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{"id":7349209169979,"title":"Wellwater","handle":"wellwater","description":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","published_at":"2025-02-21T10:57:34-05:00","created_at":"2025-02-21T10:54:35-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Solie Karen","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025534554171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013400","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wellwater - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":190,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013400","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42025534652475,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013417","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013417","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483","options":["Title"],"media":[{"alt":"Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.","id":26535671693371,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887846885","AlsoRecommendedISBN_1":"9780887846885","AlsoRecommendedISBN_2":"9781487008376","AlsoRecommendedISBN_3":"9781487000967","BASICMainSubject":"POE000000","BASICMainSubjectLiteral":"POETRY\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2026 Windham-Campbell Prize recipient and 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ General","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE000000","BISACSubject_1":"POE024000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2026 Windham-Campbell Prize recipient and 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Solie, Karen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","EAN":"9781487013417","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013417\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Canadian Landscape poetry","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is Solie’s sixth standalone collection and the first since \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e, was shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eCaiplie\u003c\/em\u003e was a book-length, concept-oriented title, Wellwater returns to a more familiar, varied collection. \u003c\/li\u003e\n\u003cli\u003eWidely considered the best lyric poet of her generation, Solie has won virtually every Canadian award and is one of the very few Canadian poets with a substantial readership in Canada, the U.S. and the U.K. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWellwater\u003c\/em\u003e includes poems commissioned by Iris Trio for its forthcoming album \u003cem\u003eProject Earth: The Green Chapter\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Blazingly honest.” \u003cstrong\u003e\u003cem\u003e— The Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Solie has established herself as one of the most important and lauded poets of her generation.” — \u003cstrong\u003e\u003cem\u003eThe Globe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“If there is any obvious hope to be found in the sombre and desolate poems on offer in this collection, it is in the perseverance of nature in the face of violence and peril … These things, independent of human faith and competitive capitalism, endure. And they are the things, these poems argue, we might most profitably focus on.” \u003cstrong\u003e\u003cem\u003e— That Shakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an extraordinary collection.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12":"\u003cp\u003e“Solie’s poems offer both deep wisdom and a lightness across the line … Her poems craft deep wells of meditative thinking, lines that turn a leaf over in one’s hand, to study every side.” \u003cstrong\u003e\u003cem\u003e— rob mclennan’s blog \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_13":"\u003cp\u003e“Thoughtful.” —\u003cstrong\u003e\u003cem\u003e Quebec Library Association \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Authoritative and unforgettable … How Solie binds bleakness, distance, confidence and vulnerability into such a distinctive poetic presence is a compelling puzzle.” —\u003cstrong\u003e\u003cem\u003e The Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“[Karen Solie has] a consistent knack for surprise, for finding ways to develop a style that, one book back, felt fully realized.” \u003cstrong\u003e\u003cem\u003e— Literary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003eis full of complex ideas that speak to resilience of both people and our environment, and look to ways we can move forward at peace with our world.” — \u003cstrong\u003e\u003cem\u003eCanadian Living \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e “\u003cem\u003eWellwater\u003c\/em\u003e is full of small revelations. At this point, Solie has little left to achieve, but if her poems keep letting their mask slip, they might genuinely surprise us. She has been a thrillingly unpredictable poet for twenty-five years.” — \u003cstrong\u003e\u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an unerring recalibration. To counter an age of abstraction and illusion, Solie zeroes in on the overlooked … Masterful compositions.” \u003cstrong\u003e\u003cem\u003e— The Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“Sardonic, perceptive, and unrelenting.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003e[has] a characteristically fierce intellectual and poetic rigour.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9":"\u003cp\u003e\"[Karen Solie] has never faltered.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Joint winner","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Long-listed","PrizeCodeText_7":"Commended","PrizeCode_0":"01","PrizeCode_1":"06","PrizeCode_2":"01","PrizeCode_3":"03","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"05","PrizeCode_7":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Forward Prize for Best Collection of Poetry","PrizeName_2":"T.S. Eliot Prize for Poetry","PrizeName_3":"The Observer best book of 2025","PrizeName_4":"The Financial Times best book of 2025","PrizeName_5":"The Guardina Best book of 2025","PrizeName_6":"Al and Eurithe Purdy Poetry Prize","PrizeName_7":"CBC Best Book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2025","PrizeYear_4":"2025","PrizeYear_5":"2025","PrizeYear_6":"2026","PrizeYear_7":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Wellwater
The poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.
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{"id":6811321040955,"title":"The Lost Spells","handle":"the-lost-spells","description":"\u003cp\u003e\u003cstrong\u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince its publication in 2017, \u003cem\u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem\u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e","published_at":"2022-03-21T17:17:02-04:00","created_at":"2022-03-21T12:51:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Bestseller","Adult Environmentalism","Adult Poetry","Adult Starred Reviews","Anansi International","By (author) Macfarlane Robert","By (author) Morris Jackie","pub date:","Read by Daley-Ward Yrsa","Read by Flynn Johnny","Read by Fowlis Julie","Read by Macfarlane Robert","Read by Watson Chris","The Lost Works"],"price":2499,"price_min":2499,"price_max":3500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191045861435,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781487007799","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Lost Spells - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":3500,"weight":440,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007799","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191135907899,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487010133","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Lost Spells - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":2499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010133","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191136006203,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487010140","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Lost Spells - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":2499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010140","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414","options":["Title"],"media":[{"alt":null,"id":22170958954555,"position":1,"preview_image":{"aspect_ratio":0.669,"height":2154,"width":1442,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414"},"aspect_ratio":0.669,"height":2154,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_6db7d2db-ea94-4a11-a3e7-ed9bf0f1856c.jpg?v=1654444414","width":1442}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince its publication in 2017, \u003cem\u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem\u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005382","AlsoRecommendedISBN_1":"9781487003111","AlsoRecommendedISBN_4":"9781770893894","BASICMainSubject":"NAT011000","BASICMainSubjectLiteral":"NATURE\/Environmental Conservation \u0026 Protection","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Nature","BISACSubjectLiteral_2":"ART \/ Subjects \u0026amp; Themes \/ Plants \u0026amp; Animals","BISACSubject_0":"NAT011000","BISACSubject_1":"POE023030","BISACSubject_2":"ART050030","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJACKIE MORRIS\u003c\/strong\u003e has written or illustrated over seventy books, including the beloved children’s classics \u003cem\u003eTell Me a Dragon\u003c\/em\u003e and \u003cem\u003eEast of the Sun, West of the Moon\u003c\/em\u003e and a volume of modern folklore for readers of all ages, \u003cem\u003eWild Folk\u003c\/em\u003e, co-created with Tamsin Abbott, as well as introducing and illustrating Barbara Newhall Follett’s gem of wild literature, \u003cem\u003eThe House Without Windows\u003c\/em\u003e. She is the internationally bestselling and award-winning co-creator of \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e, two books which have captured the hearts of hundreds of thousands of readers of all ages. In 2018 she won the Kate Greenaway Medal and the British Book Awards Children’s Book of the Year for \u003cem\u003eThe Lost Words\u003c\/em\u003e. Her artwork is held by public art collections in the UK and USA and has been published in the \u003cem\u003eNew Statesman\u003c\/em\u003e, \u003cem\u003eIndependent\u003c\/em\u003e and \u003cem\u003eGuardian\u003c\/em\u003e among other venues. She tours and performs with the Spell Songs ensemble around the UK, and is a Fellow of Herefordshire Art College.\u003c\/p\u003e","ContributorBio_2":"\u003cp\u003e\u003cstrong\u003eJULIE FOWLIS\u003c\/strong\u003e is a multi-award-winning singer, composer, and voice artist who is deeply influenced by her early upbringing in the Outer Hebrides. Known worldwide for singing the theme songs in Disney Pixar’s Oscar-winning film \u003cem\u003eBrave\u003c\/em\u003e, she performs predominantly in Scottish Gaelic, and is a quiet torchbearer for her native tradition. Her work is rooted in the wild Highland landscapes in which she lives, and she is passionate about how the Gaelic language and music connect to the natural world.\u003c\/p\u003e","ContributorBio_3":"\u003cp\u003e\u003cstrong\u003eYRSA DALEY-WARD\u003c\/strong\u003e is an actor, poet, model, and author of West Indian and West African heritage. Known for her powerful poetry — both written and spoken word — Yrsa explores topics such as identity, femininity, and mental health.\u003c\/p\u003e","ContributorBio_4":"\u003cp\u003e\u003cstrong\u003eJOHNNY FLYNN\u003c\/strong\u003e is an actor, composer and songwriter. He fronts the band Johnny Flynn \u0026 The Sussex Wit, and has appeared in a number of plays and productions.\u003c\/p\u003e","ContributorBio_5":"\u003cp\u003e\u003cstrong\u003eCHRIS WATSON\u003c\/strong\u003e is one of the world’s foremost sound recordists with a particular and passionate interest in the sounds of animals and habitats from around the world. As a composer and sound recordist, Watson specializes in creating spatial sound installations, which feature a strong sense and spirit of place.\u003c\/p\u003e","ContributorBio_6":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"By (author)","ContributorRole_2":"Read by","ContributorRole_3":"Read by","ContributorRole_4":"Read by","ContributorRole_5":"Read by","ContributorRole_6":"Read by","Contributor_0":"Macfarlane, Robert","Contributor_1":"Morris, Jackie","Contributor_2":"Fowlis, Julie","Contributor_3":"Daley-Ward, Yrsa","Contributor_4":"Flynn, Johnny","Contributor_5":"Watson, Chris","Contributor_6":"Macfarlane, Robert","Description":"\u003cp\u003e\u003cstrong\u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince its publication in 2017, \u003cem\u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem\u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e","EAN":"9781487010140","Height":"6.9","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"coffee table books;design;environmentalism;global warming;rewilding;#fridaysforfuture;hidden life of trees;greta thunberg;Our House is On Fire;birding;wildlife;meditation and mindfulness;white elephant;robert bateman;british countryside;family books;cottage;cabin;hygge;lykke;forest bathing;ecology;ornithology;nature writing;poems;science;outdoor recreation;biology;wade davis;gift book;unique gifts","NumberOfPages":"240","OtherText_Accolades_0":"\u003cp\u003e\"\u003cem\u003eThe Lost Spells\u003c\/em\u003e employs Robert Macfarlane’s rapturous language and Jackie Morris’s bewitching illustrations to return language and art to their ancient occupations: building bridges of understanding between human and non-human worlds. More than a mere book, it’s a brave act of shamanism that touches and transforms the reader’s heart, healing and encouraging at a time when the world feels most desperately in need of restoration.\" — \u003cstrong\u003eSteve Silberman, author of \u003cem\u003eNeuroTribes: The Legacy of Autism and the Future of Neurodiversity\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Lost Words\u003c\/em\u003e has been a massive success and has sold over 36,000 copies in North America. It is an international bestseller, was a finalist for the Wainwright Prize and winner of the CILIP Kate Greenaway Medal, and has inspired grassroots re-wilding movements and crowd-funded giveaways of the book. \u003cem\u003eThe Lost Spells\u003c\/em\u003e, the earlier book’s kindred spirit, will no doubt have a similar impact and reach new audiences.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e is a gorgeously designed, fully illustrated, one-of-a-kind book that would make the perfect gift book for the holidays. Jackie Morris’ artwork brings to life the poems’ nature themes and would stand out even without the accompanying evocative poems. This is a book designed to be carried around by readers and read outdoors in nature.\u003c\/li\u003e\n\u003cli\u003eRobert Macfarlane is a major literary and cultural figure in the U.K. His writings on environmental topics are frequently featured in the Guardian and Granta. He is a regular presence on television and hosted an adaptation of his book The Wild Places on BBC’s The Natural World. His most recent book, Underland, won the Wainwright Prize and was named one of the best books of the twenty-first century by the Guardian.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e speaks to those worried about the vanishing natural world, a larger-than-ever group thanks to new studies and articles on biodiversity loss. Both Robert Macfarlane and Jackie Morris have been involved in the Extinction Rebellion environmental movement.\u003c\/li\u003e\n\u003cli\u003eThis book is perfect for adults interested in the “re-enchantment movement” or those who just want to rediscover nature, and children newly interested in plants and animals will be captivated by the beautiful hand-painted illustrations and poems.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Elegant … There is enough magic here to summon wild things even for those who are snug indoors.\" — \u003cstrong\u003e\u003cem\u003eWall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Wall Street Journal","OtherText_Review_1":"\u003cp\u003e\"This unusually beautiful book brings to readers the magic and wonder of nature … Breathtakingly magical.\" —\u003cstrong\u003e\u003cem\u003e Kirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews, STARRED REVIEWS","OtherText_Review_2":"\u003cp\u003e\"Macfarlane’s lyrics … ring with consonance (“Thrift thrives where most life fails, falls,\/ is cast adrift”) and wordplay (“Woodpecker, tree-wrecker”) … Morris’s fluid artwork renders the elegant tilt of a fox’s snout, birds’ calligraphic flight patterns, and the eyelike whorls of silver birch bark … One to treasure.\" — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Publishers Weekly, STARRED REVIEW","OtherText_Review_3":"\u003cp\u003e\"Through deeply humane poems paired with warm illustrations, MacFarlane and Morris invited readers into the space where the enchanting natural world meets the expansive imagination . . . Crafted with the same tenderness as its sibling.\" \u003cstrong\u003e\u003cem\u003e— Shelf Awareness\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Maria Popova, Brain Pickings","OtherText_Review_4":"\u003cp\u003e\"Macfarlane and Morris bring us the mystery and wisdom of wild things as complementary and consolatory to our tame incompleteness … These painted verses sing and shimmer with a magical exuberance that renders the wild world not parallel, not foreign, but proximate, beckoning, native to our own souls … A charm against the curse of civilization, of exploitation, of apathy.\" — \u003cstrong\u003eMaria Popova, \u003cem\u003eBrain Pickings\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Shelf Awareness","OtherText_Review_5":"\u003cp\u003e“An enchanting diversion into the wonder and magic of nature.” — \u003cstrong\u003e\u003cem\u003eBulletin\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2020-10-27","Publisher":"House of Anansi Press Inc","Series":"The Lost Works","ShortDescription":"The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.","Width":"4.76","WidthCode":"in"}
The Lost Spells
The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.
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{"id":7014714015803,"title":"Xanax Cowboy","handle":"xanax-cowboy","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","published_at":"2022-10-14T10:56:29-04:00","created_at":"2022-10-13T16:51:14-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","Adult Starred Reviews","By (author) Green Hannah","Feminist Reads","House of Anansi Press","pub date: 2023-04-04"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40874727178299,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011154","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Xanax Cowboy - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":218,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011154","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40874727604283,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011161","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Xanax Cowboy - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011161","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","options":["Title"],"media":[{"alt":"Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.","id":24914449465403,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487010690","AlsoRecommendedISBN_1":"9781487010690","AlsoRecommendedISBN_2":"9781770890329","AlsoRecommendedISBN_3":"9781487005962","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. Her debut collection \u003cem\u003eXanax Cowboy \u003c\/em\u003ewas the recipient of the 2023 Governor General’s Literary Award and the 2024 Gerald Lampert Memorial Award. She lives in Winnipeg.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. Her debut collection \u003cem\u003eXanax Cowboy \u003c\/em\u003ewas the recipient of the 2023 Governor General’s Literary Award and the 2024 Gerald Lampert Memorial Award. She lives in Winnipeg.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Green, Hannah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","EAN":"9781487011161","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011161\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"dunk tank;kayla czaga;let the world have you;mikko harvey;for em;sanna wani;my grief; the sun;contemporary poetry;canadian poetry;poetry collectors","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e\"Xanax Cowboy is a meta-poetic romp that chews through the lexicons of pulp, pop, and academia, spitting out pieces that are at once campy, dark, and gnawingly tender, with a bravado and showmanship that challenge conventions of power, performance, gender, and genre. Through roving tours of tone and tactic … Hannah Green mounts a contemporary antihero with both a light and devastating touch, knowing just when to loosen the slack and when to jerk the line arrestingly taut.\" — \u003cstrong\u003eJury Citation, 2021 Bronwen Wallace Award\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e\"I’ve never read anything quite like Xanax Cowboy, with its lassoed dream logic or its pistol-drawn showdown with dread. But that’s life when you live in a Wild West of anxiety, and nowhere else can you find this prescription-laced, wasp-sting aesthetic. Hannah Green’s poems are a form-bending live wire, a chainsaw ethos that carves its way through the desert sunset. A long howl in cowboy boots that refuses to be wrangled, Xanax Cowboy is original and compelling.\" — \u003cstrong\u003eAndrew Faulkner, author of \u003cem\u003eHeady Bloom\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"A fierce collection on cowboy boots and alienation, with incisive and insightful thoughts on navigating mental health, Hannah Green’s debut is all tooth and claw. It bristles, sears, and haunts. At once individual, and yet illuminating in the affective commons it articulates, Hannah has created a home here — come dwell.\" — \u003cstrong\u003eDallas Hunt, author of \u003cem\u003eCreeland\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Green’s debut is timely and witty. It leaves nothing off stage, hides nothing. It is a revelation of living in our anxious times. It is wisely engaging.\" — \u003cstrong\u003eQuill \u0026 Quire, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Winnipeg Free Press","OtherText_Review_1":"\u003cp\u003e\"Hannah Green’s figurative language is so dazzling, her tone so sardonically witty … her debut is indeed a romp.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Shakespearean Rag","OtherText_Review_2":"\u003cp\u003e\"Even as it treats serious topics like romanticizing addiction, \u003cem\u003eXanax Cowboy \u003c\/em\u003eis riotously funny, brimming with wit and bravado … Exceptional debut.\" — \u003cstrong\u003e\u003cem\u003eARC Poetry\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Freefall","OtherText_Review_3":"\u003cp\u003e“Reading [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] is an undeniably cinematic experience … There is so much gold that has been dug-up in this wild-west.” — \u003cstrong\u003e\u003cem\u003eThe Fiddlehead \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"The Miramichi Reader","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e\"Playing on the way suffering has been romanticized in writers and in cowboys, Green skewers this cultural demand for authenticity.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Quill \u0026 Quire, STARRED REVIEW","OtherText_Review_5":"\u003cp\u003e\"A true original – smart and aggressive and assured.\" — \u003cstrong\u003e\u003cem\u003eShakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Toronto Star","OtherText_Review_6":"\u003cp\u003e\"A bingeable book of poetry … \u003cem\u003eXanax Cowboy \u003c\/em\u003edisplays a raw honesty on important topics. Green balances tone and content, form and media, to deliver a powerhouse of a debut book from title to finishing line.\" — \u003cstrong\u003e\u003cem\u003eFreefall\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"The Miramichi Reader","OtherText_Review_6_Src":"ARC Poetry","OtherText_Review_7":"\u003cp\u003e\"Breaching borders and breaking boundaries … [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] subverts expectations with feminist contortions in the twists and turns of phrase, form, and verse.\" — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“Brimming with verve, wit and bravado, Hannah Green’s \u003cem\u003eXanax Cowboy\u003c\/em\u003e is a brain-jolting joy.” — \u003cstrong\u003e\u003cem\u003eThe Ampersand Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"03","PrizeName_0":"Governor General's Literary Award in the Poetry Category","PrizeName_1":"League of Canadian Poets' Gerald Lampert Memorial Award","PrizeName_2":"CBC 2023 Best Canadian Poetry","PrizeYear_0":"2023","PrizeYear_1":"2024","PrizeYear_2":"2023","ProductFormDescription":"epub","PublicationDate":"2023-04-04","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Xanax Cowboy
This edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.
Quick View
{"id":7168131465275,"title":"Scientific Marvel","handle":"scientific-marvel","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Governor General's Literary Award for Poetry\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets Raymond Souster Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets Gerald Lampert Memorial Award\u003cbr\u003e\nCBC Best Book of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","published_at":"2023-07-27T14:16:06-04:00","created_at":"2023-07-27T14:05:58-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Undi Chimwemwe","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382944407611,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012250","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012250","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41386271277115,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012281","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Scientific Marvel - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012281","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611","options":["Title"],"media":[{"alt":null,"id":25437470916667,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_52ccbaf1-0cc5-4631-8c4f-63f08ebe9752.jpg?v=1748895611","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Governor General's Literary Award for Poetry\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets Raymond Souster Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets Gerald Lampert Memorial Award\u003cbr\u003e\nCBC Best Book of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487011154","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE023040","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/Places","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. Her debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, received the 2024 Governor General’s Literary Award in Poetry. She is Canada’s Parliamentary Poet Laureate.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubjectLiteral_1":"POETRY \/ Canadian","BISACSubjectLiteral_2":"POETRY \/ LGBTQ+","BISACSubject_0":"POE023040","BISACSubject_1":"POE011000","BISACSubject_2":"POE021000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHIMWEMWE UNDI\u003c\/strong\u003e is a poet, editor, and lawyer living and writing on Treaty 1 territory in Winnipeg, Manitoba. Her work has appeared in \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eBorder Crossings\u003c\/em\u003e, \u003cem\u003eCanadian Literature\u003c\/em\u003e and \u003cem\u003eBBC World\u003c\/em\u003e, among others. Her debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, received the 2024 Governor General’s Literary Award in Poetry. She is Canada’s Parliamentary Poet Laureate.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Undi, Chimwemwe (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Governor General's Literary Award for Poetry\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets Raymond Souster Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets Gerald Lampert Memorial Award\u003cbr\u003e\nCBC Best Book of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, \u003cem\u003eScientific Marvel\u003c\/em\u003e, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, \u003cem\u003eScientific Marvel\u003c\/em\u003e approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way \/ my country means my country \/ and what else is there to say? \/ I am bad and brown \/ and trying. Nothing here \/ belongs to me or could \/ or ever will.”\u003c\/p\u003e\n\u003cp\u003eThis is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.\u003c\/p\u003e","EAN":"9781487012281","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012281\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003e\u003cem\u003e\"Scientific Marvel\u003c\/em\u003e is poetic anti-gravity. Poetry of the lightest touch for the heftiest matters … Undi has proven herself an exquisite and needful diarist of the inextricability of Black being from love, from freedom, from the tangled, hurtful web of this modern life … A queerly marvelous debut!\" — \u003cstrong\u003eCanisia Lubrin, author of \u003cem\u003eCode Noir\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of The Break","OtherText_Accolades_1":"\u003cp\u003e\"Bound together and each piece so very much its own, this collection marvels from masterful found poems to sprinkles of pure love and humour. Undi electrifies, is at once vulnerable and completely indestructible. PS: That first Winnipeg poem has got to be our new hometown anthem.\" — \u003cstrong\u003eKatherena Vermette, author of \u003cem\u003eThe Break\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Canisia Lubrin, author of Code Noir","OtherText_Accolades_2":"\u003cp\u003e\"With searing wit, a tender hand, and a bird’s eye, \u003cem\u003eScientific Marvel\u003c\/em\u003e delivers a smirk behind each word as alluring as it is intelligent. Melding the personal and the political, Undi’s poems understand Winnipeg streets as well as they know Supreme Court jurisprudence. High school crushes mingle with the evolution of birds—apologies with freedom—in a voice that represents both an astounding and curious achievement. ‘I am learning about property\/in a recent nation where no one looks me in the eye,’ she writes. ‘I wanted something\/too, to survive,\/besides my good name.’ \u003cem\u003eScientific Marvel\u003c\/em\u003e is a fight song for anyone in love with their broken city—its strange stores—and our dying earth, its betrayal and beauty. All of it, Undi demonstrates, worth noticing, worth cherishing, worth remembering.\" — \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sanna Wani, author of My Grief, the Sun","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThis book marks the third consecutive season Anansi Poetry has featured a debut collection from a young Winnipeg poet (Brandi Bird, Hannah Green).\u003c\/li\u003e\n\u003cli\u003eUndi was born and raised in Namibia, and did not arrive in Canada until the age of 13. As a result, her experiences of immigration, assimilation, discrimination, etc. in her new country are first hand, not inherited.\u003c\/li\u003e\n\u003cli\u003eIn terms of its touchstones the book is very local and regional. The book includes several “Manitoba” poems and even a cheeky list poem about the obligatory references that make for an accepted ‘Winnipeg’ poem.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis book marks the third consecutive season Anansi Poetry has featured a debut collection from a young Winnipeg poet (Brandi Bird, Hannah Green).\u003c\/li\u003e\n\u003cli\u003eUndi was born and raised in Namibia, and did not arrive in Canada until the age of 13. As a result, her experiences of immigration, assimilation, discrimination, etc. in her new country are first hand, not inherited.\u003c\/li\u003e\n\u003cli\u003eIn terms of its touchstones the book is very local and regional. The book includes several “Manitoba” poems and even a cheeky list poem about the obligatory references that make for an accepted ‘Winnipeg’ poem.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Incisive and precise, tender and loving, these poems escort readers through questions of race and place, disappeared histories, immigration, gender and climate angst … A captivating debut, \u003cem\u003eScientific Marvel\u003c\/em\u003e transforms through tough lessons and uplifts through lively language play — and, of course, love.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e\u003cem\u003e“\u003c\/em\u003ePolitically astute, rigorously loving, lyrically deft debut collection.” — \u003cstrong\u003e\u003cem\u003eHerizons\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“What is remarkable about \u003cem\u003eScientific Marvel \u003c\/em\u003eis the way Undi seamlessly creates threads between Winnipeg landmarks and girlhood, legal cases and love, grammar, and ancestry … Her poetic voice remains distinct, strong, and memorable.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“Expansive in form and subject, precise in language and image, \u003cem\u003eScientific Marvel\u003c\/em\u003e … hums cover to cover.” \u003cstrong\u003e\u003cem\u003e— EVENT\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Throughout \u003cem\u003eScientific Marvel\u003c\/em\u003e, Undi trusts the reader to meet her in ambiguity and confront the limits of both legal reasoning and poetic expression.” — \u003cstrong\u003e\u003cem\u003ePrairie Fire\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem\u003eScientific Marvel \u003c\/em\u003eis intelligent and incisive … perceptive and vulnerable.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“Undi’s is undeniably a poetry of place and is augmented through a deep understanding of context.” \u003cstrong\u003e\u003cem\u003e— Border Crossings Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"03","PrizeCode_5":"04","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"League of Canadian Poets Raymond Souster Award","PrizeName_2":"League of Canadian Poets Gerald Lampert Memorial Award","PrizeName_3":"CBC Best Book of 2024","PrizeName_4":"CBC Best Poetry of 2024","PrizeName_5":"Fred Cogswell Award For Excellence In Poetry","PrizeYear_0":"2024","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2024","PrizeYear_4":"2024","PrizeYear_5":"2025","ProductFormDescription":"epub","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eMarked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Scientific Marvel
Marked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.
Quick View
{"id":6813787848763,"title":"river woman","handle":"river-woman","description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","published_at":"2022-03-23T13:02:33-04:00","created_at":"2022-03-23T09:17:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Bestseller","Adult BIPOC Voices","Adult Environmentalism","Adult Poetry","By (author) vermette katherena","House of Anansi Press","pub date: 2018-09-25"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205700530235,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003463","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"river woman - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":140,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003463","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205701808187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003470","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"river woman - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003470","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40205702758459,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006266","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"river woman - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006266","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120","options":["Title"],"media":[{"alt":null,"id":24629797290043,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2473,"width":1600,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120"},"aspect_ratio":0.647,"height":2473,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0896f130-f196-49b1-8dae-8ac8da12f680.jpg?v=1717905120","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_2":"9781487007799","AlsoRecommendedISBN_3":"9781487007799","AlsoRecommendedISBN_4":"9781487008376","BASICMainSubject":"POE015000","BASICMainSubjectLiteral":"POETRY\/Native American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE \u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada. \u003c\/p\u003e\n\u003cp\u003eIn 2013, her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection, \u003cem\u003eprocession\u003c\/em\u003e (House of Anansi). \u003c\/p\u003e\n\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Native American","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Nature","BISACSubject_0":"POE015000","BISACSubject_1":"POE011000","BISACSubject_2":"POE023030","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE \u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada. \u003c\/p\u003e\n\u003cp\u003eIn 2013, her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection, \u003cem\u003eprocession\u003c\/em\u003e (House of Anansi). \u003c\/p\u003e\n\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"vermette, katherena (CA)","Description":"\u003cp\u003e\u003cstrong\u003eGovernor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, \u003ci\u003eriver woman\u003c\/i\u003e, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAward-winning Métis poet and novelist Katherena Vermette’s second book of poetry, \u003ci\u003eriver woman\u003c\/i\u003e, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.\u003c\/p\u003e\u003cp\u003eLike the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.\u003c\/p\u003e\u003cp\u003eVermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words \/ transcend ceremony \/ into everyday” and “nothing \/ is inanimate.”\u003c\/p\u003e","EAN":"9781487006266","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006266\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"truth and reconciliation; colonialism; nature; missing and murdered indigenous women; bipoc; indigenous; reconciliation; award winning author; climate change; Indigenous literature; Indigenous Stories; poems; this accident of being lost leanne betasomasake simpson; even this page is white vivek shraya; alicia elliott; ndn coping mechanisms billy ray belcourt; poetry lovers; collectors edition","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“In river woman, Vermette take us inside river, as a concept, a reality, and another world, and gently reveals the power, the resistance, and the sheer love of water, of life, and of all things Indigenous. Vermette’s poetics are sparse, haunting, and steeped in river story, and her poems come to me as river songs. There is a presencing rhythm to this work, revealing that which is and always has been, flowing right in front of us.” — \u003cstrong\u003eLeanne Betasamosake Simpson, author of This Accident of Being Lost\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Leanne Betasamosake Simpson, author of This Accident of Being Lost","OtherText_Accolades_1":"\u003cp\u003e“In river woman, Katherena Vermette marshals the maternal energy of the river to spin the lyric poem into something that is awash with vitality. This ethic of care, which each section bears and ricochets about, has at its core a project of repair or nourishment, not just of the natural, but of those of us entangled with it. This us, Vermette deftly shows, is not an empty thing, but is instead teeming with Indigenous life — ‘we are the earth you are hurting.’ We are the river and, in this, we are without end, regardless of what history swells in us. Pick up this book and listen for the musicality of our beautiful rebellion!” — \u003cstrong\u003eBilly-Ray Belcourt, author of This Wound is a World, winner of the 2018 Griffin Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Billy-Ray Belcourt, author of This Wound is a World, winner of the 2018 Griffin Poetry Prize","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eINTERNATIONALLY RESPECTED:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eKatherena’s work has appeared in literary magazines and anthologies across the globe, including in Mothership: Tales from Afrofuturism and Beyond (Rosarium Press, Baltimore), and Kwe: Standing with Our Sisters (edited by Joseph Boyden, Penguin Random House Canada).\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e\\n\u003cp\u003e\u003cstrong\u003eRELEVANT AND TIMELY:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003eMuch attention has been drawn this year and last to Indigenous issues in North America, and in the United States particularly surrounding the Dakota Access Pipeline protests. Indigenous voices and postcolonial issues are rising to the fore, and it’s becoming increasingly crucial to recognize and give space to these voices.\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eINTERNATIONALLY RESPECTED:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eKatherena’s work has appeared in literary magazines and anthologies across the globe, including in Mothership: Tales from Afrofuturism and Beyond (Rosarium Press, Baltimore), and Kwe: Standing with Our Sisters (edited by Joseph Boyden, Penguin Random House Canada).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRELEVANT AND TIMELY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMuch attention has been drawn this year and last to Indigenous issues in North America, and in the United States particularly surrounding the Dakota Access Pipeline protests. Indigenous voices and postcolonial issues are rising to the fore, and it’s becoming increasingly crucial to recognize and give space to these voices.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\\\/strong\u003e:\u003c\\\/p\u003e\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\n\u003c\\\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"These spare, imagistic poems live up to the words of the Vietnamese spiritual leader Thich Nhat Hanh, quoted in an epigraph: ‘If our hearts are big, we can be like the river.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"\u003cp\u003e\"A book that is at once deeply personal and politically charged.\" — \u003cstrong\u003e\u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill and Quire","OtherText_Review_2":"\u003cp\u003e\"Vermette’s new collection is a strong follow-up to her Governor General’s Award-winning debut, 2012’s North End Love Songs.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","ProductFormDescription":"mobi","PublicationDate":"2018-09-25","Publisher":"House of Anansi Press Inc","ShortDescription":"Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.","Width":"5.5","WidthCode":"in"}
river woman
Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature.
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{"id":6812109504571,"title":"NDN Coping Mechanisms","handle":"ndn-coping-mechanisms","description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","published_at":"2022-03-22T16:15:39-04:00","created_at":"2022-03-22T11:02:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Course Adoption","Adult LGBTQ+","Adult Poetry","Adult Starred Reviews","By (author) Belcourt Billy-Ray","House of Anansi Press","Literary Fiction","pub date: 2019-09-03"],"price":1695,"price_min":1695,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195473637435,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487005771","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487005771","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195478159419,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487005788","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005788","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195503521851,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007164","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007164","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","options":["Title"],"media":[{"alt":"A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.","id":22808187240507,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487001278","AlsoRecommendedISBN_2":"9781487002268","AlsoRecommendedISBN_4":"9781487001278","BASICMainSubject":"POE015000","BASICMainSubjectLiteral":"POETRY\/Native American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Native American","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ LGBT","BISACSubject_0":"POE015000","BISACSubject_1":"POE011000","BISACSubject_2":"POE021000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Belcourt, Billy-Ray (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","EAN":"9781487007164","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007164\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"ethnopoetics; not dead native; visceral; campy; ferocious; LGBTQ+; accessible poetry; sucker punch; decolonial; grief and desire; genre-bending; poetics; prose; uncompromising; Tina Fontaine; experimental verse; canlit; indigenous literature; critical theory; Finalist; Lambda Literary Award for Gay Poetry; Longlist; CBC Canada Reads; Library Journal Best Book; CBC Book of the Year; Library Journal; starred review; Griffin Poetry Prize","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“This brilliant book is endlessly giving, lingering in tight spaces within the forms of loneliness, showing us their contours. These poems do the necessary work of negotiating with the heart-killing present from which we imagine and make Indigenous futures. Every line feels like a possible way out of despair.” — \u003cstrong\u003eElissa Washuta, author of My Body Is a Book of Rules\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Elissa Washuta, author of My Body Is a Book of Rules","OtherText_Accolades_1":"\u003cp\u003e“I believe I exist. \/ To live, one can be neither \/ more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.” — \u003cstrong\u003eTC Tolbert, author of Gephyromania\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"TC Tolbert, author of Gephyromania","OtherText_Accolades_2":"\u003cp\u003e“NDN Coping Mechanisms is a haunting book that dreams a new world — a ‘holy place filled with NDN girls, hair wet with utopia’ — as it simultaneously excoriates the world that ‘is a wound’ and the historic and present modalities of violence against Indigenous peoples under Canadian settler colonialism. Belcourt considers the genocidal nation-state, queerness, and the limits and potential of representation, often through a poetic\/scholarly lineage that includes Leanne Betasamosake Simpson, Saidiya Hartman, Anne Boyer, José Esteban Muñoz, Christina Sharpe, and Gwen Benaway, among others. This is the beautiful achievement of NDN Coping Mechanisms: Belcourt conjures a sovereign literary space that refuses white sovereignty and is always already in relation to the ideas of the foremost decolonial poets and thinkers of Turtle Island.” — \u003cstrong\u003eMercedes Eng, author of Prison Industrial Complex Explodes\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Mercedes Eng, author of Prison Industrial Complex Explodes","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eWINNER OF THE GRIFFIN POETRY PRIZE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBilly-Ray Belcourt made history as the youngest-ever winner of the Griffin Poetry Prize for his previous collection, \u003cem\u003eThis Wound is a World.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAWARD WINNING DEBUT COLLECTION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt’s debut collection \u003cem\u003eThis Wound is a World\u003c\/em\u003e was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It also won the Robert Kroetsch City of Edmonton Book Prize, and was a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLGBTQ POETRY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eAs with his first book, \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e will appeal not only to fans of raw, emotionally direct lyric and confessional poetry, but also to readers of contemporary ethnopoetics and queer literary theory.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE NEW WAVE OF INDIGENOUS POETS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt is among the leaders of a new wave of young and extremely talented and provocative group of Indigenous writers, a list that includes Leanne Betasamosake Simpson, Katherena Vermette, Jason Stefanik, and Jordan Abel in Canada and Layli Long Soldier, Natalie Diaz, and Craig Santos Perez in the U.S.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eWINNER OF THE GRIFFIN POETRY PRIZE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBilly-Ray Belcourt made history as the youngest-ever winner of the Griffin Poetry Prize for his previous collection, \u003cem\u003eThis Wound is a World.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAWARD WINNING DEBUT COLLECTION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt’s debut collection \u003cem\u003eThis Wound is a World\u003c\/em\u003e was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It also won the Robert Kroetsch City of Edmonton Book Prize, and was a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLGBTQ POETRY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eAs with his first book, \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e will appeal not only to fans of raw, emotionally direct lyric and confessional poetry, but also to readers of contemporary ethnopoetics and queer literary theory.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE NEW WAVE OF INDIGENOUS POETS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eBelcourt is among the leaders of a new wave of young and extremely talented and provocative group of Indigenous writers, a list that includes Leanne Betasamosake Simpson, Katherena Vermette, Jason Stefanik, and Jordan Abel in Canada and Layli Long Soldier, Natalie Diaz, and Craig Santos Perez in the U.S.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“For all the ferocious energy and one-two punch of language here, this is also a concentrated, beautifully managed work.” — \u003cstrong\u003e\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Library Journal","OtherText_Review_1":"\u003cp\u003e“Both intellectual and visceral, these poems dazzle with metaphoric richness and striking lyricism.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Toronto Star","OtherText_Review_2":"\u003cp\u003e“A masterful blend of the personal and the political, the ephemeral and the corporeal, the theoretical and the emotional.” — \u003cstrong\u003e\u003cem\u003eQuill and Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Quill and Quire","OtherText_Review_3":"\u003cp\u003e“An impressive follow-up to his first book.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e“Playful, candid, and campy.” — \u003cstrong\u003e\u003cem\u003ePrairie Books NOW\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Prairie Books NOW","OtherText_ShortDescription_0":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"03","PrizeName_0":"Stephan G. Stephansson Award for Poetry","PrizeName_1":"Robert Kroetsch City of Edmonton Book Prize","PrizeName_2":"Lambda Literary Award for Gay Poetry","PrizeName_3":"Raymond Souster Award","PrizeName_4":"A Library Journal Best Book","PrizeName_5":"A CBC Book of the Year","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","PrizeYear_3":"2019","PrizeYear_4":"2019","PrizeYear_5":"2019","ProductFormDescription":"mobi","PublicationDate":"2019-09-03","Publisher":"House of Anansi Press Inc","ShortDescription":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","Subtitle":"Notes from the Field","Width":"6","WidthCode":"in"}
NDN Coping Mechanisms
The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.
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{"id":7095986716731,"title":"The All + Flesh","handle":"the-all-flesh","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e","published_at":"2023-02-23T16:49:40-05:00","created_at":"2023-02-23T15:53:49-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Poetry","By (author) Bird Brandi","House of Anansi Press","pub date: 2023-08-08"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41136186622011,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011826","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011826","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41136228007995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The All + Flesh - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011833","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744","options":["Title"],"media":[{"alt":"Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.","id":25297522819131,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_3128e617-962a-401e-ab39-501f8b9d9016.jpg?v=1744826744","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026amp; carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487011154","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ Indigenous","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubject_0":"POE011000","BISACSubject_1":"POE011010","BISACSubject_2":"POE023050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBRANDI BIRD\u003c\/strong\u003e is an Indigiqueer Saulteaux, Cree, and Métis writer and editor from Treaty 1 territory. They currently live and learn on the land of the Squamish, the Tsleil-Waututh, and the Musqueam peoples (Surrey, B.C). Their debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e (Anansi, 2023), won an Indigenous Voices Award and was a finalist for both the Gerald Lampert and the Governor General’s awards. Brandi Bird is currently completing an MFA at the University of British Columbia.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Bird, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Indigenous Voices Award for Poetry in English\u003cbr\u003e\nFinalist, 2024 Governor General's Literary Award for Poetry\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\nFinalist, 2024 League of Canadian Poets' Raymond Souster Award\u003cbr\u003e\nLonglist, 2024 League of Canadian Poets' Pat Lowther Memorial Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCBC Best Poetry of 2024\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI am made of centuries \u0026 carbohydrates\u003cbr\u003e\nthe development of my molars\u003cbr\u003e\nthe hunger the teeth grew\u003cbr\u003e\nhas been with me since childhood\u003cbr\u003e\nI can’t escape the mouths of others\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eBrandi Bird’s long-anticipated debut poetry collection, \u003cem\u003eThe All + Flesh\u003c\/em\u003e, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.\u003c\/p\u003e","EAN":"9781487011833","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011833\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"brandi morin;our voice of fire;west coast","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003e\"\u003cem\u003eThe All + Flesh\u003c\/em\u003e marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life.\" — \u003cstrong\u003eBilly-Ray Belcourt, author of \u003cem\u003eA MINOR CHORUS\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Billy-Ray Belcourt, author of A MINOR CHORUS","OtherText_Accolades_1":"\u003cp\u003e\"These poems are tender and surprising; they are holes travelling through time and space. They are able to shapeshift God into pills, prayers, seeds, and stars. \u003cem\u003eThe All + Flesh \u003c\/em\u003ehas taken root in my mind and I'm happy to let it grow there.\" — \u003cstrong\u003eJessica Johns, author of \u003cem\u003eBad Cree\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Liz Howard, author of Letters in a Bruised Cosmos","OtherText_Accolades_2":"\u003cp\u003e\"In \u003cem\u003eThe All + Flesh\u003c\/em\u003e, Brandi Bird maps the psychic space between ‘NDN compartmentalization’ and split prairies, from bus depots to ‘endocrine storms,’ from LiveJournal to a living history of relocation under land theft. ‘My body is not an empire but first contact happened at \/ birth’ and ‘I eat \/ until my mouth needles \/ the dark.’ With exacting lucidity, Bird’s lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut.\" — \u003cstrong\u003eLiz Howard, author of \u003cem\u003eLetters in a Bruised Cosmos\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Jessica Johns, author of Bad Cree","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eBrandi is at the forefront of a wave of impressive new poetic talent emerging from Winnipeg, a group which includes Katherena Vermette, Hannah Green, and Chimwemwe Undi.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Drawing on their experience as a queer and Indigenous author, [Brandi Bird reveals], sharply and beautifully, the whiplash of coming of age in a time of contradiction—when reparations and profound systematic failures arrive on the same day.\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"British Columbia Review","OtherText_Review_1":"\u003cp\u003e\"Honest and transformative, these poems portray and reach beyond Prairie landscapes and wounded lives.\" — \u003cstrong\u003e\u003cem\u003ePrairie Books NOW\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"Bird’s clear, forceful voice stacks imagistic snippets in formally inventive poems and leaves the reader to intuit and feel through how they all fit together in an act of engaged, attentive witnessing.\" — \u003cstrong\u003e\u003cem\u003eThe Tyee\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e\"This is Bird’s gospel … They transform prayer into poetry.\" — \u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e\u003cem\u003e\"The All + Flesh\u003c\/em\u003e is a sophisticated debut work … Over and over again, time is suspended in the poems, and in this state of timelessness, we are able to transcend the limitations of western linearity and thought and to reconnect with relationships that have been stunted or lost. This is an invigorating, liberating read.\" — \u003cstrong\u003e\u003cem\u003eMiramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Brandi Bird’s first full collection must be read with imagination and heart … With each re-read of this powerful and innovative work, we see more.” \u003cstrong\u003e\u003cem\u003e— ARC Poetry\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Long-listed","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"05","PrizeCode_5":"03","PrizeName_0":"Indigenous Voices Award for Poetry in English","PrizeName_1":"Governor General's Literary Award for Poetry","PrizeName_2":"League of Canadian Poets' Raymond Souster Award","PrizeName_3":"League of Canadian Poets' Gerald Lampert Memorial Award","PrizeName_4":"League of Canadian Poets' Pat Lowther Memorial Award","PrizeName_5":"CBC Best Poetry of 2024","PrizeYear_0":"2024","PrizeYear_1":"2024","PrizeYear_2":"2024","PrizeYear_3":"2024","PrizeYear_4":"2024","PrizeYear_5":"2024","ProductFormDescription":"epub","PublicationDate":"2023-08-08","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
The All + Flesh
Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.
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{"id":7168137920571,"title":"Midway","handle":"midway","description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","published_at":"2023-07-27T14:27:46-04:00","created_at":"2023-07-27T14:22:33-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult LGBTQ+","Adult Poetry","By (author) Czaga Kayla","House of Anansi Press","pub date: 2024-04-02"],"price":1699,"price_min":1699,"price_max":2199,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41382985695291,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012601","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midway - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2199,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012601","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41382986416187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012618","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Midway - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012618","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","options":["Title"],"media":[{"alt":"Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.","id":24263874871355,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/9781487012601.jpg?v=1709572774","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008680","AlsoRecommendedISBN_1":"9781487008949","AlsoRecommendedISBN_2":"9781487005962","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Death, Grief, Loss","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubject_0":"POE024000","BISACSubject_1":"POE023010","BISACSubject_2":"POE023050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAYLA CZAGA\u003c\/strong\u003e is the author of two previous poetry collections—\u003cem\u003eFor Your Safety Please Hold On\u003c\/em\u003e (Nightwood Editions, 2014), and \u003cem\u003eDunk Tank\u003c\/em\u003e (House of Anansi, 2019). Her work has been shortlisted for the Governor General’s Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the \u003cem\u003eBest Canadian Poetry in English\u003c\/em\u003e series, her writing also appears in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eGrain\u003c\/em\u003e, \u003cem\u003eEvent\u003c\/em\u003e, \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees nd Esquimalt nations. \u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Czaga, Kayla (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Dorothy Livesay Poetry Prize\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2025 DC Reid Poetry Book Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel like the crud \/ I accidentally touch sometimes, whatever it is \/ that collects under cushions on my couch,” writes Kayla Czaga in her third collection, \u003cem\u003eMidway\u003c\/em\u003e, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits \u003cem\u003eThe Simpsons\u003c\/em\u003e. Death is a metalhead who dates girls too young for him. \u003cem\u003eMidway\u003c\/em\u003e is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.\u003c\/p\u003e","EAN":"9781487012618","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012618\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"88","OtherText_Accolades_0":"\u003cp\u003e\"A lyric force, taking on grief in molecular detail. I love these poems.\" — \u003cstrong\u003eSouvankham Thammavongsa, author of \u003cem\u003eHow to Pronounce Knife\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Souvankham Thammavongsa, author of How to Pronounce Knife","OtherText_Accolades_1":"\u003cp\u003e“Then I got into the poem– \/ it doesn’t matter which poem– \/ and let it take me \/ wherever it was going,” Kayla Czaga concludes in her powerful elegy, “Dad Poem,” and I found myself making this allowance as well throughout the brilliant lyric poems of \u003cem\u003eMidway ... \u003c\/em\u003eCzaga’s \u003cem\u003eMidway\u003c\/em\u003e offers a glimpse at how, through the paired problems of the presence of parents and their absences, one's imagination and self might still grow.\"\u003cem\u003e — \u003c\/em\u003e\u003cstrong\u003eEd Skoog, author of \u003cem\u003eTravelers Leaving for the City\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\n\u003c\/em\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Ed Skoog, author of Travelers Leaving for the City","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe author sees this as the final book in a trilogy, each one of them featuring exactly 41 poems. The middle book in the trilogy (\u003cem\u003eDunk Tank\u003c\/em\u003e, 2019) was her first book with Anansi.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eDunk Tank\u003c\/em\u003e was a coming-of-age, \u003cem\u003eMidway\u003c\/em\u003e is chiefly concerned with grief and acceptance. Her deceased parents appear as characters in several poems, both in memory and as ghosts.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\u003cem\u003e\"Midway\u003c\/em\u003e is funny, genuine, and well written. Czaga offers a fitting and vulnerable elegy for her parents and a harrowing meditation on her life in the aftermath.\" — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_Review_1":"\u003cp\u003e“A book to expand your mind.” — \u003cstrong\u003e\u003cem\u003eLiterary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"Czaga blends grief’s range of emotions masterfully in \u003cem\u003eMidway.\" — \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eBritish Columbia Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e “Powerful and controlled and revelatory … [\u003cem\u003eMidway\u003c\/em\u003e] is brilliant, and inspiring, and should be read by everyone who cares deeply, and passionately, not just about poetry, but the important things poetry tries to make us see: like grief, and our inability to contain it.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“[\u003cem\u003eMidway\u003c\/em\u003e] solidifies Czaga’s reputation as one of Canada’s most promising young poets.” — \u003cstrong\u003e\u003cem\u003ePortal Magazine \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“The poems [in \u003cem\u003eMidway\u003c\/em\u003e] are evocative in their clarity and their truthfulness: rueful, reflective, funny, angry, despairing, accepting.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Runner-up","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"01","PrizeCode_3":"02","PrizeName_0":"BC and Yukon Book Prizes Dorothy Livesay Poetry Prize","PrizeName_1":"Victoria Book Prized DC Reid Poetry Prize","PrizeName_2":"SCWES Poetry Book Award for BC Authors","PrizeName_3":"Fred Cogswell Award For Excellence In Poetry","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2024","PrizeYear_3":"2025","ProductFormDescription":"epub","PublicationDate":"2024-04-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eHonest, elegiac, characteristically strange, and frequently funny, \u003cem\u003eMidway\u003c\/em\u003e is an exploration of grief in all its manifestations.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Midway
Honest, elegiac, characteristically strange, and frequently funny, Midway is an exploration of grief in all its manifestations.
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{"id":7299167092795,"title":"Shadow Price","handle":"shadow-price","description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","published_at":"2024-08-29T17:43:54-04:00","created_at":"2024-08-29T17:38:26-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Ghafoor Farah","Feminist Reads","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820378726459,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012922","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":210,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012922","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41820378791995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012939","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012939","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872","options":["Title"],"media":[{"alt":"Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.","id":26067219185723,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_0022be27-91ed-4311-9b65-9847b8b6e23b.jpg?v=1762792872","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487010843","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ghafoor, Farah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","EAN":"9781487012939","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012939\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Poetry;EJ Pratt Award for Poetry;CBC Poetry Prize;University of Toronto;Financial Analyst;Accounting Poems;South Asian;My Grief the Sun;Intruder;Sanna Wani;Wellwater;Room Magazine;Silk Road Literary Festival;League of Canadian Poets;ARC Poetry Magazine;Pakistani-Canadian;Climate Anxiety;Capitalism;Late Stage Capitalism;Chimwemwe Undi;Scientific Marvel;Environmentalism;Economy;Muslim;Islam;Women's Studies;Women's Poetry;Muslim Poetry;Karen Solie","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e“Farah Ghafoor’s highly-anticipated debut is as expansive and epic as it is exacting … \u003cem\u003eShadow Price\u003c\/em\u003e is a stalwart reminder of how much we have already lost to capitalism, how much we still might lose, and how we might come to terms with this disrepair.”– \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“With ardor and a lustrous fury, Farah Ghafoor emboldens with poems that resound of a planet in crisis … This is a book we need now more than ever given the severe and precarious state of our entire existence and all that we touch, eat, breathe, and leave behind.\" —\u003cstrong\u003eMai Der Vang, author of \u003cem\u003ePrimordial\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"If we are the last poets, may this collection inspire us to truly value the pricelessness of our wounded and wondrous planet.\" — \u003cstrong\u003eCraig Santos Perez, author of \u003cem\u003eCal This Mutiny\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“[Ghafoor] deconstructs and reassembles our world into a sincere but uncanny and urgent stream of thoughts and images, often playful, absurd, sarcastic, and funny … A tour de force.” —\u003cstrong\u003eAndri Magnason, author of \u003cem\u003eTime and Water\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is the second year in a row we have featured a poetry debut by someone who is not a graduate of a creative writing or MFA program (Chim Undi, \u003cem\u003eScientific Marvel\u003c\/em\u003e). She has a BBA from U of T.\u003c\/li\u003e\n\u003cli\u003eBecause of its politics and subject matter, the book\/author will potentially draw crossover interest (it already has) in Environmental, Muslim, and Women’s Studies courses.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A groundbreaking take on ecopoetry … [\u003cem\u003eShadow Price\u003c\/em\u003e manages to] show us a world that is beautiful and, above all, inherently valuable.” \u003cstrong\u003e\u003cem\u003e— Room Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Urgent debut.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Ghafoor’s words hold up a mirror to society, asking whether we still have time or if it is already too late … Gut-wrenching. — \u003cstrong\u003e\u003cem\u003eQuebec Library Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“This collection serves as a stark reminder of how much we’ve already lost to capitalism and a warning of how much we still have to lose. Wrapped in lyrics that are lively and irresistible, this is a call to action.” — \u003cstrong\u003e\u003cem\u003eSpring Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Commended","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Toronto Book Award","PrizeName_2":"CBC Best Book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Shadow Price
Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens.
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{"id":6811234041915,"title":"Selected Poems 1983–2020","handle":"selected-poems-19832020","description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e","published_at":"2022-03-21T12:08:28-04:00","created_at":"2022-03-21T09:50:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Heighton Steven","House of Anansi Press","pub date: 2021-04-06"],"price":1995,"price_min":1995,"price_max":2495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190668636219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007379","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2495,"weight":379,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007379","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190704812091,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007386","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - epub","public_title":"epub","options":["epub"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007386","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190706647099,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009212","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - mobi","public_title":"mobi","options":["mobi"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009212","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","options":["Title"],"media":[{"alt":null,"id":22925771046971,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000967","AlsoRecommendedISBN_1":"9781487003722","AlsoRecommendedISBN_2":"9781487006181","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\\\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e","BISACSubjectLiteral_0":"POETRY \\\/ Canadian \\\/ General","BISACSubjectLiteral_1":"POETRY \\\/ Subjects \u0026amp; Themes \\\/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e\\r\\n","ContributorRole_0":"By (author)","Contributor_0":"Heighton, Steven (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\\\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\\\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\\\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\\\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\\\/p\u003e","EAN":"9781487009212","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009212\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePREVIOUS COLLECTION WON THE GOVERNOR GENERAL’S LITERARY AWARD:\u003c\\\/strong\u003e Steven Heighton’s previous poetry collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e, received the Governor General’s Literary Award for Poetry, among other acclaim. This return to poetry after five years will get a lot of buzz.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR IN MANY FORMS AND GENRES:\u003c\\\/strong\u003eApart from his award-winning and highly acclaimed poetry collections, Steven Heighton is also the author of several works of fiction, including the novels \u003cem\u003eAfterland\u003c\\\/em\u003e and \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e. As well, he is the author of the forthcoming Groundwood picture book \u003cem\u003eThe Stray and the Stranger\u003c\\\/em\u003e based on his experience helping refugees in Greece. Heighton’s wide variety of writing can bring him attention far beyond what a poet normally garners.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eFIRST SELECTED WORK FROM ONE OF THE MOST ACCLAIMED CONTEMPORARY POETS:\u003c\\\/strong\u003e As an internationally prominent poet with many acclaimed collections, Heighton is well positioned for a work of selected poems. Previous Anansi selected poetry collections like A. F. Moritz’s \u003cem\u003eThe Sparrow\u003c\\\/em\u003e and Michael Crummey’s \u003cem\u003eLittle Dogs\u003c\\\/em\u003e have brought new attention to the poets and sparked reassessments and retrospectives of their careers up to that point, and we expect Heighton’s collection to do the same for him.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003ePREVIOUS MEDIA ATTENTION FOR STEVEN HEIGHTON:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/wiki.ezvid.com\\\/m\\\/11-poignant-books-from-exceptional-voices-in-modern-fiction-ZP6laov1KGXa0\\\"\u003e11 POIGNANT BOOKS FROM EXCELLENT WRITERS IN MODERN FICTION:\u003c\\\/a\u003e wiki.ezvid.com chooses \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/m.youtube.com\\\/watch?v=PvOe6-EaXs0\\\"\u003eA-FRAME\u003c\\\/a\u003e: Katherine Leyton’s A-frame interview with Steven Heighton\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=CRfDceioOLc\\\"\u003eSOME OTHER JUST ONES\u003c\\\/a\u003e: An animated short by Caroline O'Neill\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=GnJ6vkJNyyc\\\"\u003eIF NOBODY CALLS, I'M GLAD\u003c\\\/a\u003e: An excerpt from a talk at Concordia, April 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=VC5GBVYXNLM\\\"\u003eWORDS ALOUD 2011\u003c\\\/a\u003e: Steven Heighton reads “Herself, Revised” and “Dream”\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/youtu.be\\\/_pKIDAgFadU\\\"\u003eCROSSING THE BORDERS BETWEEN US: THE ETHICS OF INTERVENTION \u0026 RESISTANCE\u003c\\\/a\u003e: Steven Heighton reads. First delivered at Queen’s University, May 2011, then at the KCHC AGM, June 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.cbc.ca\\\/thenextchapter\\\/2011\\\/04\\\/11\\\/guy-gavriel-kay-and-stephen-heighton\\\/\\\"\u003eTHE NEXT CHAPTER\u003c\\\/a\u003e: On CBC Radio, Guy Gavriel Kay and Steven Heighton discuss the encroachment of social media and its effect on the creative process\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=Eco3985F0M8\\\"\u003eBOOKBITS\u003c\\\/a\u003e: Steven Heighton discusses his novel, \u003cem\u003eEvery Lost Country\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.authorsaloud.com\\\/fiction\\\/heighton.html\\\"\u003eAUTHORS ALOUD\u003c\\\/a\u003e: Steven Heighton reads from his novel, \u003cem\u003eAfterlands\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_Description_for_R_0":"DREAM FRAGMENT\\r\\n\\r\\nIn those days the weather was jealous\\r\\nand would turn up at her house just to see\\r\\nwhat its cold winds could make of her face.\\r\\n\\r\\nAt her door she would be seen often\\r\\nspeaking to each of the seasons in turn\\r\\nthough with a marked preference\\r\\n(as many observed, and reported)\\r\\nfor winter\\r\\n\\r\\nwhich always stayed longest\\r\\nand left behind fading signs\\r\\nof its tenure aboveground.\\r\\n\\r\\nWho among us up here\\r\\nwouldn’t want his love, her love\\r\\nto carry a trace that clear, that\\r\\ncold, stoic and austere, withdrawing\\r\\nto regain itself, then resurging?\\r\\n\\r\\nWhat I wouldn’t do\\r\\nor undo (winter whispered\\r\\nin a voice akin to mine) to see\\r\\none more time what my touch\\r\\nmight make of your face.","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\r\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\r\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_ShortDescription_0":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","ProductFormDescription":"mobi","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","Width":"6","WidthCode":"in"}
Selected Poems 1983–2020
A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.
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{"id":7371423350843,"title":"Procession","handle":"procession","description":"\u003cp\u003eyou are only here\u003c\/p\u003e\n\u003cp\u003e to learn from those who came before\u003c\/p\u003e\n\u003cp\u003eand make space\u003c\/p\u003e\n\u003cp\u003e for those who come after\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eProcession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General’s Award–winner Katherena Vermette’s third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations.\u003c\/p\u003e\n\u003cp\u003eIn frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from ’80s childhood nostalgia to welcoming one’s own babies, Vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. \u003cem\u003eProcession\u003c\/em\u003e delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you’re very lucky, age.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ebe a good ancestor\u003c\/p\u003e\n\u003cp\u003e be a good kid\u003c\/p\u003e","published_at":"2025-04-02T11:24:36-04:00","created_at":"2025-04-02T10:37:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult New Releases","Adult Poetry","By (author) Vermette Katherena","House of Anansi Press","pub date: 2025-09-30"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42115993829435,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013523","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Procession - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013523","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42115994058811,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013530","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Procession - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013530","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094","options":["Title"],"media":[{"alt":"Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.","id":25259041488955,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/procession_cover.jpg?v=1743690094","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eyou are only here\u003c\/p\u003e\n\u003cp\u003e to learn from those who came before\u003c\/p\u003e\n\u003cp\u003eand make space\u003c\/p\u003e\n\u003cp\u003e for those who come after\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eProcession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General’s Award–winner Katherena Vermette’s third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations.\u003c\/p\u003e\n\u003cp\u003eIn frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from ’80s childhood nostalgia to welcoming one’s own babies, Vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. \u003cem\u003eProcession\u003c\/em\u003e delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you’re very lucky, age.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ebe a good ancestor\u003c\/p\u003e\n\u003cp\u003e be a good kid\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000905","AlsoRecommendedISBN_1":"9781487003463","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE030000","BASICMainSubjectLiteral":"POETRY\/Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE\u003c\/strong\u003e (she\/her) is a Red River Métis (Michif) writer from Treaty 1 territory. Her father’s roots run deep in this land, dating back over two centuries, and her mother’s side is Mennonite.\u003c\/p\u003e\n\u003cp\u003eVermette received the Governor General’s Literary Award for Poetry for her first book, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e, and wide acclaim for her second collection of poems, \u003cem\u003eriver woman\u003c\/em\u003e. \u003cem\u003eThe Break\u003c\/em\u003e, a novel, won many awards including the Amazon.ca First Novel Award, and was a bestseller in Canada. She holds an MFA from the University of British Columbia.\u003c\/p\u003e\n\u003cp\u003eBorn in Winnipeg, Manitoba, Katherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Indigenous","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ Canadian","BISACSubject_0":"POE030000","BISACSubject_1":"POE024000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKATHERENA VERMETTE\u0026nbsp;\u003c\/strong\u003e(she\/her\/hers) is a Michif (Red River Métis) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba, Canada.\u0026nbsp;\u003c\/p\u003e\u003cp\u003eIn 2013, her first book,\u0026nbsp;\u003ci\u003eNorth End Love Songs\u003c\/i\u003e\u0026nbsp;(Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her latest is the poetry collection,\u0026nbsp;\u003ci\u003eprocession\u003c\/i\u003e\u0026nbsp;(House of Anansi).\u0026nbsp;\u003c\/p\u003e\u003cp\u003ekatherena lives with her family in a cranky old house within skipping distance of the temperamental Red River.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Vermette, Katherena (CA)","Description":"\u003cp\u003eyou are only here\u003c\/p\u003e\n\u003cp\u003e to learn from those who came before\u003c\/p\u003e\n\u003cp\u003eand make space\u003c\/p\u003e\n\u003cp\u003e for those who come after\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eProcession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General’s Award–winner Katherena Vermette’s third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations.\u003c\/p\u003e\n\u003cp\u003eIn frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from ’80s childhood nostalgia to welcoming one’s own babies, Vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. \u003cem\u003eProcession\u003c\/em\u003e delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you’re very lucky, age.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003ebe a good ancestor\u003c\/p\u003e\n\u003cp\u003e be a good kid\u003c\/p\u003e","EAN":"9781487013530","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eLONG ANTICIPATED COLLECTION: Katherena Vermette's previous collection of poems, \u003cem\u003eriver woman\u003c\/em\u003e (House of Anansi; 2018), received widespread critical acclaim and has sold over 7,000 copies since its release. Her debut collection, \u003cem\u003eNorth End Love Songs\u003c\/em\u003e (The Muses' Company; 2013), was awarded the Governor General's Award for Poetry in 2013.\u003c\/li\u003e\n\u003cli\u003eICONIC AUTHOR: Katherena Vermette's poetry and novels have been met with critical and commercial success around the globe. Her debut novel, \u003cem\u003eThe Break\u003c\/em\u003e (House of Anansi; 2016) was a finalist for CBC's Canada Reads in 2017. It was also shortlisted for the Writers' Trust Fiction Prize and the Governor General's Award for Fiction, among many other accolades. It has sold over 95,000 copies worldwide.\u003c\/li\u003e\n\u003cli\u003eLOOKING FORWARD AND BACKWARD: The poems featured in \u003cem\u003eProcession\u003c\/em\u003e muse on the nature of aging, of belonging, of nostalgia, and of the ceaseless march of time.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eAt once descendants and future ancestors, \u003cem\u003eProcession\u003c\/em\u003e explores the connections we have with ourselves, with friends, and within families and Nations.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2025-09-30","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eAt once descendants and future ancestors, \u003cem\u003eProcession\u003c\/em\u003e explores the connections we have with ourselves, with friends, and within families and Nations.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Procession
At once descendants and future ancestors, Procession explores the connections we have with ourselves, with friends, and within families and Nations.
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{"id":6813803937851,"title":"Unstable Neighbourhood Rabbit","handle":"unstable-neighbourhood-rabbit","description":"\u003cp\u003e\u003cstrong\u003eOneiric, fabulist, hilarious, surreal. No single term seems to sufficiently contain Mikko Harvey’s delightful, cheeky, absurdist, inimitable debut poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA bomb and a raindrop make small talk as they fall through the air; a visit to the phlebotomist evolves into a nightmarish party; a boy notices himself turning into a piano key. Reading \u003ci\u003eUnstable Neighbourhood Rabbit\u003c\/i\u003e is like spending the day at a strange amusement park. At first the rides appear familiar—then you realize they possess the power to not only thrill and terrify, but destabilize your very notion of amusement. These poems veer sharply away from what’s normally expected of poetry, instead bringing readers to that darkened, awkward, interior space where we are free to be most ourselves. \u003c\/p\u003e","published_at":"2022-03-23T13:02:45-04:00","created_at":"2022-03-23T09:24:27-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Harvey Mikko","House of Anansi Press","pub date: 2018-04-03"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205722091579,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003609","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Unstable Neighbourhood Rabbit - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003609","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5e10f02a-0a82-4747-8877-75b833523e50.jpg?v=1705996438"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5e10f02a-0a82-4747-8877-75b833523e50.jpg?v=1705996438","options":["Title"],"media":[{"alt":null,"id":24126693474363,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5e10f02a-0a82-4747-8877-75b833523e50.jpg?v=1705996438"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_5e10f02a-0a82-4747-8877-75b833523e50.jpg?v=1705996438","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eOneiric, fabulist, hilarious, surreal. No single term seems to sufficiently contain Mikko Harvey’s delightful, cheeky, absurdist, inimitable debut poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA bomb and a raindrop make small talk as they fall through the air; a visit to the phlebotomist evolves into a nightmarish party; a boy notices himself turning into a piano key. Reading \u003ci\u003eUnstable Neighbourhood Rabbit\u003c\/i\u003e is like spending the day at a strange amusement park. At first the rides appear familiar—then you realize they possess the power to not only thrill and terrify, but destabilize your very notion of amusement. These poems veer sharply away from what’s normally expected of poetry, instead bringing readers to that darkened, awkward, interior space where we are free to be most ourselves. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887847455","AlsoRecommendedISBN_1":"9781770893672","AlsoRecommendedISBN_2":"9781770893672","BASICMainSubject":"POE005010","BASICMainSubjectLiteral":"POETRY\/American","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMIKKO HARVEY\u003c\/strong\u003e is the author of \u003cem\u003eUnstable Neighbourhood Rabbit\u003c\/em\u003e (House of Anansi, 2018), which was shortlisted for the Gerald Lampert Memorial Award. His poems appear in such places as \u003cem\u003eIowa Review\u003c\/em\u003e, \u003cem\u003eKenyon Review\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and \u003cem\u003eThe Best American Nonrequired Reading 2019\u003c\/em\u003e. A graduate of Vassar College and Ohio State University, he has received the 2017 RBC\/PEN Canada New Voices Award and the 2019 Salt Hill Philip Booth Poetry Prize, as well as fellowships from MacDowell, the Vermont Studio Center, and Yaddo. He works as a writer for an immigration law firm and currently lives in upstate New York.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ American \/ General","BISACSubject_0":"POE005010","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMIKKO HARVEY\u003c\/strong\u003e is the author of \u003cem\u003eUnstable Neighbourhood Rabbit\u003c\/em\u003e (House of Anansi, 2018), which was shortlisted for the Gerald Lampert Memorial Award. His poems appear in such places as \u003cem\u003eIowa Review\u003c\/em\u003e, \u003cem\u003eKenyon Review\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and \u003cem\u003eThe Best American Nonrequired Reading 2019\u003c\/em\u003e. A graduate of Vassar College and Ohio State University, he has received the 2017 RBC\/PEN Canada New Voices Award and the 2019 Salt Hill Philip Booth Poetry Prize, as well as fellowships from MacDowell, the Vermont Studio Center, and Yaddo. He works as a writer for an immigration law firm and currently lives in upstate New York.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Harvey, Mikko","Description":"\u003cp\u003e\u003cstrong\u003eOneiric, fabulist, hilarious, surreal. No single term seems to sufficiently contain Mikko Harvey’s delightful, cheeky, absurdist, inimitable debut poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA bomb and a raindrop make small talk as they fall through the air; a visit to the phlebotomist evolves into a nightmarish party; a boy notices himself turning into a piano key. Reading \u003ci\u003eUnstable Neighbourhood Rabbit\u003c\/i\u003e is like spending the day at a strange amusement park. At first the rides appear familiar—then you realize they possess the power to not only thrill and terrify, but destabilize your very notion of amusement. These poems veer sharply away from what’s normally expected of poetry, instead bringing readers to that darkened, awkward, interior space where we are free to be most ourselves. \u003c\/p\u003e","EAN":"9781487003609","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487003609\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"provocative poetry; accessible; funny; creepy; poetry for people that don't like poetry; contemporary poetry; poems; canlit; dunk tank kayla czaga; stereoblind emma healey; a pillow book suzanne buffam; 1996 sara peters; poetry lovers","NumberOfPages":"72","OtherText_Accolades_0":"\u003cp\u003e“In Unstable Neighbourhood Rabbit, as it should be the case, natural elements act like neighbours and old friends, people act like animals, animals act like people, names determine fate, rice and goats and bowls determine how we interpret the world, our palms control our thinking, our imaginations are celebrated and called upon to take responsibility for what they call into existence, our imaginations transform us as necessary, everything is a sign, everything is heroic and epic and fragile, everything matters, the wind can undo our shoelaces.” — \u003cstrong\u003eDara Wier, award-winning author of Reverse Rapture\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Dara Wier, award-winning author of Reverse Rapture","OtherText_Accolades_1":"\u003cp\u003e“All words are adult, said Maurice Blanchot. And this book is saying to words (like “nature”) die! *gently* die! And be born again: babies, children, reindeer. So, don't read this book if you don’t want to think like a child (and don’t read it if you don't think childthought is absolutely magnified). Don’t read this book if you don’t want to lose your I. Don’t read this book if you don’t want to cry.” — \u003cstrong\u003eDarcie Dennigan, author of Madame X and Palace of Subatomic Bliss\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Darcie Dennigan, author of Madame X and Palace of Subatomic Bliss","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eWELL ESTABLISHED IN THE U.S. POETRY WORLD\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eMikko is embedded and well regarded in the U.S. poetry world; he’s been involved in publishing poems, reviews, and interviews with acclaimed poets. He’s also served as a poetry editor at \u003cem\u003eThe Journal\u003c\/em\u003e (Ohio State University) and \u003cem\u003eFairy Tale Review\u003c\/em\u003e (Wayne State University Press). He has received various distinctions, including features in \u003cem\u003eBest New Poets\u003c\/em\u003e and \u003cem\u003ePoetry Daily\u003c\/em\u003e, and fellowships from establishments such as MacDowell, Yaddo, and the Vermont Studio Center.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eACCESSIBLE! NOT THE POETRY THEY MADE YOU STUDY IN HIGH SCHOOL\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe poems in this collection appeal to readers who don’t usually like poetry: they are accessible, funny, creepy — and not like the poems they made you study in high school.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDEBUT COLLECTION\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eIndividual poems from the book have appeared widely in the U.S., but this will be his exciting debut collection.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003e\u003cstrong\u003eAUTOBIOGRAPHY\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe bomb and the raindrop overlap briefly.\u003cbr\/\u003e\u003cbr\/\u003eNice night, says the drop.\u003cbr\/\u003e\u003cbr\/\u003eWhere you headed? says the bomb.\u003cbr\/\u003e\u003cbr\/\u003eDon't know, says the drop.\u003cbr\/\u003e\u003cbr\/\u003eWell goodbye, says the bomb.\u003cbr\/\u003e\u003cbr\/\u003eThe bomb thinks, I am too heavy to make friends. Then he touches\u003cbr\/\u003e\u003cbr\/\u003ethe mudbrick building.\u003cbr\/\u003e\u003cbr\/\u003eShortly after, landing in debris, the drop thinks, O.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eWELL ESTABLISHED IN THE U.S. POETRY WORLD\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eMikko is embedded and well regarded in the U.S. poetry world; he’s been involved in publishing poems, reviews, and interviews with acclaimed poets. He’s also served as a poetry editor at \u003cem\u003eThe Journal\u003c\/em\u003e (Ohio State University) and \u003cem\u003eFairy Tale Review\u003c\/em\u003e (Wayne State University Press). He has received various distinctions, including features in \u003cem\u003eBest New Poets\u003c\/em\u003e and \u003cem\u003ePoetry Daily\u003c\/em\u003e, and fellowships from establishments such as MacDowell, Yaddo, and the Vermont Studio Center.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eACCESSIBLE! NOT THE POETRY THEY MADE YOU STUDY IN HIGH SCHOOL\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe poems in this collection appeal to readers who don’t usually like poetry: they are accessible, funny, creepy — and not like the poems they made you study in high school.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEBUT COLLECTION\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eIndividual poems from the book have appeared widely in the U.S., but this will be his exciting debut collection.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Bizarre but compelling, Harvey’s poetic “playground” is fascinating territory.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"\u003cp\u003e“Lively, sometimes intense, and linguistically inventive.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill \u0026amp; Quire","OtherText_ShortDescription_0":"Oneiric, fabulist, hilarious, surreal. No single term seems to sufficiently contain Mikko Harvey’s delightful, cheeky, absurdist, inimitable debut.","PrizeCodeText_0":"Short-listed","PrizeCode_0":"04","PrizeName_0":"League of Canadian Poets’ Gerald Lampert Memorial Award","PrizeYear_0":"2018","ProductFormDescription":"trade paperback","PublicationDate":"2018-04-03","Publisher":"House of Anansi Press Inc","ShortDescription":"Oneiric, fabulist, hilarious, surreal. No single term seems to sufficiently contain Mikko Harvey’s delightful, cheeky, absurdist, inimitable debut.","Width":"5.5","WidthCode":"in"}
Unstable Neighbourhood Rabbit
Oneiric, fabulist, hilarious, surreal. No single term seems to sufficiently contain Mikko Harvey’s delightful, cheeky, absurdist, inimitable debut.
