Winner, 2025 Governor General's Literary Award for Poetry
Winner, Forward Prize for Best Collection of Poetry
Finalist, T.S. Eliot Prize
An Observer and Financial Times Best Book of 2025
The poems in Wellwater, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.
Having grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.
Winner, 2025 Governor General's Literary Award for Poetry
Winner, Forward Prize for Best Collection of Poetry
Finalist, T.S. Eliot Prize
An Observer and Financial Times Best Book of 2025
The poems in Wellwater, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.
Having grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.
| Published By | House of Anansi Press Inc — Apr 1, 2025 |
| Specifications | 112 pages | 5.75 in x 8 in |
| Keywords | Caiplie Caves; Griffin Poetry Prize; T.S. Elliot Prize for Poetry; Pat Lowther Memorial Award; Trillium Award; Dorothy Livesay Prize; Lyric Poetry; Career Poets; Lifetime Poets; Poetry; Capitalism; Economy; Environment; Climate Anxiety; Corporate Greed; The University of St Andrews; Guggenheim Fellowship; Women Auhtors; Women Poets; Critical Poetry; Iris Trio; Project Earth; Ben Lerner; Lights; Lisa Robertson; Boat; Michael Ondaatje; A Year of Last Things; Rural Poetry; Late Stage Capitalism; Nature Poetry; |
|
Supporting Resources
(select item to download) |
Excerpt |
| Written By |
KAREN SOLIE grew up in southwest Saskatchewan. Her five previous collections of poetry–Short Haul Engine, Modern and Normal, Pigeon, The Road In Is Not the Same Road Out, and The Caiplie Caves–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada. |
| Written By |
|
KAREN SOLIE grew up in southwest Saskatchewan. Her five previous collections of poetry–Short Haul Engine, Modern and Normal, Pigeon, The Road In Is Not the Same Road Out, and The Caiplie Caves–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada. |
Winner, Governor General's Literary Award for Poetry, 2025
Joint winner, Forward Prize for Best Collection of Poetry, 2025
Short-listed, T.S. Eliot Prize for Poetry, 2025
Commended, The Observer best book of 2025, 2025
Commended, The Financial Times best book of 2025, 2025
“Blazingly honest.” — The Guardian
“[Karen Solie has] a consistent knack for surprise, for finding ways to develop a style that, one book back, felt fully realized.” — Literary Hub
“Wellwater is full of small revelations. At this point, Solie has little left to achieve, but if her poems keep letting their mask slip, they might genuinely surprise us. She has been a thrillingly unpredictable poet for twenty-five years.” — The Walrus
“Wellwater is an unerring recalibration. To counter an age of abstraction and illusion, Solie zeroes in on the overlooked … Masterful compositions.” — The Literary Review of Canada
“Authoritative and unforgettable … How Solie binds bleakness, distance, confidence and vulnerability into such a distinctive poetic presence is a compelling puzzle.” — The Times Literary Supplement
“Wellwater is full of complex ideas that speak to resilience of both people and our environment, and look to ways we can move forward at peace with our world.” — Canadian Living
“Sardonic, perceptive, and unrelenting.” — Room Magazine
“Wellwater [has] a characteristically fierce intellectual and poetic rigour.” — Winnipeg Free Press
“If there is any obvious hope to be found in the sombre and desolate poems on offer in this collection, it is in the perseverance of nature in the face of violence and peril … These things, independent of human faith and competitive capitalism, endure. And they are the things, these poems argue, we might most profitably focus on.” — That Shakespearean Rag
“Wellwater is an extraordinary collection.” — The Woodlot
“Solie’s poems offer both deep wisdom and a lightness across the line … Her poems craft deep wells of meditative thinking, lines that turn a leaf over in one’s hand, to study every side.” — rob mclennan’s blog
"[Karen Solie] has never faltered.” — The Miramichi Reader
“Thoughtful.” — Quebec Library Association