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Quick View {"id":6983302021179,"title":"Angry Me","handle":"angry-me","description":"\u003cp\u003e\u003cstrong\u003eA young child tells us what makes her angry and how she tries to let the anger come and go. An artful starting point for conversations about strong feelings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I get angry,” says a little girl, looking fiercely in the mirror. Sometimes she gets angry when someone is mean and tries to take her toy away, when it feels unfair that there’s not enough time to go swimming, when she’s tired and just wants to go home, or when the kids at school leave her out, hurting her feelings.\u003c\/p\u003e\n\u003cp\u003eWhen she’s angry, she tries to remember to use her words — even though that doesn’t always work. Sometimes she can’t find the right words, or the words don’t come out the way she intends. But sometimes words do help, and when her anger melts away a new feeling can blossom.\u003c\/p\u003e\n\u003cp\u003eSandra Feder’s cleverly constructed text presents different situations in which a child might feel angry, creating a nuanced look at anger and its many underlying emotions. Rahele Jomepour Bell’s illustrations show a loveable, angry little girl, brimming with personality, who learns how to express herself as she moves through her feelings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eexplanation\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003e\nWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","published_at":"2022-09-13T17:01:06-04:00","created_at":"2022-09-13T16:54:00-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 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An artful starting point for conversations about strong feelings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I get angry,” says a little girl, looking fiercely in the mirror. Sometimes she gets angry when someone is mean and tries to take her toy away, when it feels unfair that there’s not enough time to go swimming, when she’s tired and just wants to go home, or when the kids at school leave her out, hurting her feelings.\u003c\/p\u003e\n\u003cp\u003eWhen she’s angry, she tries to remember to use her words — even though that doesn’t always work. Sometimes she can’t find the right words, or the words don’t come out the way she intends. But sometimes words do help, and when her anger melts away a new feeling can blossom.\u003c\/p\u003e\n\u003cp\u003eSandra Feder’s cleverly constructed text presents different situations in which a child might feel angry, creating a nuanced look at anger and its many underlying emotions. Rahele Jomepour Bell’s illustrations show a loveable, angry little girl, brimming with personality, who learns how to express herself as she moves through her feelings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eexplanation\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003e\nWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781773062006","AlsoRecommendedISBN_1":"9781773062051","AlsoRecommendedISBN_2":"9781773062204","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"3","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"1","AudienceRangeValue_2_2":"6","BASICMainSubject":"JUV039050","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/Emotions \u0026 Feelings","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANDRA V. FEDER\u003c\/strong\u003e is the author of four highly acclaimed picture books: \u003cem\u003eAngry Me\u003c\/em\u003e and \u003cem\u003ePeaceful Me\u003c\/em\u003e, illustrated by Rahele Jomepour Bell; \u003cem\u003eBitter and Sweet\u003c\/em\u003e, illustrated by Kyrsten Brooker, a PJ Library selection; and \u003cem\u003eThe Moon Inside\u003c\/em\u003e, illustrated by Aimée Sicuro, which has been translated into multiple languages. She has also written the Daisy series of early chapter books, illustrated by Susan Mitchell. Sandra lives in California.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Self-Esteem \u0026amp; Self-Reliance","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Values \u0026amp; Virtues","BISACSubject_0":"JUV039050","BISACSubject_1":"JUV039140","BISACSubject_2":"JUV039220","CommonCore":"CCSS.ELA-LITERACY.RL.1.7","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.2","CommonCore_2":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_3":"CCSS.ELA-LITERACY.RL.1.4","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANDRA V. FEDER\u003c\/strong\u003e is the author of four highly acclaimed picture books: \u003cem\u003eAngry Me\u003c\/em\u003e and \u003cem\u003ePeaceful Me\u003c\/em\u003e, illustrated by Rahele Jomepour Bell; \u003cem\u003eBitter and Sweet\u003c\/em\u003e, illustrated by Kyrsten Brooker, a PJ Library selection; and \u003cem\u003eThe Moon Inside\u003c\/em\u003e, illustrated by Aimée Sicuro, which has been translated into multiple languages. She has also written the Daisy series of early chapter books, illustrated by Susan Mitchell. Sandra lives in California.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eRAHELE JOMEPOUR BELL\u003c\/strong\u003e’s rich, textured illustrations have appeared in \u003cem \u003eAngry Me\u003c\/em\u003e by Sandra V. Feder, \u003cem \u003eTo Change a Planet\u003c\/em\u003e by Christina Soontornvat (Green Earth Book Award), \u003cem \u003eThe Treasure Box\u003c\/em\u003e (Bologna Illustration Exhibition award) and \u003cem \u003eOur Favorite Day of the Year\u003c\/em\u003e by A. E. Ali (Kirkus Best Picture Books of the Year), among many others. She is an assistant professor in the illustration department at Kansas City Art Institute and has her studio in Kansas state.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Feder, Sandra V.","Contributor_1":"Jomepour Bell, Rahele","Description":"\u003cp\u003e\u003cstrong\u003eA young child tells us what makes her angry and how she tries to let the anger come and go. An artful starting point for conversations about strong feelings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I get angry,” says a little girl, looking fiercely in the mirror. Sometimes she gets angry when someone is mean and tries to take her toy away, when it feels unfair that there’s not enough time to go swimming, when she’s tired and just wants to go home, or when the kids at school leave her out, hurting her feelings.\u003c\/p\u003e\n\u003cp\u003eWhen she’s angry, she tries to remember to use her words — even though that doesn’t always work. Sometimes she can’t find the right words, or the words don’t come out the way she intends. But sometimes words do help, and when her anger melts away a new feeling can blossom.\u003c\/p\u003e\n\u003cp\u003eSandra Feder’s cleverly constructed text presents different situations in which a child might feel angry, creating a nuanced look at anger and its many underlying emotions. Rahele Jomepour Bell’s illustrations show a loveable, angry little girl, brimming with personality, who learns how to express herself as she moves through her feelings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e\n\u003cp\u003eexplanation\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003e\nWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.2\u003cbr\u003e\nRetell stories, including key details, and demonstrate understanding of their central message or lesson.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.7\u003cbr\u003e\nUse illustrations and details in a story to describe its characters, setting, or events.\u003c\/p\u003e","EAN":"9781773063409","Height":"11.25","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003edialogue;explanation;illustrations;vignettes\u003c\/p\u003e","MetaKeywords":"little kids big feelings;anxiety;hurt feelings;kindness;behaviour modification;acceptance;sharing;empathy;good egg;bad seed;elise gravel;not me;jo witek;validating feelings;peter reynolds and susan verde;i feel teal;amy sicuro;mercer meyer;little critter i was so mad","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eSandra Feder looks at anger from multiple situational lenses.\u003c\/li\u003e\n\u003cli\u003eAn important book about social-emotional learning. \u003c\/li\u003e\n\u003cli\u003eRahele Jomepour Bell illustrated Our Favorite Day of the Year by A.E. Ali, which received five starred reviews and was a Kirkus Best Picture Book of the Year (2020). \u003c\/li\u003e\n\u003cli\u003eA companion book, Peaceful Me, will be published in Spring 2023.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eSandra Feder looks at anger from multiple situational lenses.\u003c\/li\u003e\n\u003cli\u003eAn important book about social-emotional learning. \u003c\/li\u003e\n\u003cli\u003eRahele Jomepour Bell illustrated Our Favorite Day of the Year by A.E. Ali, which received five starred reviews and was a Kirkus Best Picture Book of the Year (2020). \u003c\/li\u003e\n\u003cli\u003eA companion book, Peaceful Me, will be published in Spring 2023.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eArtfully captures the nuances of anger. STARRED REVIEW\u003c\/p\u003e","OtherText_Review_0_Src":"Shelf Awareness","OtherText_Review_1":"\u003cp\u003eA valuable tool for teaching children the important skill of recognizing and naming feelings.\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003eA fresh addition to teeming 'anger management' shelves.\u003c\/p\u003e","OtherText_Review_2_Src":"Booklist","OtherText_Review_3":"\u003cp\u003eAn effective springboard for discussing a topic that may be hard for young children to verbalize.\u003c\/p\u003e","OtherText_Review_3_Src":"School Library Connection","OtherText_Review_4":"\u003cp\u003e\u003cem\u003eAnger Me\u003c\/em\u003e is an excellent example where both illustrations and text work in tandem with one another to create an interesting and pertinent experience for the young reader.\u003c\/p\u003e","OtherText_Review_4_Src":"CM: Canadian Review of Materials","OtherText_Review_5":"\u003cp\u003eA wonderful book to share with young ones to talk about communication and let them know they are understood.\u003c\/p\u003e","OtherText_Review_5_Src":"Calgary Herald","OtherText_Review_6":"\u003cp\u003eA nuanced look at anger and its many underlying emotions.\u003c\/p\u003e","OtherText_Review_6_Src":"Midwest Book Review","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA young child tells us what makes her angry and how she tries to let the anger come and go, in this nuanced look at what may underlie angry feelings.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"Cooperative Children's Book Center, CCBC Choices","PrizeYear_0":"2023","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2022-05-01","Publisher":"Groundwood Books Ltd","Series":"Emotions and Me","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA young child tells us what makes her angry and how she tries to let the anger come and go, in this nuanced look at what may underlie angry feelings.\u003c\/strong\u003e\u003c\/p\u003e","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773063409\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"8","WidthCode":"in"}

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Angry Me

A young child tells us what makes her angry and how she tries to let the anger come and go, in this nuanced look at what may underlie angry feelings.

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Quick View {"id":6983308214331,"title":"Gardening Naturally","handle":"gardening-naturally","description":"\u003cp\u003e\u003cstrong\u003eEcological gardening with ease and simplicity.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eGardening Naturally\u003c\/em\u003e offers a wealth of information and practical advice for growing indoor and outdoor plants based on sustainability, a rejection of artificial chemicals, and respect for biodiversity and the natural world. From advice on planning your garden and dealing with disease, insects, and the arrival of cold weather, to tips for starting your own compost, repotting effectively, and choosing which local and native flowers to best attract pollinators, \u003cem\u003eGardening Naturally\u003c\/em\u003e will interest anyone who wants to add flowers, edibles, and greenery to their daily life, no matter the size of their balcony or the extent of their garden.\u003c\/p\u003e","published_at":"2022-09-13T17:31:32-04:00","created_at":"2022-09-13T17:04:56-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Nonfiction","Ambrosia","By (author) Perron Laurie","By (author) Quesnel-Langlois Sarah","Edited by Sutcliffe J. 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From advice on planning your garden and dealing with disease, insects, and the arrival of cold weather, to tips for starting your own compost, repotting effectively, and choosing which local and native flowers to best attract pollinators, \u003cem\u003eGardening Naturally\u003c\/em\u003e will interest anyone who wants to add flowers, edibles, and greenery to their daily life, no matter the size of their balcony or the extent of their garden.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487000356","AlsoRecommendedISBN_1":"9781487002442","AlsoRecommendedISBN_2":"9781487009434","BASICMainSubject":"GAR022000","BASICMainSubjectLiteral":"GARDENING\\\/Techniques","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAURIE PERRON\u003c\\\/strong\u003e worked as a horticulturalist and landscape architect for fifteen years before realizing her dream of opening Jungle Fleur, an online boutique flower shop that sells seasonal blooms that she grows in her mother’s garden.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"GARDENING \\\/ Techniques","BISACSubjectLiteral_1":"GARDENING \\\/ Organic","BISACSubjectLiteral_2":"HOUSE \u0026amp; HOME \\\/ Sustainable Living","BISACSubject_0":"GAR022000","BISACSubject_1":"GAR016000","BISACSubject_2":"HOM022000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAURIE PERRON\u003c\\\/strong\u003e worked as a horticulturalist and landscape architect for fifteen years before realizing her dream of opening Jungle Fleur, an online boutique flower shop that sells seasonal blooms that she grows in her mother’s garden.\u003c\\\/p\u003e\\r\\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSARAH QUESNEL-LANGLOIS\u003c\\\/strong\u003e is an artisan and photographer with an enthusiasm for botany. Since 2018, she has collaborated on a variety of projects with Jungle Fleur as a horticulturalist and stylist, thus combining her greatest passions in life.\u003c\\\/p\u003e\\r\\n","ContributorBio_2":"\u003cp\u003e\u003cstrong\u003eJ. C. SUTCLIFFE\u003c\\\/strong\u003e is a translator, writer, and editor. Her translation of\u003cem\u003e Back Roads\u003c\\\/em\u003e by Andrée A. Michaud was a finalist for the Governor General’s Literary Award. Her other translations include \u003cem\u003eMama’s Boy\u003c\\\/em\u003e and \u003cem\u003eMama’s Boy Behind Bars\u003c\\\/em\u003e by David Goudreault, \u003cem\u003eDocument 1 \u003c\\\/em\u003eby François Blais, and \u003cem\u003eWorst Case, We Get Married\u003c\\\/em\u003e by Sophie Bienvenu. She has written for the \u003cem\u003eGlobe and Mail\u003c\\\/em\u003e, the \u003cem\u003eTimes Literary Supplement\u003c\\\/em\u003e, and the \u003cem\u003eNational Post\u003c\\\/em\u003e, among others. She lives in Peterborough, Ontario.\u003c\\\/p\u003e\\r\\n","ContributorRole_0":"By (author)","ContributorRole_1":"By (author)","ContributorRole_2":"Edited by","Contributor_0":"Perron, Laurie (CA)","Contributor_1":"Quesnel-Langlois, Sarah (CA)","Contributor_2":"Sutcliffe, J. C. (CA)","Description":"\u003cp\u003e\u003cstrong\u003eEcological gardening with ease and simplicity.\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cem\u003eGardening Naturally\u003c\\\/em\u003e offers a wealth of information and practical advice for growing indoor and outdoor plants based on sustainability, a rejection of artificial chemicals, and respect for biodiversity and the natural world. 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Gardening Naturally

Ecological gardening with ease and simplicity.<\/strong><\/p>

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Quick View {"id":7294242488379,"title":"My Grief, the Sun: Special Edition","handle":"my-grief-the-sun-special-edition","description":"\u003cp\u003e\u003cstrong\u003eThis specially designed and bound hardcover First Edition of Sanna Wani’s award-winning debut poetry collection\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis limited to 50 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrincess Mononoke\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eundoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e\n\u003c!----\u003e","published_at":"2024-07-29T13:57:37-04:00","created_at":"2024-07-29T12:25:51-04:00","vendor":"House of Anansi Press","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Wani Sanna","House of Anansi Press"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41786244726843,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"MGTS-SE(9781487013608)","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Grief, the Sun: Special Edition - hardcover","public_title":"hardcover","options":["hardcover"],"price":3500,"weight":316,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632","options":["Title"],"media":[{"alt":"A photo of the book My Grief, the Sun on a wooden table. The book is yellow hardcover edition. A bird with a quarter-complete circle behind it is drawn on the cover in blue, and the title is in blue cursive below the image. ","id":24715164090427,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2098,"width":2098,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632"},"aspect_ratio":1.0,"height":2098,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/IMG_1344.jpg?v=1722275632","width":2098}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis specially designed and bound hardcover First Edition of Sanna Wani’s award-winning debut poetry collection\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis limited to 50 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sanna Wani’s poems, each verse is ode and elegy. The body is the page, time is a friend, and every voice, a soul. Sharply political and frequently magical, these often-intimate poems reach for everything from Hayao Miyazaki’s 1997 film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrincess Mononoke\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto German Orientalist scholarship on early Islam. From concrete to confessional, exegesis to erasure, the Missinnihe river in Canada to the Zabarwan mountains in Kashmir,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eundoes genre, listens carefully to the planet’s breathing, addresses an endless and ineffable you, and promises enough joy and sorrow to keep growing.\u003c\/p\u003e\n\u003c!----\u003e"} {"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487009465","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003ci\u003eBrick, Poem-A-Day (\u003c\/i\u003epoets.org\u003ci\u003e),\u003c\/i\u003e and \u003ci\u003eBest Canadian Poetry 2020. \u003c\/i\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSANNA WANI\u003c\/strong\u003e loves daisies. Her work has appeared in \u003ci\u003eBrick, Poem-A-Day (\u003c\/i\u003epoets.org\u003ci\u003e),\u003c\/i\u003e and \u003ci\u003eBest Canadian Poetry 2020. \u003c\/i\u003eShe lives in Mississauga, Ontario, and Srinagar, Kashmir. This is her first collection of poetry.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Wani, Sanna (CA)","EAN":"9781487010843","OtherText_Review_0":"Wani has put her entire self—all her grief, all her unexpressed love, and poured it into this white and yellow bound gift for those of us who need it the most—the grief-stricken, filled to the brim with endless love.","OtherText_Review_0_Src":"Porter House Review","OtherText_Review_1":"Beautiful and fresh ... this is a collection that finds delight in life, and its delight is contagious in the best way.","OtherText_Review_1_Src":"The Miramichi Reader","OtherText_Review_2":"\u003cp\u003eSanna Wani’s \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e makes such a convincing case for astonishment as a way of life. Each poem enveloped me with so much tenderness it was as if \u003ci\u003eI \u003c\/i\u003ewere the sun! The theological music that courses throughout the book was not a narrowing toward some esoteric knowledge but rather an opening toward a collective sense of enmeshment with the inscrutable world. This book\u0026nbsp;is a necessary reminder that ‘there is something inside \/ [us] that says live.’ \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e is a wonder and a delight.\u003c\/p\u003e","OtherText_Review_2_Auth":"Billy-Ray Belcourt, author of This Wound Is a World and NDN Coping Mechanisms","OtherText_Review_3":"\u003cp\u003eMapping us through time, space, and geography, Sanna Wani’s debut collection \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e spins a web of various griefs and loves. As visual as it is lyrical, Wani announces herself as a poet who pushes the experimentation of form forward, taking bold risks and literally reinventing the way that we see language. ‘A mosque is always directed toward Mecca. A dome does not have orientation unless it is toward the sky,’ Wani writes, and pointing her eyes to the sky, and with incredible vision, makes even the tiniest detail visible.\u003c\/p\u003e","OtherText_Review_3_Auth":"Fatimah Asghar, author of If They Come for Us","OtherText_Review_4":"\u003cp\u003eI read Sanna Wani’s\u0026nbsp;\u003ci\u003eMy Grief, the Sun\u003c\/i\u003e\u0026nbsp;with a highlighter in my hand, and by the time I was done, it was nearly out of ink. I could not stop loving lines, wanting to be sure I remembered them always. They progress with such sureness into marvelous and unexpected directions: ‘God climbs so many trees. Religion is a ladder. We are meant to help Him down.’ Over and over, Wani practices the act of artful surrender to each poem’s strange, budding logic. That she can do so with such apparent ease is astonishing. That we get to witness the places her gorgeous poems take her is a profound gift. I’m wonderstruck.\u003c\/p\u003e","OtherText_Review_4_Auth":"Heather Christle, author of Heliopause and The Trees The Trees","OtherText_Review_5":"\u003cp\u003eSlipping gracefully between subjects as disparate as pop culture and theology, while maintaining her recognizably disarming mix of poignancy and sweetness, Wani’s formal approaches in\u0026nbsp;\u003ci\u003eMy Grief, the Sun\u003c\/i\u003e\u0026nbsp;are … hard to look away from, with surprise after surprise appearing on each successive page.\u003c\/p\u003e","OtherText_Review_5_Src":"CAROUSEL","OtherText_Review_6":"\u003cp\u003eIn \u003ci\u003eMy Grief, the Sun\u003c\/i\u003e, Sanna Wani unlocks a door for her readers, invites them to be open-hearted—to be vulnerable and curious—meditating on the ways in which love, longing, grief, distance, and faith can live together inside a person’s body and soul.\u003c\/p\u003e","OtherText_Review_6_Src":"Herizons","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Winner","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"01","PrizeName_0":"LCP Gerald Lampert Memorial Award","PrizeName_1":"LCP Pat Lowther Memorial Award","PrizeName_2":"Ontario Trillium Award for Poetry","PrizeYear_0":"2023","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003ehardcover\u003c\/span\u003e\u003c\/p\u003e","PublicationDate":"2022-04-05","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe highly anticipated debut collection from acclaimed poet Sanna Wani.\u003c\/strong\u003e\u003c\/p\u003e"}

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My Grief, the Sun: Special Edition

The highly anticipated debut collection from acclaimed poet Sanna Wani.

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Quick View {"id":7055525543995,"title":"Tauhou","handle":"tauhou","description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2024 Amazon Canada First Novel Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDear grandmother, I am writing this song, over and over again, for you. I am a stranger in this place, he tauhou ahau, reintroducing myself to your land. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTauhou\u003c\/em\u003e is an inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by Kōtuku Titihuia Nuttall, a writer of Māori and Coast Salish descent. This innovative hybrid novel envisions a shared past between two Indigenous cultures, set on reimagined versions of Vancouver Island and Aotearoa New Zealand that sit side by side in the ocean.\u003c\/p\u003e\n\u003cp\u003eEach chapter is a fable, an autobiographical memory, a poem. A monster guards cultural objects in a museum, a woman uncovers her own grave, another woman remembers her estranged father. On rainforest beaches and grassy dunes, sisters and cousins contend with the ghosts of the past — all the way back to when the first foreign ships arrived on their shores.\u003c\/p\u003e\n\u003cp\u003eIn a testament to the resilience of Indigenous women, the two sides of this family, Coast Salish and Māori, must work together in understanding and forgiveness to heal that which has been forced upon them by colonialism. \u003cem\u003eTauhou\u003c\/em\u003e is an ardent search for answers, for ways to live with truth. It is a longing for home, to return to the land and sea.\u003c\/p\u003e","published_at":"2022-12-06T09:13:21-05:00","created_at":"2022-12-06T09:09:55-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","By (author) Nuttall Kōtuku Titihuia","House of Anansi Press","Literary Fiction","pub date: 2023-04-11"],"price":1999,"price_min":1999,"price_max":2499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41003629150267,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781487011697","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tauhou - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":2499,"weight":313,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011697","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41003630821435,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011703","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Tauhou - epub","public_title":"epub","options":["epub"],"price":1999,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011703","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_90f39110-9cd4-40bb-8e45-36cd8f0673dc.jpg?v=1715482008"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_90f39110-9cd4-40bb-8e45-36cd8f0673dc.jpg?v=1715482008","options":["Title"],"media":[{"alt":null,"id":24534616735803,"position":1,"preview_image":{"aspect_ratio":0.641,"height":2400,"width":1538,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_90f39110-9cd4-40bb-8e45-36cd8f0673dc.jpg?v=1715482008"},"aspect_ratio":0.641,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_90f39110-9cd4-40bb-8e45-36cd8f0673dc.jpg?v=1715482008","width":1538}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist, 2024 Amazon Canada First Novel Award\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDear grandmother, I am writing this song, over and over again, for you. I am a stranger in this place, he tauhou ahau, reintroducing myself to your land. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTauhou\u003c\/em\u003e is an inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by Kōtuku Titihuia Nuttall, a writer of Māori and Coast Salish descent. This innovative hybrid novel envisions a shared past between two Indigenous cultures, set on reimagined versions of Vancouver Island and Aotearoa New Zealand that sit side by side in the ocean.\u003c\/p\u003e\n\u003cp\u003eEach chapter is a fable, an autobiographical memory, a poem. A monster guards cultural objects in a museum, a woman uncovers her own grave, another woman remembers her estranged father. On rainforest beaches and grassy dunes, sisters and cousins contend with the ghosts of the past — all the way back to when the first foreign ships arrived on their shores.\u003c\/p\u003e\n\u003cp\u003eIn a testament to the resilience of Indigenous women, the two sides of this family, Coast Salish and Māori, must work together in understanding and forgiveness to heal that which has been forced upon them by colonialism. \u003cem\u003eTauhou\u003c\/em\u003e is an ardent search for answers, for ways to live with truth. It is a longing for home, to return to the land and sea.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487005771","AlsoRecommendedISBN_1":"9781487007645","AlsoRecommendedISBN_2":"9781487009809","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\\\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKŌTUKU TITIHUIA NUTTALL\u003c\\\/strong\u003e (Te Ātiawa, Ngāti Tūwharetoa, W̱SÁNEĆ) holds an MA from the International Institute of Modern Letters. She won the 2020 Adam Foundation Prize and was runner-up in the 2021 Surrey Hotel-Newsroom writer’s residency award. She lives on the Kāpiti Coast of Aotearoa New Zealand.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"FICTION \\\/ Literary","BISACSubjectLiteral_1":"FICTION \\\/ Fairy Tales, Folk Tales, Legends \u0026amp; Mythology","BISACSubjectLiteral_2":"FICTION \\\/ Indigenous","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC010000","BISACSubject_2":"FIC059000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKŌTUKU TITIHUIA NUTTALL\u003c\\\/strong\u003e (Te Ātiawa, Ngāti Tūwharetoa, W̱SÁNEĆ) holds an MA from the International Institute of Modern Letters. She won the 2020 Adam Foundation Prize and was runner-up in the 2021 Surrey Hotel-Newsroom writer’s residency award. She lives on the Kāpiti Coast of Aotearoa New Zealand.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","Contributor_0":"Nuttall, Kōtuku Titihuia (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2024 Amazon Canada First Novel Award\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eDear grandmother, I am writing this song, over and over again, for you. I am a stranger in this place, he tauhou ahau, reintroducing myself to your land. \u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003e\u003cem\u003eTauhou\u003c\\\/em\u003e is an inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by Kōtuku Titihuia Nuttall, a writer of Māori and Coast Salish descent. This innovative hybrid novel envisions a shared past between two Indigenous cultures, set on reimagined versions of Vancouver Island and Aotearoa New Zealand that sit side by side in the ocean.\u003c\\\/p\u003e\\n\u003cp\u003eEach chapter is a fable, an autobiographical memory, a poem. A monster guards cultural objects in a museum, a woman uncovers her own grave, another woman remembers her estranged father. On rainforest beaches and grassy dunes, sisters and cousins contend with the ghosts of the past — all the way back to when the first foreign ships arrived on their shores.\u003c\\\/p\u003e\\n\u003cp\u003eIn a testament to the resilience of Indigenous women, the two sides of this family, Coast Salish and Māori, must work together in understanding and forgiveness to heal that which has been forced upon them by colonialism. \u003cem\u003eTauhou\u003c\\\/em\u003e is an ardent search for answers, for ways to live with truth. It is a longing for home, to return to the land and sea.\u003c\\\/p\u003e","EAN":"9781487011703","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011703\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7.75","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"billy ray belcourt;ndn coping mechanisms;the break;katherena vermette;seven fallen feathers;tanya talaga;all our relations;our voice of fire;brandi morin;indigenous literature;canadian literature;creative writing","NumberOfPages":"224","OtherText_Accolades_0":"\u003cp\u003eThe stories in this collection move like the waves of the ocean that divide Vancouver Island and Aotearoa. Once you emerge from \u003cem \u003eTauhou\u003c\\\/em\u003e’s narrative depths, you'll miss its imagination, its rhythms, its heart.\u003c\\\/p\u003e","OtherText_Accolades_0_Auth":"Alicia Elliott, author of A Mind Spread Out on the Ground","OtherText_Accolades_1":"\u003cp\u003eBrilliantly written in the best of Māori and Coast Salish practices of story, \u003cem\u003eTauhou\u003c\\\/em\u003e is teeming with possibility, love, and dreaming otherwise.\u003c\\\/p\u003e","OtherText_Accolades_1_Auth":"Leanne Betasamosake Simpson, author of Noopiming: The Cure for White Ladies","OtherText_Accolades_2":"\u003cp\u003eA work of great significance, integrity, craft, and poise.\u003c\\\/p\u003e","OtherText_Accolades_2_Auth":"Alison Whittaker, author of Blakwork","OtherText_Accolades_3":"\u003cp\u003eKōtuku Titihuia Nuttall takes threads made from all the colours of the Indigenous experience and crosses them over oceans, cultures, and time.\u003c\\\/p\u003e","OtherText_Accolades_3_Auth":"Tayi Tibble, author of Poukahangatus and Rangikura","OtherText_Accolades_4":"\u003cp\u003eKōtuku Titihuia Nuttall’s \u003cem \u003eTauhou \u003c\\\/em\u003eis a brilliant example of what language can do when forged with intentional hands and a fantastic mind. Nuttall’s work binds words in a way that doesn’t hold too tightly but steadfastly contains the many Ancestors present in Nuttall’s life and work, weaving together a tapestry of nuance and witnessing. Masterful dialogue and rich scenes move emotions like the currents around Aotearoa and the Salish Seas, a beautiful display of lyricism that loudly proclaims that Kōtuku Titihuia Nuttall belongs in the crescendo of rising voices in CanLit. \u003cem \u003eTauhou \u003c\\\/em\u003eis not a collection to miss!\u003c\\\/p\u003e","OtherText_Accolades_4_Auth":"jaye simpson, author of it was never going to be okay","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eExciting, hybrid work! This novel plays with genre and form to create an intriguing hybrid work that incorporates elements of poetry, memoir, and fiction.\u003c\\\/li\u003e\\n\u003cli\u003eAs well as being Māori, Kōtuku is Coast Salish (W̱SÁNEĆ) on her father’s side, the author spent her elementary school years on Vancouver Island.\u003c\\\/li\u003e\\n\u003cli\u003eThe speculative fiction genre has recently gained not only popularity but literary prestige. Indigenous futurism and speculative fiction play a significant role in the landscape of writers like Cherie Dimaline, Eden Robinson, David A. Robertson, and so many more.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003eThis one’s for the lovers of language, lean prose-poetry you can dip in and out of and think about for hours. Best read beside a large body of water.\u003c\\\/p\u003e","OtherText_Review_0_Auth":"Kete Books","OtherText_Review_0_Src":"Woman Magazine","OtherText_Review_1":"\u003cp\u003e[A nuanced portrait] of complicated maternal legacies and the structures — both natural and built — through which those legacies are lived and remembered.\u003c\\\/p\u003e","OtherText_Review_1_Auth":"Woman Magazine","OtherText_Review_1_Src":"EVENT Magazine","OtherText_Review_2":"\u003cp\u003eCalling this a novel makes a profound statement about how story is community … \u003cem\u003eTauhou \u003c\\\/em\u003efocalizes a complex network of relationships between families, friends, and even the locales, flora, and fauna they live among. This novel is not structured upon the familiar beats of narrative arc, and it certainly isn’t structured around conflict, though the ongoing struggles of colonialism stalk its periphery. Rather, \u003cem\u003eTauhou \u003c\\\/em\u003eis shaped like a spiderweb whose delicate, and sometimes broken, strands of connectivity are being revealed, and even rebuilt, in the telling.\u003c\\\/p\u003e","OtherText_Review_2_Src":"CAROUSEL","OtherText_Review_3":"\u003cp\u003eMore than merely inventive, \u003cem \u003eTauhou’\u003c\\\/em\u003es geography is a visionary response to the grievous losses of colonization. … Nuttall’s story logic works by accretion, and she has rewards in store for readers willing to forgo the familiar comforts of narrative. … [A] deeply moving book.\u003c\\\/p\u003e","OtherText_Review_3_Src":"West Trade Review","OtherText_Review_4":"\u003cp\u003eProfoundly hopeful, invested in futurity and the possibilities that come from solidarity, coalition-building, and community. … \u003cem \u003eTauhou\u003c\\\/em\u003e successfully proves that a novel need not follow one plot or one set of characters to be wonderfully compelling. … Casting off convention, Nuttall confidently shows that to address the ongoing legacies of colonialism, we must change how we think of the future, art, and what is possible.\u003c\\\/p\u003e","OtherText_Review_4_Src":"Miramichi Reader","OtherText_Review_5":"\u003cp\u003e\u003cem \u003eTauhou\u003c\\\/em\u003e stretches the geographic imaginary beyond land and into generations — not just through time or history but by envisioning land through past, present, and future lineages. … Through recreating geographic boundaries, Nuttall has found a way to understand the complexities of a person’s relationship to their culture spatially.\u003c\\\/p\u003e","OtherText_Review_5_Src":"Varsity","OtherText_Review_6":"\u003cp\u003e\u003cem \u003eTauhou\u003c\\\/em\u003e is a search for answers, of finding ways to live with the truth. Some of the stories are like fables, others like poetry, and all are a sheer joy to read. A longing for home resonates, a gift for those of us searching for our island also.\u003c\\\/p\u003e","OtherText_Review_6_Src":"Kete Books","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eAn inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by a writer of Māori and Coast Salish descent.\u003c\\\/strong\u003e\u003c\\\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCode_0":"04","PrizeName_0":"Amazon Canada First Novel Award","PrizeYear_0":"2024","ProductFormDescription":"epub","PublicationDate":"2023-04-11","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eAn inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by a writer of Māori and Coast Salish descent.\u003c\\\/strong\u003e\u003c\\\/p\u003e","Subtitle":"A Novel","Width":"5","WidthCode":"in"}

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Tauhou

An inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by a writer of Māori and Coast Salish descent.<\/strong><\/p>

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Quick View {"id":6811234041915,"title":"Selected Poems 1983–2020","handle":"selected-poems-19832020","description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. 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Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e","published_at":"2022-03-21T12:08:28-04:00","created_at":"2022-03-21T09:50:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Heighton Steven","House of Anansi Press","pub date: 2021-04-06"],"price":1995,"price_min":1995,"price_max":2495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190668636219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007379","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2495,"weight":379,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007379","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40190704812091,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007386","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - epub","public_title":"epub","options":["epub"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007386","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40190706647099,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009212","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - mobi","public_title":"mobi","options":["mobi"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009212","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","options":["Title"],"media":[{"alt":null,"id":22925771046971,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487000967","AlsoRecommendedISBN_1":"9781487003722","AlsoRecommendedISBN_2":"9781487006181","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\\\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e","BISACSubjectLiteral_0":"POETRY \\\/ Canadian \\\/ General","BISACSubjectLiteral_1":"POETRY \\\/ Subjects \u0026amp; Themes \\\/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e\\r\\n","ContributorRole_0":"By (author)","Contributor_0":"Heighton, Steven (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\\\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\\\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\\\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\\\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\\\/p\u003e","EAN":"9781487009212","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009212\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePREVIOUS COLLECTION WON THE GOVERNOR GENERAL’S LITERARY AWARD:\u003c\\\/strong\u003e Steven Heighton’s previous poetry collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e, received the Governor General’s Literary Award for Poetry, among other acclaim. This return to poetry after five years will get a lot of buzz.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR IN MANY FORMS AND GENRES:\u003c\\\/strong\u003eApart from his award-winning and highly acclaimed poetry collections, Steven Heighton is also the author of several works of fiction, including the novels \u003cem\u003eAfterland\u003c\\\/em\u003e and \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e. As well, he is the author of the forthcoming Groundwood picture book \u003cem\u003eThe Stray and the Stranger\u003c\\\/em\u003e based on his experience helping refugees in Greece. Heighton’s wide variety of writing can bring him attention far beyond what a poet normally garners.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eFIRST SELECTED WORK FROM ONE OF THE MOST ACCLAIMED CONTEMPORARY POETS:\u003c\\\/strong\u003e As an internationally prominent poet with many acclaimed collections, Heighton is well positioned for a work of selected poems. Previous Anansi selected poetry collections like A. F. Moritz’s \u003cem\u003eThe Sparrow\u003c\\\/em\u003e and Michael Crummey’s \u003cem\u003eLittle Dogs\u003c\\\/em\u003e have brought new attention to the poets and sparked reassessments and retrospectives of their careers up to that point, and we expect Heighton’s collection to do the same for him.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003ePREVIOUS MEDIA ATTENTION FOR STEVEN HEIGHTON:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/wiki.ezvid.com\\\/m\\\/11-poignant-books-from-exceptional-voices-in-modern-fiction-ZP6laov1KGXa0\\\"\u003e11 POIGNANT BOOKS FROM EXCELLENT WRITERS IN MODERN FICTION:\u003c\\\/a\u003e wiki.ezvid.com chooses \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/m.youtube.com\\\/watch?v=PvOe6-EaXs0\\\"\u003eA-FRAME\u003c\\\/a\u003e: Katherine Leyton’s A-frame interview with Steven Heighton\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=CRfDceioOLc\\\"\u003eSOME OTHER JUST ONES\u003c\\\/a\u003e: An animated short by Caroline O'Neill\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=GnJ6vkJNyyc\\\"\u003eIF NOBODY CALLS, I'M GLAD\u003c\\\/a\u003e: An excerpt from a talk at Concordia, April 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=VC5GBVYXNLM\\\"\u003eWORDS ALOUD 2011\u003c\\\/a\u003e: Steven Heighton reads “Herself, Revised” and “Dream”\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/youtu.be\\\/_pKIDAgFadU\\\"\u003eCROSSING THE BORDERS BETWEEN US: THE ETHICS OF INTERVENTION \u0026 RESISTANCE\u003c\\\/a\u003e: Steven Heighton reads. First delivered at Queen’s University, May 2011, then at the KCHC AGM, June 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.cbc.ca\\\/thenextchapter\\\/2011\\\/04\\\/11\\\/guy-gavriel-kay-and-stephen-heighton\\\/\\\"\u003eTHE NEXT CHAPTER\u003c\\\/a\u003e: On CBC Radio, Guy Gavriel Kay and Steven Heighton discuss the encroachment of social media and its effect on the creative process\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=Eco3985F0M8\\\"\u003eBOOKBITS\u003c\\\/a\u003e: Steven Heighton discusses his novel, \u003cem\u003eEvery Lost Country\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.authorsaloud.com\\\/fiction\\\/heighton.html\\\"\u003eAUTHORS ALOUD\u003c\\\/a\u003e: Steven Heighton reads from his novel, \u003cem\u003eAfterlands\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_Description_for_R_0":"DREAM FRAGMENT\\r\\n\\r\\nIn those days the weather was jealous\\r\\nand would turn up at her house just to see\\r\\nwhat its cold winds could make of her face.\\r\\n\\r\\nAt her door she would be seen often\\r\\nspeaking to each of the seasons in turn\\r\\nthough with a marked preference\\r\\n(as many observed, and reported)\\r\\nfor winter\\r\\n\\r\\nwhich always stayed longest\\r\\nand left behind fading signs\\r\\nof its tenure aboveground.\\r\\n\\r\\nWho among us up here\\r\\nwouldn’t want his love, her love\\r\\nto carry a trace that clear, that\\r\\ncold, stoic and austere, withdrawing\\r\\nto regain itself, then resurging?\\r\\n\\r\\nWhat I wouldn’t do\\r\\nor undo (winter whispered\\r\\nin a voice akin to mine) to see\\r\\none more time what my touch\\r\\nmight make of your face.","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\r\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\r\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_ShortDescription_0":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","ProductFormDescription":"mobi","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","Width":"6","WidthCode":"in"}

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Selected Poems 1983–2020

A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.

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Quick View {"id":7015848083515,"title":"Malaika, Carnival Queen","handle":"malaika-carnival-queen","description":"\u003cp\u003e\u003cstrong\u003eMalaika learns about her father, who came to Canada as a migrant farm worker when she was just a baby and who shared her love of carnival.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMalaika dreams about a man with a basket of fruit and guesses that the dream is about her father. Mummy explains that her daddy passed away long ago, and Grandma decides it’s time Malaika knew more about her father’s life.\u003c\/p\u003e\n\u003cp\u003eThe family drives to a far-off farm where they receive a warm welcome and visit the orchard where Malaika’s father picked fruit. The farm workers tell Malaika that her daddy had always dreamed of celebrating carnival there, just like back home. Will Malaika agree to be their Carnival Queen for the harvest festival?\u003c\/p\u003e\n\u003cp\u003eNadia L. Hohn and Irene Luxbacher have created another compelling story about Malaika, who finds a way to cope with her sadness about her father through their shared love of carnival. Includes an author's note.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003edialogue\u003c\/p\u003e\n\u003cp\u003eglossary\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.1\u003c\/p\u003e\n\u003cp\u003eAsk and answer questions about key details in a text.\u003c\/p\u003e","published_at":"2022-10-14T10:41:30-04:00","created_at":"2022-10-14T10:36:29-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 6","By (author) Hohn Nadia L.","CCSS.ELA-LITERACY.RL.1.1","CCSS.ELA-LITERACY.RL.K.6","CCSS.ELA-LITERACY.RL.K.7","Diversity","Groundwood Books","Illustrated by Luxbacher Irene","Picture Books","pub date: 2023-05-02","Stories from Canada","The Malaika Series"],"price":1699,"price_min":1699,"price_max":1899,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40877804847163,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773068503","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Malaika, Carnival Queen - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1899,"weight":417,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773068503","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40877806256187,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773068510","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Malaika, Carnival Queen - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773068510","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40877806551099,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773068527","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Malaika, Carnival Queen - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773068527","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_62883e0a-267e-4cbb-b169-6103c60feff6.jpg?v=1731048742","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_43208660-64e5-463e-9bc4-5a166712108a.jpg?v=1665758372","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_84f9e797-744c-4f61-9135-1de818d8ea65.jpg?v=1665758374","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a5f60f3e-3b13-44bc-ac9b-5248694ce9a7.jpg?v=1665758377"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_62883e0a-267e-4cbb-b169-6103c60feff6.jpg?v=1731048742","options":["Title"],"media":[{"alt":null,"id":24903086571579,"position":1,"preview_image":{"aspect_ratio":1.117,"height":1600,"width":1787,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_62883e0a-267e-4cbb-b169-6103c60feff6.jpg?v=1731048742"},"aspect_ratio":1.117,"height":1600,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_62883e0a-267e-4cbb-b169-6103c60feff6.jpg?v=1731048742","width":1787},{"alt":"The image is split in two. Left: A girl rubs her eye and looks at a woman; both have dark skin tone and black hair. Behind are a girl, baby and older woman. Text: A breakfast smell wake me out of bed and pull me to the kitchen. “Good morning, Malaika,” Mummy say. “I have a dream,” I say. Grandma stop mixing the dough. “Go on.” Right: The older woman and girls at the door. Text: When I tell them about the man with the basket of fruit, Mummy leave the kitchen. Grandma tell Adèle and me to go play outside.","id":22799563915323,"position":2,"preview_image":{"aspect_ratio":2.227,"height":449,"width":1000,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_43208660-64e5-463e-9bc4-5a166712108a.jpg?v=1665758372"},"aspect_ratio":2.227,"height":449,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_43208660-64e5-463e-9bc4-5a166712108a.jpg?v=1665758372","width":1000},{"alt":"The image is split in two. Left: An older woman hands an envelope to a girl; a woman watches. Text: “Chile, I have something for you,” Grandma say. She give me a letter. Right: A photo of a man in an orchard. Text: I take out a picture of a man with a big smile holding a basket of fruit. Just like in my dream. “To Malaika, my likkle one,” the words on the back say. “Did he love me?” I ask Mummy. “Yes, darling. Very, very much.” “I think it’s time we take you to know more about your daddy,” Grandma say.","id":22799564013627,"position":3,"preview_image":{"aspect_ratio":2.227,"height":449,"width":1000,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_84f9e797-744c-4f61-9135-1de818d8ea65.jpg?v=1665758374"},"aspect_ratio":2.227,"height":449,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_84f9e797-744c-4f61-9135-1de818d8ea65.jpg?v=1665758374","width":1000},{"alt":"A red minivan drives on a country road with fields on either side. The scene includes a red barn, a black-and-white cow, two brown horses, a white fence and picnic tables. Flowers bloom in the foreground. Text: One day, we all take a long, long trip. We go on highways, over bridges, beside water. The car stops. We eat and go to the bathroom, then we’re off again. We pass green and gold fields — wide, meeting the sky — and cows and horses eating. The car stop again, this time at a farm.","id":22799564079163,"position":4,"preview_image":{"aspect_ratio":2.227,"height":449,"width":1000,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a5f60f3e-3b13-44bc-ac9b-5248694ce9a7.jpg?v=1665758377"},"aspect_ratio":2.227,"height":449,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a5f60f3e-3b13-44bc-ac9b-5248694ce9a7.jpg?v=1665758377","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eMalaika learns about her father, who came to Canada as a migrant farm worker when she was just a baby and who shared her love of carnival.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMalaika dreams about a man with a basket of fruit and guesses that the dream is about her father. Mummy explains that her daddy passed away long ago, and Grandma decides it’s time Malaika knew more about her father’s life.\u003c\/p\u003e\n\u003cp\u003eThe family drives to a far-off farm where they receive a warm welcome and visit the orchard where Malaika’s father picked fruit. The farm workers tell Malaika that her daddy had always dreamed of celebrating carnival there, just like back home. Will Malaika agree to be their Carnival Queen for the harvest festival?\u003c\/p\u003e\n\u003cp\u003eNadia L. Hohn and Irene Luxbacher have created another compelling story about Malaika, who finds a way to cope with her sadness about her father through their shared love of carnival. Includes an author's note.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003edialogue\u003c\/p\u003e\n\u003cp\u003eglossary\u003c\/p\u003e\n\u003cp\u003eillustrations\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.1\u003c\/p\u003e\n\u003cp\u003eAsk and answer questions about key details in a text.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781554987542","AlsoRecommendedISBN_1":"9781554989201","AlsoRecommendedISBN_2":"9781773062648","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"3","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"6","AudienceRangeValue_2_2":"1","BASICMainSubject":"JUV039250","BASICMainSubjectLiteral":"JUVENILE FICTION\\\/Social Themes\\\/Emigration, Immigration \u0026 Refugees","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eNADIA L. HOHN\u003c\\\/strong\u003e, B.A. (Hon.), B.Ed., M.Ed., M.F.A. is an award-winning educator and author of several books for children including the Malaika series, \u003cem\u003eThe Antiracist Kitchen: 21 Stories (and Recipes)\u003c\\\/em\u003e, and \u003cem\u003eA Likkle Miss Lou: How Jamaican Poet Louise Bennett Coverley Found Her Voice\u003c\\\/em\u003e. Nadia is an “artivist” who works to make sure that all young people see themselves in books. Based in Toronto, Nadia teaches elementary school and writing for children courses at post-secondary institutions.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \\\/ Social Themes \\\/ Emigration \u0026amp; Immigration","BISACSubjectLiteral_1":"JUVENILE FICTION \\\/ Social Themes \\\/ Death, Grief, Bereavement","BISACSubjectLiteral_2":"JUVENILE FICTION \\\/ Holidays \u0026amp; Celebrations \\\/ Other, Non-Religious","BISACSubject_0":"JUV039250","BISACSubject_1":"JUV039030","BISACSubject_2":"JUV017080","CommonCore":"CCSS.ELA-LITERACY.RL.K.6","CommonCore_1":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_2":"CCSS.ELA-LITERACY.RL.1.1","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eNADIA L. HOHN\u003c\\\/strong\u003e, B.A. (Hon.), B.Ed., M.Ed., M.F.A. is an award-winning educator and author of several books for children including the Malaika series, \u003cem\u003eThe Antiracist Kitchen: 21 Stories (and Recipes)\u003c\\\/em\u003e, and \u003cem\u003eA Likkle Miss Lou: How Jamaican Poet Louise Bennett Coverley Found Her Voice\u003c\\\/em\u003e. Nadia is an “artivist” who works to make sure that all young people see themselves in books. Based in Toronto, Nadia teaches elementary school and writing for children courses at post-secondary institutions.\u003c\\\/p\u003e\\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eIRENE LUXBACHER\u003c\\\/strong\u003e is an artist and author living in Toronto, Ontario, who has received many awards for her work. She has written and illustrated \u003cem\u003eDeep Underwater\u003c\\\/em\u003e, an Elizabeth Mrazik-Cleaver Award finalist, and \u003cem\u003eMr. Frank\u003c\\\/em\u003e, which was selected as a USBBY Outstanding International Book. Her illustrations for the Malaika series by Nadia L. Hohn have been highly acclaimed, and her illustrations for \u003cem\u003eThe Imaginary Garden\u003c\\\/em\u003e by Andrew Larsen were shortlisted for the Governor General’s Literary Award.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Hohn, Nadia L. (CA)","Contributor_1":"Luxbacher, Irene (CA)","Description":"\u003cp\u003e\u003cstrong\u003eMalaika learns about her father, who came to Canada as a migrant farm worker when she was just a baby and who shared her love of carnival.\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eMalaika dreams about a man with a basket of fruit and guesses that the dream is about her father. Mummy explains that her daddy passed away long ago, and Grandma decides it’s time Malaika knew more about her father’s life.\u003c\\\/p\u003e\\n\u003cp\u003eThe family drives to a far-off farm where they receive a warm welcome and visit the orchard where Malaika’s father picked fruit. The farm workers tell Malaika that her daddy had always dreamed of celebrating carnival there, just like back home. Will Malaika agree to be their Carnival Queen for the harvest festival?\u003c\\\/p\u003e\\n\u003cp\u003eNadia L. Hohn and Irene Luxbacher have created another compelling story about Malaika, who finds a way to cope with her sadness about her father through their shared love of carnival. Includes an author's note.\u003c\\\/p\u003e\\n\u003cp\u003e\u003cbr\u003e\\n\u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003e\u003c\\\/strong\u003edialogue\u003c\\\/p\u003e\\n\u003cp\u003eglossary\u003c\\\/p\u003e\\n\u003cp\u003eillustrations\u003c\\\/p\u003e\\n\u003cp\u003evignettes\u003c\\\/p\u003e\\n\u003cp\u003e\u003cbr\u003e\\n\u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.6\u003c\\\/p\u003e\\n\u003cp\u003eWith prompting and support, name the author and illustrator of a story and define the role of each in telling the story.\u003c\\\/p\u003e\\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003c\\\/p\u003e\\n\u003cp\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\\\/p\u003e\\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.1\u003c\\\/p\u003e\\n\u003cp\u003eAsk and answer questions about key details in a text.\u003c\\\/p\u003e","EAN":"9781773068527","Height":"9","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003edialogue;glossary;illustrations;vignettes\u003c\\\/p\u003e","MetaKeywords":"blended family;French language;patois;own voice;agricultural history;children and parents;community;extended family;migration;Fall books;creativity;curiosity;heritage;first person narration;child as narrator;figurative language;imagery","NumberOfPages":"32","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis is the fourth book in a popular series — \u003cem\u003eMalaika’s Costume\u003c\\\/em\u003e was chosen for the 2021 TD Grade One Book Giveaway, and \u003cem\u003eMalaika’s Surprise\u003c\\\/em\u003e was nominated for the Forest of Reading’s Blue Spruce Award.\u003c\\\/li\u003e\\n\u003cli\u003eThe story shows a young child coming to terms with the knowledge that a parent has passed away.\u003c\\\/li\u003e\\n\u003cli\u003eThe experience of migrant farm workers is woven into the story as Malaika learns more about her father’s life and is addressed in an author's note.\u003c\\\/li\u003e\\n\u003cli\u003eThe book features the sharing and celebration of Caribbean carnival culture.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003eA lovely story that intertwines a girl's past and present into an honest reflection of her family.\u003c\\\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003eA heartwarming story.\u003c\\\/p\u003e","OtherText_Review_1_Src":"School Library Journal","OtherText_Review_2":"\u003cp\u003eThis breathtaking addition to the Malaika picture book series does not disappoint … \u003cem\u003eMalaika, Carnival Queen\u003c\\\/em\u003e is a beautiful depiction of the desire to connect to personal genealogy, but it is also a depiction of black culture and Jamaican heritage.\u003c\\\/p\u003e","OtherText_Review_2_Src":"CM: Canadian Review of Materials","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eMalaika learns about her father, who came to Canada as a migrant farm worker when she was just a baby and who shared her love of carnival.\u003c\\\/strong\u003e\u003c\\\/p\u003e","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2023-05-02","Publisher":"Groundwood Books Ltd","Series":"The Malaika Series","ShortDescription":"\u003cp\u003e\u003cstrong\u003eMalaika learns about her father, who came to Canada as a migrant farm worker when she was just a baby and who shared her love of carnival.\u003c\\\/strong\u003e\u003c\\\/p\u003e","Width":"10","WidthCode":"in"} ages 3 to 6 / grades P to 1

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Malaika, Carnival Queen

Malaika learns about her father, who came to Canada as a migrant farm worker when she was just a baby and who shared her love of carnival.<\/strong><\/p>

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Quick View {"id":6582693429307,"title":"Laura Dean Keeps Breaking Up with Me","handle":"laura-dean-keeps-breaking-up-with-me","description":"\u003cp\u003e\u003cstrong\u003eFrom \u003cem\u003eThis One Summer\u003c\/em\u003e co-creator Mariko Tamaki comes a hilarious and poignant story of teen heartbreak and friendship.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAll Freddy Riley wants is for Laura Dean to stop breaking up with her. The day they got back together was the best one of Freddy’s life, but nothing’s made sense since. Laura Dean is popular, funny and SO CUTE … but she can be really thoughtless, even mean. Their on-again, off-again relationship has Freddy’s head spinning — and Freddy’s friends can’t understand why she keeps going back.\u003c\/p\u003e\u003cp\u003eWhen Freddy consults the services of a local mystic, the mysterious Seek-Her, she isn’t thrilled with the advice she receives. 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Her work has been recognized by the Society of Illustrators and shown in galleries both locally and internationally.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Tamaki, Mariko (CA)","Contributor_1":"Valero-O'Connell, Rosemary","Description":"\u003cp\u003e\u003cstrong\u003eFrom \u003cem\u003eThis One Summer\u003c\/em\u003e co-creator Mariko Tamaki comes a hilarious and poignant story of teen heartbreak and friendship.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAll Freddy Riley wants is for Laura Dean to stop breaking up with her. The day they got back together was the best one of Freddy’s life, but nothing’s made sense since. Laura Dean is popular, funny and SO CUTE … but she can be really thoughtless, even mean. Their on-again, off-again relationship has Freddy’s head spinning — and Freddy’s friends can’t understand why she keeps going back.\u003c\/p\u003e\u003cp\u003eWhen Freddy consults the services of a local mystic, the mysterious Seek-Her, she isn’t thrilled with the advice she receives. But something’s got to give: Freddy’s heart is breaking in slow motion, and she may be about to lose her very best friend as well as her last shred of self-respect. Fortunately for Freddy, there are new friends, and the insight of advice columnist Anna Vice, to help her through being a teenager in love.\u003c\/p\u003e\u003cp\u003eMariko Tamaki and Rosemary Valero-O’Connell bring to life a sweet and spirited tale of young love that asks us to consider what happens when we ditch the toxic relationships we crave to embrace the healthy ones we need.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr \/\u003erough sketches\u003cbr \/\u003echaracter drawings\u003cbr \/\u003espeech bubbles\u003cbr \/\u003eprocess art\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.2\u003cbr \/\u003e\u003eDetermine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.3\u003cbr \/\u003eCompare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.5.6\u003cbr \/\u003eDescribe how a narrator's or speaker's point of view influences how events are described.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.6.1\u003cbr \/\u003eCite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003cbr \/\u003eDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003cbr \/\u003eExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","EAN":"9781773063645","Imprint":"Groundwood Books","KeyTextFeatures":"rough sketches;character drawings;speech bubbles;process art","NumberOfPages":"304","OtherText_Accolades_0":"Beautiful and bracing. Tamaki and Valero-O’Connell capture Freddy on the cusp of adulthood and in the throes of perpetual heartache. Good God, I wanted to break up with Laura Dean.","OtherText_Accolades_0_Src":"Rainbow Rowell, Number 1 New York Times–bestselling author of Eleanor \u0026 Park and Carry On","OtherText_Accolades_1":"Mariko Tamaki and Rosemary Valero-O’Connell expertly capture the awkwardness, tragedy and hope of figuring out love.","OtherText_Accolades_1_Src":"Gene Luen Yang, author of American Born Chinese","OtherText_Review_0":"This exploration of toxic relationships and social dynamics at the cusp of adulthood is, like its cast, sharp and dazzling.","OtherText_Review_0_Src":"Publisher's Weekly","OtherText_Review_1":"Tamaki explores the nuances of both romantic and platonic relationships with raw tenderness and honesty. Valero-O’Connell’s art is realistic and expressive, bringing the characters to life through dynamic grayscale illustrations featuring highlights of millennial pink...a triumphant queer coming-of-age story that will make your heart ache and soar.","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"[A] relatable, heart-wrenching, and often funny graphic novel . . .","OtherText_Review_2_Src":"Horn Book","OtherText_Review_3":"In their first collaboration, Tamaki and Valero-O’Connell have developed a sophisticated storytelling dynamic . . . . fresh and exhilarating . . .","OtherText_Review_3_Src":"Quill \u0026 Quire","OtherText_Review_4":"It’s a special work, as we might expect from inspirational Canadian creator Mariko Tamaki and the elegant, accessible art style of Rosemary Valero-O’Connell. But the best part is this team showed that a story about a lovelorn queer teenage girl, published in a YA book, can be relatable to anyone who’s ever had a bad relationship. . . . The narrative is framed around Freddy’s letters to an advice columnist and it’ll hit you right in the feels. It ends with a message that (no spoilers) everybody should hear.","OtherText_Review_4_Src":"Toronto Star","OtherText_Review_5":"By framing the dangers of normalizing toxic relationships within a wider context, Laura Dean Keeps Breaking Up With Me presents healthy, respectful connection not just as an act of self-preservation but as care for your friends and community, too, doubly so within marginalized groups.","OtherText_Review_5_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"From This One Summer co-creator Mariko Tamaki comes a hilarious and poignant story of teen heartbreak and friendship.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Nominated","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"07","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"03","PrizeName_0":"Walter Award, Teen Category","PrizeName_1":"Harvey Award for Best Children's or Young Adult Book","PrizeName_2":"Lambda Literary Awards, LGBTQ Comics","PrizeName_3":"Joe Shuster Award ― Writer","PrizeName_4":"NPR's Best Books","PrizeName_5":"NPR's Best Books","PrizeYear_0":"2020","PrizeYear_1":"2019","PrizeYear_2":"2020","PrizeYear_3":"2020","PrizeYear_4":"2019","PrizeYear_5":"2019","ProductFormDescription":"EPUB, fixed","PublicationDate":"2019-05-21","Publisher":"Groundwood Books Ltd","ShortDescription":"From This One Summer co-creator Mariko Tamaki comes a hilarious and poignant story of teen heartbreak and friendship."} ages 14 and up / grades 9 and up

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Laura Dean Keeps Breaking Up with Me

From This One Summer co-creator Mariko Tamaki comes a hilarious and poignant story of teen heartbreak and friendship.

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Quick View {"id":6982222643259,"title":"Our Voice of Fire","handle":"our-voice-of-fire","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2023 R\u003c\/strong\u003e\u003cstrong\u003eakuten Kobo Emerging Writer Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003cbr\u003e\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. 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She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, \u003cem\u003eOur Voice of Fire\u003c\/em\u003e chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487002268","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487007645","BASICMainSubject":"BIO028000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY\\\/Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI MORIN\u003c\\\/strong\u003e, an acclaimed Cree\\\/Iroquois\\\/French journalist from Treaty 6 territory in Alberta, Canada, has spent over a decade amplifying Indigenous voices through her work with major outlets including \u003cem\u003eNational Geographic\u003c\\\/em\u003e, \u003cem\u003eBBC\u003c\\\/em\u003e, \u003cem\u003eAl Jazeera English\u003c\\\/em\u003e, \u003cem\u003eRolling Stone\u003c\\\/em\u003e, and the \u003cem\u003eNew York Times\u003c\\\/em\u003e. Her exceptional journalism has earned numerous prestigious awards, including the 2019 Human Rights Reporting award from the Canadian Association of Journalists, the 2022 National Native American Journalism Award for Best Feature Story, a 2022 Edward Murrow Award for her series on Missing and Murdered Indigenous Women and Girls, PEN Canada's 2023 Ken Filkow Prize, Amnesty International Canada's 2022\\\/23 Media Award, a 2024 Sidney Hillman award for her documentary \\\"Killer Water,\\\" the 2024 Canadian Association of Journalists Environmental and Climate Change award, and the 2024 Tim Giago Free Press Award.\u003c\\\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \\\/ Cultural, Ethnic \u0026amp; Regional \\\/ Indigenous","BISACSubjectLiteral_1":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \\\/ Editors, Journalists, Publishers","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \\\/ Personal Memoirs","BISACSubject_0":"BIO028000","BISACSubject_1":"BIO025000","BISACSubject_2":"BIO026000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI MORIN\u003c\\\/strong\u003e, an acclaimed Cree\\\/Iroquois\\\/French journalist from Treaty 6 territory in Alberta, Canada, has spent over a decade amplifying Indigenous voices through her work with major outlets including \u003cem\u003eNational Geographic\u003c\\\/em\u003e, \u003cem\u003eBBC\u003c\\\/em\u003e, \u003cem\u003eAl Jazeera English\u003c\\\/em\u003e, \u003cem\u003eRolling Stone\u003c\\\/em\u003e, and the \u003cem\u003eNew York Times\u003c\\\/em\u003e. Her exceptional journalism has earned numerous prestigious awards, including the 2019 Human Rights Reporting award from the Canadian Association of Journalists, the 2022 National Native American Journalism Award for Best Feature Story, a 2022 Edward Murrow Award for her series on Missing and Murdered Indigenous Women and Girls, PEN Canada's 2023 Ken Filkow Prize, Amnesty International Canada's 2022\\\/23 Media Award, a 2024 Sidney Hillman award for her documentary \\\"Killer Water,\\\" the 2024 Canadian Association of Journalists Environmental and Climate Change award, and the 2024 Tim Giago Free Press Award.\u003c\\\/p\u003e\\n","ContributorRole_0":"By (author)","Contributor_0":"Morin, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\\\/strong\u003e\u003cbr\u003e\\n\u003cstrong\u003eFinalist, 2023 R\u003c\\\/strong\u003e\u003cstrong \u003eakuten Kobo Emerging Writer Prize\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\\\/Cree\\\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\\\/strong\u003e\u003cbr\u003e\\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, \u003cem\u003eOur Voice of Fire\u003c\\\/em\u003e chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\\\/p\u003e","EAN":"9781487012021","Height":"7.5","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"indigenous authors;violence against women;residential schools;the break katherena vermette;seven fallen feathers tanya talaga;feminism;systemic racism;inequality;memoir;marginalized communities","NumberOfPages":"224","OtherText_Accolades_0":"\u003cp\u003e\u003cem \u003e\\\"Our Voice Of Fire\u003c\\\/em\u003e is a searingly honest, thought-provoking, and ultimately empowering exploration of pain and the quest for justice. By sharing her stories with the world, Brandi Morin makes a beautiful proclamation that there can be a hopeful path through trauma without diminishing the significance of the trauma itself, both personal and intergenerational. These are stories that need to be told and stories that need to be read.\\\" — \u003cstrong\u003e\u003cem\u003eDan Levy\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_0_Auth":"Dan Levy","OtherText_Accolades_1":"\u003cp\u003e\\\"Brandi Morin is one of the most important Indigenous journalists and warriors of our time. Her raw, honest, and beautifully written story of her experiences, trauma, reliance, and perseverance is a must-read for all.\\\" — \u003cstrong\u003eCrystal Echo Hawk, founder and executive director, IllumiNative\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_1_Auth":"Crystal Echo Hawk, founder and executive director, IllumiNative","OtherText_Accolades_2":"\u003cp\u003e\\\"Brandi Morin is a remarkable writer and a true original, her unique and clarion voice ringing out in the crowded field of contemporary journalism. This memoir is indeed written in fire: it can warm and it can scorch. And it casts a circle of light in the darkness.\\\" — \u003cstrong\u003eNaomi Klein, author of \u003cem\u003eThis Changes Everything\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_2_Auth":"Naomi Klein, author of This Changes Everything","OtherText_Accolades_3":"\u003cp\u003e\\\"An indispensable memoir from one of the most informative voices in contemporary journalism. Brandi Morin’s life story is one of dedication and triumph in spite of the many traumas inflicted upon Indigenous women by the settler colonial state. Through it all, her truth and hope persevere. This book will influence and inspire communities everywhere.\\\" — \u003cstrong\u003eWaubgeshig Rice, author of \u003cem\u003eMoon of the Crusted Snow\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_3_Auth":"Waubgeshig Rice, author of Moon of the Crusted Snow","OtherText_Accolades_4":"\u003cp\u003e\\\"Brandi Morin is a writer at the height of her powers, fighting to reclaim Canadian history for those whose memory has been crushed under the weight of it. Equal parts devastating and beautiful, \u003cem \u003eOur Voice of Fire\u003c\\\/em\u003e is essential reading for anyone who wants to understand Canada in 2022.\\\" — \u003cstrong\u003eChristopher Curtis, journalist and co-founder of \u003cem\u003eThe Rover\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_4_Auth":"Christopher Curtis, journalist and co-founder of The Rover","OtherText_Accolades_5":"\u003cp\u003e\\\"Throughout her remarkable career as a journalist, Brandi Morin has told the often-ignored stories of others — particularly of Indigenous women and girls — with respect, dignity, and fearless authenticity. In this book, she does the same with her own.\\\" — \u003cstrong\u003eJacqueline O'Neill, Canada's Ambassador for Women, Peace, and Security\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_5_Auth":"Jacqueline O'Neill, Canada's Ambassador for Women, Peace, and Security","OtherText_Accolades_6":"\u003cp\u003e\\\"Brandi Morin is a fighter, a survivor, a champion, and her weapon of choice is her words. Only God\\\/Creator knows where her fight for justice will take her next, but the way I see it, this is just the beginning.\\\" — \u003cstrong\u003eJolene Banning, journalist and producer\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Accolades_6_Auth":"Jolene Banning, journalist and producer","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA timely and important subject; more than ever before, Canadians are engaging in conversations about ending violence against Indigenous Peoples.\u003c\/li\u003e\n\u003cli\u003eBoth heartbreaking and hopeful, Morin's story details tremendous pain but the book is ultimately about healing.\u003c\/li\u003e\n\u003cli\u003eFor fans of Billy-Ray Belcourt, Tanya Talaga, and Leanne Betasamosake Simpson.\u003c\/li\u003e\n\u003cli\u003eMorin is a popular journalist with a growing platform.\u003c\/li\u003e\n\u003cli\u003eFor anyone who wants to be engrossed in a compelling memoir but also for those who want to learn more about MMIW.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eA timely and important subject; more than ever before, Canadians are engaging in conversations about ending violence against Indigenous Peoples.\u003c\\\/li\u003e\\n\u003cli\u003eBoth heartbreaking and hopeful, Morin's story details tremendous pain but the book is ultimately about healing.\u003c\\\/li\u003e\\n\u003cli\u003eFor fans of Billy-Ray Belcourt, Tanya Talaga, and Leanne Betasamosake Simpson.\u003c\\\/li\u003e\\n\u003cli\u003eMorin is a popular journalist with a growing platform.\u003c\\\/li\u003e\\n\u003cli\u003eFor anyone who wants to be engrossed in a compelling memoir but also for those who want to learn more about MMIW.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\\\"Her powerful and necessary work is required reading for all readers seeking to better know the realities and buried truths of the Indigenous experience.\\\" — \u003cstrong\u003e\u003cem\u003eBooklist (starred review)\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_0_Src":"Booklist (starred review)","OtherText_Review_1":"\u003cp\u003e\\\"Morin writes honestly and compassionately … Her narrative provides an important window into an experience that needs far more mainstream attention.\\\" — \u003cstrong\u003e\u003cem\u003eLiber Review\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_1_Src":"Literary Review of Canada","OtherText_Review_2":"\u003cp\u003e\\\"[Morin] comes to view her life story as intertwined with those of others, particularly other Indigenous women …\u003cstrong \u003e \u003c\\\/strong\u003eIn her candour, she calls on us, as readers, to be good visitors in her narrative.\\\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_2_Src":"Liber Review","OtherText_Review_3":"\u003cp\u003e\\\"Brandi Morin's storytelling is accessible, powerful, and clear. ... She is a brave and vulnerable storyteller who brings greater empathy and understanding into the lives of Indigenous people and the cycles of intergenerational trauma and yet manages to get up again and again in hope.\\\" — \u003cstrong \u003e\u003cem\u003eThe \u003c\\\/em\u003e\u003c\\\/strong\u003e\u003cstrong\u003e\u003cem\u003eMiramichi Reader\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_3_Src":"Miramichi Reader","OtherText_Review_4":"\u003cp\u003e\\\"Morin’s writing is very satisfying. … Cathartic and evocative, \u003cem \u003eOur Voice of Fire\u003c\\\/em\u003e is a beautiful memoir … [and] a wake-up call to Canada’s settlers and the politically indifferent.\\\" — \u003cstrong\u003e\u003cem\u003eCloud Lake Literary\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003c\\\/p\u003e","OtherText_Review_4_Src":"Cloud Lake Literary","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eA wildfire of a debut memoir by internationally recognized French\\\/Cree\\\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\\\/strong\u003e\u003c\\\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"04","PrizeName_0":"Writers' Union of Canada Freedom to Read Award","PrizeName_1":"Wilfrid Eggleston Award for Nonfiction","PrizeName_2":"Rakuten Kobo Emerging Writer Prize","PrizeYear_0":"2024","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2022-08-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eA wildfire of a debut memoir by internationally recognized French\\\/Cree\\\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\\\/strong\u003e\u003c\\\/p\u003e","Subtitle":"A Memoir of a Warrior Rising","Width":"5","WidthCode":"in"}

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Our Voice of Fire

A wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.<\/strong><\/p>

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Quick View {"id":6840988041275,"title":"Our Little Kitchen","handle":"our-little-kitchen","description":"\u003cp\u003e\u003cstrong\u003eA picture book about a lively evening in a community kitchen from Governor General’s Award–winning author and illustrator Jillian Tamaki.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003eTie on your apron!\u003cbr\u003e\nRoll up your sleeves!\u003cbr\u003e\nPans are out, oven is hot.\u003cbr\u003e\nThe kitchen’s all ready,\u003cbr\u003e\nWhere do we start?\u003c\/blockquote\u003e\u003cp\u003eIn this lively, rousing picture book from Caldecott Honoree Jillian Tamaki, a crew of resourceful neighbours come together to prepare a meal for their community. With a garden full of produce, a joyfully chaotic kitchen and a friendly meal shared at the table, \u003cem\u003eOur Little Kitchen \u003c\/em\u003eis a celebration of full bellies and people looking out for one another.\u003c\/p\u003e\n\u003cp\u003eIncludes two recipes and an author’s note about the volunteering experience that inspired the book.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nillustrated recipes\u003cbr\u003e\nauthor's note\u003cbr\u003e\nspeech bubbles\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","published_at":"2022-04-25T14:35:57-04:00","created_at":"2022-04-25T14:28:17-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 8","By (author) Tamaki Jillian","CC Literature - Grade 4","CCSS.ELA-LITERACY.RL.1.4","CCSS.ELA-LITERACY.RL.2.4","Childrens Award-Winning","Childrens Poetry","Childrens Starred Reviews","Fountas \u0026 Pinnell Text Level Gradient M","Groundwood Books","Guided Reading Level M","Illustrated by Tamaki Jillian","Picture Books","pub date: 2020-09-01"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40318612504635,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781773062624","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Our Little Kitchen - hardcover","public_title":"hardcover","options":["hardcover"],"price":1995,"weight":399,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773062624","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40318612701243,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773062631","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Little Kitchen - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773062631","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40318612766779,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773064277","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Little Kitchen - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773064277","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cce64288-9413-49c3-a56f-ce04969f1ca9.jpg?v=1731061941","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_2c84f01a-8d3f-4dff-8244-acb8f95b7a7a.jpg?v=1650911575","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ca549dab-25f8-492f-8b77-179115a4f23b.jpg?v=1650911577","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_0c51b533-e5ad-47fe-bdee-1203b16c3fd0.jpg?v=1650911578"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cce64288-9413-49c3-a56f-ce04969f1ca9.jpg?v=1731061941","options":["Title"],"media":[{"alt":null,"id":24903409270843,"position":1,"preview_image":{"aspect_ratio":1.281,"height":1500,"width":1921,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cce64288-9413-49c3-a56f-ce04969f1ca9.jpg?v=1731061941"},"aspect_ratio":1.281,"height":1500,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_cce64288-9413-49c3-a56f-ce04969f1ca9.jpg?v=1731061941","width":1921},{"alt":"This image is a double page spread. 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Next, a woman is in an apron. Third, a woman ties her hair and another ties her apron. A boy is by them. Fourth is a kitchen. A man is at an oven. A woman makes coffee. To the right are plants. A woman with grey hair and dark skin tone walks with a cane. She says, “Well, let’s look around and see what we’ve got, what we’ve grown, what we’ve kept, been given and bought!” A man with light skin tone is by her.","id":21984563691579,"position":3,"preview_image":{"aspect_ratio":2.632,"height":190,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ca549dab-25f8-492f-8b77-179115a4f23b.jpg?v=1650911577"},"aspect_ratio":2.632,"height":190,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_ca549dab-25f8-492f-8b77-179115a4f23b.jpg?v=1650911577","width":500},{"alt":"This image is a double page spread. To the left are three stacked cans. A woman with dark skin tone is with a boy on the bottom can. She says, “Beans from the food bank?” They are also on the second can. She tips a third open can over. A fourth can is open in the air. Beans spill out. The woman falls out of the third can. She says, “Bean salad? Bean soup?” To the right, beans fill the air. The woman says, “Bean tacos? Bean stew?” She says, “I’m out of ideas!” The boy falls too. 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With a garden full of produce, a joyfully chaotic kitchen and a friendly meal shared at the table, \u003cem\u003eOur Little Kitchen \u003c\/em\u003eis a celebration of full bellies and people looking out for one another.\u003c\/p\u003e\n\u003cp\u003eIncludes two recipes and an author’s note about the volunteering experience that inspired the book.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nillustrated recipes\u003cbr\u003e\nauthor's note\u003cbr\u003e\nspeech bubbles\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781554988204","AlsoRecommendedISBN_1":"9781554988877","AlsoRecommendedISBN_2":"9781773061801","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"K","AudienceRangeValue_1_1":"4","AudienceRangeValue_1_2":"K","AudienceRangeValue_2_0":"3","AudienceRangeValue_2_1":"8","AudienceRangeValue_2_2":"3","BASICMainSubject":"JUV050000","BASICMainSubjectLiteral":"JUVENILE FICTION \/ Cooking \u0026 Food","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJILLIAN TAMAKI\u003c\/strong\u003e is a cartoonist and illustrator from Calgary, Alberta, who now lives in Toronto, Ontario. Her first picture book, \u003cem\u003eThey Say Blue\u003c\/em\u003e, won the Governor General’s Literary Award and the Boston Globe–Horn Book Award, among many other accolades. She co-created the highly acclaimed graphic novels \u003cem\u003eSkim\u003c\/em\u003e and \u003cem\u003eThis One Summer\u003c\/em\u003e with Mariko Tamaki, and she is the creator of the webcomic \u003cem\u003eSuperMutant Magic Academy\u003c\/em\u003e, and \u003cem\u003eBoundless\u003c\/em\u003e, a collection of short comics for adults. She has won many awards for her work, including a Caldecott Honor, a Printz Honor, the Eisner Award, the Doug Wright Award and the Ignatz Award. Her work has also been named to the list of \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Children’s Books.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Cooking \u0026amp; Food","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Stories in Verse","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Homelessness \u0026amp; Poverty","BISACSubject_0":"JUV050000","BISACSubject_1":"JUV057000","BISACSubject_2":"JUV039070","CommonCore":"CCSS.ELA-LITERACY.RL.2.4","CommonCore_1":"CCSS.ELA-LITERACY.RL.1.4","ComplexityCode_0":"M","ComplexityCode_1":"M","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJILLIAN TAMAKI\u003c\/strong\u003e is a cartoonist and illustrator from Calgary, Alberta, who now lives in Toronto, Ontario. Her first picture book, \u003cem\u003eThey Say Blue\u003c\/em\u003e, won the Governor General’s Literary Award and the Boston Globe–Horn Book Award, among many other accolades. She co-created the highly acclaimed graphic novels \u003cem\u003eSkim\u003c\/em\u003e and \u003cem\u003eThis One Summer\u003c\/em\u003e with Mariko Tamaki, and she is the creator of the webcomic \u003cem\u003eSuperMutant Magic Academy\u003c\/em\u003e, and \u003cem\u003eBoundless\u003c\/em\u003e, a collection of short comics for adults. She has won many awards for her work, including a Caldecott Honor, a Printz Honor, the Eisner Award, the Doug Wright Award and the Ignatz Award. Her work has also been named to the list of \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Children’s Books.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJILLIAN TAMAKI\u003c\/strong\u003e is a cartoonist and illustrator from Calgary, Alberta, who now lives in Toronto, Ontario. Her first picture book, \u003cem\u003eThey Say Blue\u003c\/em\u003e, won the Governor General’s Literary Award and the Boston Globe–Horn Book Award, among many other accolades. She co-created the highly acclaimed graphic novels \u003cem\u003eSkim\u003c\/em\u003e and \u003cem\u003eThis One Summer\u003c\/em\u003e with Mariko Tamaki, and she is the creator of the webcomic \u003cem\u003eSuperMutant Magic Academy\u003c\/em\u003e, and \u003cem\u003eBoundless\u003c\/em\u003e, a collection of short comics for adults. She has won many awards for her work, including a Caldecott Honor, a Printz Honor, the Eisner Award, the Doug Wright Award and the Ignatz Award. Her work has also been named to the list of \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Children’s Books.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Tamaki, Jillian (CA)","Contributor_1":"Tamaki, Jillian (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA picture book about a lively evening in a community kitchen from Governor General’s Award–winning author and illustrator Jillian Tamaki.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003eTie on your apron!\u003cbr\u003e\nRoll up your sleeves!\u003cbr\u003e\nPans are out, oven is hot.\u003cbr\u003e\nThe kitchen’s all ready,\u003cbr\u003e\nWhere do we start?\u003c\/blockquote\u003e\u003cp\u003eIn this lively, rousing picture book from Caldecott Honoree Jillian Tamaki, a crew of resourceful neighbours come together to prepare a meal for their community. With a garden full of produce, a joyfully chaotic kitchen and a friendly meal shared at the table, \u003cem\u003eOur Little Kitchen \u003c\/em\u003eis a celebration of full bellies and people looking out for one another.\u003c\/p\u003e\n\u003cp\u003eIncludes two recipes and an author’s note about the volunteering experience that inspired the book.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\nillustrated recipes\u003cbr\u003e\nauthor's note\u003cbr\u003e\nspeech bubbles\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.1.4\u003cbr\u003e\nIdentify words and phrases in stories or poems that suggest feelings or appeal to the senses.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","EAN":"9781773062624","Height":"8","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"illustrated recipes;author's note;speech bubbles","MetaKeywords":"illustrated recipes; author's note","NumberOfPages":"40","OtherText_Review_0":"\u003cp\u003e[T]his color-saturated, mouthwatering whirlwind of a book bursts with energy from the moment its diverse group of characters starts chopping and slicing, whisking and whipping.\u003c\/p\u003e","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"\u003cp\u003e[W]hat’s most striking is Tamaki’s gentle but empowering message about the need to be kind.\u003c\/p\u003e","OtherText_Review_1_Src":"Globe and Mail","OtherText_Review_2":"\u003cp\u003e\u003cem\u003eOur Little Kitchen\u003c\/em\u003e is a celebration of full bellies and looking out for one another.\u003c\/p\u003e","OtherText_Review_2_Src":"Book Riot","OtherText_Review_3":"\u003cp\u003e[A] lively, rousing picture book.\u003c\/p\u003e","OtherText_Review_3_Src":"Canadian Children's Book Centre","OtherText_Review_4":"\u003cp\u003eTamaki’s colors are bright and the energy from the book gives out so much happiness. … The book is about hope and love for each other.\u003cem\u003e\u003cbr\u003e\n\u003c\/em\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"International Examiner","OtherText_Review_5":"\u003cp\u003eEnergetic, filled to the brim with compassion and ever-changing perspectives, this book needs to be in every school library and classroom.\u003c\/p\u003e","OtherText_Review_5_Src":"Sal’s Fiction Addiction Blog","OtherText_Review_6":"\u003cp\u003e\u003cem \u003eOur Little Kitchen\u003c\/em\u003e shines.\u003c\/p\u003e","OtherText_Review_6_Src":"Picture Book Builders Blog","OtherText_Review_7":"\u003cp\u003e[V]ibrant illustrations and fun text.\u003c\/p\u003e","OtherText_Review_7_Src":"Buffalo News","OtherText_Review_8":"\u003cp\u003e[A] a vibrant picture book.\u003c\/p\u003e","OtherText_Review_8_Src":"Vancouver Writers Fest","OtherText_Review_9":"\u003cp\u003eWarm and inviting.\u003c\/p\u003e","OtherText_Review_9_Src":"Canadian Children’s Book News","OtherText_ShortDescription_0":"A picture book about a lively evening in a community kitchen from Governor General’s Award–winning author and illustrator Jillian Tamaki.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Commended","PrizeCodeText_7":"Commended","PrizeCodeText_8":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"03","PrizeCode_7":"03","PrizeCode_8":"03","PrizeName_0":"Eisner Award — Best Publication for Early Readers","PrizeName_1":"Governor General's Literary Award, Young People's Literature — Illustrated Books","PrizeName_2":"Marilyn Baillie Picture Book Award","PrizeName_3":"Washington Post Best Children's Books","PrizeName_4":"New York Times Best Children’s Books of the Year","PrizeName_5":"New York Times Best Children’s Books of the Year","PrizeName_6":"49th Shelf Canadian Books of the Year","PrizeName_7":"CBC Books Best Canadian Picture Books","PrizeName_8":"Horn Book Fanfare Best Books of the Year","PrizeYear_0":"2021","PrizeYear_1":"2020","PrizeYear_2":"2021","PrizeYear_3":"2020","PrizeYear_4":"2020","PrizeYear_5":"2020","PrizeYear_6":"2020","PrizeYear_7":"2020","PrizeYear_8":"2020","ProductFormDescription":"hardcover","PublicationDate":"2020-09-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A picture book about a lively evening in a community kitchen from Governor General’s Award–winning author and illustrator Jillian Tamaki.","Width":"10","WidthCode":"in"} ages 4 to 8 / grades K to 3

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Our Little Kitchen

A picture book about a lively evening in a community kitchen from Governor General’s Award–winning author and illustrator Jillian Tamaki.

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Quick View {"id":6582748119099,"title":"Minimal","handle":"minimal","description":"\u003cp\u003e\u003cstrong\u003eA stylish and inspiring guide to living a happier life in balance with the natural world\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eMinimal \u003c\/em\u003eoffers readers inspiration and tools to embrace simple living and create meaningful, lasting change in their lives. 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From advice on home decorating and decluttering, and easy-to-follow recipes for making your own cosmetics and cleaning products, to tips for shopping sustainably, composting, and restoring old furniture, \u003cem\u003eMinimal\u003c\/em\u003e provides a host of small but powerful ways to live a more balanced life while being good to the planet.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487000356","AlsoRecommendedISBN_1":"9781487000639","AlsoRecommendedISBN_2":"9781487002442","BASICMainSubject":"HOM022000","BASICMainSubjectLiteral":"HOUSE \u0026 HOME \/ Sustainable Living","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eStéphanie Mandréa\u003c\/strong\u003e and \u003cstrong\u003eLaurie Barrette\u003c\/strong\u003e are the founders of the Montreal-based eco-brand Dans le Sac, which makes reusable and sustainable products that can be easily incorporated into daily life. Their goal is to make a difference by proposing simple, effective solutions that respect our health and that of our planet. Since its inception, Dans le sac has become a YouTube channel, an online store, and an incredible web platform for new discoveries and inspirations of the moment. \u003cem\u003eMinimal: For Simple and Sustainable Living\u003c\/em\u003e is their first book.\u003c\/p\u003e","BISACSubjectLiteral_0":"HOUSE \u0026amp; HOME \/ Sustainable Living","BISACSubjectLiteral_1":"SELF-HELP \/ Green Lifestyle","BISACSubject_0":"HOM022000","BISACSubject_1":"SEL039000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eStéphanie Mandréa\u003c\/strong\u003e and \u003cstrong\u003eLaurie Barrette\u003c\/strong\u003e are the founders of the Montreal-based eco-brand Dans le Sac, which makes reusable and sustainable products that can be easily incorporated into daily life. Their goal is to make a difference by proposing simple, effective solutions that respect our health and that of our planet. Since its inception, Dans le sac has become a YouTube channel, an online store, and an incredible web platform for new discoveries and inspirations of the moment. \u003cem\u003eMinimal: For Simple and Sustainable Living\u003c\/em\u003e is their first book.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eStéphanie Mandrea\u003c\/strong\u003e and \u003cstrong\u003eLaurie Barrette\u003c\/strong\u003e are the founders of the Montreal-based eco-brand Dans le Sac, which makes reusable and sustainable products that can be easily incorporated into daily life. Their goal is to make a difference by proposing simple, effective solutions that respect our health and that of our planet. Since its inception, Dans le sac has become a YouTube channel, an online store, and an incredible web platform for new discoveries and inspirations of the moment. \u003cem\u003eMinimal: For Simple and Sustainable Living\u003c\/em\u003e is their first book.\u003c\/p\u003e\r\n","ContributorBio_2":"\u003cp\u003e\u003cstrong \u003eJ. C. SUTCLIFFE\u003c\/strong\u003e is a translator, writer, and editor. Her translation of\u003cem \u003e Back Roads\u003c\/em\u003e by Andrée A. Michaud was a finalist for the Governor General’s Literary Award. Her other translations include \u003cem \u003eMama’s Boy\u003c\/em\u003e and \u003cem \u003eMama’s Boy Behind Bars\u003c\/em\u003e by David Goudreault, \u003cem \u003eDocument 1 \u003c\/em\u003eby François Blais, and \u003cem \u003eWorst Case, We Get Married\u003c\/em\u003e by Sophie Bienvenu. 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From advice on home decorating and decluttering, and easy-to-follow recipes for making your own cosmetics and cleaning products, to tips for shopping sustainably, composting, and restoring old furniture, \u003cem \u003eMinimal\u003c\/em\u003e provides a host of small but powerful ways to live a more balanced life while being good to the planet.\u003c\/p\u003e\r\n","EAN":"9781487009441","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009441\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"Ambrosia","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eROBUST SOCIAL MEDIA PRESENCE\u003c\/strong\u003e: As a brand, Dans le sac has a tremendous social media following, both in English and French. Instagram: 66K+ followers. Facebook: 20K+ followers. YouTube: 20K+ subscribers. Pinterest: 600K monthly unique viewers.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBILINGUAL AND MEDIAGENIC AUTHORS\u003c\/strong\u003e: Both Stéphanie and Laurie are completely fluent in English and French. Their website and social media posts are available in both languages. And they are comfortable in front of the camera. They will be great authors to tour and do media.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGROWING INTERNATIONAL BRAND\u003c\/strong\u003e: Currently, Dans le sac products are available in retail stores across Canada, the U.S., and parts of Europe. During the COVID-19 pandemic, their online sales reached such a high level that they were forced to open an American warehouse for the goods to keep up with demand.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBRAND VISION\u003c\/strong\u003e: “We launched Dans le Sac to inspire change. Protecting the environment is more than just a passion, it’s a lifestyle for us. Making our own make-up, cleaning products and composting is something we’ve been doing for many years now, but it was in May 2016 that it all came together for us and we launched Dans le Sac to inspire change on a larger scale. So our mission has shifted to inspire people positively. We knew that we could make a difference by offering simple and convenient alternatives that respect both our health and the planets. Since then, we’ve developed sustainable products that fit into your daily routines, items that you’ll want to use over and over again, and that helps us reduce our ecological footprint.”\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"A stylish and inspiring guide for living a happier life in balance with the natural world.","ProductFormDescription":"epub","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"A stylish and inspiring guide for living a happier life in balance with the natural world.","Subtitle":"For Simple and Sustainable Living"}

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Minimal

A stylish and inspiring guide for living a happier life in balance with the natural world.

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Quick View {"id":6819093217339,"title":"Twenty-First Century Capitalism","handle":"twentyfirst-century-capitalism","description":"\u003cp\u003e\u003cstrong\u003eA \u003cem\u003eNew York Times \u003c\/em\u003eNotable Book \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWhat forms will capitalism take in the twenty-first century? To answer this question, noted economist and social philosopher Robert Heilbroner looks beyond economic theory to the social and political problems of modern economic society. \u003c\/p\u003e\r\n\u003cp\u003eIn this sweeping examination of the past, present, and possible future, Heilbroner considers capitalism both as an economic system and a political order. 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Heilbroner concludes this penetrating technique by speculating on whether some more participatory forms of capitalism might emerge this century.\u003c\/p\u003e"} {"AlsoRecommendedISBN_1":"9781487003494","AlsoRecommendedISBN_2":"9781487007188","AlsoRecommendedISBN_3":"9781770890626","BASICMainSubject":"BUS069030","BASICMainSubjectLiteral":"BUSINESS \u0026 ECONOMICS \/ Economics \/ Theory","BiographicalNote":"Robert Heilbroner was an economic historian and the bestselling author of many books. He died in January 2005.","BISACSubjectLiteral_0":"BUSINESS \u0026 ECONOMICS \/ Economics \/ Theory","BISACSubjectLiteral_1":"POLITICAL SCIENCE \/ Political Economy","BISACSubject_0":"BUS069030","BISACSubject_1":"POL023000","ContributorBio_0":"Robert Heilbroner was an economic historian and the bestselling author of many books. He died in January 2005.","ContributorRole_0":"By (author)","Contributor_0":"Heilbroner, Robert","Description":"\u003cp\u003e\u003cstrong\u003eA \u003cem\u003eNew York Times \u003c\/em\u003eNotable Book \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWhat forms will capitalism take in the twenty-first century? To answer this question, noted economist and social philosopher Robert Heilbroner looks beyond economic theory to the social and political problems of modern economic society. \u003c\/p\u003e\r\n\u003cp\u003eIn this sweeping examination of the past, present, and possible future, Heilbroner considers capitalism both as an economic system and a political order. He argues persuasively that, even in an increasingly globalized economy, government remains crucial to a healthy private sector, due to the limited ability of markets to order themselves, let alone make contributions to the common good such as tackling environmental problems or providing sufficient educational programs. Heilbroner concludes this penetrating technique by speculating on whether some more participatory forms of capitalism might emerge this century.\u003c\/p\u003e","EAN":"9780887845345","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9780887845345\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.63","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"136","OtherText_ShortDescription_0":"In his 1992 CBC Massey Lectures, economist Robert Heilbroner explores capitalism as both an economic system and a political order.","ProductFormDescription":"trade paperback","PublicationDate":"1993-01-01","Publisher":"House of Anansi Press Inc","Series":"The CBC Massey Lectures","ShortDescription":"In his 1992 CBC Massey Lectures, economist Robert Heilbroner explores capitalism as both an economic system and a political order.","Width":"5.63","WidthCode":"in"}

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Twenty-First Century Capitalism

In his 1992 CBC Massey Lectures, economist Robert Heilbroner explores capitalism as both an economic system and a political order.

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Quick View {"id":6818368159803,"title":"Skim","handle":"skim","description":"\u003cp\u003e\u003cstrong\u003eA New York Times Book Review choice as one of the 10 Best Illustrated Children's Books of 2008.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSkim is Kimberly Keiko Cameron, a not-slim, would-be Wiccan goth stuck in a private girls' school in Toronto. When a classmate's boyfriend kills himself because he was rumoured to be gay, the school goes into mourning overdrive, each clique trying to find something to hold on to and something to believe in. It's a weird time to fall in love, but that's high school, and that's what happens to Skim when she starts to meet in secret with her neo-hippie English teacher, Ms. Archer. 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When a classmate's boyfriend kills himself because he was rumoured to be gay, the school goes into mourning overdrive, each clique trying to find something to hold on to and something to believe in. It's a weird time to fall in love, but that's high school, and that's what happens to Skim when she starts to meet in secret with her neo-hippie English teacher, Ms. Archer. But when Ms. Archer abruptly leaves, Skim struggles to cope with her confusion and isolation, armed with her trusty journal and a desire to shed old friendships while cautiously approaching new ones.\u003c\/p\u003e\n\u003cp\u003eDepression, love, sexual identity, crushes, manipulative peers --teen life in all its dramatic complexities is explored in this touching, pitch-perfect, literary graphic masterpiece. Cousins Mariko and Jillian Tamaki collaborate brilliantly in this poignant glimpse into the heartache of being sixteen.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.7\u003c\/p\u003e\n\u003cp\u003eAnalyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003c\/p\u003e\n\u003cp\u003eDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003c\/p\u003e\n\u003cp\u003eExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e"} {"AlsoRecommendedISBN_2":"9781554983605","AlsoRecommendedISBN_3":"9781554989447","AlsoRecommendedISBN_4":"9781554989720","AlsoRecommendedISBN_5":"9781554989720","AudienceRangePrecision_1_0":"04","AudienceRangePrecision_1_1":"04","AudienceRangePrecision_1_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"9","AudienceRangeValue_1_1":"14","AudienceRangeValue_1_2":"9","BASICMainSubject":"YAF036000","BASICMainSubjectLiteral":"YOUNG ADULT FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJILLIAN TAMAKI\u003c\/strong\u003e is a cartoonist and illustrator from Calgary, Alberta, who now lives in Toronto, Ontario. Her first picture book, \u003cem\u003eThey Say Blue\u003c\/em\u003e, won the Governor General’s Literary Award and the Boston Globe–Horn Book Award, among many other accolades. She co-created the highly acclaimed graphic novels \u003cem\u003eSkim\u003c\/em\u003e and \u003cem\u003eThis One Summer\u003c\/em\u003e with Mariko Tamaki, and she is the creator of the webcomic \u003cem\u003eSuperMutant Magic Academy\u003c\/em\u003e, and \u003cem\u003eBoundless\u003c\/em\u003e, a collection of short comics for adults. She has won many awards for her work, including a Caldecott Honor, a Printz Honor, the Eisner Award, the Doug Wright Award and the Ignatz Award. Her work has also been named to the list of \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Children’s Books.\u003c\/p\u003e","BISACSubjectLiteral_0":"YOUNG ADULT FICTION \/ Literary","BISACSubjectLiteral_1":"YOUNG ADULT FICTION \/ Social Themes \/ General","BISACSubjectLiteral_2":"YOUNG ADULT FICTION \/ Comics \u0026amp; Graphic Novels \/ General","BISACSubject_0":"YAF036000","BISACSubject_1":"YAF058000","BISACSubject_2":"YAF010000","CommonCore":"CCSS.ELA-LITERACY.RL.6.6","CommonCore_1":"CCSS.ELA-LITERACY.RL.5.7","CommonCore_2":"CCSS.ELA-LITERACY.RL.6.3","ComplexityCode_0":"GN540L","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJILLIAN TAMAKI\u003c\/strong\u003e is a cartoonist and illustrator from Calgary, Alberta, who now lives in Toronto, Ontario. Her first picture book, \u003cem\u003eThey Say Blue\u003c\/em\u003e, won the Governor General’s Literary Award and the Boston Globe–Horn Book Award, among many other accolades. She co-created the highly acclaimed graphic novels \u003cem\u003eSkim\u003c\/em\u003e and \u003cem\u003eThis One Summer\u003c\/em\u003e with Mariko Tamaki, and she is the creator of the webcomic \u003cem\u003eSuperMutant Magic Academy\u003c\/em\u003e, and \u003cem\u003eBoundless\u003c\/em\u003e, a collection of short comics for adults. She has won many awards for her work, including a Caldecott Honor, a Printz Honor, the Eisner Award, the Doug Wright Award and the Ignatz Award. Her work has also been named to the list of \u003cem\u003eNew York Times\u003c\/em\u003e Best Illustrated Children’s Books.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARIKO TAMAKI\u003c\/strong\u003e is a Canadian writer of comics and prose. She is the co-creator with Jillian Tamaki of \u003cem\u003eSkim\u003c\/em\u003e and of Caldecott and Printz Honor book \u003cem\u003eThis One Summer\u003c\/em\u003e. Mariko also writes about superheroes for Marvel and DC Comics. She lives in Oakland, California.\u003c\/p\u003e\n","ContributorRole_0":"Illustrated by","ContributorRole_1":"By (author)","Contributor_0":"Tamaki, Jillian (CA)","Contributor_1":"Tamaki, Mariko (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA New York Times Book Review choice as one of the 10 Best Illustrated Children's Books of 2008.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSkim is Kimberly Keiko Cameron, a not-slim, would-be Wiccan goth stuck in a private girls' school in Toronto. When a classmate's boyfriend kills himself because he was rumoured to be gay, the school goes into mourning overdrive, each clique trying to find something to hold on to and something to believe in. It's a weird time to fall in love, but that's high school, and that's what happens to Skim when she starts to meet in secret with her neo-hippie English teacher, Ms. Archer. But when Ms. Archer abruptly leaves, Skim struggles to cope with her confusion and isolation, armed with her trusty journal and a desire to shed old friendships while cautiously approaching new ones.\u003c\/p\u003e\n\u003cp\u003eDepression, love, sexual identity, crushes, manipulative peers --teen life in all its dramatic complexities is explored in this touching, pitch-perfect, literary graphic masterpiece. Cousins Mariko and Jillian Tamaki collaborate brilliantly in this poignant glimpse into the heartache of being sixteen.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.5.7\u003c\/p\u003e\n\u003cp\u003eAnalyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.3\u003c\/p\u003e\n\u003cp\u003eDescribe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.6.6\u003c\/p\u003e\n\u003cp\u003eExplain how an author develops the point of view of the narrator or speaker in a text.\u003c\/p\u003e","EAN":"9781554987634","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"young adult fiction","NumberOfPages":"144","OtherText_Review_0":"...the expressionistic fluidity of the black and white illustrations serves the purpose of pages of prose, so that the laconic conversation of these girls and Skim's almost equally economical and intermittent diary entries ring true.","OtherText_Review_0_Src":"Canadian Literature","OtherText_Review_1":"Being able to tap into that visceral experience, warts and all, is what makes Skim such an amazing read...A powerful and poignant story that is as perfect a synergy of words and art as you're likely to find in comics, Skim is a true gem.","OtherText_Review_10":"The Tamaki cousins in their first graphic novel take a huge fistful of typical high school story trappings and distill a beautiful and funny time capsule of real feeling...striking black-and-white artwork flows in clear but soft, shaded line work...The visual storytelling is firm and often quite lovely...Skim is a refreshing reminder of the inevitability of change and the importance of looking beneath the surface.","OtherText_Review_10_Src":"VOYA (Voice of Youth Advocates)","OtherText_Review_11":"This beautifully rendered graphic novel portrays the confusion of adolescence and how it can lead to depression and experimentation.","OtherText_Review_11_Src":"Book Links","OtherText_Review_12":"...an auspicious graphic novel debut by cousins Mariko and Jillian Tamaki...It's Jillian's artwork that sets it apart from the coming-of-age pack. Jillian has a swooping, gorgeous pen line-expressive, vibrant and precise all at once...evocative and wondrous...It complements Mariko's fine ear for dialogue and the incidentals and events of adolescent life. Skim is an unusually strong graphic novel-rich in visuals and observations, and rewarding of repeated readings.","OtherText_Review_12_Src":"Publishers Weekly","OtherText_Review_13":"[Skim uses] high school as a fertile setting for pungent commentary on racial, cultural, and sexual issues...The narrative, mainly in diary form, feels accurate and realistic, drenched in a sense of confusion and nihilism, and the art, influenced by Craig Thompson's Blankets (2003), reflects the spare, gloomy emotional landscape in which Skim exists. This story will appeal to many female comics fans...","OtherText_Review_13_Src":"Booklist","OtherText_Review_14":"[Skim] is bringing kudos to Canadian children's book publisher Groundwood Books for its poignant and funny portrayal of a teenage girl...[Jillian Tamaki's] monochromatic ink drawings with their fluid lines add powerful cinematic storytelling to [Mariko Tamaki's] minimalist text...Jillian's ability to catch the gestures and body language of the private school girls in their plaid skirts and knee socks equals Mariko's well-attuned ear for dialogue. The combination of words and images makes Skim a fully rounded and memorable character struggling with a welter of confused feelings...we feel for her...[Jillian Tamaki] has won several awards. It seems a sure bet that Skim will garner her a few more.","OtherText_Review_14_Src":"Calgary Herald","OtherText_Review_15":"A gorgeous, poetic pen line and sharp dialogue bring this angsty story of a disaffected teenage girl to life.","OtherText_Review_15_Src":"Publishers Weekly","OtherText_Review_16":"Jillian Tamaki's illustrations perfectly match the rough edges and continuous movement of Skim's teenage characters and reveal humour in the agonizing minutiae of high school life...Mariko Tamaki's text blends teen-speak with eloquence and wry one-liners...blending colloquialisms and sharp observations into something profound...","OtherText_Review_16_Src":"Toronto Star","OtherText_Review_17":"No medium can capture the sense of being plunged into another person's mind like comics can, and Skim is the perfect example, its words and pictures and storytelling so unified in conjuring Kim's world that it comes as a surprise to see it has two creators rather than one...The careful layering of perception, desire, and reality is handled so deftly that the effect is almost subliminal...The Tamakis have done the hardest and most rewarding thing an artist can do: they have captured the texture of real life and made it into something beautiful.","OtherText_Review_17_Src":"Irish Times","OtherText_Review_18":"The Tamaki cousins in their first graphic novel take a huge fistful of high school story trappings and distill a beautiful and funny time capsule of real feeling... Skim is a refreshing reminder of the inevitability of change and the importance of looking beneath the surface.","OtherText_Review_18_Src":"VOYA (Voice of Youth Advocates)","OtherText_Review_19":"The tricky part with graphic novels is getting the story to be as good as the drawings, and [the Tamakis] have figured out a winning combination for sure. The story is riveting and will bring you right back to 11th grade angst within the first few pages. Jillian Tamaki has an especially expressive, loose style that lends itself beautifully to this slightly morose tale.","OtherText_Review_19_Src":"Bust","OtherText_Review_1_Src":"Metro","OtherText_Review_2":"...avoids all the cliches of a coming-of-age story...Original in every which way.","OtherText_Review_20":"This stunning coming-of-age novel will draw in not only GN buffs, who will appreciate the creative design and dramatic use of both illustration and narration, but also realistic-fiction fans who may not normally gravitate to the format but will find this a sympathetic standout.","OtherText_Review_20_Src":"Bulletin of the Center for Children's Books","OtherText_Review_21":"Writer Mariko Tamaki and artist Jillian Tamaki stunningly entwine their acute dialogues and visual riches in brush, soft pencil and grey tones, illuminating this adolescent romance in all its conflicted depths. [Skim is the] most sophisticated and sensitive North American graphic novel debut of the year.","OtherText_Review_21_Src":"Paul Gravett","OtherText_Review_22":"A quietly moving graphic novel...sharply witty and incisive...Long, languid lines portray Skim's turmoil and angst with pitch-perfect resonance...Recommend this to fans of Daniel Clowes's Ghost World, who have been waiting for another graphic novel of teen angst and suburban ennui.","OtherText_Review_22_Src":"Kirkus Reviews","OtherText_Review_2_Auth":"Valerie D'Orazio","OtherText_Review_2_Src":"Friends of Lulu","OtherText_Review_3":"...intelligent choice...a sensitive and caring portrayal of youth...universal...a complete success...[Jillian's] storytelling is solid...[and] her art is very atmospheric...","OtherText_Review_3_Src":"Gay Comics List","OtherText_Review_4":"...traverse[s] the turbulent landscape of high school with tenderness and a keen eye for the yearning of adolescent girls...From the particularities of slang to the bigger concepts like fear and isolation, Mariko and Jillian Tamaki capture the subtle details that comprise this understated part of life...a world [in] which anyone who has ever been a teenager would be able to relate to at some level...Jillian Tamaki's use of line and shadow is effective in rendering the psychology of characters and the moody spaces they find themselves in...Formally, Skim is interesting for its varied approach to panel-use. Some pages flaunt over 10 similarly sized and shaped panels while others reveal only one (often silent) borderless image. The overall effect reveals impressive artwork and many powerful scenes...Skim is a unique piece, one not to be missed. Highly Recommended. [Skim uses] high school as a fertile setting for pungent commentary on racial, cultural, and sexual issues...The narrative, mainly in diary form, feels accurate and realistic, drenched in a sense of confusion and nihilism, and the art, influenced by Craig Thompson's Blankets (2003), reflects the spare, gloomy emotional landscape in which Skim exists. This story will appeal to many female comics fans...","OtherText_Review_4_Src":"CM Magazine","OtherText_Review_5":"...[Skim is a] stunningly emotional graphic novel...an artful jumble that is as true-to-life as it is diffuse...unfussy and immediate...The delicately lined art alternately expands and contradicts the prose to achieve layers of meaning, tone and irony...With honesty and compassion, this innovative narrative communicates a life just beginning, open and full of possibility.","OtherText_Review_5_Src":"Horn Book, STARRED REVIEW","OtherText_Review_6":"...[Skim] manages to avoid the usual cliches...The b\/w cirt is fluid and curvy and looks like it came straight out of a sketchbook. The little details are wonderful...Highly recommended for high school graphic novel colelctions, especially those catering to girls.","OtherText_Review_6_Src":"Kliatt","OtherText_Review_7":"...rendered delicately...Mariko's writing is assured...Skim's self-searching entries are wrenched off or lit up by the next image...Skim comes into its own, building a teenage girl mood that's struggling observant and shyly heartfelt by turns.","OtherText_Review_7_Src":"Vue Weekly","OtherText_Review_8":"[Skim] is a convincing chronicle of a teenage outsider who has enough sense to want to stay outside...All in all, Skim offers a startlingly clear and painful view into adolescence for those of us who possess it only as a distant memory. It's a story that deepens with successive rereadings. But what will teenagers think? Maybe that they've found a bracingly honest story by a writer who seems to remember exactly what it was like to be 16 and in love for the first time.","OtherText_Review_8_Src":"New York Times","OtherText_Review_9":"Skim comes out on top...connects in every way...This graphic novel is a winner...a unique creation...Scenes are often hilarious and black-humoured as well as serious...Mariko Tamaki's prose captures an authentic adolescent voice that's dramatic, self-obsessed, funny, earnest, and sometimes glib...Skim is an unforgettable character in the tradition of Holden Caulfield-a clear social commentator on adult and adolescent behaviour whose ironic observations on social hypocrisy ring sharp and true...Illustrator Jillian Tamaki's fine draughtsmanship gives Skim a classic elegance that's missing in many other graphic novels...a powerful sense of mystical eeriness that deepens and enhances the story. Skim is a funny, poignant, memorable drama of navigating adolescence.","OtherText_Review_9_Src":"Quill \u0026 Quire, STARRED REVIEW","OtherText_ShortDescription_0":"Skim is a brilliant and poignant glimpse at the heartache of teen life in all its dramatic complexities.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_10":"Long-listed","PrizeCodeText_11":"Long-listed","PrizeCodeText_12":"Long-listed","PrizeCodeText_13":"Long-listed","PrizeCodeText_14":"Long-listed","PrizeCodeText_15":"Commended","PrizeCodeText_16":"Commended","PrizeCodeText_17":"Commended","PrizeCodeText_18":"Long-listed","PrizeCodeText_19":"Joint winner","PrizeCodeText_2":"Winner","PrizeCodeText_20":"Long-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Short-listed","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Commended","PrizeCodeText_7":"Commended","PrizeCodeText_8":"Commended","PrizeCodeText_9":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_10":"05","PrizeCode_11":"05","PrizeCode_12":"05","PrizeCode_13":"05","PrizeCode_14":"05","PrizeCode_15":"03","PrizeCode_16":"03","PrizeCode_17":"03","PrizeCode_18":"05","PrizeCode_19":"06","PrizeCode_2":"01","PrizeCode_20":"05","PrizeCode_3":"04","PrizeCode_4":"04","PrizeCode_5":"03","PrizeCode_6":"03","PrizeCode_7":"03","PrizeCode_8":"03","PrizeCode_9":"05","PrizeName_0":"Ignatz Award - Outstanding Graphic Novel","PrizeName_1":"Doug Wright Award - Best Book","PrizeName_10":"Eisner Award - Best Publication for Tweens\/Teens","PrizeName_11":"Harvey Awards - Best Graphic Album","PrizeName_12":"Ignatz Award - Outstanding Artist","PrizeName_13":"Lulu Awards - Kim Yale Award for Best New Talent (Mariko Tamaki)","PrizeName_14":"Lulu of the Year Award","PrizeName_15":"New York Times Best Illustrated Book","PrizeName_16":"PW Best Books of the Year (Comics)","PrizeName_17":"Texas Maverick Graphic Novels Reading List","PrizeName_18":"YALSA Best YA List","PrizeName_19":"YALSA Great Graphic Novels List","PrizeName_2":"Joe Shuster Award - Writer","PrizeName_20":"YALSA Quick Picks for Reluctant Readers","PrizeName_3":"Governor General's Literary Awards: Text","PrizeName_4":"CLA Young Adult Book of the Year Award","PrizeName_5":"ALA Top 10 Books for YA","PrizeName_6":"ALA Top 10 Graphic Novels for Teens","PrizeName_7":"Bloomsbury Review's Editor's Favourite Books of 2008","PrizeName_8":"Cooperative Children's Book Center, CCBC Choices","PrizeName_9":"Eisner Award - Best Graphic Album (New)","PrizeYear_0":"2008","PrizeYear_1":"2008","PrizeYear_10":"2008","PrizeYear_11":"2008","PrizeYear_12":"2008","PrizeYear_13":"2009","PrizeYear_14":"2009","PrizeYear_15":"2008","PrizeYear_16":"2008","PrizeYear_17":"2009","PrizeYear_18":"2008","PrizeYear_19":"2008","PrizeYear_2":"2009","PrizeYear_20":"2008","PrizeYear_3":"2008","PrizeYear_4":"2008","PrizeYear_5":"2009","PrizeYear_6":"2009","PrizeYear_7":"2008","PrizeYear_8":"2008","PrizeYear_9":"2008","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2010-03-01","Publisher":"Groundwood Books Ltd","ShortDescription":"Skim is a brilliant and poignant glimpse at the heartache of teen life in all its dramatic complexities.","Width":"6.5","WidthCode":"in"} ages 14 and up / grades 9 and up

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Skim

Skim is a brilliant and poignant glimpse at the heartache of teen life in all its dramatic complexities.

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