“...explore how painting, writing, and building things with your hands can be the outlet that helps a person get through the hell that is high school.” — Quill & Quire
The kids at school call her rag girl because she hides under layers of oversized clothing, but she calls herself Ophelia. She hardly speaks to anyone — until one day a visiting author comes to give a talk in the school library. The writer speaks about what it means to create art, and at the end of her talk, she thanks Ophelia for asking the first question by giving her a blue notebook with her address on it.
Ophelia starts to write to the author in the notebook — letters that become a kind of lifeline. The idea that someone, somewhere, might care, is enough for her to keep writing, an escape from her real life. By day she goes to school and works at the dollar store before returning home to her mother, a former addict who once had to put her daughter in care. At night she creates graffiti around town, leaving little broken hearts as her tag.
One night she finds an abandoned building that she decides to use as her workshop, where she can make larger-than-life art. When she finds that a classmate, an overweight boy named Ulysses, is also using the space to repair an old van, the two form an uneasy truce, with a chalk line drawn down the middle to mark their separate territories. As time passes, Ophelia and Ulysses forge a fraught but growing friendship, but their cocooned existence cannot last forever. One night, intruders invade their sanctuary, and their shared bond and individual strength are sorely tested.
Key Text Features
illustrations
doodles
sketches
photographs
Correlates to the Common Core State Standards in English Language Arts:
CCSS.ELA-LITERACY.RL.6.3
Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.
“...explore how painting, writing, and building things with your hands can be the outlet that helps a person get through the hell that is high school.” — Quill & Quire
The kids at school call her rag girl because she hides under layers of oversized clothing, but she calls herself Ophelia. She hardly speaks to anyone — until one day a visiting author comes to give a talk in the school library. The writer speaks about what it means to create art, and at the end of her talk, she thanks Ophelia for asking the first question by giving her a blue notebook with her address on it.
Ophelia starts to write to the author in the notebook — letters that become a kind of lifeline. The idea that someone, somewhere, might care, is enough for her to keep writing, an escape from her real life. By day she goes to school and works at the dollar store before returning home to her mother, a former addict who once had to put her daughter in care. At night she creates graffiti around town, leaving little broken hearts as her tag.
One night she finds an abandoned building that she decides to use as her workshop, where she can make larger-than-life art. When she finds that a classmate, an overweight boy named Ulysses, is also using the space to repair an old van, the two form an uneasy truce, with a chalk line drawn down the middle to mark their separate territories. As time passes, Ophelia and Ulysses forge a fraught but growing friendship, but their cocooned existence cannot last forever. One night, intruders invade their sanctuary, and their shared bond and individual strength are sorely tested.
Key Text Features
illustrations
doodles
sketches
photographs
Correlates to the Common Core State Standards in English Language Arts:
CCSS.ELA-LITERACY.RL.6.3
Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.
Published By | Groundwood Books Ltd — Mar 1, 2018 |
Specifications | 264 pages | 5.5 in x 7.75 in |
Keywords | YA; grafitti; bullying; violence; abuse; peer pressure; abuse; family and family issues; friends and friendship issues; growing up; outsider; drugs and addiction; poverty; adaptability; empathy; respect for self; child as narrator; characters who write; writing journals; writing letters; writing workshop; connecting; questioning; inferring; Common Core aligned; CC Literature Key Ideas and Details; CC Literature Craft and Structure; CC Literature Integration of Knowledge and Ideas; grade 6; |
Written By |
CHARLOTTE GINGRAS is a former teacher and visual artist, and she remains one of Quebec’s best-loved authors of works for young readers. Her books have been translated into several languages, and she has twice won the Governor General’s Literary Award, for La liberté? Connais pas… and Un été de Jade, which also won the Mr. Christie’s Award. |
Illustrated by |
A well-known illustrator, graphic artist and engraver, DANIEL SYLVESTRE has illustrated several albums and novels, and he has been artistic director of the poetry collection at la courte echelle. His illustrations for Rose: derrière le rideau de la folie by Èlise Turcotte won the Governor General’s Award in 2010, and his illustrations for Ma vie de reptile by Sylvie Massicotte were shortlisted for the Governor General’s Award in 2007. |
Written By |
CHARLOTTE GINGRAS is a former teacher and visual artist, and she remains one of Quebec’s best-loved authors of works for young readers. Her books have been translated into several languages, and she has twice won the Governor General’s Literary Award, for La liberté? Connais pas… and Un été de Jade, which also won the Mr. Christie’s Award. |
Illustrated by |
A well-known illustrator, graphic artist and engraver, DANIEL SYLVESTRE has illustrated several albums and novels, and he has been artistic director of the poetry collection at la courte echelle. His illustrations for Rose: derrière le rideau de la folie by Èlise Turcotte won the Governor General’s Award in 2010, and his illustrations for Ma vie de reptile by Sylvie Massicotte were shortlisted for the Governor General’s Award in 2007. |
Audience | ages 14 and up / grades 8 and up |
Reading Levels | Lexile HL800L |
Key Text Features | illustrations; doodles; sketches; photographs |
Common Core | CCSS.ELA-LITERACY.RL.6.3 |
“In her introspective sketchbook of a novel, Gingras quietly exposes Ophelia's and Ulysses' vulnerabilities while depicting their journey to becoming more comfortable in their own skins.” —Booklist
“Ophelia is is a book that will speak to teens on many different levels. . . . a thoughtful and illuminating book that will hopefully resonate with readers long after the final page.” —CM: Canadian Review of Materials
“Meant for girls, this book will please their mothers as well, or anyone who has been through high school and remembers the thrill of falling in love for the first time ...” —Châtelaine
“The narration and dialogue are raw and moving . . . . It’s exhilarating to see Ophelia’s transformation from angry and traumatized to open and alive.” —Quill & Quire
“. . . the palpable longing in Ophelia’s narration could appeal to readers sensitive to imagistic prose.” —The Bulletin of the Center for Children's Books
“. . . the palpable longing in Ophelia’s narration could appeal to readers sensitive to imagistic prose.” —The Bulletin of the Center for Children's Books