":1.556,"height":514,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_19200bb2-ed62-4349-9a04-0d8210ba9303.jpg?v=1697228118"},"aspect_ratio":1.556,"height":514,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_19200bb2-ed62-4349-9a04-0d8210ba9303.jpg?v=1697228118","width":800},{"alt":"A woman plays the guitar and sings, while a child lies on the floor, in front of a keyboard, listening. The woman has light skin tone and long blonde hair. She wears a black dress and pink slippers. The child has medium skin tone and black hair. A detail in the corner shows the bent head of an old woman with light skin tone and gray hair in a bun. Text: The poem “Three Guitars” begins with the words: “She sings on the steps; she sings on a stage” as a child describes their musical mother.","id":23876167368763,"position":4,"preview_image":{"aspect_ratio":1.556,"height":514,"width":800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ec06a6db-d6d1-4dbe-b8a9-82794f3a7a11.jpg?v=1697228122"},"aspect_ratio":1.556,"height":514,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ec06a6db-d6d1-4dbe-b8a9-82794f3a7a11.jpg?v=1697228122","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA collection of poems that explore childhood experiences—from the whimsical to the poignant—by Shannon Bramer, with magical art by Irene Luxbacher.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShannon Bramer’s follow-up to her much-loved poetry book \u003cem\u003eClimbing Shadows\u003c\/em\u003e is a collection of poems that explore a range of childhood experiences. Many poems reveal what it feels like to be a child—to pretend and dream and play with abandon, as well as to hurt and regret and feel sorrowful. The poems are varied in form, and while some are simple and direct, others invite children to see the potential for play and discovery in words and language.\u003c\/p\u003e\n\u003cp\u003eIn the opening poem a child welcomes their newborn sibling, while the last poem is a surreal lullaby. In between we find poems about a child who listens to a toad, who feels left out, who loves the beach, who must practice piano, who accidentally breaks their mother’s favorite plate, who doesn’t want to eat their lunch, whose pet budgies have died, who visits their father on weekends, and more.\u003c\/p\u003e\n\u003cp\u003eReaders young and old will see themselves in these beautifully illustrated poems—a collection full of laughter, tears and wonder.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eauthor’s note\u003c\/p\u003e\n\u003cp\u003eIllustrations\u003c\/p\u003e\n\u003cp\u003epoems\u003c\/p\u003e\n\u003cp\u003etable of contents\u003c\/p\u003e\n\u003cp\u003ewriting inspiration\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.2\u003c\/p\u003e\n\u003cp\u003eDetermine a theme of a story, drama, or poem from details in the text; summarize the text.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781773060958","AlsoRecommendedISBN_1":"9781773061115","AlsoRecommendedISBN_2":"9781773061320","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"11","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"1","AudienceRangeValue_1_1":"1","AudienceRangeValue_1_2":"6","AudienceRangeValue_2_0":"4","AudienceRangeValue_2_1":"4","AudienceRangeValue_2_2":"9","BASICMainSubject":"JUV039050","BASICMainSubjectLiteral":"JUVENILE FICTION\\\/Social Themes\\\/Emotions \u0026 Feelings","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSHANNON BRAMER\u003c\\\/strong\u003e is an author of poems, plays and short fiction. She has published \u003cem\u003eClimbing Shadows: Poems for Children\u003c\\\/em\u003e, illustrated by Cindy Derby; \u003cem\u003eRobot, Unicorn, Queen: poems for you and me\u003c\\\/em\u003e, illustrated by Irene Luxbacher (David Booth Children’s and Youth Poetry Award); and several poetry collections for adults, including \u003cem\u003ePrecious Energy\u003c\\\/em\u003e and \u003cem\u003esuitcases and other poems\u003c\\\/em\u003e (Hamilton and Region Arts Council Book Award). She lives with her family in Toronto, Ontario.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \\\/ Social Themes \\\/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_1":"JUVENILE FICTION \\\/ Imagination \u0026amp; Play","BISACSubjectLiteral_2":"JUVENILE FICTION \\\/ Poetry","BISACSubject_0":"JUV039050","BISACSubject_1":"JUV051000","BISACSubject_2":"JUV070000","CommonCore":"CCSS.ELA-LITERACY.RL.4.2","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSHANNON BRAMER\u003c\\\/strong\u003e is an author of poems, plays and short fiction. She has published \u003cem\u003eClimbing Shadows: Poems for Children\u003c\\\/em\u003e, illustrated by Cindy Derby; \u003cem\u003eRobot, Unicorn, Queen: poems for you and me\u003c\\\/em\u003e, illustrated by Irene Luxbacher (David Booth Children’s and Youth Poetry Award); and several poetry collections for adults, including \u003cem\u003ePrecious Energy\u003c\\\/em\u003e and \u003cem\u003esuitcases and other poems\u003c\\\/em\u003e (Hamilton and Region Arts Council Book Award). She lives with her family in Toronto, Ontario.\u003c\\\/p\u003e\\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\\\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. She has written and illustrated \u003cem\u003eDeep Underwater\u003c\\\/em\u003e, an Elizabeth Mrazik-Cleaver Award finalist, and \u003cem\u003eMr. Frank\u003c\\\/em\u003e, which was selected as a USBBY Outstanding International Book. Her illustrations for the Malaika series by Nadia L. Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\\\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Bramer, Shannon (CA)","Contributor_1":"Luxbacher, Irene (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA collection of poems that explore childhood experiences—from the whimsical to the poignant—by Shannon Bramer, with magical art by Irene Luxbacher.\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eShannon Bramer’s follow-up to her much-loved poetry book \u003cem\u003eClimbing Shadows\u003c\\\/em\u003e is a collection of poems that explore a range of childhood experiences. Many poems reveal what it feels like to be a child—to pretend and dream and play with abandon, as well as to hurt and regret and feel sorrowful. The poems are varied in form, and while some are simple and direct, others invite children to see the potential for play and discovery in words and language.\u003c\\\/p\u003e\\n\u003cp\u003eIn the opening poem a child welcomes their newborn sibling, while the last poem is a surreal lullaby. In between we find poems about a child who listens to a toad, who feels left out, who loves the beach, who must practice piano, who accidentally breaks their mother’s favorite plate, who doesn’t want to eat their lunch, whose pet budgies have died, who visits their father on weekends, and more.\u003c\\\/p\u003e\\n\u003cp\u003eReaders young and old will see themselves in these beautifully illustrated poems—a collection full of laughter, tears and wonder.\u003c\\\/p\u003e\\n\u003cp\u003e \u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eauthor’s note\u003c\\\/p\u003e\\n\u003cp\u003eIllustrations\u003c\\\/p\u003e\\n\u003cp\u003epoems\u003c\\\/p\u003e\\n\u003cp\u003etable of contents\u003c\\\/p\u003e\\n\u003cp\u003ewriting inspiration\u003c\\\/p\u003e\\n\u003cp\u003e \u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eCCSS.ELA-LITERACY.RL.4.2\u003c\\\/p\u003e\\n\u003cp\u003eDetermine a theme of a story, drama, or poem from details in the text; summarize the text.\u003c\\\/p\u003e","EAN":"9781773066608","Height":"9","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eauthor’s note;Illustrations;poems;table of contents;writing inspiration\u003c\\\/p\u003e","MetaKeywords":"non-rhyming poetry;poetry for children;writing poetry;visualizing;connecting;everyday life;free verse;rhyming;read aloud;writing workshop;empathy;imagination;child as narrator;narration from different points of view;figurative language;imagery;personification;metaphors;simile;onomatopoeia;author's note","NumberOfPages":"48","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eShannon was inspired to write these poems by suggestions that came from children she encountered. When she asked kids at one school what they’d like her next poetry book to be about, they shouted “robots!” “unicorns!” “queens!” — a memorable moment that provided her with the title. \u003c\/li\u003e\n\u003cli\u003eThe portrait format makes this collection look and feel more like a poetry book than a picture book for the 6- to 9-year-old target audience.\u003c\/li\u003e\n\u003cli\u003eIrene Luxbacher’s illustrations richen the poems, offering further opportunities for comprehension and discussion.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eShannon was inspired to write these poems by suggestions that came from children she encountered. When she asked kids at one school what they’d like her next poetry book to be about, they shouted “robots!” “unicorns!” “queens!” — a memorable moment that provided her with the title. \u003c\\\/li\u003e\\n\u003cli\u003eThe portrait format makes this collection look and feel more like a poetry book than a picture book for the 6- to 9-year-old target audience.\u003c\\\/li\u003e\\n\u003cli\u003eIrene Luxbacher’s illustrations richen the poems, offering further opportunities for comprehension and discussion.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003eAccompanying each poem is a stunning illustration from Luxbacher that uses a mix of watercolor and collage. The images are bright and soft, evocative of playfulness, and simultaneously hazy like a warm memory.\u003c\\\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003eUnique windows on childhood … \u003cem\u003eRobot, Unicorn, Queen\u003c\\\/em\u003e is a wonderful collection.\u003c\\\/p\u003e","OtherText_Review_1_Src":"CM: Canadian Review of Materials","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA collection of poems that explore childhood experiences—from the whimsical to the poignant—by Shannon Bramer, with magical art by Irene Luxbacher.\u003c\\\/strong\u003e\u003c\\\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Commended","PrizeCode_0":"01","PrizeCode_1":"03","PrizeCode_2":"03","PrizeName_0":"David Booth Children's and Youth Poetry Award","PrizeName_1":"NCTE Notable Poetry Books and Verse Novels","PrizeName_2":"Evanston Public Library 101 Great Books for Kids","PrizeYear_0":"2024","PrizeYear_1":"2024","PrizeYear_2":"2023","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2023-10-03","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA collection of poems that explore childhood experiences—from the whimsical to the poignant—by Shannon Bramer, with magical art by Irene Luxbacher.\u003c\\\/strong\u003e\u003c\\\/p\u003e","Subtitle":"poems for you and me","Width":"7","WidthCode":"in"}

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Robot, Unicorn, Queen

A collection of poems that explore childhood experiences—from the whimsical to the poignant—by Shannon Bramer, with magical art by Irene Luxbacher.<\/strong><\/p>

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Quick View {"id":7118298972219,"title":"Hopscotch","handle":"hopscotch","description":"\u003cp\u003e\u003cstrong\u003eWhen her family must move once more, Ophelia uses her imagination to make magic out of a scary situation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGiant rabbits with sharp teeth circle the old motel where they are staying. Ophelia can also hear crow-witches cackling from the trees. And when it’s time to go to her new school, she encounters an ogre who blocks the road with his giant ogre laughs. \u003c\/p\u003e\n\u003cp\u003eBut most frightening of all is when Ophelia is left in her new class and realizes that everyone speaks French. Except her. \u003c\/p\u003e\n\u003cp\u003eThe kids stare, and Ophelia feels like a fish in a fishbowl. 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And when it’s time to go to her new school, she encounters an ogre who blocks the road with his giant ogre laughs. \u003c\/p\u003e\n\u003cp\u003eBut most frightening of all is when Ophelia is left in her new class and realizes that everyone speaks French. Except her. \u003c\/p\u003e\n\u003cp\u003eThe kids stare, and Ophelia feels like a fish in a fishbowl. But equipped with the magic of a sheet of white paper and a rainbow of pencils, she will find a way to cast her own spells over the class. \u003c\/p\u003e\n\u003cp\u003eInspired by events from her own childhood, beloved children’s author-illustrator Marie-Louise Gay weaves a wonderful tale of imagination, creativity and resilience as the keys to children’s power in an uncertain world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003c\/p\u003e\n\u003cp\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781773062525","AlsoRecommendedISBN_1":"9781773064444","AlsoRecommendedISBN_2":"9781773065977","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"3","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"6","AudienceRangeValue_2_2":"1","BASICMainSubject":"JUV051000","BASICMainSubjectLiteral":"JUVENILE FICTION\\\/Imagination \u0026 Play","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARIE-LOUISE GAY\u003c\\\/strong\u003e is an internationally acclaimed children's book creator whose work has been translated into more than 20 languages. She has won many awards including two Governor General’s Literary Awards, the Vicky Metcalf Award for Children’s Literature, the Marilyn Baillie Picture Book Award and the Elizabeth Mrazik-Cleaver Picture Book Award. She has also been nominated for the prestigious Astrid Lindgren Memorial Award and the Hans Christian Andersen Award. She lives in Montreal, Quebec.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \\\/ Imagination \u0026amp; Play","BISACSubjectLiteral_1":"JUVENILE FICTION \\\/ Social Themes \\\/ New Experience","BISACSubjectLiteral_2":"JUVENILE FICTION \\\/ Social Themes \\\/ Emotions \u0026amp; Feelings","BISACSubject_0":"JUV051000","BISACSubject_1":"JUV039090","BISACSubject_2":"JUV039050","CommonCore":"CCSS.ELA-LITERACY.RL.1.4","CommonCore_1":"CCSS.ELA-LITERACY.RL.K.3","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARIE-LOUISE GAY\u003c\\\/strong\u003e is an internationally acclaimed children's book creator whose work has been translated into more than 20 languages. She has won many awards including two Governor General’s Literary Awards, the Vicky Metcalf Award for Children’s Literature, the Marilyn Baillie Picture Book Award and the Elizabeth Mrazik-Cleaver Picture Book Award. She has also been nominated for the prestigious Astrid Lindgren Memorial Award and the Hans Christian Andersen Award. She lives in Montreal, Quebec.\u003c\\\/p\u003e\\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARIE-LOUISE GAY\u003c\\\/strong\u003e is an internationally acclaimed children's book creator whose work has been translated into more than 20 languages. She has won many awards including two Governor General’s Literary Awards, the Vicky Metcalf Award for Children’s Literature, the Marilyn Baillie Picture Book Award and the Elizabeth Mrazik-Cleaver Picture Book Award. She has also been nominated for the prestigious Astrid Lindgren Memorial Award and the Hans Christian Andersen Award. She lives in Montreal, Quebec.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Gay, Marie-Louise (CA)","Contributor_1":"Gay, Marie-Louise (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWhen her family must move once more, Ophelia uses her imagination to make magic out of a scary situation.\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eGiant rabbits with sharp teeth circle the old motel where they are staying. Ophelia can also hear crow-witches cackling from the trees. And when it’s time to go to her new school, she encounters an ogre who blocks the road with his giant ogre laughs. \u003c\\\/p\u003e\\n\u003cp\u003eBut most frightening of all is when Ophelia is left in her new class and realizes that everyone speaks French. Except her. \u003c\\\/p\u003e\\n\u003cp\u003eThe kids stare, and Ophelia feels like a fish in a fishbowl. But equipped with the magic of a sheet of white paper and a rainbow of pencils, she will find a way to cast her own spells over the class. \u003c\\\/p\u003e\\n\u003cp\u003eInspired by events from her own childhood, beloved children’s author-illustrator Marie-Louise Gay weaves a wonderful tale of imagination, creativity and resilience as the keys to children’s power in an uncertain world.\u003c\\\/p\u003e\\n\u003cp\u003e \u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eillustrations\u003c\\\/p\u003e\\n\u003cp\u003e \u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\\\/p\u003e\\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\\\/p\u003e\\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003c\\\/p\u003e\\n\u003cp\u003eIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\\\/p\u003e","EAN":"9781773068459","Height":"10.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eillustrations\u003c\\\/p\u003e","MetaKeywords":"fairy tales;moving homes;imagination;Alexander; Who's Not (Do You Hear Me? I Mean It!) Going to Move;When You Are Brave;self empowerment","NumberOfPages":"40","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA new book from world-renowned author and illustrator Marie-Louise Gay is always eagerly anticipated by fans, teachers, librarians and booksellers.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eHopscotch\u003c\/em\u003e is inspired by Marie-Louise Gay’s own childhood experience of being plunked into an English school while only speaking French.\u003c\/li\u003e\n\u003cli\u003eMarie-Louise Gay's books have sold over 500K copies in North America, totalling over 4 million dollars in sales. \u003c\/li\u003e\n\u003cli\u003eThe Stella and Sam books have been published in more than twelve languages.\u003c\/li\u003e\n\u003cli\u003eMarie-Louise Gay has been writing children's books since 1985; she is a pillar of many Canadian childhood memories.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eA new book from world-renowned author and illustrator Marie-Louise Gay is always eagerly anticipated by fans, teachers, librarians and booksellers.\u003c\\\/li\u003e\\n\u003cli\u003e\u003cem\u003eHopscotch\u003c\\\/em\u003e is inspired by Marie-Louise Gay’s own childhood experience of being plunked into an English school while only speaking French.\u003c\\\/li\u003e\\n\u003cli\u003eMarie-Louise Gay's books have sold over 500K copies in North America, totalling over 4 million dollars in sales. \u003c\\\/li\u003e\\n\u003cli\u003eThe Stella and Sam books have been published in more than twelve languages.\u003c\\\/li\u003e\\n\u003cli\u003eMarie-Louise Gay has been writing children's books since 1985; she is a pillar of many Canadian childhood memories.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003eGentle encouragement to embrace life's inevitable changes.\u003c\\\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003eAn endearing, reassuring picture book for kids facing their own first-day-of-school jitters.\u003c\\\/p\u003e","OtherText_Review_1_Src":"Booklist","OtherText_Review_2":"\u003cp\u003eGay conveys with perceptive power a contrast between the anxious fantasy of the child's world and the reality of an adult's.\u003c\\\/p\u003e","OtherText_Review_2_Src":"Publishers Weekly","OtherText_Review_3":"\u003cp\u003eThe use of hopscotch to help Ophelia \\\"hop\\\" through her challenges was creatively used.\u003c\\\/p\u003e","OtherText_Review_3_Src":"Children's Literature Comprehensive Database","OtherText_Review_4":"\u003cp\u003e\u003cem\u003eHopscotch\u003c\\\/em\u003e is a thoughtful, creative and magical picture book.\u003c\\\/p\u003e","OtherText_Review_4_Src":"CM: Canadian Review of Materials","OtherText_Review_5":"\u003cp\u003e\u003cem\u003eHopscotch\u003c\\\/em\u003e brings to light the incredible capacity for children to use their creativity and imagination to help them through times of uncertainty.\u003c\\\/p\u003e","OtherText_Review_5_Src":"Montreal Review of Books","OtherText_Review_6":"\u003cp\u003eMarie-Louise Gay's distinctive artwork is a perfect complement to this story about overcoming fears with dreams and creativity.\u003c\\\/p\u003e","OtherText_Review_6_Src":"Calgary Herald","OtherText_Review_7":"\u003cp\u003eMarie-Louise Gay has amused and enthralled children for over 20 years.\u003c\\\/p\u003e","OtherText_Review_7_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eWhen her family must move once more, Ophelia uses her imagination to make magic out of a scary situation.\u003c\\\/strong\u003e\u003c\\\/p\u003e","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Quebec Writers' Federation Janet Savage Blachford Prize for Children's and Young Adult Literature","PrizeYear_0":"2024","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2023-08-01","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eWhen her family must move once more, Ophelia uses her imagination to make magic out of a scary situation.\u003c\\\/strong\u003e\u003c\\\/p\u003e","Width":"7.875","WidthCode":"in"} ages 3 to 6 / grades P to 1

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Hopscotch

When her family must move once more, Ophelia uses her imagination to make magic out of a scary situation.<\/strong><\/p>

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Quick View {"id":7232489652283,"title":"Momma's Going to March","handle":"mommas-going-to-march","description":"\u003cp\u003e\u003cstrong\u003eWe’re going to a peaceful protest because … Momma’s going to march!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMomma’s Going to March\u003c\/em\u003e follows several children over time as they accompany their mothers to different peaceful protest marches, where they advocate for the environment, freedom, equality, peace and clean water. They help make signs and banners, decorate wagons, carry flags and beat drums. Momma shows them that advocacy can be fun … and that they can do it, too!\u003c\/p\u003e\n\u003cp\u003eWith accessible text and engaging artwork, \u003cem\u003eMomma’s Going to March\u003c\/em\u003e will empower a generation of young activists. 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A beautifully illustrated, family-friendly guide to activism.\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003eA recommended and useful introduction to the democratic right to protest.\u003c\/p\u003e","OtherText_Review_1_Src":"School Library Journal","OtherText_Review_2":"\u003cp\u003eA colorful, joyful introduction to marches and their various facets.\u003c\/p\u003e","OtherText_Review_2_Src":"Booklist","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eWe’re going to a peaceful protest because … Momma’s going to march!\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Horace Mann Upstander Award","PrizeYear_0":"2025","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2024-08-06","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eWe’re going to a peaceful protest because … Momma’s going to march!\u003c\/strong\u003e\u003c\/p\u003e","Width":"9","WidthCode":"in"} ages 3 to 6 / grades P to 1

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Momma's Going to March

We’re going to a peaceful protest because … Momma’s going to march!

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Quick View {"id":6818367602747,"title":"Patient Frame","handle":"patient-frame","description":"\u003cp\u003eGovernor General's Literary Award finalist and bestselling author Steven Heighton's considerable dramatic lyric powers reach a new sophistication and intensity in his astonishing collection \u003cem\u003ePatient Frame\u003c\/em\u003e. From the court of Medici to the My Lai massacre; from love for a daughter and mother, through nightmare and displacement, to moments of painful acceptance; from erotic passion to situations of deep moral failure, these poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value. Heighton's work has long shown a resolve to achieve some viable rapprochement between the mind's cold structures and the earthbound drives of the body.\u003c\/p\u003e\n\n\u003cp\u003eDynamic, vigorous, tender poems as engaged with the moment as they are with traditions of East and West. \u003cem\u003ePatient Frame\u003c\/em\u003e brings together more of Heighton's vital translations of poets as diverse as Jorge Luis Borges and Horace. \u003c\/p\u003e","published_at":"2022-03-29T16:14:47-04:00","created_at":"2022-03-29T14:20:56-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Heighton Steven","House of Anansi Press","pub date: 2010-04-10"],"price":2295,"price_min":2295,"price_max":2295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40232216330299,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9780887849527","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Patient Frame - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":145,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780887849527","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4dde4de4-50f9-4ad4-8ac9-561964a2e408.jpg?v=1668328476"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4dde4de4-50f9-4ad4-8ac9-561964a2e408.jpg?v=1668328476","options":["Title"],"media":[{"alt":null,"id":22926477656123,"position":1,"preview_image":{"aspect_ratio":0.647,"height":612,"width":396,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4dde4de4-50f9-4ad4-8ac9-561964a2e408.jpg?v=1668328476"},"aspect_ratio":0.647,"height":612,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4dde4de4-50f9-4ad4-8ac9-561964a2e408.jpg?v=1668328476","width":396}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGovernor General's Literary Award finalist and bestselling author Steven Heighton's considerable dramatic lyric powers reach a new sophistication and intensity in his astonishing collection \u003cem\u003ePatient Frame\u003c\/em\u003e. From the court of Medici to the My Lai massacre; from love for a daughter and mother, through nightmare and displacement, to moments of painful acceptance; from erotic passion to situations of deep moral failure, these poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value. Heighton's work has long shown a resolve to achieve some viable rapprochement between the mind's cold structures and the earthbound drives of the body.\u003c\/p\u003e\n\n\u003cp\u003eDynamic, vigorous, tender poems as engaged with the moment as they are with traditions of East and West. \u003cem\u003ePatient Frame\u003c\/em\u003e brings together more of Heighton's vital translations of poets as diverse as Jorge Luis Borges and Horace. \u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_1":"9781487001865","AlsoRecommendedISBN_2":"9781487006181","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\/em\u003e and \u003cem\u003eThe Address Book\u003c\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\/em\u003ethe \u003cem\u003eIndependent, \u003c\/em\u003ethe \u003cem\u003eLiterary Review\u003c\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\/em\u003e. To listen, visit \u003ca href=\"http:\/\/www.wolfeislandrecords.com\/stevenheighton\"\u003ewww.wolfeislandrecords.com\/stevenheighton\u003c\/a\u003e. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\/em\u003e and \u003cem\u003eThe Address Book\u003c\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\/em\u003ethe \u003cem\u003eIndependent, \u003c\/em\u003ethe \u003cem\u003eLiterary Review\u003c\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\/em\u003e. To listen, visit \u003ca href=\"http:\/\/www.wolfeislandrecords.com\/stevenheighton\"\u003ewww.wolfeislandrecords.com\/stevenheighton\u003c\/a\u003e. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Heighton, Steven (CA)","Description":"\u003cp\u003eGovernor General's Literary Award finalist and bestselling author Steven Heighton's considerable dramatic lyric powers reach a new sophistication and intensity in his astonishing collection \u003cem\u003ePatient Frame\u003c\/em\u003e. From the court of Medici to the My Lai massacre; from love for a daughter and mother, through nightmare and displacement, to moments of painful acceptance; from erotic passion to situations of deep moral failure, these poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value. Heighton's work has long shown a resolve to achieve some viable rapprochement between the mind's cold structures and the earthbound drives of the body.\u003c\/p\u003e\n\n\u003cp\u003eDynamic, vigorous, tender poems as engaged with the moment as they are with traditions of East and West. \u003cem\u003ePatient Frame\u003c\/em\u003e brings together more of Heighton's vital translations of poets as diverse as Jorge Luis Borges and Horace. \u003c\/p\u003e","EAN":"9780887849527","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9780887849527\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"112","OtherText_Review_0":"...this book has tremendous range, cover subjects both personal and political, and employing forms as diverse as elegy, ballad, haiku, sonnet, and dramatic monologue...a very good collection.","OtherText_Review_0_Src":"Quill \u0026 Quire","OtherText_Review_1":"Steven Heighton again demonstrates that he is one of Canada’s most ambitious writers.","OtherText_Review_1_Auth":"Quentin Mills-Fen","OtherText_Review_1_Src":"Winnipeg Review","OtherText_ShortDescription_0":"These dynamic, vigorous, tender poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Runner-up","PrizeCodeText_2":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"02","PrizeCode_2":"05","PrizeName_0":"P.K. Page Founders' Award for Poetry","PrizeName_1":"National Magazine Awards - Poetry category","PrizeName_2":"ReLit Awards: Poetry","PrizeYear_0":"2011","PrizeYear_1":"2011","PrizeYear_2":"2011","ProductFormDescription":"trade paperback","PublicationDate":"2010-04-10","Publisher":"House of Anansi Press Inc","ShortDescription":"These dynamic, vigorous, tender poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value.","Width":"5.5","WidthCode":"in"}

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Patient Frame

These dynamic, vigorous, tender poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value.

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Quick View {"id":6818956247099,"title":"Past Imperfect","handle":"past-imperfect","description":"\u003cp\u003eThere is the heartbreak tied to human love and there is heartbreak that points to notions of the divine. The poems in Suzanne Buffam's debut collection, Past Imperfect, enter the darkness of both -- at times simultaneously -- giving utterance to the breakage and shards of weak light found therein. Employing humour and directness to equal effect, \u003cem\u003ePast Imperfect\u003c\/em\u003e admits the self is fluid; so we wave farewell to many selves.\u003c\/p\u003e\n\n\u003cp\u003eThese are poems of great intensity, driven by intelligence, tracing the barely knowable contours of a soul-in-progress. In a voice as confident, elegant, and vivid as it is brimming with doubt, \u003cem\u003ePast Imperfect\u003c\/em\u003e employs recurrent images like echoes or quiet obsessions. These become totems of absence, of presence, of the potential other, or simply, of the world as it is: breathtakingly beautiful, refusing to minister to our solitude.\u003c\/p\u003e","published_at":"2022-03-30T14:15:33-04:00","created_at":"2022-03-30T13:35:28-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Buffam Suzanne","House of Anansi Press","pub date: 2005-04-01"],"price":1695,"price_min":1695,"price_max":1695,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40249437388859,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9780887847264","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Past Imperfect - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":118,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780887847264","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0ff3cb5f-0979-4d5b-bf16-297e18120094.jpg?v=1678601428"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0ff3cb5f-0979-4d5b-bf16-297e18120094.jpg?v=1678601428","options":["Title"],"media":[{"alt":null,"id":23324561440827,"position":1,"preview_image":{"aspect_ratio":0.648,"height":2521,"width":1634,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0ff3cb5f-0979-4d5b-bf16-297e18120094.jpg?v=1678601428"},"aspect_ratio":0.648,"height":2521,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0ff3cb5f-0979-4d5b-bf16-297e18120094.jpg?v=1678601428","width":1634}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThere is the heartbreak tied to human love and there is heartbreak that points to notions of the divine. The poems in Suzanne Buffam's debut collection, Past Imperfect, enter the darkness of both -- at times simultaneously -- giving utterance to the breakage and shards of weak light found therein. Employing humour and directness to equal effect, \u003cem\u003ePast Imperfect\u003c\/em\u003e admits the self is fluid; so we wave farewell to many selves.\u003c\/p\u003e\n\n\u003cp\u003eThese are poems of great intensity, driven by intelligence, tracing the barely knowable contours of a soul-in-progress. In a voice as confident, elegant, and vivid as it is brimming with doubt, \u003cem\u003ePast Imperfect\u003c\/em\u003e employs recurrent images like echoes or quiet obsessions. These become totems of absence, of presence, of the potential other, or simply, of the world as it is: breathtakingly beautiful, refusing to minister to our solitude.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487005924","AlsoRecommendedISBN_1":"9781487007409","AlsoRecommendedISBN_2":"9781770891982","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"Suzanne Buffam’s first collection of poetry, \u003cem\u003ePast Imperfect\u003c\/em\u003e, won the Gerald Lampert Award. Her second collection of poetry, \u003cem\u003eThe Irrationalist\u003c\/em\u003e, was named a finalist for the 2011 Griffin Poetry Prize. Her work has been translated into French, German, Spanish, and Slovenian. She teaches Creative Writing at the University of Chicago.","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"Suzanne Buffam’s first collection of poetry, \u003cem\u003ePast Imperfect\u003c\/em\u003e, won the Gerald Lampert Award. Her second collection of poetry, \u003cem\u003eThe Irrationalist\u003c\/em\u003e, was named a finalist for the 2011 Griffin Poetry Prize. Her work has been translated into French, German, Spanish, and Slovenian. She teaches Creative Writing at the University of Chicago.","ContributorRole_0":"By (author)","Contributor_0":"Buffam, Suzanne (CA)","Description":"\u003cp\u003eThere is the heartbreak tied to human love and there is heartbreak that points to notions of the divine. The poems in Suzanne Buffam's debut collection, Past Imperfect, enter the darkness of both -- at times simultaneously -- giving utterance to the breakage and shards of weak light found therein. Employing humour and directness to equal effect, \u003cem\u003ePast Imperfect\u003c\/em\u003e admits the self is fluid; so we wave farewell to many selves.\u003c\/p\u003e\n\n\u003cp\u003eThese are poems of great intensity, driven by intelligence, tracing the barely knowable contours of a soul-in-progress. In a voice as confident, elegant, and vivid as it is brimming with doubt, \u003cem\u003ePast Imperfect\u003c\/em\u003e employs recurrent images like echoes or quiet obsessions. These become totems of absence, of presence, of the potential other, or simply, of the world as it is: breathtakingly beautiful, refusing to minister to our solitude.\u003c\/p\u003e","EAN":"9780887847264","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9780887847264\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.56","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_ShortDescription_0":"Suzanne Buffam's debut poetry collection admits the self is fluid -- so we bid farewell to many \"selves.\"","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"05","PrizeName_0":"Gerald Lampert Memorial Award","PrizeName_1":"ReLit Awards - Poetry","PrizeYear_0":"2006","PrizeYear_1":"2006","ProductFormDescription":"trade paperback","PublicationDate":"2005-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"Suzanne Buffam's debut poetry collection admits the self is fluid -- so we bid farewell to many \"selves.\"","Width":"5.5","WidthCode":"in"}

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Past Imperfect

Suzanne Buffam's debut poetry collection admits the self is fluid -- so we bid farewell to many "selves."

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Quick View {"id":6818955984955,"title":"Little Theatres","handle":"little-theatres","description":"\u003cp\u003eErin Moure is one of the most consistently innovative, radically imaginative poets at work in Canada. With each book, Moure seeks to re-create writing from the ground up.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eLittle Theatres\u003c\/em\u003e appears at a pressing historical crossroads, when we most need our language to be made restive again. Like the agua\/water running through the collection -- at once lingual exchange, submersion, balm, and sustenance -- Moure's voices are as fluid, clear, animated, and shimmering with light and life as ever.\u003c\/p\u003e\n\n\u003cp\u003eGalician and English intermingle in this collection like currents of the same river. How can we open the infinitely small spaces of \u003cem\u003eLittle Theatres\u003c\/em\u003e in our own lives? Can they take the place of war? And who, exactly, writes them? Erin Moure? The unjustly ignored thinker Elisa Sampedrin? Or a speaker inside us finally willing to give \u003cem\u003eLittle Theatres\u003c\/em\u003e its due attention? An intimate act of cultural and personal interflow, this work from a major poet has the power to alter our perception of where, and on what scale, the action is taking place.\u003c\/p\u003e","published_at":"2022-03-30T14:15:32-04:00","created_at":"2022-03-30T13:35:10-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Moure Erín","House of Anansi Press","pub date: 2005-04-01"],"price":1695,"price_min":1695,"price_max":1695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40249436962875,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9780887847288","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Little Theatres - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":136,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780887847288","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6bc4d203-f0d8-4944-a72b-250bf7a98069.jpg?v=1682245583"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6bc4d203-f0d8-4944-a72b-250bf7a98069.jpg?v=1682245583","options":["Title"],"media":[{"alt":null,"id":23431558725691,"position":1,"preview_image":{"aspect_ratio":0.735,"height":539,"width":396,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6bc4d203-f0d8-4944-a72b-250bf7a98069.jpg?v=1682245583"},"aspect_ratio":0.735,"height":539,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6bc4d203-f0d8-4944-a72b-250bf7a98069.jpg?v=1682245583","width":396}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eErin Moure is one of the most consistently innovative, radically imaginative poets at work in Canada. With each book, Moure seeks to re-create writing from the ground up.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eLittle Theatres\u003c\/em\u003e appears at a pressing historical crossroads, when we most need our language to be made restive again. Like the agua\/water running through the collection -- at once lingual exchange, submersion, balm, and sustenance -- Moure's voices are as fluid, clear, animated, and shimmering with light and life as ever.\u003c\/p\u003e\n\n\u003cp\u003eGalician and English intermingle in this collection like currents of the same river. How can we open the infinitely small spaces of \u003cem\u003eLittle Theatres\u003c\/em\u003e in our own lives? Can they take the place of war? And who, exactly, writes them? Erin Moure? The unjustly ignored thinker Elisa Sampedrin? Or a speaker inside us finally willing to give \u003cem\u003eLittle Theatres\u003c\/em\u003e its due attention? An intimate act of cultural and personal interflow, this work from a major poet has the power to alter our perception of where, and on what scale, the action is taking place.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487003814","AlsoRecommendedISBN_1":"9781770890114","AlsoRecommendedISBN_3":"9781770893672","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eERÍN MOURE\u003c\/strong\u003e is a poet and translator (primarily of Galician and French poetry into English) who welcomes texts that are unconventional or difficult because she loves and needs them. Among other honours, she is a two-time winner of Canada’s Governor General’s Award (in poetry and translation), a winner of the Pat Lowther Memorial Award and the Nelson Ball Prize, a co-recipient of the QWF Spoken Word Prize, a three-time finalist for a Best Translated Book Award in poetry, and a three-time finalist for the Griffin Poetry Prize. She is based in Tiohtià:ke\/Montréal.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eERÍN MOURE\u003c\/strong\u003e is a poet and translator (primarily of Galician and French poetry into English) who welcomes texts that are unconventional or difficult because she loves and needs them. Among other honours, she is a two-time winner of Canada’s Governor General’s Award (in poetry and translation), a winner of the Pat Lowther Memorial Award and the Nelson Ball Prize, a co-recipient of the QWF Spoken Word Prize, a three-time finalist for a Best Translated Book Award in poetry, and a three-time finalist for the Griffin Poetry Prize. She is based in Tiohtià:ke\/Montréal.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Moure, Erín (CA)","Description":"\u003cp\u003eErin Moure is one of the most consistently innovative, radically imaginative poets at work in Canada. With each book, Moure seeks to re-create writing from the ground up.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eLittle Theatres\u003c\/em\u003e appears at a pressing historical crossroads, when we most need our language to be made restive again. Like the agua\/water running through the collection -- at once lingual exchange, submersion, balm, and sustenance -- Moure's voices are as fluid, clear, animated, and shimmering with light and life as ever.\u003c\/p\u003e\n\n\u003cp\u003eGalician and English intermingle in this collection like currents of the same river. How can we open the infinitely small spaces of \u003cem\u003eLittle Theatres\u003c\/em\u003e in our own lives? Can they take the place of war? And who, exactly, writes them? Erin Moure? The unjustly ignored thinker Elisa Sampedrin? Or a speaker inside us finally willing to give \u003cem\u003eLittle Theatres\u003c\/em\u003e its due attention? An intimate act of cultural and personal interflow, this work from a major poet has the power to alter our perception of where, and on what scale, the action is taking place.\u003c\/p\u003e","EAN":"9780887847288","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9780887847288\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7.56","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Canadian; award winner; women writers","NumberOfPages":"96","OtherText_Review_0":"[Erin Moure] entitles us to share in the acquisition of the precious gift known as language.","OtherText_Review_0_Src":"The Fiddlehead","OtherText_ShortDescription_0":"Moure's poetic voices are as fluid, clear, animated, and shimmering with light and life as ever.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"01","PrizeName_0":"Pat Lowther Memorial Award","PrizeName_1":"ReLit Awards - Poetry","PrizeName_2":"Griffin Poetry Prize","PrizeName_3":"Governor General's Award: Poetry","PrizeName_4":"A.M. Klein Poetry Prize","PrizeYear_0":"2006","PrizeYear_1":"2006","PrizeYear_2":"2006","PrizeYear_3":"2005","PrizeYear_4":"2006","ProductFormDescription":"trade paperback","PublicationDate":"2005-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"Moure's poetic voices are as fluid, clear, animated, and shimmering with light and life as ever.","Width":"5.56","WidthCode":"in"}

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Little Theatres

Moure's poetic voices are as fluid, clear, animated, and shimmering with light and life as ever.

Add to wishlist