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{"id":6811321040955,"title":"The Lost Spells","handle":"the-lost-spells","description":"\u003cp\u003e\u003cstrong\u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSince its publication in 2017, \u003cem\u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003cbr\u003e\r\n\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem\u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e","published_at":"2022-03-21T17:17:02-04:00","created_at":"2022-03-21T12:51:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Bestseller","Adult Environmentalism","Adult Poetry","Anansi International","By (author) Macfarlane Robert","By (author) Morris Jackie","pub date: 2020-10-27"],"price":2499,"price_min":2499,"price_max":3100,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191045861435,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781487007799","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Lost Spells - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":3100,"weight":440,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007799","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191135907899,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487010133","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Lost Spells - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":2499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010133","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191136006203,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487010140","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Lost Spells - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":2499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010140","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414","options":["Title"],"media":[{"alt":null,"id":22170958954555,"position":1,"preview_image":{"aspect_ratio":0.669,"height":2154,"width":1442,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414"},"aspect_ratio":0.669,"height":2154,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414","width":1442}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSince its publication in 2017, \u003cem\u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003cbr\u003e\r\n\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem\u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002091","AlsoRecommendedISBN_1":"9781487003111","AlsoRecommendedISBN_4":"9781770893894","BASICMainSubject":"POE023030","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Nature","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e is a Fellow of Emmanuel College, Cambridge, and the author of a number of bestselling and prize-winning books, including \u003cem\u003eThe Wild Places\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eHolloway\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, and \u003cem\u003eUnderland\u003c\/em\u003e, which won the Wainwright Prize. His work has been translated into many languages and widely adapted for film, television, and radio. The American Academy of Arts and Letters awarded him the E. M. Forster Award for Literature in 2017. He is a word collector and mountain climber — and he has three children who have taught him more about the world than any book.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Nature","BISACSubjectLiteral_1":"ART \/ Subjects \u0026amp; Themes \/ Plants \u0026amp; Animals","BISACSubjectLiteral_2":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubject_0":"POE023030","BISACSubject_1":"ART050030","BISACSubject_2":"NAT011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e is a Fellow of Emmanuel College, Cambridge, and the author of a number of bestselling and prize-winning books, including \u003cem\u003eThe Wild Places\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eHolloway\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, and \u003cem\u003eUnderland\u003c\/em\u003e, which won the Wainwright Prize. His work has been translated into many languages and widely adapted for film, television, and radio. The American Academy of Arts and Letters awarded him the E. M. Forster Award for Literature in 2017. He is a word collector and mountain climber — and he has three children who have taught him more about the world than any book.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJACKIE MORRIS\u003c\/strong\u003e grew up in the Vale of Evesham and studied at Hereford College of Arts and at Bath Academy. She won the CILIP Kate Greenaway Medal, the highest honour in children’s book illustration, for \u003cem\u003eThe Lost Words\u003c\/em\u003e. She has illustrated for the \u003cem\u003eNew Statesman\u003c\/em\u003e, the\u003cem\u003e Independent\u003c\/em\u003e, and the\u003cem\u003e Guardian\u003c\/em\u003e, collaborated with Ted Hughes, and has written and illustrated over forty books, including beloved classics such as \u003cem\u003eThe Snow Leopard\u003c\/em\u003e, \u003cem\u003eThe Ice Bear\u003c\/em\u003e, \u003cem\u003eSong of the Golden Hare\u003c\/em\u003e, \u003cem\u003eTell Me a Dragon\u003c\/em\u003e, \u003cem\u003eEast of the Sun, West of the Moon\u003c\/em\u003e, and \u003cem\u003eThe Wild Swans\u003c\/em\u003e. Jackie Morris lives in a cottage on the cliffs of Pembrokeshire.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"By (author)","Contributor_0":"Macfarlane, Robert","Contributor_1":"Morris, Jackie","Description":"\u003cp\u003e\u003cstrong \u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSince its publication in 2017, \u003cem \u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem \u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003cbr\u003e\r\n\u003c\/p\u003e\r\n\u003cp\u003e\u003cem \u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem \u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e","EAN":"9781487007799","Height":"6.9","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"richard powers; mary oliver; sharon blackie; kate middleton; leonardo dicaprio; point reyes books; jane fonda; art books; christmas; holiday; independent","NumberOfPages":"240","OtherText_Accolades_0":"The Lost Spells employs Robert Macfarlane’s rapturous language and Jackie Morris’s bewitching illustrations to return language and art to their ancient occupations: building bridges of understanding between human and non-human worlds. More than a mere book, it’s a brave act of shamanism that touches and transforms the reader’s heart, healing and encouraging at a time when the world feels most desperately in need of restoration.","OtherText_Accolades_0_Auth":"Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eTHE FOLLOW-UP TO AN INTERNATIONAL SENSATION:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Lost Words\u003c\/em\u003e has been a massive success and has sold over 36,000 copies in North America. It is an international bestseller, was a finalist for the Wainwright Prize and winner of the CILIP Kate Greenaway Medal, and has inspired grassroots re-wilding movements and crowd-funded giveaways of the book. \u003cem\u003eThe Lost Spells\u003c\/em\u003e, the earlier book’s kindred spirit, will no doubt have a similar impact and reach new audiences.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAN UNPARALLELED GIFT BOOK IN A NEWLY DESIGNED FORMAT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e is a gorgeously designed, fully illustrated, one-of-a-kind book that would make the perfect gift book for the holidays. Jackie Morris’ artwork brings to life the poems’ nature themes and would stand out even without the accompanying evocative poems. \u003cem\u003eThe Lost Spells\u003c\/em\u003e is more freely designed than its predecessor, so the poems and illustrations flow across multiple pages. It is also smaller in trim size, but longer. This is a book designed to be carried around by readers and read outdoors in nature.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eA MAJOR U.K. AND INTERNATIONAL AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eRobert Macfarlane is a major literary and cultural figure in the U.K. His writings on environmental topics are frequently featured in the Guardian and Granta. He is a regular presence on television and hosted an adaptation of his book The Wild Places on BBC’s The Natural World. His travel book The Old Ways was shortlisted for the Samuel Johnson Prize and Philip Pullman named it one of his best books of 2012. His most recent book, Underland, won the Wainwright Prize and was named one of the best books of the twenty-first century by the Guardian.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003ePART OF THE NEW ENVIRONMENTAL MOVEMENT:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eRobert Macfarlane and Jackie Morris’s exploration of nature ties into the current growing awareness of the environment, which climaxed in 2019 with the massive Global Climate Strike. \u003cem\u003eThe Lost Spells\u003c\/em\u003e speaks to those worried about the vanishing natural world, a larger-than-ever group thanks to new studies and articles on biodiversity loss. Both Robert Macfarlane and Jackie Morris have been involved in the Extinction Rebellion environmental movement in the U.K.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eGREAT FOR ALL AGES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThis book is perfect for adults interested in the “re-enchantment movement” or those who just want to rediscover nature, and children newly interested in plants and animals will be captivated by the beautiful hand-painted illustrations and poems.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Elegant … There is enough magic here to summon wild things even for those who are snug indoors.","OtherText_Review_0_Src":"Wall Street Journal","OtherText_Review_1":"This unusually beautiful book brings to readers the magic and wonder of nature … Breathtakingly magical.","OtherText_Review_1_Src":"Kirkus Reviews, STARRED REVIEWS","OtherText_Review_2":"Macfarlane’s lyrics … ring with consonance (“Thrift thrives where most life fails, falls,\/ is cast adrift”) and wordplay (“Woodpecker, tree-wrecker”) … Morris’s fluid artwork renders the elegant tilt of a fox’s snout, birds’ calligraphic flight patterns, and the eyelike whorls of silver birch bark … One to treasure.","OtherText_Review_2_Src":"Publishers Weekly, STARRED REVIEW","OtherText_Review_3":"Macfarlane and Morris bring us the mystery and wisdom of wild things as complementary and consolatory to our tame incompleteness … These painted verses sing and shimmer with a magical exuberance that renders the wild world not parallel, not foreign, but proximate, beckoning, native to our own souls … A charm against the curse of civilization, of exploitation, of apathy.","OtherText_Review_3_Src":"Maria Popova, Brain Pickings","OtherText_Review_4":"Through deeply humane poems paired with warm illustrations, MacFarlane and Morris invited readers into the space where the enchanting natural world meets the expansive imagination . . . Crafted with the same tenderness as its sibling.","OtherText_Review_4_Src":"Shelf Awareness","OtherText_ShortDescription_0":"The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.","ProductFormDescription":"hardcover jacket","PublicationDate":"2020-10-27","Publisher":"House of Anansi Press Inc","ShortDescription":"The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.","Width":"4.76","WidthCode":"in"}
The Lost Spells
The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.
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{"id":7014714015803,"title":"Xanax Cowboy","handle":"xanax-cowboy","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","published_at":"2022-10-14T10:56:29-04:00","created_at":"2022-10-13T16:51:14-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","Adult Starred Reviews","By (author) Green Hannah","Feminist Reads","House of Anansi Press","pub date: 2023-04-04"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40874727178299,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011154","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Xanax Cowboy - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":218,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011154","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40874727604283,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011161","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Xanax Cowboy - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011161","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","options":["Title"],"media":[{"alt":null,"id":24914449465403,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005962","AlsoRecommendedISBN_1":"9781487010690","AlsoRecommendedISBN_3":"9781770890329","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. She lives in Winnipeg.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. She lives in Winnipeg.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Green, Hannah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","EAN":"9781487011154","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011154\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"dunk tank;kayla czaga;let the world have you;mikko harvey;for em;sanna wani;my grief; the sun;contemporary poetry;canadian poetry;poetry collectors","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e\"Xanax Cowboy is a meta-poetic romp that chews through the lexicons of pulp, pop, and academia, spitting out pieces that are at once campy, dark, and gnawingly tender, with a bravado and showmanship that challenge conventions of power, performance, gender, and genre. Through roving tours of tone and tactic … Hannah Green mounts a contemporary antihero with both a light and devastating touch, knowing just when to loosen the slack and when to jerk the line arrestingly taut.\" — \u003cstrong\u003eJury Citation, 2021 Bronwen Wallace Award\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Dallas Hunt, author of Creeland","OtherText_Accolades_1":"\u003cp\u003e\"I’ve never read anything quite like Xanax Cowboy, with its lassoed dream logic or its pistol-drawn showdown with dread. But that’s life when you live in a Wild West of anxiety, and nowhere else can you find this prescription-laced, wasp-sting aesthetic. Hannah Green’s poems are a form-bending live wire, a chainsaw ethos that carves its way through the desert sunset. A long howl in cowboy boots that refuses to be wrangled, Xanax Cowboy is original and compelling.\" — \u003cstrong\u003eAndrew Faulkner, author of \u003cem\u003eHeady Bloom\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Jury Citation, 2021 Bronwen Wallace Award","OtherText_Accolades_2":"\u003cp\u003e\"A fierce collection on cowboy boots and alienation, with incisive and insightful thoughts on navigating mental health, Hannah Green’s debut is all tooth and claw. It bristles, sears, and haunts. At once individual, and yet illuminating in the affective commons it articulates, Hannah has created a home here — come dwell.\" — \u003cstrong\u003eDallas Hunt, author of \u003cem\u003eCreeland\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Andrew Faulkner, author of Heady Bloom","OtherText_Accolades_3":"\u003cp\u003eA fierce collection on cowboy boots and alienation, with incisive and insightful thoughts on navigating mental health, Hannah Green’s debut is all tooth and claw. It bristles, sears, and haunts. At once individual, and yet illuminating in the affective commons it articulates, Hannah has created a home here — come dwell.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Dallas Hunt, author of Creeland","OtherText_Accolades_4":"\u003cp\u003eXanax Cowboy is a meta-poetic romp that chews through the lexicons of pulp, pop, and academia, spitting out pieces that are at once campy, dark, and gnawingly tender, with a bravado and showmanship that challenge conventions of power, performance, gender, and genre. Through roving tours of tone and tactic … Hannah Green mounts a contemporary antihero with both a light and devastating touch, knowing just when to loosen the slack and when to jerk the line arrestingly taut.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Jury Citation, 2021 Bronwen Wallace Award","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Green’s debut is timely and witty. It leaves nothing off stage, hides nothing. It is a revelation of living in our anxious times. It is wisely engaging.\" — \u003cstrong\u003eQuill \u0026 Quire, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Winnipeg Free Press","OtherText_Review_1":"\u003cp\u003e\"Hannah Green’s figurative language is so dazzling, her tone so sardonically witty … her debut is indeed a romp.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Shakespearean Rag","OtherText_Review_2":"\u003cp\u003e\"Even as it treats serious topics like romanticizing addiction, \u003cem\u003eXanax Cowboy \u003c\/em\u003eis riotously funny, brimming with wit and bravado … Exceptional debut.\" — \u003cstrong\u003e\u003cem\u003eARC Poetry\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Freefall","OtherText_Review_3":"\u003cp\u003e“Reading [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] is an undeniably cinematic experience … There is so much gold that has been dug-up in this wild-west.” — \u003cstrong\u003e\u003cem\u003eThe Fiddlehead \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"The Miramichi Reader","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e\"Playing on the way suffering has been romanticized in writers and in cowboys, Green skewers this cultural demand for authenticity.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Quill \u0026 Quire, STARRED REVIEW","OtherText_Review_5":"\u003cp\u003e\"A true original – smart and aggressive and assured.\" — \u003cstrong\u003e\u003cem\u003eShakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Toronto Star","OtherText_Review_6":"\u003cp\u003e\"A bingeable book of poetry … \u003cem\u003eXanax Cowboy \u003c\/em\u003edisplays a raw honesty on important topics. Green balances tone and content, form and media, to deliver a powerhouse of a debut book from title to finishing line.\" — \u003cstrong\u003e\u003cem\u003eFreefall\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"The Miramichi Reader","OtherText_Review_6_Src":"ARC Poetry","OtherText_Review_7":"\u003cp\u003e\"Breaching borders and breaking boundaries … [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] subverts expectations with feminist contortions in the twists and turns of phrase, form, and verse.\" — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“Brimming with verve, wit and bravado, Hannah Green’s \u003cem\u003eXanax Cowboy\u003c\/em\u003e is a brain-jolting joy.” — \u003cstrong\u003e\u003cem\u003eThe Ampersand Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"03","PrizeName_0":"Governor General's Literary Award in the Poetry Category","PrizeName_1":"League of Canadian Poets' Gerald Lampert Memorial Award","PrizeName_2":"CBC 2023 Best Canadian Poetry","PrizeYear_0":"2023","PrizeYear_1":"2024","PrizeYear_2":"2023","ProductFormDescription":"trade paperback","PublicationDate":"2023-04-04","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Xanax Cowboy
This edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.
Quick View
{"id":7168131465275,"title":"Scientific Marvel","handle":"scientific-marvel","description":"\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","published_at":"2023-07-27T14:16:06-04:00","created_at":"2023-07-27T14:05:58-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Undi Chimwemwe","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382944407611,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012250","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012250","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41386271277115,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012281","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012281","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884","options":["Title"],"media":[{"alt":null,"id":24263880835131,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012250.jpg?v=1709572884","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487011154","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. She was the recipient of the 2022 John Hirsch Emerging Writer Award from the Manitoba Book Awards, and she is the Winnipeg Poet Laureate for 2023 and 2024.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ LGBTQ+","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubject_0":"POE011000","BISACSubject_1":"POE021000","BISACSubject_2":"POE023040","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. She was the recipient of the 2022 John Hirsch Emerging Writer Award from the Manitoba Book Awards, and she is the Winnipeg Poet Laureate for 2023 and 2024.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Undi, Chimwemwe (CA)","Description":"\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","EAN":"9781487012250","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012250\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003eBound together and each piece so very much its own, this collection marvels from masterful found poems to sprinkles of pure love and humour. Undi electrifies, is at once vulnerable and completely indestructible. PS: That first Winnipeg poem has got to be our new hometown anthem.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of The Break","OtherText_Accolades_1":"\u003cp\u003e\u003cem \u003eScientific Marvel\u003c\/em\u003e is poetic anti-gravity. Poetry of the lightest touch for the heftiest matters. And so lit by its poet’s willingness to tarry with the things only poetry can illuminate, its music blooms with defiant wit. Sharp, pointed, and sage about the world and its endangered moving parts, the great reward of Undi’s meticulous attention is ours to reap, whether it is trained close to home or beyond. But even more, Undi has proven herself an exquisite and needful diarist of the inextricability of Black being from love, from freedom, from the tangled, hurtful web of this modern life. At the core of this book is always the heart-stirring necessity of surprise. A queerly marvelous debut!\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Canisia Lubrin, author of Code Noir","OtherText_Accolades_2":"\u003cp\u003eWith searing wit, a tender hand, and a bird’s eye, \u003cem\u003eScientific Marvel\u003c\/em\u003e delivers a smirk behind each word as alluring as it is intelligent. Melding the personal and the political, Undi’s poems understand Winnipeg streets as well as they know Supreme Court jurisprudence. High school crushes mingle with the evolution of birds—apologies with freedom—in a voice that represents both an astounding and curious achievement. ‘I am learning about property\/in a recent nation where no one looks me in the eye,’ she writes. ‘I wanted something\/too, to survive,\/besides my good name.’ \u003cem\u003eScientific Marvel\u003c\/em\u003e is a fight song for anyone in love with their broken city—its strange stores—and our dying earth, its betrayal and beauty. All of it, Undi demonstrates, worth noticing, worth cherishing, worth remembering.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sanna Wani, author of My Grief, the Sun","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis book marks the third consecutive season Anansi Poetry has featured a debut collection from a young Winnipeg poet (Brandi Bird, Hannah Green).\u003c\/li\u003e\n\u003cli\u003eUndi was born and raised in Namibia, and did not arrive in Canada until the age of 13. As a result, her experiences of immigration, assimilation, discrimination, etc. in her new country are first hand, not inherited.\u003c\/li\u003e\n\u003cli\u003eIn terms of its touchstones the book is very local and regional. The book includes several “Manitoba” poems and even a cheeky list poem about the obligatory references that make for an accepted ‘Winnipeg’ poem.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Scientific Marvel
Marked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.
Quick View
{"id":6813787848763,"title":"river woman","handle":"river-woman","description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","published_at":"2022-03-23T13:02:33-04:00","created_at":"2022-03-23T09:17:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Bestseller","Adult BIPOC Voices","Adult Environmentalism","Adult Poetry","By (author) Vermette Katherena","House of Anansi Press","pub date: 2018-09-25"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205700530235,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003463","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"river woman - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":140,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003463","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205701808187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003470","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"river woman - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003470","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40205702758459,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006266","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"river woman - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006266","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120","options":["Title"],"media":[{"alt":null,"id":24629797290043,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2473,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120"},"aspect_ratio":0.647,"height":2473,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_3":"9781487007799","AlsoRecommendedISBN_4":"9781487008376","BASICMainSubject":"POE023030","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Animals \u0026 Nature","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE\u003c\/strong\u003e is a Métis writer from Treaty One territory, the heart of the Métis nation, Winnipeg, Manitoba, Canada. Her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (The Muses Company), won the Governor General’s Literary Award for Poetry. Her NFB short documentary, \u003cem\u003ethis river\u003c\/em\u003e, won the Coup de Coeur at the Montreal First Peoples Festival and a Canadian Screen Award. Her first novel, \u003cem\u003eThe Break\u003c\/em\u003e, is the winner of three Manitoba Book Awards and the Amazon.ca First Novel Award, and it was a finalist for the Governor General’s Literary Award for Fiction, the Rogers Writers’ Trust Fiction Prize, and CBC Canada Reads.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Nature","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Native American","BISACSubject_0":"POE023030","BISACSubject_1":"POE011000","BISACSubject_2":"POE015000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE\u003c\/strong\u003e is a Métis writer from Treaty One territory, the heart of the Métis nation, Winnipeg, Manitoba, Canada. Her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (The Muses Company), won the Governor General’s Literary Award for Poetry. Her NFB short documentary, \u003cem\u003ethis river\u003c\/em\u003e, won the Coup de Coeur at the Montreal First Peoples Festival and a Canadian Screen Award. Her first novel, \u003cem\u003eThe Break\u003c\/em\u003e, is the winner of three Manitoba Book Awards and the Amazon.ca First Novel Award, and it was a finalist for the Governor General’s Literary Award for Fiction, the Rogers Writers’ Trust Fiction Prize, and CBC Canada Reads.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Vermette, Katherena (CA)","Description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","EAN":"9781487003463","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487003463\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"truth and reconciliation; colonialism; nature; missing and murdered indigenous women; bipoc; indigenous; reconciliation; award winning author; climate change; Indigenous literature; Indigenous Stories; poems; this accident of being lost leanne betasomasake simpson; even this page is white vivek shraya; alicia elliott; ndn coping mechanisms billy ray belcourt; poetry lovers; collectors edition","NumberOfPages":"112","OtherText_Accolades_0":"In river woman, Vermette take us inside river, as a concept, a reality, and another world, and gently reveals the power, the resistance, and the sheer love of water, of life, and of all things Indigenous. Vermette’s poetics are sparse, haunting, and steeped in river story, and her poems come to me as river songs. There is a presencing rhythm to this work, revealing that which is and always has been, flowing right in front of us.","OtherText_Accolades_0_Auth":"Leanne Betasamosake Simpson, author of This Accident of Being Lost","OtherText_Accolades_1":"In river woman, Katherena Vermette marshals the maternal energy of the river to spin the lyric poem into something that is awash with vitality. This ethic of care, which each section bears and ricochets about, has at its core a project of repair or nourishment, not just of the natural, but of those of us entangled with it. This us, Vermette deftly shows, is not an empty thing, but is instead teeming with Indigenous life — ‘we are the earth you are hurting.’ We are the river and, in this, we are without end, regardless of what history swells in us. Pick up this book and listen for the musicality of our beautiful rebellion!","OtherText_Accolades_1_Auth":"Billy-Ray Belcourt, author of This Wound is a World, winner of the 2018 Griffin Poetry Prize","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eINTERNATIONALLY RESPECTED:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eKatherena’s work has appeared in literary magazines and anthologies across the globe, including in Mothership: Tales from Afrofuturism and Beyond (Rosarium Press, Baltimore), and Kwe: Standing with Our Sisters (edited by Joseph Boyden, Penguin Random House Canada).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRELEVANT AND TIMELY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMuch attention has been drawn this year and last to Indigenous issues in North America, and in the United States particularly surrounding the Dakota Access Pipeline protests. Indigenous voices and postcolonial issues are rising to the fore, and it’s becoming increasingly crucial to recognize and give space to these voices.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"These spare, imagistic poems live up to the words of the Vietnamese spiritual leader Thich Nhat Hanh, quoted in an epigraph: ‘If our hearts are big, we can be like the river.","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"A book that is at once deeply personal and politically charged.","OtherText_Review_1_Src":"Quill and Quire","OtherText_Review_2":"Vermette’s new collection is a strong follow-up to her Governor General’s Award-winning debut, 2012’s North End Love Songs.","OtherText_Review_2_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","ProductFormDescription":"trade paperback","PublicationDate":"2018-09-25","Publisher":"House of Anansi Press Inc","ShortDescription":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","Width":"5.5","WidthCode":"in"}
river woman
Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.
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{"id":6812109504571,"title":"NDN Coping Mechanisms","handle":"ndn-coping-mechanisms","description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","published_at":"2022-03-22T16:15:39-04:00","created_at":"2022-03-22T11:02:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Course Adoption","Adult LGBTQ+","Adult Poetry","Adult Starred Reviews","By (author) Belcourt Billy-Ray","House of Anansi Press","Literary Fiction","pub date: 2019-09-03"],"price":1695,"price_min":1695,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195473637435,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487005771","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487005771","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195478159419,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487005788","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005788","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195503521851,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007164","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007164","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","options":["Title"],"media":[{"alt":"A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.","id":22808187240507,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_1":"9781487002268","AlsoRecommendedISBN_2":"9781487003463","BASICMainSubject":"POE021000","BASICMainSubjectLiteral":"POETRY \/ LGBTQ+","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ LGBT","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Native American","BISACSubject_0":"POE021000","BISACSubject_1":"POE011000","BISACSubject_2":"POE015000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Belcourt, Billy-Ray (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","EAN":"9781487005771","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005771\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"ethnopoetics; not dead native; visceral; campy; ferocious; LGBTQ+; accessible poetry; sucker punch; decolonial; grief and desire; genre-bending; poetics; prose; uncompromising; Tina Fontaine; experimental verse; canlit; indigenous literature; critical theory; Finalist; Lambda Literary Award for Gay Poetry; Longlist; CBC Canada Reads; Library Journal Best Book; CBC Book of the Year; Library Journal; starred review; Griffin Poetry Prize","NumberOfPages":"112","OtherText_Accolades_0":"This brilliant book is endlessly giving, lingering in tight spaces within the forms of loneliness, showing us their contours. These poems do the necessary work of negotiating with the heart-killing present from which we imagine and make Indigenous futures. Every line feels like a possible way out of despair.","OtherText_Accolades_0_Auth":"Elissa Washuta, author of My Body Is a Book of Rules","OtherText_Accolades_1":"I believe I exist. \/ To live, one can be neither \/ more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.","OtherText_Accolades_1_Auth":"TC Tolbert, author of Gephyromania","OtherText_Accolades_2":"NDN Coping Mechanisms is a haunting book that dreams a new world — a ‘holy place filled with NDN girls, hair wet with utopia’ — as it simultaneously excoriates the world that ‘is a wound’ and the historic and present modalities of violence against Indigenous peoples under Canadian settler colonialism. Belcourt considers the genocidal nation-state, queerness, and the limits and potential of representation, often through a poetic\/scholarly lineage that includes Leanne Betasamosake Simpson, Saidiya Hartman, Anne Boyer, José Esteban Muñoz, Christina Sharpe, and Gwen Benaway, among others. This is the beautiful achievement of NDN Coping Mechanisms: Belcourt conjures a sovereign literary space that refuses white sovereignty and is always already in relation to the ideas of the foremost decolonial poets and thinkers of Turtle Island.","OtherText_Accolades_2_Auth":"Mercedes Eng, author of Prison Industrial Complex Explodes","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eWINNER OF THE GRIFFIN POETRY PRIZE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBilly-Ray Belcourt made history as the youngest-ever winner of the Griffin Poetry Prize for his previous collection, \u003cem\u003eThis Wound is a World.\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAWARD WINNING DEBUT COLLECTION:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBelcourt’s debut collection \u003cem\u003eThis Wound is a World\u003c\/em\u003e was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It also won the Robert Kroetsch City of Edmonton Book Prize, and was a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLGBTQ POETRY:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eAs with his first book, \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e will appeal not only to fans of raw, emotionally direct lyric and confessional poetry, but also to readers of contemporary ethnopoetics and queer literary theory.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTHE NEW WAVE OF INDIGENOUS POETS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBelcourt is among the leaders of a new wave of young and extremely talented and provocative group of Indigenous writers, a list that includes Leanne Betasamosake Simpson, Katherena Vermette, Jason Stefanik, and Jordan Abel in Canada and Layli Long Soldier, Natalie Diaz, and Craig Santos Perez in the U.S.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"For all the ferocious energy and one-two punch of language here, this is also a concentrated, beautifully managed work.","OtherText_Review_0_Src":"Library Journal","OtherText_Review_1":"Both intellectual and visceral, these poems dazzle with metaphoric richness and striking lyricism.","OtherText_Review_1_Src":"Toronto Star","OtherText_Review_2":"A masterful blend of the personal and the political, the ephemeral and the corporeal, the theoretical and the emotional.","OtherText_Review_2_Src":"Quill and Quire","OtherText_Review_3":"An impressive follow-up to his first book.","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"Playful, candid, and campy.","OtherText_Review_4_Src":"Prairie Books NOW","OtherText_ShortDescription_0":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"03","PrizeName_0":"Stephan G. Stephansson Award for Poetry","PrizeName_1":"Robert Kroetsch City of Edmonton Book Prize","PrizeName_2":"Lambda Literary Award for Gay Poetry","PrizeName_3":"Raymond Souster Award","PrizeName_4":"A Library Journal Best Book","PrizeName_5":"A CBC Book of the Year","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","PrizeYear_3":"2019","PrizeYear_4":"2019","PrizeYear_5":"2019","ProductFormDescription":"trade paperback","PublicationDate":"2019-09-03","Publisher":"House of Anansi Press Inc","ShortDescription":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","Subtitle":"Notes from the Field","Width":"6","WidthCode":"in"}
NDN Coping Mechanisms
The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.
Quick View
{"id":7168137920571,"title":"Midway","handle":"midway","description":"\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","published_at":"2023-07-27T14:27:46-04:00","created_at":"2023-07-27T14:22:33-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult LGBTQ+","Adult Poetry","By (author) Czaga Kayla","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382985695291,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012601","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midway - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012601","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41382986416187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012618","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Midway - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012618","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","options":["Title"],"media":[{"alt":"Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.","id":24263874871355,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005962","AlsoRecommendedISBN_1":"9781487008680","AlsoRecommendedISBN_2":"9781487008949","BASICMainSubject":"POE023010","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Death, Grief, Loss","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Death, Grief, Loss","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE023010","BISACSubject_1":"POE023050","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Czaga, Kayla (CA)","Description":"\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","EAN":"9781487012601","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012601\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"88","OtherText_Accolades_0":"\u003cp\u003eA lyric force, taking on grief in molecular detail. I love these poems.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Souvankham Thammavongsa, author of How to Pronounce Knife","OtherText_Accolades_1":"\u003cp\u003e“Then I got into the poem– \/ it doesn’t matter which poem– \/ and let it take me \/ wherever it was going,” Kayla Czaga concludes in her powerful elegy, “Dad Poem,” and I found myself making this allowance as well throughout the brilliant lyric poems of \u003cem \u003eMidway. \u003c\/em\u003eThere’s a lot of discussion of dinosaur erotica but, sadly, little actual dinosaur erotica. Instead the poet shows a sprightly imagination formed as much from the ebullience of fanfiction as the “seven hundred Romantic poems” she studied in school (merely learning “how to flirt with lakes”). But Keats in the Internet age would still have been Keats, just a Keats who wrote some Hanson fanfiction at some point. He would have perhaps written, as Czaga does, a poem called “The Sadness of Marge Simpson,” though this one is better because it’s real, and in this tremendous book: “my dad didn’t actually die \/ but has been in China this whole time \/ gawking at the Great Wall like he always wanted \/ and maybe Marge Simpson is with him, \/ having finally divorced her declining franchise.” To a reader facing one’s own declining franchises, Czaga’s \u003cem \u003eMidway\u003c\/em\u003e offers a glimpse at how, through the paired problems of the presence of parents and their absences, one's imagination and self might still grow.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Ed Skoog, author of Travelers Leaving for the City","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\u003cem \u003eMidway\u003c\/em\u003e is funny, genuine, and well written. Czaga offers a fitting and vulnerable elegy for her parents and a harrowing meditation on her life in the aftermath.\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Midway
Honest, elegiac, characteristically strange, and frequently funny, Midway is an exploration of grief in all its manifestations.
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{"id":7095986716731,"title":"The All + Flesh","handle":"the-all-flesh","description":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e\r\n\u003cp\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\r\nthe development of my molars\u003cbr\u003e\r\nthe hunger the teeth grew\u003cbr\u003e\r\nhas been with me since childhood\u003cbr\u003e\r\nI can’t escape the mouths of others\u003c\/p\u003e","published_at":"2023-02-23T16:49:40-05:00","created_at":"2023-02-23T15:53:49-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Bird Brandi","House of Anansi Press","pub date: 2023-08-08"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41136186622011,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011826","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011826","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41136228007995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011833","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448","options":["Title"],"media":[{"alt":"Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.","id":23738560708667,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_863bc8db-0462-426a-9eb4-e09975e5cf5e.jpg?v=1693066448","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e\r\n\u003cp\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\r\nthe development of my molars\u003cbr\u003e\r\nthe hunger the teeth grew\u003cbr\u003e\r\nhas been with me since childhood\u003cbr\u003e\r\nI can’t escape the mouths of others\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487011154","BASICMainSubject":"POE023050","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Family","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, Tsleil-Waututh, and Musqueam peoples. Bird’s poems have been published in \u003cem\u003eCatapult\u003c\/em\u003e, \u003cem\u003eThe Puritan\u003c\/em\u003e, \u003cem\u003eRoom Magazine\u003c\/em\u003e, and others. They are a fourth year BFA student at the University of British Columbia, but their heart is always yearning for the prairies.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ Indigenous","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE023050","BISACSubject_1":"POE011010","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, Tsleil-Waututh, and Musqueam peoples. Bird’s poems have been published in \u003cem\u003eCatapult\u003c\/em\u003e, \u003cem\u003eThe Puritan\u003c\/em\u003e, \u003cem\u003eRoom Magazine\u003c\/em\u003e, and others. They are a fourth year BFA student at the University of British Columbia, but their heart is always yearning for the prairies.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Bird, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e\r\n\u003cp\u003eI am made of centuries \u0026 carbohydrates\u003cbr\u003e\r\nthe development of my molars\u003cbr\u003e\r\nthe hunger the teeth grew\u003cbr\u003e\r\nhas been with me since childhood\u003cbr\u003e\r\nI can’t escape the mouths of others\u003c\/p\u003e","EAN":"9781487011826","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011826\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"leanne betasamosake simpson;this accident of being lost;noopiming;billy ray belcourt;ndn coping mechanisms;thomas king;the truth about stories;katherena vermette;the break;indigenous studies;canadian poetry","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003eSince hearing Brandi Bird at a reading in a park in summertime recite the lines, “I know \/ then that there is hope \/ until I die \u0026 then \/ there is other \/ people’s hope,” I have thought about them many times, they have merged with my own consciousness. That’s the power of Bird’s poems—they resonate at such a visceral and cerebral level that they become a part of you. \u003cem\u003eThe All + Flesh\u003c\/em\u003e marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Billy-Ray Belcourt, author of A MINOR CHORUS","OtherText_Accolades_1":"\u003cp\u003eIn \u003cem\u003eThe All + Flesh\u003c\/em\u003e, Brandi Bird maps the psychic space between ‘NDN compartmentalization’ and split prairies, from bus depots to ‘endocrine storms,’ from LiveJournal to a living history of relocation under land theft. ‘My body is not an empire but first contact happened at \/ birth’ and ‘I eat \/ until my mouth needles \/ the dark.’ With exacting lucidity, Bird’s lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Liz Howard, author of Letters in a Bruised Cosmos","OtherText_Accolades_2":"\u003cp\u003eA stunning collection with carefully crafted, searing poems that refuse artifice, indirectness, and voyeurism. Brandi Bird writes the experience of illness and Indigeneity into a world that accepts illness only if it perpetuates colonial beauty and body standards, then interrogates the racist systems that disallow care and compassion for Indigenous people. These poems are tender and surprising; they are holes travelling through time and space. They are able to shapeshift God into pills, prayers, seeds, and stars. \u003cem\u003eThe All + Flesh \u003c\/em\u003ehas taken root in my mind and I'm happy to let it grow there.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Jessica Johns, author of Bad Cree","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eThis is Bird’s gospel … They transform prayer into poetry.\u003c\/p\u003e","OtherText_Review_0_Src":"British Columbia Review","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2023-08-08","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
The All + Flesh
Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.
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{"id":6811234041915,"title":"Selected Poems 1983–2020","handle":"selected-poems-19832020","description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e","published_at":"2022-03-21T12:08:28-04:00","created_at":"2022-03-21T09:50:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Heighton Steven","House of Anansi Press","pub date: 2021-04-06"],"price":1995,"price_min":1995,"price_max":2495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190668636219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007379","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2495,"weight":379,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007379","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40190704812091,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007386","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - epub","public_title":"epub","options":["epub"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007386","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40190706647099,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009212","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - mobi","public_title":"mobi","options":["mobi"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009212","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","options":["Title"],"media":[{"alt":null,"id":22925771046971,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000967","AlsoRecommendedISBN_1":"9781487003722","AlsoRecommendedISBN_2":"9781487006181","BASICMainSubject":"POE023000","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\/em\u003e and \u003cem\u003eThe Address Book\u003c\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\/em\u003ethe \u003cem\u003eIndependent, \u003c\/em\u003ethe \u003cem\u003eLiterary Review\u003c\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\/em\u003e. To listen, visit \u003ca href=\"http:\/\/www.wolfeislandrecords.com\/stevenheighton\"\u003ewww.wolfeislandrecords.com\/stevenheighton\u003c\/a\u003e. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE023000","BISACSubject_1":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\/em\u003e and \u003cem\u003eThe Address Book\u003c\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\/em\u003ethe \u003cem\u003eIndependent, \u003c\/em\u003ethe \u003cem\u003eLiterary Review\u003c\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\/em\u003e. To listen, visit \u003ca href=\"http:\/\/www.wolfeislandrecords.com\/stevenheighton\"\u003ewww.wolfeislandrecords.com\/stevenheighton\u003c\/a\u003e. \u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Heighton, Steven (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e","EAN":"9781487007379","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007379\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"224","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePREVIOUS COLLECTION WON THE GOVERNOR GENERAL’S LITERARY AWARD:\u003c\/strong\u003e Steven Heighton’s previous poetry collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e, received the Governor General’s Literary Award for Poetry, among other acclaim. This return to poetry after five years will get a lot of buzz.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR IN MANY FORMS AND GENRES:\u003c\/strong\u003eApart from his award-winning and highly acclaimed poetry collections, Steven Heighton is also the author of several works of fiction, including the novels \u003cem\u003eAfterland\u003c\/em\u003e and \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e. As well, he is the author of the forthcoming Groundwood picture book \u003cem\u003eThe Stray and the Stranger\u003c\/em\u003e based on his experience helping refugees in Greece. Heighton’s wide variety of writing can bring him attention far beyond what a poet normally garners.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFIRST SELECTED WORK FROM ONE OF THE MOST ACCLAIMED CONTEMPORARY POETS:\u003c\/strong\u003e As an internationally prominent poet with many acclaimed collections, Heighton is well positioned for a work of selected poems. Previous Anansi selected poetry collections like A. F. Moritz’s \u003cem\u003eThe Sparrow\u003c\/em\u003e and Michael Crummey’s \u003cem\u003eLittle Dogs\u003c\/em\u003e have brought new attention to the poets and sparked reassessments and retrospectives of their careers up to that point, and we expect Heighton’s collection to do the same for him.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePREVIOUS MEDIA ATTENTION FOR STEVEN HEIGHTON:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003ca href=\"https:\/\/wiki.ezvid.com\/m\/11-poignant-books-from-exceptional-voices-in-modern-fiction-ZP6laov1KGXa0\"\u003e11 POIGNANT BOOKS FROM EXCELLENT WRITERS IN MODERN FICTION:\u003c\/a\u003e wiki.ezvid.com chooses \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"https:\/\/m.youtube.com\/watch?v=PvOe6-EaXs0\"\u003eA-FRAME\u003c\/a\u003e: Katherine Leyton’s A-frame interview with Steven Heighton\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/www.youtube.com\/watch?v=CRfDceioOLc\"\u003eSOME OTHER JUST ONES\u003c\/a\u003e: An animated short by Caroline O'Neill\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/www.youtube.com\/watch?v=GnJ6vkJNyyc\"\u003eIF NOBODY CALLS, I'M GLAD\u003c\/a\u003e: An excerpt from a talk at Concordia, April 2011\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/www.youtube.com\/watch?v=VC5GBVYXNLM\"\u003eWORDS ALOUD 2011\u003c\/a\u003e: Steven Heighton reads “Herself, Revised” and “Dream”\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/youtu.be\/_pKIDAgFadU\"\u003eCROSSING THE BORDERS BETWEEN US: THE ETHICS OF INTERVENTION \u0026 RESISTANCE\u003c\/a\u003e: Steven Heighton reads. First delivered at Queen’s University, May 2011, then at the KCHC AGM, June 2011\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/www.cbc.ca\/thenextchapter\/2011\/04\/11\/guy-gavriel-kay-and-stephen-heighton\/\"\u003eTHE NEXT CHAPTER\u003c\/a\u003e: On CBC Radio, Guy Gavriel Kay and Steven Heighton discuss the encroachment of social media and its effect on the creative process\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/www.youtube.com\/watch?v=Eco3985F0M8\"\u003eBOOKBITS\u003c\/a\u003e: Steven Heighton discusses his novel, \u003cem\u003eEvery Lost Country\u003c\/em\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/www.authorsaloud.com\/fiction\/heighton.html\"\u003eAUTHORS ALOUD\u003c\/a\u003e: Steven Heighton reads from his novel, \u003cem\u003eAfterlands\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"DREAM FRAGMENT\r\n\r\nIn those days the weather was jealous\r\nand would turn up at her house just to see\r\nwhat its cold winds could make of her face.\r\n\r\nAt her door she would be seen often\r\nspeaking to each of the seasons in turn\r\nthough with a marked preference\r\n(as many observed, and reported)\r\nfor winter\r\n\r\nwhich always stayed longest\r\nand left behind fading signs\r\nof its tenure aboveground.\r\n\r\nWho among us up here\r\nwouldn’t want his love, her love\r\nto carry a trace that clear, that\r\ncold, stoic and austere, withdrawing\r\nto regain itself, then resurging?\r\n\r\nWhat I wouldn’t do\r\nor undo (winter whispered\r\nin a voice akin to mine) to see\r\none more time what my touch\r\nmight make of your face.","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","ProductFormDescription":"trade paperback","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","Width":"6","WidthCode":"in"}
Selected Poems 1983–2020
A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.
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{"id":7014714671163,"title":"The 2023 Griffin Poetry Prize Anthology","handle":"the-2023-griffin-poetry-prize-anthology","description":"\u003cp\u003e\u003cem\u003eThe universe makes a sound—is a sound.\u003cbr\u003e\nIn the core of this sound there's a silence, \u003cbr\u003e\na silence that creates a sound, which is not its opposite,\u003cbr\u003e\nbut its inseparable soul. And this silence can also be heard.\u003c\/em\u003e\u003cbr\u003e\n—Etal Adnan\u003c\/p\u003e\n\u003cp\u003eThe Griffin Poetry Prize is among the world's most significant prizes in literature. Awarded each year to the most outstanding volumes of poetry published worldwide, the prize recognizes works written in, and translated into, English. This anthology, edited by Gregory Scofield, offers a selection of poems from the 2023 shortlist, together with the judges' citations.\u003c\/p\u003e","published_at":"2022-10-14T10:45:57-04:00","created_at":"2022-10-13T16:52:54-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","Edited by Scofield Gregory","House of Anansi Press","pub date: 2023-07-04","The Griffin Poetry Prize Anthology"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40874728161339,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011802","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The 2023 Griffin Poetry Prize Anthology - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":204,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011802","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40874728357947,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011819","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The 2023 Griffin Poetry Prize Anthology - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011819","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_670ed5d2-e8e3-429e-befe-91db8e786588.jpg?v=1721311349"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_670ed5d2-e8e3-429e-befe-91db8e786588.jpg?v=1721311349","options":["Title"],"media":[{"alt":null,"id":24700728705083,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_670ed5d2-e8e3-429e-befe-91db8e786588.jpg?v=1721311349"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_670ed5d2-e8e3-429e-befe-91db8e786588.jpg?v=1721311349","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cem\u003eThe universe makes a sound—is a sound.\u003cbr\u003e\nIn the core of this sound there's a silence, \u003cbr\u003e\na silence that creates a sound, which is not its opposite,\u003cbr\u003e\nbut its inseparable soul. And this silence can also be heard.\u003c\/em\u003e\u003cbr\u003e\n—Etal Adnan\u003c\/p\u003e\n\u003cp\u003eThe Griffin Poetry Prize is among the world's most significant prizes in literature. Awarded each year to the most outstanding volumes of poetry published worldwide, the prize recognizes works written in, and translated into, English. This anthology, edited by Gregory Scofield, offers a selection of poems from the 2023 shortlist, together with the judges' citations.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487007317","AlsoRecommendedISBN_1":"9781487009465","AlsoRecommendedISBN_2":"9781487010935","BASICMainSubject":"POE001000","BASICMainSubjectLiteral":"POETRY \/ Anthologies (multiple authors)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eGREGORY SCOFIELD\u003c\/strong\u003e is Métis of Cree, Scottish and European-Immigrant descent whose ancestry can be traced to the Métis community of Kinosota, Manitoba. He has taught Creative Writing and First Nations and Métis Literature at Laurentian University, Brandon University, Emily Carr University of Art + Design, and the Alberta University of the Arts. He currently holds the position of Associate professor in the Department of Writing at the University of Victoria. Scofield won the Dorothy Livesay Poetry Prize in 1994 for his debut collection, \u003cem\u003eThe Gathering: Stones for the Medicine Wheel\u003c\/em\u003e, and has since published seven further volumes of poetry including,\u003cem\u003e Witness, I am. \u003c\/em\u003eHe has served as writer-in-residence at the University of Manitoba, the University of Winnipeg, and Memorial University of Newfoundland. He is the recipient of the Queen’s Diamond Jubilee Medal (2012), and most recently the Writers’ Trust of Canada Latner Poetry Prize (2016) that is awarded to a mid-career poet in recognition of a remarkable body of work. Further to writing and teaching, Scofield is also a skilled bead-worker, and he creates in the medium of traditional Métis arts. He continues to assemble a collection of mid to late 19th century Cree-Métis artifacts, which are used as learning and teaching pieces. Scofield’s first memoir \u003cem\u003eThunder Through My Veins \u003c\/em\u003e(Doubleday Canada\/Anchor Books)\u003cem\u003e \u003c\/em\u003ewas re-published Fall 2019.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Anthologies (multiple authors)","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE001000","BISACSubject_1":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eGREGORY SCOFIELD\u003c\/strong\u003e is Métis of Cree, Scottish and European-Immigrant descent whose ancestry can be traced to the Métis community of Kinosota, Manitoba. He has taught Creative Writing and First Nations and Métis Literature at Laurentian University, Brandon University, Emily Carr University of Art + Design, and the Alberta University of the Arts. He currently holds the position of Associate professor in the Department of Writing at the University of Victoria. Scofield won the Dorothy Livesay Poetry Prize in 1994 for his debut collection, \u003cem\u003eThe Gathering: Stones for the Medicine Wheel\u003c\/em\u003e, and has since published seven further volumes of poetry including,\u003cem\u003e Witness, I am. \u003c\/em\u003eHe has served as writer-in-residence at the University of Manitoba, the University of Winnipeg, and Memorial University of Newfoundland. He is the recipient of the Queen’s Diamond Jubilee Medal (2012), and most recently the Writers’ Trust of Canada Latner Poetry Prize (2016) that is awarded to a mid-career poet in recognition of a remarkable body of work. Further to writing and teaching, Scofield is also a skilled bead-worker, and he creates in the medium of traditional Métis arts. He continues to assemble a collection of mid to late 19th century Cree-Métis artifacts, which are used as learning and teaching pieces. Scofield’s first memoir \u003cem\u003eThunder Through My Veins \u003c\/em\u003e(Doubleday Canada\/Anchor Books)\u003cem\u003e \u003c\/em\u003ewas re-published Fall 2019.\u003c\/p\u003e\r\n","ContributorRole_0":"Edited by","Contributor_0":"Scofield, Gregory (CA)","Description":"\u003cp\u003e\u003cem\u003eThe universe makes a sound—is a sound.\u003cbr\u003e\nIn the core of this sound there's a silence, \u003cbr\u003e\na silence that creates a sound, which is not its opposite,\u003cbr\u003e\nbut its inseparable soul. And this silence can also be heard.\u003c\/em\u003e\u003cbr\u003e\n—Etal Adnan\u003c\/p\u003e\n\u003cp\u003eThe Griffin Poetry Prize is among the world's most significant prizes in literature. Awarded each year to the most outstanding volumes of poetry published worldwide, the prize recognizes works written in, and translated into, English. This anthology, edited by Gregory Scofield, offers a selection of poems from the 2023 shortlist, together with the judges' citations.\u003c\/p\u003e","EAN":"9781487011802","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011802\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"poetry award;anthology;international;canadian;poetry lover;koerner hall;canadian poetry;contemporary poetry","NumberOfPages":"104","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe announcement of the prize shortlist, the readings by the shortlisted, and the announcement of the $130,000 prize winner generates considerable buzz.\u003c\/li\u003e\n\u003cli\u003eThe release of the Griffin Poetry Prize shortlist anthology is an annual event awaited with anticipation by poetry lovers and readers.\u003c\/li\u003e\n\u003cli\u003eThe book fulfills Anansi’s mandate to display the best Canadian poets alongside the best international poets. It reinforces our position as the premier publisher of poetry in Canada.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe announcement of the prize shortlist, the readings by the shortlisted, and the announcement of the $130,000 prize winner generates considerable buzz.\u003c\/li\u003e\n\u003cli\u003eThe release of the Griffin Poetry Prize shortlist anthology is an annual event awaited with anticipation by poetry lovers and readers.\u003c\/li\u003e\n\u003cli\u003eThe book fulfills Anansi’s mandate to display the best Canadian poets alongside the best international poets. It reinforces our position as the premier publisher of poetry in Canada.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eHandsome volume.\u003c\/p\u003e","OtherText_Review_0_Src":"Miramichi Reader","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe prestigious and highly anticipated annual anthology of the best poetry from the shortlist of the 2023 Griffin Poetry Prize.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2023-07-04","Publisher":"House of Anansi Press Inc","Series":"The Griffin Poetry Prize Anthology","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe prestigious and highly anticipated annual anthology of the best poetry from the shortlist of the 2023 Griffin Poetry Prize.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Selection of the Shortlist","Width":"5.5","WidthCode":"in"}
The 2023 Griffin Poetry Prize Anthology
The prestigious and highly anticipated annual anthology of the best poetry from the shortlist of the 2023 Griffin Poetry Prize.
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{"id":7168136216635,"title":"Crying Dress","handle":"crying-dress","description":"\u003cp\u003eThe poems in \u003cem\u003eCrying Dress\u003c\/em\u003e, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, \u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.\u003c\/p\u003e","published_at":"2023-07-27T14:22:08-04:00","created_at":"2023-07-27T14:16:38-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) McFadzean Cassidy","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382972129339,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012588","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crying Dress - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":195,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012588","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41382972915771,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012595","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Crying Dress - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012595","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553","options":["Title"],"media":[{"alt":"Crying Dress, Poems, by Cassidy McFadzean. The cover features a sketched illustration of a figure composed of different shapes on textured a beige background. The torso of the figure is a green sphere, the toe is a black point, the right arm a brown bat, the left arm a bell, and the face a combination of a white triangle and red half-circle. The figure has small lips as if it is wearing simple lipstick.","id":24263862681659,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012588.jpg?v=1709572553","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe poems in \u003cem\u003eCrying Dress\u003c\/em\u003e, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, \u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000264","AlsoRecommendedISBN_1":"9781487007843","AlsoRecommendedISBN_3":"9781770890114","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCASSIDY McFADZEAN\u003c\/strong\u003e studied poetry at the Iowa Writers’ Workshop, and fiction at Brooklyn College. She is the author of two books of poetry: \u003cem\u003eDrolleries\u003c\/em\u003e (McClelland \u0026 Stewart 2019), shortlisted for the Raymond Souster Award, and \u003cem\u003eHacker Packer\u003c\/em\u003e (M\u0026S 2015), which won two Saskatchewan Book Awards and was a finalist for the Gerald Lampert Memorial Award. Her crown of sonnets, \u003cem\u003eThird State of Being\u003c\/em\u003e, was published by Gaspereau Press in 2022. She lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCASSIDY McFADZEAN\u003c\/strong\u003e studied poetry at the Iowa Writers’ Workshop, and fiction at Brooklyn College. She is the author of two books of poetry: \u003cem\u003eDrolleries\u003c\/em\u003e (McClelland \u0026 Stewart 2019), shortlisted for the Raymond Souster Award, and \u003cem\u003eHacker Packer\u003c\/em\u003e (M\u0026S 2015), which won two Saskatchewan Book Awards and was a finalist for the Gerald Lampert Memorial Award. Her crown of sonnets, \u003cem\u003eThird State of Being\u003c\/em\u003e, was published by Gaspereau Press in 2022. She lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"McFadzean, Cassidy (CA)","Description":"\u003cp\u003eThe poems in \u003cem\u003eCrying Dress\u003c\/em\u003e, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, \u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.\u003c\/p\u003e","EAN":"9781487012588","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012588\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e‘There was a time we could have gone back but that time has passed,’ writes Cassidy McFadzean in \u003cem\u003eCrying Dress\u003c\/em\u003e, where poems of grief and intimacy memorably explore modernity’s juxtapositions of the beautiful, the bizarre, and the brutal. Here ‘the bud of a tadpole in cupped palms,’ a Frida Kahlo pillow, and the last text message from a loved one become unexpected keystones in the architecture of the speaker’s experience. These surprising, moving poems relate newfound sobriety, nascent love, and irrevocable loss, while capturing the flickering quality of contemporary attention. McFadzean confronts the immense entropy of our moment and uncovers, within it, within us, tenderness.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Michael Prior, author of Burning Province","OtherText_Accolades_1":"\u003cp\u003eSeasonal affect falls into beautifully monstrous order in Cassidy McFadzean’s \u003cem\u003eCrying Dress\u003c\/em\u003e, a collection tracking a year’s circuitous passage in New York, Toronto, and abroad. Writing from the disorienting clarity of grief and new love, McFadzean sutures these states into blunt longing—to savour every warp of the world and to hover outside its adjunct horrors, a lyric zone in which the poet can ‘sing like an animal clawing inside.’\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Daniel Poppick, author of Fear of Description","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eMcFadzean is one of very few Canadians to be a graduate of the prestigious Iowa Writer’s Workshop. That combined with her recent MFA at New York University, and her regular publication in influential U.S. poetry journals (\u003cem\u003eDenver Quarterly\u003c\/em\u003e, \u003cem\u003eAmerican Poetry Journal\u003c\/em\u003e, \u003cem\u003eColumba\u003c\/em\u003e, \u003cem\u003eTupelo Quarterly\u003c\/em\u003e) makes her a more familiar name in the American market.\u003c\/li\u003e\n\u003cli\u003eWhereas previous titles were set in historical sites, European and Asian countries, and amongst animals, real and imagined, \u003cem\u003eCrying Dress\u003c\/em\u003e is the first to delve mostly into urban environments, particularly Brooklyn and Toronto.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003e\u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003e\u003cem\u003eCrying Dress\u003c\/em\u003e explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Crying Dress
Crying Dress explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological.
Quick View
{"id":6582740746299,"title":"Intruder","handle":"intruder","description":"\u003cp\u003eWinner of the Trillium Book Award for Poetry\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eIntruder\u003c\/em\u003e, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBemused and droll, paranoid and demagogic, Sinaee’s much-anticipated debut collection presents a world beset by precarity, illness, and human sprawl. Anxiety, hospitalization, and body paranoia recur in the poems’ imagery — Sinaee went through two-and-a-half years of chemotherapy in his mid-twenties, documented in the vertiginous multipart prose poem “Twelve Storeys” — making \u003cem\u003eIntruder\u003c\/em\u003e a book that seems especially timely, notably in the dreamlike, minimalist sequence “Half-Life,” written during the lockdown in Toronto in spring 2020.\u003c\/p\u003e\n\u003cp\u003eProgressing from plain-spoken dispatches about city life to lucid nightmares of the calamities of history, the poems in \u003cem\u003eIntruder\u003c\/em\u003e ultimately grapple with, and even embrace, the daily undertaking of living through whatever the hell it is we’re living through.\u003c\/p\u003e","published_at":"2021-05-13T13:10:19-04:00","created_at":"2021-05-13T13:10:19-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Sinaee Bardia","House of Anansi Press","pub date: 2021-04-06"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403434049595,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008727","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Intruder - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008727","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413470330939,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008710","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Intruder - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":208,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008710","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39413470363707,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009205","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Intruder - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009205","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6bb7245d-bf3b-4a4f-830f-8d22f8f6f84a.jpg?v=1723950726"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6bb7245d-bf3b-4a4f-830f-8d22f8f6f84a.jpg?v=1723950726","options":["Title"],"media":[{"alt":null,"id":24743111622715,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6bb7245d-bf3b-4a4f-830f-8d22f8f6f84a.jpg?v=1723950726"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_6bb7245d-bf3b-4a4f-830f-8d22f8f6f84a.jpg?v=1723950726","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eWinner of the Trillium Book Award for Poetry\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eIntruder\u003c\/em\u003e, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBemused and droll, paranoid and demagogic, Sinaee’s much-anticipated debut collection presents a world beset by precarity, illness, and human sprawl. Anxiety, hospitalization, and body paranoia recur in the poems’ imagery — Sinaee went through two-and-a-half years of chemotherapy in his mid-twenties, documented in the vertiginous multipart prose poem “Twelve Storeys” — making \u003cem\u003eIntruder\u003c\/em\u003e a book that seems especially timely, notably in the dreamlike, minimalist sequence “Half-Life,” written during the lockdown in Toronto in spring 2020.\u003c\/p\u003e\n\u003cp\u003eProgressing from plain-spoken dispatches about city life to lucid nightmares of the calamities of history, the poems in \u003cem\u003eIntruder\u003c\/em\u003e ultimately grapple with, and even embrace, the daily undertaking of living through whatever the hell it is we’re living through.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487005924","AlsoRecommendedISBN_4":"9781770898196","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBARDIA SINAEE\u003c\/strong\u003e was born in Tehran, Iran, and currently lives in Toronto. He is the author of the chapbooks \u003cem\u003eBlue Night Express\u003c\/em\u003e and\u003cem\u003e Salamander Festival\u003c\/em\u003e. His poems have also appeared in magazines across Canada and in several editions of\u003cem\u003e Best Canadian Poetry\u003c\/em\u003e. In 2012 his poem “Barnacle Goose Ballad” was Reader’s Choice winner for The Walrus Poetry Prize, and in 2020 he was co-winner of the \u003cem\u003eCapilano Review\u003c\/em\u003e’s Robin Blaser Award. He holds an MFA in Poetry from Guelph University’s Graduate Program in Creative Writing. \u003cem\u003eIntruder\u003c\/em\u003e is his first book.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE023040","BISACSubject_2":"POE023000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBARDIA SINAEE\u003c\/strong\u003e was born in Tehran, Iran, and currently lives in Toronto. He is the author of the chapbooks \u003cem\u003eBlue Night Express\u003c\/em\u003e and\u003cem\u003e Salamander Festival\u003c\/em\u003e. His poems have also appeared in magazines across Canada and in several editions of\u003cem\u003e Best Canadian Poetry\u003c\/em\u003e. In 2012 his poem “Barnacle Goose Ballad” was Reader’s Choice winner for The Walrus Poetry Prize, and in 2020 he was co-winner of the \u003cem\u003eCapilano Review\u003c\/em\u003e’s Robin Blaser Award. He holds an MFA in Poetry from Guelph University’s Graduate Program in Creative Writing. \u003cem\u003eIntruder\u003c\/em\u003e is his first book.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Sinaee, Bardia (CA)","Description":"\u003cp\u003eWinner of the Trillium Book Award for Poetry\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eIntruder\u003c\/em\u003e, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBemused and droll, paranoid and demagogic, Sinaee’s much-anticipated debut collection presents a world beset by precarity, illness, and human sprawl. Anxiety, hospitalization, and body paranoia recur in the poems’ imagery — Sinaee went through two-and-a-half years of chemotherapy in his mid-twenties, documented in the vertiginous multipart prose poem “Twelve Storeys” — making \u003cem\u003eIntruder\u003c\/em\u003e a book that seems especially timely, notably in the dreamlike, minimalist sequence “Half-Life,” written during the lockdown in Toronto in spring 2020.\u003c\/p\u003e\n\u003cp\u003eProgressing from plain-spoken dispatches about city life to lucid nightmares of the calamities of history, the poems in \u003cem\u003eIntruder\u003c\/em\u003e ultimately grapple with, and even embrace, the daily undertaking of living through whatever the hell it is we’re living through.\u003c\/p\u003e","EAN":"9781487008727","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487008727\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Imprint":"House of Anansi Press","OtherText_Accolades_0":"Attuned to discourses regarding the spectral nature of just about everything,’ Bardia Sinaee illuminates our modern gothic in his debut collection, Intruder. Haunted by the political history of the Middle East, by the precarity of the contemporary Canadian metropole, and by the spectre of death — ‘That slow ghost \/ pushing a drip stand \/ down the corridor \/ That’s me’ — this existential intruder questions just about everything, including himself. ‘Maybe you ask too many questions,’ writes the poet, ‘Maybe it’s time to let the wind have your clothes.’ Wondrously, Sinaee’s lyric interrogations hold us captive even as they invite us to imagine our escape.","OtherText_Accolades_0_Auth":"Srikanth Reddy, author of Underworld Lit","OtherText_Accolades_1":"Intruder is a book that wants to ‘welcome the world, all of it’ — birdsong and myth, magnolias and the city, along with the ‘slow ghost \/ pushing a drip stand \/down the corridor.’ We sit with the poet in a room with two windows; we sit with the patient as a central venous catheter is inserted into his chest. Sinaee writes that ‘all poems are true\/even ugly ones.’ But there are no ugly poems in this surprising, moving, and darkly humorous debut collection — only true ones.","OtherText_Accolades_1_Auth":"Jen Currin, author of School","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eEAGERLY ANTICIPATED DEBUT:\u003c\/strong\u003e Even before the publication of his first book, Bardia Sinaee has developed a strong reputation as an emerging poet. His poems have appeared in many notable publications such as The Walrus Magazine, \u003cem\u003ePRISM International\u003c\/em\u003e, and \u003cem\u003eCanadian Notes \u0026 Queries\u003c\/em\u003e, and he read at a Toronto International Festival of Authors event alongside George Elliot Clarke, Karen Solie, and Priscila Uppal. His first collection is sure to be an enormous draw to those already familiar with his impressive body of work.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/prismmagazine.ca\/2020\/01\/14\/58-2-teaser-get-to-know-bardia-sinaee\/\"\u003ehttp:\/\/prismmagazine.ca\/2020\/01\/14\/58-2-teaser-get-to-know-bardia-sinaee\/\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePOEMS AT THE HEART OF CONTEMPORARY CONCERNS: \u003c\/strong\u003eBardia’s poetry touches on urban life, health and sickness, xenophobia, and migration. These are poems that speak to the modern world in all its difficulties and complexities, appealing to readers of Danez Smith and Rae Armantrout.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTIMELY WRITING ON COVID-19: \u003c\/strong\u003e\u003cem\u003eIntruder\u003c\/em\u003e will be one of the first published poetry collections to respond to the COVID-19 epidemic, both its personal and global impacts. Bardia’s keen poetic observations into the human side of the effects of the coronavirus will provide a new and much-needed way of understanding an event with which we all still struggle to grapple.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAUTHOR CONNECTED IN THE CANLIT SCENE: \u003c\/strong\u003eApart from his many appearances in magazines and reading series, Sinaee was a contributing editor at the \u003cem\u003eLiterary Review of Canada\u003c\/em\u003e and a columnist for \u003cem\u003eOpen Book\u003c\/em\u003e, outlets that will be important in promoting his debut collection.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eEAGERLY ANTICIPATED DEBUT:\u003c\/strong\u003e Even before the publication of his first book, Bardia Sinaee has developed a strong reputation as an emerging poet. His poems have appeared in many notable publications such as The Walrus Magazine, \u003cem\u003ePRISM International\u003c\/em\u003e, and \u003cem\u003eCanadian Notes \u0026 Queries\u003c\/em\u003e, and he read at a Toronto International Festival of Authors event alongside George Elliot Clarke, Karen Solie, and Priscila Uppal. His first collection is sure to be an enormous draw to those already familiar with his impressive body of work.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/prismmagazine.ca\/2020\/01\/14\/58-2-teaser-get-to-know-bardia-sinaee\/\"\u003ehttp:\/\/prismmagazine.ca\/2020\/01\/14\/58-2-teaser-get-to-know-bardia-sinaee\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOEMS AT THE HEART OF CONTEMPORARY CONCERNS: \u003c\/strong\u003eBardia’s poetry touches on urban life, health and sickness, xenophobia, and migration. These are poems that speak to the modern world in all its difficulties and complexities, appealing to readers of Danez Smith and Rae Armantrout.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIMELY WRITING ON COVID-19: \u003c\/strong\u003e\u003cem\u003eIntruder\u003c\/em\u003e will be one of the first published poetry collections to respond to the COVID-19 epidemic, both its personal and global impacts. Bardia’s keen poetic observations into the human side of the effects of the coronavirus will provide a new and much-needed way of understanding an event with which we all still struggle to grapple.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHOR CONNECTED IN THE CANLIT SCENE: \u003c\/strong\u003eApart from his many appearances in magazines and reading series, Sinaee was a contributing editor at the \u003cem\u003eLiterary Review of Canada\u003c\/em\u003e and a columnist for \u003cem\u003eOpen Book\u003c\/em\u003e, outlets that will be important in promoting his debut collection.\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Quote_from_review_0":"“[An] assured debut collection … Sinaee’s turns of phrase are polished and evocative, whether he’s writing about refugees from the chilling perspective of a xenophobe or offering a drily humorous take on life here in the ‘city of delays, \/ egregious detours.’”","OtherText_Review_0":"[An] assured debut collection … Sinaee’s turns of phrase are polished and evocative, whether he’s writing about refugees from the chilling perspective of a xenophobe or offering a drily humorous take on life here in the ‘city of delays, \/ egregious detours.’","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"Intruder is a book that wants to ‘welcome the world, all of it’ — birdsong and myth, magnolias and the city, along with the ‘slow ghost \/ pushing a drip stand \/down the corridor.’ We sit with the poet in a room with two windows; we sit with the patient as a central venous catheter is inserted into his chest. Sinaee writes that ‘all poems are true\/even ugly ones.’ But there are no ugly poems in this surprising, moving, and darkly humorous debut collection — only true ones.","OtherText_Review_1_Auth":"Jen Currin, author of School","OtherText_ShortDescription_0":"In Intruder, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"05","PrizeCode_2":"04","PrizeName_0":"Trillium Book Award for Poetry","PrizeName_1":"Fred Cogswell Award for Excellence in Poetry","PrizeName_2":"Gerald Lampert Memorial Award","PrizeYear_0":"2022","PrizeYear_1":"2022","PrizeYear_2":"2022","ProductFormDescription":"epub","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"In Intruder, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life."}
Intruder
In Intruder, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life.
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{"id":6983133790267,"title":"The 2022 Griffin Poetry Prize Anthology","handle":"the-2022-griffin-poetry-prize-anthology","description":"\u003cp\u003e\u003cstrong\u003eThe prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach year, the best books of poetry published in Canada and internationally in English are honoured with the Griffin Poetry Prize, one of the world’s richest literary awards. Since 2001, this annual prize has spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets.\u003cem\u003eThe Griffin Poetry Prize Anthology\u003c\/em\u003e features the work of extraordinary poets shortlisted for the awards and introduces us to some of the finest poems from their collections.\u003c\/p\u003e\n\u003cp\u003eFeaturing works from shortlisted poets Sharon Dolin, Gemma Gorga, Douglas Kearney, Ali Kinsella, Dzvinia Orlowsky, Natalka Bilotserkivets, Ed Roberson, David Bradford, Liz Howard, and Tolu Oloruntoba.\u003c\/p\u003e","published_at":"2022-09-13T13:45:40-04:00","created_at":"2022-09-13T13:38:42-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","Edited by Dickinson Adam","House of Anansi Press","pub date: 2022-07-26","The Griffin Poetry Prize Anthology"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780122357819,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010935","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The 2022 Griffin Poetry Prize Anthology - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":204,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010935","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40780122554427,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010942","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The 2022 Griffin Poetry Prize Anthology - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010942","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_89eafb25-32e0-444d-be97-9480249f6236.jpg?v=1721311242"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_89eafb25-32e0-444d-be97-9480249f6236.jpg?v=1721311242","options":["Title"],"media":[{"alt":null,"id":24700724510779,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2472,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_89eafb25-32e0-444d-be97-9480249f6236.jpg?v=1721311242"},"aspect_ratio":0.647,"height":2472,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_89eafb25-32e0-444d-be97-9480249f6236.jpg?v=1721311242","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach year, the best books of poetry published in Canada and internationally in English are honoured with the Griffin Poetry Prize, one of the world’s richest literary awards. Since 2001, this annual prize has spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets.\u003cem\u003eThe Griffin Poetry Prize Anthology\u003c\/em\u003e features the work of extraordinary poets shortlisted for the awards and introduces us to some of the finest poems from their collections.\u003c\/p\u003e\n\u003cp\u003eFeaturing works from shortlisted poets Sharon Dolin, Gemma Gorga, Douglas Kearney, Ali Kinsella, Dzvinia Orlowsky, Natalka Bilotserkivets, Ed Roberson, David Bradford, Liz Howard, and Tolu Oloruntoba.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487007379","AlsoRecommendedISBN_1":"9781487008710","AlsoRecommendedISBN_2":"9781487010843","BASICMainSubject":"POE023000","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eADAM DICKINSON\u003c\/strong\u003e was born in Bracebridge, Ontario. He is the author of four books of poetry, including \u003cem\u003eAnatomic\u003c\/em\u003e(2018), a finalist for the Raymond Souster Award and winner of the Alanna Bondar Memorial Book Prize from the Association for Literature, Environment, and Culture in Canada. His work has been nominated for the Governor General’s Award for Poetry and twice for the Trillium Book Award for Poetry. He was also a finalist for the Canadian Broadcasting Corporation (CBC) Poetry Prize and the K. M. Hunter Artist Award in Literature. His work has been translated into Chinese, Dutch, French, German, Norwegian, and Polish. He has been featured at international literary festivals such as Poetry International in Rotterdam, Netherlands, and the Oslo International Poetry Festival in Norway. He was also part of the VERSschmuggel poetry translation project hosted in conjunction with Poesiefestival Berlin, Germany. He is a Professor of English and Creative Writing at Brock University in St. Catharines, Ontario.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_1":"POETRY \/ Anthologies (multiple authors)","BISACSubject_0":"POE023000","BISACSubject_1":"POE001000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eADAM DICKINSON\u003c\/strong\u003e was born in Bracebridge, Ontario. He is the author of four books of poetry, including \u003cem\u003eAnatomic\u003c\/em\u003e(2018), a finalist for the Raymond Souster Award and winner of the Alanna Bondar Memorial Book Prize from the Association for Literature, Environment, and Culture in Canada. His work has been nominated for the Governor General’s Award for Poetry and twice for the Trillium Book Award for Poetry. He was also a finalist for the Canadian Broadcasting Corporation (CBC) Poetry Prize and the K. M. Hunter Artist Award in Literature. His work has been translated into Chinese, Dutch, French, German, Norwegian, and Polish. He has been featured at international literary festivals such as Poetry International in Rotterdam, Netherlands, and the Oslo International Poetry Festival in Norway. He was also part of the VERSschmuggel poetry translation project hosted in conjunction with Poesiefestival Berlin, Germany. He is a Professor of English and Creative Writing at Brock University in St. Catharines, Ontario.\u003c\/p\u003e\r\n","ContributorRole_0":"Edited by","Contributor_0":"Dickinson, Adam (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThe prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach year, the best books of poetry published in Canada and internationally in English are honoured with the Griffin Poetry Prize, one of the world’s richest literary awards. Since 2001, this annual prize has spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets.\u003cem\u003eThe Griffin Poetry Prize Anthology\u003c\/em\u003e features the work of extraordinary poets shortlisted for the awards and introduces us to some of the finest poems from their collections.\u003c\/p\u003e\n\u003cp\u003eFeaturing works from shortlisted poets Sharon Dolin, Gemma Gorga, Douglas Kearney, Ali Kinsella, Dzvinia Orlowsky, Natalka Bilotserkivets, Ed Roberson, David Bradford, Liz Howard, and Tolu Oloruntoba.\u003c\/p\u003e","EAN":"9781487010935","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487010935\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"poetry award;anthology;international;canadian;poetry lover;canadian poetry;contemporary poetry","NumberOfPages":"120","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe release of the Griffin Poetry Prize shortlist anthology is an annual event awaited with anticipation by poetry lovers and readers.\u003c\/li\u003e\r\n\u003cli\u003eThe collection fulfills Anansi’s mandate to display the best Canadian poets alongside the best international poets and reinforces our position as the premier publisher of poetry in Canada.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe release of the Griffin Poetry Prize shortlist anthology is an annual event awaited with anticipation by poetry lovers and readers.\u003c\/li\u003e\n\u003cli\u003eThe collection fulfills Anansi’s mandate to display the best Canadian poets alongside the best international poets and reinforces our position as the premier publisher of poetry in Canada.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eYoung and old voices and visions fill the pages of this varied anthology, and add considerably to our understanding and surprise of a world and a poetics in flux. With his ear attuned to these polyphonic nuances, Adam Dickinson has edited judiciously.\u003c\/p\u003e","OtherText_Review_0_Src":"The Miramichi Reader","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2022-07-26","Publisher":"House of Anansi Press Inc","Series":"The Griffin Poetry Prize Anthology","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Selection of the Shortlist","Width":"5.5","WidthCode":"in"}
The 2022 Griffin Poetry Prize Anthology
The prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist.
