Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin.
In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand.
Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.
Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin.
In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand.
Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.
Published By | House of Anansi Press Inc — Jul 27, 2021 |
Specifications | 256 pages | 6 in x 9 in |
Written By |
ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. |
Written By |
ALIX OHLIN is the author of six books, including the novels Inside and Dual Citizens, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, Tin House, Best American Short Stories, and many other publications. Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia. |
Short-listed, Atwood Gibson Writers' Trust Fiction Prize
Short-listed, Lambda Literary Award for Bisexual Fiction
“The collection explore[s] desire and grief through a finely drawn and eclectic cast of characters ... Ohlin’s sly irony leavens the aching plights of characters for whom closure is unattainable.” —New York Times Book Review
“Glittering ... Shot through with dark humor and keen powers of observation, this collection probes our contradictions with incisive clarity.” —Esquire
“Ohlin’s slyly humorous and devastatingly sensuous collection of short fiction shines a brilliant light on women’s inchoate desires.” —O Magazine
Alix Ohlin is a magician. It’s not just that the stories are — individually and collectively — stunning; it’s that she makes it look so easy.
” —Toronto StarThere’s no shortage of phrases, sentences, and paragraphs to savour on every page … The elegant stories are delectable, electric, and clever … An exceptional, satisfying reading experience.
” —Vancouver Sun“Calling all fans of Lorrie Moore, Deborah Eisenberg, and Robin Black: You have a new favourite writer.” —Newark Star-Ledger
“[Ohlin] has a rare gift for examining the confusions of the 21st century, exploring the ways in which addictions, afflictions, attractions, and random impulses shape our lives.” —Boston Globe
Ohlin’s stories have a quiet elegance to them and a restraint, although they’re filled, too, with grief and with loss … The book is a pleasure to behold … A wry and moving collection that supplies no easy, unearned endings.
” —Kirkus Reviews“With language intensely evocative and keenly focused on the nuances that define each of us as individuals, Ohlin delves into the lives of her characters — even in her shortest pieces — and reveals a depth to them, a poignancy, that is deeply affecting.” —Baltimore Sun
“This cunning writer yanks you inside her world.” —San Francisco Chronicle
“Ohlin’s characters are so genuine you’ll be reminded of people you know, love and hate. For better or worse, you may even see yourself in the pages.” —Marie Claire
Another rich collection full of insights and sticky contradictions … Ohlin reveals the depth of her characters with empathy and precision … More than worth the price of admission.
” —Publishers WeeklyEvery story in this exquisite collection is a gem full of startling surprises and insights into human nature. The collection demands and rewards repeated readings, the better to savour Ohlin’s near magical ability to achieve such depth with seemingly plain language and plotting. Ohlin packs entire lives into mere pages, allowing readers to join the flow of fully realized, complex scenarios whose key moments exude the inevitable open-endedness of real life. These stories bring us into the company of people who want what we all want: to connect, to matter, to heal, and to cross into unfamiliar territory, hoping that the risk will be worthwhile.
” —Atwood Gibson Writers’ Trust Fiction Prize Jury Citation