The Better Tree Fort

The Better Tree Fort

Illustrated by: Leng, Qin
ages 4 to 7 / grades P to 2

“Together, artist and author affectingly construct The Better Tree Fort that has little to do with its exterior, and everything to do with the love contained within.” — Shelf Awareness, STARRED REVIEW

“Let’s build a tree fort,” Russell says to his dad when they move into a house with a big maple tree in the backyard. His dad doesn’t know much about building, but he gamely follows Russell’s plan. Several trips to the lumber store later, the tree fort is done. There is no slide, balcony or skylight like Russell imagined, but it is perfect — right up until he notices another tree fort going up three houses over.

When Russell goes over to investigate, he meets Warren, whose bigger tree fort has castle turrets and working lights. Russell is in awe until it dawns on him that it’s not worth worrying about who has the better tree fort when he has a loving dad there to build one with him.

In this subtle, humorous story, Jessica Scott Kerrin explores the idea of keeping up with the Joneses — and what that means when you’re a kid with a tree fort. Qin Leng’s lighthearted watercolor illustrations show the unshakeable bond between a father and son, as well as the delightful details of two tree forts.

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.K.3
With prompting and support, identify characters, settings, and major events in a story.

CCSS.ELA-LITERACY.RL.1.7
Use illustrations and details in a story to describe its characters, setting, or events.

CCSS.ELA-LITERACY.RL.2.3
Describe how characters in a story respond to major events and challenges.

“Together, artist and author affectingly construct The Better Tree Fort that has little to do with its exterior, and everything to do with the love contained within.” — Shelf Awareness, STARRED REVIEW

“Let’s build a tree fort,” Russell says to his dad when they move into a house with a big maple tree in the backyard. His dad doesn’t know much about building, but he gamely follows Russell’s plan. Several trips to the lumber store later, the tree fort is done. There is no slide, balcony or skylight like Russell imagined, but it is perfect — right up until he notices another tree fort going up three houses over.

When Russell goes over to investigate, he meets Warren, whose bigger tree fort has castle turrets and working lights. Russell is in awe until it dawns on him that it’s not worth worrying about who has the better tree fort when he has a loving dad there to build one with him.

In this subtle, humorous story, Jessica Scott Kerrin explores the idea of keeping up with the Joneses — and what that means when you’re a kid with a tree fort. Qin Leng’s lighthearted watercolor illustrations show the unshakeable bond between a father and son, as well as the delightful details of two tree forts.

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.K.3
With prompting and support, identify characters, settings, and major events in a story.

CCSS.ELA-LITERACY.RL.1.7
Use illustrations and details in a story to describe its characters, setting, or events.

CCSS.ELA-LITERACY.RL.2.3
Describe how characters in a story respond to major events and challenges.

Published By Groundwood Books Ltd — Mar 1, 2018
Specifications 32 pages | 10.5 in x 7.5 in
Written By Jessica Scott Kerrin is the author of the newly launched Lobster Chronicles series and the best-selling Martin Bridge series. She lives in downtown Halifax, Canada, and once owned a nutty Springer Spaniel who inspired this book.
Illustrated by

QIN LENG lives and works as a designer and illustrator in Toronto. She graduated from the Mel Hoppenheim School of Cinema and has received many awards for her animated short films and artwork. Her picture books include Hana Hashimoto, Sixth Violin by Chieri Uegaki (APALA Award, Governor General’s Literary Award finalist); Away by Emil Sher and A Family Is a Family Is a Family by Sara O’Leary (both USBBY Outstanding International Books); When I Found Grandma by Saumiya Balasubramaniam (Marilyn Baillie Picture Book Award finalist) and I Am Small, which Qin has written and illustrated.

Written By
Jessica Scott Kerrin is the author of the newly launched Lobster Chronicles series and the best-selling Martin Bridge series. She lives in downtown Halifax, Canada, and once owned a nutty Springer Spaniel who inspired this book.
Illustrated by

QIN LENG lives and works as a designer and illustrator in Toronto. She graduated from the Mel Hoppenheim School of Cinema and has received many awards for her animated short films and artwork. Her picture books include Hana Hashimoto, Sixth Violin by Chieri Uegaki (APALA Award, Governor General’s Literary Award finalist); Away by Emil Sher and A Family Is a Family Is a Family by Sara O’Leary (both USBBY Outstanding International Books); When I Found Grandma by Saumiya Balasubramaniam (Marilyn Baillie Picture Book Award finalist) and I Am Small, which Qin has written and illustrated.

“Together, artist and author affectingly construct The Better Tree Fort that has little to do with its exterior, and everything to do with the love contained within.” —Shelf Awareness, STARRED REVIEW

“Its message of what matters most—including love and spending time together—is one many readers will welcome.” —Booklist

“It's clear that the time Russell and his father spent together is their fort's greatest feature. Leng captures their loving relationship in a warm palette of watercolors and inks . . . Kerrin includes subtle moments of humor throughout the story line . . .” —Horn Book

“Kerrin's story of father-son love is endearing and warm-spirited.” —Kirkus Reviews

“[A] delightful story about the genuine love between a father and son.” —Canadian Children's Book News

“[A] subtle, humorous picture book story in which author Jessica Scott Kerrin deftly explore the idea of 'keeping up with the Joneses' — and what that means when you're a kid with a tree fort. Of special note is how illustrator Qin Leng's lighthearted watercolor illustrations show the unshakeable bond between a father and son . . .” —Midwest Book Review