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{"id":6984024817723,"title":"Drive","handle":"drive","description":"\u003cp\u003eA road trip that takes readers into a big, wide world—and into a small, narrow one, too! With the same sophisticated, minimalist design that characterized \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e, \u003cem\u003eDrive\u003c\/em\u003e is an exploration of opposites.\u003c\/p\u003e\u003cp\u003eAny child (or adult) who has stared out the window of their family’s car counting license plates and state lines will recognize the highs and lows of being on the road. Sit back, or front, if you’d prefer, and come along for the ride.\u003c\/p\u003e","published_at":"2022-09-14T12:41:43-04:00","created_at":"2022-09-14T12:36:52-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 7","By (author) Hatanaka Kellen","Early Picture Books","Groundwood Books","Illustrated by Hatanaka Kellen","Lexile measure NP","Picture Books","pub date: 2015-05-01"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40783406530619,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781554987313","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Drive - hardcover","public_title":"hardcover","options":["hardcover"],"price":1695,"weight":472,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554987313","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40783406759995,"title":"Web PDF","option1":"Web PDF","option2":null,"option3":null,"sku":"9781554987320","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Drive - Web PDF","public_title":"Web PDF","options":["Web PDF"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554987320","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5ebb9d1c-080a-4e57-8b37-e94572e56290.jpg?v=1731058087","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_bbe52c51-e289-40d7-8dc6-d9e9bcaba1a8.jpg?v=1663173576","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_224ceaba-6dad-4d4c-94c0-e1faf3cc4b8e.jpg?v=1663173578","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3d01a99f-dbf2-4bf2-96a4-eabe2543f0cc.jpg?v=1663173581"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5ebb9d1c-080a-4e57-8b37-e94572e56290.jpg?v=1731058087","options":["Title"],"media":[{"alt":null,"id":24903359135803,"position":1,"preview_image":{"aspect_ratio":1.0,"height":666,"width":666,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5ebb9d1c-080a-4e57-8b37-e94572e56290.jpg?v=1731058087"},"aspect_ratio":1.0,"height":666,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5ebb9d1c-080a-4e57-8b37-e94572e56290.jpg?v=1731058087","width":666},{"alt":"A station wagon with suitcases and vacation supplies on the roof drives past a park. In the park is a large red dog and a small black dog. Under the red dog is the word “big” and under the black dog is the word “small.”","id":22672802414651,"position":2,"preview_image":{"aspect_ratio":2.0,"height":432,"width":864,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_bbe52c51-e289-40d7-8dc6-d9e9bcaba1a8.jpg?v=1663173576"},"aspect_ratio":2.0,"height":432,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_bbe52c51-e289-40d7-8dc6-d9e9bcaba1a8.jpg?v=1663173576","width":864},{"alt":"A station wagon with suitcases and vacation supplies on the roof drives past trees. One tree is tall and wide. It has a hole in its trunk, mushrooms on the bottom of the trunk, and moss growing on the sides. Beside it is the word “old.” A small sapling is beside the old tree. The word beside the sapling reads “young.”","id":22672802644027,"position":3,"preview_image":{"aspect_ratio":2.0,"height":432,"width":864,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_224ceaba-6dad-4d4c-94c0-e1faf3cc4b8e.jpg?v=1663173578"},"aspect_ratio":2.0,"height":432,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_224ceaba-6dad-4d4c-94c0-e1faf3cc4b8e.jpg?v=1663173578","width":864},{"alt":"A station wagon with suitcases and vacation supplies on the roof drives on a bridge. Below the bridge is water. A ship sails underneath the bridge. In the background are hills, and the white buildings of a town. On top of the bridge, by the car, is the word “above.” Under the bridge, by the boat, is the word “below.”","id":22672802676795,"position":4,"preview_image":{"aspect_ratio":2.0,"height":432,"width":864,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3d01a99f-dbf2-4bf2-96a4-eabe2543f0cc.jpg?v=1663173581"},"aspect_ratio":2.0,"height":432,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3d01a99f-dbf2-4bf2-96a4-eabe2543f0cc.jpg?v=1663173581","width":864}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA road trip that takes readers into a big, wide world—and into a small, narrow one, too! With the same sophisticated, minimalist design that characterized \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e, \u003cem\u003eDrive\u003c\/em\u003e is an exploration of opposites.\u003c\/p\u003e\u003cp\u003eAny child (or adult) who has stared out the window of their family’s car counting license plates and state lines will recognize the highs and lows of being on the road. Sit back, or front, if you’d prefer, and come along for the ride.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888998637","AlsoRecommendedISBN_1":"9781554984404","AlsoRecommendedISBN_3":"9781554988792","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"3","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"7","AudienceRangeValue_2_2":"2","BASICMainSubject":"JUV041030","BASICMainSubjectLiteral":"JUVENILE FICTION\/Transportation\/Cars, Trucks \u0026 Buses","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKELLEN HATANAKA\u003c\/strong\u003e is a designer and illustrator who lives in Stratford, Ontario, with his family. 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He has written and illustrated \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e (an ALA Notable Children’s Book) and \u003cem\u003eDrive: A Look at Roadside Opposites\u003c\/em\u003e. He also illustrated \u003cem\u003eTokyo Digs a Garden\u003c\/em\u003e, winner of the Governor General’s Literary Award.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eKELLEN HATANAKA\u003c\/strong\u003e is a designer and illustrator who lives in Stratford, Ontario, with his family. He has written and illustrated \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e (an ALA Notable Children’s Book) and \u003cem\u003eDrive: A Look at Roadside Opposites\u003c\/em\u003e. He also illustrated \u003cem\u003eTokyo Digs a Garden\u003c\/em\u003e, winner of the Governor General’s Literary Award.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Hatanaka, Kellen (CA)","Contributor_1":"Hatanaka, Kellen (CA)","Description":"\u003cp\u003eA road trip that takes readers into a big, wide world—and into a small, narrow one, too! With the same sophisticated, minimalist design that characterized \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e, \u003cem\u003eDrive\u003c\/em\u003e is an exploration of opposites.\u003c\/p\u003e\u003cp\u003eAny child (or adult) who has stared out the window of their family’s car counting license plates and state lines will recognize the highs and lows of being on the road. Sit back, or front, if you’d prefer, and come along for the ride.\u003c\/p\u003e","EAN":"9781554987320","Height":"9","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Transportation; Cars \u0026amp; Trucks; Concepts; Opposites; Roadtrip; Driving; Cars; On the Road; Travel; Picture Books; Opposites; Transportation; Toddlers; Roads; Highways; Concept Books; Things That Go; Trucks; Vehicles; Vans; Automobiles; Early Learning","NumberOfPages":"32","OtherText_Review_0":"\u003cp\u003e“As with many road trips, the destination in this stylish offering is not necessarily as important as the journey.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Publishers Weekly","OtherText_Review_1":"\u003cp\u003e“With his architecturally whimsical style of many primary colors, Hatanaka is two-for-two for turning the predictable into something original to entertain and enlighten our youngest readers; we lucky older armchair travelers are in for a visually gleeful trip, as well.” — \u003cstrong\u003e\u003cem\u003eBookDragon\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"BookDragon","OtherText_Review_2":"\u003cp\u003e“[An] example of an author-illustrator knowing exactly how to keep various elements working together harmoniously.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Quill \u0026 Quire","OtherText_Review_3":"\u003cp\u003e“Drive is a vocabulary primer that covers the essentials, with the right amount of detours.” — \u003cstrong\u003e\u003cem\u003eNational Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"National Post","OtherText_Review_4":"\u003cp\u003e“Hatanaka gives the 'opposites' book the same hip, graphic treatment he gave the alphabet book in Work: An Occupational ABC. . . . Each two-page spread displays a pair of opposites, embedded in scenes that are impressive visual puzzles.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"New York Times","OtherText_ShortDescription_0":"An innovative book of opposites from the creator of Work: An Occupational ABC.","ProductFormDescription":"Web PDF","PublicationDate":"2015-05-01","Publisher":"Groundwood Books Ltd","ShortDescription":"An innovative book of opposites from the creator of Work: An Occupational ABC.","Subtitle":"A Look at Roadside Opposites","Width":"9","WidthCode":"in"}
ages 3
to 7
/ grades P
to 2
Drive
An innovative book of opposites from the creator of Work: An Occupational ABC.
Quick View
{"id":6811221917755,"title":"Nothing Could Be Further from the Truth","handle":"nothing-could-be-further-from-the-truth","description":"\u003cp\u003e\u003cstrong\u003eIn stories both absurd and all-too-real, Christopher Evans paints a portrait of the uncanniness of modern life.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The president of a holistic dog food company is haunted by a pop song from her past. Nine siblings band together to raise themselves after parental abandonment. A domestic argument reveals a woman’s supernatural gift. A failing musician finds his calling soundtracking another man’s life. \u003c\/p\u003e\n\u003cp\u003e Christopher Evans's stories are people with strays — those who fall for the allure of nostalgia, grapple with male fragility, deny family trauma, and acquiesce to authority. For these characters, resignation and reinvention are only a breath apart.\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eNothing Could Be Further from the Truth \u003c\/em\u003eis a bold debut collection that sits at the threshold of expectation and reality.\u003c\/p\u003e","published_at":"2022-03-21T09:28:06-04:00","created_at":"2022-03-21T09:16:44-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Short Stories","Astoria","By (author) Evans Christopher","pub date: 2022-02-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190645469243,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010331","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nothing Could Be Further from the Truth - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":206,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010331","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190645600315,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010348","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Nothing Could Be Further from the Truth - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010348","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_814bf20e-826a-49ea-95ad-16bcec298dfa.jpg?v=1664085783"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_814bf20e-826a-49ea-95ad-16bcec298dfa.jpg?v=1664085783","options":["Title"],"media":[{"alt":null,"id":22721062469691,"position":1,"preview_image":{"aspect_ratio":0.786,"height":2100,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_814bf20e-826a-49ea-95ad-16bcec298dfa.jpg?v=1664085783"},"aspect_ratio":0.786,"height":2100,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_814bf20e-826a-49ea-95ad-16bcec298dfa.jpg?v=1664085783","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn stories both absurd and all-too-real, Christopher Evans paints a portrait of the uncanniness of modern life.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The president of a holistic dog food company is haunted by a pop song from her past. Nine siblings band together to raise themselves after parental abandonment. A domestic argument reveals a woman’s supernatural gift. A failing musician finds his calling soundtracking another man’s life. \u003c\/p\u003e\n\u003cp\u003e Christopher Evans's stories are people with strays — those who fall for the allure of nostalgia, grapple with male fragility, deny family trauma, and acquiesce to authority. For these characters, resignation and reinvention are only a breath apart.\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eNothing Could Be Further from the Truth \u003c\/em\u003eis a bold debut collection that sits at the threshold of expectation and reality.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001162","AlsoRecommendedISBN_1":"9781487001162","AlsoRecommendedISBN_2":"9780887842351","AlsoRecommendedISBN_3":"9781487006150","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHRISTOPHER EVANS\u003c\/strong\u003e is a graduate of the University of British Columbia’s Creative Writing Program and a former Prose Editor for \u003cem\u003ePRISM international\u003c\/em\u003e. His work has appeared in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eNew Quarterly\u003c\/em\u003e, \u003cem\u003eLifted Brow\u003c\/em\u003e, \u003cem\u003eEVENT\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and elsewhere and has been shortlisted for the Commonwealth Short Story Prize. He currently teaches creative writing to children in Vancouver, British Columbia, on the traditional, ancestral, and unceded territories of the Musqueam, Squamish, and Tsleil-Waututh peoples.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ General","BISACSubjectLiteral_2":"FICTION \/ Short Stories (single author)","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC000000","BISACSubject_2":"FIC029000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHRISTOPHER EVANS\u003c\/strong\u003e is a graduate of the University of British Columbia’s Creative Writing Program and a former Prose Editor for \u003cem\u003ePRISM international\u003c\/em\u003e. His work has appeared in \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e, \u003cem\u003eNew Quarterly\u003c\/em\u003e, \u003cem\u003eLifted Brow\u003c\/em\u003e, \u003cem\u003eEVENT\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and elsewhere and has been shortlisted for the Commonwealth Short Story Prize. He currently teaches creative writing to children in Vancouver, British Columbia, on the traditional, ancestral, and unceded territories of the Musqueam, Squamish, and Tsleil-Waututh peoples.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Evans, Christopher (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn stories both absurd and all-too-real, Christopher Evans paints a portrait of the uncanniness of modern life.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The president of a holistic dog food company is haunted by a pop song from her past. Nine siblings band together to raise themselves after parental abandonment. A domestic argument reveals a woman’s supernatural gift. A failing musician finds his calling soundtracking another man’s life. \u003c\/p\u003e\n\u003cp\u003e Christopher Evans's stories are people with strays — those who fall for the allure of nostalgia, grapple with male fragility, deny family trauma, and acquiesce to authority. For these characters, resignation and reinvention are only a breath apart.\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eNothing Could Be Further from the Truth \u003c\/em\u003eis a bold debut collection that sits at the threshold of expectation and reality.\u003c\/p\u003e","EAN":"9781487010348","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010348\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"Insomniac Press;short stories;mental health;toxic masculinity;city life;loneliness;dislocation;debut fiction;new Canadian author;Canadian Literature;Creative Writing;literary fiction","NumberOfPages":"248","OtherText_Accolades_0":"\u003cp\u003e“In crisp, forthright prose, Christopher Evans’s clear-eyed and compassionate collection of stories documents a present (and near future) that is both utterly bizarre and ambiguously hopeful. This is exactly what we need to be reading.” — \u003cstrong\u003eCarleigh Baker, author of Rogers Writers’ Trust Fiction Prize finalist Bad Endings\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Carleigh Baker, author of Rogers Writers’ Trust Fiction Prize finalist Bad Endings","OtherText_Accolades_1":"\u003cp\u003e“Christopher Evans’s stories fracture the mundane to reveal a bedrock of absurdity. Like Donald Barthelme, Evans brandishes humour in the face of reality, both defamiliarizing and helping us see more clearly the familiar emotional lives of his characters. These stories will make you laugh — until you notice your reflection peeking out between the pages.” — \u003cstrong\u003eJohn Elizabeth Stintzi, author of Vanishing Monuments and Junebat\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"John Elizabeth Stintzi, author of Vanishing Monuments and Junebat","OtherText_Accolades_2":"\u003cp\u003e“Evans’s stories are littered with characters who are under the impression they are normal people. They are horribly, tragically mistaken . . . a perfect depiction of human nature. These stories are hilarious, strange, and touching. At their root, they are an exploration of the deep sadness of modern existence, which can only be conveyed through an equally deep humour.” — \u003cstrong\u003eJen Neale, author of Rogers Writers’ Trust Fiction Prize finalist Land Mammals and Sea Creatures\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Jen Neale, author of Rogers Writers’ Trust Fiction Prize finalist Land Mammals and Sea Creatures","OtherText_Accolades_3":"\u003cp\u003e“Uncanny in their capture of the anxiety of our times, these stories buzz with urgency, sting with humour, and probe a beguiling dream state: the absurdity and audacity of being human.” — \u003cstrong\u003eNancy Lee, author of VanCity Book Prize winner The Age\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Nancy Lee, author of VanCity Book Prize winner The Age","OtherText_Accolades_4":"\u003cp\u003e“The stories in \u003cem\u003eNothing Could Be Further from the Truth\u003c\/em\u003e jangle with quiet urgency as their discontented protagonists grope for connection with each other and yearn for some small measure of fulfillment. Christopher Evans is so good at finding hilarity in the hopelessness, and cultivating tenderness for his flawed and fumbling characters.” — \u003cstrong\u003eJessica Westhead, author of And Also Sharks and Things Not to Do\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Jessica Westhead, author of And Also Sharks and Things Not to Do","OtherText_Accolades_5":"\u003cp\u003e“The stories in \u003cem\u003eNothing Could Be Further from the Truth\u003c\/em\u003e draw readers into tiny worlds where the unreal combines seamlessly with the everyday. Written with humour and grace, Christopher Evans’s characters are thrown into situations that grow absurd and out of proportion, amplifying their failures and faults and exposing the truth of modern life. This is a wonderful collection.” — \u003cstrong\u003eMichael Melgaard, author of Pallbearing\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_5_Auth":"Michael Melgaard, author of Pallbearing","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eChristopher Evans has received wide support in the Canadian literary community for this book, including from authors Zoe Whittall, Jen Sookfong Lee, and Madeleine Thien.\u003c\/li\u003e\r\n\u003cli\u003eHe’s a highly respected author whose fiction has been a finalist for the prestigious Commonwealth Short Story Prize.\u003c\/li\u003e\r\n\u003cli\u003eThe collection already has blurbs from Carleigh Baker, Jen Neale, John Elizabeth Stintzi, and Nancy Lee.\u003c\/li\u003e\r\n\u003cli\u003eAstoria is the premiere imprint for Canadian short fiction.\u003cstrong\u003e\u003cbr\u003e\r\n\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eChristopher Evans has received wide support in the Canadian literary community for this book, including from authors Zoe Whittall, Jen Sookfong Lee, and Madeleine Thien.\u003c\/li\u003e\n\u003cli\u003eHe’s a highly respected author whose fiction has been a finalist for the prestigious Commonwealth Short Story Prize.\u003c\/li\u003e\n\u003cli\u003eThe collection already has blurbs from Carleigh Baker, Jen Neale, John Elizabeth Stintzi, and Nancy Lee.\u003c\/li\u003e\n\u003cli\u003eAstoria is the premiere imprint for Canadian short fiction.\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Evans is adept at identifying the disconnect that exists between reality and people’s individual perceptions of their world … Evans builds his entertaining stories upon a mixture of relatable ordinary life experiences and his characters’ personal viewpoints. This draws in readers as the stories in \u003cem\u003eNothing Could Be Further from the Truth \u003c\/em\u003ereflect our lives and the crazy world around us.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Winnipeg Free Press","OtherText_Review_1":"\u003cp\u003e“This is a wonderful collection from a sure-footed writer with a great ear for dialogue. Meticulously observed, the stories illustrate how ordinary life often thrums with mysterious, elusive truths just waiting to be grasped, if only we are brave enough.” — \u003cstrong\u003e\u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Foreword Reviews","OtherText_Review_2":"\u003cp\u003e“In his relentlessly entertaining debut collection, Christopher Evans presents a series of arch depictions of what it means to be imperfectly human and vulnerable in a troubling and troublesome modern world.” — \u003cstrong\u003e\u003cem\u003eMiramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Miramichi Reader","OtherText_Review_3":"\u003cp\u003e“The stories of Christopher Evans’s accomplished first book read as confident and effortless; they’re assured and mature, as though sprung fully-formed from the proverbial shell … Presented by a surefooted writer, the gallery of characters in \u003cem\u003eNothing Could Be Further from the Truth\u003c\/em\u003e fascinates. Under Evans’s capable hands squabbling couples, disgruntled teens, and lovers with stricken hearts command attention as they reach and stumble and reach once again for happiness, contentment, love, or an untroubled sense that everything is running smoothly at last.” — \u003cstrong\u003e\u003cem\u003eOrmsby Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Ormsby Review","OtherText_Review_4":"\u003cp\u003e“Evans excels at succinct portraiture, saying a lot with a little in brief, intriguingly premised stories … A refreshingly different debut collection from a writer to watch.” — \u003cstrong\u003e\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Library Journal","OtherText_ShortDescription_0":"\u003cp\u003eIn stories both absurd and all-too-real, Christopher Evans paints a portrait of the uncanniness of modern life.\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2022-02-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003eIn stories both absurd and all-too-real, Christopher Evans paints a portrait of the uncanniness of modern life.\u003c\/p\u003e","Width":"5.5","WidthCode":"in"}
Nothing Could Be Further from the Truth
In stories both absurd and all-too-real, Christopher Evans paints a portrait of the uncanniness of modern life.
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{"id":6908290465851,"title":"Viola Desmond Won't Be Budged!","handle":"viola-desmond-wont-be-budged","description":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2011 Norma Fleck Award for Canadian Children's Non-Fiction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"On behalf of the Nova Scotia government, I sincerely apologize to Mrs. Viola Desmond’s family and to all African Nova Scotians for the racial discrimination she was subjected to by the justice system … We recognize today that the act for which Viola Desmond was arrested, was an act of courage, not an offence.\" -- Darrell Dexter, Premier of Nova Scotia, April 15, 2010\u003c\/p\u003e\n\u003cp\u003eIn Nova Scotia, in 1946, an usher in a movie theatre told Viola Desmond to move from her main floor seat up to the balcony. She refused to budge. Viola knew she was being asked to move because she was black. After all, she was the only black person downstairs. All the other black people were up in the balcony. In no time at all, the police arrived and took Viola to jail. The next day she was charged and fined, but she vowed to continue her struggle against such unfair rules. She refused to accept that being black meant she couldn't sit where she wanted.\u003c\/p\u003e\n\u003cp\u003eViola's determination gave strength and inspiration to her community at the time. She is an unsung hero of the North American struggle against injustice and racial discrimination whose story deserves to be widely known.\u003c\/p\u003e\n\u003cp\u003eThe African Canadian community in Nova Scotia is one of Canada's oldest and most established black communities. Despite their history and contributions to the province the people in this community have a long experience of racially based injustice. \u003c\/p\u003e\u003cp\u003eLike Claudette Colvin and Rosa Parks, who many years later, in 1955, refused to give up their bus seats in Alabama, Desmond's act of refusal awakened people to the unacceptable nature of racism and began and process of bringing an end to racial segregation in Canada.\u003c\/p\u003e \u003cp\u003eAn afterword provides a glimpse of African Canadian history. \u003c\/p\u003e","published_at":"2022-07-08T17:07:39-04:00","created_at":"2022-07-08T16:57:00-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 5 - 9","Black Voices","By (author) Warner Jody Nyasha","Childrens Bestsellers","Groundwood Books","Illustrated by Rudnicki Richard","Lexile measure 640L","Nonfiction","Picture Books","pub date: 2010-09-01","Stories from Canada","Stories of Resilience"],"price":999,"price_min":999,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40530068570171,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9780888997791","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1895,"weight":390,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780888997791","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40530069258299,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781554981960","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554981960","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40530069291067,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781773060354","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1299,"weight":140,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773060354","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40530069356603,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773063768","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Viola Desmond Won't Be Budged! - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773063768","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ba85acd2-a8e2-43ec-8d98-d8d775979fea.jpg?v=1657314356","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5e9c0c8b-1516-493f-a6ba-4a68dd8bbc19.jpg?v=1657314358","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4167f692-f65f-4f96-9aa4-04dd90b5e4cf.jpg?v=1657314360"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716","options":["Title"],"media":[{"alt":null,"id":24903395344443,"position":1,"preview_image":{"aspect_ratio":0.8,"height":1750,"width":1400,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716"},"aspect_ratio":0.8,"height":1750,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_07580bf5-dca0-4fd9-a4a4-752408919d6c.jpg?v=1731060716","width":1400},{"alt":"Four women with dark skin tone sit in chairs. One is under a hair dryer and reads a magazine. The other three are having their hair styled by women with dark skin tone. Text: Viola Desmond was one brave woman! Now come on here, listen in close and I’ll tell you why.","id":22337085833275,"position":2,"preview_image":{"aspect_ratio":1.603,"height":312,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ba85acd2-a8e2-43ec-8d98-d8d775979fea.jpg?v=1657314356"},"aspect_ratio":1.603,"height":312,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ba85acd2-a8e2-43ec-8d98-d8d775979fea.jpg?v=1657314356","width":500},{"alt":"On a street outside of a shop is a green car. The license plate says it’s from Nova Scotia. A woman with dark skin tone stands behind the car in an orange jacket. She is waving toward two women with dark skin tone in white dresses who stand outside of a shop. They wave back. Text: It was a day with a zing in the air when Viola set out on her way. She waved to Gladys and Sue-Sue who worked for her at Vi’s Studio beauty parlor. Then she stepped into her car and drove away.","id":22337086292027,"position":3,"preview_image":{"aspect_ratio":1.603,"height":312,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5e9c0c8b-1516-493f-a6ba-4a68dd8bbc19.jpg?v=1657314358"},"aspect_ratio":1.603,"height":312,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5e9c0c8b-1516-493f-a6ba-4a68dd8bbc19.jpg?v=1657314358","width":500},{"alt":"It is cloudy and the sun shines through the clouds in small sections. A road passes a farm with many brown cows and a barn in the field. A woman with dark skin tone drives a green car down the road. Text: Viola drove those winter wet roads with care. She had a meeting to attend three towns away. But guess what? She never made it there. First she heard a rattle. Then she heard a clunk. And her car began to shake.","id":22337086652475,"position":4,"preview_image":{"aspect_ratio":1.603,"height":312,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4167f692-f65f-4f96-9aa4-04dd90b5e4cf.jpg?v=1657314360"},"aspect_ratio":1.603,"height":312,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4167f692-f65f-4f96-9aa4-04dd90b5e4cf.jpg?v=1657314360","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2011 Norma Fleck Award for Canadian Children's Non-Fiction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"On behalf of the Nova Scotia government, I sincerely apologize to Mrs. Viola Desmond’s family and to all African Nova Scotians for the racial discrimination she was subjected to by the justice system … We recognize today that the act for which Viola Desmond was arrested, was an act of courage, not an offence.\" -- Darrell Dexter, Premier of Nova Scotia, April 15, 2010\u003c\/p\u003e\n\u003cp\u003eIn Nova Scotia, in 1946, an usher in a movie theatre told Viola Desmond to move from her main floor seat up to the balcony. She refused to budge. Viola knew she was being asked to move because she was black. After all, she was the only black person downstairs. All the other black people were up in the balcony. In no time at all, the police arrived and took Viola to jail. The next day she was charged and fined, but she vowed to continue her struggle against such unfair rules. She refused to accept that being black meant she couldn't sit where she wanted.\u003c\/p\u003e\n\u003cp\u003eViola's determination gave strength and inspiration to her community at the time. She is an unsung hero of the North American struggle against injustice and racial discrimination whose story deserves to be widely known.\u003c\/p\u003e\n\u003cp\u003eThe African Canadian community in Nova Scotia is one of Canada's oldest and most established black communities. Despite their history and contributions to the province the people in this community have a long experience of racially based injustice. \u003c\/p\u003e\u003cp\u003eLike Claudette Colvin and Rosa Parks, who many years later, in 1955, refused to give up their bus seats in Alabama, Desmond's act of refusal awakened people to the unacceptable nature of racism and began and process of bringing an end to racial segregation in Canada.\u003c\/p\u003e \u003cp\u003eAn afterword provides a glimpse of African Canadian history. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_1":"9781773060439","AlsoRecommendedISBN_2":"9781773061047","AlsoRecommendedISBN_3":"9781773060439","AlsoRecommendedISBN_4":"9781554987528","AlsoRecommendedISBN_5":"9781773061047","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"5","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"4","AudienceRangeValue_2_1":"9","AudienceRangeValue_2_2":"4","BASICMainSubject":"JNF053140","BASICMainSubjectLiteral":"JUVENILE NONFICTION\/Social Topics\/Prejudice, Racism \u0026 Colorism","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJODY NYASHA WARNER\u003c\/strong\u003e is a writer, human rights advisor and former librarian. She was inspired to write this book because so much African Canadian history is either not well known or not documented.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE NONFICTION \/ Social Topics \/ Prejudice \u0026amp; Racism","BISACSubjectLiteral_1":"JUVENILE NONFICTION \/ Biography \u0026amp; Autobiography \/ Women","BISACSubjectLiteral_2":"JUVENILE NONFICTION \/ History \/ Canada \/ Post-Confederation (1867-)","BISACSubject_0":"JNF053140","BISACSubject_1":"JNF007120","BISACSubject_2":"JNF025240","ComplexityCode_0":"640L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJODY NYASHA WARNER\u003c\/strong\u003e is a writer, human rights advisor and former librarian. She was inspired to write this book because so much African Canadian history is either not well known or not documented.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eRICHARD RUDNICKI\u003c\/strong\u003e is an artist known for his paintings of Nova Scotia as well as for his award-winning children’s books. His picture books include \u003cem\u003eTecumseh\u003c\/em\u003e by James Laxer, which was nominated for the Children’s Literature Roundtables of Canada’s Information Book Award, and \u003cem\u003eGracie, the Public Gardens Duck\u003c\/em\u003e by Judith Meyrick, winner of the Lillian Shepherd Memorial Award for Excellence in Illustration.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Warner, Jody Nyasha","Contributor_1":"Rudnicki, Richard (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFinalist for the 2011 Norma Fleck Award for Canadian Children's Non-Fiction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"On behalf of the Nova Scotia government, I sincerely apologize to Mrs. Viola Desmond’s family and to all African Nova Scotians for the racial discrimination she was subjected to by the justice system … We recognize today that the act for which Viola Desmond was arrested, was an act of courage, not an offence.\" -- Darrell Dexter, Premier of Nova Scotia, April 15, 2010\u003c\/p\u003e\n\u003cp\u003eIn Nova Scotia, in 1946, an usher in a movie theatre told Viola Desmond to move from her main floor seat up to the balcony. She refused to budge. Viola knew she was being asked to move because she was black. After all, she was the only black person downstairs. All the other black people were up in the balcony. In no time at all, the police arrived and took Viola to jail. The next day she was charged and fined, but she vowed to continue her struggle against such unfair rules. She refused to accept that being black meant she couldn't sit where she wanted.\u003c\/p\u003e\n\u003cp\u003eViola's determination gave strength and inspiration to her community at the time. She is an unsung hero of the North American struggle against injustice and racial discrimination whose story deserves to be widely known.\u003c\/p\u003e\n\u003cp\u003eThe African Canadian community in Nova Scotia is one of Canada's oldest and most established black communities. Despite their history and contributions to the province the people in this community have a long experience of racially based injustice. \u003c\/p\u003e\u003cp\u003eLike Claudette Colvin and Rosa Parks, who many years later, in 1955, refused to give up their bus seats in Alabama, Desmond's act of refusal awakened people to the unacceptable nature of racism and began and process of bringing an end to racial segregation in Canada.\u003c\/p\u003e \u003cp\u003eAn afterword provides a glimpse of African Canadian history. \u003c\/p\u003e","EAN":"9781773063768","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Social Situations; Prejudice \u0026amp; Racism; History; Canada; Post-Confederation (1867-)","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBrings to light a little-known but historically significant personality, Viola Desmond whose story continues to be an inspiration for all who struggle against racial discrimination.\u003c\/li\u003e\r\n\u003cli\u003eViola Desmond is now featured on the Canadian 10-dollar bill and on April 15, 2010, the premier of Nova Scotia granted Viola Desmond a free pardon, acknowledging her innocence.\u003c\/li\u003e\r\n\u003cli\u003eA natural companion title to studies of Rosa Parks, and a valuable resource for Black History Month, Canadian history and social studies teachers. Includes an afterword, which gives a glimpse of African Canadian history from 1605.\u003c\/li\u003e\r\n\u003cli\u003eWritten in the oral style of African Canadian culture with illustrations based on archival photographs.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum Connections: Canadian history \/ Black history \/ women’s history; Social studies; Civil rights; Reading\u003c\/li\u003e\r\n\u003cli\u003eLexile: 640L; Common Core: RI.2.1,3,4,6,7,8,9,10\/\/RI.3.1,2,3,4,6,7,8,9,10\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eBrings to light a little-known but historically significant personality, Viola Desmond whose story continues to be an inspiration for all who struggle against racial discrimination.\u003c\/li\u003e\n\u003cli\u003eViola Desmond is now featured on the Canadian 10-dollar bill and on April 15, 2010, the premier of Nova Scotia granted Viola Desmond a free pardon, acknowledging her innocence.\u003c\/li\u003e\n\u003cli\u003eA natural companion title to studies of Rosa Parks, and a valuable resource for Black History Month, Canadian history and social studies teachers. Includes an afterword, which gives a glimpse of African Canadian history from 1605.\u003c\/li\u003e\n\u003cli\u003eWritten in the oral style of African Canadian culture with illustrations based on archival photographs.\u003c\/li\u003e\n\u003cli\u003eCurriculum Connections: Canadian history \/ Black history \/ women’s history; Social studies; Civil rights; Reading\u003c\/li\u003e\n\u003cli\u003eLexile: 640L; Common Core: RI.2.1,3,4,6,7,8,9,10\/\/RI.3.1,2,3,4,6,7,8,9,10\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“...the author of the children's book 'Viola Desmond Won't be Budged!' knows why she wanted to write the Halifax businesswoman's story... \"There's not much that's there that's Canadian and this is such a great story.\"” — \u003cstrong\u003eMonica Graham, \u003cem\u003eThe Chronicle-Herald\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Monica Graham","OtherText_Review_0_Src":"The Chronicle-Herald","OtherText_Review_1":"\u003cp\u003e“...vibrant...” — \u003cstrong\u003e\u003cem\u003eCanadian Teacher Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“...impressive...” — \u003cstrong\u003eEvelyn C. White, \u003cem\u003eVancouver Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Auth":"Evelyn C. White","OtherText_Review_10_Src":"Vancouver Sun","OtherText_Review_11":"\u003cp\u003e“...a compelling story...” — \u003cstrong\u003eMarya Jansen-Gruber, \u003cem\u003eThrough the Looking Glass Children's Book Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Auth":"Marya Jansen-Gruber","OtherText_Review_11_Src":"Through the Looking Glass Children's Book Reviews","OtherText_Review_1_Src":"Canadian Teacher Magazine","OtherText_Review_2":"\u003cp\u003e“Plain speech in the vernacular of the time and predominantly red-hued acrylic paintings that seem imbued with their subject's passion combine to great effect in this important but not-well-known piece of Canadian history.” — \u003cstrong\u003eSusan Perren, \u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Susan Perren","OtherText_Review_2_Src":"Globe and Mail","OtherText_Review_3":"\u003cp\u003e“Varying perspectives heighten the emotional intensity, as do the excellent layout and design. This unique offering will be of particular value when studying women's or black history.” — \u003cstrong\u003eLucinda Snyder Whitehurst, \u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Lucinda Snyder Whitehurst","OtherText_Review_3_Src":"School Library Journal","OtherText_Review_4":"\u003cp\u003e“...warm and engaging...” — \u003cstrong\u003eRosalie MacEachern, \u003cem\u003eNew Glasgow News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Rosalie MacEachern","OtherText_Review_4_Src":"New Glasgow News","OtherText_Review_5":"\u003cp\u003e“Desmond’s story should prove eye-opening to readers whose civil rights references are limited to American figures.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Publishers Weekly","OtherText_Review_6":"\u003cp\u003e“Rudnicki's vivid, dramatic art intensifies the danger that Desmond's stubborn determination brought her, and it lends itself well to the warm recounting of the unnamed narrator.” — \u003cstrong\u003eCourtney Jones, \u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"Courtney Jones","OtherText_Review_6_Src":"Booklist","OtherText_Review_7":"\u003cp\u003e“From the first page, Viola Desmond Won't be Budged! hooks the reader...an engaging delight to read.” — \u003cstrong\u003eCrystal Sutherland, \u003cem\u003eCM Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Auth":"Crystal Sutherland","OtherText_Review_7_Src":"CM Magazine","OtherText_Review_8":"\u003cp\u003e“Using a cadenced style that echoes the oral tradition of African-Canadians, Warner recounts the story...” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Src":"Kirkus Reviews","OtherText_Review_9":"\u003cp\u003e“This carefully-researched book provides young learners with an informative look at racial segregation in Canada and a pivotal event in the civil rights movement.” — \u003cstrong\u003e\u003cem\u003eRutgers University Project on Economics and Children\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Src":"Rutgers University Project on Economics and Children","OtherText_ShortDescription_0":"A picture-book biography of Viola Desmond, Canada’s Rosa Parks, who was arrested for refusing to sit in the segregated section of a movie theater.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Long-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Short-listed","PrizeCode_0":"04","PrizeCode_1":"03","PrizeCode_2":"05","PrizeCode_3":"04","PrizeCode_4":"04","PrizeName_0":"Saskatchewan Young Readers’ Choice Awards, Shining Willow Award","PrizeName_1":"Resource Links' Year's Best","PrizeName_2":"Vancouver Children's Literature Roundtable Information Book Award","PrizeName_3":"ReadBoston Best Read Aloud Book Award","PrizeName_4":"Norma Fleck for Canadian Children's Non-Fiction","PrizeYear_0":"2011","PrizeYear_1":"2010","PrizeYear_2":"2011","PrizeYear_3":"2011","PrizeYear_4":"2011","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2010-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A picture-book biography of Viola Desmond, Canada’s Rosa Parks, who was arrested for refusing to sit in the segregated section of a movie theater.","Width":"8","WidthCode":"in"}
ages 5
to 9
/ grades K
to 4
Viola Desmond Won't Be Budged!
A picture-book biography of Viola Desmond, Canada’s Rosa Parks, who was arrested for refusing to sit in the segregated section of a movie theater.
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A man with light skin tone sits on the stool holding a white cat that is lying down in his arms. In the second scene the cat is sitting up. A grey mouse is in the corner. In the third scene the cat jumps out of the man’s hands. A grey mouse is along the wall. Text: with my white cat, Pangur. By candle’s light, late into the night, we work, each at a special trade.","id":22336942604347,"position":3,"preview_image":{"aspect_ratio":1.524,"height":328,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_900fa3c9-5fdf-4151-85e1-d314a7d9143a.jpg?v=1657310795"},"aspect_ratio":1.524,"height":328,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_900fa3c9-5fdf-4151-85e1-d314a7d9143a.jpg?v=1657310795","width":500},{"alt":"This image is a series of four scenes. First is a candle. A hand has a lit match toward the wick. Second, a pitcher pours water into a cup. Third, a person puts a book on a pile of books. Fourth, a man with light skin tone reads a book and holds a cup. The book is large with ornate lettering and coloured borders. Candles are lit in front of him. Text: Far more than any fame, I enjoy the peaceful pursuit of knowledge. I treasure the wealth to be found in my books.","id":22336942800955,"position":4,"preview_image":{"aspect_ratio":1.524,"height":328,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_abde3e40-53c6-4980-991d-d07eb91c8fba.jpg?v=1657310796"},"aspect_ratio":1.524,"height":328,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_abde3e40-53c6-4980-991d-d07eb91c8fba.jpg?v=1657310796","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA monk leads a simple life. He studies his books late into the evening and searches for truth in their pages. His cat, Pangur, leads a simple life, too, chasing prey in the darkness. 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{"AlsoRecommendedISBN_0":"9781554984077","AlsoRecommendedISBN_2":"9781773060958","AlsoRecommendedISBN_3":"9781773060958","AlsoRecommendedISBN_4":"9781773062112","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"11","AudienceRangeValue_1_0":"4","AudienceRangeValue_1_1":"P","AudienceRangeValue_2_0":"8","AudienceRangeValue_2_1":"3","BASICMainSubject":"JUV016040","BASICMainSubjectLiteral":"JUVENILE FICTION\/Historical\/Europe","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJO ELLEN BOGART\u003c\/strong\u003e was born in Houston, Texas, and received degrees in elementary education and psychology from the University of Texas at Austin. She has written many children's books, including \u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e, illustrated by Sydney Smith, a Governor General's Award finalist and a USBBY Outstanding International Book. Her picture book \u003cem\u003eJeremiah Learns to Read\u003c\/em\u003e, illustrated by Laura Fernandez and Rick Jacobson won the Ruth Schwartz Children's Book Award, and \u003cem\u003eGifts\u003c\/em\u003e, illustrated by Barbara Reid, won the Amelia Frances Howard-Gibbon Illustrator's Award and was selected for IBBY's Honour List. Jo Ellen lives in Guelph, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Historical \/ Europe","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Animals \/ Cats","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Stories in Verse","BISACSubject_0":"JUV016040","BISACSubject_1":"JUV002050","BISACSubject_2":"JUV057000","ComplexityCode_0":"O","ComplexityCode_1":"700L","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"06","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJO ELLEN BOGART\u003c\/strong\u003e was born in Houston, Texas, and received degrees in elementary education and psychology from the University of Texas at Austin. She has written many children's books, including \u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e, illustrated by Sydney Smith, a Governor General's Award finalist and a USBBY Outstanding International Book. 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He has won the Hans Christian Andersen Award and five \u003cem\u003eNYT\u003c\/em\u003e Best Illustrated Book of the Year citations. Sydney lives in Halifax, NS.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Bogart, Jo Ellen (CA)","Contributor_1":"Smith, Sydney (CA)","Description":"\u003cp\u003eA monk leads a simple life. He studies his books late into the evening and searches for truth in their pages. His cat, Pangur, leads a simple life, too, chasing prey in the darkness. As night turns to dawn, Pangur leads his companion to the truth he has been seeking.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe White Cat and the Monk\u003c\/em\u003e is a retelling of the classic Old Irish poem “Pangur Bán.” With Jo Ellen Bogart’s simple and elegant narration and Sydney Smith’s classically inspired images, this contemplative story pays tribute to the wisdom of animals and the wonders of the natural world.\u003c\/p\u003e","EAN":"9781773065601","Height":"10.5","HeightCode":"in","Imprint":"Groundwood Books","NumberOfPages":"36","OtherText_Review_0":"\u003cp\u003e“A stunningly illustrated meditative ode to the simple joys of human-animal companionship and the pursuit of knowledge.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal, STARRED REVIEW","OtherText_Review_1":"\u003cp\u003e“... a sophisticated and subtle story about the pursuit of joy—one that will easily resonate with readers young and old.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“This is a great book for any group of readers . . . a great book to introduce to kids who may not think they like poetry.” — \u003cstrong\u003e\u003cem\u003eThe Children's Writer's Guild\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Src":"The Children's Writer's Guild","OtherText_Review_11":"\u003cp\u003e“Author Jo Ellen Bogart has provided an unembellished, thoughtful text that pays tribute to the value of perseverance and dedication for one's vocation, be it humble or exalted.” — \u003cstrong\u003e\u003cem\u003eCanadian Children's Book News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Src":"Canadian Children's Book News","OtherText_Review_12":"\u003cp\u003e“The stylized artwork captures the timeless beauty of the poem in this simple yet meaningful picturebook, highly recommended.” — \u003cstrong\u003e\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12_Src":"Midwest Book Review","OtherText_Review_1_Src":"Publishers Weekly, STARRED REVIEW","OtherText_Review_2":"\u003cp\u003e“If ever there was a book that could calm a child and draw her into meditative contemplation (perhaps right before bed?), The White Cat and the Monk is it.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Quill \u0026 Quire, STARRED REVIEW","OtherText_Review_3":"\u003cp\u003e“...lyrical yet easily understood...Contentment and joy are reflected in text and image” — \u003cstrong\u003e\u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Kirkus, STARRED REVIEW","OtherText_Review_4":"\u003cp\u003e“The watercolor-and-ink artwork has both heft and humor, especially in the joyful depictions of the manuscripts...Readers who consider the story’s underlying messages about necessities, companionship, and fulfillment will come away enriched.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Booklist, STARRED REVIEW","OtherText_Review_5":"\u003cp\u003e“If you want to treat yourself to a superb picture book, treat yourself to this one.” — \u003cstrong\u003eJulie Danielson, \u003cem\u003eKirkus Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Auth":"Julie Danielson","OtherText_Review_5_Src":"Kirkus Review","OtherText_Review_6":"\u003cp\u003e“Truly a wonderful book, THE WHITE CAT AND THE MONK expresses the richness of the relationship between the two characters.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"CM: Canadian Review of Materials","OtherText_Review_7":"\u003cp\u003e“The adaptation . . . is as unostentatious as the watercolor-and-ink illustrations, which meld a medieval spirit with a modern sense of cartooning, a juxtaposition that is fresh and seems entirely right.” — \u003cstrong\u003e\u003cem\u003eHorn Book\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Horn Book","OtherText_Review_8":"\u003cp\u003e“The text’s subtle moral is timeless but also sings with elegiac timeliness — what a wonderful counterpoint to modern life’s hamster wheel of achievement and approval, this idea that there is poetry in every pursuit executed with purposefulness and savored with uncompetitive joy.” — \u003cstrong\u003eMaria Popova, \u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Auth":"Maria Popova","OtherText_Review_8_Src":"The New York Times","OtherText_Review_9":"\u003cp\u003e“Smith . . . imbues the text with contemporary visual language through his singular, elegantly minimalist graphic novel aesthetic.” — \u003cstrong\u003e\u003cem\u003eBrain Pickings\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Src":"Brain Pickings","OtherText_ShortDescription_0":"A monk leads a simple life, studying his books and searching for truth. One evening, his cat, Pangur, leads the monk to the truth he has been seeking.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Commended","PrizeCodeText_10":"Commended","PrizeCodeText_11":"Commended","PrizeCodeText_2":"Commended","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Commended","PrizeCodeText_7":"Commended","PrizeCodeText_8":"Commended","PrizeCodeText_9":"Commended","PrizeCode_0":"04","PrizeCode_1":"03","PrizeCode_10":"03","PrizeCode_11":"03","PrizeCode_2":"03","PrizeCode_3":"03","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"03","PrizeCode_7":"03","PrizeCode_8":"03","PrizeCode_9":"03","PrizeName_0":"Governor General's Literary Award, Young People's Literature – Illustrated Books","PrizeName_1":"The New York Times Best Illustrated Children's Books","PrizeName_10":"Bank Street College of Education Best Children's Books of the Year","PrizeName_11":"Bank Street College of Education Best Children's Books of the Year","PrizeName_2":"CCBC Best Books for Children and Teens, starred selection","PrizeName_3":"NCTE Notable Poetry List","PrizeName_4":"The NP99: The Best Books of the Year","PrizeName_5":"School Library Journal Best Books","PrizeName_6":"Brain Pickings Best Children's Books of 2016","PrizeName_7":"CBC Best Books of 2016","PrizeName_8":"USBBY Outstanding International Books List","PrizeName_9":"Cooperative Children's Book Center, CCBC Choices","PrizeYear_0":"2016","PrizeYear_1":"2016","PrizeYear_10":"2017","PrizeYear_11":"2017","PrizeYear_2":"2016","PrizeYear_3":"2017","PrizeYear_4":"2016","PrizeYear_5":"2016","PrizeYear_6":"2016","PrizeYear_7":"2016","PrizeYear_8":"2017","PrizeYear_9":"2017","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2016-03-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A monk leads a simple life, studying his books and searching for truth. One evening, his cat, Pangur, leads the monk to the truth he has been seeking.","Subtitle":"A Retelling of the Poem “Pangur Bán”","Width":"8","WidthCode":"in"}
ages 4
to 8
/ grades P
to 3
The White Cat and the Monk
A monk leads a simple life, studying his books and searching for truth. One evening, his cat, Pangur, leads the monk to the truth he has been seeking.
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{"id":6813811245115,"title":"Liminal","handle":"liminal","description":"\u003cp\u003e\u003cstrong\u003eFrom award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s \u003ci\u003eLeaving the Atocha Station \u003c\/i\u003eand Sheila Heti’s \u003ci\u003eHow Should a Person Be\u003c\/i\u003e.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAt 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.\u003c\/p\u003e\u003cp\u003eFrom androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, \u003ci\u003eLiminal\u003c\/i\u003e is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.\u003c\/p\u003e","published_at":"2022-03-23T13:11:05-04:00","created_at":"2022-03-23T09:27:32-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Anansi Audio","By (author) Tannahill Jordan","pub date: 2018-01-23","Read by Vanderham Jacob"],"price":1895,"price_min":1895,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205731364923,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003784","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Liminal - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":320,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003784","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40206082736187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003791","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Liminal - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003791","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40206084603963,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487003807","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Liminal - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003807","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40206086144059,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487005450","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Liminal - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005450","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40206087127099,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487005467","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Liminal - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005467","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_39ca7e6f-9d54-4c7d-a84e-2b064f1cdc42.jpg?v=1678603018"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_39ca7e6f-9d54-4c7d-a84e-2b064f1cdc42.jpg?v=1678603018","options":["Title"],"media":[{"alt":null,"id":23324573859899,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_39ca7e6f-9d54-4c7d-a84e-2b064f1cdc42.jpg?v=1678603018"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_39ca7e6f-9d54-4c7d-a84e-2b064f1cdc42.jpg?v=1678603018","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s \u003ci\u003eLeaving the Atocha Station \u003c\/i\u003eand Sheila Heti’s \u003ci\u003eHow Should a Person Be\u003c\/i\u003e.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAt 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.\u003c\/p\u003e\u003cp\u003eFrom androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, \u003ci\u003eLiminal\u003c\/i\u003e is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002862","AlsoRecommendedISBN_3":"9781487003920","AlsoRecommendedISBN_6":"9781770898233","BASICMainSubject":"FIC041000","BASICMainSubjectLiteral":"FICTION\/Biographical \u0026 Autofiction","BiographicalNote":"\u003cp\u003eJORDAN TANNAHILL is an award-winning author, playwright, filmmaker, and theatre director. He is the winner of the Governor General’s Award for Drama for \u003cem\u003eAge of Minority: Three Solo Plays\u003c\/em\u003e and was shortlisted for the prize again for \u003cem\u003eConcord Floral\u003c\/em\u003e. He has twice received Dora Awards for Outstanding New Play. His play \u003cem\u003eBotticelli in the Fire\u003c\/em\u003e won the 2017 Toronto Theatre Critics Award for Best New Play and is currently being adapted into a feature by filmmaker Stephen Dunn. From 2012 to 2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag, which became an influential hub for queer and avant-garde work in Canada. He is the author of \u003cem\u003eTheatre of the Unimpressed: In Search of Vital Drama\u003c\/em\u003e and T\u003cem\u003ehe Videofag Book\u003c\/em\u003e; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e, will be published to coincide with its premiere at Canadian Stage in January 2018. Tannahill’s films and multimedia performances have been presented at festivals and galleries such as the Toronto International Film Festival, the Art Gallery of Ontario, and the Tribeca Film Festival. Most recently, his virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, premiered in May 2017 at the Tribeca Film Festival. His play \u003cem\u003eLate Company\u003c\/em\u003e will be transferring to the West End (London, U.K.) August–September 2017. \u003cem\u003eLiminal\u003c\/em\u003e is his first novel and is being made into a feature length art film by the NFB and the National Theatre in the UK. Born in 1988 in Ottawa, Ontario, he now makes his home in London, U.K.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Biographical","BISACSubjectLiteral_1":"FICTION \/ LGBT \/ Gay","BISACSubjectLiteral_2":"FICTION \/ Literary","BISACSubject_0":"FIC041000","BISACSubject_1":"FIC011000","BISACSubject_2":"FIC019000","ContributorBio_0":"\u003cp\u003eJORDAN TANNAHILL is an award-winning author, playwright, filmmaker, and theatre director. He is the winner of the Governor General’s Award for Drama for \u003cem\u003eAge of Minority: Three Solo Plays\u003c\/em\u003e and was shortlisted for the prize again for \u003cem\u003eConcord Floral\u003c\/em\u003e. He has twice received Dora Awards for Outstanding New Play. His play \u003cem\u003eBotticelli in the Fire\u003c\/em\u003e won the 2017 Toronto Theatre Critics Award for Best New Play and is currently being adapted into a feature by filmmaker Stephen Dunn. From 2012 to 2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag, which became an influential hub for queer and avant-garde work in Canada. He is the author of \u003cem\u003eTheatre of the Unimpressed: In Search of Vital Drama\u003c\/em\u003e and T\u003cem\u003ehe Videofag Book\u003c\/em\u003e; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e, will be published to coincide with its premiere at Canadian Stage in January 2018. Tannahill’s films and multimedia performances have been presented at festivals and galleries such as the Toronto International Film Festival, the Art Gallery of Ontario, and the Tribeca Film Festival. Most recently, his virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, premiered in May 2017 at the Tribeca Film Festival. His play \u003cem\u003eLate Company\u003c\/em\u003e will be transferring to the West End (London, U.K.) August–September 2017. \u003cem\u003eLiminal\u003c\/em\u003e is his first novel and is being made into a feature length art film by the NFB and the National Theatre in the UK. Born in 1988 in Ottawa, Ontario, he now makes his home in London, U.K.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Tannahill, Jordan (CA)","Contributor_1":"Vanderham, Jacob","Description":"\u003cp\u003e\u003cstrong\u003eFrom award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s \u003ci\u003eLeaving the Atocha Station \u003c\/i\u003eand Sheila Heti’s \u003ci\u003eHow Should a Person Be\u003c\/i\u003e.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAt 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.\u003c\/p\u003e\u003cp\u003eFrom androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, \u003ci\u003eLiminal\u003c\/i\u003e is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.\u003c\/p\u003e","EAN":"9781487005467","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005467\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"lgbtq+; lgbtq+ characters; stage play; memoir; coming of age; experimental; how should a person be; sheila heti; declarations; canstage; videofag; kensington market; toronto; artificial intelligence; robots; memories; canadian; philosophical; canlit; creative writing; philosophy; leaving the atocha station ben lerner; hot milk deborah levy; dept. of speculation; 10;04; book club","NumberOfPages":"304","OtherText_Accolades_0":"\u003cp\u003e“Liminal is generous, bold, unabashedly emotional, and really smart — an ultra-engaging portrait of the artist, and portal to the art.” — \u003cstrong\u003eAnn-Marie Macdonald, author of The Way the Crow Flies, November 16, 2017\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Src":"Ann-Marie Macdonald, author of The Way the Crow Flies","OtherText_Accolades_1":"\u003cp\u003e“A raw love letter to a mother, and a blazing meditation on love, death, and dying, Jordan Tannahill’s Liminal is a full-fledged unleashing from a major literary talent.” — \u003cstrong\u003eAnosh Irani, author of The Parcel, November 14, 2017\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Src":"Anosh Irani, author of The Parcel","OtherText_Accolades_2":"\u003cp\u003e“This book has everything: a road trip, coming of age, philosophy, mythology, meditation on the nature of self, and the tender love of a son for his mother — all infused with uncommon emotional intelligence.” — \u003cstrong\u003eTeva Harrison, author of In-Between Days, November 14, 2017\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Src":"Teva Harrison, author of In-Between Days","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAWARD-WINNING PLAYWRIGHT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eJordan Tannahill is one of Canada’s biggest and most celebrated artists in the theatre world. He is the youngest-ever winner of the Governor General’s Literary Award for Drama. He’s been called a “zeitgeist savant” by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, “the future of Canadian theatre” by \u003cem\u003eNow Magazine\u003c\/em\u003e, and “the hottest name in Canadian theatre” by the \u003cem\u003eMontreal Gazette\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNATIONAL AUDIENCES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eHis virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, was a collaboration with acclaimed author Teva Harrison and premiered in May 2017 at the Tribeca Film Festival. Tannahill’s production of Sheila Heti's \u003cem\u003eAll Our Happy Days Are Stupid\u003c\/em\u003e, directed with collaborator Erin Brubacher, premiered at Videofag in 2013 and went on to sold-out productions at Toronto’s Harbourfront Centre and New York City’s The Kitchen in 2015. Liminal is being made into a feature length art film by the NFB and the National Theatre in the UK.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGROUNDBREAKING LGBTQ ARTIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eFrom 2012-2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag out of their home in Toronto’s Kensington Market neighbourhood. Over the four years of its operation, Videofag became an influential hub for queer and avant-garde work in Canada.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePUBLICATION TIE-IN WITH HIS NEW PLAY, \u003cem\u003eDECLARATIONS\u003c\/em\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eLiminal, which is an expansion of his play Declarations, published to coincide with the play’s premiere at CanStage in January 2018. Tannahill published two other works in Fall 2017: \u003cem\u003eThe Videofag Book\u003c\/em\u003e (BookThug), an anthology of essays, photographs, play-texts, and ruminations about the space; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e (Coach House Books).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003e\u003cstrong\u003eI\u003c\/strong\u003e\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/p\u003e\u003cp\u003eI am wary of revelations. I find anyone claiming to have them dubious. They’re usually charlatans, the ultra-religious, or insane (not that these three types are mutually exclusive; in fact they rarely are). And I find any description of these revelations some combination of sinister and comical, like John Smith receiving golden plates from the angel Moroni in a secret language only he can translate. Even the words “revelation” and “epiphany” are mired in Christian connotations. The first conjures images of John on the island of Patmos having visions of the Whore of Babylon and the Beast, while the second is the realization by the wise men that Christ is the Son of God, rendered throughout art history as the Adoration of the Magi.\u003c\/p\u003e\u003cp\u003eI suppose the synonym that feels the least corrupted by spiritual chicanery is “eureka,” and yet this word feels burdened by the mythos of masculine scientific discovery, from Archimedes fateful bath to Newton’s gravity-weighted apple (why do I always imagine it hitting his head?) Darwin said he could remember the exact moment during a carriage ride in which he was struck by his “hunch” about natural selection. Nikola Tesla, while recuperating from a recent breakdown brought on by his obsession to solve the mystery of alternating current, was on a walk with a friend in Budapest’s Varosliget Park when he was pierced by his moment of insight. Tesla was looking into the setting sun whilst reciting a passage from Goethe’s Faust (naturally) when a vision of a functioning alternating current electric induction motor appeared to him with such clarity that he grabbed a stick and drew a diagram of it then and there in the dirt. One can almost hear the angelic choral accompaniment. Perhaps because of these bearded white men and their long lineage of eurekas the word has acquired a certain sense of finitude: they each had a question and in an instant it was answered. As if, through years of research and inquiry, their minds were already filled with the necessary information and all that was required was that final synaptic connection to illuminate the network of association.\u003c\/p\u003e\u003cp\u003eA word that seems part of this revelatory cohort is “vision,” which again has religious undertones, but also the unfortunate limitations of its sensory association. A vision suggests something that is seen, either literally with one’s eyes in a new way, or seen within the mind’s eye. As the ever-favoured child of the senses, we seem inclined to give seeing undo credit as the conduit of discovery. Though as Proust might agree, throughout my life I’ve probably had more ‘visions’ induced by smell than any other sense. For me, a new awareness is rarely an apparition to be seen or viewed; it does not appear to me like Tesla’s motor. It is something that is felt. An awareness that dawns and slowly spreads its light through my body.\u003c\/p\u003e\u003cp\u003eWhat I seek is a word that does not suggest a long-sought for answer but rather a deluge of questions. A word for kind of illumination that recalls a caver holding a torch up in an underground chamber and apprehending a few dashes of rock wall at a time, uncertain of how far the cavern extends into darkness.\u003c\/p\u003e\u003cp\u003eCounter-intuitively, I found something approaching this word in the Bible. The first word in the Book of Revelations — and from which it derives its name — is apokalypsis, which in its original Korine Greek means \"unveiling\" or “revelation.” I find the notion of ‘unveiling’ — of an encounter, smell, sight, sensation that unveils an infinite system of questions and discoveries (which in turn spur more questions) — to be the most vivid evocation of this I can find. I might be even inclined to use the original Greek apokalypsis, as it seems to contain the possibility of discovery in the moment of destruction. Much like the theatre; an art revealed in the moment of its disappearance. And like life itself, theatre can not be rewound or reread; it exists in the temporal present between being and un-being, in what Plato calls the “something inserted between motion and rest (. . .) in no time at all.” An art conjured in the instant of its erasure. And I like the almost preposterous gravity of the world apokalypsis; how it’s cataclysmic and eschatological associations seem to mimic the way in which one world seems to end and another begins in a moment of newfound awareness.\u003c\/p\u003e\u003cp\u003eBut in this instance, for what I’m about to articulate, “unveiling” is the apt word. It conjures for me the image of a man in white gloves pulling a cloth of a painting; the removal of a covering that concealed that which was there all along — something which has been rendered ever more extraordinary by the very fact of its concealment. Rather than by divine conjuring, “unveiling” suggests a moment of discovery arising from matter-of-fact and mortal circumstances. A new way of experiencing something already in the world.\u003c\/p\u003e\u003cp\u003eIn this way, the world is constantly unveiling itself; a stand of trees seen from a fresh angle, the laugher of a dog, a nameless colour, new patterns of movement, of light, of behaviour, patterns in fabric, in birds, in traffic, in music . . . In this way “revelation” is not something a bearded white man once an epoch apprehends but rather a state of becoming that imbues all things at all times. Of course to be in a state of perpetual unveiling is exhausting and disorienting; it’s essentially the way we moved through the world as babies, when everything was revealed and nothing was legible. Gradually, to make sense of the chaos, we fixed things in place, we fixed meaning, we fixed potential, we fixed objects and people and places as knowable and predictable entities and attempted to reduce the instances of unveiling because those upset the order by introducing new variables into the mix. Unveiling, by nature, un-fixes.\u003c\/p\u003e\u003cp\u003eThis is what happened at 11:04 a.m. on Saturday, January 21, 2017 when I walked into your bedroom and saw your body in bed. In a moment something — perhaps everything — became unveiled. And I became unfixed. It was a moment that lasted less than a second. The interval between a hand feeling water and the pain of it’s scalding heat; between sense and sensation.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eAWARD-WINNING PLAYWRIGHT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eJordan Tannahill is one of Canada’s biggest and most celebrated artists in the theatre world. He is the youngest-ever winner of the Governor General’s Literary Award for Drama. He’s been called a “zeitgeist savant” by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, “the future of Canadian theatre” by \u003cem\u003eNow Magazine\u003c\/em\u003e, and “the hottest name in Canadian theatre” by the \u003cem\u003eMontreal Gazette\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNATIONAL AUDIENCES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eHis virtual reality performance \u003cem\u003eDraw Me Close\u003c\/em\u003e, a co-production between the National Theatre (U.K.) and the National Film Board of Canada, was a collaboration with acclaimed author Teva Harrison and premiered in May 2017 at the Tribeca Film Festival. Tannahill’s production of Sheila Heti's \u003cem\u003eAll Our Happy Days Are Stupid\u003c\/em\u003e, directed with collaborator Erin Brubacher, premiered at Videofag in 2013 and went on to sold-out productions at Toronto’s Harbourfront Centre and New York City’s The Kitchen in 2015. Liminal is being made into a feature length art film by the NFB and the National Theatre in the UK.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGROUNDBREAKING LGBTQ ARTIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eFrom 2012-2016, in collaboration with William Ellis, Tannahill ran the alternative art space Videofag out of their home in Toronto’s Kensington Market neighbourhood. Over the four years of its operation, Videofag became an influential hub for queer and avant-garde work in Canada.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePUBLICATION TIE-IN WITH HIS NEW PLAY, \u003cem\u003eDECLARATIONS\u003c\/em\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eLiminal, which is an expansion of his play Declarations, published to coincide with the play’s premiere at CanStage in January 2018. Tannahill published two other works in Fall 2017: \u003cem\u003eThe Videofag Book\u003c\/em\u003e (BookThug), an anthology of essays, photographs, play-texts, and ruminations about the space; and his latest play, \u003cem\u003eDeclarations\u003c\/em\u003e (Coach House Books).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Tannahill is a good writer, a natural storyteller with a strong sense of narrative rhythm as well as the ability to launch into almost mystical flights of poetic vision.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"\u003cp\u003e“Authors such as Ben Lerner, Rachel Cusk, and Karl Ove Knausgaard, among others, are showing their exhaustion with plot, opting to be candid, probing, philosophical, and discursive at a micro-level on the page. Toronto playwright Jordan Tannahill’s lushly intelligent debut novel, Liminal, is an exciting addition to this school . . . Liminal captures something illuminating and undefinable about the present moment . . . A real jaw-dropping intellectual feat . . . A rich and unusual story.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Globe and Mail","OtherText_ShortDescription_0":"From award-winning playwright and filmmaker Jordan Tannahill comes a masterful novel in the tradition of Sheila Heti’s How Should a Person Be.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"A 49th Shelf Book of the Year","PrizeYear_0":"2018","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2018-01-23","Publisher":"House of Anansi Press Inc","ShortDescription":"From award-winning playwright and filmmaker Jordan Tannahill comes a masterful novel in the tradition of Sheila Heti’s How Should a Person Be.","Width":"5.25","WidthCode":"in"}
Liminal
From award-winning playwright and filmmaker Jordan Tannahill comes a masterful novel in the tradition of Sheila Heti’s How Should a Person Be.
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{"id":6813790502971,"title":"Grandmother’s Visit","handle":"grandmothers-visit","description":"\u003cp\u003e\u003cstrong\u003eGrace says goodbye to Grandmother in this touching book about love and loss.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGrandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.\u003c\/p\u003e\u003cp\u003eSuddenly, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And soon after, she is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.\u003c\/p\u003e\u003cp\u003eCarmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. 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The garden is surrounded by bushes, hedges, and flowers. A bench is beside the stone path. On the bench is an older woman and a girl with medium light skin tone. They both hold a small piece of brown plum in one hand. The woman has her other hand in her coat pocket. Text: Grandmother is always savoring the flavors of her childhood. I like her stories. They taste salty and sweet, like the pickled plums Grandmother hides in her pockets.","id":21800961769531,"position":2,"preview_image":{"aspect_ratio":1.818,"height":275,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8713efdf-d499-44d6-915f-8ac0d43b8f32.jpg?v=1648044295"},"aspect_ratio":1.818,"height":275,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_8713efdf-d499-44d6-915f-8ac0d43b8f32.jpg?v=1648044295","width":500},{"alt":"This image is a double page spread. To the left is a girl with medium skin tone and a cat at a table with a pot of water. The text says she helps her grandmother by washing the rice for dinner. To the right, a hand with medium skin tone has a black and white photo of a girl with medium skin tone with two braids and bangs. The text says her grandmother remembers when she was a little girl. Her fingers were too small to measure the water, so she would dip her braid in until the water reached her ribbon.","id":21800962588731,"position":3,"preview_image":{"aspect_ratio":1.818,"height":275,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ffe6811d-1bb9-481b-a77c-36ec3b3b57cf.jpg?v=1648044306"},"aspect_ratio":1.818,"height":275,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ffe6811d-1bb9-481b-a77c-36ec3b3b57cf.jpg?v=1648044306","width":500},{"alt":"It is dark in a bedroom. A girl with medium light skin tone and black hair lies in bed with her eyes open. On a nightstand beside her a small lamp is on. Text: The world outside is still and quiet. So is the room across the hall from mine. Grandmother’s room. my ears strain to remember the sound of her voice. To hear her stories. To hear her laughter. Instead, I hear something else. The jangle of a key against a jade key ring.","id":21800963473467,"position":4,"preview_image":{"aspect_ratio":1.818,"height":275,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cca39fcb-ecf9-44ee-ada1-15b3085a11ea.jpg?v=1648044318"},"aspect_ratio":1.818,"height":275,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_cca39fcb-ecf9-44ee-ada1-15b3085a11ea.jpg?v=1648044318","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eGrace says goodbye to Grandmother in this touching book about love and loss.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGrandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.\u003c\/p\u003e\u003cp\u003eSuddenly, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And soon after, she is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.\u003c\/p\u003e\u003cp\u003eCarmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. Betty Quan’s picture-book debut is haunting yet hopeful. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.1\u003cbr\u003eAsk and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.7\u003cbr\u003eUse information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr\u003e\u0026gt;Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003cbr\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781773060385","AlsoRecommendedISBN_1":"9781554981120","AlsoRecommendedISBN_2":"9781773060385","AlsoRecommendedISBN_3":"9781554988693","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"11","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"4","AudienceRangeValue_2_0":"2","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"7","BASICMainSubject":"JUV039030","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/Death, Grief, Bereavement","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBETTY QUAN\u003c\/strong\u003e is the author of \u003cem\u003eGrandmother’s Visit\u003c\/em\u003e, illustrated by Carmen Mok, which won the Asian\/Pacific American Award for Literature Picture Book Honor and received a starred review from \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e. Betty has also written for children’s television programs, including the Discovery Kids production \u003cem\u003eDoki\u003c\/em\u003e. Her play \u003cem\u003eMother Tongue\u003c\/em\u003e was nominated for the Governor General’s Literary Award for Drama. She also adapted Paul Yee’s book \u003cem\u003eGhost Train\u003c\/em\u003e for the stage. She lives in Toronto, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Family \/ Multigenerational","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Death, Grief, Bereavement","BISACSubject_0":"JUV039050","BISACSubject_1":"JUV013030","BISACSubject_2":"JUV039030","CommonCore":"CCSS.ELA-LITERACY.RL.5.2","CommonCore_1":"CCSS.ELA-LITERACY.RL.2.7","CommonCore_2":"CCSS.ELA-LITERACY.RL.1.6","CommonCore_3":"CCSS.ELA-LITERACY.RL.2.3","CommonCore_4":"CCSS.ELA-LITERACY.RL.3.7","CommonCore_5":"CCSS.ELA-LITERACY.RL.2.1","ComplexityCode_0":"N","ComplexityCode_1":"N","ComplexityCode_2":"AD570L","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdentifier_2":"06","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_2":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBETTY QUAN\u003c\/strong\u003e is the author of \u003cem\u003eGrandmother’s Visit\u003c\/em\u003e, illustrated by Carmen Mok, which won the Asian\/Pacific American Award for Literature Picture Book Honor and received a starred review from \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e. Betty has also written for children’s television programs, including the Discovery Kids production \u003cem\u003eDoki\u003c\/em\u003e. Her play \u003cem\u003eMother Tongue\u003c\/em\u003e was nominated for the Governor General’s Literary Award for Drama. She also adapted Paul Yee’s book \u003cem\u003eGhost Train\u003c\/em\u003e for the stage. She lives in Toronto, Ontario.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCARMEN MOK\u003c\/strong\u003e is a studio-art graduate of the University of Waterloo and a craft and design graduate of Sheridan College. She has illustrated \u003cem\u003ePercy's Museum\u003c\/em\u003e by Sara O'Leary, \u003cem\u003eViolet Shrink\u003c\/em\u003e by Christine Baldacchino and \u003cem\u003eGrandmother’s Visit\u003c\/em\u003e by Betty Quan, an Asian\/Pacific American Award for Literature Picture Book Honor title. Carmen’s other noteworthy books include \u003cem\u003eA Stopwatch from Grampa\u003c\/em\u003e by Loretta Garbutt, \u003cem\u003eCone Cat\u003c\/em\u003e by Sarah Howden and \u003cem\u003eTough Like Mum\u003c\/em\u003e by Lana Button. She lives in St. Catharines, Ontario.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Quan, Betty (CA)","Contributor_1":"Mok, Carmen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eGrace says goodbye to Grandmother in this touching book about love and loss.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGrandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.\u003c\/p\u003e\u003cp\u003eSuddenly, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And soon after, she is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.\u003c\/p\u003e\u003cp\u003eCarmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. Betty Quan’s picture-book debut is haunting yet hopeful. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.1.6\u003cbr \/\u003eIdentify who is telling the story at various points in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.1\u003cbr \/\u003eAsk and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr \/\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.7\u003cbr \/\u003eUse information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr \/\u003e\u003eExplain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003cbr \/\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e","EAN":"9781554989553","Height":"9.5","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Asian\/Pacific American Awards for Literature; picture book","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eDEBUT AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBetty Quan is a notable name in Canadian children’s television and theatre. This is her first picture book.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDEFTLY HANDLES THEMES OF LIFE AND DEATH:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe book deals with subject matter that is universal though seldom treated in a children’s book in such a direct and honest way, and without heavy overtones, providing teachers, librarians and parents with a useful launching pad for discussion. Carmen Mok’s sweet illustrations add levity to a somber story and help make what could be a challenging subject natural.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eCurriculum ties include social studies (heritage \/ identity \/ family) and health (life \u0026 death \/ human development).\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eDEBUT AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBetty Quan is a notable name in Canadian children’s television and theatre. This is her first picture book.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEFTLY HANDLES THEMES OF LIFE AND DEATH:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe book deals with subject matter that is universal though seldom treated in a children’s book in such a direct and honest way, and without heavy overtones, providing teachers, librarians and parents with a useful launching pad for discussion. Carmen Mok’s sweet illustrations add levity to a somber story and help make what could be a challenging subject natural.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum ties include social studies (heritage \/ identity \/ family) and health (life \u0026 death \/ human development).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Quan helps readers face losing a loved one and embrace previous memories forever.” — \u003cstrong\u003e\u003cem\u003eDragon Lode\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Dragon Lode","OtherText_ShortDescription_0":"Grace says goodbye to Grandmother in this touching book about love and loss.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"Asian\/Pacific American Awards for Literature Picture Book","PrizeYear_0":"2019","ProductFormDescription":"Web PDF","PublicationDate":"2018-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Grace says goodbye to Grandmother in this touching book about love and loss.","Width":"8.625","WidthCode":"in"}
ages 4
to 7
/ grades K
to 2
Grandmother’s Visit
Grace says goodbye to Grandmother in this touching book about love and loss.
Quick View
{"id":6906281885755,"title":"nattiq and the Land of Statues","handle":"nattiq-and-the-land-of-statues","description":"\u003cp\u003e\u003cstrong\u003eIn this charming story that includes words in Inuktitut, a ringed seal returns to the Arctic with stories of discovery and friendship. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA ringed seal, known in Inuktitut as ᓇᑦᑎᖅ \u003cem\u003enattiq\u003c\/em\u003e, has returned to his Arctic home after a long journey south. His friends — a polar bear, caribou, raven, walrus and narwhal — gather round to hear about his trip.\u003c\/p\u003e\n\u003cp\u003e“What did you see beyond our land?” shouts the polar bear.\u003c\/p\u003e\n\u003cp\u003eᓇᑦᑎᖅ \u003cem\u003enattiq\u003c\/em\u003e describes the amazing sights he has seen — from crystal clear waters full of giant icebergs to the tundra in full summertime bloom to strange, tall statues, far to the south. 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They can never come and visit us.”","id":22325930426427,"position":4,"preview_image":{"aspect_ratio":1.894,"height":264,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_995793a5-15d1-4702-aa89-e606d89d57be.jpg?v=1657125490"},"aspect_ratio":1.894,"height":264,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_995793a5-15d1-4702-aa89-e606d89d57be.jpg?v=1657125490","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn this charming story that includes words in Inuktitut, a ringed seal returns to the Arctic with stories of discovery and friendship. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA ringed seal, known in Inuktitut as ᓇᑦᑎᖅ \u003cem\u003enattiq\u003c\/em\u003e, has returned to his Arctic home after a long journey south. His friends — a polar bear, caribou, raven, walrus and narwhal — gather round to hear about his trip.\u003c\/p\u003e\n\u003cp\u003e“What did you see beyond our land?” shouts the polar bear.\u003c\/p\u003e\n\u003cp\u003eᓇᑦᑎᖅ \u003cem\u003enattiq\u003c\/em\u003e describes the amazing sights he has seen — from crystal clear waters full of giant icebergs to the tundra in full summertime bloom to strange, tall statues, far to the south. The statues swayed in the autumn breeze, howled when winter storms set in and opened their arms to nesting birds in the spring.\u003c\/p\u003e\n\u003cp\u003e“They can never come and visit us,” ᓇᑦᑎᖅ \u003cem\u003enattiq\u003c\/em\u003e explains to his friends, and so he plans to return south every year to tell them stories from the Arctic.\u003c\/p\u003e\n\u003cp\u003eInspired by her travels, Barbara Landry has written an imaginative story about discovery and friendship. Martha Kyak brings her familiarity with the North to the stunning illustrations. Includes a glossary of Inuktitut words.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nlabels\u003cbr\u003e\nglossary\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.4\u003cbr\u003e\nAsk and answer questions about unknown words in a text.\u003c\/p\u003e"}
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This will be a welcome addition to elementary collections.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“A sweet animal adventure and a valuable addition to collections featuring Indigenous-language text.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003e“Through a poetic voice and digitally layered illustrations imbued with movement, ᓇᑦᑎᕐᒃ nattiq and the Land of Statues brings its readers on a journey, which reveals nature’s rhythmic beauty, and offers up the wonder of being delightfully and utterly transported by a story.” — \u003cstrong\u003e\u003cem\u003eMighty Village\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Mighty Village","OtherText_Review_3":"\u003cp\u003e“[S]parse but poetic and moving language … Nattiq’s awe and respect for the beautiful tree-inhabited world is contagious.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Quill \u0026 Quire","OtherText_Review_4":"\u003cp\u003e“[A]n enchanting tale that invites readers to reflect on the power, purpose, and beauty of the lungs of our planet.” — \u003cstrong\u003e\u003cem\u003eHakai Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Hakai Magazine","OtherText_ShortDescription_0":"In this charming story that includes words in Inuktitut, a ringed seal returns to his Arctic home and tells his friends of his southern adventures.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Commended","PrizeCode_0":"01","PrizeCode_1":"03","PrizeCode_2":"03","PrizeName_0":"Toronto Public Library First and Best","PrizeName_1":"CBC Best Canadian Picture Books","PrizeName_2":"CBC Best Canadian Picture Books","PrizeYear_0":"2020","PrizeYear_1":"2020","PrizeYear_2":"2020","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2020-03-01","Publisher":"Groundwood Books Ltd","ShortDescription":"In this charming story that includes words in Inuktitut, a ringed seal returns to his Arctic home and tells his friends of his southern adventures.","Subtitle":"A Story from the Arctic","Width":"8.75","WidthCode":"in"}
ages 3
to 7
/ grades P
to 2
nattiq and the Land of Statues
In this charming story that includes words in Inuktitut, a ringed seal returns to his Arctic home and tells his friends of his southern adventures.
Quick View
{"id":6900794097723,"title":"If You Want to Visit a Sea Garden","handle":"if-you-want-to-visit-a-sea-garden","description":"\u003cp\u003e\u003cstrong\u003eDiscover the wonder of ancient sea gardens on the Northwest Coast \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. \u003c\/p\u003e\u003cp\u003eThis lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.\u003c\/p\u003e\u003cp\u003eAn author’s note provides further information about sea gardens (also known as clam gardens), which yield a reliable food source and have been traditional places of learning. They have been found along the Pacific coast, from Alaska to British Columbia to Washington State, and some of these gardens are being restored today.\u003c\/p\u003e\u003cp\u003eThe manuscript has been vetted and approved by the scientists of the Clam Garden Network and Kwaxsistalla Wathl’thla Clan Chief Adam Dick. 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These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. \u003c\/p\u003e\u003cp\u003eThis lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.\u003c\/p\u003e\u003cp\u003eAn author’s note provides further information about sea gardens (also known as clam gardens), which yield a reliable food source and have been traditional places of learning. They have been found along the Pacific coast, from Alaska to British Columbia to Washington State, and some of these gardens are being restored today.\u003c\/p\u003e\u003cp\u003eThe manuscript has been vetted and approved by the scientists of the Clam Garden Network and Kwaxsistalla Wathl’thla Clan Chief Adam Dick. Roy Henry Vickers, whose ancestry includes the Tsimshian, Haida and Heiltsuk First Nations, has created hauntingly beautiful images to accompany the text.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003eauthor’s note\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.K.2\u003cbr\u003e\u0026gt;With prompting and support, identify the main topic and retell key details of a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RI.K.6\u003cbr\u003eName the author and illustrator of a text and define the role of each in presenting the ideas or information in a text.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780888999436","AlsoRecommendedISBN_1":"9781773061160","AlsoRecommendedISBN_3":"9780888999436","AlsoRecommendedISBN_4":"9781554987184","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"K","AudienceRangeValue_1_2":"5","AudienceRangeValue_2_0":"3","AudienceRangeValue_2_1":"3","AudienceRangeValue_2_2":"8","BASICMainSubject":"JNF018040","BASICMainSubjectLiteral":"JUVENILE NONFICTION\/Native American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAY WEISMAN\u003c\/strong\u003e is a librarian who has worked in elementary schools and public library youth services departments. 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Kay lives in Vancouver.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE NONFICTION \/ People \u0026amp; Places \/ United States \/ Native American","BISACSubjectLiteral_1":"JUVENILE NONFICTION \/ Science \u0026amp; Nature \/ Environmental Science \u0026amp; Ecosystems","BISACSubjectLiteral_2":"JUVENILE NONFICTION \/ People \u0026amp; Places \/ Canada \/ Indigenous","BISACSubject_0":"JNF018040","BISACSubject_1":"JNF051100","BISACSubject_2":"JNF038120","CommonCore":"CCSS.ELA-LITERACY.RI.K.6","CommonCore_1":"CCSS.ELA-LITERACY.RI.K.2","ComplexityCode_0":"O","ComplexityCode_1":"O","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAY WEISMAN\u003c\/strong\u003e is a librarian who has worked in elementary schools and public library youth services departments. She is a longstanding reviewer for \u003cem\u003eBooklist\u003c\/em\u003e and has contributed articles to various journals, including \u003cem\u003eBook Links\u003c\/em\u003e, \u003cem\u003eNoveList\u003c\/em\u003e and \u003cem\u003eSchool Library Monthly\u003c\/em\u003e. Her research for this picture book debut included traveling to several sea gardens to observe archeologists and marine ecologists at work. Kay lives in Vancouver.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eROY HENRY VICKERS\u003c\/strong\u003e is an artist, speaker, storyteller and a leader in the Indigenous community. His art is inspired by the beauty of the Pacific Northwest Coast and the ancient cultures of his ancestors. He carries the Chieftainship, Tlakwagila, from the House of Walkus in Wuikinuxv. Roy has also received the Order of British Columbia and the Order of Canada for his involvement in the community. He holds an honorary Doctor of Letters from York University in Toronto. His art can be found in collections around the world, including a painting gifted to Her Majesty Queen Elizabeth II.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Weisman, Kay (CA)","Contributor_1":"Vickers, Roy Henry (CA)","Description":"\u003cp\u003e\u003cstrong\u003eDiscover the wonder of ancient sea gardens on the Northwest Coast \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. \u003c\/p\u003e\u003cp\u003eThis lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.\u003c\/p\u003e\u003cp\u003eAn author’s note provides further information about sea gardens (also known as clam gardens), which yield a reliable food source and have been traditional places of learning. They have been found along the Pacific coast, from Alaska to British Columbia to Washington State, and some of these gardens are being restored today.\u003c\/p\u003e\u003cp\u003eThe manuscript has been vetted and approved by the scientists of the Clam Garden Network and Kwaxsistalla Wathl’thla Clan Chief Adam Dick. 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Social Studies \\\/ heritage and identities, people and environments.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eAt the time of writing, there were no children’s books available on the subject of sea gardens.\u003c\/li\u003e\n\u003cli\u003eThis debut picture book comes from Kay Weisman, a highly qualified librarian of books for children and young adults who has been reviewing children’s books (especially picture books) for journals such as Booklist for many years.\u003c\/li\u003e\n\u003cli\u003eRenowned artist Roy Henry Vickers has created stunning images for the book, drawing on his personal knowledge of sea gardens, the Northwest Coast and First Nations culture.\u003c\/li\u003e\n\u003cli\u003eThe author’s note provides a wealth of information about sea gardens, including how traditional Indigenous knowledge supports sustainable-resource management.\u003c\/li\u003e\n\u003cli\u003eFor more information, visit the Clam Garden Network (https:\/\/clamgarden.com), an association of First Nations, researchers, academics and resource managers who see these gardens as “a compelling focal point for a series of linked current social issues, such as food security, First Nations governance, and inter-generational knowledge sharing.”\u003c\/li\u003e\n\u003cli\u003eCurriculum connections include Science \/ life systems, earth and space systems; Social Studies \/ heritage and identities, people and environments.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“The text and illustrations combine grace and knowledge, offering a stunning nonfiction picture book that celebrates First Nations cultural traditions.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“This engaging tale is a natural for lessons about ecology and units on Indigenous peoples, and the illustrations will pop for story-hour audiences.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Booklist","OtherText_Review_2":"\u003cp\u003e“A lyrical story for nature-loving readers, told with reverence for the Indigenous peoples of the Pacific Northwest.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Kirkus Reviews","OtherText_Review_3":"\u003cp\u003e“This beautiful book will enhance awareness of the tradition through its impressive visual presentation.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"CM: Canadian Review of Materials","OtherText_Review_4":"\u003cp\u003e“Kay Weisman’s lyrical writing style ignites the senses … [v]isually stunning.” — \u003cstrong\u003e\u003cem\u003eCanadian Children’s Book News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Canadian Children’s Book News","OtherText_Review_5":"\u003cp\u003e“[T]his book conveys the importance of environmental stewardship and inculcating a love for the land and sea in children.” — \u003cstrong\u003e\u003cem\u003eVancouver Writers Fest\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Vancouver Writers Fest","OtherText_Review_6":"\u003cp\u003e“Melodic prose speaks directly to the reader, fully immersing you in the experience. … The trademark bold, colorful art of celebrated Indigenous artist Roy Henry Vickers evokes a sense of place and purpose.” — \u003cstrong\u003e\u003cem\u003eHakai Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Hakai Magazine","OtherText_ShortDescription_0":"Discover the wonder of ancient sea gardens on the Northwest Coast.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"A Bank Street College of Education Best Children’s Book of the Year","PrizeYear_0":"2021","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2020-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Discover the wonder of ancient sea gardens on the Northwest Coast.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773064291\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"10.25","WidthCode":"in"}
ages 5
to 8
/ grades K
to 3
If You Want to Visit a Sea Garden
Discover the wonder of ancient sea gardens on the Northwest Coast.
Quick View
{"id":6841417433147,"title":"The Believer","handle":"the-believer","description":"\u003cp\u003e\u003cstrong\u003e“Deeply beautiful, and never simple.” — James Gleick, author of \u003cem\u003eTime Travel: A History\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAn unforgettable tour of the human condition that explores our universal need for belief to help us make sense of life, death, and everything in between.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFor Sarah Krasnostein it begins with a Mennonite choir on a subway platform, a fleeting moment of witness that sets her on a fascinating journey to discover why people need to believe in absolute truths and what happens when their beliefs crash into her own. Some of the people Krasnostein interviews believe in things many people do not: ghosts, UFOs, the literal creation of the universe in six days. Some believe in things most people would like to: dying with dignity and autonomy; facing up to our transgressions with truthfulness; living with integrity and compassion.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eBy turns devastating and uplifting, and captured in snapshot-vivid detail, these six profiles — a death doula, a geologist who believes the world is six thousand years old, a lecturer in neurobiology who spends his weekends ghost hunting, the fiancé of a disappeared pilot and UFO enthusiasts, a woman incarcerated for killing her husband after suffering years of domestic violence, and Mennonite families in New York — will leave you convinced that the most ordinary-seeming people are often the most remarkable and that deep and abiding commonalities can be found within the greatest differences. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eVivid, unconventional, entertaining, and full of wonder, \u003cem\u003eThe Believer \u003c\/em\u003einterweaves these stories with compassion and empathy, culminating in an unforgettable tour of the human condition that cuts to the core of who we are as people, and what we’re doing on this earth.\u003c\/p\u003e","published_at":"2022-04-26T10:09:04-04:00","created_at":"2022-04-26T09:18:29-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Nonfiction","Anansi International","By (author) Krasnostein Sarah","pub date: 2022-03-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40320218890299,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010362","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Believer - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":484,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010362","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40320219840571,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010379","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Believer - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010379","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a386e886-40a9-4c97-904c-04e91e4051e3.jpg?v=1655628330"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a386e886-40a9-4c97-904c-04e91e4051e3.jpg?v=1655628330","options":["Title"],"media":[{"alt":null,"id":22243501178939,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a386e886-40a9-4c97-904c-04e91e4051e3.jpg?v=1655628330"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a386e886-40a9-4c97-904c-04e91e4051e3.jpg?v=1655628330","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e“Deeply beautiful, and never simple.” — James Gleick, author of \u003cem\u003eTime Travel: A History\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAn unforgettable tour of the human condition that explores our universal need for belief to help us make sense of life, death, and everything in between.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFor Sarah Krasnostein it begins with a Mennonite choir on a subway platform, a fleeting moment of witness that sets her on a fascinating journey to discover why people need to believe in absolute truths and what happens when their beliefs crash into her own. Some of the people Krasnostein interviews believe in things many people do not: ghosts, UFOs, the literal creation of the universe in six days. Some believe in things most people would like to: dying with dignity and autonomy; facing up to our transgressions with truthfulness; living with integrity and compassion.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eBy turns devastating and uplifting, and captured in snapshot-vivid detail, these six profiles — a death doula, a geologist who believes the world is six thousand years old, a lecturer in neurobiology who spends his weekends ghost hunting, the fiancé of a disappeared pilot and UFO enthusiasts, a woman incarcerated for killing her husband after suffering years of domestic violence, and Mennonite families in New York — will leave you convinced that the most ordinary-seeming people are often the most remarkable and that deep and abiding commonalities can be found within the greatest differences. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eVivid, unconventional, entertaining, and full of wonder, \u003cem\u003eThe Believer \u003c\/em\u003einterweaves these stories with compassion and empathy, culminating in an unforgettable tour of the human condition that cuts to the core of who we are as people, and what we’re doing on this earth.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887843341","AlsoRecommendedISBN_1":"9781487006532","AlsoRecommendedISBN_2":"9781487007249","BASICMainSubject":"SOC002010","BASICMainSubjectLiteral":"SOCIAL SCIENCE \/ Anthropology \/ Cultural \u0026 Social","BiographicalNote":"\u003cp\u003e\u003cstrong \u003eSARAH KRASNOSTEIN\u003c\/strong\u003e is a writer and lawyer with a doctorate in criminal law. Born in Charlottesville, Virginia, she divides her time between Melbourne and New York. Sarah’s first book, \u003cem \u003eThe Trauma Cleaner\u003c\/em\u003e, won Australia’s Victorian Prize for Literature, where it was a runaway bestseller. \u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Anthropology \/ Cultural \u0026 Social","BISACSubjectLiteral_1":"PSYCHOLOGY \/ Social Psychology","BISACSubjectLiteral_2":"PSYCHOLOGY \/ Personality","BISACSubject_0":"SOC002010","BISACSubject_1":"PSY031000","BISACSubject_2":"PSY023000","ContributorBio_0":"\u003cp\u003e\u003cstrong \u003eSARAH KRASNOSTEIN\u003c\/strong\u003e is a writer and lawyer with a doctorate in criminal law. Born in Charlottesville, Virginia, she divides her time between Melbourne and New York. Sarah’s first book, \u003cem \u003eThe Trauma Cleaner\u003c\/em\u003e, won Australia’s Victorian Prize for Literature, where it was a runaway bestseller. \u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Krasnostein, Sarah","Description":"\u003cp\u003e\u003cstrong\u003e“Deeply beautiful, and never simple.” — James Gleick, author of \u003cem\u003eTime Travel: A History\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAn unforgettable tour of the human condition that explores our universal need for belief to help us make sense of life, death, and everything in between.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong \u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFor Sarah Krasnostein it begins with a Mennonite choir on a subway platform, a fleeting moment of witness that sets her on a fascinating journey to discover why people need to believe in absolute truths and what happens when their beliefs crash into her own. Some of the people Krasnostein interviews believe in things many people do not: ghosts, UFOs, the literal creation of the universe in six days. Some believe in things most people would like to: dying with dignity and autonomy; facing up to our transgressions with truthfulness; living with integrity and compassion.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eBy turns devastating and uplifting, and captured in snapshot-vivid detail, these six profiles — a death doula, a geologist who believes the world is six thousand years old, a lecturer in neurobiology who spends his weekends ghost hunting, the fiancé of a disappeared pilot and UFO enthusiasts, a woman incarcerated for killing her husband after suffering years of domestic violence, and Mennonite families in New York — will leave you convinced that the most ordinary-seeming people are often the most remarkable and that deep and abiding commonalities can be found within the greatest differences. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eVivid, unconventional, entertaining, and full of wonder, \u003cem\u003eThe Believer \u003c\/em\u003einterweaves these stories with compassion and empathy, culminating in an unforgettable tour of the human condition that cuts to the core of who we are as people, and what we’re doing on this earth.\u003c\/p\u003e","EAN":"9781487010362","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010362\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"alternative communities;obsessions;alien life;surrender joanna pocock;outsider;faith;grieving;international literature","NumberOfPages":"416","OtherText_Accolades_0":"\u003cp\u003eSarah Krasnostein’s \u003cem\u003eThe Believer\u003c\/em\u003e is filled with everything the world needs more of: compassion, curiosity, and tenderness. Krasnostein brilliantly shows us how to look more carefully, listen more closely, and love more expansively. A complicated, lyrical portrait of belief, meaning making, and the stories we tell that might save us.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Sarah Sentilles, author of Stranger Care","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe COVID-19 pandemic forced many people to confront their beliefs.\u003c\/li\u003e\r\n\u003cli\u003eDuring the Trump presidency, conspiracy theories (like QAnon) jumped out of the internet and into our real lives and governmental policies.\u003c\/li\u003e\r\n\u003cli\u003eWill appeal to fans of TLC-style reality television and conspiracy theory podcasts.\u003cbr\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Krasnostein’s writing is lyrical and stylish, and imaginative in a way that often feels invigorating … The Believer is a fascinating book, and one that asks big questions — about connectedness and separation, certainly, but also about love and grief, resilience and faith, and all the ways in which we situate ourselves within the world. And it is informed always by a sprawling curiosity and deep humanity, which make it an affirming, and deeply moving read.","OtherText_Review_0_Src":"Guardian","OtherText_Review_1":"\u003cp\u003eKrasnostein walks a very careful line between religion and belief, with forays into both the divine and devastation. The way in which the writer brings out the humanity of … various believers is lyrical and full of images that allow the reader a glimpse into the hearts and minds of people with a passion for what they believe, even in the face of opposition from friends, family, society as a whole and, of course, factual reality.\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003eWhat’s most intriguing in this book [is] Krasnostein herself as the writer, grappling throughout with skepticism, curiosity, personal biases and even embarrassment …\u003cem \u003e \u003c\/em\u003e[\u003cem \u003eThe Believer\u003c\/em\u003e] is a fascinating depiction of one individual disbeliever’s encounter with the irrational: a portrait of the author’s expanding capacity for embracing the reality of inexplicable experiences in life on Earth.\u003c\/p\u003e","OtherText_Review_10_Auth":"Broadview","OtherText_Review_10_Src":"Broadview","OtherText_Review_11":"\u003cp\u003eShakespeare’s \u003cem \u003eHamlet \u003c\/em\u003efamously reminded us that there are more things in heaven and Earth than have ever been dreamt of within our philosophy. Krasnostein offers her own elegant version of this when she writes that ‘there is much more in the world than wind and wave.'\u003c\/p\u003e","OtherText_Review_11_Auth":"Ottawa Citizen","OtherText_Review_11_Src":"Ottawa Citizen","OtherText_Review_1_Auth":"Winnipeg Free Press","OtherText_Review_1_Src":"Winnipeg Free Press","OtherText_Review_2":"\u003cp\u003eA sympathetic inquiry into the vicissitudes of faith.\u003c\/p\u003e","OtherText_Review_2_Src":"Kirkus Reviews","OtherText_Review_3":"\u003cp\u003eThe author has the rare combination of skills that allows her to not only build enough trust and rapport with her interview subjects that they will reveal intimate details about their lives, but to also distil a person down to their essence and put that on the page in a way that is simultaneously informative, sensitive and enthralling . . . The true strength of \u003cem\u003eThe Believer \u003c\/em\u003eis in each compellingly rendered story . . . Readers who liked \u003cem\u003eThe Trauma Cleaner\u003c\/em\u003e or Ramona Koval’s \u003cem\u003eA Letter To Layla\u003c\/em\u003e will find much to appreciate in \u003cem\u003eThe Believer\u003c\/em\u003e.\u003c\/p\u003e","OtherText_Review_3_Src":"Books+Publishing","OtherText_Review_4":"This book has got me thinking far more than most. Sarah Krasnostein tells the stories of people who live in mindsets unfamiliar to her with compassion and respect … Krasnostein’s art is that she never places herself on the throne of judgment … The result is both beautiful and unpredictable. Krasnostein is neither naïve nor cynical. She is an existential adventurer.","OtherText_Review_4_Src":"Sydney Morning Herald","OtherText_Review_5":"Transcendent, expansive writing that does the thing that many writers strive for but only few achieve: to show us humanity in clear and compassionate detail, to deepen our understanding of it and to reveal the mysterious and myriad ways in which we are all connected. It is nothing short of astounding!","OtherText_Review_5_Src":"WellRead","OtherText_Review_6":"Krasnostein writes beautifully, and emerges as a thoughtful and compassionate observer … The Believer is, in many ways, my favourite kind of book: one that requires a little extra attention and engagement, calling on the reader as an active participant in its project of making meaning … The result is a meditative and intensely rewarding reading experience, the impact of which lingers long after the final page.","OtherText_Review_6_Src":"West Australian","OtherText_Review_7":"\u003cp\u003eSarah Krasnostein, who blew us all away with her fantastic book The Trauma Cleaner, brings her inquisitive nature and empathetic way with people to her new book \u003cem\u003eThe Believer\u003c\/em\u003e … By seeking such disparate subjects, Krasnostein has woven the threads of their stories, and their very different belief systems, into a tapestry that is rich with life, love, and stories. I expect this will be running off the shelves, and deservedly so.\u003c\/p\u003e","OtherText_Review_7_Src":"Readings","OtherText_Review_8":"[Sarah Krasnostein] listens and records and keeps going back for more until she has built up a picture, complete with all the subtleties that human emotion, faith, and intellect offer …There is no judgement here, just the healthy scepticism of an inquiring mind willing to listen, even when the encounters make her uncomfortable or challenge her own theories and convictions.","OtherText_Review_8_Src":"Herald Sun","OtherText_Review_9":"A fascinating journey, with an erudite, compulsively reflective companion.","OtherText_Review_9_Src":"InDaily","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eFrom award-winning author Sarah Krasnostein comes a book about ghosts and gods and flying saucers and certainty in the absence of knowledge.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2022-03-01","Publisher":"House of Anansi Press Inc","ShortDescription":"From award-winning author Sarah Krasnostein comes a book about ghosts and gods and flying saucers and certainty in the absence of knowledge.","Subtitle":"Encounters with the Beginning, the End, and Our Place in the Middle","Width":"5.5","WidthCode":"in"}
The Believer
From award-winning author Sarah Krasnostein comes a book about ghosts and gods and flying saucers and certainty in the absence of knowledge.
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{"id":6815467208763,"title":"A Whole Life","handle":"a-whole-life","description":"\u003cp\u003e\u003cstrong\u003eShortlisted for The 2017 National Translation Award\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShortlisted for The 2017 International Dublin Literary Award\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShortlisted for The 2016 Man Booker International Prize\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAndreas lives his whole life in the Austrian Alps, where he arrives as a young boy taken in by a farming family. He is a man of very few words and so, when he falls in love with Marie, he doesn't ask for her hand in marriage, but instead has some of his friends light her name at dusk across the mountain. When Marie dies in an avalanche, pregnant with their first child, Andreas' heart is broken. He leaves his valley just once more, to fight in WWII — where he is taken prisoner in the Caucasus — and returns to find that modernity has reached his remote haven…\u003c\/p\u003e\u003cp\u003eLike John Williams' \u003cem\u003eStoner\u003c\/em\u003e or Denis Johnson's \u003cem\u003eTrain Dreams\u003c\/em\u003e, \u003cem\u003eA Whole Life\u003c\/em\u003e is a tender book about finding dignity and beauty in solitude. An exquisite novel about a simple life, it has already demonstrated its power to move thousands of readers with a message of solace and truth. It looks at the moments, big and small, that make us what we are.\u003c\/p\u003e","published_at":"2022-03-24T17:43:36-04:00","created_at":"2022-03-24T14:33:39-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Anansi International","By (author) Seethaler Robert","Literary Fiction","pub date: 2015-10-03","Translated by Collins Charlotte"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40209983373371,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487000745","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A Whole Life - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":299,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487000745","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209983733819,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487000752","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"A Whole Life - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487000752","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209984028731,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487000769","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"A Whole Life - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487000769","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6a96b021-4597-4b38-80aa-d31f1a41e038.jpg?v=1655628124"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6a96b021-4597-4b38-80aa-d31f1a41e038.jpg?v=1655628124","options":["Title"],"media":[{"alt":null,"id":22243488694331,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6a96b021-4597-4b38-80aa-d31f1a41e038.jpg?v=1655628124"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6a96b021-4597-4b38-80aa-d31f1a41e038.jpg?v=1655628124","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted for The 2017 National Translation Award\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShortlisted for The 2017 International Dublin Literary Award\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShortlisted for The 2016 Man Booker International Prize\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAndreas lives his whole life in the Austrian Alps, where he arrives as a young boy taken in by a farming family. He is a man of very few words and so, when he falls in love with Marie, he doesn't ask for her hand in marriage, but instead has some of his friends light her name at dusk across the mountain. When Marie dies in an avalanche, pregnant with their first child, Andreas' heart is broken. He leaves his valley just once more, to fight in WWII — where he is taken prisoner in the Caucasus — and returns to find that modernity has reached his remote haven…\u003c\/p\u003e\u003cp\u003eLike John Williams' \u003cem\u003eStoner\u003c\/em\u003e or Denis Johnson's \u003cem\u003eTrain Dreams\u003c\/em\u003e, \u003cem\u003eA Whole Life\u003c\/em\u003e is a tender book about finding dignity and beauty in solitude. An exquisite novel about a simple life, it has already demonstrated its power to move thousands of readers with a message of solace and truth. It looks at the moments, big and small, that make us what we are.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781770893009","AlsoRecommendedISBN_3":"9781487001056","AlsoRecommendedISBN_4":"9781770894174","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eROBERT SEETHALER\u003c\/strong\u003e was born in Austria and now divides his time between Vienna and Berlin. He is the author of four novels, including \u003cem\u003eThe Tobacconist\u003c\/em\u003e, which has sold more than one million copies in Germany, and \u003cem\u003eA Whole Life\u003c\/em\u003e, a finalist for the International Booker Prize. He also works as a screenwriter and an actor, most recently in Paolo Sorrentino’s \u003cem\u003eYouth\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eROBERT SEETHALER\u003c\/strong\u003e was born in Austria and now divides his time between Vienna and Berlin. He is the author of four novels, including \u003cem\u003eThe Tobacconist\u003c\/em\u003e, which has sold more than one million copies in Germany, and \u003cem\u003eA Whole Life\u003c\/em\u003e, a finalist for the International Booker Prize. He also works as a screenwriter and an actor, most recently in Paolo Sorrentino’s \u003cem\u003eYouth\u003c\/em\u003e.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eCHARLOTTE COLLINS\u003c\/strong\u003e studied English at Cambridge University. She worked as an actor and radio journalist in both Germany and the U.K. before becoming a literary translator. She received the Goethe-Institut’s Helen and Kurt Wolff Translator’s Prize for Robert Seethaler’s \u003cem\u003eA Whole Life\u003c\/em\u003e, which was also a finalist for the International Booker Prize and the International DUBLIN Literary Award. She co-translated the \u003cem\u003eThe Eighth Life\u003c\/em\u003e, the acclaimed novel by Nino Haratischvili, and her other translations include Seethaler’s \u003cem\u003eThe Tobacconist \u003c\/em\u003eand \u003cem\u003eThe End of Loneliness\u003c\/em\u003e by Benedict Wells.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Seethaler, Robert","Contributor_1":"Collins, Charlotte","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted for The 2017 National Translation Award\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShortlisted for The 2017 International Dublin Literary Award\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShortlisted for The 2016 Man Booker International Prize\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAndreas lives his whole life in the Austrian Alps, where he arrives as a young boy taken in by a farming family. He is a man of very few words and so, when he falls in love with Marie, he doesn't ask for her hand in marriage, but instead has some of his friends light her name at dusk across the mountain. When Marie dies in an avalanche, pregnant with their first child, Andreas' heart is broken. He leaves his valley just once more, to fight in WWII — where he is taken prisoner in the Caucasus — and returns to find that modernity has reached his remote haven…\u003c\/p\u003e\u003cp\u003eLike John Williams' \u003cem\u003eStoner\u003c\/em\u003e or Denis Johnson's \u003cem\u003eTrain Dreams\u003c\/em\u003e, \u003cem\u003eA Whole Life\u003c\/em\u003e is a tender book about finding dignity and beauty in solitude. An exquisite novel about a simple life, it has already demonstrated its power to move thousands of readers with a message of solace and truth. It looks at the moments, big and small, that make us what we are.\u003c\/p\u003e","EAN":"9781487000769","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487000769\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487000745\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"The Alps; Austria; Europe; WWII; Nazi; Prose; German; Literary Fiction; Book Club; International; Literary Fiction; Historical Fiction; Historical; European Literature; Short Reads; Novella; Man Booker; Translations; Emotional; Thoughtful; Thought Provoking; Swiss; Contemporary; Booker Nominee; Rural; Countryside; Western Europe; Dutch reads; Dutch; Death; Abuse; Life; Introvert; Shy Protagonist; Introvertedindie next 2025;the cafe with no name","NumberOfPages":"160","OtherText_Review_0":"\u003cp\u003e“Every nuance, every word, every sentence — everything is precisely in place. An admirable achievement for such a slim volume.” — \u003cstrong\u003eElmar Krekeler, \u003cem\u003eDie Welt\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Elmar Krekeler","OtherText_Review_0_Src":"Die Welt","OtherText_Review_1":"\u003cp\u003e“[Seethaler has] succeeded in crafting a book which has to be described as more poignant and harrowing than anything written in a very long time.” — \u003cstrong\u003eChristoph Schröder, \u003cem\u003etaz\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“Every word has a place. Words evoke an imagery that is imprinted in the reader's mind… [a]poignant song of a fulfilled life” — \u003cstrong\u003e\u003cem\u003eSukasa Reads\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Src":"Sukasa Reads blog","OtherText_Review_11":"\u003cp\u003e“The Austrian writer Robert Seethaler’s A Whole Life is a lovely contemplation of a life in solitude in a remote valley, into which the modern world slowly intrudes.” — \u003cstrong\u003eIan McEwen, \u003cem\u003eSunday Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Auth":"Ian McEwan","OtherText_Review_11_Src":"Sunday Times","OtherText_Review_1_Auth":"Christoph Schröder","OtherText_Review_1_Src":"taz","OtherText_Review_2":"\u003cp\u003e“A magnificent author who moves us so profoundly with an unforgettable book.” — \u003cstrong\u003eElke Heidenreich, \u003cem\u003eFrankfurter Allgemeine Zeitung\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Elke Heidenreich","OtherText_Review_2_Src":"Frankfurter Allgemeine Zeitung","OtherText_Review_3":"\u003cp\u003e“Do yourself a favour and read this book. It is food for the soul — so quiet,so subtle, yet with resounding reverberations.” — \u003cstrong\u003eChristine Westermann, \u003cem\u003eWDR\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Christine Westermann","OtherText_Review_3_Src":"WDR","OtherText_Review_4":"\u003cp\u003e“The delicate, elegant song of a fulfilled life . . . Full of wonder.” — \u003cstrong\u003e\u003cem\u003eLiterarische Welt\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Literarische Welt","OtherText_Review_5":"\u003cp\u003e“Robert Seethaler's quietly mesmerizing novel - elemental in both tone and subject - shows what joy and nobility can be found in a life of hardship, patience and bereavement. It is at once heart-rending and heart-warming. A Whole Life, for all its gentleness, is a very powerful book.” — \u003cstrong\u003e\u003cem\u003eJim Crace\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Jim Crace","OtherText_Review_6":"\u003cp\u003e“It's refreshing to read a story marked by quiet, concentrated attention . . . a reaction to all around us that is prolix, narcissistic and mindlessly technology-worshipping. What is perhaps most remarkable about this remarkable novel is the way that it continually weaves past, present and future into a single fabric. A deeply moving book” — \u003cstrong\u003e\u003cem\u003eSunday Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"Sunday Times ","OtherText_Review_7":"\u003cp\u003e“Seethaler shows that for even the most ordinary people, life is an extraordinary adventure — and he does so tenderly and memorably.” — \u003cstrong\u003e\u003cem\u003eMail on Sunday\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Mail on Sunday","OtherText_Review_8":"\u003cp\u003e“The story of Andreas Egger is both heartbreaking and uplifting…the beauty of this slim volume makes the reader pause and think about what it means to be alive.” — \u003cstrong\u003eLinda Diebel, \u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Auth":"Linda Diebel","OtherText_Review_8_Src":"Toronto Star","OtherText_Review_9":"\u003cp\u003e“[A] quiet reflection on solitude, transformation and contentment… a lovely story, and stands as a testament to the fact only we can define our happiness, and life is what you make it.” — \u003cstrong\u003eKatrina Sklepowich, \u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Auth":"Katrina Sklepowich","OtherText_Review_9_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"The 100,000-copy German bestseller.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Short-listed","PrizeCode_0":"04","PrizeCode_1":"01","PrizeCode_2":"04","PrizeName_0":"The Man Booker International Prize","PrizeName_1":"Anton-Wildgans Prize","PrizeName_2":"National Translation Award","PrizeYear_0":"2016","PrizeYear_1":"2017","PrizeYear_2":"2017","ProductFormDescription":"mobi","PublicationDate":"2015-10-03","Publisher":"House of Anansi Press Inc","ShortDescription":"The 100,000-copy German bestseller.","Width":"5.5","WidthCode":"in"}
A Whole Life
The 100,000-copy German bestseller.
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Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.\u003c\/p\u003e\u003cp\u003eDetermined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9\/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBreaking the Ocean\u003c\/i\u003e introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.\u003c\/p\u003e","published_at":"2022-12-15T08:49:53-05:00","created_at":"2022-03-22T11:06:55-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult BIPOC Voices","Adult Nonfiction","Adult Starred Reviews","Anansi Audio","By (author) Dashtgard Annahid","pub date: 2019-08-20","Read by Dashtgard Annahid"],"price":1895,"price_min":1895,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195534258235,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006471","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":360,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006471","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195537469499,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006488","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006488","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195538255931,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006495","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006495","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195539435579,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008765","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008765","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195541270587,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008772","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Breaking the Ocean - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008772","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069","options":["Title"],"media":[{"alt":"Small glittering, gold shapes are against a light blue background. The shapes appear to drop from the top of the cover, where they fall into place to form mandala-like patterns at the bottom of the cover. Text: Breaking the Ocean. A Memoir of Race, Rebellion, and Reconciliation. Annahid Dashtgard. “A profound and candid reflection on the realities of race today.” – Waubgeshig Rice, author of Moon of the Crusted Snow.","id":22170973863995,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_d230974a-481b-40ee-9362-13c819941599.jpg?v=1654445069","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn \u003ci\u003eBreaking the Ocean\u003c\/i\u003e, diversity and inclusion specialist Annahid Dashtgard addresses the long-term impacts of exile, immigration, and racism by offering a vulnerable, deeply personal account of her life and work.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAnnahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized both by her peers at school and adults in the community. Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.\u003c\/p\u003e\u003cp\u003eDetermined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9\/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBreaking the Ocean\u003c\/i\u003e introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887848179","AlsoRecommendedISBN_1":"9781487003043","AlsoRecommendedISBN_2":"9781487006440","BASICMainSubject":"BIO032000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY\/Social Activists","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eANNAHID DASHTGARD\u003c\/strong\u003e (M.Ed.) is the co-founder of Anima Leadership, a highly respected international consulting company specializing in issues of diversity and inclusion. Previously she was a leader in the anti-corporate globalization movement, responsible for several national political campaigns and frequently referred to as one of the top activists to watch in the 1990s. She is the host of the podcast series \u003cem\u003eBreaking the Ocean: Soundwaves of Belonging\u003c\/em\u003e and the director of two award-winning documentaries, \u003cem\u003eBuy-Bye World: The Battle of Seattle\u003c\/em\u003e and \u003cem\u003eBread\u003c\/em\u003e. Her writing has appeared in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and \u003cem\u003eBriarpatch\u003c\/em\u003e magazine. Dashtgard lives in Toronto with her husband and children. \u003cem\u003eBreaking the Ocean\u003c\/em\u003e is her first book. \u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Social Activists","BISACSubjectLiteral_1":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Political","BISACSubject_0":"BIO032000","BISACSubject_1":"BIO026000","BISACSubject_2":"BIO010000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eANNAHID DASHTGARD\u003c\/strong\u003e (M.Ed.) is the co-founder of Anima Leadership, a highly respected international consulting company specializing in issues of diversity and inclusion. Previously she was a leader in the anti-corporate globalization movement, responsible for several national political campaigns and frequently referred to as one of the top activists to watch in the 1990s. She is the host of the podcast series \u003cem\u003eBreaking the Ocean: Soundwaves of Belonging\u003c\/em\u003e and the director of two award-winning documentaries, \u003cem\u003eBuy-Bye World: The Battle of Seattle\u003c\/em\u003e and \u003cem\u003eBread\u003c\/em\u003e. Her writing has appeared in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and \u003cem\u003eBriarpatch\u003c\/em\u003e magazine. Dashtgard lives in Toronto with her husband and children. \u003cem\u003eBreaking the Ocean\u003c\/em\u003e is her first book. \u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eANNAHID DASHTGARD\u003c\/strong\u003e (M.Ed.) is the co-founder of Anima Leadership, a highly respected international consulting company specializing in issues of diversity and inclusion. Previously she was a leader in the anti-corporate globalization movement, responsible for several national political campaigns and frequently referred to as one of the top activists to watch in the 1990s. She is the host of the podcast series \u003cem\u003eBreaking the Ocean: Soundwaves of Belonging\u003c\/em\u003e and the director of two award-winning documentaries, \u003cem\u003eBuy-Bye World: The Battle of Seattle\u003c\/em\u003e and \u003cem\u003eBread\u003c\/em\u003e. Her writing has appeared in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, and \u003cem\u003eBriarpatch\u003c\/em\u003e magazine. Dashtgard lives in Toronto with her husband and children. \u003cem\u003eBreaking the Ocean\u003c\/em\u003e is her first book. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Dashtgard, Annahid","Contributor_1":"Dashtgard, Annahid","Description":"\u003cp\u003e\u003cstrong\u003eIn \u003ci\u003eBreaking the Ocean\u003c\/i\u003e, diversity and inclusion specialist Annahid Dashtgard addresses the long-term impacts of exile, immigration, and racism by offering a vulnerable, deeply personal account of her life and work.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAnnahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized both by her peers at school and adults in the community. Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.\u003c\/p\u003e\u003cp\u003eDetermined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9\/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBreaking the Ocean\u003c\/i\u003e introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.\u003c\/p\u003e","EAN":"9781487008772","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006471\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi Audio","NumberOfPages":"280","OtherText_Accolades_0":"\u003cp\u003e“A profound and candid reflection on the realities of race today, Breaking the Ocean pulls no punches in calling out the power structures upholding racism. By sharing her life’s story, Annahid Dashtgard effectively examines the complex intersection of culture, class, and colour. As a mixed-race person, I found her story deeply resonant, and felt an immediate kinship with her and her loved ones.” — \u003cstrong\u003eWaubgeshig Rice\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Waubgeshig Rice","OtherText_Accolades_1":"\u003cp\u003e“\u003cem\u003eBreaking the Ocean\u003c\/em\u003e is a deeply intimate and provocative memoir about the explorations of a young immigrant mixed-race woman trying to find her way to belonging through social change. A profound and important read at this time of the intersections of our struggles. We need more voices like hers.” — \u003cstrong\u003eJudy Rebick\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Judy Rebick","OtherText_Accolades_2":"\u003cp\u003e“A bold and intimate memoir about growing up mixed-race, overcoming adversities, and fighting for social change, Breaking the Ocean deftly illuminates the pain and loss of immigration and what it means to feel like you don’t belong. At its core, this is a book about trauma and resilience and the power of storytelling to heal and connect us all.” — \u003cstrong\u003eAyelet Tsabari\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Ayelet Tsabari","OtherText_Accolades_3":"\u003cp\u003e“A powerful memoir about the making of a leader and the rise of her passion for justice and equity. This is a stunning personal reflection on one woman’s growth to claim her own power and the dedication she makes to social change.” — \u003cstrong\u003eCarrianne Leung\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Carrianne Leung","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eDEMAND FOR IMMIGRANT STORIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eNever before has there been such interest in immigrant and refugee stories, as demonstrated by the success of novels and story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eDEBUT FROM CO-FOUNDER OF ANIMA LEADERSHIP:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eDashtgard is the co-founder of Amima Leadership, an award-winning organization devoted to diversity and inclusion in the workforce. The company is committed to creating spaces where everyone matters and belongs.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eIt is the beginning of September, the first day of school, and the sun is flirting with making an appearance. Butterflies fill my stomach, but in a good way. Today marks my four-year-old daughter’s first day of attending the “big school” at the end of our street. She’s wearing the robin’s-egg-blue dress I bought for her birthday earlier this year with the silver filigree design down the front — an echo of her Middle Eastern roots. My husband Shakil and I leave the house to drop her off together. With her marching gait, laser-beam gaze, and set mouth, she seems fine. Better off than her mama.\u003c\/p\u003e\u003cp\u003eI feel alone. The paralyzing isolation I felt during the early years of motherhood has given way to tenuous new connections with many other parents — through daycare, local Facebook groups, and community gatherings — but I’m still off balance. Despite reaching middle age, despite having achieved professional success, despite all the wonderful things and people in my life, this moment undoes me.\u003c\/p\u003e\u003cp\u003eThe sight of monkey bars and green playing field makes me feel tight and floaty at the same time. I know it’s because a part of me was left behind in a place just like this, where I learned that in order to survive I had to make myself disappear. I can’t catch my breath. I feel dislocated.\u003c\/p\u003e\u003cp\u003eMy daughter runs into the play area without a backward glance, and I call her back to give her one last hug. “Enjoy your first day at your new school, Baba. I love you so much,” I whisper. I can’t tell if it’s her or some earlier version of myself that I watch twist and spin away, the past collapsing into the present. All I know is that my daughter’s story begins with my story. And my story begins with my people.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eDEMAND FOR IMMIGRANT STORIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eNever before has there been such interest in immigrant and refugee stories, as demonstrated by the success of novels and story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEBUT FROM CO-FOUNDER OF ANIMA LEADERSHIP:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eDashtgard is the co-founder of Amima Leadership, an award-winning organization devoted to diversity and inclusion in the workforce. The company is committed to creating spaces where everyone matters and belongs.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“\u003cem\u003eBreaking the Ocean\u003c\/em\u003e is unique in its generosity, looking to the past with a wholehearted anticipation for what can be retrieved in the present. It is deeply felt and striking in its clarity and relevance.” — \u003cstrong\u003e\u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Quill and Quire","OtherText_Review_1":"\u003cp\u003e“An incredibly rich personal reflection … [Breaking the Ocean] speaks boldly about identity, reinvention, trauma, burnout, and a continuous journey towards healing.” — \u003cstrong\u003e\u003cem\u003eHamilton Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Hamilton Review of Books","OtherText_Review_2":"\u003cp\u003e“This is a beautifully written, sensitive memoir fraught with painful memories but also touched by hope, an illuminating meditation on finding your own voice and identity in a new land.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Booklist","OtherText_ShortDescription_0":"Diversity and inclusion specialist Dashtgard addresses the impacts of exile, immigration, and racism through an account of her life and work.","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2019-08-20","Publisher":"House of Anansi Press Inc","ShortDescription":"Diversity and inclusion specialist Dashtgard addresses the impacts of exile, immigration, and racism through an account of her life and work.","Subtitle":"A Memoir of Race, Rebellion, and Reconciliation","Width":"5.5","WidthCode":"in"}
Breaking the Ocean
Diversity and inclusion specialist Dashtgard addresses the impacts of exile, immigration, and racism through an account of her life and work.
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{"id":6811309244475,"title":"The Age of Creativity","handle":"the-age-of-creativity","description":"\u003cp\u003e\u003cstrong\u003eA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of \u003ci\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/i\u003e. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? 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We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Age of Creativity \u003c\/i\u003eis a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002190","AlsoRecommendedISBN_1":"9781487004071","AlsoRecommendedISBN_4":"9781487008024","BASICMainSubject":"BIO026000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Personal Memoirs","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eEMILY URQUHART\u003c\/strong\u003e is a National Magazine Award–winning writer and has a doctorate in folklore from Memorial University of Newfoundland. Her first book, \u003cem\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/em\u003e, was a \u003cem\u003eMaclean’s\u003c\/em\u003e bestseller, a finalist for the BC National Award for Canadian Non-Fiction, and a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015. Her freelance writing has appeared in the \u003cem\u003eToronto Star\u003c\/em\u003e, \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, \u003cem\u003eLongreads\u003c\/em\u003e, the \u003cem\u003eRumpus\u003c\/em\u003e, and \u003cem\u003eEighteen Bridges\u003c\/em\u003e, among other publications. She is a nonfiction editor for the \u003cem\u003eNew Quarterly\u003c\/em\u003e and teaches creative nonfiction at Wilfrid Laurier University. She lives in Kitchener, Ontario, with her husband and their two children.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_1":"FAMILY \u0026amp; RELATIONSHIPS \/ Life Stages \/ Later Years","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Artists, Architects, Photographers","BISACSubject_0":"BIO026000","BISACSubject_1":"FAM005000","BISACSubject_2":"BIO001000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eEMILY URQUHART\u003c\/strong\u003e is a National Magazine Award–winning writer and has a doctorate in folklore from Memorial University of Newfoundland. Her first book, \u003cem\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/em\u003e, was a \u003cem\u003eMaclean’s\u003c\/em\u003e bestseller, a finalist for the BC National Award for Canadian Non-Fiction, and a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015. Her freelance writing has appeared in the \u003cem\u003eToronto Star\u003c\/em\u003e, \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, \u003cem\u003eLongreads\u003c\/em\u003e, the \u003cem\u003eRumpus\u003c\/em\u003e, and \u003cem\u003eEighteen Bridges\u003c\/em\u003e, among other publications. She is a nonfiction editor for the \u003cem\u003eNew Quarterly\u003c\/em\u003e and teaches creative nonfiction at Wilfrid Laurier University. She lives in Kitchener, Ontario, with her husband and their two children.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Urquhart, Emily (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of \u003ci\u003eBeyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes\u003c\/i\u003e. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from \u003ci\u003eThe Age of Creativity\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIt has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Age of Creativity \u003c\/i\u003eis a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.\u003c\/p\u003e","EAN":"9781487005313","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005313\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"The Walrus Books","MetaKeywords":"grief works; jackson pollock; bruce mccall; martha henry; mary pratt; albright knox buffalo; lynda barry; making comics; fathers day; mothers day","NumberOfPages":"232","OtherText_Accolades_0":"This is a gift of a book, an ode to late style, a daughter’s devotional, a fascinating dive into art history, but above all a radical detonation of accepted notions of ageing and art. Emily Urquhart is a curious and frank guide, who captures her subject with clear and perfect brushstrokes.","OtherText_Accolades_0_Auth":"Kyo Maclear, award-winning and bestselling author of Birds Art Life","OtherText_Accolades_1":"Wise and thoughtful, Emily Urquhart’s The Age of Creativity leads us through the landscape of imagination. The bonds of familial love, the workings of memory, the drive to create, and the process of aging are all explored with Urquhart’s trademark blending of intelligence and warmth. This important work delves into the life of an artist who surveys the transformation of his work over decades and the parallel trajectory of his life. Urquhart’s beautifully crafted memoir celebrates the longevity and the universality of the creative spirit alive in us all.","OtherText_Accolades_1_Auth":"Joanna Pocock, author of Surrender: The Call of the American West","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAWARD-WINNING AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eEmily Urquhart is a beautiful and highly skilled writer. Her long-form nonfiction has won several awards. Her previous book, the bestselling 2015 memoir \u003cem\u003eBeyond the Pale\u003c\/em\u003e, was a finalist for the BC National Award for Canadian Non-Fiction and named a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Best Book of 2015.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eINTIMATE ACCESS TO THE LIFE OF PAINTER TONY URQUHART:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThis memoir about the author’s relationship with her father gives readers insight into leading abstract expressionist painter and sculpture artist Anthony Morse (“Tony”) Urquhart, making it appealing to readers of fine art books and biography. Fans of literature will also love the view into the marriage between him and pioneering novelist, Emily’s mother, Jane Urquhart.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBOOMER BOOK-BUYING MARKET:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe book will be of particular interest to the baby boomer population as well as to the people who care about them, and, in some cases, care for them. In addition to the interviews with Tony Urquhart, the book features stories of creative seniors from a variety of backgrounds, including actor Martha Henry (b. 1938), artist and humour writer Bruce McCall (b. 1935), physicist John Moffat (b. 1932), TV host Dini Petty (b. 1945), and painter Mary Pratt (1935–2018). Ultimately, the topic will appeal to a universal audience because one day, barring injury or illness, we will all grow old.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEWEST BOOK IN THE PRESTIGIOUS THE WALRUS BOOKS IMPRINT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Walrus Books\u003c\/em\u003e imprint publishes strong, rigorous works of narrative nonfiction that reflect the excellence of both \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e and Anansi brands. \u003cem\u003eBig Lonely Doug\u003c\/em\u003e (2018) by Harley Rustad sold well and earned wide media coverage and prize attention. Lauren McKeon’s \u003cem\u003eNo More Nice Girls\u003c\/em\u003e (March 2020) is already garnering high praise from readers. \u003cem\u003eThe Age of Creativity\u003c\/em\u003e follows in their footsteps and will uphold the high standards set by \u003cem\u003eThe Walrus Books\u003c\/em\u003e, the strong partnership between \u003cem\u003eThe Walrus Magazine\u003c\/em\u003e, the Chawkers Foundation, and House of Anansi Press.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Heartfelt and thoughtful … [The Age of Creativity] deal[s] with dementia and old age with sensitivity and respect, and may soothe readers and caregivers coping with the same.","OtherText_Review_0_Src":"Quill \u0026amp; Quire","OtherText_Review_1":"Meticulously researched and including interviews with aging creators, Urquhart’s book is both a deeply personal account and an important critique of ageism.","OtherText_Review_1_Src":"Now Magazine","OtherText_ShortDescription_0":"A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.","ProductFormDescription":"trade paperback","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.","Subtitle":"Art, Memory, My Father, and Me","Width":"5.5","WidthCode":"in"}
The Age of Creativity
A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart.
